David Magazine v8_i39 | Sweat It Out!

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Charli XCX and Troye Sivan’s ‘Sweat’ Tour: A Queer Club on Steroids

Photos: Henry Redcliffe

If you popped on Grindr at around 8:20 p.m. on Saturday anywhere in Detroit, you saw a grid of faces and torsos that signaled Something Very Gay Is Happening Right Now. Twinks, twunks, daddies in twink clothes. People of every gender variety. Last night’s trick. That night’s trick. Your ex-boyfriend. So much mesh and glitter and harnesses. Lime-colored everything, everywhere.

You know who and what I’m talking about because you were probably there (where else would you be?). The gathering spot: Little Caesars Arena, which felt less like an arena and, as it brought Charli XCX and Troye Sivan together, more like a place of worship for nearly two hours during the launch of the Sweat tour.

If you aren’t queer and know at least one queer person, chances are you saw that Instagram story: Charli XCX enshrouded in a lime curtain inscribed with “brat” that lifted, revealing the British electropop performer and producer, who took Detroit queers to one of the biggest gay clubs they’d ever experienced. The show hadn’t even started (actually, in the halls of LCA, maybe it had), but when I pulled aside local drag queen Purrrspective (@ hausofpurrrspective), she already had the perfect description: “It’s like Pride!”

An arena show usually requires a highbudget spectacle, but Sivan and Charli’s lo-fi, industrial approach at the Sweat show delivered a level of authenticity, raw energy and club-kid edge that money can’t buy. Recently, Lindsay Zoladz of The New York Times likened attending a Charli XCX concert to experiencing “semi-legal warehouse raves.”

My friend offered an even more vivid comparison. When Charli XCX appeared later in the performance wearing a dress crafted from tattered white fabric reminiscent of something out of a Guillermo del Toro film, I jokingly texted

him: “folklore.” He replied: “If you put Taylor Swift in a garbage disposal.”

In a sense, the concert was the antithesis of a Taylor Swift performance: as stripped back of a major arena show as I’ve ever seen. It was an event that plunged you into the muck, demanding you get your hands dirty, and left little room for contemplation. From the moment Sivan took the stage, you were seized by raw sensuality and sheer attitude.

He eased the audience in with “Got Me Started,” which included one of many crotch-grab moments and an ensemble of all-male dancers who said “gay sex” with their breezy choreography before expressing it more literally later in the show in ways that I once could only imagine for any show, let alone an arenasized one: Sivan miming a blowjob on the microphone. Sivan making out with a male dancer. Sivan simulating buttfucking as a different male dancer got behind him, thrusting. In case you still had any questions about what kind of show you were at, the red lights were Steamworks red and there was a tunnel of cages bridging the main stage to the in-the-round stage, which suggested its own kind of sex appeal.

The energy surged to new levels when Charli XCX did emerge. The show stayed horny (and later got hornier), but it also morphed into the rave Zoladz promised it would, as Detroit proved it is brat, the term that defined the summer thanks to her album of the same name. By design, the show was organically laid-back: aside from the headliners, the throbbing lights did the heavy lifting over a simple multi-platform stage. If you were the only gay person not there, imagine a night out at your favorite queer club — but on steroids.

After Charli and Troye each performed songs from their solo albums, they came together on stage, initially hyping each other up before fully teaming up for performances of “1999” and “Talk Talk.” Both artists reached back beyond material from the “Brat” album and Sivan’s 2023 release “Something to Give

Each Other.” Charli XCX’s “Boys” made an appearance, and she playfully called out to the crowd with, “Where all my gay boys at?” Troye Sivan’s “Bloom,” a song about bottoming, felt right at home with this crowd.

Meanwhile, Charli XCX brought an audacious energy and fearless, anythinggoes attitude that perfectly embodied “brat” — the summer trend even noticed by Presidential nominee Kamala Harris. Charli transformed “brat” into a bold dance statement. Amid a sea of handbumping, unapologetic brats, the term evolved into a vibrant queer movement celebrating nonconformity, unabashed sexuality and self-expression. Lime wasn’t just a color worn on the outside; it was a palpable, electrifying feeling. That night, that color alone — and I’d go as far to say so many of us — came alive in new ways.

CHARLI

XCX & TROYE SIVAN PRESENT: SWEAT (With special guest Shygirl) will come to Atlanta on Thursday, October 3 at State Farm Arena (ed.).

Chris Azzopardi is the Editorial Director of Pride Source Media Group and Q Syndicate, the national LGBTQ+ wire service. He has interviewed a multitude of superstars, including Cher, Meryl Streep, Mariah Carey and Beyoncé. His work has also appeared in The New York Times, Vanity Fair, GQ and Billboard. Reach him via Twitter @chrisazzopardi.

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PRESENTED BY

10 Questions to An Unsung Community Hero: Olivia Chelko

Our article series shines a spotlight on the unsung heroes of the Atlanta LGBTQ+ community. This series will celebrate the individuals whose impactful work is crucial in shaping and strengthening our community. From activists to dedicated volunteers and professionals, these unsung heroes embody the spirit of resilience, compassion, and advocacy that defines Atlanta’s LGBTQ+ landscape. This time, we spoke to Olivia Chelko, the Director of Development and Communications for Positive Impact Health Centers.

Tell us how you got involved in the Atlanta LGBTQ+ scene.

I got involved in the Atlanta LGBTQ+ scene after graduating from public health school at Emory in 1999. My journey truly took off when I became the Executive Director of AIDS Athens, where I dove deep into the vibrant LGBTQ+ community of northeast Georgia. Over my decade there, I was thrilled to expand our services—growing our annual budget by a million dollars and increasing our housing program from just ten clients to over 450. I also spearheaded initiatives to provide over 1,000 HIV tests annually in Athens and helped establish an incredible $8 million resource center that offers everything from healthcare to childcare for the homeless.

… and what is your involvement today? Since joining Positive Impact Health Centers as the Director of Development and Communications in August 2016, I’ve loved engaging with the LGBTQ+ community through awareness events, speaking engagements, and fundraising activities. I’m grateful to remain connected to these spaces in both Athens and Atlanta, fostering relationships that strengthen our state.

I truly love Atlanta and working in this field; it has brought the most incredible people into my life and, more importantly, into the lives of my children. In my role at Positive Impact Health Centers, I find immense joy in the intersection of fundraising and marketing. I leverage my creativity to craft compelling campaigns that not only raise funds but also tell powerful stories about the lives we impact.

How long have you been with PIHC – and how did you get started?

I have been with Positive Impact Health Centers for eight years, and my journey in the field of HIV spans two decades. Having known the dedicated staff at this agency for a long time, I was inspired to make a larger impact on the state, which led me to my transition to Atlanta.

Photos by: Russ Bowen-Youngblood

One of our agency’s greatest strengths lies in our ability to bring people and organizations together, a facet of public health that I deeply enjoy and excel at. We are at the forefront of HIV care and prevention, and I am thrilled to contribute to our ambitious goal of getting 15,000 individuals in care by the end of 2026. The small role I play in helping us reach this significant milestone and work toward ending the epidemic in Atlanta is incredibly rewarding. I take great pride in highlighting the impactful programming delivered by our talented and creative staff at PIHC. Being surrounded by such passionate individuals, activists, and patient advocates is truly empowering, and I am grateful for the opportunity to contribute to this vital work.

What are some of the most significant accomplishments in your role?

One of my biggest accomplishments in my role is overseeing the publication of the agency’s annual report to the community. This annual project allows me to collaborate with staff from every department, giving me a chance to highlight their achievements and the significant impact they have on our mission. I truly enjoy helping them tell their stories and engage others in care, and it’s incredibly rewarding to see how their hard work comes to life.

In addition to the annual report, I also love organizing shows that bring people together in the community. These events create a space for individuals who are familiar with our work, as well as those who are not, fostering connection and awareness. One of my favorite events is the annual comedy show; it not only entertains but also showcases the agency’s impact in a fun and engaging way. Seeing people come together, share laughter, and learn more about our mission is truly fulfilling, and it reinforces the importance of our work in the community. This year, we will have it at Gas South Theatre in Duluth on Nov. 1st and 2nd, featuring several LGBTQ+ comedians. Get Tickets Online at PositiveImpactHealthCenters.org.

What are some of the challenges you have faced, and how did you overcome them?

Fundraising and event planning can be a tough journey, but it’s also incredibly rewarding. It often feels like a marathon—there are hurdles to overcome and moments of uncertainty, especially during times like COVID. However, each challenge presents an opportunity for creativity and collaboration with other agencies. There’s something truly special about rallying people together for a common cause. When we see the community come alive, whether it’s through an engaging event or a heartfelt campaign, it makes all the hard work worthwhile. The joy of connecting with donors and witnessing their passion for our mission is invigorating. Plus, the impact of our efforts—knowing that we’re making a difference in people’s lives—brings a sense of fulfillment that’s hard to match.

Why is it important for Atlanta to have a resource like PIHC?

The Atlanta community benefits significantly from the resources provided by Positive Impact Health Centers. With a strong commitment to bridging gaps in healthcare access for underserved populations, they prioritize putting patients first. The agency’s culture of continuous learning, combined with evidence-based methods, ensures that it consistently upholds high standards of excellence and remains at the forefront of treatment options. I feel like I have a million elevator pitches ready at a moment’s notice—this agency is an incredible, ever-growing resource for Atlanta.

Can you share a memorable moment or experience from your time working in the Atlanta LGBTQ+ community? I have so many memorable moments from my time working in the Atlanta LGBTQ+ community! From lively bingo nights to fabulous drag shows and our comedy events featuring Leslie Jordan and Bob the Drag Queen. I’m also incredibly grateful for the LGBTQ+ community in Atlanta and Athens and the profound impact they’ve had on my family. Their vibrant spirit has enriched our lives. I think some of the most memorable moments come from seeing how my work impacts my kids and the advocates they are becoming. My 19-year-old son, who has been tipping drag queens since he was just 2, brought his college friends to my comedy show

with Bob. It was a beautiful moment to see him share this part of his mom’s work and her love of it with his community.

While I sometimes worry about balancing events with being a mom, these experiences show my kids that my words match my actions, and this is what it looks like to show up for communities and people you care about. Last year, when a friend of my 14-year-old daughter asked if we were going to the pride parade, she replied, “With my mom, we’re probably going to be in the parade.” She was right.

Who are some of your own personal heroes or role models within the LGBTQ+ community, and why?

This is a really hard question to answer because there are so many inspiring figures within the LGBTQ+ community. While icons like Harvey Milk and Marsha P. Johnson are pivotal to the movement, when you really sit down and think about your personal heroes, they are often the people you meet every day at work and in the community. For me, that includes the incredible local drag queens and kings from the Atlanta Armorettes and the Boybutante AIDS Foundation.

These individuals have been fighting alongside HIV service organizations for decades, and they are the reason doors opened for service agencies across this state. Their performances and dedication during those early days helped pave the way for the vital services we provide today. This legacy isn’t just limited to Atlanta and Athens; it has reverberated across the entire country, showcasing the power of community and activism in creating lasting change. During the early lockdowns of COVID, I even found myself marking the days of social distancing based on the last time I attended a live drag show.

How do you see the Atlanta LGBTQ+ community evolving in the future, and what role do you hope to play in that evolution?

I envision the Atlanta LGBTQ+ community evolving into an even more vibrant and inclusive space, where diversity is not just celebrated but deeply embraced. As an ally, I am committed to playing an active role in this evolution by continually educating myself about the experiences of marginalized groups and amplifying their voices. I believe in the power of listening to their stories and advocating for their needs, ensuring that everyone feels represented and heard. Every day, I strive to be a better ally, fully aware that there’s always more I can do.

Is there anything else you’d like to share or any message you’d like to convey to our readers about the importance of getting involved in the community?

I want to emphasize there are resources available to everyone at our agency. We are here for you, whenever and however you need us—not only in the HIV care space but also in mental health and recovery services. This month is Recovery Month, which resonates deeply with me, as I lost my sister to an accidental overdose in 2020. Positive Impact Health Centers provide comprehensive wraparound services to support individuals through all their journeys. No matter where you are in your path, we’re dedicated to meeting you there.

Photos by: Russ Bowen-Youngblood

Fall Into the Beat

Summer may have come to an end, but that doesn’t mean the heat on our nation’s gay dance floors is cooling down. Clubs are working overtime to keep floors burning. Here are the top scorchers being played this autumn.

“I’m Never Gonna Dance Again”

Jaime Adrian So Fierce Music

Jaime Adrian’s “I’m Never Gonna Dance Again” masterfully reinvents George Michael’s classic “Careless Whisper” as a sleek, futuristic dance anthem. Maintaining the emotional core of the original ballad, Adrian infuses it with pulsating beats and vibrant synths that elevate the track to a whole new level. His sultry, expressive vocals bring a fresh, sexy energy to the song, adding a modern twist while honoring the nostalgic essence of the ‘80s hit. The infectious rhythm, paired with its bold, high-energy production, makes it irresistible for club floors, where it is sure to ignite crowds.

“Alive Again”

On Mekahel

On Mekahel’s new single “Alive Again” is a vibrant and empowering dancepop anthem that blends infectious beats with a deeply personal message of self-discovery and resilience. The track’s pulsating rhythm and catchy hooks instantly draw listeners in, while Mekahel’s emotive vocals deliver a powerful message about embracing one’s true self and living life authentically. The fusion of pop and dance elements creates an uplifting, feel-good vibe that’s perfect for the dance floor, yet the lyrics add a layer of emotional depth that resonates beyond just the music. On Mekahel’s ability to combine a meaningful narrative with dance-ready production showcases his artistry and adds a refreshing voice to the dance-pop landscape.

“Smooth Operator” Kristine W

In her reimagined version of the Sade classic, Kristine W strips down the original’s sultry jazz tones, and replaces them with a sleek, electronic backdrop that brings a chill, ambient vibe to the iconic tune. The smooth, rhythmic beats perfectly complement Kristine W’s silky vocals, allowing her to deliver a relaxed yet hypnotic interpretation of the timeless melody. The subtle layering of electronic textures enhances the track’s moodiness, allowing it to feel familiar yet innovative. For both longtime fans of “Smooth Operator” and new listeners alike, Kristine W’s version offers a sophisticated take that feels equally suited for a lounge setting or an intimate dance floor experience.”Ann N Andyy”

“Ann N Andyy” PrettiBoiRoq

PrettiBoiRoq’s “Ann N Andyy” is an intense, emotionally charged track that dives deep into his real-life experiences of betrayal and transformation. The clever title, a play on the iconic Ann and Andy dolls, reflects the “raggedy” nature of those who betrayed him, setting the tone for this unapologetically raw song. The production is minimalist yet purposeful, allowing PrettiBoiRoq’s fierce lyrical delivery to take center stage. His aggressive flow and biting words capture the pain of betrayal, while also showcasing his resilience and growth in the face of hardship. The stripped-back beat and haunting atmosphere amplify the emotional weight of the lyrics, making the track a powerful statement on overcoming adversity.

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Photos by: Russ Bowen-Youngblood
Photos by: Russ Bowen-Youngblood

We all have those moments of ‘wait, did they just say that?’ Lucky for you, we compile the best of the best right here on this page. Want to join in on the b*tch session? Submit your own nuggets to info@davidatlanta.com.

Dear old people, you were right: being in bed py 9 pm is amazing. Sorry for making fun of you.

Sometimes, you’re not breaking norms – your outfit is just awful!

Me to me: You can be a little unhinged today. As a treat.

Why do I wait for it to be late, so I can hurry up? ere’s got to be a better way!

The thing about me is that I’m cute, laidback, and easy-going, but in a really intense and stressful way.

I could never join a cult, because I just don’t listen to what people say.

Someone just gave me half a peace sign I traffic. Weird.

Life update: Yes, I’m still ge ing sexier.

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