Leon - Toque

Page 1

TANIA LEÓN

T O Q U E for B# Clarinet, Alto Saxophone, Two Percussion, Piano, Violin, and Contrabass



TANIA LEÓN

T O Q U E for B# Clarinet, Alto Saxophone, Two Percussion, Piano, Violin, and Contrabass


The word "toque" in Spanish means “touch” and is used not just for physical touch, but also to signify playing an instrument, playing a game, sounding an alarm, or giving The word "toque" in Spanish means “touch” and is used not for physical touch,tune but something a finishing touch. This composition is inspired by ajust famous Cuban dance also danzon) to signify playing an instrument, playing sounding alarm, touch, or giving The word "toque" in "Almendra," Spanish means “touch” andaalmond isgame, used not foranphysical but (or called which means in just English. "Almendra" was something a finishing touch. This composition is inspired by a famous Cuban dance tune also to signify playing an instrument, playing a game, sounding an alarm, or giving composed in 1938 by the Cuban bandleader Abelardito Valdes. León explains that this (or danzon) called "Almendra," which almond in anotes English. "Almendra" was something a finishing touch. composition is inspired by famous dance tune tune is so well-known that aThis Cuban needsmeans to hear only two of itCuban to recognize the composed in 1938 by the Cuban bandleader Abelardito Valdes. León explains that this (or danzon) almond English. "Almendra" was piece. Danzoncalled is the "Almendra," official dancewhich musicmeans of Cuba, and isinbased on European ballroom tune is so well-known that a Cuban needs to hear only two notes of it to recognize the composed byand the virtuosic Cuban bandleader Abelardito Valdes. León explains dancing. Itinis 1938 elegant and generally has a light and sprightly feel. that this piece.isDanzon is the official and two is based ballroom tune so well-known that a dance Cuban music needs of to Cuba, hear only noteson of European it to recognize the dancing. It is elegant and virtuosic and generally has a light and sprightly feel. piece. Danzon is the official dance music of Cuba, and is based on European ballroom dancing. It is elegant and virtuosic and generally has a light and sprightly feel. INSTRUMENTATION Clarinet in B# INSTRUMENTATION Alto Saxophone Clarinet in B# INSTRUMENTATION Alto Saxophone in B# 2Clarinet Percussion: Alto Saxophone 2 Percussion: 2 Percussion Percussion: 1 Percussion 1 Percussion 1

1 1 1

Percussion 2 Percussion 2 Percussion 2

Piano Violin Contrabass

1

2

3

4

5

6

7

8

9

1. Marimba 2 3 4 5 65. Small 7 Cowbell 8 9 2. Medium Tom Tom 6. L-H Agogo 2 3 4 5 67. High 7 8 9 3. 1. Conga Marimba 5. SmallClave Cowbell 4. L-H Bongos 8. High Woodblock 2. Medium Tom Tom 6. L-H Agogo 1. Marimba 9. Guiro (mounted) 5. Small Cowbell 3. Conga 7. High Clave 2. Medium Tom Tom 6. L-H Agogo 4. L-H Bongos 8. High Woodblock 3. Conga 7. High Clave 9. Guiro (mounted) 4. L-H Bongos 8. High Woodblock 9. Guiro (mounted) 2

3

4

5

6

7

8

9

1. Marimba 2 3 5 65. Castanet 7 8 9 4 2. L-M-H Roto Toms 6. Cachiche 1 2 3 5 67. Low7 Clave8 9 4 3. 1. Djembe Marimba 5. Castanet 8. Medium Temple Block 4. L-H Log Drum 2. L-M-H Roto Toms 6. Cachiche 1. Marimba 5. Castanet 9. Guiro (mounted) 3. Djembe 7. Low Clave 2. L-M-H Roto Toms 6. Cachiche 8. Medium Temple Block 4. L-H Log Drum 3. Djembe 7. Low Clave 9. Guiro (mounted) 8. Medium Temple Block 4. L-H Log Drum Percussion 1 and 2 play on the SAME Marimba (suggested hard mallets) 9. Guiro (mounted) Djembe on stand, play with palm whenever possible. Percussion 1 and 2 use playlight on the SAME Marimba (suggested hard mallets) Other instruments sticks. Djembe on 1stand, palm whenever possible. Percussion and 2play playwith on the SAME Marimba (suggested hard mallets) Other instruments use light sticks. Djembe on stand, play with palm whenever possible. 1

Other instruments use light Notes Tosticks. Performers

Notes To Performers Saxophone - Slap tongue Notes To Performers Percussion - Slap hit

Saxophone - Slap tongue Violin - Heavy bow pressure Saxophone tongue Percussion - Slap hit Double Bass - Slap strings on fingerboard with open palm Percussion - Slap hitpressure Violin - Heavy bow Double Bass - Tap wood with fingers Violin Heavy bowstrings pressure Double- Bass - Slap on fingerboard with open palm Use piano pedalBass sparingly when not indicated. Double - Slap strings onotherwise fingerboard with open palm Tap wood with fingers Double - Tap wood fingers indicated. Use piano pedalBass sparingly when with not otherwise Use piano pedal sparingly when not otherwise indicated.


Dedicated to Martha Mooke

Clarinet in B#

Alto Saxophone

  

  e =130



 f

TOQUE

     

Percussion II

mf

   



Piano

 Violin  

Contrabass

mf/mp

  e =130 

  e =130



Perc. I

Perc. II

 

 

  

 

pizz.



   mf

mf

f

      

   f

sf

mp

(2006)

  

arco

 

f

 





 

mp

    

 

 

poco mf

                 p



 p

 

5

f

 pizz.   

ff         secco f



 

   

  

mp



© Copyright 2006 by Tania León

  

  

f

 

mp

mf

mp

 

  

mf

f

   

  

 

p

pp

    

f

  

arco Sul A

© Copyright 2006Rerserved by IROKO Music All Rights Songs of Peer, Ltd., Administering Publisher for the World International Copyright Secured All Rights Reserved

arco

mf

 

mf

 

 

    

  



mf

 

6

  9                   

 

f

 

mp

 

sfp

5      

mp

mp



mf



mf

 

     



Clave

mp

   

mp

 

mf

     

      

 

p

mf

                                          

 

Cachiche

   

mf

pizz.

f

sf

     mp 

       Vn.   

Cb.

 

 

Pno.

 

Guiro

5

  

 

 Cl.   Alto Sax.



 

  



   

Roto Toms 6

 

 

Tania León

                            

H Log drum



molto legato

     



  

espr. mp

Marimba

Percussion I



 

  

6

ppp

 



    mf    

mp



mf

 sul pont.

  mp

sul pont.

  

mp


2 

  Cl.   10

Alto Sax.

 

Perc. I

 

  



 

9



 Vn.   Cb.

6

Alto Sax.

 Perc. I

mf

mp

 

mp

 

 

sf



mp



3    p

 



mp

 

mp



 

 

 



mp

 



 



mf

  

     Vn.       Cb.    mf

mp

  f 

 

   

   

  



 pizz.

 

ff



        

    

arco

  

mf

  

norm.

  

sf

 



mf

 

f

  

   mf

  

7

ff

 

sf



  

Clave

 

  



f

 f

 

                

p

   mf   

 

mf

mf

  mp



mf

  

. gliss

                             

   

mf

Marimba



   

  

              mf  f 7

to Marimba

   

mp

mf

    

p

mf

mp

 

3   

7             mf     f

 

mf

  



Clave

6    

 



3

gliss.



 

                  9 f

Tom-Tom (w/light stick) 6

6      

mp

  

Pno.

  

  

Perc. II



  

Guiro

mf

   



molto

    mf

   



mp

Guiro

Roto Toms

13

Cl.

 

  



Pno.

 



6

mf



  

f



Perc. II



  

Roto Toms (w/ light sticks)

 



   

   

mf

 

pizz.

  mp  

  

pp

mf



f

 

  

   mf  

  

 

     ff

  

ff

   

 f


 Cl.   16

Alto Sax.

 

Perc. I

 

mp

 



 Vn.  

Perc. I

 

Pno.

Vn.

Cb.

 



Bongos

Log Drum 6

f

6

     mp

  

  

mf

 

 

  

mf

     



f

    f

  

f



   

mf

mf



  

    

          f   mf   mp          

arco

pizz.

ff

 

    

       fp

3   

mf

mf

f

   

Conga

         

mf

ff

    

ff

 

poco

      

     

Log Clave Drum

f

fp

  

     

Clave

 

Guiro

  



3

ff





mp

sf

6

pizz.

 Guiro     

6

  



sub. mf

   

 

sub. f arco

     

                     

                     

 

 ff

 



 pp 

mfp

f

fp

mf

mf

  5

f

 

 

 

mf



  

 



   

7

mf





mp

Clave

  

fp

   





mf

mp

    

f

mf

     

f

7

   

    mf       

   

         

mp

 

         mf mf            f   



  

mp

   



mfp

 

   

mf





3

Djembe (w/palms)

f

 

mf

       f    

 

 

secco

 

Perc. II



    

    21   Cl.    Alto Sax.   

f

Guiro



    

  

mf

 

mp

  

  



Cb.

   





 

mf

 Pno.

mf



  

mp

 Perc. II

   

3

f

       sf f       

 

   mf


4

     Cl.    

26

Alto Sax.



Perc. I



      Cachiche

Perc. II



Pno.

 

   



f

   

f

    



  



    

 6

 

6

  



f

sf



  

  

 sf                f   Vn.   

   

   



    f 

f

    f arco     



pizz.

mf



 sf



   

     

ff

sf

 



 

 

6

 

        

mf

  

Guiro

mf

  

   Clave   f

    

    mf





     ff

mf

Cachiche Clave

     Cachiche   

 

    sf 

  



             f               

 

mf

  

6

mp



    

 6



6

3

f

    

  

                   mp p mf Bongo             mf                                 

f

  

 

 

Conga

pizz.

5

     

    

ff

    

Marimba



 

   

mf

mf

Cb.

    

Clave

32

Pno.

ff

 Cl.  

Perc. II

f

    

Clave

            

     Cb.     

Perc. I

   

Bongo

arco

Alto Sax.



    

 Vn.  



arco

   

  

sf

 

f

    f 



        Temple Block

  

mf

  

mf

 

 


 Cl.   36

  

Perc. I

 

Perc. II





Pno.

Vn.

Cb.

   

   

 Freely

   

 Freely 

      

    

 

 

 

  

Temple Block

  

 Vn.    



  

mf

mp

arco

  

     

 

f

mp

 

    

 

       

  

mf

  

  

  

  

    

 

 

mf

 

   

Marimba





mp

f

                       f 

   

arco

sf

mp

   

 



3

mf

   



    

 

Marimba

3

pizz.



 

 



 mf

mf

          

Woodblock

   mf

   mf

  

sf

  

pizz.

 

mf

  

Clave

 

                    mf 





 



   

    

     mp   f           

mf

   

 

      

 

3

5

mf

 



pizz.

   

Clave

     

mf

  mp

     

  

    

   

mp

Bongo

 



           



 Conga

 



        0 2

           

6



Pno.

Cb.

 



   

          Cl.         

Perc. II



f

6

mf

mf

f

39

Perc. I

  

   

mf

mp



     f  

f

5

Roto Tom

f

Alto Sax.

mf

sticks and hard mallets

f

mf

           f mf    

Roto Tom

Temple Block

              

Bongos

f



f

 

Guiro





     



Alto Sax.

 Freely

5

  f

 

 

     

 

 

  

arco

 

mf

      

  

  

mf



mf


6

 

 

44

Cl.

Alto Sax.

 Perc. I



  

Bongo

 

mf

  

  

   

Clave

   

Log Drum

   Marimba    

Perc. II

   f      

 



  

   

Clave

                                                Pno.                                               Vn.        f Cb.

mf



 Cl.   48

Alto Sax.

 

Perc. I

 

 

Clave

Tom Tom

f

Pno.

Vn.

Cb.

 

 

   



   mf

   

Conga

  

   mf

 

f

 

    

mf

 

mf

 

    mf

 

      

   

mf

Marimba

 

 

 

   

f

   

     

 

 Perc. II

mf

    mp

  

    



f

 

     



mf

    

    mf        

  

     

ff

  f

   



 

mf

    

  

 

      

   

    mf

  

Roto Toms

 

f

    sf    

sf

    

     mp  

ff

 

    

 

    

    

sf

   



    mp

Conga

Djembe

    

 

pizz.



 

f

mf

Temple Block

 

mf

   

     

 ff

   

       fltg.          mf f mf            mp Bongo mf Conga Bongo Clave Agogo               mf  

mf

f

Djembe

     mf            f Woodblock   Bongo           

f

 

 

    f

 

 

 

   

mf

       

mf

sf





  

         

mp

  

 



 

 

 

 

arco

mf


  

   

 

52

Cl.

Alto Sax.

 Marimba

Perc. I

  



Perc. II

  

  

Vn.

Cb.



   55

Cl.

Alto Sax.

 Perc. I

Perc. II

Pno.

Vn.

Cb.

 

 





  

 

 

        

Bongo Tom Tom 

mp f

mf

          f  

Djembe

 

f

 

 

      mf       f

 

mf  

  pizz.



 

 

  



    

mf

f

 

 

  sf 

 

  

 

 



 

 

   

f



f

  

pizz.

arco

  

 

mf

  

  

ff

  

 

pizz.

sfz

   

 

             f

 sf

f

 

mf

   

sfz

mf

mf

         

 

             

   

arco



         

mf

 

   

             

      

  

 

  



f

          mf          mf             

 

mf

f

 

sf

     f

    mf   arco       

 

 

  

   Marimba          

 

  

f

    

             

 

mf

      

   

mf

       

Roto Toms

  

 

mf

mf

 

mf

  

  

f



mf



  

  

 

Conga



 

 

               mp

  

mf

 

          

mp

 

  

  mf

 

Pno.

mf

 

7

pizz.

 

 

 

         

 

 

        f mf         pizz.

mf

 


8

 

     Cl.  60



f

Alto Sax.

Perc. I



       f            

     

mp



Perc. II





Vn.

Cb.



   

   65

Alto Sax.

 

Perc. I

Perc. II

 

      

 

f

 



arco

     mp Clave    

 

 

 

  

mp

 

  

  

   

 

mf

  

mf  

   

     

 5           mf

 

 

     



         

  





mp

 



       



       sfz mf   

 



 

     



 

f

  

  

 

  

  

 3

         5

    

arco

 

             

   

 

f

5

 

mf

mf

 

  

      mf

sfz



        sf      



mf



   mf   

 



  

 

sfz

mf

mf

     

   p

p

Roto Toms Djembe 

mp

           

  

Tom Conga Bongo Tom  

           sfz              

 

       

pizz.

ff



mp

mf

   mf

  

 

 



mp

f

    

       

              Vn.      f     Cb.  

 

mp

Clave

mp

 

 

mf

   

mp



   p

 



  

p  

     

     sf           mf



mp

mp

 Pno.

 mf       





arco



  

 

mf

   

    

f



 Cl.

 

mf

  



Pno.



 

mf

 



   mf     

mp

mf

 

   

pizz.

pizz.

    

mf

3



 

f

 

 

  

arco


   68

Cl.

Alto Sax.

 

 

Perc. I

 

Pno.

 Vn.

Cb.

    

   73

Cl.

Alto Sax.

 

Perc. I

Perc. II

Cb.

mf

 

 

   

arco

      Jete gliss.  f  sul A      

   

ff

   

mp f

   

       

 





  



mp



 

    

 



 



    



  f

    f

   

    

   

  

 



mp





    

f

    

Clave

mp

   

Clave

mp



  

 

  

 

   



 

      



  



f

f

 

     f  

  



 



 

 6

6    

 

 

      3              f           mf        

sfmf

  

   mp  

  

   

Clave

 

arco sul D



Roto Djembe  Toms

f

sf mf

Clave

 

 

   

    

 

Tom Tom

t

mf

   

fas

s. glis

mp

     

     mp

 

       Djembe  mf

        

     

Tom Conga Bongo Tom

 

  

Bongos

mp

     

sf

 

Roto Toms

mf



Vn.

 



Pno.

mf



  

 

Conga

sub f mf

13



Perc. II

13

mf

  

                               

9

mf

                    mf       

f

 

   

 

  

  

 

   

 

   

  

    

 

 

 

 

mf

mf

     

Bongos

mf

   

     

mf

Roto Tom

Djembe

     mf

  



pizz.

   

    

pizz.

mf

mf

    

   


10

Cl.

Alto Sax.

  

    77

     mf

      

mf

   

Perc. I

     mf

   

Perc. II

 

Pno.

      

Vn.

   

 Cb.    

Cl.

Alto Sax.

Perc. I

Perc. II

Vn.

Cb.

mf mp

 

   mf arco      

    

 

      

     

         

     

   

  

   

  

  

   

     

  

        

   

 

   

    

  

    

     

  

mp

        

Roto Toms

 

mf mp

f

 

    

 



  

 

 

   

 

mf

    

mf

f

mf

   

pizz.

f

norm. 

         

5



 

 



 

 



  

    

 

mf

 



Roto Toms

 

mf

Rubato, ad libitum

mf

 

  

     

       

mf norm.

Tom

        

            



 

 



6

f

   

6

Tom        Tom    

  

 

Conga Bongo

  

 

mp

 

  

Clave     

fltg.

mp

       

fltg.

 

 

mf

 

     Clave

   

Tom        

 

Pno.

arco

    

    

mp

 

    82

Djembe

         

    f 

 

   

Roto Toms

  

 

   

 

Tom Tom

 

Clave, Log Drum

 

Conga, Woodblock

 

mf

    

    

 

 

 

    5      

5

Woodblock

mf

 

 

  f 

 

 

Rubato, ad libitum

  mf   f

   

 

 

 

 

  

 

f arco

 

mf

Log Drum, Cachiche



Rubato, ad libitum

   mf  

 



 


Cl.

Alto Sax.

 A tempo   

    86



    



 Perc. II

Bongos      

Conga

mp

    

Roto Toms, Djembe

mf mp

 A tempo  

 

mf mp

 

Log Drum

 

    

    

  

mf mp

     

mf mp

 

   

 A tempo     

 Cl.    91

 



 



mf  

mf

     

   

 



       

  

 Vn.   

 Cb.   

Conga, Woodblock







mf

 

mf

f  

 

f

 

 

Castanet

  Roto Tom f     

  

pizz.

f 

  

 

   

Guiro

 



   Bongos      

f

                        mp     

 

f

 

  

  

fp

mf

 

f



 

mf

    

 



 4                   4 f mp f  sul G             

  

 

 

sf

 

 

 

   



 

 

  

   





 

pizz.

  

  

f

f

 

    

 

sf

   

                      

 



   

f



arco

Temple Block

 

 

  

 

 

 

  

4

 

4

Pno.

    

  

Perc. II

   

           

 Cb.   

Perc. I

   

 

Alto Sax.



 

 

   

Vn.

 Tom Tom       

mf

   

Pno.

 

mf

   

Perc. I

11

 

            

       

 mf

 

      



 




12

   Cl.       mf 94

Alto Sax.

    

Perc. I

Perc. II

   

  mf       mf

  

f

 

        mp

    

mf

 

 

  

   

   

mf

 

  

          

   

    

         

f

     



 

   

 

 

Log Drum, Temple Block



mp

3





 

 

 

 

 

    

 

 

            

    f

pizz.

 

    

mf

 

 



    

 

  

   

f

    

 

 

mf

 

  

  mf

    

 

 

f

mf

      

f

       mf 

 

f

Log Drum, Temple Block

      

      



Bongo, Tom Tom

f

 

  



f

 

sfz

mf

       

  

f

3



   

f

       mp sfz  arco    

mf

 

 

Marimba (w/sticks)

    

f

Conga, Woodblock

 

 

       

   

f

 

mp

norm.

    

Cb.



 

norm.

mp

              

    

Vn.

 

     

sim.

f

Pno.

 

 

 Perc. II

    

fltg.



     

98

 

f

      Cb.         mf 

Perc. I



fltg.

     Vn.    

Alto Sax.

 

   

Cl.

Cowbell, Agogo

   

f

        

Pno.

Cachiche

  

     f    f

 

  

   

mf

      

mf

 


Alto Sax.

Bongos

 

 

 

f

 

 

   

Pno.

Vn.

Cb.

 

 

 

 

 

     

 

 

 

   



   



   



Tom Tom

 

  

f



   f     arco    

f

 

 

mf

f

 

 

 

  

   

 

mp



  

 

 

 

      mp 

mp

 

 

 

f

  



 

mp

 

Djembe

f



  

 

mf

f

 

  

 

 

 

mf

 

  

 

  

 

Roto Toms



  

Perc. II



    

Perc. I

  

    101

Cl.

13

mp



 Cl.

Alto Sax.

Perc. I

    

Pno.

Vn.

  

 

mf

   

 

 Perc. II

    

 

mf

   

    

  

 

   

mp

mp

 

Conga

    

mp

mf

  

mp

   

        

 Cb.   

mp



mf



 

f

   

pizz.

  mf

 

 

 

  

 

mf

 





  

  

 

   

 

mp

 

mf

  mp

mp

    

    

 

  

  

  

    

 

  

   

 



      

 



       

mf

   

6

    



     105




14

Cl.

Alto Sax.

    

Perc. I

  

    109

Freely

Pno.

Vn.

   

  

 

   

  

   

Alto Sax.

    

Perc. I

Perc. II

Pno.

Vn.

Cb.

   

   

 



  

mp

Clave, Woodblock



 

 

        mf

 

mf

 A tempo   

    

mf

 

 A tempo    

   

 

   f   

pizz.

mp

    mf  

mf



mf

   

     

   A tempo      mf 

mf

  

 

  

   A tempo  

     

      mp

 

mp

 

     

mp

            Freely

Freely

 

            









  



 

 

  



                      mp

 



Clave, Castanet

 

     

Freely



 

  

mf

   

Freely

mf

   

     mf

    

    



        Freely

secco arco

mf

  



 

   A tempo 

f

    

 

     

Freely

Castanet

A tempo

mf



               mp mf mp        

f

 

      Freely

Guiro

 

mf

   A tempo 

       

Roto Toms

 A tempo  

    114

mf

 Freely

Freely

               

 Cb.   

Cl.

       

   

Perc. II

   A tempo 

mf mp

       fmp



 Freely  Freely











     


Cl.

Alto Sax.

 

Perc. I

    mf

 

Pno.

Vn.

Cb.

 

Alto Sax.

 

Perc. II

Vn.

Cb.



Roto Toms

 

          mf  mf

 

  

mp





          

 

 

 

 

    

mp Cachiche

   

 

mp

   



mp

mp

  

 

f

   

 

Guiro

 

  

 

  

  

  

 

mf

 

 

 

 

 

  

Clave

mp

 

mf

 

mf

 

 

 

 

      

 

   

  

         

    mf

arco

  

   f

 

  

  mf

 

  

f

   f     

         

mf

 

mf

                             f   mf 

 

 

  

mf

    

     

    

f

   

Clave

6                           mf

 

 

6

mf

                          





 

mf

mf

 

 

mp



      

 

 

  

f

mf

   f      

mf

Castanet

Bongo, Tom Tom

  

           

Log Drum Clave

  

          





pizz.

 



arco

    

Agogo

 

 



  

 

  

 

mf

   

 

 

  

Pno.

 

 

Perc. I

Bongo Conga



120

Cl.

 

  



   

mf

 

 

mf

Perc. II

 

   



 

116

15

 

mf

   


16

Cl.

Alto Sax.

   

  

  Pno.

Vn.

Cb.

   

  

   

   

Alto Sax.

Perc. II

  

    

  

Temple Block

      

Clave

mp

    mp

 

Guiro

 

 

  mp

mf

mp

 

  

f

 

     

(w/left hand)

f

 

 

    



        

  

 

f

   f     

Castanet



mf

 

 

   

 

                     mf

 

 

    

mf

   

f

                                 f mp             

mf

  

 

6

pizz.

 

mf

  

 

                 

Agogo





    



 

pizz.



 

4

     

 Cb.   

      

   

 

  

 



Djembe

               

mf

    mf

   

 

 

mf

 

Tom Tom Bongo

mf

 

                     

   Roto Toms          6 mf                           5         

       

 

Guiro

 

mp

 

Vn.

       

                      mf 

  

   

Pno.

Wood block

    

Perc. I

    131

Cl.

f

Clave, Bongo

 

  

Perc. II

 

    

Perc. I

  

   126

    

  

sfz

 

 




    135

Alto Sax.

    

   

Perc. I

 Perc. II

   

Pno.

Vn.

       

    

Freely

 Tom Tom    

Bongos

 

f

     f

 

Djembe

       mp

pp

Freely

7

       

 



   

    138

Cl.

Alto Sax.

    

Perc. I

   

Perc. II

Pno.

Vn.

   

      

    

 Cb.   

mp

   

     

A Tempo

 

mp



 Freely

             p



   Cachiche            mp 

Log Drum Djembe

 Freely

mf

f

pp

 A tempo   

poco a poco accel.......

p

 p

Clave

Clave

 

f

f

mp

f

 A tempo 

 A tempo 

        

     f

mf

         mf

Roto Toms

 

f

               mf 6

 

 

 

 

 

f

mp

  

Guiro

 

f

mp

  

Guiro

                                          mf

 

arco

  A tempo  

sfz

mp

poco a poco accel.......

 arco                             

poco a poco accel.......

  

 Freely

mf

pizz.

 A Tempo

  A tempo  

 

        

   

 

Freely

A Tempo poco a poco accel.......

 

fmp

Cb.

  A tempo  

   dry     pizz. 

mf

     



Cl.

17

mf

 

  




18

Cl.

Alto Sax.

    

Perc. I

  

   142

mf

   

mp

 

Pno.

Vn.

  

   

   

Cl.

Alto Sax.

   

Perc. I

Perc. II

  

Vn.

 Cb.   

       f

  

  

f

    

 

 

                   

     sfz

  

   

   

          

arco f

     

f

mp

 

 

 



 

   

  

        

    

   

   

    

  

 

       

Roto Tom

 

    

 

    mf

  

mf

 

    

 

 

   

   

 

       

              

mf

 

 

   

 

  

 

 

mf

mf

                               

 

mf



 

 

      

arco

 

     

 

                     f mf             

 

  

f

Log Castanet Drum Temple Block

   

    

 

pizz.

    

 

Pno.

 

f

f

mf

 

  

 

    mf       

   

f

f

    

 

        

  

mp

               mf mp     

 Cb.    146

  Tom Tom         

f

   

      

Roto Tom Marimba (w/sticks)

  

 

            

 Perc. II

  

Bongos

   Marimba (sticks)

 

   

 

  

    

mf

   

   mf

f

  

   

 

 

          

     Clave

   

      

 

  

   

 

    

  

  

     

    

   


Cl.

Alto Sax.

  

   149

    

   

   

Perc. I



 

Pno.

   

 

 f     

  

                mp

   

  

 Cb.   

Cl.

Alto Sax.

    

Perc. I

  

    152

 

Vn.

Cb.

   

       



  

   

  

   

   

Marimba              f     

                   

  

 

   

 



 

  

  

                   

   

   

 



 

          f            

 

          

         

 

                           

 

Marimba

   

  

   

   

  

 

Roto Tom

 

    

                       

     Roto Toms                  

sfz

  

 

Pno.

          

 

 

 

   mf      mf 

   

 

   

  

 

  

   

          

   

 

  

sfz

  

sfz

Bongos, Conga, Tom Tom

Perc. II

    f

   

Vn.

    

Bongo (on rim)

 

Perc. II

 

19

                



      sfz

Djembe

Marimba

                          sfz                      6 6        3                               

    sfz    pizz.         sfz      pizz.     sfz

       arco         

arco

sfz

3

          

 

 

              

   

pizz.

pizz.

  

sfz

sfz

 

     arco    

sfz

arco

   

sfz







Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.