Staff Activities

Mark Hallett Director of Studies

Mark Hallett’s main research focus this year was the exhibition George Shaw: A Corner of a Foreign Field, which he curated and which ran from October to December 2018 at the Yale Center for British Art, New Haven, and from February to May 2019 at the Holburne Museum, Bath. Further details of this research project are found elsewhere in this report.

He also began work on a new research project on the British artist Nigel Henderson (1917–1985), in preparation for a ‘Spotlight’ display of Henderson’s collages at Tate Britain in December 2019. This work included the development of a scholarly film on Henderson’s practice, which will be shown as part of the display.

Professor Hallett also conducted research on the artist Michael Andrews (1928–1995), the subject of his British Academy ‘Aspects of Art’ Lecture of July 2019.

Alongside editing and writing the bulk of the catalogue that accompanied the Shaw exhibition, Professor Hallett contributed a short essay to Britain in the World: Highlights from the Yale Center for British Art, edited by Martina Droth, Nathan Flis and Michael Hatt, and published in 2019 to commemorate Amy Meyers’ Directorship of the Yale Center for British Art.

Professor Hallett continued to serve as an external member of Tate Britain’s Advisory Council, and of the Courtauld Institute of Art’s Promotion Committee. He also acted as an academic advisor to Cambridge University’s History of Art department, in relation to the forthcoming Research Assessment Exercise.

Sarah Victoria Turner Deputy Director for Research

In September 2018, Sarah Victoria Turner was nominated and elected a full Fellow of the Royal Society of Arts in London for her contribution to research on British art and international artistic exchanges. Dr Turner travels widely on behalf of the Centre and has given talks and lectures at a number of venues across the world. In April 2019, she was invited by the University of Washington in Seattle to give a public lecture on the The Great Spectacle: 250 Years of the Summer Exhibition, the exhibition she co-curated with Mark Hallett at the Royal Academy of Arts in London (June to August 2018). She also led a workshop for graduate students and faculty members on digital publishing, drawing on her experience as a founder editor of the open-access journal British Art Studies and as an editor of The Royal Academy Summer Exhibition: A Chronicle, 1769–2018, an open-access and peerreviewed digital publication consisting of texts by over ninety authors. Dr Turner has published a number of books and essays in this period. These include: ‘Painting Portraits, Recording Lives’, Eileen Hogan: Personal Geographies (New Haven and London: Yale Center for British Art / Yale University Press, 2019), pp. 188–203; Enchanted Modernities: Theosophy, the Arts and the American West, co-edited with James Mansell and Christopher Scheer (Lopen: Fulgur, 2019) and Imagined Cosmopolis: Internationalism and Cultural Exchange, 1870s–1920s, co-edited with Charlotte Ashby, Grace Brockington and Daniel Laqua (Oxford: Peter Lang, in press).

Martin Postle Deputy Director for Grants & Publications

Martin Postle continued to be involved in operations and planning future courses for Yale undergraduates at the Centre. He also taught the Yale in London course, ‘The British Country House: Collecting and Display’ in the early summer of 2019. Dr Postle continued his role on the Centre’s Publications Committee, involving the evaluation of manuscripts and planning of future publications. He also continued his role in the Centre’s Grants and Fellowships programme, working closely with the Centre’s Fellowships, Grants & Communications Manager, Harriet Fisher. In autumn 2018 and spring 2019 he chaired the Grants and Fellowships section of the Advisory Council meeting. Throughout the year Dr Postle continued to make visits to regional museums to discuss research initiatives with staff. He also organised two workshops relating to curatorial research, in September 2018 in Sheffield and in October 2018 at the Holburne Museum, Bath. In the spring of 2019 Dr Postle took up the position of interim convenor of the British Art Network, including the organisation of the workshop titled ‘Curatorial EcoSystems’ held at Tyne & Wear Archives & Museums in June 2019.

Dr Postle’s research role at the Centre continued to be centred principally on the project he continues to lead, Collection and Display: The British Country House, working closely with a range of colleagues, including curators, academics and emerging scholars. He attended and chaired sessions at academic conferences throughout the year, and delivered presentations at Frenemies: Friendship, Enmity and Rivalry in British Art, 1769–2018 at the Royal Academy of Arts (July 2018), and at The Roman Art World in the 18th Century and the Birth of the Art Academy in Britain, held at the Accademia Nazionale di San Luca and the British School at Rome (December 2018).

Dr Postle continued to serve on the following committees and boards: Editorial Board, British Art Studies; Expert Advisor, Reviewing Committee on the Export of Works of Art; International Advisory Board, The British Art Journal; Governor of Dr Johnson’s House; the Council of the Attingham Trust; and Trustee of the Catalogue Raisonné of Works by Philip de László.

Appendix

Cumulative List of Publications since 1970 (SBA: Studies in British Art series)

Print Publications

1971

Ronald Paulson, Hogarth: His Life, Art, and Times, 2 vols.

John Hayes, The Drawings of Thomas Gainsborough (published for the PMC in USA only)

1972

John Hayes, Gainsborough as Printmaker (published for the PMC in USA only)

1973

Eric Adams, Francis Danby: Varieties of Poetic Landscape

1974

A. Charles Sewter, The Stained Glass of William Morris and His Circle, 2 vols.

1975

Leonée and Richard Ormond, Lord Leighton

Hans Hammelmann, Book Illustrators in Eighteenth-Century England

1976

M. H. Port, The Houses of Parliament

Edward Mead Johnson, Francis Cotes (Phaidon, published with the help of PMC)

Andrew Saint, Richard Norman Shaw

Miklos Rajnai and Mary Stevens, The Norwich Society of Artists, 1805–1833

1977

Nicholas Penny, Church Monuments in Romantic England

Robin Gibson, Catalogue of Portraits in the Collection of the Earl of Clarendon (privately published for PMC by BAS Printers Ltd)

Martin Butlin and Evelyn Joll, The Paintings of J. M. W. Turner (rev. edn 1984), 2 vols.

1978–84

K. Garlick and A. MacIntyre (eds.), The Diary of Joseph Farington, 16 vols.

1978

Peter Thornton, Seventeenth-Century Interior Decoration in England, France & Holland

1979

Anthony Quiney, John Loughborough Pearson

William Vaughan, German Romanticism and English Art

George P. Landow, William Holman Hunt and Typological Symbolism

1980

Kathryn Moore Heleniak, William Mulready

Andrew McLaren Young, Margaret MacDonald, Robin Spencer and Hamish Miles, The Paintings of James McNeill Whistler, 2 vols.

1981

William L. Pressly, The Life & Art of James Barry

John Ingamells, The English Episcopal Portrait, 1559–1835: A Catalogue (privately for PMC)

Mansfield Kirby Talley, Portrait Painting in England: Studies in the Technical Literature before 1700 (privately for PMC)

Martin Butlin, The Paintings and Drawings of William Blake, 2 vols.

Virginia Surtees (ed.), The Diary of Ford Madox Brown

1982

Hugh Brigstocke, William Buchanan and the 19th-Century Art Trade (privately for PMC)

Benedict Read, Victorian Sculpture

1983

Susan Beattie, The New Sculpture

Louise Lippincott, Selling Art in Georgian London: The Rise of Arthur Pond

1984

Graham Reynolds, The Later Paintings and Drawings of John Constable, 2 vols.

Terry Friedman, James Gibbs

1985

Richard Dorment, Alfred Gilbert

Rüdiger Joppien and Bernard Smith, The Art of Captain Cook’s Voyages, 4 vols.

1987

Cecily Langdale, Gwen John

Michael McCarthy, The Origins of the Gothic Revival

Cecilia Powell, Turner in the South: Rome, Florence, Naples

1988

Felicity Owen and David Blayney Brown, Collector of Genius: A Life of Sir George Beaumont

Stephen Deuchar, Sporting Art in Eighteenth-Century England: A Social and Political History

Bernard Smith and Alwyne Wheeler (eds.), The Art of the First Fleet & Other Early Australian Drawings

Iain Pears, The Discovery of Painting: The Growth of Interest in the Arts in England, 1680–1768

1989

Clive Wainwright, The Romantic Interior: The British Collector at Home, 1750–1850

1991

Christopher Gilbert, English Vernacular Furniture, 1750–1900

1992

Alastair Smart, Allan Ramsay: Painter, Essayist and Man of the Enlightenment

1993

David H. Solkin, Painting for Money: The Visual Arts and the Public Sphere in Eighteenth-Century England

Douglas D. C. Chambers, The Planters of the English Landscape Garden

David Bindman and Gottfried Riemann (eds.), Karl Friedrich Schinkel, The English Journey: Journal of a Visit to France and Britain in 1826

Simon Thurley, The Royal Palaces of Tudor England: Architecture and Court Life, 1460–1547

Marcia Pointon, Hanging the Head: Portraiture and Social Formation in Eighteenth-Century England

1994

Sam Smiles, The Image of Antiquity: Ancient Britain and the Romantic Imagination

Charles Harrison, English Art and Modernism, 1900–1939

John Schofield, Medieval London Houses

Nigel Everett, The Tory View of Landscape

Miles Glendinning and Stefan Muthesius, Tower Block: Modern Public Housing in England, Scotland, Wales and Northern Ireland

1995

Howard Colvin, A Biographical Dictionary of British Architects, 1600–1840 (3rd edn.)

David Bindman and Malcolm Baker, Roubiliac and the Eighteenth-Century Monument: Sculpture as Theatre

Brian Allen (ed.), Towards a Modern Art World: Studies in British Art 1 (SBA 1)

Lucy Gent (ed.), Albion’s Classicism: The Visual Arts in Britain, 1550–1660 (SBA 2)

Jules Lubbock, The Tyranny of Taste: The Politics of Architecture and Design in Britain, 1550–1960

M. H. Port, Imperial London: Civil Government Building in London, 1851–1915

Giles Worsley, Classical Architecture in Britain: The Heroic Age

Paul Binski, Westminster Abbey and the Plantagenets: Kingship and the Representation of Power, 1200–1400

Margaret F. MacDonald, James McNeill Whistler, Drawings, Pastels and Watercolours: A Catalogue Raisonné

1996

Chloe Chard and Helen Langdon (eds.), Transports: Travel, Pleasure, and Imaginative Geography, 1600–1830 (SBA 3)

Diana Donald, The Age of Caricature: Satirical Prints in the Reign of George III

Graham Reynolds, The Early Paintings and Drawings of John Constable, 2 vols.

Ian C. Bristow, Interior House-Painting Colours and Technology, 1615–1840

Ian C. Bristow, Architectural Colour in British Interiors, 1615–1840

Charlotte Klonk, Science and the Perception of Nature: British Landscape Art in the Late Eighteenth and Early Nineteenth Centuries

Brian T. Allen and Larissa Dukelskaya (eds.), British Art Treasures from Russian Imperial Collections in the Hermitage

1997

John Ingamells (ed.), A Dictionary of British and Irish Travellers in Italy, 1701–1800, compiled from the Brinsley Ford Archive

Anthony Wells-Cole, Art and Decoration in Elizabethan and Jacobean

England: The Influence of Continental Prints, 1558–1625

Kay Dian Kriz, The Idea of the English Landscape Painter: Genius as Alibi in the Early Nineteenth Century

Timothy Clayton, The English Print, 1688–1802

Jeffrey M. Muller and Jim Murrell (eds.), Edward Norgate: Miniatura or the Art of Limning

Ronald Paulson (ed.), William Hogarth: The Analysis of Beauty

Robert R. Wark (ed.), Discourses on Art: Sir Joshua Reynolds

Deborah Frizzell, Humphrey Spender’s Humanist Landscapes: Photo Documents, 1932–1942

Michael Rosenthal, Christiana Payne and Scott Wilcox (eds.), Prospects for the Nation: Recent Essays in British Landscape, 1750–1880 (SBA 4)

1998

Richard Ormond and Elaine Kilmurray, John Singer Sargent: The Early Portraits; The Complete Paintings, Vol. I

Evelyn Newby, The Diary of Joseph Farington: Index

Margaret Garlake, New Art New World: British Art in Postwar Society

James Ayres, Building the Georgian City

Tim Barringer and Elizabeth Prettejohn (eds.), Frederic Leighton: Antiquity, Renaissance, Modernity (SBA 5)

1999

Ellen D’Oench, Copper into Gold: Prints by John Raphael Smith (1751–1812)

Mark Hallett, The Spectacle of Difference: Graphic Satire in the Age of Hogarth

Howard Colvin, Essays in English Architectural History

Michael Rosenthal, The Art of Thomas Gainsborough

Katharine Lochnan (ed.), Seductive Surfaces: The Art of Tissot (SBA 6)

Stephen Daniels, Humphry Repton: Landscape Gardening and the Geography of Georgian England

Nicholas Cooper, Houses of the Gentry, 1480–1680

Alastair Smart, ed. John Ingamells, Allan Ramsay: A Complete Catalogue of his Paintings

2000

Peter Fergusson and Stuart Harrison, Rievaulx Abbey

Ann Bermingham, Learning to Draw: Studies in the Cultural History of a Polite and Useful Art

Lisa Tickner, Modern Life & Modern Subjects: British Art in the Early Twentieth Century

John Summerson, Inigo Jones (rev. edn.)

Ruth Bromberg, Walter Sickert Prints

Paul Edwards, Wyndham Lewis: Painter and Writer

Roy Strong, The Artist and the Garden

Chris Brooks, The Albert Memorial: The Prince Consort National Memorial; its History, Contexts and Conservation

Carol Gibson Wood, Jonathan Richardson: Art Theorist of the English Enlightenment

David Mannings and Martin Postle, Sir Joshua Reynolds: A Complete Catalogue of his Paintings, 2 vols.

John Ingamells and John Edgcumbe (eds.), The Letters of Sir Joshua Reynolds

John Hayes (ed.), The Letters of Thomas Gainsborough

Alastair Grieve, Whistler’s Venice

Christine Stevenson, Medicine and Magnificence: British Hospital and Asylum Architecture, 1660–1815

2001

Stefan Muthesius, The Postwar University: Utopianist Campus and College

John Bold, Greenwich: An Architectural History of the Royal Hospital for Seamen and the Queen’s House

Todd Longstaffe-Gowan, The London Town Garden, 1700–1840

Allen Staley, The Pre-Raphaelite Landscape (2nd edn.)

G. E. Bentley, The Stranger from Paradise: A Biography of William Blake

Eileen Harris, The Genius of Robert Adam: His Interiors

Edward McParland, Public Architecture in Ireland, 1680–1760

James Hyman, The Battle for Realism: Figurative Art in Britain During the Cold War, 1945–60

David Solkin (ed.), Art on the Line: The Royal Academy Exhibitions at Somerset House, 1780–1836

Debra Mancoff (ed.), John Everett Millais: Beyond the Pre-Raphaelite Brotherhood (SBA 7)

Pauline Croft (ed.), Patronage, Culture and Power: The Early Cecils, 1558–1612 (SBA 8)

2002

Alex Kidson (ed.), Those Delightful Regions of Imagination: Essays on George Romney (SBA 9)

David Peters Corbett, Ysanne Holt and Fiona Russell (eds.), The Geographies of Englishness: Landscape and the National Past, 1880–1940 (SBA 10)

Sara Stevenson, The Personal Art of David Octavius Hill

Anne Crookshank and the Knight of Glin, Ireland’s Painters, 1600–1940

Larissa Dukelskaya and Andrew Moore (eds.), A Capital Collection: Houghton Hall and the Hermitage, with a Modern Edition of Aedes Walpolianae

Michael J. K. Walsh, C. R. W. Nevinson: This Cult of Violence

Susan Sloman, Gainsborough in Bath

Richard Ormond and Elaine Kilmurray, John Singer Sargent: Portraits of the 1890s; The Complete Paintings, Vol. II

Vaughan Hart, Nicholas Hawksmoor: Rebuilding Ancient Wonders

2003

Emmanuel Cooper, Bernard Leach: Life & Work

Colum Hourihane, Gothic Art in Ireland, 1169–1550

Jonathan Scott, The Pleasures of Antiquity: British Collectors of Greece and Rome

John Summerson, ed. Howard Colvin, Georgian London

Robyn Asleson (ed.), Notorious Muse: The Actress in British Art and Culture, 1776–1812 (SBA 11)

Edward Chaney (ed.), The Evolution of English Collecting: The Reception of Italian Art in the Tudor and Stuart Periods (SBA 12)

Kathryn A. Morrison, English Shops and Shopping: An Architectural History

Simon Thurley, Hampton Court: A Social and Architectural History

2004

Richard Ormond and Elaine Kilmurray, John Singer Sargent: The Later Portraits; The Complete Paintings: Vol. III

Anthony Quiney, Town Houses of Medieval Britain

G. E. Bentley, Jr, Blake Records (2nd edn.)

Peter Guillery, The Small House in Eighteenth-Century London

Bruce Laughton, William Coldstream

Susan J. Barnes, Nora De Poorter, Oliver Millar and Horst Vey, Van Dyck: A Complete Catalogue of the Paintings

Sanford Schwartz, William Nicholson

David J. Getsy, Body Doubles: Sculpture in Britain, 1877–1905

Sue Malvern, Modern Art, Britain and the Great War

Fiona Donovan, Rubens and England

Veronica Franklin Gould, G. F. Watts: The Last Great Victorian

Julian Holder and Steven Parissien (eds.), The Architecture of British Transport in the Twentieth Century (SBA 13)

Giles Worsley, The British Stable: An Architectural and Social History

Paul Binski, Becket’s Crown: Art and Imagination in Gothic England, 1170–1300

John Cornforth, Early Georgian Interiors

Tim Barringer, Men at Work: Art and Labour in Victorian Britain

Susan Foister, Holbein and England

Alastair Grieve, Constructed Abstract Art in England: A Neglected Avant-Garde

Paula Henderson, The Tudor House and Garden: Architecture and Landscape in the Sixteenth and Early Seventeenth Centuries

Martin Hammer, Bacon and Sutherland: Patterns of Affinity in British Culture of the 1940s

2005

Chris Miele (ed.), From William Morris: Building Conservation and the Arts and Crafts Cult of Authenticity, 1877–1939 (SBA 14)

Richard Wendorf, After Sir Joshua: Essays on British Art and Cultural History (SBA 15)

Edward Morris, French Art in NineteenthCentury Britain

Anne Middleton Wagner, Mother Stone: The Vitality of Modern British Sculpture

Daniel Abramson, Building the Bank of England: Money, Architecture, Society, 1694–1942

C. Paul Christianson, The Riverside Gardens of Thomas More’s London

Michael Levey, Sir Thomas Lawrence

Martin Myrone, Bodybuilding: Reforming Masculinities in British Art, 1750–1810

Matthew Hargraves, Candidates for Fame: The Society of Artists of Great Britain, 1760–1791

Aileen Ribeiro, Fashion and Fiction: Dress in Art and Literature in Stuart England

Kate Retford, The Art of Domestic Life: Family Portraiture in EighteenthCentury England

Angela Rosenthal, Angelica Kauffman: Art and Sensibility

2006

Frank Salmon (ed.), Summerson & Hitchcock: Centenary Essays on Architectural Historiography (SBA 16)

Christopher Wright, with Catherine Gordon and Mary Peskett Smith, British and Irish Paintings in Public Collections

Judith Bronkhurst, William Holman Hunt: A Catalogue Raisonné, 2 vols.

Wendy Baron, Sickert: Paintings and Drawings

Peter Draper, The Formation of English Gothic: Architecture and Identity, 1150–1250

Richard Ormond and Elaine Kilmurray, John Singer Sargent: Figures and Landscapes, 1874–1882; The Complete Paintings, Vol. IV

2007

Giles Worsley, Inigo Jones and the European Classicist Tradition

The Knight of Glin and James Peill, Irish Furniture

John Styles and Amanda Vickery (eds.), Gender, Taste, and Material Culture in Britain and North America, 1700–1830 (SBA 17)

John Harris, Moving Rooms: The Trade in Architectural Salvages

Gill Perry, Spectacular Flirtations: Viewing the Actress in British Art and Theatre, 1768–1820

Brian Foss, War Paint: Art, War, State and Identity in Britain, 1939–1945

Judy Egerton, George Stubbs, Painter: Catalogue Raisonné

Elizabeth Prettejohn, Art for Art’s Sake: Aestheticism in Victorian Painting

Anna Gruetzner Robins, A Fragile Modernism: Whistler and His Impressionist Followers

Diana Donald, Picturing Animals in Britain

Thomas P. Campbell, Henry VIII and the Art of Majesty: Tapestries at the Tudor Court

Maurice Howard, The Building of Elizabethan and Jacobean England

Matthew Craske, The Silent Rhetoric of the Body: A History of Monumental Sculpture and Commemorative Art in England, 1720–1770

2008

Julia Marciari Alexander and Catharine MacLeod (eds.), Politics, Transgression, and Representation at the Court of Charles II (SBA 18, published by Yale University Press, New Haven)

Howard Colvin, A Biographical Dictionary of British Architects, 1600–1840 (4th edn.)

Philip Temple (ed.), Survey of London Vol. XLVI: South and East Clerkenwell and Vol. XLVII: Northern Clerkenwell and Pentonville

Kay Dian Kriz, Slavery, Sugar, and the Culture of Refinement

Vaughan Hart, Sir John Vanbrugh: Storyteller in Stone

Andor Gomme and Alison Maguire, Design and Plan in the Country House: From Castle Donjons to Palladian Boxes

David H. Solkin, Painting Out of the Ordinary: Modernity and the Art of Everyday Life in Early NineteenthCentury Britain

Patrick Noon, Richard Parkes Bonington: The Complete Paintings

Caroline Arscott, William Morris and Edward Burne-Jones: Interlacings

Judith A. Neiswander, The Cosmopolitan Interior: Liberalism and the British Home, 1870–1914

Helen Pierce, Unseemly Pictures: Graphic Satire and Politics in Early Modern England

2009

Cinzia Sicca (ed.), John Talman: An Early Eighteenth-Century Connoisseur (SBA 19)

Richard Ormond and Elaine Kilmurray, John Singer Sargent: Venetian Figures and Landscapes, 1898–1913; The Complete Paintings, Vol. VI

Rachel Stewart, The Town House in Georgian London

Ingrid Roscoe, Emma Hardy and M. G. Sullivan, A Biographical Dictionary of Sculptors in Britain, 1660–1851

Mark Girouard, Elizabethan Architecture: Its Rise and Fall, 1540–1640

Robert Hewison, Ruskin on Venice: “The Paradise of Cities”

2010

Jason M. Kelly, The Society of Dilettanti: Archaeology and Identity in the British Enlightenment

Celina Fox, The Arts of Industry in the Age of Enlightenment

Marcia Pointon, Brilliant Effects: A Cultural History of Gem Stones and Jewellery

Ilaria Bignamini and Clare Hornsby, Digging and Dealing in 18th-Century Rome, 2 vols.

Paula Murphy, Nineteenth-Century Irish Sculpture: Native Genius Reaffirmed

Malcolm Jones, The Print in Early Modern England: An Historical Oversight

Christiana Payne, John Brett: PreRaphaelite Landscape Painter

Andrew Saint, Richard Norman Shaw (rev. edn.)

Mary Bennett, Ford Madox Brown: A Catalogue Raisonné, 2 vols.

Morna O’Neill and Michael Hatt (eds.), The Edwardian Sense: Art, Design, and Performance in Britain, 1901–1910 (SBA 20)

Grace Brockington, Above the Battlefield: Modernism and the Peace Movement in Britain, 1900–1918

Tomás Ó Carragáin, Churches in Early Medieval Ireland

Philip Temple, Survey of London: The Charterhouse (Monograph 18)

Richard Ormond and Elaine Kilmurray, John Singer Sargent: Figures and Landscapes, 1883–1899; The Complete Paintings, Vol. V

Tara Hamling, Decorating the ‘Godly’ Household: Religious Art in PostReformation Britain

Mark Crinson and Claire Zimmerman (eds.), Neo-avant-garde and Postmodern: Postwar Architecture in Britain and Beyond (SBA 21)

Morna O’Neill, Walter Crane: The Arts and Crafts, Painting, and Politics, 1875–1890

2011

John Goodall, The English Castle: 1066–1650

Richard Fawcett, The Architecture of the Scottish Medieval Church, 1100–1560

Sharman Kadish, The Synagogues of Britain and Ireland: An Architectural and Social History

Elizaveta Renne, Sixteenth- to Nineteenth-Century British Painting: State Hermitage Museum Catalogue

Terry Friedman, The Eighteenth-Century Church in Britain

John E. Crowley, Imperial Landscape: Britain’s Global Visual Culture, 1745–1820

Mary Webster, Johan Zoffany

David Coke and Alan Borg, Vauxhall Gardens: A History

Geoff Quilley, Empire to Nation: Art, History and the Visualization of Maritime Britain, 1768–1829

Allen Staley, The New Painting of the 1860s: Between the Pre-Raphaelites and the Aesthetic Movement

Vaughan Hart, Inigo Jones: The Architect of Kings

Peter Fergusson, Canterbury Cathedral Priory in the Age of Becket

Patrick Noon, Richard Parkes Bonington: The Complete Drawings

Nancy Rose Marshall, City of Gold and Mud: Painting Victorian London

Cinzia Maria Sicca and Louis Waldman (eds.), The Anglo-Florentine Renaissance: Art for the Early Tudors (SBA 22)

María Dolores Sánchez-Jáuregui Alpañés and Scott Wilcox, The English Prize: The Capture of the Westmorland, An Episode of the Grand Tour

Mark Crinson, Stirling and Gowan: Architecture from Austerity to Affluence

Todd Longstaffe-Gowan, The London Square: Gardens in the Midst of Town

Emmanuel Cooper, Lucie Rie: Modernist Potter

John Martin Robinson, James Wyatt: Architect to George III

Stephanie Moser, Designing Antiquity: Owen Jones, Ancient Egypt and the Crystal Palace

Tarnya Cooper, Citizen Portrait: Portrait Painting and the Urban Elite of Tudor and Jacobean England and Wales

Tanya Harrod, The Last Sane Man: Michael Cardew: Modern Pots, Colonialism and the Counterculture

Richard Ormond and Elaine Kilmurray, John Singer Sargent: Figures and Landscapes, 1900–1907; The Complete Paintings, Vol. VII

Kathryn A. Morrison and John Minnis, Carscapes: The Motor Car, Architecture, and Landscape in England

Peter Harbison, William Burton Conyngham and His Irish Circle of Antiquarian Artists

2013

Romita Ray, Under the Banyan Tree: Relocating the Picturesque in British India

G. Alex Bremner, Imperial Gothic: Religious Architecture and High Anglican Culture in the British Empire, 1840–1870

Finola O’Kane, Ireland and the Picturesque: Design, Landscape Painting and Tourism, 1700–1840

Andrew Sanders, In the Olden Time: Victorians and the British Past

Christopher Rowell, Ham House: Four Hundred Years of Collecting and Patronage

Rosie Dias, Exhibiting Englishness: John Boydell’s Shakespeare Gallery and the Formation of a National Aesthetic

Joseph Monteyne, From Still Life to the Screen: Print Culture, Display, and the Materiality of the Image in EighteenthCentury London

Anthony Geraghty, The Sheldonian Theatre: Architecture and Learning in Seventeenth-Century Oxford

Christine Stevenson, The City and the King: Architecture and Politics in Restoration London

Melanie Doderer-Winkler, Magnificent Entertainments: Temporary Architecture for Georgian Festivals

Francis Haskell, The King’s Pictures: The Formation and Dispersal of the Collections of Charles I and His Courtiers

Annette Carruthers, The Arts and Crafts Movement in Scotland: A History

Elizabeth McKellar, The Landscapes of London: The City, the Country and the Suburbs, 1660–1840

Mirjam Brusius, Katrina Dean, Chitra Ramalingam (eds.), William Henry Fox Talbot: Beyond Photography (SBA 23)

2014

Beth Fowkes Tobin, The Duchess’s Shells: Natural History Collecting in the Age of Cook’s Voyages

Mark Hallett, Reynolds: Portraiture in Action

Richard Ormond and Elaine Kilmurray, John Singer Sargent: Figures and Landscapes, 1908–1913; The Complete Paintings, Vol. VIII

Ruth Guilding, Owning the Past: Why the English Collected Antique Sculpture, 1640–1840

Emily M. Weeks, Cultures Crossed: John Frederick Lewis and the Art of Orientalism

Elizabeth Goldring, Robert Dudley, Earl of Leicester, and the World of Elizabethan Art: Painting and Patronage at the Court of Elizabeth I

Michael Hall, George Frederick Bodley and the Later Gothic Revival in Britain and America

Paul Binski, Gothic Wonder: Art, Artifice, and the Decorated Style, 1290–1350

2015

David Brown (ed.), Durham Cathedral: History, Fabric and Culture

Malcolm Baker, The Marble Index: Roubiliac and Sculptural Portraiture in Eighteenth-Century Britain

Sigrid de Jong, Rediscovering Architecture: Paestum in Eighteenth-Century Architectural Experience and Theory

Arthur MacGregor (ed.), The Cobbe Cabinet of Curiosities: An Anglo-Irish Country House Museum

Alex Kidson, George Romney: A Complete Catalogue of His Paintings

William Vaughan, Samuel Palmer: Shadows on the Wall

Peter Cormack, Arts & Crafts Stained Glass

Giles Waterfield, The People’s Galleries: Art Museums and Exhibitions in Britain, 1800–1914

Elain Harwood, Space, Hope and Brutalism: English Architecture, 1945–1975

David H. Solkin, Art in Britain, 1660–1815

Marina Lopato, British Silver: State Hermitage Museum Catalogue

2016

Erin Griffey, On Display: Henrietta Maria and the Materials of Magnificence at the Stuart Court

Susan Rather, The American School: Artists and Status in the Late Colonial and Early National Era

Edgar Peters Bowron, Pompeo Batoni: A Complete Catalogue of His Paintings

Eric Shanes, Young Mr Turner: The First Forty Years, 1775–1815

Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné

Mark Hallett, Nigel Llewellyn and Martin Myrone, Court, Country, City: British Art and Architecture, 1660–1735 (SBA 24)

Patricia McCarthy, Life in the Country House in Georgian Ireland

Kathryn A. Morrison, John Cattell, Emily Cole, Nick Hill and Pete Smith, Apethorpe: The Story of an English Country House

Marcia Kupfer, Art and Optics in the Hereford Map: An English Mappa Mundi, c.1300

David Adshead and David Taylor (eds.), Hardwick Hall: A Great Old Castle of Romance

Richard Ormond and Elaine Kilmurray, John Singer Sargent: Figures and Landscapes, 1914–1925; The Complete Paintings, Vol. IX

Elizabeth Einberg, William Hogarth: A Complete Catalogue of the Paintings

2017

David Jacques, Gardens of Court and Country: English Design, 1630–1730

Elizabeth Prettejohn, Modern Painters, Old Masters: The Art of Imitation from the Pre-Raphaelites to the First World War

Ben Highmore, The Art of Brutalism: Rescuing Hope from Catastrophe in 1950s Britain

Penelope Curtis, Sculpture: Vertical, Horizontal, Closed, Open

Lynda Nead, The Tiger in the Smoke: Art and Culture in Post-War Britain

Kate Retford, The Conversation Piece: Making Modern Art in 18th-Century Britain

Tara Hamling and Catherine Richardson, A Day at Home in Early Modern England: Material Culture and Domestic Life, 1500–1700

Philip Temple and Colin Thom (eds.), Survey of London Vols. LI and LII: South-East Marylebone, 2 vols.

2018

Robin Simon with MaryAnne Stevens, The Royal Academy of Arts: History and Collections

Jill Francis, Gardens and Gardening in Early Modern England and Wales

John Holmes, The Pre-Raphaelites and Science

Morna O'Neill, Hugh Lane: The Art Market and the Art Museum, 1893–1915

Mark Hallett, George Shaw: A Corner of a Foreign Field

Olivia Fryman (ed.), Kensington Palace: Art, Architecture and Society

2019

Hugh Belsey, Thomas Gainsborough: The Portraits, Fancy Pictures and Copies after Old Masters

Elizabeth Goldring, Nicholas Hilliard: Life of an Artist

Paul Binski, Gothic Sculpture

Edward S. Cooke, Jr., Inventing Boston: Design, Production, and Consumption, 1680–1720

Digital Publications

2014

Paul Spencer-Longhurst, Richard Wilson: Online Catalogue Raisonné

2015

British Art Studies, Issue 1

2016

British Art Studies, Issue 2

Richard Stephens, A Catalogue Raisonné of Francis Towne (1739–1816)

British Art Studies, Issue 3: British Sculpture Abroad, 1945–2000, edited by Penelope Curtis and Martina Droth

British Art Studies, Issue 4

2017

British Art Studies, Issue 5

British Art Studies, Issue 6: Invention and Imagination in British Art and Architecture, 600–1500, edited by Jessica Berenbeim and Sandy Heslop

British Art Studies, Issue 7

2018

Mark Hallett, Sarah Victoria Turner, Jessica Feather (eds.), The Royal Academy of Arts Summer Exhibition: A Chronicle, 1769–2018

British Art Studies, Issue 8

British Art Studies, Issue 9

British Art Studies, Issue 10: Landscape Now

2019

British Art Studies, Issue 11: Theatres of War: Experimental Performance in London, 1914–1918 and Beyond, curated by Grace Brockington, in collaboration with Impermanence, with contributions from Ella Margolin and Claudia Tobin

British Art Studies, Issue 12

Board of Governors & Advisory Council

Board of Governors

Governors

Peter Salovey President of Yale University

Benjamin Polak

Provost of the University

Stephen C. Murphy

Vice President for Finance and Chief Financial Officer of the University

Amy Meyers

Director of Yale Center for British Art (left 30 June 2019)

Members

Tim Barringer

Department Chair; Paul Mellon Professor in the History of Art

Marvin Chun Dean of Yale College; Richard M. Colgate Professor of Psychology; Neuroscience

Edward S. Cooke, Jr

Charles F. Montgomery Professor in the History of Art and Professor of American Studies

Susan Gibbons

Stephen F. Gates ’68 University Librarian and Deputy Provost for Collections & Scholarly Communication (Joined 25 February 2019)

Pericles Lewis Vice President for Global Strategy and Deputy Provost for International Affairs and Douglas Tracy Smith Professor of Comparative Literature

Jules D. Prown

Paul Mellon Professor Emeritus Director of History of Art and Senior Research Fellow

Edwin C. Schroeder Director of the Beinecke Rare Book and Manuscript Library & Associate University Librarian

J. Lloyd Suttle Deputy Provost for Academic Resources

Keith Wrightson

Randolph W. Townsend Jr. Professor of History

Advisory Council

Christopher Breward

National Galleries of Scotland

Tarnya Cooper

National Trust

Anthony Geraghty

University of York

Julian Luxford

University of St Andrews

David Mellor

University of Sussex

Martin Myrone

Tate Britain

Lynda Nead

Birkbeck

Christine Riding

Royal Museums Greenwich

MaryAnne Stevens

Art Historian and Curator

Andrew Saint

English Heritage

Nicholas Tromans

Christie’s Education

Simon Wallis

The Hepworth Wakefield