Michael Daugherty has created a niche in the music world that is uniquely his own , composing concert Metropolis Symphony (1988- 93) for music inspired by contemporary American popular culture. His (1993) for symphonic winds are a tribute to the Superman comics , recorded by conBizarro orchestra and ductor David Zinman and the Baltimore Symphony Orchestra on Argo. These same performers recorded Works commissioned and Dance Mix. Daugherty Desi (1991) for symphonic winds on the Argo CD Elvis Everywhere (1993) for three Elvis impersonrecorded on Nonesuch by the Kronos Quartet include 0 (1997) was Edgar Hoover Sing Sing: J (1992). Daugherty s opera Jackie ators and string quartet , and an Argo CD devoted to American Icons premiered and recorded by the Houston Grand Opera for Argo. Daugherty s chamber music , has been recorded by the London Sinfonietta and Dogs of Desire. Daugherty s music has been performed by prominent orchestras and ensembles in the United States , such as the Los Angeles and New York Philharmonic , the symphony orchestras of Atlanta , Baltimore , Chicago Cleveland , Detroit , Pittsburgh , San Francisco , St. Louis , and the Kronos Quartet. Performances abroad have been given by the Melbourne Symphony, the BBC Symphony Orchestra , the Philharmonia Orchestra (London), the Tonhalle- Orchester Zurich , the Ensemble Intercontemporain , the London Sinfonietta , and
the Netherlands Wind Ensemble.
Daugherty has received numerous awards for his music , including recognition from the American Academy of Arts and Letters , and feJlowships from the Guggenheim Foundation and the National Endowment for the Arts. His music is published exclusively by Peermusic Classical , New York and represented in Europe by Faber Music Ltd. , London.
Born in 1954 in Cedar Rapids , Iowa , Daugherty is the son of a dance- band drummer and the oldest of five brothers , all professional musicians. Daugherty grew up playing keyboards in jazz , rock , and funk bands in Iowa. At North Texas State University (1972- 76) he continued performing jazz and composed his first orchestral work. In 1976 he moved to New York City, where he studied composition at the Manhattan School of Music and played piano for modem dance companies. In the following years ,
Daugherty divided his time between Europe and the United States. He was a
Fulbright Fellow in Paris , composing computer music at lRCAM (1979- 80). At Yale University (1980- 82) he studied with composers Earle Brown , Jacob Druckman , Bernard Rands , and Roger Reynolds; during this time he also collaborated with jazz arranger Gil Evans in New York City. Daugherty moved to
Amsterdam and pursued further studies with Gy6rgy Ligeti in Hamburg, Germany (1982- 84).
Upon his return to America , Daugherty performed live synthesizer concerts of his own music with classic silent film , and played jazz piano in lounges and night clubs. He received a doctorate degree in
music composition from Yale University in 1986 , and came to national attention as a composer when Snap/- Blue Like an Orange (1987) won a Kennedy Center Friedheim Award. After teaching music composition at the Oberlin Conservatory of Music from 1986 to 1991 , Daugherty joined the music composition faculty at the University of Michigan , Ann Arbor.
was commissioned by Carillon Importers , Ltd. , on behalf of Absolut Vodka. The first performance of Krypton was by the Philharmonia Orchestra , conducted by Donald Schleicher in Hill Auditorium , Ann Arbor, Michigan on March 23 , 1993. Krypton may be performed either independently or as the second movement of the Metropolis Symphony, the five movements of which are: Lex , Krypton , Mxyzptlk, Oh , Lois I and Red Cape Tango.
Krypton
Metropolis Symphony in 1988 , inspired by the celebration , in Cleveland of the fiftieth anniversary of Superman s first appearance in the comics. When I completed the score in 1993 , I dedicated it to conductor David Zinman , who encouraged me to compose the work , and to the Baltimore Symphony Orchestra. Zinman and Baltimore later gave the Metropolis Symphony its New York (Carnegie HaJl) and Baltimore premieres in January 1994. I began composing my
evokes an American mythology that I discovered as an avid reader of comic books in the sixties. Each movement of the symphony which may be performed separately is a musical response to the myth of Superman. I have used Superman as a compositional metaphor in order to create an independent musical world that appeals to the imagination. The symphony is a rigorously structured , non- programmatic work , expressing the energies ambiguities , paradoxes , and wit of American popular culture. Like Charles Ives , whose music recalls small- town America early in our century, 1 draw on my eclectic musical background to reflect on late- twentieth-century urban America. The
Krypton
Metropolis Symphony
refers to the exploding planet from which the infant Superman escaped. A dark , micro-
tonal soundworld is created with
glissandi
in the strings ,
trombones and siren. Two percussion-
ists play antiphonal fire bells throughout the movement , as it evolves from a recurring solo motive in the cellos into ominous calls from the brass section. Gradually the movement builds toward an apocalyptic conclusion.
Michael Daugherty
has been recorded by the Baltimore Symphony Orchestra , conducted by David Zinman , on Argo Metropolis Symphony CD 452 103-
Krypton
First printed in 1999.
The composer cordiaIly thanks DC Comics of New York for permission to make reference to the trade mark names and characters published in Superman Comics.
Instrumentation Piccolo 2 Flutes
3 Oboes flat Clarinet B- flat Clarinet
Bass Clarinet 2 Bassoons Contrabassoon 4 F Horns
4 C Trumpets 2 Trombones
Bass Trombone Tuba Percussion ( 4 players) I. Largc Ship Bc1l (hung so visible to thc audience) - brass Glockenspiel mallet and woodcn Chime
ma1let (with rawhide on the hammer) Large Tenor Drum , largc Tambourine , Two Cowbells (largc , small) Mechanical Siren Very large Ship Be1l (hung so visible to the audicnce) - brass Glockenspiel mallet and wooden Chime ma1let (with rawhide on the hammer)
Piano Strings
Score in C
Duration: ca. 7 min.
Stage Arrangement Krypton
was composed with the following stereophonic seating plan for the percussion:
Perc. 2
Perc. 3
Perc. 4
Perc. 1
ORCHESTRA
Conductor
The paper used in this publication meets the minimum requirements of American National Standard for Information SeieneesPerformance of Paper for Printed Library Materials , ANSI Z39 48- 1984.
------------------- - ----------------------------------------------------------------- ----------------------------------------------------------------------- ------------------- - - - --------- - - ------------- -- -- -- -- ---------- ------------
----- --;. ---------
KRYPTON
------
---------
---
""'------------
Michael Daugherty
J = 66
(1993)
,A
Piccolo
Flute
Oboe
Clarinet
Bass Clarinet
Bassoon
I* Contrabassoon
Horn
Trumpet
Trombone
Tuba
Percussion
Mechanical Siren , start cranking
stop cranking, let sound decay naturally
ff dim.
cresc.
Piano
1101/0 vib.
lots of how
.A
Violin I cresc.
molto vib.
lots of how
Violin II cresc'.
molto vih.
lots of bow
Viola
cresc.
Violoncello div.
1.""
Contrabass div.
if
(Q Copyright 1993 by Peer International Corporation
Faber Music Ltd. , London sale agent for Europe , New Zealand , and Australia International Copyright Secured All Rights Reserved 1859906
Printed in the USA
t.v.
,,.
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,.
Pice.
Fl.
Ob. 2
CI.
B. CI.
Bn.
cresc.
Cbn. cresc.
Hn.
Tpl.
Tim. 2
Tba. e!.pr., motto vib. Large ship bell
(wooden chime mallet with rawhide on end of hammerl
Large tenor drum
Pere.
Very large ship hell
1".
Vn.
cresc. 1".
Vn. II
cresc. 1".
Va.
cresc.
Vc.
div.
cresc.
-9'
cresc.
Cb. div.
cresc.
cresc.
(wooden chime mallet with rawhide on end of hammer)
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Pice.
FI.
Ob. 2
C!.
C!.
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Cbn.
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IIn.
Tpl.
Tbn. 2
Tba.
Pcrc.
.A
Vn.
Vn.
Va.
Vc.
div.
div.
Cb. div.
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---------------- ---
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,A
Pice.
FI.
Ob. 2 I oj CI. oj
CI.
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Cbn.
IIn.
Tpt.
Tbn. 2
Tba. dim.
with medium brass glockenspiel mallet (t.
v. throughout piece)
Perc.
Vn. 1
Vn. 11
Va. gl.
1st. solo solo 1 cspr.
:d' dim.
gl.
2nd. solo
Vc. solo 2 cspr.
dim.
altri :d' dim.
Cb. div.
div.
Pice.
FI.
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CI.
CI.
Bn. 1
Cbn. espr.
Hn.
Tpt. rOT Tbn. 2
Tha.
Perc.
.A
1 solo
Vn.
Vn.
I oj Va.
V-solo
slow
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slowgl.
sim.
sim.
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Ob. 2
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3. + oJ
Tpt.
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Tba.
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Va.
solo 1 oJ
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altri
Cb. div.
simile
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EE
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1.,
Ob. 2
C!.
C!.
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Cbn.
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Large tambourine
Perc.
with medium brass glockenspiel mallet
(l.v. throughout piece)
PC.
LJ--LSui E
Tutti
long gl.
Vn. 1 C:
long gl.
V SulE
Vn. 11
Va.
solo 1 0) np Crt sc.
sui pont,
r..
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altri
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li' Cb. div. unis., pizzo
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Pice.
to to
" EE Fl.
Ob. 2 1. EO Clarinet 2. sb Clarinet (score
in C)
Cl.
C!.
Bn.
Cbn.
Tpt.
Tbn. 2
Tba.
Pcrc.
r-
#:i cre;c.
pr.
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l: -
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sim.
Vn. oj
sim.
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sim.
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sim.
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solo ends
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gl.
Cb.
Sin!.
9j'
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Pice.
FI.
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CI.
mf
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cresc.
mf
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Cbn.
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Tba.
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Fl.
Ob. 2
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gl. Tbn. 2
solo
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Lks
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t;'
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I oj
Ob. 2
CI.
CI.
crese. IIn.
cresc. Cbn.
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cresc.
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Tba.
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crese.
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cresc.
C!.
cresc. C!.
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crese. Cbn.
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Tho. 2
flutter
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pro
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Pice. I oj
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FI.
I oj
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cresc.
Ob. 2
T -- -- n--
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CI.
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T--
IJ
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cresc.
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Rn.
crese.
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L""
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gi.
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Tbn. 2
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cres!:
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cresc.
cresc.
PC.
cresc.
8va
Vn. I 8va...
Vn. II
Va.
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cresc.
div.
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IOJ
. P-
FI 1 II
Ob. 2 III
------.-m__mhh --_--m__hh ------_--- 2- -------------_'____h
'f
CI.
Bo.
-.. - h - - - - -
h -- - - - -- - - --. - -. - - h - - - - -
Cbo. 1'
uuuu :uu.
Ho.
nnnu
mmu n
OJ cresc.
TpL
III I.J
I.J Tho. 2
flutter
Tba. - - -- -- - - m m - - h m -- -- m - -
-- - - m- -- - _h -
(I.
(I. v.)
(cresc.
Perc. 2
:t
erese.
(I.v.
b..l J..I
(cresc.
Pl.
-'--'_____h__
=1
8va. t:
gl. immdiately
t:
gl. immdiately
t:
gl. immdiately
Vo. I 8va.......
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0....
..0...'
0..........."'.
Vo.
Va.
Vo.
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div.
J1
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...............
.......
;:A Pice.
cresc.
r-I" Fl.
cresc. Ob.
cresc.
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1:$ cresc.
cresc. Bo. 1
cresc. Cbo. cresc. I-A
Ho.
hn______--'----'---------__'__
_mm__-
w-- - - - n. - - - n - - - - -
cresc.
I OJ
cresc.
TpL
cresc.
Tbo. 2
fluttr Tba. (I.
Perc. 2
cresc. (i. v.
cresc.
oJ"
PC.
cresc.
;r
8va. "I'
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fIVo. n
Va.
Vo.
div.
cresc.
cresc. Cb. cresc.
-_--hnnn_-m-"hmmmn_--nm
b'"
b,.
A b
bfc
b,.
Picco
bb.
bbJ:
Fl.
A b
Ob. 2
A b! Cl. 1
b,.
b,. B. CI.
(IJ&
(Ie:
(IJ&
"~'a
Bn. 1
Cbn. f.
Hn.
Tba.
(with chime mallet)
r: =
sJs
Pcrc.
(with chime mallet)
sJs A bb.
bb.
Lb.
bbJ:
ff secco
pr.
oj I"" 1 soLo
Solo
A i Vn. I oj
soLo
A i Vn. II oj
Va. oj
Vc.
Cb.
.;
(f
110.
. oj
Tpt.
long gf. Tbo. 2
Tba.
(with Ch. & Pl.)
let ring always
accented
Perc.
Siren, slart cranking
(with Cb. & PI)
let ring always
accented (with Cb. and Perc.
I&
pr.
lUlli, non div. , 11011 vib.
",--I E oj
gl.
sim.
gl.
sim.
gl.
sim.
gl.
sim.
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Vo.
't
div. I
non div., non vib. Sui D OJ
Sal A tutti, llOll div., non vih. Sui A
OJ -Vo.
Sui D
if
div. 11
'1011 div., 11011 vih.
Sui G
OJ Sui D
if
non vih. SuI
Va. div.
Vc.
gl.
sim.
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non vib.
div.
f-= gl.
sirn.
gl.
if-
if'
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pizz'
Cb.
sim.
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-=
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-".
--------------
---- ----------
Hn.
Tpt.
simile Tbn. 2
Tba.
Perc.
dim.
A 'J.
#!i
pr.
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Vn.
div. I
Vn. div.
Va. div.
Vc.
div.
Cb.
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Picc.
FL
Ob. 2
CI.
CI.
##i
Bn.
BJ$ Cbn.
Hn.
straight metal mute
TpL straight metal mute
Tbn. 2
cresc.
.___.............u....---.-........--......._00__.
Perc. 3 (dim.)
pro
muu mu'm uu..
rL
J'-
--r div.
Vn. 1
dive I-
div.
div.
C-
Vn. II diVe
div.
div.
Va.
1-. SUID div. a 3 V
Vc. SuI G
7.,-
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div.
Cb.
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1) l
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ln'
Picco
8va...
.u
Fl.
Ob, 2 8va....
Cl.
CI.
##i
##i
##i
Bn.
##i
Cbn.
V A
bit
senza sard.
Tpt. sellza sord.
I-!. Tbn. 2 crese.
u_--------
cresc. highest pitch , stop cranking
let siren decay naturally
Perc. 3 If dim.
u----_u--
cresc.
d!i;:-,
#E:
L.--
PI.
oi:=.
I-,.
h&:=.
\1'
cre5C.
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==b
2:==
e:
Yn, I
L.
==b cresc.
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Yn. II I'"
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Va.
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Yr.
1''
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Cb. L.
L.
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Fl.
Ob. 2
r.) eL
##1 Bn.
Cbn. 82, open , big sound
Bn. 81, open. big sound
&2, big sound
Tpt. 81, big sound
Tbn. 2
Tba. (with glock. mallet)
___-.m--__m--m
Lare tambourine
Perc.
;....--___m--m""m
pro
oJ q!'
rJ:=
Vn. I
IT Ii
mtense Vi.
intense vib.
Vn. II I oj
--_--m------_
?--_m_-
intense vib.
L,jVa. rwn div.
r' ::
Vc.
div.
r'
Ii non div.
#0 -. .. ..
Cb. div.
non div.. arco
(i.v.)
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(i.
:,.
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I oj
Ob. 2
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if'
.t.
Bn.
Cbn.
:J.
Hn.
:J.
TpL aZ
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Pen:. Glock. mallet
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a . .
..,- oj" PC.
non vib.
gliss.
vib. ;T
Vn. 1
non vib.
" V
vib.
gliss. Vn. 11
non vib.
vjb
gliss.
Va.
h:imile
Vc.
simile
div.
Jo
Cb. div.
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simile
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simile
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Cbn.
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Tpt.
lo)
Tba.
Perc
shake
L &
Pr.
17
1111&
Of-
& II II
II
1: 1:
mtense VI
Vn. I intense vib.
Vo. II
I oJ
1f
intense vib.
Va.
h. . Vo.
div. P' .. .. .. .. ..
Cb. dive
';"
. -
"'..
- -:
",
Picco
Fl.
Ob. 2
..T..
Cl.
Cl.
Bn.
Cbn.
Hn.
TpL
Tba. I'
shake
Perc.
I... oJ"-
pr.
non vib.
Vn. I gliss.
v--
non vib.
Vn. II gliss. non vib.
Va. gliss.
Vc.
div.
Cb. div.
! '
...
'"-
pp-= "- - - p-
..
..
..
""-
-. -.
-.-.-.-.
.. -:
......
".-
..-..."#""
Picc.
,n.
1! r: '"
..!I
Fl.
Ob. 2
Cl.
i!-
Bn.
Cbn.
l.. Hn.
Tpt.
Tba. cresc.
shake
Perc. 2
-.7
Pf.
vib. l.. q
Vn. 1
vib.
Vn. 11
vib.
Va.
h. Vc.
div.
Cb. div.
---
_.- - - - - - - - - - - -. - - - - - -
: ::):
~~~
--
;7 A
#f t
Picco
A --
#tt: t:
i-IL
i! . t:
E'!
tPt f!
IL
I. ..
. b. U
f!
IL
I.
. b. U b"
f!
t--
Ob. 2 or
If'
JP;I II
.r
r'
li
I. . I OJ
- i-b" k
IL.
CI.
k.
. i-o. j\
Jl
gliss.
gliss.
: 1 lor
I oJ
Tbn. 2
Tba.
If sempre
cresc.
Perce
cresc.
Siren, sta craking
,... H.$
Vn. 1
Vn. 11
Va. .k
Vc.
Cb. diVe
:esc.
OJ"
Pt.
diVe
U. J d
..
::-------------------==...-.------------------------ ..----------...---------,,, --------------
';
,, -
ff
Pice
FI . 2
-= --
....---------
--.---------------------..--------. -- ----- ---.--------------------------... ------.--------------------- - -.- -- -- -----------------.- -- -p- -----------------------------------.---.------..-------------.-- -- -- -- -- -- -- -- -.-_._.-.--------.. - - --_.-.--------------------------------------.. ....- - -- --_.-------------------- -- -- -- - -- - --- - -- - - - - --------------------- - - - - -. -
,,
t= r:
t f:
fL
fL..
it i!
f:
t= r:
t f:
fL
fL"
it i!
f:
t=
Ob. 2
loJ
1"
-=I. Ct.
fL
fL.
- h-
iO
Bo.
Cbo. simile
Hn.
simile
crese.
Tpt.
-- -- -- u
crese. gliss.
sim. L""
Tbo. 2
Tba.
crese.
crese.
Perc.
cresc.
J J 0)
0)" 1/
Pr.
gUss.
q#i
1/ 1/
#.,n:'
Vo. 1
trem.
gUss.
Vo. 11 Irem.
gIiss.
Va.
Vc.
div.
1/ 1/ Cb. div.
1/ 1/ 1/ 1/
pc -,
1/ 1/
1/1/1/.
=="
q,#,
. q,
p:: ,;;
- -- -- --.--.. - -. - -- ,.-- -- -- -- -- -- -- ---- - ------ -- -,.- -- -- -- -- -,.- -- - - ---.--- -.. --.- ---- -.- -- -- --..------------- --------------------------.--------------- -- -..- -- -- -..- --.. ------,. --.- -- -- -- -- -- --..--------..- -- -- -- -- -- -- -- - - - - - - ------- - - --------------------------------------.-------------------.-- - ------------------------------------------._-------------._--------------,"" ------------------------- -----------._-
'''
jI
- b#
f: #f
Picco
- b# it q,
#f
li
Fl.
,C'
Ob. 2 V.
c:-
CI.
CI.
Bo.
Cbo.
Ho.
jf -
Tpt.
Tbo. 2
Tba.
cresc.
Perc.
UP cresc.
cresc.
PC.
Vo. I Vo. 11
Va.
Vc. div.
Cb.
,.-
~~~
..--
p=-
--..-------- ..-.....--------------.---_.---------------- -- -..------------- ---------------------- ... ---. - :/- -."--------------------------......------------------------------------------- -- -...."-.. - ...------------ ---- . - - .....---------- .." -------.-.------..- ---------.--------.....-------- --- - - - ..---------------. ------.-.-------------...--------------------._--.----------- - -- - ---- .......----- -- - - .--.--------------- . -- - .--------------------_.--------------------------------------#.;.....--------------_.-.-------------- --------..-----------------------..---- ?:-------------...---------------------------____ ---_.-----_.-", -------------_ -:..---------
rn
t!
t!
fO
#f IE
fO ..
Pice.
#f IE
rn
FL 1
Db. 2
*i* UO-- ,,,
CI.
,,..i.
t!
C).
BD.
CbD.
#J::
HD.
oJ
cresc.
Tpt.
cresc.
Tbn. 2
Tba.
cresc.
cresc.
Perc.
(Highest pitch) stop crankng
tf dim.
0 -- 0 om u" -, m '"''
cresc.
'T
PC.
f:q#i Vo. I oJ
fO-
Vo. II oJ
Va.
Vc. div.
#1'" ", Cb. div.
m mu, --'0--
um" u, u
Pice
~~~~
~~~
"- ,. ;::
------------------------------------------------------------._----.-....----.-.----------..----------------.------....---._-----.--------------------------------------------------------...-------------------------------.-.-----------------------.-------.---------..-+--------+--------.. ---------------.--------------.--------------.----------------------------------------..- ------- ------_.+--------._-----------------.------------------------------------------- -------------.-----------------------.-----------------------.---------.---------..-.---------..---------.-.---------.-._---------------------'--------" --------+----------------.+---------------._--------------------------------------------------------.---------------+ --------+-------------------------------------._-----._------+-------.---------..------------------. ------------------------------------------+---------------._--------------------------------,,
elf
- I.
b. it I!
- I.
b. it I!
IoJ
Fl.
Ob. 2
-- 7'
41
41
CI.
- it I!
CI.
Bn.
Cbn.
Bn.
cresc.
cresc.
TpL
eresc.
cresc. Tbo. 2
cresc. -----_0______------------------Tba.
cresc.
Perc.
cresc. let Siren decay naturly
cresc.
oJ" PC.
intense vib.
VD. I intense vib.
Vn. 11 intense vib.
Va.
simile
Vc. div.
simile
simile
Cb.
------__H--_uu
--------------_.---------.---.-----------------------.- -- -- ---------_.----+ -+-----_____ -- ----------+ ------------------------_.---- --- ----------..-. -. +- --.--. -----------. ----------+ - ---. -. ---------- --- ------ - - - -- -- -- -- -- -- --------------- - - . + - - - - ---.------ - -. -- - - #q: -..---.------ - -. - - - - - - ----
-,:,
------+ - - - + !: - - - - ---.- - - - -. - - - - - - - -. -.- - - +--- - - - - + - - - - - - - - -- - - - - - - - - + - - ----------- -----+
,,
;A t Picc.
Fl.
I h;;
Ob. 2
CI. oJ
Cl.
Bo.
h:: Cbo.
cresc.
Hn.
li
w-
4-----
____m_ .____m
cresc.
A .. +M_--------
Tpt.
h.
Tbo. 2
fluttr Tba.
Perc.
(F)
.. 4,
or" Pf.
10..
Vo. I . oJ
Vo. II
Va.
Vc. div. 11 11 11
Cb.
Picco
Fl.
Db. 2
CI.
CI.
Bn.
Cbn.
--_m---
Hn.
mm_---
Tpt.
Tbn. 2
tluner
Tba.
Chime mallet I. v.
11. Perce 2
ff
cresc.
--------4
8va...
pro
solo, ord. t.v. Vn. 1
sui pon/. ord. Vn. 11
Va.
Vc. dive
Cb.
~~~
-- -
. - - - - - . -- -- - - . - - - - - - - - - -
------.--------------- --------- ------- ------- --.----- ------ ------- --------
---.. ------.... -------.. ------- -------- ----
...
..------- ------- --------- --------- ----
(I J =132 Picco
Fl.
Ob.
CI.
BR.
Tpt.
Chime malet , 1.
Perc. 4
(I J =132
solo
tutt
M V
M V
M V
tutti
simLle, l.v.
Vo. 1
VR. 11
VR.
VR. 1
l.v.
1 solo, areo
VR. II
-=fI VR. 1
VR. 11
(1 sow)
A . -
- - - - - -- pM
. (1 solo)
ff cresc.
1 solo
;; ..
! " ;.'
.. .. ..
-.' ... .. . .
- - -
,.. .. .. .. , "
-.. ,.. .. .. .. ....-_ ~~~~ ..-.-. "'," ..' -----. ! ! !
~~~~~~~~~ .. .. ! ! !
, "
;:
1M J =160
154
Pice
FI 1 . 2 i 81
,I,
kl,
Ob. 2 81
CL
Bn.
Cbn.
Un.
: bY
. f.
181 if
I P'
TpL
i 81 a3
solo.
lip slur
stadi
Tbn. 2
Tb. :0' (with glock. mallet), rests indicate dapening of bell
l.left had, lae cowbell R=rght hand,sma cowbell
tf
Cowbells Per-c. 2
simile
(with glock. malet), rests indicate daPi bng of bell
secco
Pr.
1M J =160
:v.
J" E E
Vn. I div.
oJ (.s;:loj
: II
ttj, non div.
non div.
;on Va. div.
A I' I.
'A I' I'
I. . . A
,I' I' I' I'
,I' I' A
A I. . .
JJ non diV.
;:n dJ. fL fL fL
Vc. div.
unis.
Cb.
'A A I' I' ,-
i-
---.I'I'AA I.. -
AAAI'
..... . . ~~~~
!'.
!!' ,.. ,,,, "' "' "'
-- -- - -
,.
~~~~ ,.
159
...
,.. . . ..#"!$ . ....
.." ,.
,.
- -
~~~ - ,- ~~~ - - -
"...... == ,. . . . -=
flutter
Picco
flutter #S Fl.
Ob. 2
loJ Cl.
Cl.
Bu.
Cbn. gUss.
1".
t - 1
10)
IIn.
f?liss.
Tpl.
loJ long gliss.
L"'
Tbu. 2
flutter
Tho.
R R
R R
R L
R R
R L
simile
Perc. 2 (P)
pr.
bEEEE
bEEEE
, , , J!- - - -
bJ!J!J!J!
Vn. dh"
.I
. b
bEEEE
bEEEEbf
bEEEE bJ!
loJ
:: II
loJ
,,, "' I' I' 1. .. .... II' I' I' I' ,.
,,, ". "' "' LJ
----1'1'1'1'
-....-1'1'1'1'
Va. div.
\'c. div.
Cb.
1"' ".
fL fL
:!
..
.. ..
..
,*'
..
..
,*'
/64 Picco
Fl.
,t.
I,t.
Ob. 2 oj
oj
simile
HD.
flutter
simile
OI flutter
II
If
oj
oj long gliss. TbD. 2
Tba.
Perce 2
Pl.
VD.
div. II
Va. diVe
il. Ve. diVe
Cb.
L::
j "..
, , , ,.- - ,. -
--
,,, "' ---"' -
-
,. . ,.
j!
-=
~~~~~~ -.' . -.. -
.,.,.
,.
,---- --- --- ~~~~~~~~~ -.' - -
- -
,.
,.
-=
, "
,.
flutter
Pice. flutter
it
FI 1 . 2
d,.. Ob. 2
Cl.
Bo.
Cbn.
Un.
"Cpt.
gu
cu
"Cbn. 2
flutter
Tha.
:JI
:J'
:J'
R L
simile
R L
R R
R R
R R
R R L
R R
Perc.
#!f
#!f loJ Pf.
E E E
: I
E E E
f: f:
E E E
E E E
E E E
f:
loJ
Vn.
1 OJ
div. II loJ ,,, "' I/ 1/,
1"' "' "' "' 1.
Va.
____"'fLfL"' div.
Cb.
I/ I/
,I/ .. .. .. -- . I/ h- - - -
dive
Vo.
LJO I/
-...fLfLfLfL
! ,'"
..
., ..
., ,'" :;.,- -
""..=-....=
:; .- .;. . ,.."".. ....
~~~~~
------...-----.--------------------... ., :: ., - ., ."" ., ,.. --------..------.--------------------., ., ., .. ,- --------.--------.-. . - ------------------
..
flutter Pice. flutter
#a
FL 1
"b,
"b,
Ob. 2
CL
CI.
Do.
Cbn.
Hn.
j:8
Tpt.
! I
to' -
to' Tbo. 2
P-='f
sit to play, a3
-='f
flutter
Too
simile
Perc. 2
ff
cresc.
U-U-------H--_----..
Pr.
E EE Vo.
j'v
EEE
EEE
J E
t -
00,....
div. I
solo
(non div. pizzo
: II
(non d.
.) lr
plzz
If" I"
I" ,-
ll" I"
I" ,-
LI" I" I"
(non
1& .
Va. div.
(nondiv. piZZ.
(non div.)
., ., ., .. fO fO fO
fO
pizz
Vc.
div. non div., pizzo
Cb.
pin
.. -
.. - ..
..
--.
.. ..
179 Picco
FI.
Ob. 2
CI.
B. CI.
Bn.
Cbn.
:c
Hn.
,0)
Perc.
pr.
(1 solo)
A Vn.
Vn.
Va.
Vc.
div
I,
div.
;/A ice.
Cl.
Chi
f: lIn.
Perc.
Pf.
f seem
(J
olo)
.A
Vn. I area Vn. 11
arco Va.
arco
Yc.
div.
areo
area Cb.
!!,. .,'. .,
p. -
...
,.. -. .. .
..
-- - -----. - --- ----------- - -- - ---------- --- - -- -. -.-.--------- ----- --------------- - .--. - -- - -- - --. - -...---------"'" ..--... ----------..- - ---------_ - ...----------- -." """""" ---------.... ------------- +---.-------................ ........ ....... . pp ..
----------------
8lR Picc.
FI.
Ihl.
hl. Ob.
CI.
CI. IL
Bn.
Cbn.
Un.
ellup
ellup
Tpl.
----------m w--mmm ..._--.m ..m.mm. --.. ..m
/p cresc.
Bell up
/p cresc.
.......--.m.. ....m.......
......--..--.m
",....000000.. ...
ellup
/p cresc
.w..n.n.
.n.n. ....n..m ..m ..
......m...
Tbn. 2
Chime mallet
(Cowbells) simile
Perc.
Siren, sta cranking slowly; slow glissando upward to m. 203
.mmn-- ..nmm----
cresc.
Chime mallet
Glock. malet
#!I pr.
rr:
rr:
. (1solo)
Vn. I
bEeee
dlv. bE e e e
Iff
: II
div.
.f simile
Va.
simile
Vc.
div.
ri
IL
IL
:Slmlle
unix.
simile
Cb.
div.
~~~~~~~
!'.
----.+--------_.+------------------- +----------.- -----------. ----------.,--
,- - - -
- - -. - ,.- - - -- - - --. - -'- - - - - - --. - -- - - ---
".
--------,-----------_._-------------------.._------------"""""" -------------. ------... --------------------.'--------.-----.------............ ---------------------.- - ----------- -----------------------..---.----------------------------- ---------.---------.. -- --.------.-----.----.---.----------.--.---.. - -- --. ----------_ -""""" ------------------------------- ---------. ------- -.--------------.--------------------..-----------_. ---.--._-----------.--------_...._--------.-...._-------. ._. .......... :;; ----------..-._. ------------.----------------- ..----------_----------------------------------.------------ --------------.,-------------.... .............. ----------------------. -... --. - -;..........-............-... ;................ ----------------..---------------------------._------._----------. .------------ ----------.---._------------------------. --------------------------------------------------------------.._--------------.- - ------------ - ----.-+ ........... -----------+ ----------------. ----------------------------------.----- --------- - --
Pice.
erese.
"""u"' "#"""'u""",
cresc.
U"'U'h"
#s
Fl 1
'U"U"'-
Ob. 2
cresc.
R,Ct. oJ
cresc. - -... - - - m - -
----U-
C!.
cresc. .--_U__U.- -,_U__U_-.-.-.. Rn.
......... u... - .. P... u......... u.
cresc.
Cbn.
.1.......................
cresc.
I:=-
Bn.
.mmu.-
lese.
Io)
cresc.
...... m u. J. - . m. u.......
cresc.
Tpt.
cresc.
m..... Tbn. 2
..u m. --.
esc.
Too.
u........ .........n.._.....................
Glock. maUet
p crese.
crese.
Pert.
cra faster and faster , poco a poo
crese.
Glock. mallet
erese.
eresc.
Pr.
L-.
:I
EEE
div.
mm'h
EEE
div.
non div.
dlv.. II
crese.
nondiv.
erese.
Ci""
Va.
ese.
Vc. div.
!:ese.
unis.
Cb.
crese. I(b cresc.
mnmn mmm. J.n.
,\.
:--
."'"' .-;,-.---------------------_.------------ --_.-. -.------------._---___ :;--_. .--.--;.--------.-.._ -----_.-. :;--- -----.-. .------ ----.--,.-------------- --..-.--* ------.---.-*- ---------_.--------------_- - -------..-------. :;---.--- -------- - -...------------------------------ . --.- -*. - - --------- ---- -,...- - ------- - - -_ --..-. *- - - -. - *------ --- . --------- - --------.--*---- - --- -------- -- --- *---------. -- - ---- - - - -.--- -,.---;;-- - -:;-*::- - --- - --- - ,,----- - --- --.---.-- -- .---
Picc.
#in
i!_
Fl.
Ob. 2
I"'
Bb CI.
nmm
I"' Cl. J' Bn.
f.m Cbn.
Hn.
I":
Tpt.
I"' cresc.
cresc. It Tbn. 2
Tba.
Perc.
#!I
#!I oJ PI'.
cresc.
:I cresc.
: IT
Va.
iLVc. djv.
._m Cb.
iL-
..
: !j
- - -
-. . - - - .---. --- - -- - -,! -.. - --,!- -..,!- ---,!--- - -- - - --- - -. -. -- - - -- --
".;: ;: ,.-;: ".--
;;.
-- ?
--
--
(i J =60
--------.._---------." ,,, --------.." --------------.--._----------
in four molto nt. poco a poco
fluttr E Pice.
flutter f
: fl
v if
Ob. 2
:I fluttr , bend
cresc. '''m'''''''m _m'_ "..m""_m... -_om
RD. fluttr. bend
f eresc. h_m_m_
.. -hmm__"'mm___- m...
a2
'Is
Tpt.
f cresc.
'Is
-----U__--n
f cre:K.
flutter , bend;: TbD. 2
'Is flutter L'"
Tba.
'Is
f cresc.
Chie mallet
let ring
'IsTenor drum if
Perc.
cresc.
highest pitch , stop crang
fp
let sound decay naturly
Chime mallet
let ring
'I.
PC'
in four molto rit. poco a poco
(i J =60 Solo
V if
VD. 1 ::nis
unis. VD. 11
ifp unis.
Va. div.
fL fL fL fL
fL fL
--I?---I?---I Ii
Fi
unis.
unis.
Vc. div.
div.
Cb.
-J
unis.
If:
SulO uo unis., pizzo
areo
,.
:; j!
;:
. -.---------." --,.:_ -'---- --------------' ------.---------- ------,--'...--::- --------;-;.:-=- -:--- - -
J=40
;;
== ;; - - -, == ,. == - - - ,. == ': - -, == ;;==- ,. == == .. .. .. ......
- - ---- -
. .
:; :: :: ::
J=60
J =160
;;A Pice.
Fl.
Db.
CI.
CI.
BD.
Cbn.
Jr.
Hn.
.f.
loJ
A ::l.. OJ
1f.
w-
TpL
A ,. L
-- ,.
: 1
------ 1f. Tho. 2
1 ,.
Tba.
1f. t:
Glock. malet
1f.
Perc.
t:
Tambourine , shake
t:
Glock. mallet
dapen bell
fist
t: cover siren
1f.
PI.
J=40 VA "
J =160
V '"
Solo loJ
J=60
B" plZZ.
V" V
\'n. I oJ
V" V YD. 11 oJ
altri, piv.. n V
pia.
Va.
J"v
pizz
v" V
pizz.
Vc.
Cb. All strngs, heat two: Hold note then quickly gliss. down.
dapen bell