contents FEATURES
04 09 12 14
Buying Art Listen to your instincts
First Person Sculptor Tim Pomeroy
16 21
LISTINGS BY AREA Turner Prize It’s all kicking off
Books Inspirational reads
Art Hot Spots What happens where and how
Two of a Kind Botanical works
INDEX
58
Advertisers’ list
25 32 40 53
Central Edinburgh Glasgow North + England
WELCOME Art, to many people, is a minefield, when it should be a pleasure and an inspiration. That’s why we’ve produced our annual Art Guide: we want to help make sense of it all. If you’re new to the vast and captivating subject that is art or you have a long and keen interest in it, this supplement, free with issue 104 of Homes & Interiors Scotland, is for you. Practical and easy to read, it lists some of Scotland’s leading galleries and venues, all places where you can explore the art scene and find work you’ll treasure forever. There’s also a debate on the merits (or otherwise) of the Turner Prize – just as Glasgow prepares to host the controversial competition. Be inspired – we hope you enjoy it.
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Contributor Rhona Warwick Paterson graduated from the Glasgow School of Art in 2001. She is an art writer and researcher specialising in sculpture
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The Art Guide 2015 (Issue 4) Editor Gillian Welsh Designer Barry Lochhead Sub Editor Judy Diamond
Published by Peebles Media Group Ltd, 11-12 Claremont Terrace, Glasgow G3 7XR; Tel: 0141 567 6000 © Peebles Media Group Ltd, 2015
THE ART GUIDE 2015 03
Above: The Tighnabruaich Gallery, in Argyll, focuses on dynamic and engaging painting and sculpture, as well as contemporary arts and crafts, from both emerging and established artists
04 THE ART GUIDE 2015
the pleasure principle Buying contemporary art is all about working out what you like and then learning to trust your instincts Words: Rhona Warwick Paterson
W
ith all eyes on Scotland for this year’s Turner Prize, 2015 could prove to be an apt moment to buy contemporary art. Whether you are a seasoned buyer who wants to add something a bit more edgy to your collection, or you have simply been inspired by one of the many Turner Prize events this winter but don’t know where to start, try asking yourself this simple question when considering purchasing a work of art: ‘Can we have a relationship?’ I know, it’s a weird question to ask an inanimate object. But whether you are buying for investment or purely for pleasure, choosing to live with art can be a transformative experience. The addition of an original artwork can provide a real focus for your home or your garden – not in the same way that a piece of furniture or wall colour can, but, rather than serving a function, a well-placed artwork can be an experience; it can be an invitation to pause, to train your eye so that as well as satisfying a basic visual pleasure, it should also communicate with your imagination. Surprisingly, many collectors say that the art they would never part with, or the art that now feels like an extension of themselves, are pieces that they didn’t like initially. Margaret Gardiner (whose enviable collection of British Modernism is now housed at the Pier Arts Centre in Stromness, Orkney) was once given a painting by the great abstract painter Roger Hilton to ‘suck it and see’. Normally guided by her strong, intuitive eye, she instantly disliked the small painting in tertiary colours. The artist, however, persuaded her to hang it in her bedroom so that it would be the first thing she saw when she awoke. The very next morning she phoned Hilton to tell him that she had to buy this wonderfully absorbing painting right away, as she now couldn’t live without it. Guides to buying art invariably propose that you buy things that you instantly like, yet this is no guarantee that what you are buying is necessarily good art. I don’t mean to suggest that you should purchase an artwork you dislike, rather that
you should also consider work that engages you, poses a question, or presents something enigmatic that you can spend decades contemplating. Choosing artwork to harmonise with your furniture or decor will ultimately bore you and is therefore simply not worth the investment. So, how do you choose? And where can you go to find work to buy? Start by visiting some exhibitions. Check out the Turner Prize at Tramway and the accompanying Travelling Gallery as it works its way across Scotland. Devils in the Making at the Gallery of Modern Art runs until February 2016 and showcases the wealth of talent to graduate form the Glasgow School of Art over the last two decades. This will give you a feel for the zeitgeist but will also present ideas in different media – why not consider a video piece or sound work for your garden or hallway, or a sculpture or wall painting for your living room? When it comes to buying art for your home, try to think beyond colour schemes or ‘tasteful’ landscapes above the fireplace; art has moved on, so take pleasure in thinking outside the box and challenge yourself in broadening your horizons. Building a relationship with art galleries is a good way to start. In Glasgow, try the Modern Institute (which has represented the lion’s share of Turner Prize winners and nominees), Mary Mary and Koppe Astner. In Edinburgh, meanwhile, the Ingleby Gallery and Arusha are among those that focus on contemporary artists who are making waves on the international scene. Most artists also welcome studio visits; seeing how they work and having a conversation about their practice will help you to make an informed decision. You’ll also find that artists often have smaller, more affordable prints or studies in their studios that you can buy, and this could set you on your way to supporting an emerging artist, whether through patronage, investment or both. Other opportunities to look at work in a range of different styles is at annual open exhibitions, art fairs and Open Studio events. This year’s Edinburgh Art Fair, at the Corn Exchange, is on the weekend of November 13-15, and the Royal Scottish Academy launches its annual open exhibition on November 27 (on until February 14). In both these places you’ll see the full • THE ART GUIDE 2015 05
[Left] The permanent collection of the Pier Arts Centre in Orkney contains work by many of the most important British artists of the 20th century. [Clockwise from below] Glasgow Print Studio has many interesting prints for sale, including this etching of irises by Elizabeth Blackadder, woodcuts by Martin Boyce and this Lanark screenprint by Alasdair Gray
spectrum of talent and styles. (If you’re thinking of buying for a loved one, rather than guessing what they’d like, try making a day of visiting the gallery or art fair together and making mental notes of what they respond positively to.) Purchasing a print is another accessible and affordable option. The Glasgow Print Studio has an impressive selection of well-priced and highly collectable prints for sale, including woodcuts by Martin Boyce, screenprints by Alasdair Gray and digital prints by Sam Ainsley ranging in price from £300 to £600. Peacock Visual Arts, Aberdeen’s Centre for Contemporary Art, has a wonderful selection of prints. To give a better understanding of an artist’s practice, WASPS Artists Studios host open days up and down the country, at South Block in Glasgow on the weekend of November 28–29 and at Patriothall Studios in Edinburgh on December 5–6. It’s a great opportunity to see what artists get up to in their own studios, but importantly, if a sale or commission is made, it puts money directly into the artist’s pocket. As Christmas approaches there will also be ample opportunities to purchase prints or paintings direct from small gallery shops around the country, which are a great place for seeing a range of styles and mediums. Outside Glasgow and Edinburgh, Frames Gallery in Perth and the Tighnabruaich Gallery in Argyll offer some lovely and inexpensive handcrafted pieces in ceramic and glass as well as a large selection of paintings by local artists. Museum and gallery shops increasingly stock signed editions of artists’ prints or posters – these, when framed, make an impressive and affordable gift. (My mother recently bought a signed limited-edition poster of Jim Lambie’s ‘Beach Boy’ from the Pier Arts Centre – a steal at £30.) Trusting your instincts is paramount, but equally important is making informed decisions when it comes to buying contemporary art. Do your homework, make a point of speaking to gallerists and dealers about which artists are generating a lot of interest, and try where possible to establish a relationship with the artist personally. Once your decision has been made, experiment with where to place your artwork at home. Don’t be tempted to fill gaps on walls but instead consider placing work in the spaces in which you spend most time. There is a tendency to hang framed prints or canvases slightly too high; as a rule of thumb, you should 06 THE ART GUIDE 2015
hang work where its halfway point is at your eye level – and lower still if you’re hanging the work in a room where people will mostly be sitting down. Experiment with activating overlooked or unusual spaces, such as very high up or propped against a wall on the floor. If the work is a sculpture or something more ephemeral, you could always ask the artist for their opinion. Overall, when buying a new artwork for your home, try to imbue the process with conversations, considerations and questions that will engage your imagination for years to come. ᔢ
THE ART GUIDE 2015 07
rowangallery
Drysdale Scott
Pam Carter
Simon Laurie
Anne Morrison
Gerard M Burns
Alison Cowan
Margaret Evans
Graham Bruce Richards
Ruth Swan
Dronma
Rowan Gallery represents many of Scotland’s most renowned contemporary artists whilst also championing new talent.
Rowan Gallery 78 West Clyde Street Helensburgh G84 8BB
We feature a number of solo and mixed exhibitions throughout the year whilst at all times displaying a comprehensive stock of Scottish and British contemporary art, sculpture and jewellery.
t: 01436 670721 e: enquiries@rowangallery.com
Passionate about original art, from our newly refurbished seafront premises in the town of Helensburgh we aim to build on our reputation and become the go-to destination gallery on the west coast of Scotland.
Opening Hours: Tue-Sat 11am-5pm Sunday 12-4pm
www.rowangallery.com
FIRST PERSON Petal By Tim Pomeroy
A wealth of influences, absorbed by the artist over a lifetime of observing the world, have gone into the creation of this sculpture
M
y sculptures have always been inspired by all manner of things, from the natural world to the designed world, from the ancient to the modern. This piece, which is called Petal, takes inspiration from all of these. There are rhythms all around us in nature. Very often we just take them for granted… and perhaps that is how it should be. And as an artist I am no different from anyone else, except perhaps in a couple of ways; firstly I recognise and am visually sensitive to these rhythms, and secondly I have a great sense of urgency to do something about it. A couple of years ago I made a sculpture called Hydrangea. This was an abstract sculpture. It was trying less to be a an actual hydrangea flower and more to evoke a spirit of hydrangea-ness, if such a spirit can be said to exist. The sculpture was also influenced by the ‘designed world’. It visually referenced such diverse things as wavy pastry cutters and crinkle washers. It was trying to be none of these things, but I felt these influences while I was making it.
Petal is an evolution from that sculpture. It is still related to all the above-mentioned influences but with more besides. I live beside the sea on the isle of Arran. The seashore, which is at the bottom of the front garden, is a constant source of wonder and inspiration. Petal also has a distant kinship to scallop shells, starfish and sea urchins. All these star-like symmetries have informed my shape-making. Petal is none of them per se, but contains ideas derived from them. I like to think that if Petal were able to shout in a canyon (supposing sculptures could shout), its echoes would look a little like (if an echo can look like anything) a scallop shell, a hydrangea petal, a sea urchin and more besides. Furthermore, yew wood, which Petal is made of, is associated in older beliefs and superstitions with protection against evil, bringing dreams, the afterlife, and otherworldliness, among other things. I chose yew deliberately because of its mystical properties. I wanted a material that not only responds well to the tools and finishes to a high level of beauty but also taps into that rich seam of inference and belief that is central to this sculpture. This could be said of many of the pieces in my exhibition at the Fine Art Society. ᔢ
Tim Pomeroy’s inaugural exhibition at the Fine Art Society in Edinburgh’s Dundas Street opens on Friday, November 20, his first major show in Scotland for over a decade. It runs until December 23. www.fasedinburgh.com www.timpomeroy.com THE ART GUIDE 2015 09
ART. THE NEXT GENERATION
TIGHNABRUAICH GALLERY ARGYLL. SCOTLAND
ww w. t i g- g al l ery.c o m
creative HOT spots All across Scotland you’ll find artists making new work. Here are just a few of the places you can visit to find out what they’re up to
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SUMMERHALL
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The former Royal (Dick) School of Veterinary Studies in Edinburgh is now an inspiring creative centre and the capital’s biggest arts venue. Summerhall has theatre and gallery spaces, libraries and museums, educational and research programmes, studios and workshops, and it hosts some of the city’s most interesting exhibitions and events. www.summerhall.co.uk
DOVECOT GALLERY Dovecot, in the heart of Edinburgh, is a centre for contemporary art, craft and design built around a fully functioning tapestry studio. Its weavers and artists are expert producers of contemporary tapestry and gun-tufted rugs. Exhibitions and events are held all year. dovecotstudios.com
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GLASGOW SCULPTURE STUDIOS
Dwelling, 2015 by Garry Fabian MIller at Dovecot Studios Image: Michael Wolchover
GALGAEL
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A workshop and haven in Glasgow’s Govan, GalGael provides a learning space for those who have endured difficulties such as addiction, worklessness or depression. The GalGael shop is a great place to find hand-crafted products such as wooden chopping boards, but you can also commission bespoke pieces from the makers. www.galgael.org
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Established in 1988, GSS is a creative hub for research, production and presentation of contemporary sculpture. It provides a vibrant mix of artists with studio space and production facilities. It also offers a range of public programmes to enhance awareness of the practice. www.glasgowsculpturestudios.org
Summerhall, Edinburgh
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REAL WOOD STUDIOS This collectively owned workshop, showroom, sawmill and timber merchant near Jedburgh in the Borders uses locally sourced native hardwoods to make contemporary furniture. Real Wood Studios grew out of Woodschool, which was established in 1996, and is now being run by craftspeople for craftspeople. www.realwoodstudios.com
OPEN STUDIOS Dates for 2016 have not been set yet, but you can use this year’s as a guide
Wasps South Block building gallery space, Glasgow
ANGUS OPEN STUDIOS www.angusopenstudios.com 29 November – 1 December
ARTMAP ARGYLL www.artmapargyll.com 22 – 25 August
COWAL OPEN STUDIOS
WASPS STUDIOS For the past 34 years, Wasps Studios has been providing affordable space for artists and arts organisations. The charity is now one of the UK’s largest studio providers, with 800 artists and 23 arts organisations housed in 17 buildings across Scotland, and, having raised £18.5 million investment in buildings for arts use across the country, it supports the regeneration of many deprived areas. www.waspsstudios.org.uk
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TRANSMISSION GALLERY
Transmission, in Glasgow’s Merchant City district, is a dedicated space for artists to gather, exchange ideas and exhibit alongside international names. It was established in 1983, and has always been at the cutting edge of the city’s art scene. The gallery is supported by Glasgow Life and Creative Scotland, and is managed by a voluntary committee of six people, with each member serving up to two years. www.transmissiosngallery.org
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COVE PARK
Founded in 1999 by Eileen and Peter Jacobs, Cove Park in Argyll offers residencies for a diverse range of contemporary artistic practice, including performing and visual arts, crafts, literature and music. Some residencies are self-funded, but the majority offer a fee and accommodation. Margaret Atwood and Simon Starling have both visited, along with artists from as far afield as Australia, India and Taiwan. www.covepark.org
www.cowalopenstudios.co.uk 26 – 29 September
CROSSING BORDERS ART TRAIL www.crossing-borders.org.uk 29 – 31 August
EAST NEUK OPEN STUDIOS www.eastneukopenstudios.org Late May and mid-October
NORTH-EAST OPEN STUDIOS www.northeastopenstudios.co.uk 6 – 14 September
NORTH FIFE OPEN STUDIOS www.openstudiosfife.co.uk 3 – 5 May
ORKNEY CRAFTS ASSOCIATION www.orkneydesignercrafts.com Trails open all year by appointment
PERTHSHIRE OPEN STUDIOS www.perthshireopenstudios.com 5 – 13 September 2015
SKYE AND LOCHALSH ARTS & CRAFTS ASSOCIATION www.art-skye.co.uk North and south trails open all year by appointment
SPRING FLING OPEN STUDIOS www.spring-fling.co.uk 24 – 26 May
WASPS ARTISTS’ OPEN STUDIOS www.waspsstudios.org.uk September – December
THE ART GUIDE 2015 13
TWO OF A KIND Intense observation and painstaking attention to detail pay off in these fine examples of botanical art
OLIVIA ROSE AUSTIN by Dianne Sutherland Dianna Sutherland trained as a floral painter with Royal Doulton and later studied both botanical illustration and plant science. “I enjoy the meeting of art and science in my work,” she says. The combination of the two can clearly be seen in this piece, which was inspired by a visit to the gardens of the famous rose breeder David Austin. The artist has deconstructed a soft pink English Leander hybrid (‘Olivia Rose Austin’) into its various parts, capturing it from bud to spent bloom and adding descriptive notes and colour studies to create a study page. Working in thin layers of watercolour, she has captured the luminosity of the petals in a brilliantly accurate depiction of this beautiful flower. www.diannesutherland.com
ALLIUM URSINUM by Lyn Campbell It was only after retiring from a career as a paediatric physiotherapist that Lyn Campbell got around to picking up her paintbrush. Since then, however, she has gained a diploma in botanical illustration from the Royal Botanic Garden in Edinburgh and now teaches the subject. “I’ve always loved plants and taken great pleasure in studying them on my travels at home and abroad,” she says. “I am fascinated by the natural world, and most of my paintings are of flowers growing in the wild. This one, of wild garlic, Allium ursinum, grows in abundance in the park where I walk my dog every day.” Rendered in watercolour, with all the fine detail and accuracy required for botanical illustration, it’s a typical example of the artist’s award-winning work. www.lyncampbell.com
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Pam Carter
Direct from the Artist - Limited Edition Giclee and Lithographic Prints. Also original commissions.
25th YEAR manning her
Solo Exhibition at
GALLERY An TALLA DEARG Isle Ornsay
ISLE of SKYE
Mobile: 07715015752
9th July - 23rd Aug 2016
VISIT WEBSITE TO VIEW GALLERIES OF PAINTINGS & CALENDAR OF EXHIBITIONS www.pamcarter.co.uk email: pam.carter@btinternet.com
THE ART GUIDE 2015 15
All eyes on the Turner Prize It has been called everything from banal and alienating to cutting-edge and profound. Just what is the art world’s most controversial competition all about? Words: Rhona Warwick Paterson
T
he early-evening news is on the television, but it’s getting zero attention from our household. While I’m pottering around in the kitchen, one of my sons is scribbling on some paper (and most of the table), while the other has a laserbeam focus on building some intricate Lego mutant. Then we hear the newsreader say the words “Glasgow… Turner Prize… artists” and suddenly the Lego mutant is lost under a barrage of questions: “Mummy, what’s happening to Glasgow?” “What’s the prize?” “Is it a competition for all the artists?” “Mummy, will I win the prize? Is it a big toy?” This last comes from the wee one, holding his scribbled masterpiece aloft. Explaining to two little boys aged six and three (whose father is an artist) what the Turner Prize is turns out to be a surprisingly fraught experience, and answering even the simplest of questions only serves to provoke more: “Well, it’s a big prize of money for artists who sometimes make controversial work, and, er, it’s held in Glasgow this year!” “Oh, good! Can Daddy enter the competition?” “You can’t enter it like other competitions… The artists are selected by a panel of very clever art people from all over the country.” “Does that mean he’s not good enough?” “Of course not! It depends on recent exhibitions and there are certain criteria but no one really knows what those are, er…” [lapses into confused silence] “Mummy, what is constramento?” “It’s con-tro-ver-sial…” “But why is it happening in Glasgow?” The more I attempt to stem the flow, the more confused we all become – especially me. Why does the Turner Prize spark so much debate – not just in our house, but across the full range of media, not to mention in bars, schools and workplaces the length and breadth of the country?
The answer, of course, lies in that much maligned and overused word ‘controversial’. Every year the prize receives extensive coverage in both the broadsheets and the tabloids, where the nominees are either praised for their brilliance or ridiculed for the banality and absurdity of their work. The prize was named after the 19th-century painter [Above] J.M.W. Turner may be one of Britain’s favourite J.M.W. Turner, now artists now, but he was much derided during his lifetime regarded as one of Britain’s greatest ever landscape artists but who, during his own lifetime, was regarded as a contentious and eccentric character who challenged the norms with both his subject matter and technique. Fast-forward to 2001, when the Turner Prize was won by Martin Creed, the Scottish conceptual artist whose Work 227: The lights going ON and OFF was, well, just that: a stripped-out room with a light programmed to be on for five seconds and off for five seconds. Its simplicity triggered huge anxiety and an international debate about what art was (or wasn’t, for that matter). Creed was ridiculed as a charlatan and the tabloids reported that people walked out of the Tate in disgust. There was no doubt that this was controversial. Whether it was your thing or not, though, Creed’s work challenged expectations, fuelled debate and focused public attention on the role of the artist. Maybe Turner’s depiction of atmosphere and light was not so far from Creed’s lights going on and off after all. The Turner Prize isn’t just controversial to the public and to the art critics, however. It also provokes a fair amount of soul-searching among the shortlisted artists as well. Many of those who have been contenders over the years have felt conflicted about the culture of competition it generates between peers, the immense pressure of the inevitable media scrutiny and the ‘poisoned chalice’ that is •
“Nominees are either praised
for their brilliance or ridiculed for the banality and absurdity of their work” 16 THE ART GUIDE 2015
A further nine GSA alumni have been shortlisted for the prize: 1997: Christine Borland 2005: Jim Lambie 2007: Nathan Coley 2008: Cathy Wilkes 2009: Lucy Skaer 2011: Karla Black 2013: David Shrigley 2014: Ciara Phillips 2014: Tris Vonna-Michell
[Right and above] Martin Boyce and his 2011 Turner Prize-winning installation, Do Words Have Voices? [Below] Martin Creed left many people baffled by his 2001 exhibit, in which a light was repeatedly switched on and off
Image: David Mackenzie
The Glasgow School of Art has produced five Turner Prize winners and 30% of the nominees since 2006. Over the last ten years, four winners have been graduates of GSA’s celebrated Master of Fine Art programme. GSA alumni who have won the Turner Prize: 1996: Douglas Gordon (Sculpture and Environmental Art 1988) 2005: Simon Starling (MFA 1992) 2009: Richard Wright (MFA 1995) 2011: Martin Boyce (Sculpture & Environmental Art 1990; MFA 1997) 2014: Duncan Campbell (MFA 1998)
Courtesy of The Artist and The Modern Institute/Toby Webster Ltd, Glasgow Image: Colin Davidson
The Glasgow Connection
“It is true that
winning the Turner Prize pretty much
Image: Alastair Muir
guarantees commercial success for an artist”
Work # 227: The lights going on and off, 2000, by Martin Creed Courtesy of Cabinet Gallery, London Images: Tate Photography THE ART GUIDE 2015 17
Image: McAteer Photograph
This year’s prize The four artists nominated for this year’s Turner Prize are: Assemble have been nominated for projects including a collaboration with local residents and others in the Granby Four Streets, Liverpool. Bonnie Camplin has been nominated for the Military Industrial Complex, South London Gallery. Her work spans the disciplines of drawing, film, performance, music and writing as well as immaterial and situational research. Janice Kerbel has been nominated for her performance DOUG, commissioned by the Common Guild at the Mitchell Library, Glasgow. Kerbel borrows from conventional modes of narrative in order to create elaborate imagined forms. Nicole Wermers has been nominated for her exhibition Infrastruktur, Herald Street, London. She creates sculptures, collages and installations that 18 THE ART GUIDE 2015
explore the appropriation of art and design within consumer culture. Awarding the prize is this year’s jury: Alistair Hudson Director, Middlesbrough Institute of Modern Art Kyla McDonald Artistic Director, Glasgow Sculpture Studios Joanna Mytkowska Director, Museum Sztuki Nowoczesnej, Warsaw Jan Verwoert Critic and curator The jury will be chaired by Alex Farquharson, Director of Tate Britain The winner will be announced at an awards ceremony at Tramway on December 7, which will be broadcast live on Channel 4, but the exhibition will continue until January 17.
Turner Prize
What else is going on? To accompany the exhibition, Tramway has devised an extensive engagement and education programme entitled Try Something New. It includes workshops and events for all ages, as well as associated contemporary art exhibitions in other galleries in Glasgow. The Gallery of Modern Art presents Devils in the Making: Glasgow School of Art & the Collection, featuring works by the likes of Simon Starling, Karla Black and Jim Lambie (until February 28). Cass Art, Tramway’s public programme partner, presents an interactive exhibition and Turner Prize-related workshops in its Glasgow Art Space (until January 17). The much-loved Travelling Gallery is taking a special show out on the road across Scotland, featuring a rollcall of past Scottish Turner Prize winners and nominees such as Martin Boyce, Douglas Gordon, Jim Lambie and David Shrigley. The custom-built mobile contemporary art space is travelling across Scotland as far as the Highlands and Orkney, visiting schools, galleries and community centres, and returning to Glasgow to coincide with the announcement of the Turner Prize winner on December 7.
the actual prize itself. The majority of artists don’t have a regular income, never mind a pension plan or even, sometimes, enough spare change for the bus home, so being plucked from relative obscurity and/or poverty and offered £25,000 in recognition of their talent can be a real game-changer. It is true that winning the Turner Prize pretty much guarantees commercial success for an artist, and new-found financial security allows them to potentially explore ideas in other materials (or at least to pay off some debts). But once the dust settles, does success in the competition really have any impact on an artist’s work or does it simply reinforce the established media opinion that contemporary art is alienating and wilfully esoteric? Duncan Campbell, who won last year’s prize, says there are two sides to it: “I’m not going to argue with the way the Turner Prize brings attention to the winners and nominated artists or to turn down the opportunity to have this sort of spotlight. But there is an arbitrariness about it. Four people get nominated and only one wins. I know people who’ve been through that process, and people who deserve to be nominated but haven’t been.” Martin Boyce, winner in 2011, agrees that there is a lot of ambivalence about the competition: “The thing about the Turner Prize is a lot of good artists have been nominated and a lot haven’t,” he says. “If it comes your way, you have to decide whether you’re on board or not, as it can be a double-edged sword for a lot of people.” He had fewer doubts for himself, though: “For me, I felt like it was an honour to become part of a lineage that includes so many significant artists.” Boyce points out other benefits: “The nicest thing about it is being able to tell your mum and the people you talk to when you drop the kids off at school. They know what the Turner is. But I think the reality is that you go back to what you were doing before. You maybe get more invitations to go on panels or whatever, or get asked to say what your top ten movies are, but for me personally, I’m really not sure what difference it makes.” Douglas Gordon, the Glasgow artist who won the 1996 Turner Prize, has said that the purpose of art is to ignite conversation and that it is through that exchange that people can really engage with ideas. This concept is possibly one of the main reasons why so many nominees and winners of the prize have come out of Glasgow, and particularly the Glasgow School of Art, where influential tutor David Harding nurtured a generation of significant artists through the innovative Environmental Art course. Both Gordon and Boyce in their acceptance speeches
“The purpose of
art is to ignite conversation. It is only through that exchange that people can really engage with ideas” thanked and made specific reference to their peer group and teachers at GSA. Much has been talked recently about the so-called ‘Glasgow Miracle’ – the astonishingly high number of artists based in the city – but the expression does little to describe the complex fusion of cultural networks the city has built over the years. Rather than some ‘miracle’ out of the blue, this is the result of decades of consistent hard work for little financial recompense, of international relationships forged by artist-run galleries, of the city’s distance from an established art market, and of the indefatigable chutzpah of emerging artists with nothing to lose. Jeremy Deller, who won the 2004 Turner Prize and who is represented by the city’s Modern Institute, puts it this way: “Glasgow is a good place to live and make work. People are up for it. It’s cheaper and there is more space. That said, I live in London now, but I have a gallery in Glasgow as it’s good to have a distance from the art market – it means you don’t get influenced by it and you just do your thing.” • THE ART GUIDE 2015 19
Image: Tate Photography
Turner Prize
Judith Nesbitt, Director of National and international Programmes at the Tate It’s wonderful to see the Turner Prize 2015 here at Tramway. Glasgow is an important centre for the arts in Britain so it is very fitting for the exhibition to be hosted in the city this year. Working in partnership with colleagues in Scotland means the prize reaches an even wider audience and enables a richer debate about contemporary art. We hope all who visit the exhibition at Tramway will find it exciting and thought-provoking, and that they will see how British art today connects with wider contemporary culture.
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“Working with the shortlisted artists and seeing the Turner Prize 2015 exhibition take shape at Tramway has been fantastic. It is brilliant that we’re now at the moment where everyone can see and share this work. It’s here to challenge, to inspire and to provoke. It’s here to start conversations, to be passionate about. Most of all it is here to be experienced: I would encourage everyone to come along and join us to see the Turner Prize exhibition.”
That distance is about to become shorter this winter when the Turner Prize machine rolls into Glasgow. Ben Luke recently wrote in the London Evening Standard that the sheer volume of Turner Prize nominees coming out of the city over last 20 years “confirms the supremacy of Glasgow as the UK centre for new art”. Ironically, for the first time in over a decade, none of 2015’s shortlist – three women and one collective – studied or live in Glasgow. This, though, is no bad thing, as playing to a home crowd is often beset with impossible pressures and high expectations. That reminds me of my own ‘home crowd’, their faces scrunched in confusion at my woeful explanation of what the Turner Prize is. “It boils down to this,” I say. “It’s just a competition with winners and losers, but it’s not about being the best artist. It’s more about getting people to think about what art is and to talk and have opinions about it – which is what we’re doing now!” Pleased with this simple yet thought-provoking explanation, I look to my boys to check that they have indeed got the benefit of this concise insight – only to discover that one has felt-tipped a drawing of Frankenstein’s monster on the carpet and the other has managed to insert a small Lego brick up one nostril. Turns out this particular conversation had been a monologue all along. ᔢ 20 THE ART GUIDE 2015
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Image: Studio Scotland
Sarah Munro, Director of Tramway
TURNER PRIZE EXHIBITION TRAMWAY, 25 ALBERT DRIVE, GLASGOW UNTIL JANUARY 17 ENTRY IS FREE FOR MORE INFORMATION VISIT:
www.tate.org.uk
books
Delve deeper into the world of your favourite artists with this selection of the latest publications
There are more than 650 artists profiled in this generous volume, with impressionism, expressionism and the rest of the world’s great art movements succinctly decoded for those searching out concise knowledge. £20 www.dk.com
Dubbed the Leonardo da Vinci of our times, Thomas Heatherwick is a designer at the top of his game. This monograph charts the impressive diversity of his work, from the Garden Bridge across the Thames to the Olympic Cauldron. £29.95 www.thamesandhudson.com
Sculptor Andy Goldsworthy famously collaborates with nature to make his creations. Their transience means many now exist only in photographs, which have been meticulously gathered together in this impressive new book. £50 www.abramsandchronicle.co.uk
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THE ART GUIDE 2015 21
Books
Textile artist Lucy Sparrow has made felt versions of everything from the Statue of Liberty to Stonehenge. This book shows off her clever, quirky approach to art and presents some of her most memorable creations. £16.99 www. randomhouse.de/prestel_eng/
This book is a practical guide to the art of watercolour painting, with helpful tips on how to improve your skills. Author Leslie Frontz’s stepby-step instructions will aid beginners as well as seasoned practitioners. £17.99 www.thegmcgroup.com
A complete catalogue of the work of Johannes Vermeer, the Dutch master who created The Girl With a Pearl Earring. The artist only found fame posthumously, but his influence and legacy continue to enthral and intrigue. £99.99 www.taschen.com 22 THE ART GUIDE 2015
Contemporary Scottish art in a city centre Victorian Gallery once home to the legendary Alexander Reid, now reopened after more than eighty years. Our winter show runs until 31 December 2015 VKRZLQJ ÀQH RULJLQDO SDLQWLQJV DQG DQ H[FOXVLYH portfolio of limited edition prints. Open daily apart from Mondays from 11 am to 5 pm. )RU IXOO GHWDLOV SOHDVH YLVLW RXU ZHEVLWH
ZZZ OHLSHUĂ€QHDUW FRP :HVW *HRUJH 6WUHHW *ODVJRZ * 45 7 ( OHLSHUĂ€QHDUW#JPDLO FRP
RSW
THE R OYAL S COTTISH S OCIETY OF P AINTERS I N W AT E R C O L O U R The best annual showcase of Scottish watercolour painting 135TH WINTER OPEN ANNUAL EXHIBITION
5TH SUMMER OPEN ANNUAL EXHIBITION
Upper Galleries, RSA Building The Mound, Edinburgh
Meffan Institute 20 West High Street, Forfar
27 November – 12 December 2015
30 April – 29 May 2016
Daily 10am – 5pm Sun 12 – 5pm
Tuesday - Saturday 10am - 5pm
Admission free
Admission free RSW OPEN EXHIBITION
Lillie Art Gallery Station Road, Milngavie G62 8BZ 10 January – 18 February 2016 Tuesday - Saturday 10am - 1pm, 2 - 5pm Admission free CALL FOR ENTRIES Winter Exhibition open to Non-Members Receiving Day – 14 November 2015 For schedules send C5, 2nd Class SAE to: nd RSW, 2 Floor, 5 Oswald Street, Glasgow G1 4QR 0141 248 7411
www.rsw.org.uk
Havana Windows
/rsw_watercolour
John C Brown RSW Patron: HRH The Prince Charles, Duke of Rothesay
Charity No: SC007247
THE ART GUIDE 2015 23
The
Shop...
Crazy About Craft in all shapes and sizes
53 Cresswell Street, Glasgow G12 8AE t: 0141 334 4240 425 Great Western Road, Glasgow G4 9JA t: 0141 334 0055
www.nancysmillieshop.com
t
central
AREA LOCATOR : CENTRAL
Stirlingshire, Trossachs, Fife, Angus and Perthshire
THE ART GUIDE 2015 25
LISTINGS TATHA G A L L E R Y
The Wonder Room OUR CHRISTMAS SHOW
featuring artists Briony Anderson, Joy Arden, Helen Glassford, Julie Goring, Hetty Haxworth, Tom Mabon, Morag Muir, Ruth Stiven and Alasdair Wallace This exhibition runs from 6 November 2015 until 23 January 2016
1 High Street, Newport-on-Tay, Fife DD6 8AB T 01382 690800
www.tathagallery.com
Θ ŽůůĞĐƟǀĞ ƌƚ 'ĂůůĞƌLJ 28 Henderson Street, Bridge of Allan, FK9 4HR
T: 01786 359864 ͗ ŝŶĨŽΛĂŶĚĐŽůůĞĐƟǀĞ͘ĐŽ͘ƵŬ ǁǁǁ͘ĂŶĚĐŽůůĞĐƟǀĞ͘ĐŽ͘ƵŬ Θ ŽůůĞĐƟǀĞ ŝƐ Ă ĐŽŶƚĞŵƉŽƌĂƌLJ Ăƌƚ ŐĂůůĞƌLJ ŚŽƐƟŶŐ Ă ŶĞǁ ĨĞĂƚƵƌĞĚ ǀŝƐƵĂů ĂƌƟƐƚ ĞǀĞƌLJ ϲ ǁĞĞŬƐ͕ ĞdžŚŝďŝƟŶŐ ĂůŽŶŐ ƐŝĚĞ Ă ĚŝǀĞƌƐĞ ƌĂŶŐĞ ŽĨ ĂƉƉůŝĞĚ Ăƌƚ ĨƌŽŵ Ăůů ŽǀĞƌ ƚŚĞ h<͘
26 THE ART GUIDE 2015
ƌƟƐĂŶĂŶĚ
13-15 Bank St, Aberfeldy PH15 2BB T: 01887 822700 ͗ ĂŶŐĞůĂΛĂƌƟƐĂŶĂŶĚ͘ĐŽ͘ƵŬ ǁǁǁ͘ĂƌƟƐĂŶĂŶĚ͘ĐŽ͘ƵŬ ƌƟƐĂŶĂŶĚ ŝƐ Ă ĐŽŶƚĞŵƉŽƌĂƌLJ ŐĂůůĞƌLJ ƐŚŽǁĐĂƐŝŶŐ ůŽĐĂů ^ĐŽƫƐŚ ĂƌƚƐ ĂŶĚ ĐƌĂŌƐ͘ tĞ ƉƌŽǀŝĚĞ Ă ŵŝdž ŽĨ ĂīŽƌĚĂďůĞ ƋƵŝƌŬLJ ĐŽŶĐĞƉƚƵĂů ƉŝĞĐĞƐ ŽĨ ĞdžĐĞƉƟŽŶĂů ƋƵĂůŝƚLJ͕ ƐƚLJůĞ ĂŶĚ ĨƵŶĐƟŽŶ͘ dŚĞ ƉƌŽǀĞŶĂŶĐĞ ĞŶĂďůĞƐ ĐƵƐƚŽŵĞƌƐ ƚŽ ƐŚŽƉ ůŽĐĂůůLJ ŝŶ Ă ůŝŐŚƚ ĂŶĚ ƌĞůĂdžĞĚ ƐƉĂĐĞ ƚŚĂƚ ŝŶǀŝƚĞƐ ďƌŽǁƐŝŶŐ͘
ŶŝĚ ,ƵƩ 'ĂůůĞƌLJ
27 St Clair Street, Kirkcaldy, Fife, KY1 2QF T: 01592 643227 ͗ ƐĂůĞƐΛĞŶŝĚŚƵƩŐĂůůĞƌLJ͘ĐŽŵ ǁǁǁ͘ĞŶŝĚŚƵƩŐĂůůĞƌLJ͘ĐŽŵ A family run gallery since 1990 ŚŽƐƟŶŐ ƚŚĞ ůĂƌŐĞƐƚ ĐŽůůĞĐƟŽŶ ŽĨ ƌƚ ĂŶĚ DŝƌƌŽƌƐ ŝŶ ^ĐŽƚůĂŶĚ͘ tĞ ƐƚŽĐŬ ĂŶ ĞdžƚĞŶƐŝǀĞ ƐĞůĞĐƟŽŶ ŽĨ ůŝŵŝƚĞĚ ĞĚŝƟŽŶ ƉƌŝŶƚƐ ĂŶĚ ŽƌŝŐŝŶĂůƐ ƚŽ ǁĂůů ŵŝƌƌŽƌƐ ĂŶĚ ŵĞƚĂů ǁĂůů ƐĐƵůƉƚƵƌĞƐ͘
LISTINGS
Artisanand is a fresh contemporary gallery offering a quirky affordable selection of conceptual pieces of exceptional quality, style and function.
We actively promote both established and new artists and makers from around Scotland, many being locally based in creative Perthshire.
13-15 Bank St, Aberfeldy, PH15 2BB l 01887 822700 l angela@artisanand.co.uk l www.artisanand.co.uk
‘Back to Black’ Marion Drummond
Frames Gallery
Fraser Gallery St Andrews
Greengallery
10, Victoria Street, Perth PH2 8LW
53 South Street, St Andrews, Scotland, KY16 9QR
Ballamenoch, Buchlyvie, ^ƟƌůŝŶŐƐŚŝƌĞ͕ &<ϴ ϯEy
T: 01738 631085 E: info@framesgallery.co.uk www.framesgallery.co.uk Established in 1979, Frames Gallery ƉƌŝĚĞ ƚŚĞŵƐĞůǀĞƐ ŽŶ ŽīĞƌŝŶŐ Ă ǁŝĚĞ ƌĂŶŐĞ ŽĨ ƐĞƌǀŝĐĞƐ ƚŽ ĂƌƟƐƚƐ ĂƐ ǁĞůů ĂƐ ƚŚĞ ƉƵďůŝĐ͘ dŚĞ ŐĂůůĞƌLJ ŚŽůĚ ǀĂƌŝŽƵƐ ĞdžŚŝďŝƟŽŶƐ ƚŚƌŽƵŐŚŽƵƚ ƚŚĞ LJĞĂƌ ĂŶĚ ƚŚĞ ĂǁĂƌĚͲ ǁŝŶŶŝŶŐ ƉŝĐƚƵƌĞ ĨƌĂŵŝŶŐ ǁŽƌŬƐŚŽƉ ŽīĞƌƐ Ă ƚƌƵůLJ ďĞƐƉŽŬĞ ƐĞƌǀŝĐĞ͘
T: 01334 479 647 E: enquiries@frasergallery.co.uk www.frasergallery.co.uk One of Scotland’s oldest privately ŽǁŶĞĚ ŐĂůůĞƌŝĞƐ͕ &ƌĂƐĞƌ 'ĂůůĞƌLJ ŽīĞƌƐ Ă ƵŶŝƋƵĞ͕ ŝŶƟŵĂƚĞ ƐƉĂĐĞ ŝŶ ƚŚĞ ŚĞĂƌƚ ŽĨ ^ƚ ŶĚƌĞǁƐ͕ ƐŚŽǁĐĂƐŝŶŐ ƐŽŵĞ ŽĨ ƚŚĞ ǀĞƌLJ ďĞƐƚ ŽĨ ĐŽŶƚĞŵƉŽƌĂƌLJ ^ĐŽƫƐŚ ĂƌƟƐƚƐ͘
d͗ ϬϭϯϲϬ ϴϱϬϭϴϬ ͗ ŐƌĞĞŶŐĂůůĞƌLJΛƐŽů͘ĐŽ͘ƵŬ ǁǁǁ͘ŐƌĞĞŶŐĂůůĞƌLJ͘ĐŽŵ Established 20 years ago the greengallery showcases the very best ĂƌƟƐƚƐ ĂŶĚ ĂƌƟƐƚƐ ĐƌĂŌƐŵĞŶ ǁŽƌŬŝŶŐ ŝŶ ^ĐŽƚůĂŶĚ ƚŽĚĂLJ ǁŝƚŚ ĨŽƵƌ ĞĐůĞĐƟĐ ĞdžŚŝďŝƟŽŶƐ Ă LJĞĂƌ͘ Xmas fair 27th, 28th, 29th Nov. yŵĂƐ ĞdžŚŝďŝƟŽŶ ϴƚŚ EŽǀͲϮϯƌĚ ĞĐ͘
THE ART GUIDE 2015 27
E: greengallery@sol.co.uk www.greengallery.com greengallerylifestyle T: 01360 850 180
A Visual Treat
Christmas Fair 27, 28, 29 November
Christmas Exhibition 8 Nov-23 Dec
See website for further information.
Fidden Bay, Mull (2) 22x30” by Ron Lawson
WINTER WARMTH
Sat 14th Nov 2015 - Sat 9th Jan 2016 An exhibition of over 35 artists, designers and craft makers from Scotland and the UK. All work is for sale.
The Atholl Gallery welcomes you all year round - Scottish contemporary art, crafts, jewellery, sculpture, glass, unusal furniture, ceramics, cards and prints - something to suit all tastes and every pocket. Come in for Christmas ideas. AUTUMN GROUP EXHIBITION Featuring new work by Ron Lawson Please see our website for full details of what’s on at the gallery
www.athollgallery.co.uk 6 Atholl Street, Dunkeld, Perthshire, PH8 0AR 01350 728855 Opening Hours:- 11.00am - 5pm, Every Day
28 THE ART GUIDE 2015
theparkgallery
LISTINGS
Maisie & Mac
Tatha Gallery
The Atholl Gallery
1-3 St Catherine St, Cupar, Fife, KY15 4LS.
1 High Street, Newport-on-Tay, DD6 8AB
6 Atholl Street, Dunkeld, Perthshire, PH8 0AR
T: 01334 656523 E: info@maisieandmac.com www.maisieandmac.com
T: 01832 690800 E: helen@tathagallery.com www.tathagallery.com
T: 01350 728855 www.athollgallery.co.uk
^ŚŽƉ Θ 'ĂůůĞƌLJ ƐĞůůŝŶŐ Ă ĨĂŶƚĂƐƟĐ ƌĂŶŐĞ ŽĨ ǁŽƌŬ ĨƌŽŵ h< ĂƌƟƐƚƐ Θ ĚĞƐŝŐŶĞƌͲŵĂŬĞƌƐ͕ ĐŽŵƉůŝŵĞŶƚĞĚ ďLJ ĐĂƌĞĨƵůůLJ ƐĞůĞĐƚĞĚ ŝƚĞŵƐ ĨƌŽŵ ĞůƐĞǁŚĞƌĞ͘ /ŵĂŐŝŶĂƟǀĞ ĞdžŚŝďŝƟŽŶƐ ƐŚŽǁĐĂƐĞ ƋƵŝƌŬLJ ŐŝŌƐ͕ ďĞĂƵƟĨƵů ĐƌĂŌ and statement art.
Featuring ƐŽŵĞ ŽĨ ƚŚĞ ďĞƐƚ dǁĞŶƟĞƚŚ ĞŶƚƵƌLJ ĂŶĚ ŽŶƚĞŵƉŽƌĂƌLJ ƌŝƟƐŚ ƌƚ͘ ŵĞƌŐŝŶŐ ƚĂůĞŶƚ ŵŝdžĞĚ ǁŝƚŚ ƟŵĞͲ ŚŽŶŽƵƌĞĚ ĞƐƚĂďůŝƐŚĞĚ ĂƌƟƐƚƐ ŵĂŬĞƐ for a recipe for interest, excitement and excellence in our regularly changing program.
The Atholl Gallery welcomes you all LJĞĂƌ ƌŽƵŶĚ Ͳ ^ĐŽƫƐŚ ĐŽŶƚĞŵƉŽƌĂƌLJ Ăƌƚ͕ ĐƌĂŌƐ͕ ũĞǁĞůůĞƌLJ͕ ƐĐƵůƉƚƵƌĞ͕ ŐůĂƐƐ͕ unusual furniture, ceramics, cards ĂŶĚ ƉƌŝŶƚƐ Ͳ ƐŽŵĞƚŚŝŶŐ ƚŽ ƐƵŝƚ Ăůů ƚĂƐƚĞƐ ĂŶĚ ĞǀĞƌLJ ƉŽĐŬĞƚ͘ ŽŵĞ ŝŶ ĨŽƌ ŚƌŝƐƚŵĂƐ ŝĚĞĂƐ͘
Julia Linstead Glass Gallery
The Park Gallery Callendar House, Callendar Park, Falkirk, FK1 1YR T: 01324 503789 ĂƌƚƐĂŶĚĐƌĂŌƐΛĨĂůŬŝƌŬĐŽŵŵƵŶŝƚLJƚƌƵƐƚ͘ org ǁǁǁ͘ĨĂůŬŝƌŬĐŽŵŵƵŶŝƚLJƚƌƵƐƚ͘ŽƌŐ
Gorgeous Gifts British Studio Glass bowls, bottles, jewellery & paperweights.
Ŷ ĞdžŚŝďŝƟŽŶ ŽĨ ŽǀĞƌ ϯϱ ĂƌƟƐƚƐ͕ ĚĞƐŝŐŶĞƌƐ ĂŶĚ ĐƌĂŌ ŵĂŬĞƌƐ ĨƌŽŵ ^ĐŽƚůĂŶĚ ĂŶĚ ƚŚĞ h<͘ ůů ǁŽƌŬ ŝƐ ĨŽƌ ƐĂůĞ͘ &ƌĞĞ ĂĚŵŝƐƐŝŽŶ͘ ^ĂƚƵƌĚĂLJ ϭϰƚŚ EŽǀ ϮϬϭϱ Ͳ ^ĂƚƵƌĚĂLJ ϵƚŚ :ĂŶ ϮϬϭϲ͘
www.julialinsteadglass.com
01890 882 555 The Hirsel, Coldstream, TD12 4LW THE ART GUIDE 2015 29
collective
28 Henderson Street, Bridge of Allan, FK9 4HR
art gallery exhibitions events sourcing
t - 01786 359864 e - info@andcollective.co.uk w - andcollective.co.uk
A MAJOR SOLO EXHIBITION BY
… a Scottish impressionist Fraser Gallery
S T
fraser gallery
Jack Morrocco
A N D R E W S
28 November 2015 – 4 January 2016 C E L E B R A T I N G 30 THE ART GUIDE 2015
S C O T T I S H
53 South Street, StAndrews A R T
S I N C E
1 8 6 2
s
east AREA LOCATOR : EAST
Edinburgh, Lothian & Borders
32 THE ART GUIDE 2015
The Leith Gallery
Beachcombing Arisaig by Robert Kelsey
Evening Sail Arisaig by Robert Kelsey
The Leith Gallery provides the best in Scottish art to its collectors.
Solo Exhibition
Christmas 2015
Robert Kelsey 7th to 28th November
An exciting collection from gallery artists to brighten everyoneâ&#x20AC;&#x2122;s Festive season
5th December to 9th January The Leith Gallery, 65, The Shore, Edinburgh, EH6 6RA 0131 553 5255 e-mail info@the-leith-gallery.co.uk web www.the-leith-gallery.co.uk Open Tues to Sat 11am to 4pm
DEALERS IN THE BEST OF
SCOTTISH CONTEMPORARY ART
Marion Drummond
Pam Carter
Stephen Mangan
Jack Morrocco
Monthly Exhibitions
Gullane Art Gallery
8 Stanley Road (Main Street) Gullane, EH31 2AD T: 01620 843082 | www.gullaneartgallery.co.uk
THE ART GUIDE 2015 33
Christmas Exhibition Sandy Murphy RSW RGI PAI, James Cosgrove RSW RGI PAI, Michael Durning PPAI PAI RSW & Euan McGregor PAI
18a Dundas Street Edinburgh EH3 6HZ
5th December 2015 to 10th January 2016 Preview Saturday 5th December 12-5pm
Tuesday - Saturday 11am - 5pm or by appointment
www.thesuttongallery.com Image: Thomas Cameron, ‘Newhaven Sunset’, oil on board, 40 x 55cm
Open 12-5pm Saturday and Sunday, appointments very welcome at any other time.
45 Dirleton Avenue, North Berwick, East Lothian EH39 4BL T: 01620 895057 / 07981 982464 E: info@fidrafineart.co.uk www.fidrafineart.co.uk
Feel Adventurous? Scotland’s contemporary art scene is world renowned. Add an original piece of art or craft to your collection from some of Scotland’s finest contemporary artists with the help of Own Art. Take the plunge and the spread the cost of the art you love with Own Art, over 10 months, interest free. Find out more about Own Art here: www.ownart.org.uk
(representative 0% APR) Offer subject to age and status. Terms and conditions apply. You will need a UK bank account that can handle direct debits, proof of identity and address, and you will also need to be over 18. Own Art is an Arts Council England initiative operated by Creative Sector Services CIC, a Community Interest Company registered in England and Wales under number 08280539. Registered address: 2-6 Cannon Street, London EC4M 6YH.
249 West George Street, Glasgow G2 4QE 34 THE ART GUIDE 2015
LISTINGS Feel Adventurous? Scotland’s contemporary art scene is world renowned. Add an original piece of art or craft to your collection from some of Scotland’s finest contemporary artists with the help of Own Art. Take the plunge and the spread the cost of the art you love with Own Art, over 10 months, interest free. Find out more about Own Art here: www.ownart.org.uk Cherry Blossom in Pink – Oil on Gold Leaf on 4mm Temperated Glass - 128cm×128cm
Alpha Art Gallery Contemporary Art Gallery
(representative 0% APR)
Arusha Gallery
ƌĞĂƟǀĞ ^ĐŽƚůĂŶĚ
13A Dundas Street, Edinburgh, EH3 6QG
Waverley Gate, 2-4 Waterloo Place, Edinburgh, EH1 3EG
T: 0131 2263066 www.alpha-art.co.uk
T: 0131 557 1412 | 07814189018 E: info@arushagallery.com www.arushagallery.com
T: +44 330 333 2000 ͗ ĞŶƋƵŝƌŝĞƐΛĐƌĞĂƟǀĞƐĐŽƚůĂŶĚ͘ĐŽŵ ǁǁǁ͘ĐƌĞĂƟǀĞƐĐŽƚůĂŶĚ͘ĐŽŵ
Original artwork Sculpture >ŝŵŝƚĞĚ ĞĚŝƟŽŶ ƉƌŝŶƚƐ Jewellery ,ĂŶĚŵĂĚĞ ŐŝŌƐ :ĂĐŬ &ƌĂŵĞ džŚŝďŝƟŽŶ ŽƉĞŶŝŶŐ &ƌŝĚĂLJ 20th November 2015
ƚ ƌƵƐŚĂ ǁĞ ƐƵƌƌŽƵŶĚ ŽƵƌƐĞůǀĞƐ ǁŝƚŚ ďĞĂƵƟĨƵů ŝŵĂŐĞƐ ĂŶĚ ŽďũĞĐƚƐ ƚŚĂƚ ƉƌŽǀŝĚĞ Ă ĐŽŶƟŶƵĂů ƐŽƵƌĐĞ ŽĨ ŝŶƐƉŝƌĂƟŽŶ͕ ĚƌĂǁŶ ĨƌŽŵ ƚŚĞ ǀŝƐƵĂů ĂŶĚ ŝŶƚĞůůĞĐƚƵĂů ĂƌƚƐ͘ WŽƉͲƵƉ ĞdžŚŝďŝƟŽŶ͕ ϭϴͲϮϭ EŽǀĞŵďĞƌ͕ ^t'ϯ͕ ϭϬϬ ĂƐƚǀĂůĞ WůĂĐĞ͕ 'ůĂƐŐŽǁ 'ϯ ϴY'͘
Own Art helps you buy the art you love, from galleries across Scotland, by spreading the cost over 10 months interest free. Own Art is supported by ƌĞĂƟǀĞ ^ĐŽƚůĂŶĚ͕ ^ĐŽƚůĂŶĚ͛Ɛ ĂƌƚƐ ĂŶĚ ĐƵůƚƵƌĂů ĨƵŶĚŝŶŐ ŽƌŐĂŶŝƐĂƟŽŶ͘ &ŝŶĚ ŽƵƚ more at www.ownart.org
Dancing Light Gallery
E.D.S. Gallery & The Edinburgh Drawing School
Fidra Fine Art
Whitmuir, Nr West Linton, Edinbugh, EH46 7BB T: 01968 660200 E: info@dancinglightgallery.co.uk www.dancinglightgallery.co.uk
13a Great King Street, Edinburgh EH3 6QW
T: 01620 895057 / 07981 982464 E: ŝŶĨŽΛĮĚƌĂĮŶĞĂƌƚ͘ĐŽ͘ƵŬ ǁǁǁ͘ĮĚƌĂĮŶĞĂƌƚ͘ĐŽ͘ƵŬ
52 Hamilton Place, Stockbridge, Edinburgh EH3 5AX
Dancing Light Gallery is a unique and ĞdžĐŝƟŶŐ ƌƚ 'ĂůůĞƌLJ ůŽĐĂƚĞĚ ϭϰ ŵŝůĞƐ ĨƌŽŵ ĚŝŶďƵƌŐŚ ŽŶ ƚŚĞ ϳϬϭ͘ zŽƵ ĐĂŶ ĮŶĚ ƵƐ ŽŶ tŚŝƚŵƵŝƌ &Ăƌŵ͕ ĂůƐŽ ŚŽŵĞ ƚŽ ĂŶ ĂŵĂnjŝŶŐ ƌĞƐƚĂƵƌĂŶƚ͕ ĨĂƌŵ ƐŚŽƉ͕ ƉůĂŶƚ ŶƵƌƐĞƌLJ͕ ǁŽŽĚǁŽƌŬ ƐŚŽƉ͕ ǁĂůŬƐ ĂŶĚ ƚƌĂŝůƐ͘
T: 0131 556 0971/07791 121313 E: info@edinburghdrawingschool.co.uk www.edsgallery.com www.edinburghdrawingschool.co.uk A contemporary art gallery and excellent, friendly drawing school, all under the same roof.
45 Dirleton Avenue, East Lothian, EH39 4BL
Covering over 200 years of the best ŝŶ ^ĐŽƫƐŚ Ăƌƚ͕ ǁĂƚĞƌĐŽůŽƵƌ ĂŶĚ Žŝů ƉĂŝŶƟŶŐƐ͕ ĚƌĂǁŝŶŐƐ ĂŶĚ ƉƌŝŶƚƐ͕ &ŝĚƌĂ &ŝŶĞ ƌƚ ĐƵƌƌĞŶƚůLJ ĚŝƐƉůĂLJƐ ǁŽƌŬ ĨƌŽŵ Ă ƌĂŶŐĞ ŽĨ ůĞĂĚŝŶŐ dƌĂĚŝƟŽŶĂů͕ /ŵƉƌĞƐƐŝŽŶŝƐƚ͕ DŽĚĞƌŶ ĂŶĚ ŽŶƚĞŵƉŽƌĂƌLJ ^ĐŽƫƐŚ ĂƌƟƐƚƐ͘
THE ART GUIDE 2015 35
Original Contemporary British Art Gallery established 2008 Specialising in original contemporary British art & craft Stockist of Chalk PaintTM & Wall Paint by Annie Sloan Related Workshops 58 St Stephen Street Edinburgh, EH3 5AL 0131 226 5022
www.laurelgallery.co.uk www.facebook.com/thelaurelgallery
298 Portobello High Street | Portobello Edinburgh | EH15 2AS 0781 391 6684 | velveteasel.co.uk | art@velveteasel.co.uk
MOODSCAPES SOLO EXHIBITION BY
TOMMY FITCHET 31ST OF OCTOBER TO 15TH NOVEMBER 2015
SAORSA ART GALLERY 8 DEANHAUGH ST STOCKBRIDGE EDINBURGH EH4 1LY
This exhibition, ‘Moodscapes’ will be a celebration of 10 years working as a full time artist. It is an exhibition of paintings based on landscapes and seascapes from my travels around Scotland, also cityscapes from Edinburgh and recent travels to Barcelona.’
THUR-SUN 12-5PM 0131 343 1126 SAORSA-ART.COM
36 THE ART GUIDE 2015
Saorsa Art Gallery 8 Deanhaugh Street Edinburgh EH4 1LY saorsa-art.com
Art: On walls, on shelves and online.
Jack Morrocco
Gullane Art Gallery
Leith Gallery
8 Stanley Road (Main Street), Gullane EH31 2AD
65 The Shore, Edinburgh, EH6 6RA
T: 01620 843082 www.gullaneartgallery.co.uk
T: 0131 553 5255 E: info@the-leith-gallery.co.uk www.the-leith-gallery.co.uk
Showing hŝŐŚ ƋƵĂůŝƚLJ ĞdžŚŝďŝƟ ŽŶƐ ŽĨ ŽƌŝŐŝŶĂů ǁŽƌŬƐ ďLJ ĐĂƌĞĨƵůůLJ ƐĞůĞĐƚĞĚ ĂƌƟ ƐƚƐ͘ tĞ ƌƵŶ ĂŶ ĞdžƚĞŶƐŝǀĞ ƉƌŽŐƌĂŵŵĞ ŽĨ ƐŚŽǁƐ ƚŚƌŽƵŐŚŽƵƚ ƚŚĞ LJĞĂƌ Žī ĞƌŝŶŐ Ă ǁŝĚĞ ƌĂŶŐĞ ŽĨ ƐƚLJůĞƐ͕ ƐƵďũĞĐƚƐ͕ ĂŶĚ ƉĂŝŶƟ ŶŐ ŐĞŶƌĞ͕ Ăůů ĐĂƌĞĨƵůůLJ ĐŽŶƐƚƌƵĐƚĞĚ ƚŽ ŐŝǀĞ ĂƐ ŵƵĐŚ ǀĂƌŝĞƚLJ ĂŶĚ ĐŚŽŝĐĞ ĂƐ ƉŽƐƐŝďůĞ͘
džŚŝďŝƟ ŽŶƐ ĐŚĂŶŐĞ ĞǀĞƌLJ ŵŽŶƚŚ Ăƚ dŚĞ >ĞŝƚŚ 'ĂůůĞƌLJ͘ KƉĞŶ dƵĞƐͲ^Ăƚ ϭϭĂŵ Ͳ ϰƉŵ Žƌ ďLJ ĂƉƉŽŝŶƚŵĞŶƚ͘
Tweed Art is the only Guild Commended Picture Framer in the Scottish Borders. Visit our Framing Studio and Artists & Craft Makers Gallery, to discuss bespoke framing and view our selection of original art, limited edition prints, sculpture, wood, glass, ceramics and jewellery. Or, visit our new website and online shop: tweedart.co.uk 1 Biggiesknowe, Peebles EH45 8HS Tel: 01721 720246
EAST
Open 9.30am - 5pm, Monday to Saturday
tweedart.co.uk
Winter Exhibition 14th November 8th January
‘Crofts’ by Andy Cross
‘Boules Players’ by Tom Watt
Dancing Light Gallery
‘Old Leither’ by Ros Green
‘Ceramics’ by Geoff Calder
We look forward to welcoming you to our Winter & Christmas Exhibition
Textiles by Patricia Griffin
Only 14 miles from Edinburgh, we offer a wide and varied selection of original paintings, ceramics, woodwork, glass, textiles, jewellery, sculptures and much more. Also visit our Restaurant, Farm Shop and Plant Nursery, something for everyone.....
‘Jewellery’ by Linda Lewin
Dancing Light Gallery, Whitmuir, Nr West Linton, Edinbugh, EH46 7BB info@dancinglightgallery.co.uk | 01968 660200 | Open: 10am - 5pm, Mon - Sun www.dancinglightgallery.co.uk THE ART GUIDE 2015 37
LISTINGS
dŚĞ ^ƵƩŽŶ 'ĂůůĞƌLJ
The Laurel Gallery
8 Deanhaugh Street, Edinburgh EH4 1LY
58 St Stephen Street, Edinburgh EH3 5AL
T: 0131 343 1126 E: saorsa-art@hotmail.co.uk www.saorsa-art.com
T: 0131 226 5022 www.laurelgallery.co.uk www.facebook.com/thelaurelgallery
T: 0131 557 4810 ͗ ƌĞƵďĞŶΛƚŚĞƐƵƩŽŶŐĂůůĞƌLJ͘ĐŽŵ ǁǁǁ͘ƚŚĞƐƵƩŽŶŐĂůůĞƌLJ͘ĐŽŵ
PĂŝŶƟŶŐƐ ĨƌŽŵ ^ĐŽƫƐŚ ďĂƐĞĚ ĂƌƟƐƚƐ dŽŵŵLJ &ŝƚĐŚĞƚ͕ ĞƌŶĂĚĞƩĞ >ĞǀŽŝƌ͕ DĂĚĞůĞŝŶĞ 'ĂƌĚŝŶĞƌ͕ :ŝŵ ^ƵƚŚĞƌůĂŶĚ͕ ďĞĂƵƟĨƵů ĐĞƌĂŵŝĐƐ ĨƌŽŵ KŶLJĂ ƩƌŝĚŐĞ͕ sŝĐƚŽƌŝĂ ĞƌŐ͕ &ŝŽŶĂ dŚŽŵƉƐŽŶ ĂŶĚ ƐƚƵŶŶŝŶŐ ŶĞǁ ƐƚŽŶĞ ƐĐƵůƉƚƵƌĞƐ ĨƌŽŵ ^ĐŽƩ &ůŽĐŬŚĂƌƚ͘
KƌŝŐŝŶĂů͕ ŽŶƚĞŵƉŽƌĂƌLJ ^ĐŽƫƐŚ ƌƚ͕ ŚĂůŬ WĂŝŶƚTM͕ Ă ĚĞĐŽƌĂƟǀĞ ƉĂŝŶƚ ďLJ ŶŶŝĞ ^ůŽĂŶ͕ ǁŽƌŬƐŚŽƉƐ͕ ĨƌĂŵŝŶŐ Θ more.
We showcase ĞdžŚŝďŝƟŽŶƐ ŽĨ ĞdžĐŝƟŶŐ ^ĐŽƫƐŚ ĂŶĚ ŝŶƚĞƌŶĂƟŽŶĂů Ăƌƚ ƚŚƌŽƵŐŚŽƵƚ ƚŚĞ LJĞĂƌ͘ dŚĞ ǁŽƌŬ ŽĨ ŐĂůůĞƌLJ ĂƌƟƐƚ dŚŽŵĂƐ ĂŵĞƌŽŶ͕ ǁŚŽ ƌĞĐĞŶƚůLJ ŚĂĚ Ă ŚƵŐĞůLJ ƐƵĐĐĞƐƐĨƵů ƐŽůŽ ĞdžŚŝďŝƟŽŶ Ăƚ ƚŚĞ ŐĂůůĞƌLJ͕ ĚĞƉŝĐƚƐ ďĞĂƵƚLJ ŝŶ ƚŚĞ ŽǀĞƌůŽŽŬĞĚ͘
The Velvet Easel Gallery
The Whitehouse Gallery
Tweed Art
298 Portobello High Street, Edinburgh EH15 2AS
47 St Mary Street, Kirkcudbright, DG6 4DU
1 Biggiesknowe, Peebles EH45 8HS
T: 0781 391 6684 E: roz@velveteasel.co.uk www.velveteasel.co.uk
T: 01557 330223 E: info@whitehousegallery.com www.whitehousegallery.com
The Velvet Easel is a contemporary art ŐĂůůĞƌLJ ǁŚŝĐŚ ĞdžŚŝďŝƚƐ ĂŶ ĞĐůĞĐƟĐ ƌĂŶŐĞ ŽĨ Ăƌƚ ďLJ ^ĐŽƫƐŚ ĂŶĚ /ŶƚĞƌŶĂƟŽŶĂů ĂƌƟƐƚƐ Ͳ ŝŶĐůƵĚŝŶŐ ƉĂŝŶƟŶŐ͕ ƐĐƵůƉƚƵƌĞ͕ ƉŽƩĞƌLJ͕ ĐĞƌĂŵŝĐƐ͕ ũĞǁĞůůĞƌLJ͕ ůŝŵŝƚĞĚ ĞĚŝƟŽŶ ƉƌŝŶƚƐ ĂŶĚ ĂƌƟƐƟĐ ŐƌĞĞƟŶŐ ĐĂƌĚƐ͘
A treasure trove of unique Art & ƌĂŌ ƚŽ ƐƵŝƚ ĞǀĞƌLJ ƉŽĐŬĞƚ͕ ŝŶĐůƵĚŝŶŐ ƉĂŝŶƟŶŐƐ͕ ƐĐƵůƉƚƵƌĞ͕ ĐĞƌĂŵŝĐƐ͕ ƚĞdžƟůĞƐ͕ ũĞǁĞůůĞƌLJ ĂŶĚ ŵƵĐŚ ŵŽƌĞ͘
EAST
Saorsa Art Gallery
38 THE ART GUIDE 2015
18a Dundas Street, Edinburgh, EH3 6HZ
T: 01721 720246 E: info@tweedart.co.uk www.tweedart.co.uk dŚĞ ^ĐŽƫƐŚ ŽƌĚĞƌƐ͛ ŽŶůLJ 'ƵŝůĚ ŽŵŵĞŶĚĞĚ WŝĐƚƵƌĞ &ƌĂŵĞƌ͕ ĨĞĂƚƵƌŝŶŐ ĂŶ ƌƟƐƚƐ ĂŶĚ ƌĂŌ ŵĂŬĞƌƐ ŐĂůůĞƌLJ͘ sŝƐŝƚ ŽƵƌ ŶĞǁ ǁĞďƐŝƚĞ ƚŽ ƐĞĞ Ă ƐĞůĞĐƟŽŶ ŽĨ ƐĐƵůƉƚƵƌĞƐ͕ ŐůĂƐƐ͕ ĐĞƌĂŵŝĐƐ ĂŶĚ ũĞǁĞůůĞƌLJ͕ ĂƐ ǁĞůů ĂƐ ůŽĐĂů ĂƌƟƐƚƐ ǁŽƌŬ ĂŶĚ ƚŽ ƐŚŽƉ ŽŶůŝŶĞ͘
ALPHA ART
CONTEMPORARY ART GALLERY
Joël Moens de Hase - L’âme dans les yeux Print on Chromaluxe – 103x103cm
Original artwork ï Sculpture ï Limited edition prints ï Jewellery ï Handmade gifts
Jack Frame ?,-#-ধ32 Opening Friday ;, 3='1#'8 2015
Metallic Pink Blossom – Oil on Veregated Metal Foil - 128cm×128cm
52 Hamilton Place, Stockbridge, Edinburgh EH3 5AX Tel: 0131 2263066 l www.alpha-art.co.uk
west
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AREA LOCATOR : WEST
Glasgow, Argyll & Bute and South-West Scotland
40 THE ART GUIDE 2015
resipole studios FINE
ART
GALLERY
ORFK VXQDUW _ DFKDUDFOH _ DUJ\OO _ SK K[ _ _ ZZZ UHVLSROHVWXGLRV FR XN _ 多QG XV RQ VRFLDO PHGLD THE ART GUIDE 2015 41
LISTINGS
516 The Gallery
Alexis R Bradley
Annan Gallery
516 Great Western Road, Kelvinbridge, Glasgow, G12 8EL
Blairhill Place, Blairhill, Coatbridge, ML5 1PL
164 Woodlands Rd, Glasgow G3 6LL
T: 0141 552 7779 E: info@516thegallery.co.uk www.516thegallery.co.uk
T: 01236 436451 or 07958 480433 ͗ ĂůĞdžŝƐ͘ƌďƌĂĚůĞLJΛďƟŶƚĞƌŶĞƚ͘ĐŽŵ ǁǁǁ͘ĂůĞdžŝƐƌďƌĂĚůĞLJ͘ĐŽŵ
tĞ ƉƌĞƐĞŶƚ ƚŚĞ ďĞƐƚ ŽĨ ^ĐŽƫƐŚ art, curated with 25 years of experience and passion. Our aim is to show ƵŶŝƋƵĞ͕ ĞdžĐĞƉƟŽŶĂů ĂŶĚ ŝŶƚĞƌĞƐƟŶŐ ǁŽƌŬƐ ƚŽ ĞŶŚĂŶĐĞ LJŽƵƌ ĐŽůůĞĐƟŽŶ͘ &ĞĂƚƵƌŝŶŐ ƵƌŶƐ͕ ǀĂŶƐ͕ K͛ ƌŝĞŶ͕ LJĞƌ͕ Rew, Naismith, Lindsay and more.
Alexis R Bradley creates top quality contemporary art using many unique techniques and designs. Swarovski ĐƌLJƐƚĂůƐ ĂƌĞ ŽŌĞŶ ƵƐĞĚ ƚŽ ĞŶŚĂŶĐĞ designs which adds spectacular ĮŶŝƐŚŝŶŐ ƚŽƵĐŚĞƐ ĂŶĚ ĨŽĐĂů ƉŽŝŶƚƐ ƚŽ any room!
T: 0141 332 0028 E: gallery@annanart.com www.annanart.com Work from well known contemporary ^ĐŽƫƐŚ ĂƌƟƐƚƐ ĂŶĚ ŵĂŬĞƌƐ ƐŚŽǁŶ Ăƚ ƚŚŝƐ ůŽŶŐ ĞƐƚĂďůŝƐŚĞĚ 'ĂůůĞƌLJ͘ ^ƉĞĐŝĂůŝƐƚ ƉŝĐƚƵƌĞͲĨƌĂŵĞ ŵĂŬĞƌƐ ǁŝƚŚ ŵŽƌĞ ƚŚĂŶ ϮϬ LJĞĂƌƐ ĞdžƉĞƌŝĞŶĐĞ͘ ^ƵƉƉůŝĞƌƐ ŽĨ ƐǁĞƉƚ ĨƌĂŵĞƐ ĨŽƌ ŚĞƌŝƚĂŐĞ ĂƌƚǁŽƌŬ͘ ŽŶƐĞƌǀĂƟŽŶ͕ ƐŚŝƉƉŝŶŐ ǁŽƌůĚǁŝĚĞ͕ ĨƌŝĞŶĚůLJ ĂŶĚ ŬŶŽǁůĞĚŐĞĂďůĞ ƐĞƌǀŝĐĞ͘
Artists Surfaces Ltd Art-Direct &ĂƟŵĂ͕ ^ŚŽƌĞ ZŽĂĚ͕ ůLJŶĚĞƌ͕ ,ĞůĞŶƐďƵƌŐŚ 'ϴϰ ϬY ͘
ƌƟƐƚƐ ^ƵƌĨĂĐĞƐ >ƚĚ
Cass Art Glasgow
T: 0141 950 6460 ǁǁǁ͘ĂƌƟƐƚƐƐƵƌĨĂĐĞƐ͘ĐŽ͘ƵŬ
63-67 Queen Street, Glasgow G1 3EN
d͗ Ϭϳϱϱϳ ϰϳϲϳϲϱ ͗ ƉĂƚƌŝĐŬϯϭϭϮΛŵĞ͘ĐŽŵ ǁǁǁ͘ĂƌƚͲĚŝƌĞĐƚ͘ŶĞƚ
Bespoke framing services for ƉƌŽĨĞƐƐŝŽŶĂů ĂƌƟƐƚƐ͘
T: 0141 248 5899 www.cassart.co.uk
I am a painter who designs ĂďƐƚƌĂĐƚ ƉĂŝŶƟŶŐƐ ĂŶĚ ƐĞůůƐ ƚŚĞŵ ŝŶƚĞƌŶĂƟŽŶĂůůLJ ƚŚƌŽƵŐŚ ƌƚͲĚŝƌĞĐƚ͘ EŽŶĞ ŽĨ ŵLJ ƉĂŝŶƟŶŐƐ ĂƌĞ ůŝŬĞ ĂŶLJ ŽƚŚĞƌ͘ dŚĞƌĞ ŝƐ ŽŶůLJ ŽŶĞ ĐŽƉLJ ŽĨ ĞĂĐŚ ƉĂŝŶƟŶŐ ƐŽ ĞǀĞƌLJ ďƵLJĞƌ ŝƐ ƉƵƌĐŚĂƐŝŶŐ ƐŽŵĞƚŚŝŶŐ ĐŽŵƉůĞƚĞůLJ ƵŶŝƋƵĞ͘
tŝĚĞ ƌĂŶŐĞ ŽĨ ŚĂŶĚ ĮŶŝƐŚĞĚ ŵŽƵůĚŝŶŐƐ͘
42 THE ART GUIDE 2015
sŝƐŝƚ ŽƵƌ ǁĞďƐŝƚĞ ĨŽƌ ŵŽƌĞ ŝŶĨŽƌŵĂƟŽŶ͘
Our Glasgow shop is located on Queen Street in the heart of the city. Minutes from the Gallery of Modern Art, our shop includes the Art Space – designed especially for workshops and ĞdžŚŝďŝƟŽŶƐ ƚŽ ĐĞůĞďƌĂƚĞ ĂŶĚ ƐƵƉƉŽƌƚ the local community.
GALLERY 2 Ayrshire based, Gallery 2 offers a complete range of picture supply and framing services to suit every need.
''!-3 %. # ''!-3 #%"/ .$*+ ) +% /0-! "- (!-. '* /! %) %'( -)* & ! $ 1! 1 ./ &)*2'! #! *" /$! -/ 2*-' ) *""!- 2% ! - )#! *" *-%#%) ' -/2*-& '%(%/! ! %/%*) +-%)/. ) $ 1! #-! / selection of gifts. Our motto is â&#x20AC;&#x2DC;we can frame )3/$%)# ) 2! $ 1! $ .*(! 0)0.0 ' -!,0!./. *1!- /$! 3! -.
artistsâ&#x20AC;&#x2122; studios
Supporting creative people with affordable:
Studio space Residency Space Creative Office/Industry Space Creative Social Enterprise Space Meeting Room Space Exhibitions Across Scotland: Glasgow/ Edinburgh/ Dundee/Irvine/ Aberdeen/Selkirk/Kirkcudbright/Skye Nairn/ Newburgh/ Shetland For more details on renting space and costs visit: www.waspsstudios.org.uk
Gallery 2, 72 John Finnie Street, Kilmarnock Ayrshire KA1 1BS Telephone: 01563 550303 www.gallery2kilmarnock.co.uk +!)%)# *0-. *) -% ( +( 4 / ( +( 4 0) '*.!
/waspsstudios
@waspsstudios
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PHILIP RASKIN Solo Exhibition Moods, Mists and Tides LAUNCHING
Thursday 26th November 0141 579 0004 www.christosgallery.com 595 Great Western Road, Hillhead, Glasgow G12 8HX
THE ART GUIDE 2015 43
Ronnie Ford is represented by Torrance Gallery, Edinburgh; Strathearn Gallery, Crieff, Kings Road Gallery, London, Ode to Art, Singapore and Kuala Lumpur. 01475 329987
www.ronnieford.com
fords65@hotmail.com
THE LEMOND GALLERY THE BEST IN SCOTTISH CONTEMPORARY ART
THE LEMOND GALLERY OPENED IN 2000. WE SPECIALISE IN SCOTTISH CONTEMPORARY FINE ART AND REPRESENT SCOTLAND’S LEADING ARTISTS FROM THE FOUR MAIN SCOTTISH ART SCHOOLS. THE GALLERY ALSO OFFERS ART EDUCATION (UNDERSTANDING ART) TOGETHER WITH ART ADVICE TO BOTH NEW AND EXPERIENCED ART COLLECTORS
MIKE HEALEY THE WESTERN ISLES AND THE WEST COAST OF SCOTLAND
Saturday 24th October to Sunday 1st November 2015 From 11.00am to 5.00pm daily
THE CHRISTMAS SHOW 2015 500 PAINTINGS BY 130 OF SCOTLAND’S LEADING CONTEMPORARY ARTISTS
Saturday 14th November and Sunday 15th November 2015 From 11.00am to 5.00pm daily
Note – Due to advert publishing deadlines, the images for the Christmas Show 2015 could only be examples based on previous paintings sold. The actual images for our Christmas Show 2015 will be published on our website shortly.
THE LEMOND GALLERY, 4 THORN ROAD, BEARSDEN, GLASGOW, G61 4PP TEL – 0141 942 4683 EMAIL – kenlemond@msn.com
www.lemondgallery.com
LISTINGS
ŚƌŝƐƚŽ͛Ɛ 'ĂůůĞƌLJ
Clience Studio
595 Great Western Road, Hillhead, Glasgow, G12 8HX
212 King Street, Castle Douglas DG7 1DS.
T: 0141 579 0004 E: info@christosgallery.com www.christosgallery.com
T: 01556 504 318 E: angela@cliencestudio.co.uk www.cliencestudio.co.uk
ǀĞƌĐŚĂŶŐŝŶŐ ĞdžŚŝďŝƟ ŽŶƐ ŽĨ ĞŵĞƌŐŝŶŐ ĂŶĚ ĞƐƚĂďůŝƐŚĞĚ ƐĐŽƫ ƐŚ ĂƌƟ ƐƚƐ͘
&Žƌ džŵĂƐ ŽƉĞŶŝŶŐ Ɵ ŵĞƐ ƐĞĞ ŽƵƌ ǁĞďƐŝƚĞ ǁǁǁ͘ĐŚƌŝƐƚŽƐŐĂůůĞƌLJ͘ĐŽŵ
This friendly gallery in Castle Douglas displays Angela Lawrence’s ĂƚŵŽƐƉŚĞƌŝĐ ƉĂŝŶƟŶŐƐ͘ 'ĂůůŽǁĂLJ land and seascapes, award winning “Sea Spirits” and more abstract ͞ZĞŇĞĐƟŽŶƐ͘͟ Open Mon-Sat 10.30am – 5pm Ăůů LJĞĂƌ͘
Cut the Mustard Gallery
Gallery 2
54-56 High Street, Langholm, DG13 0JH
72 John Finnie Street, Kilmarnock, Ayrshire KA1 1BS
T: 01387 381 180 E: talk@mustardgallery.co.uk www.mustardgallery.co.uk
T: 01563 550303 ͗ ǁƌŽǁĂŶϲϰΛďƟŶƚĞƌŶĞƚ͘ĐŽŵ ǁǁǁ͘ŐĂůůĞƌLJϮŬŝůŵĂƌŶŽĐŬ͘ĐŽ͘ƵŬ
Welcoming, light and spacious gallery in the town of Langholm, situated on the A7 tourist route to Edinburgh. Sculpture, ceramics, jewellery, ƉŚŽƚŽŐƌĂƉŚLJ͕ ĮŶĞ Ăƌƚ͕ ƉƌŝŶƚŵĂŬŝŶŐ͕ ŐůĂƐƐ͕ ǁŽŽĚ͕ ƚĞdžƟůĞƐ͘ KŶ ƐŝƚĞ ũĞǁĞůůĞƌLJ ƐƚƵĚŝŽ͕ ƉůƵƐ Ăƌƚ ĂŶĚ ĐƌĂŌ ǁŽƌŬƐŚŽƉƐ͘
'ĂůůĞƌLJ Ϯ ŝƐ Ă ŐĂůůĞƌLJ͕ ŐŝŌ ƐŚŽƉ and ƉŝĐƚƵƌĞ ĨƌĂŵĞƌƐ ůŽĐĂƚĞĚ ŝŶ <ŝůŵĂƌŶŽĐŬ͘ tĞ ŚĂǀĞ Ă ǀĂƐƚ ŬŶŽǁůĞĚŐĞ ŽĨ ƚŚĞ Ăƌƚ ǁŽƌůĚ ĂŶĚ ŽīĞƌ Ă ǁŝĚĞ ƌĂŶŐĞ ŽĨ ŽƌŝŐŝŶĂů ĂƌƚǁŽƌŬͬůŝŵŝƚĞĚ ĞĚŝƟŽŶ ƉƌŝŶƚƐ ĂŶĚ ŚĂǀĞ Ă ŐƌĞĂƚ ƐĞůĞĐƟŽŶ ŽĨ ŐŝŌƐ͘ KƵƌ ŵŽƩŽ ŝƐ ͚ǁĞ ĐĂŶ ĨƌĂŵĞ ĂŶLJƚŚŝŶŐ͛͘
dƵĞƐĚĂLJ Ͳ ^ĂƚƵƌĚĂLJ ϭϬ͘ϯϬĂŵ Ͳ ϱƉŵ ^ƵŶĚĂLJ ϭϮ͘ϯϬͲϱƉŵ
46 THE ART GUIDE 2015
ƌĂŌ dŽǁŶ ^ĐŽƚůĂŶĚ
The Barony Centre, 50 Main Street, West Kilbride North Ayrshire KA23 9AR T: 01294 829179 ͗ ŝŶĨŽΛĐƌĂŌ ƚŽǁŶƐĐŽƚůĂŶĚ͘ŽƌŐ ǁǁǁ͘ĐƌĂŌ ƚŽǁŶƐĐŽƚůĂŶĚ͘ŽƌŐ ^ŝƚƵĂƚĞĚ ŽŶ ƚŚĞ ƌƵŐŐĞĚ ĐŽĂƐƚůŝŶĞ ŽǀĞƌůŽŽŬŝŶŐ ƚŚĞ /ƐůĞ ŽĨ ƌƌĂŶ͕ tĞƐƚ <ŝůďƌŝĚĞ͕ ^ĐŽƚůĂŶĚ͛Ɛ ŽŶůLJ ĚĞƐŝŐŶĂƚĞĚ ĐƌĂŌ ƚŽǁŶ͕ ƐĂŵƉůĞƐ ƚŚĞ ǁĞĂůƚŚ ŽĨ ĐƌĂŌ ĂŶĚ ĚĞƐŝŐŶ ƚĂůĞŶƚ͘
'ƌĂĐĞĮ ĞůĚ ƌƚƐ ĞŶƚƌĞ 28 Edinburgh Rd, Dumfries DG1 1JQ
T: 01387 262084 ǁǁǁ͘ĚƵŵŐĂů͘ŐŽǀ͘ƵŬͬŐƌĂĐĞĮ ĞůĚ DŽŶƚŚůLJ ĐŚĂŶŐŝŶŐ ĞdžŚŝďŝƟ ŽŶƐ ďLJ local, ŶĂƟ ŽŶĂů ĂŶĚ ŝŶƚĞƌŶĂƟ ŽŶĂů ĂƌƟ ƐƚƐ ĂŶĚ ŵĂŬĞƌƐ ƉůƵƐ ƐĞůĞĐƚĞĚ ĞdžŚŝďŝƟ ŽŶƐ ĨƌŽŵ ƚŚĞ 'ƌĂĐĞĮ ĞůĚ WĞƌŵĂŶĞŶƚ ŽůůĞĐƟ ŽŶ ŽĨ ^ĐŽƫ ƐŚ ƌƚ͘
Brita Granstrom
Linda Park
Cecilia Forrest
Thistle Gallery, In the heart of Glasgowâ&#x20AC;&#x2122;s West End, only opened its doors to art collectors just over a year ago, but already it has made its mark as a reliable source of Contemporary Art from the length and breadth of Scotland. Specialising in paintings, ceramics, sculptures and jewellery it is now synonymous with approachability and affordability. Among the growing list of regular exhibitors at the Gallery are: Stanley Bird, Cecilia Forrest, Jackie Henderson, Jennifer Irvine, Linda Park, Ian Rawnsley, Mairi Stewart and Gordon Wilson.
56 Park Road, Glasgow G4 9JF www.thistle-gallery.com | Info@thistle-gallery.com
THE ART GUIDE 2015 47
LISTINGS
THE LEMOND GALLERY SCOTTISH CONTEMPORARY FINEFINE ART ART SCOTTISH CONTEMPORARY
High St. Gallery
Leiper Gallery
Lemond Gallery
84 High Street Kirkcudbright DG6 4JL
117 West George Street, Glasgow G2 1QR
4 Thorn Road, Bearsden, Glasgow, G61 4PP
T: 0141 204 2372 ͗ ůĞŝƉĞƌĮŶĞĂƌƚΛŐŵĂŝů͘ĐŽŵ ǁǁǁ͘ůĞŝƉĞƌĮŶĞĂƌƚ͘ĐŽŵ
T: 0141 942 4683 ͗ ŬĞŶůĞŵŽŶĚΛŵƐŶ͘ĐŽŵ ǁǁǁ͘ůĞŵŽŶĚŐĂůůĞƌLJ͘ĐŽŵ
KƵƌ ůŽǀĞůLJ ŚŝƐƚŽƌŝĐ ĐŝƚLJ ĐĞŶƚƌĞ ŐĂůůĞƌLJ ŽŶĐĞ ƐŚŽǁĞĚ ƚŚĞ 'ůĂƐŐŽǁ ŽLJƐ ĂŶĚ ŝƐ ŶŽǁ ĂƩƌĂĐƟŶŐ ƚŚĞ ǀĞƌLJ ďĞƐƚ ŽĨ ĐŽŶƚĞŵƉŽƌĂƌLJ ^ĐŽƫƐŚ ƉĂŝŶƟŶŐƐ͘ tĞ ĂůƐŽ ŽīĞƌ Ă ŐƌŽǁŝŶŐ ƌĂŶŐĞ ŽĨ ĞdžƚƌĞŵĞůLJ ŚŝŐŚ ƋƵĂůŝƚLJ ƉƌŝŶƚƐ͘ WůĞĂƐĞ ǀŝƐŝƚ ŽƵƌ ǁĞďƐŝƚĞ ƚŽ ůĞĂƌŶ ŵŽƌĞ͘
dŚĞ >ĞŵŽŶĚ 'ĂůůĞƌLJ͕ ĞĂƌƐĚĞŶ was ĞƐƚĂďůŝƐŚĞĚ ŝŶ ƚŚĞ LJĞĂƌ ϮϬϬϬ͘ /ƚ ŚŽƐƚƐ ƚǁŽ ŵĂũŽƌ ŐƌŽƵƉ ƐŚŽǁƐ ĞĂĐŚ LJĞĂƌ ĂŶĚ Ă ƐĞƌŝĞƐ ŽĨ ƐŽůŽ ĂŶĚ ƚǁŽͲƉĞƌƐŽŶ ƐŚŽǁƐ ƚŚĂƚ ƐŚŽǁͲƉŝĞĐĞ ƚŚĞ ǁŽƌŬ ŽĨ ^ĐŽƚůĂŶĚ͛Ɛ ůĞĂĚŝŶŐ ĐŽŶƚĞŵƉŽƌĂƌLJ ĂƌƟƐƚƐ͘
WĂŝƐůĞLJ ƌƚ /ŶƐƟƚƵƚĞ
Pam Carter
͗ ƐĞĐƌĞƚĂƌLJΛƉĂŝƐůĞLJĂƌƟŶƐƟƚƵƚĞ͘ĐŽŵ ǁǁǁ͘ƉĂŝƐůĞLJĂƌƟŶƐƟƚƵƚĞ͘ĐŽŵ
Studio (by appointment) Outskirts of Glasgow, Scotland
Resipole Studios and Fine Art Gallery
^ĐŽƚůĂŶĚ͛Ɛ ůĂƌŐĞƐƚ ŽƉĞŶ Ăƌƚ ĞdžŚŝďŝƟŽŶ͕ ĚŽǁŶůŽĂĚĂďůĞ ůĂďĞůƐ ĂŶĚ ŝŶĨŽƌŵĂƟŽŶ ĨŽƌ ŽƵƌ ϭϮϴƚŚ ŶŶƵĂů džŚŝďŝƟŽŶ Ͳ ^ƉƌŝŶŐ ϮϬϭϲ͕ ǁŝůů ďĞ ĂǀĂŝůĂďůĞ ĨƌŽŵ DĂƌĐŚ ϮϬϭϲ͘ KǀĞƌ ϮϬ ƉƌŝnjĞƐ ĂǀĂŝůĂďůĞ͕ ŽƉĞŶ ƚŽ Ăůů͘ DĞŵďĞƌƐŚŝƉ ĂǀĂŝůĂďůĞ ƚŚƌŽƵŐŚ ŽƵƌ ǁĞďͲƐŝƚĞ͘
T: 01360 620 830 M: 07715 015 752 ͗ ƉĂŵ͘ĐĂƌƚĞƌΛďƟŶƚĞƌŶĞƚ͘ĐŽŵ www.pamcarter.com
T: 01557 331 660 E: contact@highstgallery.co.uk www.highstgallery.co.uk High St. Gallery in Kirkcudbright, now in its 15th year, exhibits a ďůĞŶĚ ŽĨ ^ĐŽƫƐŚ ŽŶƚĞŵƉŽƌĂƌLJ ƌƚ ĂŶĚ ^ĐŽƫƐŚ &ŝŶĞ ƌƚ ĂůŽŶŐƐŝĚĞ ĂŶ ĞdžƚĞŶƐŝǀĞ ĐŽůůĞĐƟŽŶ ŽĨ ŶƟƋƵĞƐ ĂŶĚ ŽůůĞĐƚĂďůĞƐ͕ ŝŶĐůƵĚŝŶŐ ƌƚƐ Θ ƌĂŌƐ͕ ƌƚ EŽƵǀĞĂƵ͕ ƌƚ ĞĐŽ͕ DŝĚͲ ĞŶƚƵƌLJ͕ Retro and Scandinavian design.
48 THE ART GUIDE 2015
ŝƌĞĐƚ ĨƌŽŵ ƚŚĞ ĂƌƟƐƚ ʹ ůŝŵŝƚĞĚ ĞĚŝƟŽŶ ŐŝĐůĞĞ ĂŶĚ ůŝƚŚŽŐƌĂƉŚŝĐ ƉƌŝŶƚƐ͘ ůƐŽ ŽƌŝŐŝŶĂů ĐŽŵŵŝƐƐŝŽŶƐ͘ ŶŶƵĂů ƐŽůŽ ĞdžŚŝďŝƟŽŶ Ăƚ Ŷ dĂůůĂ ĞĂƌŐ͕ ^ŬLJĞ Ͳ ϵƚŚ :ƵůLJͲϮϯƌĚ ƵŐƵƐƚ ϮϬϭϲ͘
>ŽĐŚ ^ƵŶĂƌƚ͕ ^ƚƌŽŶƟĂŶ͕ Acharacle, Argyll PH36 4HX T: 01967 431506 E: info@resipolestudios.co.uk www.resipolestudios.co.uk Ŷ ĞdžĐŝƟŶŐ art space which comprises ĮŶĞ Ăƌƚ ŐĂůůĞƌŝĞƐ͕ ĂƌƟƐƚ ƐƚƵĚŝŽƐ ĂŶĚ Ă ďĞƐƉŽŬĞ ĨƌĂŵŝŶŐ ǁŽƌŬƐŚŽƉ͘ dŚĞ ŐĂůůĞƌLJ ƌĞƉƌĞƐĞŶƚƐ Ă ƐƵƉĞƌď ĐŽůůĞĐƟŽŶ ŽĨ ƉĂŝŶƟŶŐƐ͕ ƐĐƵůƉƚƵƌĞ͕ ĐĞƌĂŵŝĐƐ͕ ǁŽŽĚǁŽƌŬ ĂŶĚ ũĞǁĞůůĞƌLJ͘
CLIENCE STUDIO
Art-Direct
ANGELA LAWRENCE This friendly gallery in Castle Douglas displays Angela Lawrence’s atmospheric paintings. Galloway land and seascapes, award winning “Sea Spirits” and more abstract “Reflections”. Commissioned and exhibited widely, Angela Lawrence affordable originals can be seen in changing displays at Clience Studio with a large selection of her signed prints and art gifts.
Original Abstract Modern Art at affordable prices direct from the artist
My name is Patrick Canning and I am a painter who designs abstract paintings and sells them internationally through Art-direct. None of my paintings are like any other. There is only one copy of each painting so every buyer is purchasing something completely unique. I also create custom designs to match clients’ individual tastes. My pieces are affordable so they easily fit into any budget.
Clience Studio, 212 King Street, Castle Douglas DG7 1DS. Mon-Sat 10.30am – 5pm 01556 504 318 • angela@cliencestudio.co.uk • www.cliencestudio.co.uk
Fatima, Shore Road, Clynder, Helensburgh G84 0QA. T: 07557 476765 l E: patrick3112@me.com www.art-direct.net
Artists Surfaces Ltd
x x x
THE ART GUIDE 2015 49
LISTINGS ͚ ƵƫŶŐ ƚŚĞ ĂŬĞ͛ ďLJ ƌLJƐĚĂůĞ ^ĐŽƩ
Havana Windows
Ronnie Ford
Rowan Gallery
T: 01475 329987 E: fords65@hotmail.com www.ronnieford.com
78 West Clyde Street, Helensburgh, G84 8BB
“The pioneer of “Texturescapes” - a ƐĐŝŶƟůůĂƟŶŐ ĐŽĂůĞƐĐĞŶĐĞ ŽĨ ƐĐƵůƉƚƵƌĞ ĂŶĚ ƉĂŝŶƟŶŐ͕ ZŽŶŶŝĞ &ŽƌĚ ƉƌĞƐĞŶƚƐ ůĂŶĚƐĐĂƉĞƐ ŝŶ Ă ĐŽŵƉůĞƚĞůLJ ŶĞǁ ůŝŐŚƚ͘͟ ,Ğ ŚĂƐ ďƵŝůƚ Ă ƐƚƌŽŶŐ ŝŶƚĞƌŶĂƟŽŶĂů ƉƌĞƐĞŶĐĞ ǁŝƚŚ ƐƵĐĐĞƐƐĨƵů ŐƌŽƵƉ ĂŶĚ ƐŽůŽ ƐŚŽǁƐ ŝŶ ƵƌŽƉĞ͕ ,ŽŶŐ <ŽŶŐ͕ ^ŝŶŐĂƉŽƌĞ ĂŶĚ ƚŚĞ h^ ͘
T: 01436 670 721 E: enquiries@rowangallery.com www.rowangallery.com Rowan Gallery represents many of Scotland’s most renowned ĐŽŶƚĞŵƉŽƌĂƌLJ ĂƌƟƐƚƐ ǁŚŝůƐƚ ĂůƐŽ ĐŚĂŵƉŝŽŶŝŶŐ ŶĞǁ ƚĂůĞŶƚ͘ tĞ ĨĞĂƚƵƌĞ ƐŽůŽ ĂŶĚ ŵŝdžĞĚ ĞdžŚŝďŝƟŽŶƐ ƚŚƌŽƵŐŚŽƵƚ ƚŚĞ LJĞĂƌ͘
5 Oswald Street, Glasgow G1 4QR T: 0141 248 7411 E: rsw@robbferguson.co.uk www.rsw.org.uk Charity No: SC007247
The RSW celebrates and promotes ǁĂƚĞƌĐŽůŽƵƌ ƉĂŝŶƟŶŐ ŝŶ ^ĐŽƚůĂŶĚ ĂŶĚ ŚĂƐ ĞdžŚŝďŝƟŽŶƐ ƚŚĂƚ ŝŶĐůƵĚĞ ůĞĂĚŝŶŐ ĂŶĚ ĞŵĞƌŐŝŶŐ ĂƌƟƐƚƐ͘
Gracefield Arts Centre VISUAL ART AND CRAFT EXHIBITIONS | CONTEMPORARY CRAFT SHOP | CAFE Monthly changing exhibitions by local, national and international artists and makers plus selected exhibitions from the Gracefield Permanent Collection of Scottish Art 7
Art and craft workshops and classes for adults and kids
7
Craft Shop featuring jewellery, textiles, ceramics, postcards, hand-made cards and much more at prices to suit all pockets
7
Printmaking studio open to both members and non-members
7
Ample parking
GRACEFIELD ARTS CENTRE
28 Edinburgh Rd, Dumfries DG1 1JQ Tel: 01387 262084 www.dumgal.gov.uk/gracefield Updates on Facebook (Gracefield Arts Centre) and Twitter (@gracefieldarts)
ADMISSION FREE
50 THE ART GUIDE 2015
Open Tuesday-Friday, 10am-5pm Café closes 4pm Craft shop open Tuesday-Friday, 11am-3pm and Saturday, 10am-5pm
John C Brown RSW
dŚĞ ZŽLJĂů ^ĐŽƫƐŚ ^ŽĐŝĞƚLJ ŽĨ WĂŝŶƚĞƌƐ ŝŶ tĂƚĞƌĐŽůŽƵƌ
516 THE GALLERY We present the best of Scottish art , curated with 25 years of experience and passion. Our aim is to show unique, exceptional and interesting works to enhance your collection. Featuring Burns, Evans, Oâ&#x20AC;&#x2122;Brien, Dyer, Rew, Naismith, Lindsay and more.
516 Great Western Road, Kelvinbridge, Glasgow, G12 8EL Tel: 01415527779 Email: info@516thegallery.co.uk www.516thegallery.co.uk
THE ART GUIDE 2015 51
LISTINGS
Photo: Michael Wolchover
Thistle Gallery
Tighnabruaich Gallery
Wasps Studios
56 Park Road, Glasgow, G4 9JF
Seaside House, Tighnabruaich, Argyll PA21 2DR
The Briggait, 141 Bridgegate, Glasgow, G1 5HZ
T: 01700 811681 ͗ ZŽďďŝĞΛƟŐͲŐĂůůĞƌLJ͘ĐŽŵ ǁǁǁ͘ƟŐͲŐĂůůĞƌLJ͘ĐŽŵ
T: 0141 553 5890 E: info@waspsstudios.org.uk www.waspsstudios.org.uk
Long established as one ŽĨ ƚŚĞ ĮŶĞƐƚ galleries in the west, Tighnabruaich Gallery endeavours to bring dynamic and engaging works to rural Scotland alongside contemporary art and ĐƌĂŌƐ ĨƌŽŵ Ă ƌĂŶŐĞ ŽĨ ĞƐƚĂďůŝƐŚĞĚ ĂŶĚ emerging talents.
Wasps Studios is Scotland’s largest ƉƌŽǀŝĚĞƌ ŽĨ ĐƌĞĂƟǀĞ ƐƉĂĐĞ ŝŶĐůƵĚŝŶŐ ƐƚƵĚŝŽƐ͕ ŽĸĐĞ ƐƉĂĐĞ͕ ƌĞƐŝĚĞŶĐLJ ƐƉĂĐĞ ĂŶĚ ĞdžŚŝďŝƟŽŶͬƉƌŽũĞĐƚ ƐƉĂĐĞ͘ KƉĞƌĂƟŶŐ ŝŶ ϭϳ ůŽĐĂƟŽŶƐ ĂĐƌŽƐƐ ^ĐŽƚůĂŶĚ͕ ǁĞ ƐƵƉƉŽƌƚ ĐƌĞĂƟǀĞ ƉĞŽƉůĞ ĨƌŽŵ ^ŚĞƚůĂŶĚ ƚŽ ƚŚĞ ^ĐŽƫƐŚ ŽƌĚĞƌƐ͘
T: 0141 334 3444 E: carol@thistle-gallery.com www.thistle-gallery.com Glasgow’s West End Thistle Gallery opened a year ago but has already made its mark as a reliable source of ĞĐůĞĐƟĐ ^ĐŽƫƐŚ ŽŶƚĞŵƉŽƌĂƌLJ ƌƚ͘ ^ƉĞĐŝĂůŝƐŝŶŐ ŝŶ ƉĂŝŶƟŶŐƐ͕ ĐĞƌĂŵŝĐƐ͕ sculptures and jewellery it is now synonymous with approachability and ĂīŽƌĚĂďŝůŝƚLJ͘
“Art from the Heart’’ By Alexis R Bradley
‘’No two people are the same. No two homes should be the same. No two of my paintings will ever be the same as everything I do is truly unique and created especially just for you!’’
Get in touch to discuss a viewing or commission 01236 436451/07958 480433 l alexis.rbradley@btinternet.com l www.alexisrbradley.com 52 THE ART GUIDE 2015
north
t
AREA LOCATOR : NORTH
Grampian and the Highlands and Islands
SOUTH
THE ART GUIDE 2015 53
LISTINGS GALLERY HEINZEL C O N T E M P O R A R Y
A R T
Anna King “Wasteland” – Oil & pencil on paper & board, 26cm x 36cm
Contemporary Scottish painting, sculpture, ceramics & glass in the heart of Aberdeen’s West End
/DUNV *DOOHU\ 10 Braemar Road, Ballater, AB35 5RL 01339 755 888 • larksmail@larksgallery.com larksgallery.com Monday 10-4 • Thursday, Friday, Saturday 10-5 Winter hours vary – please check the website.
Open Monday to Saturday from 10am 24 Thistle Street, Aberdeen AB10 1XD T 01224 625629 E info@galleryheinzel.com www.galleryheinzel.com
Brae Fasach Gallery Loch Bay, Waternish, Isle of Skye IV55 8GD T: 01470 592 732 ͗ ŝĂŶ͘ǁŝůůŝĂŵƐϴϯΛďƟŶƚĞƌŶĞƚ͘ĐŽŵ www.ianwilliams-skye.co.uk Ian creates unique high quality ceramics at his Waternish studio. The ǁŽƌŬ ĐĂŶ ďĞ ƵƐĞĚ ďŽƚŚ ĨŽƌ ĨƵŶĐƟŽŶ ĂŶĚ ĚĞĐŽƌĂƟŽŶ͘ ^ŚŝƉƉŝŶŐ ŝƐ ĂǀĂŝůĂďůĞ Žƌ ǀŝƐŝƚ ŚŝƐ ŐĂůůĞƌLJ ŽŶ ƚŚĞ ďĞĂƵƟĨƵů /ƐůĞ ŽĨ ^ŬLJĞ͘
54 THE ART GUIDE 2015
Diane Mackie >ĂŶĚƐĐĂƉĞ ƌƟƐƚ
10, Borreraig Park, Dunvegan, Isle of Skye, IV55 8ZX T: 01470 511 795 E: diana@diana-mackie.co.uk www.diana-mackie.co.uk The working studio and Gallery is situated above the shores of Loch ƵŶǀĞŐĂŶ͘ WĂŝŶƟŶŐƐ ĂŶĚ ƉƌŝŶƚƐ ĚĞƉŝĐƚ ƚŚĞ ĂƚŵŽƐƉŚĞƌĞ ŽĨ ǁĞĂƚŚĞƌ and shorelines.
'ĂůůĞƌLJ Ăƚ &ŝŌLJ &ŝǀĞ
55 Allardice Street, Stonehaven, Aberdeenshire, AB39 2AB T: 01569 785606 E: ŝŶĨŽΛŐĂůůĞƌLJĂƞŝŌLJĮǀĞ͘ĐŽ͘ƵŬ ǁǁǁ͘ŐĂůůĞƌLJĂƞŝŌLJĮǀĞ͘ĐŽ͘ƵŬ Set in the seaside town of Stonehaven on the North East Coast of Scotland, showing some of the best ĐŽŶƚĞŵƉŽƌĂƌLJ ^ĐŽƫƐŚ ƌƟƐƚƐ ŝŶ ƐŽůŽ ĂŶĚ ŐƌŽƵƉ ĞdžŚŝďŝƟŽŶƐ ƚŚƌŽƵŐŚŽƵƚ ƚŚĞ LJĞĂƌ ĂƐ ǁĞůů ĂƐ ŚĂŶĚͲĐƌĂŌĞĚ ũĞǁĞůůĞƌLJ͘
LISTINGS DIANA MACKIE STUDIO & GALLERY
NORTH
www.diana-mackie.co.uk
David Jamin â&#x20AC;&#x153;Introportrait dâ&#x20AC;&#x2122;Azurâ&#x20AC;?
10 BORRERAIG PARK, DUNVEGAN, ISLE OF SKYE, IV55 8ZX OPEN ALL YEAR PLEASE TELEPHONE BEFORE VISITING. U r XXX EJBOB NBDLJF DP VL
ĹŻĹ?Ć?ŽŜ ƾŜůŽĆ&#x2030; Z^t Í&#x17E;&ĹŻÄ&#x17E;Ç&#x2020; //Í&#x; Í´ KĹ?ĹŻ ŽŜ Ä?Ä&#x201A;ĹśÇ&#x20AC;Ä&#x201A;Ć?Í&#x2022; Ď°ĎŹÄ?Ĺľ Ç&#x2020; Ď°ĎŹÄ?Ĺľ
Gallery Heinzel
Larks Gallery
Art World Gallery
24 Thistle Street, Aberdeen AB10 1XD
10 Braemar Road, Ballater AB35 5RL
T: 01224 625 629 E: info@galleryheinzel.com www.galleryheinzel.com
T: 013397 55888 E: larksmail@larksgallery.com www.larksgallery.com
62 Church Street, Falmouth, Cornwall TR11 3DS.
Gallery Heinzel specialises in ^Ä?ŽƍĆ?Ĺ&#x161; Ć&#x2030;Ä&#x201A;Ĺ?ĹśĆ&#x;ĹśĹ? Ć&#x152;Ä&#x17E;Ć&#x2030;Ć&#x152;Ä&#x17E;Ć?Ä&#x17E;ĹśĆ&#x;ĹśĹ? Ĺ˝Ç&#x20AC;Ä&#x17E;Ć&#x152; ϳϏ Ä&#x201A;Ć&#x152;Ć&#x;Ć?Ć&#x161;Ć?Í&#x2DC; DÄ&#x201A;ĹśÇ&#x2021; ŽĨ Ĺ?Ć&#x161;Ć? Ä&#x201A;Ć&#x152;Ć&#x;Ć?Ć&#x161;Ć? Ä&#x201A;Ć&#x152;Ä&#x17E; ĹľÄ&#x17E;ĹľÄ?Ä&#x17E;Ć&#x152;Ć? ŽĨ Ć&#x161;Ĺ&#x161;Ä&#x17E; ZĹ˝Ç&#x2021;Ä&#x201A;ĹŻ ^Ä?ŽƍĆ?Ĺ&#x161; Ä?Ä&#x201A;Ä&#x161;Ä&#x17E;ĹľÇ&#x2021;Í&#x2022; Ć&#x161;Ĺ&#x161;Ä&#x17E; ZĹ˝Ç&#x2021;Ä&#x201A;ĹŻ ^Ä?ŽƍĆ?Ĺ&#x161; ^Ĺ˝Ä?Ĺ?Ä&#x17E;Ć&#x161;Ç&#x2021; ŽĨ WÄ&#x201A;Ĺ?ĹśĆ&#x161;Ä&#x17E;Ć&#x152;Ć? Ĺ?Ĺś tÄ&#x201A;Ć&#x161;Ä&#x17E;Ć&#x152;Ä?ŽůŽƾĆ&#x152; Ĺ˝Ć&#x152; Ć&#x161;Ĺ&#x161;Ä&#x17E; ZĹ˝Ç&#x2021;Ä&#x201A;ĹŻ 'ĹŻÄ&#x201A;Ć?Ĺ?Ĺ˝Ç /ĹśĆ?Ć&#x;Ć&#x161;ĆľĆ&#x161;Ä&#x17E;Í&#x2DC; WÄ&#x201A;Ĺ?ĹśĆ&#x;ĹśĹ?Ć? Ä?Ä&#x201A;Ĺś Ä?Ä&#x17E; Ć&#x152;Ä&#x17E;Ć?Ä&#x17E;Ć&#x152;Ç&#x20AC;Ä&#x17E;Ä&#x161; ŽŜͲůĹ?ĹśÄ&#x17E; Ä&#x201A;ĹśÄ&#x161; Ć?Ĺ&#x161;Ĺ?Ć&#x2030;Ć&#x2030;Ä&#x17E;Ä&#x161; Ĺ?ĹśĆ&#x161;Ä&#x17E;Ć&#x152;ĹśÄ&#x201A;Ć&#x;ŽŜÄ&#x201A;ĹŻĹŻÇ&#x2021;Í&#x2DC;
Ç&#x2020;Ĺ&#x161;Ĺ?Ä?Ĺ?Ć&#x;ĹśĹ? Ä&#x201A; Ç Ĺ?Ä&#x161;Ä&#x17E; Ć&#x152;Ä&#x201A;ĹśĹ?Ä&#x17E; ŽĨ Ä&#x201A;Ć&#x152;Ć&#x;Ć?Ä&#x201A;Ĺś Ä&#x201A;Ć&#x152;Ć&#x161; Ä&#x201A;ĹśÄ&#x161; Ĺ&#x161;Ĺ?Ĺ?Ĺ&#x161; Ć&#x2039;ĆľÄ&#x201A;ĹŻĹ?Ć&#x161;Ç&#x2021; Ä?Ć&#x152;Ä&#x201A;Ĺ&#x152; Ĺ?ĹśÄ?ĹŻĆľÄ&#x161;Ĺ?ĹśĹ? Ĺ˝Ć&#x152;Ĺ?Ĺ?Ĺ?ĹśÄ&#x201A;ĹŻ ^Ä?ŽƍĆ?Ĺ&#x161; Ć&#x2030;Ä&#x201A;Ĺ?ĹśĆ&#x;ĹśĹ?Ć? Ä&#x201A;Ć? Ç Ä&#x17E;ĹŻĹŻ Ä&#x201A;Ć? Ć?Ä?ƾůĆ&#x2030;Ć&#x161;ĆľĆ&#x152;Ä&#x17E;Í&#x2022; Ĺ?ĹŻÄ&#x201A;Ć?Ć?Í&#x2022; Ä?Ä&#x17E;Ć&#x152;Ä&#x201A;ĹľĹ?Ä?Ć?Í&#x2022; Ç Ĺ˝Ĺ˝Ä&#x161;Í&#x2022; ĹŠÄ&#x17E;Ç Ä&#x17E;ĹŻĹŻÄ&#x17E;Ć&#x152;Ç&#x2021; Ä&#x201A;ĹśÄ&#x161; Ć&#x161;Ä&#x17E;Ç&#x2020;Ć&#x;ĹŻÄ&#x17E;Ć? ĨĆ&#x152;Žž ^Ä?Ĺ˝Ć&#x161;ĹŻÄ&#x201A;ĹśÄ&#x161; Ä&#x201A;ĹśÄ&#x161; Ä?Ä&#x17E;Ç&#x2021;ŽŜÄ&#x161;Í&#x2DC;
T: 01326 219323 M: 07913 848515 E: info@artworldltd.com www.artworldltd.com Meet us at â&#x20AC;&#x153;Edinburgh Art Fairâ&#x20AC;? 13th â&#x20AC;&#x201C; 15th November 2015, Edinburgh Corn Exchange, EH14 1RJ. Bring this advert with you for a 10% discount on all our stock.
THE ART GUIDE 2015 55
NORTH EAST ART WITH HEART UNRIVALLED SELECTION OF TOP QUALITY ART FROM NORTH EAST ENGLAND AND NORTH YORKSHIREâ&#x20AC;&#x2DC;S FINEST ARTISTS AND PHOTOGRAPHERS
John Coatsworth
Malcolm Teasdale
R oy F K i r t o n
Lucy Pittaway
Francesca Simpson
Alan Smith Page
Kevin Day
Joanne Wishart
Robert Olley
Anthony Marshall
14-day no quibble returns policy | Free shipping within UK mainland Online gallery with over 1000 artworks Freephone 0800 0146 164 | www.bridekirkfineart.co.uk | info@bridekirkfineart.co.uk @Bridekirkart BridekirkFineArt BridekirkFineArt
56 THE ART GUIDE 2015
David Jamin “Introportrait d’Azur” Oil on canvas 81x100cms
Bridekirk Fine Art T: 0800 0146 164 ͗ ŝŶĨŽΛďƌŝĚĞŬŝƌŬĮ ŶĞĂƌƚ͘ĐŽ͘ƵŬ ǁǁǁ͘ďƌŝĚĞŬŝƌŬĮ ŶĞĂƌƚ͘ĐŽ͘ƵŬ ^ĞĞ ƚŚĞ ƌŝĚĞŬŝƌŬ &ŝŶĞ ƌƚ ĞdžĐŝƟ ŶŐ ƉŽƌƞ ŽůŝŽ ŽĨ ƉƌŝŶƚƐ Θ ƉŚŽƚŽŐƌĂƉŚƐ͕ ŵĂŝŶůLJ ƐŝŐŶĞĚ ůŝŵŝƚĞĚ ĞĚŝƟ ŽŶƐ͕ ďLJ ĂƌƟ ƐƚƐ ĂŶĚ ƉŚŽƚŽŐƌĂƉŚĞƌƐ ďĂƐĞĚ ŝŶ EŽƌƚŚ ĂƐƚ ŶŐůĂŶĚ ĂŶĚ EŽƌƚŚ zŽƌŬƐŚŝƌĞ ǁŝƚŚ &Z ĚĞůŝǀĞƌLJ ƚŽ h< ŵĂŝŶůĂŶĚ͘
Art World Gallery Meet us at “Edinburgh Art Fair” 13th - 15th November 2015 Edinburgh Corn Exchange, EH14 1RJ. Bring this advert with you for a 10% discount on all our stock. www.artworldltd.com 01326 219323 info@artworldltd.com 07913 848515 62 Church Street, Falmouth, Cornwall TR11 3DS.
“Ian creates unique high quality ceramics at his Waternish studio. The work can be used both for function and decoration. Shipping is available or visit his gallery on the beautiful Isle of Skye.”
Brae Fasach Gallery, Loch Bay, Waternish, Isle of Skye IV55 8GD T: 01470 592 732. E: ian.williams83@btinternet.com www.ianwilliams-skye.co.uk THE ART GUIDE 2015 57
index 26 &Collective Art Gallery
54 Diane Mackie Landscape Artist 48
42 516 The Gallery
35
42 Alexis R Bradley
26 Enid Hutt Gallery
48 Resipole Studios and Fine Art
35 Alpha Art Gallery
35 Fidra Fine Art
50 Ronnie Ford
42 Annan Gallery
27 Frames Gallery
50 Rowan Gallery
55 Art World Gallery
27 Fraser Gallery St Andrews
38 Saorsa Art Gallery
42 Art-Direct
54 Gallery @ Fifty Five
29 Tatha Gallery
26 Artisanand
46 Gallery 2
52 Thistle Gallery
42 Artists Surfaces Ltd
55 Gallery Heinzel
29 The Atholl Gallery
35 Arusha Gallery
46 Gracefield Arts Centre
38 The Laurel Gallery
54 Brae Fasach Gallery
27 Greengallery
24 The Nancy Smillie Shop
57 Bridekirk Fine Art
37 Gullane Art Gallery
29 The Park Gallery
42 Cass Art Glasgow
48 High St. Gallery
50 The Royal Scottish Society of
46 Christoâ&#x20AC;&#x2122;s Gallery
29 Julia Linstead
38 The Sutton Gallery
46 Clience Studio
55 Larks Gallery
38 The Velvet Easel Gallery
46 CraftTown Scotland
48 Leiper Gallery
38 The Whitehouse Gallery
35 Creative Scotland
37 Leith Gallery
52 Tighnabruaich Gallery
46 Cut the Mustard Gallery
48 Lemond Gallery
38 Tweed Art
35 Dancing Light Gallery
29 Maisie & Mac
52
58 THE ART GUIDE 2015
E.D.S Gallery & The Edinburgh Drawing School
Paisley Art Institute
48 Pam Carter Gallery
Painters in Watercolour
Wasps Studios
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EDINBURGH 13A DUNDAS STREET EH3 6QG
GLASGOW 18-21 NOVEMBER SWG3 100 EASTVALE PLACE G3 8QG
0131 557 1412 | 07814 189018 INFO@ARUSHAGALLERY.COM | ARUSHAGALLERY.COM