British Art Studies

July 2019–June 2020

British Art Studies, Issue 13: London, Asia, Exhibitions, Histories

September 2019

Cover Collaboration

‘Taking Space for Asian Diaspora Narratives’, a cover collaboration curated by Annie Jael Kwan

‘26 x 2 = 0’, by Bettina Fung

‘“like a flower paddle my teeth”’, by Ada Hao

‘Yellow Peril’, by Nicholas Tee

Articles

‘Instant Malaysia: Imagining a Nation at the Commonwealth Institute’, by Kelvin Chuah

‘“A Bridge between the Two Worlds”: Exhibitions of Malaysian Art at the Commonwealth Institute’, by Sarena Abdullah

‘Mapping Decolonisation: Exhibition Floor Plans and the “End” of Empire at the Commonwealth Institute’, by Claire Wintle

‘Journeying through Modernism: Travels and Transits of East Pakistani Artists in Post-Imperial London’, by Lotte Hoek and Sanjukta Sunderason

‘“Exciting a Wider Interest in the Art of India”: The 1931 Burlington Fine Arts Club Exhibition’, by Brinda Kumar

‘Researching Exhibitions of South Asian Women Artists in Britain in the 1980s’, by Alice Correia

Features

‘Why Exhibition Histories?’, a conversation piece convened by Saloni Mathur

‘Exhibitions in Print’, an interview between Sharmini Pereira and Sneha Ragavan

‘Curating the Cosmopolis’, an interview between Iwona Blazwick and Rattanamol Singh Johal

‘Unlearning the Modern’, an interview between David Elliott and Hilary Floe

British Art Studies, Issue 14: open issue November 2019

Cover Collaboration

‘on the side of the disease and not the cure’, a cover collaboration with films by James Richards, introduced by Sarah Perks

Articles

‘“The Assemblage of Specimens”: The Magazine as Catalogue in 1970s Britain’, by Samuel Bibby

‘“Irrigated Neither by the Seine Nor by the Thames”: Jack B. Yeats’s Reception in London’, by Nathan O’Donnell

‘The Texture of Capitalism: Industrial Oil Colours and the Politics of Paint in the Work of G. F. Watts’, by Kirsty Sinclair Dootson

‘The Ecosystem of Exhibitions: Venues, Artists, and Audiences in Early Nineteenth-Century London’, by Catherine Roach

‘“The Sense of Nearness”: Harriet Hosmer’s Clasped Hands and the Materials and Bodies of NineteenthCentury Life Casting’, by Katherine Fein

British Art Studies, Issue 15: open issue

February 2020

Cover Collaboration

‘A Visionary Sense of London’, a cover collaboration by Laura Grace Ford

Articles

‘Bert Hardy: Exercises with Photography and Film’, by Lynda Nead and John Wyver

‘Postindustrialism and the Long Arts and Crafts Movement: Between Britain, India, and the United States Of America’, an Objects in Motion article by Sria Chatterjee

‘Reason Dazzled: The All-Seeing and the Unseeing in Turner’s Regulus’, by Matthew Beaumont

‘Signs of a Struggle: Process, Technique, and Materials in the Early Work of Mark Gertler, 1911–18’, by Aviva Burnstock and Sarah MacDougall

‘Skin and Bone: Surface and Substance in Anglo-Colonial Portraiture’, by David Hansen

British Art Studies, Issue 16: open issue

June 2020

Editorial

Cover Collaboration

‘Bill Brandt: Photography and the Printed Page’, a cover collaboration by Martina Droth, Paul Messier, Richard Caspole and Robert Hixon

Articles

‘“The Bold Adventure of All”: Reconstructing the Place of Portraits in Interregnum England’, by Helen Pierce

‘The Social Economics of Artistic Labour: A Technical Case Study of Henry Monro’s Disgrace of Wolsey (1814)’, by Anna Cooper and Martin Myrone

Conversation Piece

‘Luxury and Crisis: Redefining the British Decorative Arts’, a conversation piece coordinated by Iris Moon

One Object

‘New Approaches to St Stephen’s Chapel, Palace of Westminster’, by Tim Ayers and John Cooper

‘Virtual St Stephen’s: The Medieval Model and the Art Historian’, by Tim Ayers

‘Mapping the Unknown: Using Incomplete Evidence to Craft Digital ThreeDimensional Models of St Stephen’s’, by Anthony Masinton and James Jago

‘The Wall Paintings at St Stephen’s Chapel, Westminster Palace: Recent Imaging and Scientific Analysis of the Fragments in the British Museum’, by Helen Howard, Lloyd de Beer, David Saunders and Catherine Higgitt