Bermel - Canzonas Americanas

Page 1

DEREK BERMEL CANZONAS AMERICANAS for large chamber ensemble

Commissioned by the Los Angeles Philharmonic Association Gustavo Dudamel, Music Director



While writing Canzonas Americanas I had in mind a request from Gustavo Dudamel to consider the interconnectedness of North and South American musical traditions. This was not a difficult task, as our cultures are sonically intertwined, both historically and today. Barring the traditional instrumentations, Afro-Brazilian and African-American traditions – such as Pixinguina's chôros and Joplin's rags – can be difficult to distinguish. From Gershwin and Copland to Ellington and Gillespie, many of our trailblazing composers have been indelibly influenced by Latin music, and vice-versa. My hometown of New York has become as much of a center for salsa and merengue music as Havana or Santo Domingo, and the U.S. as a whole is becoming more bilingual and bicultural with each successive generation. In preparation for writing the piece, I returned to Rio de Janeiro for a month, where I spent days refamiliarizing my fingers with chôros, bossa nova, and samba standards, at night jamming with friends in clubs around the city. In this way, I reconnected with the South American spirit and the piece became as much about memory as music. The first movement, El Dude, transforms a quintessentially ―Americana‖ diatonic/pentatonic melody as it encounters Latin rhythms, blues, jazz, rock & roll, funk. The second movement, Silvioudades (ecos e lembranças), is an homage to Silvio Robatto, the great architect and photographer of Salvador. It is a simple Brazilian chôros with a slight Bulgarian inflection (how did that creep in?), which absorbs an echoing canon in each succeeding verse. The third movement, Montuno Blue, recalls the spirit of two great pianist/composers: the Puerto Rican Eddie Palmieri and the American Thelonious Monk. An atonal salsa undergoes various transformations, and along the way another revolutionary pianist/composer – this one from Europe – sneaks in and steals the spotlight. The fourth movement is a short song that I wrote while resident at the Fondação Sacatar on the island of Itaparica in Bahia. The island exudes a seductive, yearning softness; accordingly, the bass carries a mellow bossa rhythm as the traditional berimbau melds into the sound of the guitar. I wrote it for the magical singer Luciana Souza. Special thanks to John Adams and Chad Smith, and to the Institute for Advanced Study — Derek Bermel


b


Flute (Picc.) Flute (Picc.)

Oboe Oboe

Clarinet in Bb Clarinet in Bb

Bassoon Bassoon

Horn in F Horn in F

Trumpet in C Trumpet in C

Trombone Trombone

Percussion I Percussion I

Percussion II Percussion II

Piano Piano

Electric Guitar Electric Guitar

Violin 1 Violin 1

Violin 2 Violin 2

Viola Viola

Violoncello Violoncello

Contrabass (Elec. bass) Contrabass (Elec. bass)

Allegro marcato ranchero (w=72) v HAllegro marcato ranchero (w=72) # # 9H

v H 9H

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9 HH 9 HH

CANZONAS AMERICANAS CANZONASforAMERICANAS Dogjam i. el dude i. el dude

Derek Bermel (2010) Derek Bermel #(2010)

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© Copyright 2010 by X Pyre Music All Rights for the World Exclusively Administered bySongs of Peer, Ltd. © Copyright 2010 by X Pyre Music All Rights for the World Exclusively Administered bySongs of Peer, Ltd.

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2

 

Ob.

Cl.

Bsn.

 

 

C Tpt.

Tbn.

 



10

Fl.

Hn.

Perc. I

Perc. II

Pno.

E. Gtr.

Vln. I

Vln. II

Vla.

   

     

     

   

   

f giocoso e semplice (senza vib.)

Vc.

Cb.

       

    

        

     

              

      

    

       

    

        

 

    

 

 


3

 

Ob.

A  

 

 

 

 

 

 

 

 

 

Cl.

 

 

 

 

 

Bsn.

 

 

 

 

 

 

 

 

 

18

Fl.

Hn.

C Tpt.

Tbn.

Perc. I

Perc. II

Pno.

E. Gtr.

Vln. I

Vln. II

mf giocoso

Vc.

Cb.

     

mf

 

 

 

 



 

     

 



  

    

 

 

       mf giocoso

         

 

                              

     

 

  

 

      

 

mf giocoso

 

    

   

 

  

   



 

 

 

 

 

 

 

 

 

 

 

 

 

  

   

mp giocoso senza ped.

    

        

 

        

ord.

   

     

 



     

pizz.

 

 

 

mf

subp

vibraphone (motor off)

    

 

 

f giocoso

Vla.



               

   

                         

mp giocoso, legato e marcato

               

 

     

poco distortion



     

            

       pizz.

f giocoso

                                  mf 

 

                       mf                 mf

   

 

      

  mf

   

   

 


4

   24

Fl.

Ob.

B solo    flute      

 

f giocoso

 

Cl.

 

 

Bsn.

  

 

Hn.

                      

solo

   

   

          

f giocoso

             f giocoso      solo             

     

 

solo

 

f giocoso

     



        

          

f

C Tpt.

Tbn.

Perc. I

                         

  

  

     f       f

 

                        

(vibes)

Perc. II

Pno.

E. Gtr.

   

mf

 

 

drumset (rim clicks)

mp

Vln. II

Vla.

                                 

Vc.

Cb.

     

                          f giocoso             

                       

                                  

mf

Vln. I

f

        f     f

 

                        mf giocoso 

    

pizz.

f

 

pizz.

   

     



        

      

 

 

 

   

f



 

   

        f giocoso e legato

  

      

f

     

f

  

 

          


5

  31

Fl.

Ob.

Cl.

Bsn.

Hn.

 

       

 

        

    

f earnestly

    

                  

         

              

   

   

        mf fluido

     



 

     

mp

 

sfmp

 

                  

f earnestly

C Tpt.

Tbn.

Perc. I

Perc. II

Pno.

E. Gtr.

Vln. I

Vln. II

Vla.

   



   

     

       

                   mf giocoso

 

   

                  

       

  

   

con sord. (if possible)

       

    

        

     

 

mf

  

   

     



   

 

susp. cymb. (crash)

p

vibraphone

    

mf

     mf

    

arco

    

f fluido

 

     mf

                 

arco



f earnestly

Vc.

Cb.

 

  



                  

          

                  

arco

  

pizz.

arco

 

     

       

    

 



 



 

f earnestly

 

f

deep cymbal or gong

          

      

 

 

  mf


6

C    38

Fl.

Ob.

Cl.

Bsn.

Hn.

  mf

 

  

 

          

    

 

f

 

  

 

Più a più funkoso...

    

    f

 

 

 

 

 

 



      

      



          

       

f pesante

C Tpt.

Tbn.

Perc. I

  

   

  

(crash cym.)

 

    

  

      

               

f

crash cymbal

    



f

    

  



  

snare

 

    

 

p B.D.

    

f pesante

senza sord.

f pesante

  Pno.

 

  

(vibes)

Perc. II

 

          

     ff bluesy                    

      

 

   

 

               

                   

 

         

                     

senza ped.

E. Gtr.

 

light distortion

        

fp

     

 

mp







mp

 

 

   

 

 



      

 

 



fp

Vln. I

Vln. II

Vla.

Vc.

   

    

mf

    

    

 

 

          

  

f

Cb.

 

 

 

  

sfp

sfp

              

Più a più funkoso...

   

    

  

    

     

sfp

sfp

   

sfp

mp

mp

sfp

   

 

sfp

         


7

 

Ob.

Cl.

 

44

Fl.

Bsn.

Hn.

C Tpt.

Tbn.

Perc. I

Perc. II

E. Gtr.

 

f

 

 

 

 



         

  

Vln. II

Vla.

Vc.

  

 

    f

           

                               

      

 

     

      

         

                  

 

 

                                                                  

     

     

  











  

 

 



  

  

 

 

 

 

   

 

 



sim.

 

 

     

        

 

     

      

     

   

      

f

 

       

      

sim.

Cb.

   

sim.

Vln. I

          

f pesante

 

Pno.

f pesante

  



 

 

       

        

f pesante

        

         

   


8

  

 

Cl.

 

Bsn.

  

50

Fl.

Ob.

     

         

  

          

          



f pesante

f pesante

         

   

to picc.

D 

piccolo

  

f bluesy

    

 

  

C Tpt.

Tbn.

 

Hn.

   

(crash)

Perc. I



  Pno.

E. Gtr.

Vln. I

Vln. II

Vla.

Vc.

Cb.

 

(B.D.)

Perc. II

(snare)

 

         

                  

     

    

   

 

  

            

f pesante

    



      

H.H.                 

high tom

low tom

           



  



  

                

     

  

                     

  

 

  

       

   

 

 

         

              

     

         

mf

   

    

            

  

 

   

    

 

   

wa-wa pedal

f pesante

 



mp crisp cowbell (stopped, on lip)

     



f sempre pesante e funkoso

                                                                  

    

 

 

          

f bluesy

 

solo

 

                

        

            

        

             

mf marcato

mf marcato

mf marcato

f

f

f

mf

mf

        mf


9

   56

Picc.

Ob.

               

        

             

                   

             

                 

 

          

Cl.

Bsn.

 

Hn.

C Tpt.

Tbn.

Perc. I

Perc. II

Pno.

E. Gtr.

Vln. I

Vln. II

Vla.

        



 



   

solo             

  

mf sempre pesante e funkoso

           

 

     

            

  

                  

     

 

f

 

                                     

                                     



                   

    

f pesante

                

                 

                      

   

 

mf

                

           

 

f

f

Cb.

 

f

Vc.

           

 

           f

         mf

mf

mf



          



               



              

            

mf

f

                

            

f

f

 

mf

 mf

mf

f

f

 

          f

mf



mf

 mf


10

             

   62

Picc.

Ob.

Cl.

  

            

 

f sempre pesante e funkoso

Bsn.

Hn.

C Tpt.

Tbn.

Perc. I

         

f sempre pesante e funkoso

    

 

        

   

      quinto            tumba

     

    

   

   

                

       

    

 

   

 

   

   

             

              

       

f grande

     

   



  

  

  

     

      

          

 



  



 



  

     

                  

  

      



   

         

 

  

   

    

   

 

                           

   

    



    

           

             

        

           

          

       

 

         

         

  f

  

(slap)

          

  

    

  

       

                                                

          

                                

   

          

   

f FILL---------------------

           

f sempre pesante e funkoso

  

   

        



 

   

                

                 

          

                  

         

            

f sempre pesante e funkoso

Cb.



   

 

              

f sempre pesante e funkoso

Vc.



  

 

      

  

 

                

             

       

    

                  

   

f sempre pesante e funkoso

Vla.

 

      

 

f

Vln. II

   

                  

       

Vln. I

              

mf

E. Gtr.

             

        

2 congas

Pno.

  

mf

Perc. II



    

                 

   

           

        

 

      f marcato solo

  



           




11

E

  68

Picc.

to flute

Ob.

Cl.

Bsn.

 

 

C Tpt.

Tbn.

 

Hn.

Perc. I

                                            light metallic sound

pp 3 glass bottles mounted on kit

Perc. II

Pno.

E. Gtr.

Vln. I

Vln. II



 

   

Vc.

Cb.

  

       

  

 



 

       



   

       

          

f marcato

  

f marcato

f marcato

Vla.

                                              



        



  

   

  

   

  

   

  

   

  

   

   

   

    

    

    

     



  

         

             

   

   

 

             


12

Fl.

Ob.

molto accel.

 

75

flute

                     

 

mf fluido

  mf fluido

       

 

                 

 

                     

 

 

 

 

 

C Tpt.

 

 

Tbn.

 

 

 

Cl.

Bsn.

Hn.

Perc. I

Perc. II

Pno.

E. Gtr.

Vln. I

Vln. II

Vla.

Vc.

Cb.

mp

 

mf fluido

p susp. cymbal

                                                                 



                           

      

                       mp fluido



molto accel.

mf fluido







 

 

 

 

                       

 

                         

 

                     

 

mf fluido

 

 

 

 

                 

 

ff

 

                              

 

ff

ff

mf fluido

 

 

                       

           

             

       

    mf

                   

    

    

          



                 

mf

             



 

xylophone

mf fluido

    

        

            

  



mf fluido

         

           

                      

   

ff

mf fluido

 

   


F w=92

Fl.

   

Ob.

       

Bsn.

  

        f con fuoco

 

fp

mf

   

 

mf

  mf   

    fp

Perc. I

  

brassy  fp

mf

deep cymbal    

 

H.H.

(l.v.)

f

Perc. II

    

    

brassy

Tbn.

      



                



               

  

                

fp

C Tpt.

    

                                                

f con fuoco

brassy

Hn.

      

f con fuoco

Cl.

    

              

82

mf

      

    

  

 

  

 

  

  

  



  

   



 

      

              

  

      

 

      

        

  

      

  

      

        

  





 

  



  



 

                

   

 

         

 

    

f

13

f

        f

f

f

f

        

        

mf

mf

                                                                                   ff con fuoco

Pno.

E. Gtr.

Vln. I

  

     f

   

       

       

 

    

   

    

   

   

    

  

            

         

  

          

      w=92                                                                                              f con fuoco

Vla.

 

   fp

Vc.

Cb.

    

  

mf

fp

 

mf

  

 

  

 

  





      

 

     

 



f

        

f con fuoco

Vln. II

   

f

                

                     

      

          

    

f

f

        

f

f


14

Fl.

Ob.

Cl.

Bsn.

Hn.

  89             

Perc. I

  

       

    

  

             

Vln. II

Vla.

        

              

                      



           

  

ff con fuoco

          

         

  

  

            

              

mf

           

       

       

            



  

       

f

    

       

 

 

 

 

 

 

 

f

             

  

     

    

             

           

                                                   

       

    

      

   

 

  

  

                      

              

             

     

   

                             ff sempre con fuoco

ff

           

                 ff con fuoco

                       

                 

           

            

            

                   

               

          

         

            

                  

          

f

ff con fuoco

  

bass gtr w/huge distortion...

Cb.

      ord., con sord. (very thin)                   

ff con fuoco

f

Vc.

ff sempre con fuoco

           

f con fuoco

Vln. I

                   ff sempre con fuoco                     

   



huge distortion

E. Gtr.

ff sempre con fuoco

                 

          

f

                      

            

f con fuoco

mf

Pno.

  

             

   

(xylo.)

Perc. II

  

      

f

Tbn.

    

  

f

C Tpt.

G

 

f con fuoco

          


Fl.

Ob.

Cl.

94          

 

           

      

        

 

          

       

 

        

15

H

       

    

         

  

       

       

   

         

   

     

       

   

      

 

 

Bsn.

            

       

            

    

 

           

 

Hn.

              

      

            

     

 

             

 

        

 

C Tpt.

Tbn.

Perc. I

Perc. II

         

 

           

      

           

     

         

      

   



 

        

 

       

   

   

 

  

                f xylo.              

     

ff sempre con fuoco

    

     

   

(OK to use clusters)

 

 

Pno.

E. Gtr.

Vln. I

Vln. II

Vla.

Vc.

Cb.

                       

           

 

                ff con fuoco

                               

             

          

       

   

 

      

 

        

                             

        

                         

               

   

     

     

      

           

    

       

     

      

          

    

       

     

                  

     

   

      

             

   

    

  

       

                  

     

    

       

   

        

   

             

             

   

        

         

  

                

             

 

                           

 


16

Fl.

Ob.

Cl.

            98

    

          

                      

        

           

    

 

           

                     

        

         

    

 

         

Bsn.

  

                

            

Hn.

                    

             

C Tpt.

Tbn.

Perc. I

            

     

  

Perc. II

Pno.

E. Gtr.

Vln. I

Vln. II

Vla.

Vc.

Cb.

            

           

         (xylo.)

                

 

              

              

      

 

                  

               

          

                                        

            

                                      

              

     

            

         

              

 

       

                 

      

        

                                  

      

        

                

                         

                                   

    

           

     

               

          

                      

   

        

                          

         

         

                               



 

                 

               

  

    

                   

              

   

         

                                                

        

             

                      

 

                        

 

                        

          

 

                   

       

 

                                

 

       

            

 

         

             

  


   102

  

    

Ob.

 

  

Cl.

 

   

Fl.

Bsn.

Hn.

 

 

 

 

     

 

 

 

 

   

 

 

 

 

          

 

 

 

 

             

 

 

 

 

    

 

 

 

 

        

 

 

 

 

 

Tbn.

  

Perc. II

Pno.

E. Gtr.

Vln. I

Vln. II

Vla.

Vc.

Cb.

to picc.

C Tpt.

Perc. I

17

I

  

   

  

            

guiro (mounted) w/snare stick

                              

 

      

 

                                     

mp

mp

sim.

 

 

 

                                           

              

                                                        

       

                         

mf marcato

mp

    

solo        

                      

 

no distortion solo

    

sub mf legato e marcato

                 

 

 

     

 

 

     

 

 

 

 

                

 

 

 

 

 



 

   

                      

         

    

sub mf legato e marcato



pizz.

       

mf marcato

pizz.

        mf marcato

                                 



  

 



                       


18

 

108

Picc.

          

Picc.

  

    

f ruzzolando

             

  

 

                                         

  

 

 

 

 



 

 

 

C Tpt.

 

 

Tbn.

 

 

 

 

Ob.

Cl.

Bsn.

Hn.

Perc. I

Perc. II

       

    

Pno.

E. Gtr.

Vln. I

Vln. II

Vla.

Vc.

Cb.

   

 

 

   

  

 



 

fp

mf

arco



f

                             

           

   

                            

                        

  

 

 

  

  

f ruzzolando

         

 

mf



  

  

                                                         

 

                      

  

                              

          

      

2 caxixi, play on side (wicker), not bottom (gourd) (parentheses = rebound)

     

f ruzzolando

                

to fl.



  

arco           

  

  

 

  

f ruzzolando

    

           f ruzzolando

                            

 


 

115

Fl.

Ob.

J w=92     

Bsn.

 

  

  

    

  

(ord.)

Hn.

mp

C Tpt.

 

Perc. I

Perc. II



Pno.

    



    

  

fp

 



 

 

 

 

   

  

  

            fp

  

    

   

    

fp

f

        

mf toms

mf

mf

B.D.

   

   

FILL-----------------

FILL (8ths)-----

susp. cymb.

mf

f

    

p

mf

 

fp



fp

          

   

  

mp

 

fp

mf



  

f

 

    

fp



           f

 

     fp

mf

fp

fp

mf

f

                         



  

   

  

FILL (2 bars)--------------------------------------

mf

 

 

mf

    

 

 

 

  

 

      

 

 

 

  

 

    

 

 

 

  

 

 



   

 

 

          

  

mf

f

  

   mf

f

fp

f

   



fp

f

fp

f

p

f

fp

 

    

   

 

  



fp

 

 

          

fp

fp

mp

    

      

f

 



  

    

senza sord.

(ord.)

Tbn.

                  fp

Cl.

19

f

E. Gtr.

Vln. I

Vln. II

  



w=92

                         fp

f

Vc.

mp

fp

                                   double bass

Cb.

fp

                                  f fp

Vla.

mp

  

  

fp

f

mp

           fp

fp

        

f

mp

fp

                          fp

f

mp

fp

                    f

mp

mf



    

  

  fp

mp

        

mf

       

                

mf

    

                

    

f

f

    f

mp

mp

mp

mf

                   f

mp

mf

          

fp

              

mp

 

fp



  fp

    

mp

fp

 

      

       mp

    

                mp


20

   124

Fl.

Ob.

  

  

 

    

   

  

   

  

  

     

   

 

    

   

 

  

     

    

   

    

   

  

   

  

   

 

  

   

   

  

    

  

  

  

  

   

 

 

    

  

Perc. II

f

f

E. Gtr.

Vln. I

f

f

mf

f

mf

f

mf

f

mf

mf

f

   p

FILL----------------------

mf

mf

   

   

  

 



  

  

 



  

  

 

   

  

 

fp

fp

 

mp

 

fp

 



  

  

 

  

  

 

 

 

mp



 

fp

FILL (2 bars)--------------------------------------

   mf

 

 

mf

 



fp

mp

mp

fp

  

mp



mp

 

 

mp

mp

   

  

p

   

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

   

                   

   

    

   

   fp

                   

  

 

    

                

   

  

  

  

                      

    

 

   

                   

                

  

           

  

 

    

   

             

                 

  

               

  

 

                   

                  

  

               

  

 

fp

Cb.

 

mf



 

 

fp

Vc.

fp

fp

FILL--------------------

mf

f

fp

f

mf

fp

Vla.



fp

(sus. cym.)          

fp

Vln. II

f

fp

f

p

Pno.

fp



fp

fp

Perc. I

mf

   

fp

Tbn.

 

  

fp

C Tpt.

 

fp

Hn.

 

 



   

fp

Bsn.

 

 

    fp

Cl.

 

Flute

      fp

f

mp

mp

mp

mp

mp

fp

fp

fp

fp

fp

f

f

f

f

f

mf

mf

mp

mp

mp

mf

mf

mf

fp

 

mp

mp

mp

mp

fp

  fp

  fp

mp

mp

mp

mp

mp

mp


   134

Fl.

Ob.

 

 

mf

 

fp

     

 

     

    

    

     

  

   

    

   

   

    

  

    

mf

 

fp

fp

fp

fp

fp

           FILL (2 bars)--------------------

Perc. I

mp

Perc. II

  

     mp

  Pno.

 

   

    p

 

 

 

 

 

  

     

  

  

 

  

     

  

  

 

fp

f

  

mf

Tbn.

     

mf

C Tpt.

  

mf

Hn.

K   

     mf

Bsn.

 

  

    mf

Cl.

21

fp

f

  

 

   

     

  

  

 

  

    

  

  

 

  

     

  

  

 

      

     

  

   

   

 

     

          

fp

f

fp

fp

fp

f

FILL-----------------

p

toms

     

mf

solo               f smooth           

           

     

f

Vln. I

 

        f smooth

    

    

   

 

 

          mf

Cb.

   

  

mf

Vc.

 

    

mf

Vla.

       mf

Vln. II

 

mf

 

  

  

     

  

mf

  

   

  

 

          mf

   

 

              

  

 

            

  

 

          

 

    

     

              

     

    

    

         

    

               

     

     fp

mp

f

mp

f

fp

mp

f

    

fp

mp

fp

fp

f

f

mp

mf

mp

f

mp

f

f

               

f

              

                 

     

fp

           

               f

                 

fp

    

mp

 

        

     

f

 

f

mp

p

    

fp

mf

snare

               

fp

  

mf

f

fp

  

 

mf

f

mf

f

mostly clean

E. Gtr.

mf

f

   

   

 

mf

f

    

f

    

     f

 

mp

mp

mf

mf

mf



 


22

    144

Fl.

Ob.

    fp

Cl.

  

 

f bluesy

ff

 

                    

bluesy

     

 

      

Tbn.

E. Gtr.





  

f bluesy

  

  

      

   

  

 

mf

 

  

 



     

                                  

mf

   

    

 

f



    

fp

 

   

 

fp

   

  

 

  

   

  

 

   

 FILL------------------    

 

 

fp

f

fp

fp

fp

f

p

mf

 

 

fp

f

   

 

   

ff

fp

f

      

     

 

fp

 

   

f

ff

FILL-------------------------

f

                       

   

fp

  

fp

  

  

fp

   

 

 

                           

Pno.

  

   

  

 

mf

Perc. II



  

fp

Perc. I

 

  

fp

C Tpt.

ff

fp

Hn.

L  

  

fp

Bsn.

                    

xylophone

 

      

 

 

 

        

 

     

p

                           

mf

 f

       

 

 

mf

     

                       

 

 

 

 



    

mf

   

f

Vln. I

    

                 

                   

 

     

                        

                

 

    

  

    

  

fp

Vln. II

fp

Vla.

fp

Vc.

fp

Cb.

      fp

mp

fp

mp

       mp

      mp

fp

f

mp

mp

fp

fp

       

                  

 

          

   

              

 

                   

 

fp

fp

                      mp

f

fp

f

f

f

mp

mp

mp

fp

fp

fp


23

    

    

    

149

Fl.

f

Ob.

 

  

Bsn.

Hn.

 

   

  

     

   

     

mf

mf

  

  

fp

   

   

 

 

 

      mf

Perc. II

      f

                   Pno.

E. Gtr.

mp

                      f bluesy

                             

           

  

   

  

  

  

   mf

  

   

   

mf

 

FILL-------------------------

mf

 

xylophone

    



         

 

 

 

 

  

f ruzzolando



mf

 

       

      

mp

f

    

f ruzzolando

mf

 

f

 

      

 

 

 

 

   

  

                   

  

     

  

  

  

                    

    

 

           

  

               

  

               

  

                f

mf

mf

              mp

 

     

mf

  

     

  

               

  

mp

mf

mf

mp

mf

mp

fp

mp

fp

mf

fp

  fp

  fp

mp

 

mp

mp

mf

mf

mf

 

    

f

Cb.

  

f

Vc.

mf

f

Vla.

  



 

 

 



  

fp

  

     f

Vln. II

                       

f bluesy

Vln. I

  



 

 





fp

mf

 

     

       

fp

 

mf

 



 

mf

ff

fp

f

Perc. I

       

fp

    f

Tbn.

  

f

C Tpt.

  



f ruzzolando

 

       ff

  

mf

f

   mf

f

Cl.

 

        


24

M

 

157

Fl.

Ob.

Pno.

 

 

 

 

 

 

 

 

 

  

  

 

 

 

  

               mf molto pesante              

 

 

 

  

 

  

  

  

 

f legato

 

 

 

Vln. I

     

   

f

mp

mp

 

 

 

 

 

 

f

Vln. II

   f

Vla.

  f

Vc.

 

Cb.

f

 

f molto pesante

 

       

  

con sord.

  

con sord.

     

   

 

  

 

 

 

 

 

                                       

        

  

 

 

    ff

   

              mp ff

   

 

mf molto pesante

   

p

 

f legato

p

 

                              f pesante e legato                              

 

 

 

                

 

 

 

 

p

 ff

           

 

ff

             

 

 

p

f legato/bluesy

 

ff

               

add chorus for fuller sound

Grinding Blues (e=104)

  

                  f legato

ff

      

f legato

      

 

 

f

  

p

low jamblock/woodblock

   

                    

sleigh bells Rock&roll/blues feel scrape on ride f H.H. (half-open, loose sound) (l.v.)



ff

E. Gtr.

           

mf molto pesante

mf molto pesante

mf

Perc. II

 

f

Perc. I

 

f

Tbn.

f

C Tpt.

 

f

Hn.

 

f

Bsn.

Grinding Blues (e=104)

  f

Cl.

 

              

p

  p





f

p

 

              

       

                        

  

f molto pesante

   

f molto pesante

   f

   p

 

  


25

 

            

166

Fl.

Ob.

Cl.

Bsn.

Hn.

    

N           



f bluesy

ff funkoso

           



 



         ff funkoso

         

brassy

brassy

f bluesy

C Tpt.



senza sord.



senza sord.

Tbn.

 

Perc. I

                   

Perc. II

 

Pno.

E. Gtr.

Vln. I

Vln. II

Vla.

             

f bluesy

 

bell-like      mf 

 

mf

mf

             f bluesy

 

          f funkoso

brassy

       

                

  

           f funkoso

  

  



mf

mf

      

 

 

 

   

 

 

Vc.

 

         

mf bluesy

Cb.

 

    pizz.

mf bluesy

f

       

ord.

mf sempre legato

         

ord.

mf sempre legato

 

 

 

 

 

 

 

      mp

        

 

f

      f

         

 

 

 

 

   

              

             

f sempre legato

                

f sempre legato

 

   

slow fall...

 

mf

         

                

 

      

                 f funkoso

                                                   

tom 2

f bluesy

            

crash cym.

           

                f legato          

        f                  tom 1

xylophone

 

ff

            f funkoso

legato

ff funkoso

      

                 

 

 


26

             

   171

Fl.

Ob.

Cl.

Bsn.

Hn.

C Tpt.

Tbn.

Perc. I

Perc. II

Pno.

E. Gtr.

Vln. I

Vln. II

Vla.

Vc.

Cb.

f sempre legato

 

 

               

  

 

 

         

 

        

 

         

 

 



cresc. poco a poco

    

 

           



mf

  

 

senza sord.

 

mf

      mf

                    

 

 

 

                        

mf legato

                   

  

cresc. poco a poco

     

         cresc. poco a poco

     

                filling, towards groove...                                    

    mf

       

cresc. poco a poco

           

     

                     

   



                             

xylophone

 

 

cresc. poco a poco

    

     

   

transition to set

       

      

cresc. poco a poco

           

 

      

             f

       

         

cresc. poco a poco

mf

 

                

  

cresc. poco a poco

mf sempre legato

mf

               

 

 

           

           

 

mf

ord. con sord.

cresc. poco a poco

  

                                

 



 

  

             mf

mf sempre legato

 

           



    



f sempre legato

 

mf

f sempre legato

     

 

          

    

          

     

  

             

                        

                    

       

  

      

      

   

      

        

cresc. poco a poco

        mf

cresc. poco a poco

     

               

     

                  

mf

mf

cresc. poco a poco

cresc. poco a poco

 


27

 

177

Fl.

Ob.

Cl.

Bsn.

Hn.

poco accel.

 



   



 

     

    

  

     

      



      

       

 

 

  

      

  

      

   

 

           

   



(lower notes optional) sim.

   

 

    

 

 

   

      



      

    

      

  

  

 

   

  

C Tpt.

 

  

Tbn.

  

     

      

  

 

   

    

           

              

               

  

            

   

   

Perc. I

Perc. II

 

     

  

      

       

      

         

                     

 

      

          

         

Pno.

   

    

  

        

E. Gtr.

   

      

  

        

  

 



 

 

        





   

   

      

 



 

      

       

 

       

        

 

      

      

 

             

             

   

          

 

     

                  

 

    

   

    

      

    



         

  

  

     

  

   

  

    

        

        

 

Vln. II

 

  

     

  

   

  

    

        

        

 

Vla.

 

     

      

 

   

     

      

       

 

     

      

     

      

Vln. I

Vc.

Cb.

 

poco accel.

 

 

 

 

      

 

 


28



   183

Fl.

Ob.

 



 



f

           f

Cl.

Bsn.

Hn.

        

 

f



  



  

 



f

  

         

f

C Tpt.

              f

Tbn.

  

 

      

   

       

f

Perc. I

Perc. II

f

E. Gtr.

f

f

Vln. I

      

       

     

                                                     

    

         

           

                      

   



                

  



 

        

   

            

   

f

Cb.

 

            

                 

   

        

f

Vc.

       

 

f

Vla.

    arco

mf



f giocoso

 

 

 

 ff sassy

 ff sassy

ff sassy

   

sizzle cymbal (l.v.)

        

  

 

       

 

 

 

 

  

                          

more distortion slide on same strings

    ff



 

        



  

  

ff

ff

       

         

  f

   

             

 

  

f

    f

ff

ff

  

      

      

(w=72) Tempo I

        

 

                   

     

 

 

ff

  

ff

   

f heavy groove...

  

f giocoso

 

                  

f giocoso

f

  

   

 

 

   

ff

           

         

 

f giocoso

ff

          

          

  

f

Vln. II

Tempo I (w=72) (in 2)

   O          

      

                          

  



    

                      

Pno.

           

                                                         

 



heavy vibrato w/whammy bar (let chord resonate thru m. 193 as background texture)

    

f giocoso

 f giocoso

       



 

sub. p

f giocoso

sub. p

sub. p

     

f giocoso


29

 

  

  

189

Fl.

Ob.

      

    

bell-like

      

    

   

 

  

 

    

    

Bsn.

  

  

 

    

    

 

C Tpt.

Tbn.

Perc. I

Perc. II

 

  

 

 

     

                        

                             

Pno.

 

 

           

 

     

     

   

     

   

mf

 

mf

   

   

ffp

                                f  ffp                    ffp

  

 

 

 

 

mf

       

ff

     

   

f

 

 

fp

  

     (l.v.)      (crash)

 

 

 

 molto rit.

Vln. I

Vln. II

Vla.

Vc.

Cb.

 

  

  

      

    

       

    

 

  

  

    

 

 

  

  

    

 

 

e=126

poco rit.

  

 

   

   

 

   

   

    

   

    

   

 

   

          

mf

f

   

   

mf solo

     

mf

 

mf

   

 

   

mf

 

 

        

bell-like   

 

mf

   

 

     

e=126

molto rit.

poco rit.

   

  mf



E. Gtr.

mf

Cl.

Hn.

  

P

(in 4)

   

ffp

   

ffp

  

gliss.

   

ffp

   gliss.     

ffp



   

ffp


30

Più pesante, un poco maestoso

 

195

Fl.

Ob.

        

Cl.

Bsn.

Hn.

bell-like     

      

mf

 

         

Tbn.

Perc. I

Perc. II

     



mf



    

sub. p

 

  

sub. p 

      

 



    f

 

f

ff

  

  

  

     

B.D. f

  

 



       

  

mp

    

ff martellato

f

                   

  

f

 

ff

Vln. I

Vln. II

    

f

 

pizz.

Vla.

 pizz.

Vc.

Cb.

  

 

  

rit.

s. glis . gliss

   

ff

ff



f

       f

 

  

   

     

arco

ff

sub p

              f sub p arco

ff

          f

   

    gilsisss..     gl  

ff

   

   

   

ff

        f       

         fill

                      

         .   ss  gli         

 

f

  

ff

    

     

      

heavy distortion

e=72

p

Più pesante, un poco maestoso

 

   

sffp

sub. p

      

ff

      

ff

       tom 

            ff martellato         

xylophone

sffp

 

   

ff

       

ff

f

ff

sffp

  

   

ff

     

ff

ff

sffp

  

      sub. p f       sub. p

ff



sub. p

ff

                 sub. p 

sub. p

        sffp ff            

sub. p

   

ff

               sub. p

 

       



f

   

      

  

ff martellato

f

  

p

 

 

f

ff martellato

ff

mf bluesy

 

    

Pno.

E. Gtr.

mf



f

f

C Tpt.

 

 

                  

sub. p

     

  

  

f

e=72 rit. 

sub p

  

   

sffp

    

    

    

ff

    

    

ff

   

   

sffp

ff

   

sffp

    

   

sffp

ff

sffp

ff

ff


31 para a família Robatto

ii. silvioudades (ecos e lembranças) Grace notes should be played quickly and as close as possible to the main note.

   Clarinet in Bb          

Cadenza (tempo ad lib.)

Percussion II

                 

p encantamento

   

         

       

        

                      Cl.                       7

Perc. II



 

mp

Bsn.

Perc . I

Perc. II

 Fl.

Perc . I

Perc. II

  



  

    



  

    



       

  

mp

mp

         

p encantamento frog guiro

   

  

  

   

      

mp

mf

 

 

            

    

       sim.

     



 

mp

      

 sim.

 

 

      

mp

             

   



       

mp

 

      

       

 

mf

      mp

     mp

       mp

       

mf

mp

         

              

  

 

        mp

        

       

                

    

  

 

               

  

         

      

        





      

 

      

          

mp

  

     Perc . I    Perc. II

         

      

Cl.

Bsn.

 

     





p

soli (w/fl.)

mp

pp

      21

27

Fl.

  

Cl.

Bsn.

mf

        

p encantamento

 

 

 

A Tempo de chôros (e=104) soli (w/bsn.)               

        



mp

                     

                    



 

mf



Cl.



large maracas (swish sound)

pp

14

Fl.

mf

mp

 



 

  

 

p

   

     

p

      p

              


32

     33

Fl.

Ob.

 

Cl.

Bsn.

 

Hn.

Perc . I







   

B



  

  

 

  

   



 



  

  



  



  



 



  

  

 

  

   

  

  

           

pp legato ma un poco marcato

pp legato ma un poco marcato

pp legato ma un poco marcato

p

 

     

 mp

  

mp

   

 

mp

 sim.

jumbo caxixi (swish in circles) R.H. swish counterclockwise

Perc. II



E. Gtr.

Vln. I

 

Vln. II

Vla.

                      

Dm

 

p

     

   

A7

      



mp

  

      



    

mp

 

   

      

 



  

    

   

      

         

    

 

 

Dm

     

     





    

           

 

  

 

   

 

            

  

    

      

   

 

             

  

    

pizz.

mp

  

 

      

mp

Cb.

 



etc... arpeggiate chords in eighth note pulse (not strummed)

      

mp

Vc.

 

                      

mp L.H. swish clockwise

nylon-string guitar



 

  

   

  






33

  39

Fl.

Ob.

 

  

 

  

   



  



 



Cl.

 

  



  



   



  



 



 

  

 

  

   

 

 

Bsn.

 

Hn.

Perc . I

      

 

        Perc. II      

 

E. Gtr.

Vln. I

    

Vln. II

  

 

Vc.

 



    

   

     



     

   

 

    

   

 

           

          

A7

      

    

 

Vla.

Cb.

        

    

 

 

         

 

   

     

  

  

    

     

    

  

   



mp

D

     



    

         

   

         

   

   

 

  



 



  

 

     

mf

     

    

    

  



mp

   

 

  

  

 

  

mf

mf

mp

mp

         mf

mp

D7



mp

   



   mp



mp

       





   mf

 


34

  44

Fl.

Ob.

Cl.

Bsn.

Hn.

Perc . I

Perc. II



 

C7

E. Gtr.

Vln. I

Vln. II

Vla.

Vc.

Cb.

  

  

   



  

  

 

 

  

   



  



  



 

  

   



 



 

 

 

      

    

        

sim.

             

 

 

    

    

  

  

   

      

        



C

       

    

  

  

       



      



   

    



  

 

 

 

 

 

     

    

     

  

    

       

 

    

  

   

   

E¨7 (lydian)

 



           

  



     

     

A7

      

 

          mp

     

 

   

   

 

 

mp

      

    

       

    

 

       

 

  

     

mp

 

       

   



     

mp



    mp


35

  49

Fl.

Cl.

Bsn.

   mp

 

                                 

 

 

 

 



 

  

           

mp

  

mp

  

  

         

 

  

 

  

 

E. Gtr.



Vln. I

   

Vln. II

Vla.

Cb.

 



 

    

  

 

     

  D

mp



     





       

    





p legato ma un poco marcato

      

 

  



 

 

     D6



   





  

  

p legato ma un poco marcato

 



 

  

D

 



  

mf

  mp



 

B7/D#

 

etc. continue bossa rhythm

Em













mp



 

p legato ma un poco marcato

 

 

        

maracas (swish)



p legato ma un poco marcato

 

mf

p legato ma un poco marcato 

   

 

    

 continue ad lib   

strummed

     

   

 

Vc.



 



p

       Perc. II      

   mf

                     



     

mf

  

         

 

mp

 

 

Hn.

Perc . I

 

Ob.

C

   mp

   mp

   

 

 

  

 

 mp



 mp

 

  



 



    

 

   

 

  

mf

 mf

    


36

  55

Fl.

Ob.

Cl.

Bsn.

 

 

 



 



 

      

 

 

       

 

 

               

  

 

 



 

 

 

      

 

   

               

   

    



     

     

 

  

 

             



                            

p

p

 

p

   

f

   

 

f

sub p

Hn.

Perc . I

 

 

large maracas (swish)

mp

mp

Perc. II

 

Em6

Em

E#—

D

Dsus2

D

E. Gtr.

 

Em7





   

Em²

Vln. I

   

 



 



Vln. II

Vla.





 

  

  

mf

    

 

  

    

 

   

    

 

mf

 

 

             

f

                     mf

  

Vc.

      

    

   

  

 

   

Cb.

      

    

  

   

 

f

  

 

 



  

  

mf

  f

  

 


37

  61

Fl.

Cl.

    



       

mp

      



         

 

 





   

   

 

 

  

 

 

    

          





p

 

mf

 

mp

Perc. II

 

Em

Em²

Em7

Em6/G

NC

E. Gtr.

 

B/D#

    

   

Vln. I

Vln. II

     

 

Vla.

 

           



 

       

        

       

      

 

 





 

 

   

 

 

    

          

    

Vc.

Cb.



mp

  

 

    

     

p



 

p

mp

 

Hn.

Perc . I

 

 

Ob.

Bsn.

     

 

 



 

     

     

  

 

mf

  

pizz.




38

D

 

66

Fl.

      solo

Ob.

Cl.

Bsn.

  

 

    



     

Perc. II



Vln. I

 

 



   



   

 



  

guiro

mp

Vln. II

Vc.

Cb.

  

  

mp

mp

   



    

  

   



 



sim.

  



   



 

sim.

  

   



 

 

 sim.

  

  

     

A7

 p

     

   

      



p

    

  

 

    



    



          

           

p

  

           

mp

 

  

 

 

           

        

    

 

 

 



   



    

Dm

     



    

          

          

 

  

 

mp

  

p

  

caxixi (swish in circles, as before)

  

Vla.

  

 

 

sim.

p legato ma un poco marcato



   

 

    

p legato ma un poco marcato

 



Dm

E. Gtr.

    

   

p legato ma un poco marcato

Perc . I



mp

Hn.

  

 

mp



 

    

  

 

p

   

 

mp

   

  



         

         

    

   

  



   

  

    







      


39

  71

Fl.

Ob.

Cl.

Bsn.

    



    

 

  

  

 

Hn.

Perc . I

  

    

  

  

 

 

Vln. I

    

Vln. II

  

    



Vc.

 

 



       

 

      

 

  

   



    

   

  



mp

      

 

  

 

     





  



   



 



 

   



  

 

 

  

   

    

  

    

     

    

  

  

f



mp

  

  

  

  

   

           

          

        

        



 

 

 

mp



D

mp

     



   



    

        



    

   

   

mp

         

D7



mp





mp

mf

         



 

mf

 

 

 

A7

      

     

Vla.

Cb.

 

 

  

        Perc. II      

E. Gtr.

   

         mf

  

    

 







   

   mp

  

    

    mf

    f

  

f

   

mp

 





     

f

   



 

      

mf

   

  


40

Fl.

  

 

Cl.

Hn.

Perc . I

Perc. II

 



E. Gtr.

 

Vla.

 



   

  

   

 



   

  

   

  



  

 

   

Cb.

 



 





 



 

  

   



 



  

 



 

  

  

  

 

 

 

mp

 

 

 

  

 

   

C



   

   

 

 



 

  

 

 

 

 

  

  

  

 

   

 

E¨ (lydian)



p

   



 

 

 

 



 

   

 

   

  

E¨7

 



    

 

 

 

   



mp

mf

  

sim.

 

mp



   

  

   

  





 

   

  

mf

 

  

mf

 

p

mp

Vc.

  

 

 

 





         

Vln. II

mf

mp

C7

Vln. I

   

 

Ob.

Bsn.

  

76

 

 

  



    

  mp

    

mp

  

 

  


41

Fl.

 

Cl.

 

  

p

Perc. II



 

   

 



  

pp



 

 

 



 



 





 

 

    

 

 

 

 



 

 

 

 

p

slow strum

     

  



   

p



 

pp

 

A7

pp

p

E. Gtr.

 

p

p

Perc . I

p

Hn.

p

Ob.

Bsn.

Poco rit. al fine



  80

  

    

pp

Poco rit. al fine

Vln. I

      

Vln. II

Vla.



  

 





  

  

 

 

pp  

  







pp

p

    



   



 







  

 

pp

 

Vc.

Cb.



    p

   

 





 

p

pp


42

Flute (Picc.)

  

for the Dude

iii. montuno blue

Allegro con salsa (e=120)

Oboe

 

Clarinet in Bb

 

Bassoon

  

  

Trumpet in C

 

Trombone

  

Horn in F

Percussion I

Percussion II

  

clave (mounted on foam)

mf marcato

  

    

                        poco distortion, trebly sound

Electric Guitar

mf marcato

Piano

Violin 1

  

            

  

  

           

  

             

    

  

      

 

 

  

  

Allegro con salsa (e=120)

Violin 2

 

Viola

 

Violoncello

 

Electric Bass (Cb.)

  


43

 

7

A

 

 

C Tpt.

Tbn.

 

Fl.

Ob.

Cl.

Bsn.

Hn.

Perc. I

Perc. II

E. Gtr.

Pno.

Vln. 1

Vln. 2

Vla.

Vc.

 

 

     

con sord.

      

 

        

 

   

          

 



     

 

  

        

    

               

               

               

               

             

           

          

         

 

  

   



  

pizz.

   



         

poco distortion, trebly sound

E. Bass

mf marcato

conga drums (improvise in Latin (salsa) style on 4-bar pattern)

mp

  

   

        

 

mf marcato

pizz.

mp marcato

mp marcato

                

  

         

   

      


44

   13

Fl.

Ob.

Cl.

 

flute

 

mf marcato

   

 

 

     

        

B

  

 

      

mf marcato

Bsn.

Hn.

C Tpt.

Tbn.

Perc. I

Perc. II

E. Gtr.

 

      



Vln. 1

             

          

   

       

  

  

         

   

mf marcato

   

  

  

               

 

  

     

 

               

               

 

 

 

Vln. 2

Vla.

Vc.

E. Bass

 

    

     

   



       mf

arco

   

             

  

   

             

  

arco        

 

                         

    

       

 

mf marcato

  mf

        

 

  

  

mf

     



   

  

  

    

  

        

          

 

f

      

            

         

     

continue as before

   

  

          

mf marcato

pizz.

 

p ma intenso



ganza (back & forth, use rebound)

     

       

                    

  

  

        

        

               

pizz.

     



      

   

                  mf marcato

               

  

               

 Pno.

con sord.          

  

        

             mf

               continue as before


45

 

19

Fl.

Ob.

Cl.

Bsn.

Hn.

C Tpt.

 

       

  

      

f

 

      f

  

    

       

  

    

      



 

  



     

mf

                 

   

mf





  



senza sord.

  

 

mp

senza sord.

    mp

Tbn.

Perc. I

Perc. II

E. Gtr.

Pno.

Vln. 1

Vln. 2

Vla.

Vc.

E. Bass

  

  

 

 

 

 

             

   

      

 

 

        f



  

      

  

    

  

 

  

 

   

 

  

  

 



 



 

  

 

 

      

    

                



 

 

 

 

 

 

      

mp

    

               

                 



mf

   

mf

  

                                 mf mp

                                                        mp mf arco

    (pizz.)

mf

          



pizz.

               

     

  

 





f

               

       

f

 

mf

       

mf

 

  

       

   

 

      

f



      

               

f

      

 

   

  

  

 

 

mf

mf

      



   

 mf

   

  







arco

  



 



 



arco

 


46

C

  25

Fl.

Ob.

Cl.

    

        

Hn.

            f punched

              mf

C Tpt.

f punched

             f punched

mf

Tbn.

            mf

Perc. I

Perc. II

E. Gtr.

  

 

 

 

                     

Cm





f punched

Pno.

Vln. 1

Vln. 2

mf



       

E. Bass

          

         

 

 

 

 

      

      

    

                G7/B



             f punched

 

            

f punched

 

B¨7





E7/B



 

G7/B

        

  

  

mf

f

             







                                        

      

    

      

     

B¨7 E7/B      

     G#m

        E¨ 

      

B7

  

  

 

  



  

 

    

   

   

  

mf

         

 

G#m

 

     

               



mf

 

 

 

bell-like

 

  

 

  

           



Cm

    

          

slap

  

f

          

          

 



f

            

             

f punched

Vc.



    

                       

f punched

Vla.

              f punched             

f punched

f

           

                    



f punched

       

mf

mf

f punched

Bsn.

       

 

 

    

C^/G





                ff         

 

  

 

 

 

                A¨7

  

      

     

Cm

  

    

    

Gm

    

          

   

  

 

         

    

  

 

mf

f

mf

f

         

  

  

 

                 

    

    

 

C^/G          

   

   

       B7

A¨7

Cm

 

Gm


47

D   

Fl.

Ob.

Cl.

Bsn.

Hn.

 

        

 

 

        

 

 

         

        

     

       



  



  

    

  

30

 

   



     

   

mf

C Tpt.

Tbn.

Perc. I

Perc. II

E. Gtr.

Pno.

Vln. 1

Vln. 2

Vla.

Vc.

    

  

  

  

F#m

        

   

  

   

 

         

         

 

  

 

   f

       

   

 

 

 

               

 

      

                 

  

solo

3

     3

       3

3

      

  

    

  

                                

G#&

     

 

           

p espr

f





E7/G#

   

                

 

Cm

          

     

 

 

                      

  

 

         

 



   

 

 

         

        

   

 

        

     

 

  

  

         

  

 

  

  

    

   

     



            

 

         

        

      

   

    

    

    

       

                    

 

      

 

mf

 

  

(in 2)

   

F#m

E. Bass

mf



 

  





     

  

  

    

(in 2)

                          Cm E7/G# G#&                       

 


48

 

Ob.

Cl.

Bsn.

 

36

Fl.

Hn.

     



solo

3



 

3

3

   

3

3



 

  3

      3

3

p espr.

  

  3

3

  3

3



     3

   3

3

3

     3

Perc. II



E. Gtr.

 

Vln. 2

Vla.

Pno.

Vln. 1

Vc.

3

Perc. I

      

Tbn.

3

mp espr.

3

C Tpt.

3

3



mp melancolico

E. Bass

 


49

E

  42

Fl.

Ob.

Cl.

Bsn.

Hn.

C Tpt.

Tbn.

Perc. I

 

3

 

  3

E. Gtr.

Pno.

Vln. 1

3

  

 

3

  

 

3

 

  3

3

Vc.

E. Bass

3

  



3

 3

3

    

3

 

3



3

 

3

 3

3

3

 

 

 

  3

3

3

 

  

3

3

 

3

3

3

 

 

3

  3

  3

   3

3

mp espr. sempre con ped.

   

3

3

3



 

 

3

  3



 3

 

3

 

3

 

  3

 

 

3

  3

  3

  3

  

3

3

  

3

 

3

3

  

 

3

3

3

   3

   

 3

    

3

3



3



 

 

3

 

  



 

  3

  3

mp espr.



 3

 3

3

3

 

 

3

3

3

  3

3

  3

mp espr.

3

 

 

 

 

 

  

3

 

3

  

3

 

3

3

 

3

 

3

 



3

mp espr.

mp espr.

mp espr.

Vla.

   3

 

mp espr.

 

 

 

3

mp espr.

Vln. 2

 

vibraphone (w/motor on slow)

Perc. II

mp espr.

 3

 

 

3

3

  3

  3

3

 

 

  

   

3

3

3


50

                   48

Fl.

3

3

3

3                  

Bsn.

 

3

3



   

  

3

Hn.

C Tpt.

Tbn.

3    

3

 

   

Perc. I

      



mf



mf

    

mf

 3  

 



   f

    

  

mf

  

      



  

 

            

mf

   

      

 

 

f

   

 

  

 

 

 

     

       

 

   

   

 



  

  

    

     

mf

f

            

     

mf

 

 

mf

  

  

 

mf

 

mf

H.H. improvise in 16th note pulse w/accents on rims

mf

f

 

 

f



 



f

mf

 

f

  

f



   

f

 

f

mf

  

       

  

 

mf

  

con sord. (thin sound)

 

 

f

 

    

     

        f

mf

mf

3

3

 

 

 

mf

 

 

 3   

       

mf

3

Cl.



mf

3

Ob.

     



 

mf

  

  

 

    

        

 

    

  

 

  

                   etc. 

(vibes)

                3

Perc. II

3

3

E. Gtr.

Pno.

Vln. 1

 

 

 

 

 

3

3

3

3

  

3

 

3

Vc.

  

3

E. Bass

mf

                 3

Vla.

 

                   3

Vln. 2

 

     3

    3

 

mf

mf

   

    

   

  

    

f

 

f

    

at frog

f

 

 

 

        

at frog

mf

at frog

    mf

   at frog       

 

  

   

     

   

                          

             

f

mf

f

        f

        f

  

f

mf

   

f

   

 

   

      

mf

f

mf

f

 

    

 

 

  

    

 

  

         

     

  

                 

mf

  



        

              

mf

mf ord. (w/overdrive)

  

    

mf

   

 

  

solo (w/overdrive)

  

  

    

  

 

   

     

    

  

   

 

   

     

   

  

  



      

 

 

   



    

  

 

 

    

  

mf

mf

mf

 

mf

  

  


   54

Fl.

Ob.

Cl.

Bsn.

Hn.

C Tpt.

Tbn.

Perc. I

Perc. II

E. Gtr.

Vln. 1

f

mf



  

        



f

f

 

  

    

 

 

 



3

3

  

3



      

mf

      

        

 

 

  

mf

f

 

 



3

             

 





3

  

 

 

  

 

 3

       

      

 

        3



     

 

   



      

f

         f

f

f

 

     

     3

molto legato

  

 

slow fall

f

mf

f

                mf

 

slow fall

                           

3

slow fall

f

  

3

Più pesante (e=108)

                           

mf

     

mf

slow fall

mf



sizzle cymbal

                           

w/reverb, sustained

 



f

 

                

mf

   

f

3

       

mf

mf



  

3

 

mf



      

                    

                             



 

slow fall

      



ff

          

3

f

        

mf

  

            

mf

  

     

slow fall

f molto legato

f

 

           

mf

mf

     

f

                    

mf

  

f

f

     



                                               

mf

  

slow fall

f

3

f

mf

   

 

Più pesante (e=108)

           f

   

       

mf

f

3

f

  

mf

f

mf

                                         

f

E. Bass

         

mf

  

f

Vc.

mf

f

Vla.

          

f



f

3

 

  

f

           

f

mf

3

   

mf

mf

f

           f



  

mf

f

Vln. 2

f

        

  

        

   

  

  Pno.

      



51

F

f

   



w/reverb, sustained

3

molto legato


52

Fl.

    59    

       

ff

Ob.

Cl.

       

     

ff

Bsn.

Hn.

C Tpt.

Tbn.

Perc. I

Perc. II

  

   3

 

3

  

    mf

     con sord.

 

mf

 3        

3

      

3

 



 

     

 

Pno.

Vln. 1

Vln. 2

Vla.

Vc.

E. Bass

ff

            

         

 

  

  

           

         

 

3  

  

  

 

3

 

   

 

4

  

 

4



 

 

   

 



ff

senza sord. open

  

4

ff



 

senza sord. (if possible)

 

4

ff

     

 

 

     

 

 

 

ff

 

legato

                        

  

sfp

  

distortion, sustained

 

 

                  

     

 

  

   

 

    

        

ff

        

   

4

ff

  

ff              

 

 

con vib.

  

4

      

     

  

     

4

    

      poco rit.                 ff legato

4

  

  

 

(in 8)

(in 6)

 

  

legato

          

          

3

          

 

        

  

      

f

   

  

 

legato

ff

             

      

3

E. Gtr.

3

      

3                   

      

3

        

       3

stopped con sord.

        

     

(in 8)       rit.      poco       

(in 6)

       

          

ff legato

 

  

 

4

ff

        

 

 

 

 

distortion, sustained

ff

4

    

  ff

con vib.

4

4

 

 

   

 

 

 

  

 

4

     

   

4

  

  

   


53

G

64 Misterioso (e=88)

  

 

Ob.

 

 

Cl.

 

Fl.

Bsn.

  

 

 

sfp

Hn.

C Tpt.

Tbn.

Perc. I

  

 

 

 

  

 

  gong 

 

(l.v.)

mf

vibraphone (motor on slow) arco

Perc. II

E. Gtr.

Più dolce, generoso

  

vib.    





 

mf floating...

 



 

glock.

p

 

 

 

 

 

 

solo

sfp

  Pno.

   

sfp

Misterioso (e=88)

Vln. 1

  

Vln. 2

 

Vla.

 

Più dolce, generoso

mp lirico

Vc.

       

vib.

E. Bass

sfp

  

 

   

 

solo

 

 

  

 

  

 

  

mp lirico

 


54

  70

Fl.

H 

 



  

 

mf lirico

Ob.

Cl.

 

      mf lirico

 

 

C Tpt.

Tbn.

 

Bsn.

Hn.

Perc. I

Perc. II

E. Gtr.

Pno.

Vln. 1

Vla.

Vc.

E. Bass

vibraphone

 

         



 

mf lirico con ped.

 

  

  

 

solo



 

  

 

to Contrabass

  

 



   

  

  



(port.)





  

 



 

  

    





Contrabass pizz.

  

mf



p espr.

mf sempre lirico

 

mf

   

  





     

solo

 

mf

mp lirico

 

 



mf lirico

mp lirico

Vln. 2

mp




55

Fl.

Ob.

76        

rit.

     

            

        

Bsn.

Hn.

     

  

 

     

       

     

     

           

 

Tbn.

 

Perc. I

Perc. II

E. Gtr.

Pno.

Vln. 1



     

 

 



    

               

Vla.

Vc.

E. Bass

 

 

 

 

     

   

   

     

 

 

 



          

           

   

p

  

f

 

 

     

f

   

          

    

 

 

f

 

 

 

susp. cymbal

   

 

mp

    



 

 

 

 

 

rit.

 

 

          

        

 

   

 

 



           

       mf

     

    

 

mf

 

  

           

mf

arco

mf

 

 

 

 

 

 

f

mf

Vln. 2

mf

mf lirico

f

mp lirico

C Tpt.

 

f

mf lirico

Cl.

 

f

        

    

 

             

 

f

f

 



   

    f

 


56

I

83

Fl.

Ob.

Tempo I (e=120)

     

  

  

  

 

mp marcato

  

  

 

  

 

 

  



  

 

  



  

Cl.

  

Bsn.

   

Hn.

C Tpt.

Tbn.

Perc. I

     

    

p

Perc. II

E. Gtr.

Vla.

Vc.

 

Cb.

       

p

mp smooth

   

  

       

  

    

  

   

 

  

 p marcato

         

solo con sord.

    

   

  

mp marcato

     

   

  



con sord.

p marcato

     

       

       

p

 

pizz.

p marcato

  

  

   

   

       

Tempo I (e=120)

Vln. 2

triangle (improvise on pattern in 8ths)

  

Pno.

Vln. 1

rim clicks

solo con sord.

   

 

         

  

    

  

 

  

      

  

    

  

 

  

pp



 

  

 

 

    

  

 

  

  

 

         

  

    

  

 

  

         

   

 

  

pp

  



 

 

   

pp

 

 to electric bass


57

  89

Fl.

Ob.

Cl.

  



  

    

  

     



  

     



  

     



  

J       mf

  



  

     

   

mf

 

mp

Bsn.

Hn.

C Tpt.

Tbn.

Perc. I

Perc. II

E. Gtr.

    



Vln. 2

Vla.

Vc.

E. Bass

 

   

   

      

       

   

 

  

 

       

                   

         

ord.

mf

mp

   

  

senza sord.

    mp

      

   

mp

mf

  

       

       

  

mf

mf

       

 

     

         

       

  

                

 

mf

         

 

      

       

   

         mf

       

     

mostly clean

mf

     

  



     

 

(mp)

   

     

       

mp

  

Pno.

Vln. 1

      

         

 

      pizz.

   

  

       

 

 

          

 

       

  

         

 





           

 

        

  

        



  

     

  

 

     

    





     

  

    mp

mp

       

 

     



       

 

    

mp



  

mp

pizz.



mp

          mf arco



         

      

          

 electric bass

   



pizz.

mp

arco

mf

mf


58

  95

Fl.

Ob.

Cl.

Bsn.

Hn.

C Tpt.

Tbn.

Perc. I

Perc. II

 

  

   

Pno.

Vln. 1

Vln. 2

Vla.

Vc.

E. Bass



           



  

mf capriccioso

   

      

    

   

   

        



   

   

p

  

  

  

mf capriccioso

   

                                                    

A7

                         

               

 

                   



mf capriccioso

        

  

               

  

 

   

         

  

G

   

       

              

    

(triangle)

         

                    

to picc.

mf capriccioso

                 

             

  

           

E. Gtr.

 

 

         

                    

 

 

      

             

   

 

     

 

                       

  

   



  

        

 


   101

Fl.

Ob.

Cl.

Bsn.

 

piccolo

 



f marcato

 

    

      

59

 



mf marcato

 

 

 

        

 

      

   

 

          

     

    

   

   



   

C Tpt.

Tbn.

 

Perc. I

Perc. II

E. Gtr.

 



 

 

            

 

sus. cymbal mf

mp (l.v.)

 

    

ganza (back & forth, use rebounds)

 

 

K     

        

 

Hn.

 

  

glis s.



 

      

 

 

poco distortion Cm G/B





            



     

mf

 

      

arco

f marcato arco

       

  



     

 

f marcato

E. Bass

 

   

    mf

poco distortion Cm

B¨7





E7/G#



     

          

   

f marcato

Vc.

   

             

f marcato

Vla.

f

mf

mf

 

mf

f

mf marcato

 

mf marcato

f marcato

Vln. 2

        

        

Pno.

Vln. 1

 

G/B

 

          

     

      

     B¨7

E7/G#


60

       

 

           

          

           

           

 

C Tpt.

Tbn.

 

106

Fl.

Ob.

Cl.

Bsn.

Hn.

Perc. I

Perc. II

 



 A9

E. Gtr.

Pno.

Vln. 1

 

 

  

      

 

 E¨

 

 

B7

Cm/G

        

      

 Em

f

ff

 

 

 

 

Cm

      

        

             

    

      

             

               

         

        

Vla.

    

 

            

    

  

              

A9

   



B7

Cm/G

        

 

                     Cm       

Em

 

    

F#m/C#

  

       

C/G

          



 

 

 

 

 

 









C/G



D/F#

   





 





 





        

 

  

            

         

   

               

      

           

             

          

     

  

F#m/C#

   

 

      

  

 

E. Bass

       

        

Vln. 2

 

f

               

 

Vc.

 

3

         

   

ff

        

  

                            

3

    

       

 

 

 

 



 



D/F#

 

 

 

 

 


61

                       112

Fl.

Ob.

  

                

Cl.

Bsn.

 

 

Hn.

L  

  

   

or bass line





  

 

 

f

  

to flute



 





senza sord.

   

senza sord.

   

f

Perc. I

Perc. II

E. Gtr.

 

 

 

 

 

 

 

Vln. 1

Vln. 2

Vla.

Vc.

E. Bass

    

  

cowbell (stopped, on lip)



F7



G7



G#+

f

  

 

  

 

  

  

 

 

  

 

 

 

 

  

 

  

 

 

 

 

 

 

 

    

f

  





E7/G#

Cm

        

             

         

   

          

           

 

     

 

        

     



 G7         

F7

G#+

E7/G#

   

 

 ff

più distortion Cm

f



 

     

            

        

         

 



 

f

         

 

  

 

 

 

 

 

 

  

 

 

f

               Pno.

 

 

 

f

 

senza sord.

Tbn.

 

 

f

C Tpt.

  

G7/B



 

 



B¨7



 

  

    

 

     

 

    

f

     

f

ff

        

f

ff

       

Cm

f

più distortion Cm slap

   

f punched

 

G7/B

  

  Em7/B B¨7      

G#m/B



 

   

  

 

ff



    

     f

Em7/B



  

   

 

 

  

 

    

 

 

 

    

 

 

  

         

 

  

 

f

 

f

f

     f

   

G#m/B

E¨  

 


62

           117

Fl.

Ob.

Cl.

Bsn.

Hn.

C Tpt.

Tbn.

Perc. I

Perc. II

flute

               

        

     

Pno.

Vln. 1

             



  



 

  



  

 

  

  

  

 



  

 

  

 

         

 



 

 

         

         

 

   

 

C²/G

A¨7

  

  



  

  

Cm/G



  

  

  

        

   

  

           

    

    

  

3

ff

    

 

  

          

       

 

 

         

        

 

 

         

 

    

 

  

 

 

Gm

F#m/C#



  

 

 

 

     

    

        

 

         

 

     

      

       

 

        

     

 

  

       

 

         

     

      

         

 

       

B7

C²/G         

mf

mf

mf

mf

A¨7    

   

Cm/G

f

f

          f

 

Gm

   

      

   

 

  

  

  

  

      

 

      

 

     

 

 

     

 

      

 



F#+



  

  

           

 

f

      

 

 



    

 

f

         



E7/G#

 

      f

G#+

     

f

F#m/C#

F#+

         

    

f

E. Bass



f

Vc.

  

  

      

                                         

f

Vla.

 

  

 

     

 



  

              

 

   

f

Vln. 2

  

 

B7

E. Gtr.

  



3

f

f

f

f

         G#+

E7/G#


Fl.

M q = 108 poco rit. 122             3

Ob.

Cl.

    

  

         3

Hn.

C Tpt.

Tbn.

  

3

 





      

      

      

      

     

         

     

     

3

f legato

Perc. II

E. Gtr.

Pno.

 

mf

Vln. 2

Vla.

Vc.

   3

f legato

   

      

q = 108

Vln. 1

poco rit.

     

  

3

  

 

      

 

     

 

       Cm  3         

f legato

  

f

  

  

 

3

3

  

 

mp

 

mf

    



  

3

  

3

ff

  

3

 

  3





ff pizz.

f

  

 

    

Pesante (q = 108)  mf



  

 3

       3

      3

3

 

3

ff

 

mp

3  3         

 

 

      

 

        

  

3

3

3

3

   3

3  

3  

3  

  

           f

 

 

   

3  3         

3

f

     

3

f

  

         3

       

    

con sord.

3



 

ff

f

 

3

3  

       

     

 

mp

 

3

ff

   



con  sord.      

  

 

        ff

         ff

ff

mf

 

3

ord.

E. Bass

   

  

3

 

add reverb, let ring

       

   

mp

      

          ff

thunder sheet

  

ff

  3  3      

3

ff

3

          ff

  

3

 

ff

 

        ff

 

      

            ff

   

Cm



mf



        

     

 

 

3

ff

ff

         

       

ff

 

ff

ff

          ff



chinese (splash) cymbal rolls with random crescendos

Perc. I

ff

ff

ff

 

                 ff   

     

ff

   

63

       

3

f legato

Bsn.

Pesante (q = 108)

3

3

3

f

arco

3

3

 3    

3

3

3

3

3


64

  

       

 

     

128

Fl.

Ob.

Cl.

poco accel.

f

f

       

Hn.

  

Tbn.

Perc. I

3

3

Perc. II

E. Gtr.



   

      

            f

 

           

    

Vln. 1

Vln. 2

Vla.

Vc.

E. Bass



 

mp

f

    

   

3

3

3

3

  

      

 



  

3

 

 

f

(l.v.)

    

reverb off

  

B.D.



q = 60

 

mf

   

fff

  

        

      

  

 

 

 

  

          

     

  

   

          

 

 

 

 

sffp

 

    

        



  

   

     

  molto rit.

  

 

   

  

 3

3

   

       

  

           

             

 

           

          

 

          

f

      

 

  

 

 

fff

   

 

  

    

mf

ff

fff

     

    

fff

       

q = 60

   

ff

 

   

sffp

          

    

fff

    

    

    

 

sffp

    

fff

   

    

  

   

sffp 3

fff

    

  

 

gong or thundersheet

       

f

 

sffp

mp

   

fff

 

cymbal

sffp

sffp

   

fff

sffp

fff

 

   

fff

sffp

f

  

move offstage

f

poco accel.

f

f

      

3

f

3

          

  

 



           

 

     

   

        

 

 

f

    

Pno.

senza sord.            

 

  

     

 

  

      

 

         

  

f

    

      

senza sord.

C Tpt.

       

sffp

ff

Bsn.

molto rit.

       

   

sffp

fff

fff

fff

 


for John Corigliano on his 70th birthday

Gently (e=80)

  Flute   

  



pp

 

Oboe (offstage)

Horn in F

Percussion I

p



  



 

 





 

pp

  







 





 



p

p

  









 









 









   



 

Trumpet in C

Trombone

  



pp

Bassoon

  



  

Clarinet in Bb

65

iv. itaparica

berimbau

  Percussion II  

 



(poco vib.)

p

 

 

rain stick

 

p

(vib.)

 

 

 

sim.

 



 



Nylon-String Guitar

 









Voice

 









 









 









  Violin I  









Violin II

 









Viola

 









Violoncello

 

Piano

Gently (e=80)

pizz.





p

Contrabass

 

  



 

  

 

  

 

 


66

  

 

 

 

5

Fl.

Ob.

Cl.

Bsn.

  Hn.   

C Tpt.

Tbn.

Perc. I

     

cup mute

pp

 



3





  

3

 

p mp lontano, molto legato

solo (offstage)

 





 

3



 

  

mp cantando

 

 



         







 

          

 

 

p mp lontano, molto legato 3

p mp lontano, molto legato

p

pp quasi eco

pp quasi eco

p

p

mp

pp

p

 





 

cup mute

pp

p

 

 



 

             

 

         

    

dim.

  

        







 













 

solo

    

  







   

 

  







 

 







  



  







 



  Vln. I  



 

 

  p

 

  

3



 

p cantando

3

mp lontano, molto legato

arco



 

pizz.

p

      

arpeggiate chords in eighth notes

 

pp

3

p mp lontano, molto legato

   

   

 

  

nylon string guitar

  

C

pp

 





 



 

 

sempre sul tasto







 

   



3

 





mp

 

sempre sul tasto

p

 

          mp p

 

 



Cb.



  

 





           

 

 



  rain stick  

Vc.

 

 

3



Vla.



p

pp quasi eco

 

3

Vln. II



 

Pno.

cup mute

berimbau

Voice

              

 

p

    Perc II.   Gtr.



 

 

 

  

 



 


67

  

Ob.

 

Cl.

11

Fl.

Bsn.

Hn.

Perc. I

Perc II.

Gtr.



 



 



  

      

 

  

      

 

   

  

 





     





     

























p

p

pp quasi eco

 

 

 

pp quasi eco

  

   

 

     

pp quasi eco

      

C Tpt.

Tbn.



A  

p





 



 

 

p misterioso

  

mp

    



 

 







 







  Vln. I  



 

sempre sul tasto

 



 

Voice

Pno.

Vln. II

Vla.

Vc.

Cb.

          

       







 

 

   

 

  



 

       I - ta - pa - ri - ca,

call

-

ing

for

the

to

sea

draw



p

 

mp

    

 

sempre sul tasto

 

    



 

    



      

       p       

sempre sul tasto p

     

mp

mp

  

  

   



   

 


68

  

 

 

Ob.

 





Cl.

 





 





  





 





 





   





 





16

Fl.

Bsn.

Hn.

C Tpt.

Tbn.

Perc. I

Perc II.

Gtr.

  

Voice

  

Pno.

Vln. I

Vln. II

Vla.

 

near

 pp

  I

-

 

p

 

ta - pa - ri -

ca,

 p

 

e - ras - ing

all

the

  

mp

trac

 -

 

es

of

the

who

souls

 

walked



 





 





    



  



  



 

 

  

 

 

 

Vc.

  

Cb.

   

 

 

pp





 

pp





 





pp

 

 

 

p

p

p

 

p





 

p





 





 

 

p

 



 



 



mp

mp

 

mp

 



 




69

  

Ob.

Cl.

B  

 

 

 







 







 





 

  







 



 



 





 

 







20

Fl.

Bsn.

Hn.

C Tpt.

Tbn.

    

sus. cym. soft yarn mallet for shimmer

Perc. I

p

Perc II.

Gtr.

Voice

mp

 



  

   

Vln. I

Vln. II

Vla.

Vc.

Cb.

 

 

here

Pno.

 

F

p

 

mp

  

 

I - ta - pa - ri - ca,

mf

 

gath

 

-

er - ing

 

the waves

 

from

all

   

 

 

sides

  

mp

p

 

 

I - ta - pa - ri - ca,



 







 





 

      

 



 

 





 





 

    

 

   

 

 

  

 

  

 

  

 

mp

mp

 



   

 

   

mf

mp

mf

mf

mp

mp

 

 

  

  

  

  



  

p

 



  



mp



 





p



p



 



 

mp

 

mp

  



  




70

  

 

 

Ob.

 





Cl.

 





 

  Hn.  

 

 

  Perc. I  

 

25

Fl.

Bsn.

C Tpt.

Tbn.

Perc II.

Voice

Pno.

Vln. I

  

p

p

 

mp

so

p

 

(sus. cym.)

mp

mf

 

man - y

cup mute

sec - rets

 mf

 

hid

-

ing



 

un - der - neath

the

F/Eb

 

high

 

 tide,



 



 











 

 

 

D&9

I - ta - pa - ri - ca,

 

mp

 

 

I - ta - pa - ri - ca,







 





    

cup mute

  

  

Vc.



  

Vla.

con sord.

 

 

  

Vln. II

Cb.

p

 

Gtr.



  

 



 

 



 

  

 



 

mp

mp

mp

 



 

 



 

 

 

mp



 



 



 

 



 

  



 



 

 



 

 





 

 







 





 





 

mf

mf

mf

   

 

 

 

 











 



  





 

mf

mf

mp

mp

 


71

              29

Fl.

p

 

Ob.

 

Hn.

              



 

    

  

  

  

C Tpt.

Tbn.

Perc. I

Perc II.

    

G&7

Gtr.

Pno.

p

     





 

p

p

 



 

         

pp

  

  

sing

p

to



me the vows

    

glock



p

 

 

  

  

    

 

that

you've

heard,



   pp

       

  

       

     

    

 

  

      

 

     

   

  

 

sempre sul tasto e un poco legato

p

sempre sul tasto e un poco legato

 

            

p

I - ta - pa - ri - ca,

    

pp

pp

  

       

sempre una corda pedale

 

    



Cb.

   

 

  

 

Vc.

    

     

 

Vla.

           

 pp

(I - ta - pa - ri - ca,)

  Vln. I  

Vln. II

pp

p

  

pp

           

 

 



p



p

Voice

solo (offstage)

    

pp

 

pp

        p

   

  

C

 

     

  

    

pp

 

p

pp

p

Bsn.

          

            

Cl.

C

p

   

  

  

   

  

  



    



   

  

 

solo

 p


72

 

Ob.



Cl.

34

Fl.

 



p

Hn.

  

 









 





p

 

 

mp

  





 





p

p

  

  





 

 

  

mp

 

 



 

mp

 



3

 

  



















  



Perc II.



  

Gtr.

Voice

Pno.

Vln. I

p

 

Perc. I

 

 

C Tpt.

Tbn.

 

p

Bsn.



 

p

-

   





 



ta - pa - ri - ca,

 



Vc.

Cb.



p

 

 



through - out

p



 

    

Vla.

 

 

Vln. II

  I

 

(glock.)

 p



 



the

 







 

a - ges

p

 

 

 

  



 

 

  

 

   

 

mp

  

p

 

mp

mem

  

   



 

-

 

  

 

 

or - ies

sus. cym. soft yarn



p

 



 

 

   

that

burn

in



 

   



 

soft



 



 











words





  

  

  

 

  

  

  

  

 



mp

  

 

 

 

 

 

 

 

  

 

 



mp

    

     

 

 

 

 

 

 



 

 

3

 

  


73

Fl.

38 D    

 

mp

    





3

Ob.



 



mf



3





mp

  

Cl.

Bsn.

Hn.

Perc. I





 





mp

   

mp

 



 

mf

  



 

 

mf

3

  



  



  



 

 3

 

p

   3







3

  



p

 





 





p

p

 





 





 











    

mp

  Perc II.    



3

3





mp

  

 



F

Gtr.

p

Voice

Pno.

  

mp

I -

ta - pa - ri - ca,

  

 



 

mp



  Vln. I   



 

  

 

mf

  

 

 

 

   

 

 

 

  

 

mf

  



all

  

mp

    

Vla.

mp

  

Vln. II

  



  

 

prom - is - es

 



 

you

   



   once

 

  



  

 



 

3

p

made,

 





3



 



 

I -

ta - pa - ri - ca,

 





 

  



  

  

    

  

  

   

  

  

mf

  



 

 

 

 

 

 

 

  

 

 







mf



  3

 



 

  

3

Vc.



the

mp

Cb.



  

C Tpt.

Tbn.

 

 

 

 



 

 

 



 

 

 



 

 3    

  

3

 

   



3

3

p

 



  

  


74

    42

Fl.

  

Cl.

  

   

mp

 

Ob.

Bsn.

   

3

 

   

 

  

     

mf

  

    

   

 

  

   

 

   

 

mp

mp

   

     

   

    

mf

mf

  

(con sord.)

 

(cup mute)

  

  Perc. I  

Hn.

C Tpt.

Tbn.

(glock.)

Perc II.

  

  

Gtr.

      mp

Voice

   

melt in - to

   Pno.

Vln. I

 

mp

  



    

mp

    

Vc.

Cb.



  

        

mp

Vla.

un

       

    

     

Vln. II

no - thing

 



    -

der - neath

 

sand

       

 

    

and

p

  





  

 

Eb&11

  

mf

hot

  

mp





mp

     

p

  

(cup mute)

    

mp

mf



 

 

        



 

       

 





3



3

  

mp

mp

p

 



mp

 

mp

      

 

(sus. cym.)

     



3

 

 

I - ta - pa - ri - ca,

    

      





     

shade,

mf





mp

 

D&9



 

Ab&



     

     

I - ta - pa - ri - ca,

I - ta - pa - ri - ca,

       

            



 

  

mp

mp

p

       

p

   





  

     

  

         

   

   

   

   

   

   



        

   

 

   

    

 

   

   

   

     



  

   

 

   

 

  





 

 



 



    3

3

     

mf

mf

mp

  

 

  

  

 

  

 

mf

 

mp

mp

mp

p

p

   

p

  



 




75

Fl.

E 47                  

       

p

p

Ob.

 

Cl.

  

p

Bsn.

Hn.

   

       

        



p

              

   Perc. I    

p

Voice

Pno.

Vln. I

  

 C

pp

p

        

 



p

mp

I - ta - pa - ri - ca,

call -

       



pp

p

p

rain stick

    

ing for the sea

 

 

  

to

draw

near

 p

  

to

draw



near

    

 

  

       

 

  

mp

    

       

    

 

  

   

blend with berimbau...

       

     

p

 

blend with guitar... berimbau (poco vib.)

mp

p

p

     

          

 

             

pp

p



p

p

p



 



    

pp

             

    

mp



 

Cb.

  

p

     

  

  

p

                      p             

Vc.

 

G(b9)

 

  

    

pp

  pp

p

Vla.

        

  

p

Vln. II

Db&11

Gtr.

  

  

 

p

    

mp



p

pp

p

Perc II.

  

        

                        

  

        

 

p

p

Tbn.

    

p

C Tpt.

mp

    

p

mp

 



  

  



  

 

  

pp

pp

p



 

 

p

  



  

  

  

  



  

  

  


76

  

Rit. al fine

53

Fl.

Perc. I

Perc II.

p

3

3

mp

  

 

 

 

rain stick

 

 



(vib.)

 



sim.

 Vln. I  

 

 

 

 p

 

 

  

3









  

 





Rit. al fine arco norm. solo

glock.

p

berimbau

 

Cb.

 

Vc.



 

Voice

Vla.

 

Vln. II

 

Gtr.

Pno.

  

  

C Tpt.

Tbn.



 

Cl.

Hn.

solo (offstage)

 

Ob.

Bsn.



3





 

 mf

 



una corda al fine



3

mp

arco

 

mp

arco



mp



 



 



 



 

  

 



 



 



 


77

  57

Fl.

Ob.

Hn.

3

 

 

 

 

 

 

 

 

 

 

Perc. I

Perc II.



C Tpt.

Tbn.

Cl.

Bsn.



3

pp









 

vib.

Gtr.

 

Voice

 

 Pno.

 

  Vln. I  

Vln. II

Vla.

Vc.

Cb.

 

3



 

mp







 



 

 

 

  

 

p



 

 

  p

 

 

pp

  pp

pp

 



      

 

p

 

 

  

  

 

 

   

 


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