Harrison - Symphony No. 4

COcncnlSS10NE-b BY ChE- BROOKLYN phlL1JA.RcnON1C A.Nb Cl1E- BROOKLYN A.CA.bE-cny 01= cnUS1C A.Nb bE-blCA.CE-b \tV1C1J

LOVE- A.Nb A.SCON1S1JcnE-NC CO bE-NN1S RUSSE-LL bA.V1E-S

1=OURZ:h symphONY

A.pCOS 1984 - 1993

1=OUp. Ch

sympJ'1NY

Score is in C; the instrumental parts are transposed.

Instrumentation: 3 Flutes, Flute 3 doubling Piccolo 3 Oboes, Oboe 3 doubling English Horn (E. H. in Eb) 3 Clarinets in Bb , Clarinet 3 doubling bass clarinet 3 Bassoons , Bassoon 3 doubling contrabassoon 4 Horns in F 3 Trumpets in Bb

3 Trombones Tuba 4 Percussion

Celesta, doubling Percussion (Chimes) in Movement III Tack Piano

Celesta

Strings

Percussion parts are distributed as follows: Percussion 1: Sleigh Bells , Chimes , Guiw , Gong, Rasp, Keprak, Box

Percussion 2: Rattles, Gentorak , 3 Muted Gongs, 3 Chinese Drums Percussion 3: Vibraphone, Cymbal, Box , Field Drum Percussion 4: Bass Drum The Celesta player is assigned to the Chimes in Movement IlIl , bars 597 - 606, and bars 641 to 650.

Percussion Notes Instead of a very large Tam Tam I much prefer the true Gong Ageng of a gamelan.

The Keprak could just barely be imitated by a very large " temple block" struck with a heavy beater, & loudly.

A good collection of small sweet sounding bells with inner " tongues " (each freely suspended) could substitute for the Gentorak. The two boxes with rasps should be built of 1/2 inch marine plywood , & look like this:

z,tr

/1. II

Notation (Movement II, Story II:

- strike the

drum head

and the rim.

,. ,

, -

Additonal Notes

In the course of completing my second reuisions of this

symphony the form of the whole work came clear to me , and I outline it here. Mouements I and III are Interualic mouements; the melodies in I mouing only by the Major second, minor third,

and minor sixth; and in III mouing only by the minor second

minor third , and perfect fifth. Mouements II and 111

are

modal

mouemcnts; in Moucmcnt II a fiue- tone mode

which (were it in a Jauanese tuning) would be called Slendro, pathet Nem. In Mouement 111

(correct old

Roman Numeration)

two six- tone modes are used which share basic tones:

fI - , Mouements I and II are composed using basic Jauanese methods

while Mouements II and 111 employ European ones; thus there is

an interlock of materials and methods , so: , M 2: m 3: mG \.

Jaua methods

II, patet Nem

, m 2: m 3: 5th

Modal

III , G tone modes - SQme

Europe methods tonics

Lou Harrison Novcmber 1992

Score revised 1991-92

for performances at the 1992 Cabrillo Music Festival, Aptos for performances in Basel , Switzerland in 1993.

California and again in 1992- 93

-- .

... ...

FOURTH SYMPHONY Largo

Lou Harrison

. C. 48

ff

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Clarinet

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Ham

Horn

11 &

Trumpet

Trombone

Tuba

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Perc. 11 &

b..

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Violin 11

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Sellza So d rO" 000'/

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Senz. So d rO" OM

Via/once

II

Divisi

Senz. So d

rMOM'/ ?to

?t.

Sellza So d

(Sellz. sord)

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Copyright 1991 by Peer International Corporation

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Story I W."

Vibt'S

G9 T)''" qTeR'l

Cr/rsla

these tones. The squared tone is tonic.

'1'

Baritone

Coyote was

So he went to

around but himself.

first built

people.

and

day

one

road

walking down the

it of clay and it

made

large oven;

determined

a tree,

his house under

him that

occurred

there

was

some other

to make

was round like the top half of

--- r=He then made bread batter, and from it

an egg because good things come from eggs.

great number

people.

of small

all the people

had

Coyote made a bed of charcoals in the

made

have

made.

and he looked at

oven

shall have

that

m:my

fashioned

bake

r-. three times, "

and sealed for

the door.

without

awhile

the

not r; -#

ff#

removed

board,

people jumped

up and

put them

disappointed

them in the

oven, and

opened

the door.

ran

have

to wait,

did

the

but he

decided

Coyote

When

fall asleep.

sealed

and

And

nervous

got

people

the

more.

Coyote

the door,

He removed the board

and

put some

sang his

the

sacred

his

put some more

that

opened

white

people

very

careful

the

pale.

door

But the

people. Coyote

the

song and when the reddish

eyes

But they jumped

shall

people were

oven,

quickly

door.

Coyote knew that on earth there were

tried once

to rest

Then

stil white, looking

were

the

he woke

people.

black

there were

oven

the

put them

board

The people were burned black.

board.

the

said.

away,

sealed

people

But

pulled out the board and

too soon.

of the

that on earth

them too much"

cook

very

fallng asleep.

Coyote knew

and ran away.

some

shall just

Now

the door and

pulled away

people

He placed

he said.

board,

was

put

song was done

brown - the color of

II:, -

perfect

bread!

These

both Americas,

people

And

became

that

the

his friends,

end

and

this

they

story.

make their

homes

this

day

ATTACCA

Story II

by Daniel- Harry

Steward

l' 7

Gu;ro

Tom toUlS

Field drllm

Bliss drum

Baritolle Clever Coyote ,ould change hIs

form and become

cricket,

eagle, or the

GUlIW

TOMS

F.DRUM

lIp I3,DRUM

BAR

wmd.

There was a hme when Co-yo- te pursued Te - ho-ma,

guardIan of the

smokmg mountam.

GUIRO

TOMS

F.DRUM

I3.DIWM

BAR

Hawk and squirrel,

musk - rat and wren proclaImed Te - ho-ma their ChIef

and God of the

smoking vol.

GUIRO

TOMS

F.DRUM

DIWM

BAR

cano.

Co- yo- te

heard these tales

and

wanted to know more about thIs new man - god.

GUIRO

TOMS

F.DRUM

DRUM

BAR

walked up the smoking

mountain and called upon the

spmts of earth and

fIre

to follow him inside the

GUIRO

TOMS

F.DRUM

DRUM

BAR

cave

between the

sky

Fmdmg Te - ho-ma at the hearth furnace,

world.

and the center of the

GUIRO

TOMS

F.DRUM

DRUM

BAR

Co- yo- te offered him

acorns

brought from the

valley,

and he breathed

deeply of the smell of this

GUIRO

TOMS

F.DRUM

DRUM

BAR

man- God

and looked upon his youthful body.

Letus

eat

and

celebrate ourmeehng In this sacred

'-

ftN GUIRO

TOMS

F. DRUM

DRUM

BAR

wake

and

nse

the

smouldenng

mountain spilt In

two

and hlled the

air

with burning

GUIRO

TOMS If

F.DRUM

DRUM

f,:

BAR

the

Gone were the snows,

hre.

rocks,

the trees

and

GUIRO

TOMS

F.DRUM

DRUM

BAR ,; all

Co- yo- te

the unlucky spmts.

called and

searched

the thunder and the ash filed

GUIRO

TOMS /lp

F.DRUM

IWRUM

BAR

dark but Te- ho- ma

could

not be found.

So he spoke

to the wind for

wings

and flew so

~~~

/03

GUIRO

TOMS

F.DRUM

DRUM

UAR

gods walked like

tWIlight,

men.

lIsten,

you can hear Coyote callmg to Te- ho-ma who walts a -

Keprak GUIRO

TOMS

mp:.

F.DRUM

mp: DRUM mp

BAR

bove In the starry

starry

that

mght.

is the end of this

(Sample. Player s Part) 2nd ending

Story II (keprak cue) BAR

voice/perc only

story.

~~~ '/p:: '/p

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.. .. .....

ID1 Coyote s Path

If;;:..,

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sill tasto Violoncello

sill tasto IIorlllal

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Story II HN II & 1

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PERCI

Story II PERC II

Vibes

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these tones. The squared tone is tonic,

/lp PERC IV

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e squared tone IS tome,

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etc.

Story II

A. BAR

Co yo Ie

A. VLNI

A. VLN II

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11

was

walk ing

down

the

road

one

day

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Story III v:...

I. I".-. L", , Vibes

WHILE VOICE SINGS THE STORY

3mpro\'e:1: tl

Crlesta

y-n-

titJOt!l

squared tOne is tOnic.

n:es.e

Ilarp

A" Baritone

was walkIng down the road

Coyote

It had be

only of food.

one day, thInkIng

several

and he felt so sorry for himself that he sobbed with his face against his arm.

days since he had last eaten

r-.

His stomach was making noises like boilng water and

hurt. And then ,

his head

near where the sumac grows

#11

saw great clusters

delicious looking berries!

red,

Just as his

to grab them.

hand touched the

grew

Coyote

very

ran

excited

over

talk he had had with the

berries his mind remembered

7.=-":.-: Wise Old

During

Man.

h_u,,-

nfr-did we get this land; was it (rf#

Coyote..

given to us by our

it belongs

to them.

And the Wise Old Man replied

great, great grandchildren.

To remind us of this, the children

berries near where the sumac grows.

These berries are theirs

Of course not,

We must take good care

of the future have put bunches

matter how hungry

of red

you get you

11

must

never

And the Wise

fall

R.

They are

eat them.

come.

yet

What wil

Old

Man

off.

alw ays

Coyote

ate the berries.

Coyote

Sweat was running

fool!

Besides , how could I

fast

the berries?" asked Coyote.

but

remembered

Coyote

down his face ,

What does

to the children

land belongs

eat

sorry,

This is what

ate

you that the

Old Man

replied,

known the Wise OId Man

the berries for himself.

remind

only

happen

He stopped and thought a moment.

o;

ancestors?"

We are borrowing this land from our great, great,

of it because

wi #

many conversations Coyote had asked, "TelI me, Old Man , where

their

one

you

eat those berries your behind

his

hands touched the berries.

.-J and he

he know?

lL:.

said to himself, " I

is just

tryng to keep

owe something to people who are not even

he could and as

many

have

here yet?" So

he could.

Coyote .n

fel t

fine!

He looked behind him and his behind had not

fallen

off.

Helaughed very

loudly and began

.. ...

::'

::

..

,...

/67

skipping down the road.

he began

to get diarrhea,

been! Coyote felt terrible!

Man, and he was

uf# :e w :nt t

: hi

children yet

He had not gone far when his stomach

first

little,

himself in the deep

Coyote walkedslowly to

brushes.

awful.

great stream. Coyote was sick, the sickest

then

He thought about the childrenwhowere

very embarassed.

began to hurt something

And then

had

ever

yet to come, and he thought about the Wise Old

the river where he got a

drink of water and then

He didn t want anyone to know that he had forgotten

come, and that his behind had

fallen off

And that is the end of this

the

story.

ATTACCA

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