How Hello Mr. Revolutionized
By Chris Azzopardi
Photo: Melissa Lukenbaugh
Before the current media landscape offered more explicit depictions of queer life outside of physical spaces like LGBTQ+ bars, you had Borders and you had zines, DIY publications offering non-conventional formats and more indie spirit than traditional magazines. Inside, pages of people like you were interspersed among artfully designed spreads, sometimes on luxurious-feeling stock. Zines often provided a unique sense of community and belonging not easily found in everyday life, especially to marginalized communities. Through words, photos and illustrations, zines shared counter-cultural ideas and thoughts, while also centering stories that affirmed our existence. Published from 1988 to 1991, Homocore was geared toward the punk youth of the gay underground in America. Later in the ’90s, Gutterfag reached a similar queer audience.
Many years later, the part of me that was still coming to terms with my sexuality
couldn’t believe I was seeing Hello Mr. just below copies of GQ and Men’s Health on the magazine racks at Barnes & Noble in the Michigan suburbs, especially with this descriptor right on the cover: “about men who date men.” It was my first copy, but, after 10 issues published between 2013 and 2018 and nearly 65,000 Hello Mr. magazines that traveled around the world, it was almost founder and editorin-chief Ryan Fitzgibbon’s last. At the time, I didn’t know then that Fitzgibbon was also connected to Michigan — and in ways that, it turns out, were very specific to his role at the magazine and also, now, his new book, “A Great Gay Book: Stories of Growth, Belonging & Other Queer Possibilities.”
Seeing this gorgeous anthology now, which Fitzgibbon describes in his “Hello Again” prologue as a “mirror to conceive new possibilities,” holds an added layer of significance when considering Fitzgibbon grew up in the desert of queer life in Midland. His first job was as a
paperboy for the Midland Daily News. While attending H.H. Dow High School, his art teacher nurtured his interests in communication and graphic design and encouraged him to join the school newspaper. “I entered in that way — as a page designer — for the Dow High Update and that opened my eyes to the world of journalism and visual storytelling.”
Hooked on graphic design, Fitzgibbon enrolled at Grand Valley State University, earning his degree in fine arts. During his senior year, while coming out to a few select close people in his life in 2008, he also dedicated himself to a project that was personal to him: designing a book on the state of marriage equality. He says it was his “very dramatic coming out to my class and peers: ‘Look what I can do, but also here’s who I am.’”
It was a brave step for someone who remembers the feeling of
Revolutionized Queer Storytelling
browsing the magazine rack’s LGBTQ+ section, shelved underneath the “Men’s Interest” section, at the Barnes & Noble in the Midland Mall. “[The magazines] were censored and shielded from visibility, and I just remember being so terrified of that section, and obviously there were warning labels all over it,” he recalls. Years later, when Fitzgibbon published his first issue of Hello Mr. in 2013, the evolution of queer visibility was apparent right there on those shelves. And now, through his own publication, Fitzgibbon was able to experience the shift firsthand. “Flash forward to Hello Mr. being distributed and available in Barnes & Nobles, a full-circle moment to have that on shelves, and ‘LGBT Interests’ had moved up the ranks and we were sitting very proudly next to the magazines that I mentioned.”
Emails and DMs poured in from queer readers like me excited to grab a copy of Hello Mr., none of which he took for granted. But a particularly special
moment arrived when Fitzgibbon’s parents walked into that Barnes & Noble in Midland and sent a photo to him of them at the store grabbing their very own issue. For Fitzgibbon, it was all “pretty surreal.”
When Hello Mr. launched, many of the authors featured in the book hadn’t even been published yet. Poet Ocean Voung, for instance, was still years away from releasing his 2022 book “On Earth We’re Briefly Gorgeous.” “It was really a place for a lot of queer creatives to kind of sharpen their teeth and get some of their early work published,” Fitzgibbon says. “Yes, print was dying, but there was still this resurgence of indie magazines happening in 2012 to 2015 and beyond. I think there’s still niche beautiful publications coming out every year, but [I was at the] beginning of that wave of change of guards in the big publishing media companies and realizing, ‘Oh, we need to change how we’re doing things and maybe stop putting straight people
on our covers promoting abdominals and expensive resort vacations.’ I intentionally tried to subvert that with just matte paper, for example. A tactile, more journal aesthetic that sits on a coffee table but that isn’t disposable and doesn’t only have this kind of glossy, glitzy West Coast and East Coast focus.”
You might say his subversion of queer norms feels rooted in something a little more Midwestern — after all, Michigan is definitely less glossy, more matte. Perhaps H. H. Dow and Grand Valley had more to do with Hello Mr. than anyone ever thought, though Fitzgibbon himself has considered how “living in different places, but also knowing what it feels like to not have community growing up nearby” shaped the stories that ended up shaping our community. In 2020, he returned to the one that he was initially a part
of, that couldn’t give him quite what he needed as a queer person. During the beginning of the pandemic, when he moved back to Michigan to live with his parents, who are now just outside of Midland, he had already began moving on from Hello Mr. to, as he writes in the book, “focus on my own growth,”
“I was proud of the role Hello Mr. played, and trusted that the impact of the 10 issues published would continue to be felt,” he adds, estimating that he had published about 600 pieces of content. (During our conversation, I tell him that I’ve held onto my one issue of Hello Mr., proudly among some of my favorite works in my office, whereas I’ve long retired all of my past issues of GQ.)
After living in places like San Francisco (his first place in South of Market was near where Up Your Alley, a leather and kink fest, is held), Chicago (his first Pride), Singapore (a “real accelerator” for him in witnessing a global community of queerness) and New York (where he struggled to keep Hello Mr. going), being back in Michigan for a little over a year, far from any leather or kink, felt “more disconnected and rural.” It hit him how away from home in many ways he truly felt. “Having that physical community in spaces,” he says, “was lacking.”
“There are a lot of reasons why Hello Mr. was made the way that it was and was in print, so it could be tangible, so it could be visible so that we could have intimate reading experiences,” he says.
“A Great Gay Book” represents a lot of change and growth beyond Fitzgibbon’s own. When it comes to the artists who initially contributed to Hello Mr. years ago, “there were people who had gotten divorced and we’d published them as a married couple. Unfortunately, a couple of people are now deceased. Personal growth. Career changes. [I was] honoring and trying to be really respectful of where people are at now and wanting to celebrate the legacy and move it into a conversation that can still inspire in the future.”
These aren’t the only changes that Fitzgibbon, who has spent the last four years living in Tulsa, faced — there is, of course, our often-frightening dilemma of being LGBTQ+ in 2024. “Censorship and legislation are threatening our livelihood and the livelihood of the most vulnerable Black, Brown and trans folks in our community,” he says. “Things that have this much volume and presence and have the distribution power of a publisher — it really was truly such a gift to be able to take a lot of a decade of my life and these stories that are all part of that journey of creating a queer magazine and packaging it in such a way that’s kind of hard to deny. I mean, it has such a weight to it that it really leaves no questions.”
Chris Azzopardi is the Editorial Director of Pride Source Media Group and Q Syndicate, the national LGBTQ+ wire service. He has interviewed a multitude of superstars, including Cher, Meryl Streep, Mariah Carey and Beyoncé. His work has also appeared in The New York Times, Vanity Fair, GQ and Billboard. Reach him via Twitter @chrisazzopardi.
The Original Shamilton
By Mikkel Hyldebrandt
Atlanta is about to experience a herstoric venture into the art of parody musicals as the cast of Shamilton will take the stage of City Winery on August 24-28. David spoke to writer, producer, director, and cast member Tyrannosaurus Rex about the show and how it reshapes one of the most significant musicals of our time with a little bit of referencing and a lot of drag.
Atlanta is about to get an unusual and amazing she-quel to one of the most wellknown recent musicals. Tell us a little about how Shamilton came to fruition.
Shamilton is actually the 5thParody Musical that Drunk Drag Broadway has produced; I was first introduced to Joey Ellington, AKA Stella-Pearl Fontaine, who is the Artistic Director for Drunk Drag Broadway, during their production of Little Shop of Whores. I participated as a director and an actress for separate productions, but this is the first time I am putting on all four hats (director, producer, writer, actor) for one singular production. Joey and I joked about the idea of me writing Shamilton in the fall of 2023, and I thought about it sporadically and made it my resolution for 2024, and by February, I had a script to present to Joey for his review.
Many people are familiar with the original story, characters, and songs of Hamilton. How did you adapt them all to Shamilton?
For Shamilton, I followed the template of previous Drunk Drag Broadway productions, which uses the trope of a live narrator who tells the story via a storybook. With that
framing device, we’re able to quickly go over plot points, skip songs, and sneak in more jokes. This device also helps keep the actors on stage on their toes because we always have a drag queen on the mic, and whenever you give a drag queen a microphone, a little bit of chaos will always ensue.
You have written Shamilton but also produce, direct, and act in it. How does it work to wear all those hats at the same time?
I am a project manager on weekdays, so wearing different hats, sometimes simultaneously, is how I make a living. I am one of those people who will bring a color-coded itinerary on a vacation, so this is almost like an obstacle course for me. I have the privilege of seeing Shamilton from the initial idea to closing night, so I feel very lucky to be given the chance to attempt to do this and have the support of Joey and Jon Dean from WussyMag.
For those who know the original’s story, characters, and music, what can they expect of this production?
This show is made with those original fans in mind because I am one of those fans, so there are references to the show itself, direct references to the things that inspired the show, and also, there is a lot of drag infused into the show! There will be live singing and dancing, of course, but there are also lip-syncs, drag mixes, and even a death drop or two!
And for those who don’t know the original? Do you suggest they check the original first?
The show was filmed live and is on streaming, but if you are a fan of herstory, or know a little bit about American history, or just want to be entertained, you will enjoy the show, so it is completely up to the reader.
Tell us a little more about the cast for this production. Are there any familiar faces (or voices)?
So, a very familiar voice people would recognize is Nicole Paige Brooks from RuPaul Drag Race; she has been “The Narrator” for almost every production with Drunk Drag Broadway! We also have StellaPearl Fontaine, Glitz Winner Jesus-N-Drag, and Drag performers Princess Charles & Boudreaux! The rest of our cast consists of local Atlanta actors and performers: Jason Gonsalves, Perren Leatherwood, Bree Nichole, and Mariah Cardoza. Our crew comprises Lina Lane, Ash Brooks, Doug Chiki, and Davan Glynn.
What was the biggest challenge of this production?
The biggest challenge of this production depends on what hat I am currently wearing, but I think something that affected us all was time. Our cast was only able to be fully together one day a week due to schedules and previous conflicts, and we only rehearsed for six weeks, so not a lot of time. Luckily, we have an incredibly hardworking cast and crew that show up and also show out. I have truly enjoyed watching the show come together before my eyes.
You will be playing August 22, 24, 25, and 28 at City Winery – are there plans to take the show on the road?
We would love to present this show again
or take it on the road, but right now, we’re focused on ensuring that this premier production goes well and provides a little escapism for our audience.
Let us know how to get tickets and where to follow Drunk Drag Broadway.
We will be offering a meet-and-greet after the show as an add-on. This includes a Shamilton keepsake per meet-and-greet ticket, which will be sold separately. All of that can be purchased at Citywinery.com or through the link in the bios on Instagram @ddbatl, @wussymag, and @wussyevents.
The Biggest Fall Fashion Trends for Men
Edited by Mikkel Hyldebrandt
As the leaves change and temperatures drop, it’s time to update your wardrobe with the latest fall fashion trends. This season is all about blending comfort with style, incorporating classic pieces with contemporary twists. Here are the top fall fashion trends for men, complete with specific clothing items to keep you looking sharp and on-trend.
Key Pieces
Earthy Tones and Warm Neutrals
Fall 2024 is all about embracing the colors of the season. Earthy tones and warm neutrals such as browns, beiges, and olive greens are dominating men’s fashion. These colors are versatile, timeless, and perfect for creating a cohesive look.
Wool Overcoat: Opt for a camel or olive-green wool overcoat. It’s a classic piece that adds sophistication to any outfit.
Chinos: Brown or beige chinos can be paired with almost anything, making them a fall staple.
Chunky Knit Sweaters: Go for sweaters in rust, mustard, or forest green to add warmth and texture to your look.
Statement Outerwear
Outerwear is not just about function but also about making a statement this fall. Bold patterns, unique fabrics, and oversized fits are all in vogue.
Key Pieces
Plaid Jackets: A plaid wool jacket can be the centerpiece of your outfit. It’s eye-catching and adds a touch of ruggedness.
Shearling Coats: These provide both warmth and style. Look for ones with shearling lining or collars.
Leather Jackets: Always in style, but this fall, look for unique cuts and details such as quilted patterns or mixed fabrics.
Key Pieces
Workwear-Inspired Pieces
Workwear continues to influence mainstream fashion, combining durability with style. Think heavy-duty fabrics and practical designs.
Denim Jackets: A classic denim jacket is a must-have. Go for one with a sherpa lining for extra warmth.
Cargo Pants: These have evolved from their military roots to become a stylish and functional choice. Look for tapered fits and minimalistic designs.
Flannel Shirts: A rugged, versatile piece that can be worn alone or layered over a tee.
Sophisticated Casual
This trend is about blending casual comfort with a refined aesthetic. It’s perfect for those who want to look polished without feeling overdressed.
Key Pieces
Tailored Joggers: These provide the comfort of sweatpants but with a more sophisticated look. Pair with a crisp white shirt or a fitted sweater.
Polo Shirts: Opt for long-sleeve polos in premium fabrics like merino wool or cashmere.
Chelsea Boots: Versatile and stylish, Chelsea boots can be dressed up or down and work well with both jeans and dress pants.
Key Pieces
Statement Accessories
Accessories are the finishing touch that can elevate any outfit. This fall, bold and functional accessories are in focus. From oversized scarves to sleek leather bags, these pieces add personality and practicality to your look.
Oversized Scarves: Go for chunky knit scarves in bold colors or patterns to make a statement while keeping warm.
Leather Bags: A high-quality leather bag, whether it’s a messenger, briefcase, or backpack, adds a touch of sophistication.
Beanies and Hats: Keep your head warm and stylish with beanies in neutral colors or fedoras for a more polished look.
Photos by: Russ Bowen-Youngblood
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Photos by: Russ Bowen-Youngblood
Dini
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BULLDOGS 893 Peachtree St NE
FRIENDS NEIGHBORHOOD BAR friendsonponce-atl.com 736 Ponce De Leon Ave NE
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CASA ALMENARA 991 Piedmont Ave NE casa-almenara.com
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132 10th St NE
LA HACIENDA lahaciendamidtown. com 900 Monroe Dr NE
TUK TUK THAI FOOD LOFT TUKTUKATL.COM 1745 Peachtree Rd NW
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RETAIL
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SPAS/BATHS
ADULT
FLEX SPA exspas.com 76 4th St NW
Photos by: Russ Bowen-Youngblood
Photos by: Russ Bowen-Youngblood
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Someone asked me about my plans for fall and for a moment I thought he meant the fall of civilization, not the season.
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When I cook with cilantro, I throw in a little soap too, so no one feels genetically superior.
Who gives a f*ck is literally some of the best advice anyone can give you.
When they call Walz “far left” they mean he provided school children with food…
LGBT stands for lasagna garlic bread time.
I don’t really want a husband. I just know that the lifestyle I desire requires a second income.
