León - Acana

Page 1

TANIA LEÓN

ÁCANA for chamber orchestra

Instrumentation

2 Flutes (doubling Piccolo)

2 Oboes

2 Clarinets in Bb

2 Bassoons

2 Horns in F

2 Trumpets in Bb

1 Tenor Trombone

2 Percussion (see below)

Piano

Strings

Score is in C. The piccolo sounds an octave above the written note, and the contrabass sounds an octave lower than written.

Percussion Chart

Percussion 1

Marimba Bass Drum (horizontal)

Conga

High Bongo

Medium Temple Block

Hi Hat

Maracas (high - thin pitch)

Djembe

Low Bongo

Mounted Castanets

Percussion 2

Marimba Djembe

Dumbek

Low High Log Drum

Medium Tam tam

Frame Drum

Bamboo Wind Chimes

Small suspended cymbal

High Pitch Clave

Medium sizzle cymbal (suspended)

Caxixi

Mounted Castanets

Mounted Guiro

Performance Indications

Medium fast

Any note may be played following the indicated contour

Highest possible note

Double Bass - Slap instrument on side

Cluster chord (Black keys) - follow contour or placement

Dampen cymbals

Play any notes following contour (percussion)

Program Note

Acana is a work inspired by a poem dedicated to a tree of the sapotaceas family. The poem of the same name written by the Cuban Laureate Poet Nicholas Guillen is part of a collection of poems called “El Son Entero” published in “La Gaceta del Caribe” in 1944.

Guillen’s poem Acana tells the story of this tree, one with wide spreading roots found across Leon’s native Cuba.

 The Acana tree is indigenous to the American Meridian. The wood of this tree is remarkably strong. It is commonly used to construct support beams of rustic homes and depending of the region is used to many varied purposes.

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León - Acana by Peermusic Classical - Issuu