Fairouz: The Second Coming

The Second Coming SATB, Secular

Mohammed Fairouz

MOHAMMED FAIROUZ THE SECOND COMING for mixed chorus (SATB) a cappella On the poem by W.B. Yeats

peermusic C L A S S I C A L NEW YORK . HAMBURG

The Second Coming Turning and turning in the widening gyre The falcon cannot hear the falconer; Things fall apart; the centre cannot hold; Mere anarchy is loosed upon the world, The blood-dimmed tide is loosed, and everywhere The ceremony of innocence is drowned; The best lack all conviction, while the worst Are full of passionate intensity.

Surely some revelation is at hand; Surely the Second Coming is at hand.

The Second Coming! Hardly are those words out When a vast image out of Spiritus Mundi Troubles my sight: somewhere in sands of the desert A shape with lion body and the head of a man, A gaze blank and pitiless as the sun, Is moving its slow thighs, while all about it Reel shadows of the indignant desert birds.

The darkness drops again; but now I know That twenty centuries of stony sleep Were vexed to nightmare by a rocking cradle, And what rough beast, its hour come round at last, Slouches towards Bethlehem to be born?

—W.B. Yeats

Mohammed Fairouz, born in 1985, is one of the most frequently performed, commissioned, and recorded composers of his generation. Hailed by The New York Times as “an important new artistic voice” and by BBC World News as “one of the most talented composers of his generation,” his large-scale symphonies, operas and oratorios all engage major geopolitical and philosophical themes with persuasive craft and a marked seriousness of purpose. Fairouz’s solo and chamber music attains an “intoxicating intimacy,” according to New York’s WQXR. A composer who describes himself as “obsessed with text,” he has been recognized by New Yorker magazine as an “expert in vocal writing” and described by Gramophone as “a post-millennial Schubert.” His principal teachers in composition include György Ligeti, Gunther Schuller, and Richard Danielpour, with studies at the Curtis Institute and New England Conservatory. Recordings of his music are available on Deutsche Grammophon, Naxos, Sono Luminus, and Bridge. Fairouz’s works are published by Peermusic Classical. He lives in New York City.

The Second Coming W. B. Yeats q = 72

Soprano

Alto

Tenor

Bass

3

& 12 8

∑

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∑

Mohammed Fairouz (2015)

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&

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2 7

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4 19

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23

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27

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29

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45

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51

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J

fall

a

-

part;

-

œ.

œ

œ.

œ.

hold;

œ

a

ƒ bw.

œ.

-

œ.

fall

Things

bœ J

the

part;

œ J

the

œ

j œ

the

Mere

Turn - ing and Turn - ing and Turn -ing and Turn - ing and

œ. bœ.

a

œ.

Things

˙.

hold;

fall

œ.

the

Turn - ing and Turn -ing and Turn - ing and Turn - ing and

ƒ & œ œ œ œ œ œ œ œ œ œ œ œ bw. cen - tre

œ.

œ.

œ œ œ œ œ œ œ œ œ œ œ œ

œ.

bœ.

the

bœ.

ƒ bœ.

Mere

œ.

ƒ bœ bœ œ œ œ œ œ œ œ œ œ œ

Mere

Turn - ing and Turn - ing and Turn - ing and Turn - ing and

19

œ.

œ

an - ar - chy

is

loosed

& bœ. œ œ œ.

œ.

œ

j œ œ

œ

œ œ J

109

&

bœ. œ œ œ.

an - ar - chy

is

loosed

an - ar - chy

is

loosed

V bœ. bœ œ œ. bœ.

œ œ J

œ bw.

J

u - pon

the

world,

u - pon

the

world,

u - pon

the

world,

j œ bw. j œ b˙.

b˙.

? bœ bœ œ œ œ œ œ œ œ œ œ œ bœ bœ œ œ œ œ œ œ œ œ œ œ Turn -ing and Turn -ing and Turn - ing and Turn - ing and

Turn - ing and Turn - ing and Turn - ing and Turn - ing and

& bw.

bœ. œ œ œ.

& bw.

bœ. œ œ œ.

111

mere

mere

V

bœ.

mere

an - ar - chy

œ

bœ bœ. bœ. bœ.

J

œ.

œ.

œ

is

loosed

œ.

œ

j œ œ

œ

œ œ J

an - ar - chy

is

loosed

an - ar - chy

is

loosed

bœ. bœ œ œ. bœ.

œ œ J

œ J

u - pon

the

u - pon

the

u - pon

the

j œ j œ

? bœ bœ œ œ œ œ œ œ œ œ œ œ bœ bœ œ œ œ œ œ œ œ œ œ œ

113

&

Turn -ing and Turn - ing and Turn - ing and Turn - ing and

Turn - ing and Turn -ing and Turn - ing and Turn - ing and

bw.

bœ.

world,

Turn

& bw.

world,

bœ.

œ.

-

˙.

ing

œ.

˙.

œ.

œ.

Turn

-

world,

Turn

-

Turn -ing and Turn - ing and Turn - ing and Turn - ing and

Turn - ing and Turn - ing and Turn -ing and Turn - ing and

V b˙.

b˙.

bœ.

ing

ing

œ

bœ J

The

? bœ bœ œ œ œ œ œ œ œ œ œ œ bœ bœ œ œ œ œ œ œ œ œ œ œ

20 115

&

∑

&

∑

V

. ∑

œ

bœ œ œ J J

œ

Œ.

œ œ œ J J

bœ.

œ.

Œ

ƒ j œ and

œ.

œ.

œ œ œ œ œ bœ œ œ œ œ ? œ œ œ œ œ bœ œ œ œ œ œ œ œ œ blood

dimmed

-

tide

is

loosed,

Turn - ing and Turn - ing and Turn - ing and Turn - ing and

117

& œ. e

-

œ.

very

œ.

-

&

∑

V

∑

where

Turn - ing and Turn -ing and Turn - ing and Turn - ing and

p j œ. œ

œ

the

p

ce

œ. bœ.

-

œ.

re - mo

-

œ.

ny

œ.

of

œ nœ œ œ œ œ œ œ œ œ œ œ

Turn - ing and Turn - ing and Turn - ing and Turn - ing and

p œ œ ? œ œ œ œ œ bœ œ œ œ œ œj œ

∑

Œ.

.

Turn - ing and Turn - ing and Turn -ing and Turn - ing and Turn - ing

119

&

œ.

œ. in

-

œ.

-

œ.

-

œbœ œ

no - cence

œ.

œ.

is

˙.

drowned;

œ.

œ

j œ

The

& œ nœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ p œ.

Turn - ing and Turn -ing and Turn - ing and Turn - ing and Turn - ing and Turn - ing and Turn - ing and Turn - ing and

V

∑

?

∑

. .

Œ. Œ.

p œ.

The

The

21

& bœ.

121

best

œ.

lack

œ.

œ

œ bœ œ J J

&

while

the

Turn - ing and Turn - ing and Turn -ing and Turn - ing and

bœ œ J

œ.

œ.

œ.

best

lack

all

con

œ.

best

œ.

lack

œ.

œ.

œ.

œ

worst

all

œ œ.

J

-

con

-

œ. bœ.

Are full

of

Turn -ing and Turn - ing and Turn -ing and Turn -ing and

V bœ.

worst

? œ.

worst

&

œ.

œ œ œ œ œ œ œ œ œ œ œ œ

œ œ

j œ œ

vic - tion,

ƒ œ œ œ pas - sio- nate

œ.

œ.

œ.

œ. bœ.

œ

œ.

œ.

while

the

œ.

œ.

while

in - ten

-

the

œ œ.

J

si - ty.

œ œ œ œ œ œ œ œ œ œ œ

Turn - ing and Turn -ing and Turn -ing and Turn - ing and

œ œ.

J

œ.

ƒ bœ œ œ

Are full

of

œ.

ƒ œ œ œ

pas-sio - nate

Are full

of

pas-sio - nate

œ œ.

J

œ.

vic - tion,

ƒ & nœ œ œ œ œ œ œ œ œ œ œ œ œ

125

œ.

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V bœ.

123

œ.

con - vic - tion,

all

& œ bœ œ œ œ œ œ œ œ œ œ œ

?

œ.

w.

& œ œ œ œ œ œ œ œ œ œ œ œ

œ. œ.

œ

in - ten

-

si - ty.

in - ten

-

si - ty.

œ. œ.

œ

q = 50

U w.

U 

j œ œ œ. ˙.

U



? w.

U

w.



Turn -ing

w.

œ œ.

J

 U, 44

V w.

Turn - ing and Turn - ing and Turn - ing and Turn - ing and

œ œ.

J

U

∑

44

U

44

U

4 U 4

∑ ∑

p œ œŒ

Sure - ly

22

p &˙

128

œ œ œ

Sure - ly some re

œ 3 œ œ bœ œ œ œ 44 w 4 -

43

∑

& V

∑

?

∑

ve - la - tion is at

∑

43

∑

3 4

∑

p 44 ‰ j œ œ œ œ œ hand;

Some re - ve - la - tion

44

∑

4 4

& 43

V 43  œ ?3 4

∑

la - tion

136

hand;

44 ‰ j œ œ œ œ œ

∑

œ œ 44  w

is at

&˙

œ œ œ œ.

4 4

hand;

œ œ œ œ. œ œ œ ∑

Co - ming

Sure - ly the Se- cond

Co - ming

is

at

ƒ bœ œ ‰  œj œ œ

is at

Sure - ly the Se- cond

Co - ming

is

at

ƒ 43 œ œ œ œ œ 44 b œ œ œ œ b œ 4 4

∑

∑

V˙ ?

rit.

Sure - ly the Se- cond

˙

œ œ œ

Co - ming!

3 4

3

∑

œ œ œ œ.

The Se -cond

re - ve -

∑

∑

&˙

hand.

œ œ 43

some

˙

Co - ming!

Co - ming!

p œ bœ œ

∑

The Se -cond

The Se -cond

43

∑

∑

˙

hand.

ly some re -

ƒ 43 œ œ œ œ œ 44 œ œ œ œ œ

3 4

∑

œ œ œ

hand.

œ 3 4

ƒ 34 œ œ œ œ œ 44 œ œ œ œ œ b œ

Some re - ve - la - tion

bœ

-

œ œ œ

q = 72

& 43 œ  œ b œ œ œ œ 44 w ve - la - tion is at

Sure

Sure - ly

∑

132

-

˙



Œ

∑

‰

p

3

œ œ

p œ œ œ œ œ œ œ œ œ bœ œ œ œ œ œ œ œ œ

The Se - cond Co - ming! Hard - ly are those words

When a 3

out

When a

23 140

&

q = 50

∑

4 ˙.

4

p 34 œ œ œ œ œ

Spi - ri - tus Mun - di

∑

&

vast

˙

vast

3 œ œ. œ œ 4 œ œ œ œ œ i - mage out of

Trou

-

bles my sight:

Trou

-

bles my sight:

44 ˙ .

Spi - ri - tus Mun - di

Trou

3 œ œ. œ œ 4 œ œ œ œ œ i - mage out of

œ bœ w

j 44 œ œ œ œ œ w . œ

Spi - ri - tus Mun - di

V˙ ?

p 3 œ œ œ œ œ 4

-

4 4 ˙.

Spi - ri - tus Mun - di

Trou

-

3 4

∑

43 ˙ .

hum(m)

43 ˙ .

44

œ œ

3 4 ˙˙ ..

4 4

bles my sight:

w

bles my sight:

hum(m)

hum(m)

˙

43 œ  œ b œ œ œ œ œ b œ œ . œ .

& 44 w

˙

˙

43 ˙ .

˙

˙

3 4 ˙.

˙˙

˙˙

43 ˙˙ ..

some - where in sands of the

V 44 w ? 44 w w

de-sert,

some - where in sands of the

hum(m)

hum(m)

hum(m)

& ˙.

hum(m)

of the

de - sert

44 ˙.

V ˙.

44 ˙ .

? ˙. ˙.

4 w 4 w

hum(m)

hum(m)

A shape

œ

A

œ

A

43 œ

3 4

in

˙. ˙. ˙˙ ..

3

with li - on

œ

shape with

43 œ

de-sert,

j œ

j œ œ œ 44 œ  œ . œ œ œ œ œ 43

j & b œ œ œ œ 44 œ œ . œ ‰ œ œ œ 43 b œ .

149

sands

44

œ œ w

p 4 & 4 œ œ bœ œ œ œ œ bœ œ. œ

145

4 4

œ

shape with

∑

bo - dy

and the

4 3 œ œ 4 œ œ. œ œ œ œ 4 li - on

bo - dy

and the

li - on

bo - dy

and the

œ œ 44 œ œ . œ œ œ œ 43 4  4

Œ œ œ 43 and the

24

3 & 4 bœ.

j œ  œ œ œ œ 44 ˙

& 43 œ

4 œ œ œ 4 n˙

œ œ œ

V 43 ˙

œ œ œ 44 ˙

œ œ œ

?3 ˙ 4

4 œ œœ 4 ˙

œ œ œ

153

head

of a

œ

head

head

& 43

156

œ œ œ nœ

sun,

Is

& 43  ˙

œ

sun,

Is

3 V4 ˙

œ

sun,

160

&

œ sha

Is

œ

mo - ving

œ

its

œ

slow

œ œ

œ

œ

œ

mo - ving

œ

œ

mo - ving

its

slow

œ

œ

its

of

the

ƒ œ

blank

ƒ œ

in - dig

-

blank

nœ.

œ J

thighs,

while

V œ

sha

-

œ -

? œ sha

dows of

dows

œ -

dows

the

in - dig

-

œ œ œ œ œ of

the

in - dig

œ œ œ œ œ of

the

in - dig

-

and

œ œ œ œ

pi - ti - less as

œ

the

43

œ

œ œ œ œ

œ

43 3 4

3

and

pi - ti - less as

the

œ

œ œ œ œ

œ

3

pi - ti - less as

the

44 œ  œ œ . n œ œ  œ œ all

a - bout

it Reel

œ

while

44 œ

œ

œ

œ

4 œ 4

œ

all

a

œ

-

bout

œ œ

all

a

-

bout

it Reel

thighs,

all

while

œ

4 œ 4

œ

thighs,

while

œ

nœ

œ œ

nant

de - sert

nant

œ -

as the

3

œ

and

birds.

& œ bœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ sha

pi - ti - less

œ

thighs,

slow

œ nœ œ œ œ

dows

-

slow

œ

Is

? 43  ˙

its

mo - ving

œ

sun,

œ

and

blank

A gaze

œ

3

blank

A gaze

man,

œ œœ œ œ œ œ 3 J 4

ƒ œ

gaze

A gaze

man,

of a

˙

A

man,

of a

head

œ œ œœ œ

man,

of a

ƒ œ.

de

-

œ

nant

de

œ

œ

nant

de

sert

œ -

sert

œ -

sert

 U w  U w  U w

a

-

œ

œ œ

œ

œ œ

bout

œ

it Reel

it Reel

∑ ∑

birds.

∑

birds.

 U w

birds.

∑

25 163

∑

&

That

twen

The dark - ness drops a

-

& 44 œ

œ œ

167

sto

& 44  œ . sto

V 44 œ . ? 44

169

sto

œ.

sto

ty

cen - tu - ries

of

gain; but now I know That

twen

-

ty

cen - tu - ries

of

twen

-

ty

cen - tu - ries

of

‰

œ

sleep

cresc.

œ

-

j œ œ œ bœ œ œ œ œ bœ

ny

sleep

œ

-

œ J

Were

Were

œ

sleep

œ

Were

j œ bœ.

ny

j 4 œ 4 ˙.

That

ny

œ œ

sleep

Were

œ

vexed

œ

œ 43 œ . œ œ œ œ 44 3 4 œ 4 œ. œ œ œ œ 4

œ bœ

cresc.

œ bœ œ

œ

to

night

œ

œ

night

vexed

to

cresc.

j œ œ

œ.

vexed

to

night

œ.

œ J

œ

cresc.

vexed

to

night

œ

œ œ

-

mare

by a

-

œ

mare

œ œ

by a

œ

œ œ

-

mare

by a

-

œ

œ œ

mare

by a

rit.

(cresc.)

œ œ

œ œ œ bœ œ

œ œ œ œ bœ œ œ œ

œ. œ

œ bœ œ œ œ

œ œ

œ bœ œ œ œ vexed

œ œ œ œ bœ œ œ œ

to night - mare by a rock

œ. œ

j œ œ

œ œ

œ.

j œ œ

œ œœ

j œ œ

œ. œ

œ œ J

œ œ

œ œ J

œ œ œ œ.

œ œ J

œ. œ

& œ œ œ bœ œ rock

&

-

-

-

of

twen

œ bœ

ny

cen - tu - ries

That

43 ˙

hum(m)

ty

3 4 œ œ 4 œ. œ œ œ œ 4

pj Œ ‰ œ œ œ œ .  œ 43  œ œ œ b œ œ œ 44 b ˙ .

V p ? w

œ 43 œ . œ œ œ œ 44

-

pj ‰ œ 44 ˙

3 4 

∑

&

p ‰ œ 44 b ˙ .

J

3 4 

-

ing cra - dle, were

(cresc.)

rock

-

(cresc.)

V œ.

rock

-

? (cresc.) œ. rock

-

ing cra - dle, were

ing cra - dle, were

ing cra - dle, were

vexed

vexed

œ. vexed

to night - mare by a rock

œ.

to night - mare by a rock

to night - mare by a rock

-

-

-

-

ing cra - dle, And

ing cra - dle

And

ing cra - dle, And

ing cra - dle, And

26

D

· & œ

172



œ.



œ.

what

œ

rough



œ.

what

œ



œ.

·

what

&

œ

· V œ

what

· ? œ

œ &J

175

œ

rough

beast,

œ

rough

beast,

beast,

rough

œ

beast,

œ J

œ.

œ œ

Slou - ches

towards Beth

- le - hem

Slou - ches

towards Beth

- le - hem

j &œ œ j Vœ œ

Slou - ches

? j œ œ

Slou - ches

U.S. $2.95

HL00147630

j œ œœ .. j œ œ.

towards Beth

j œ œ.

towards Beth

œœ œœ œ œ

- le - hem

œ œ

- le - hem

j œ

its

j œ

its

j œ

ww

˜

œ

w

hour

come

round

at

last,

œ

œ

œ

œ

w

hour

come

round

at

last,

œ

œ

œ

œ

w

its

hour

come

round

at

last,

its

œ

œ

œ

œ

w

j œ

w

bœ

œ

hour

come

round

at

last,

U w

 43

œ œœ

3  4 

œ œœ U w œ œ œ 44 w

to be

44

born?

to be

born?

to be

born?

to be

born?

w

43 

U œ œ œ 44 ww

w

3 4 

4 U œ œ œ 4 ww

peermusic C L A S S I C A L NEW YORK . HAMBURG

¶ ¶ ¶ ¶