IC MUNSA R T W E R OF N F M O D E
HTF ESS T I V A L O NIG O A N L ATIO D NTTW N ERN A I DAYSE C O N D
O E N T Y -S TW E TW TH
6
201 ssa
kr • U
23-25
Ode
aine
april
C
al
festiv
2d2n
the idea and artistic conception: International organization
Association New Music Ukrainian
section of the International
financial support: Ministry of Culture of Ukraine (Kiev, Ukraine) Odessa Regional State Administration (Odessa, Ukraine) Odessa Regional Council (Odessa, Ukraine) Odessa City Council (Odessa, Ukraine) Department of Culture and Tourism, Nationalities and Religions of the Odessa Regional State Administration (Odessa, Ukraine) Department of Culture and Tourism of Odessa City Council (Odessa, Ukraine) The Embassy of Israel in Ukraine (Israel) Goethe-Institut Kiew – Deutsches Kulturinstitut (Germany) German Cultural Centre Bavarian House, Odessa (Odessa, Ukraine) Consulate General of the Republic of Poland in Odessa (Poland) Andrii Azarov Charitable Foundation (Odessa, Ukraine) Ciacan Charity Foundation (Odessa, Ukraine) Shabo Wine Production and Trading Company (Odessa Region, Ukraine) AE Vekka LLC (Odessa Region, Ukraine) SLС InterChem (Odessa, Ukraine) SLC Kryvoozers’ka FFF (Mykolaiiv Region, Ukraine)
National Ukrainian Composers Union (Kiev, Ukraine) Odessa National A. V. Nezhdanova Music Academy (Odessa, Ukraine) Odessa Branch of the National Ukrainian Composers’ Union (Odessa, Ukraine) The Embassy of Lithuanian Republic in Ukraine (Kiev, Ukraine)
Society
for
Contemporary Music/ISCM
general informational sponsor: Media-holding 100 % (Odessa, Ukraine)
informational support:
Muzyka Magazine (Kiev, Ukraine) Kultura i zhyttia (Culture and Life) Newspaper (Kiev, Ukraine) The Day Newspaper (Kiev, Ukraine) 100 % Business Publication (Odessa, Ukraine) Modnyj Mandarin Magazine (Odessa, Ukraine) Favoryt udachi (Favourite of the Luck) Magazine (Odessa, Ukraine) Vechernyaya Odessa (Evening Odessa) Newspaper (Odessa, Ukraine) ONT, RENOME, 100% TV Channels (Odessa, Ukraine) National Radio Company of Ukraine – Art Programs’ Production Department (Kiev, Ukraine) Odessa Regional Radio – Creative Group Iryna and Radio na Trojits’kij (Odessa, Ukraine) Situatsija UTE (UTE Situation) TV Programme (Odessa, Ukraine)
president
artistic director
Bernhard WULFF
Karmella TSEPKOLENKO
director
Oleksandr PEREPELYTSIA
organizing committee: Olena Olijnyk – Head of the Department of Culture and Tourism, Nationalities and Religions of the Odessa Regional State Administration Tetyana Markova – Head of the Department of Culture and Tourism of Odessa City Council
Oleksandr Sokol – Rector of the A. V. Nezhdanova ONMA, Ph.D in Musicology, Professor, Academician, Honoured Arts Worker of Ukraine Lesya Olijnyk – Vice Rector of P.I.Tchakovsky NMAU,Secretary of the Ukrainian Composers’ Union, General Secretary of the Ukrainian National Committee of the International Music Council, Honoured Arts Worker of Ukraine
staff:
photo:
Hasmik Khachatryan Vasyl Lutchak Oleksandr O.Perepelytsia
Stepan Alekyan Vitaliy Pin'ko Viktor Sivak Oleg Vladymyrsky
recording and sound team:
Studio Arcadia (Kiev)
address of the festival venue:
Iouri Semenov
Odessa Regional Philharmonic 15, Bunin Str. Tel. (+380 48) 725 15 36
design:
address of the festival direction:
Oleksandr O. Perepelytsia
Association New Music Tel. 785 84 73
idea by
e-mail: karmella@ukr.net website: www.anm.odessa.ua
editor and translator:
Dmytro Oreshnikov and Oleksandr Shevelyov
www.facebook.com/2d2nfestival
publisher:
Association New Music 5
Since Spring connotes a blossoming of nature and birth of the new, and since it is also a time of flash and joy in the human soul, the month of April has been selected for “Two Days and Two Nights of New Music.” With each passing year, it is more and more evident that Ukrainian society wants to determine and establish itself as European, and it is in the sphere of culture and art where the coming innovations must express this aspiration in the most striking way. In this sense, the “Two Days and Two Nights of New Music” Festival, which was initiated in the first years of the renewed Ukrainian independence, has become a forerunner of Ukraine’s joining to the European and worldwide cultural space, as well as a truly efficient tool for its cultural integration. Our Festival is aimed at developing the newest art trends and encouraging the most unexpected creative experiments, inspiring human hearts to rejoice in an atmosphere of great mystery accompanying the birth of beauty. Once again, this year we thank luck for getting a new opportunity to welcome our friends who again participate in the Festival. As well, we are glad to make the acquaintance of new participants and guests who will surely become friends of the 2D2N community. The Festival is growing more and more renowned all over the world. We are satisfied at having achieved our main objective: “Two Days and Two Nights of New Music” has to a great extent allowed contemporary Ukrainian music culture and Ukrainian composers’ works to rank high in the world. Owing to the Festival, the Association New Music was founded – now this international organization is the Ukrainian National Section of the International Society for Contemporary Music / ISCM. Taken together, these facts constitute a pledge of the further existence of “Two Days and Two Nights of New Music.” This year’s Festival takes place in an extraordinary situation. Ukraine is going through the largest crisis during its independence. In fact, it is not only a crisis, but a cruel war against our country. On the other hand, this war means a crisis of the entire world order, but above all it has affected us, Ukrainians. Therefore, we are especially grateful to all who, despite all the threats and challenges, are participating in the Festival. Today, it is a great support for Ukraine and Ukrainian culture. Thank you all! With a feeling of great gratitude to all our sponsors, and with the confidence that this 22th Festival “Two Days and Two Nights of New Music” will become a real feast of music, we welcome all participants and guests and wish you creative inspiration and joy while immersing yourselves in the element of music! President of the Festival
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Bernhard Wulff
Artistic Director of the Festival
Karmella Tsepkolenko
Director of the Festival
Oleksandr Perepelytsia
FESTIVAL – PRELUDES April 22 programme 18.00 | CONCERT-PRELUDE JAZZ-PORTRAIT of MYROSLAV SKORYK (UA)
12.00 - 14.00 | Master-Class
Peg-top for piano and string orchestra Pleasant Stroll for piano and string orchestra
In an Old Jazz Style for piano and
MIKKO RAASAKKA (FN)
string orchestra
In a Folk Style for piano and string
clarinet
orchestra
(Small Hall of Odessa National A. V. Nezhdanova Music Academy, Novosel’s’kyj Str., 63)
Jazz Paraphrases of Pieces by L. van Beethoven (Moonlight Sonata, Appassionata, To Eliza) for two pianos
Jazz Paraphrase of Mazurka in A Minor Op. 7 No. 2 by F. Chopin for two pianos
Arabesques for piano and string orchestra
Persistent Tune for piano and string orchestra
Caprice for piano and string orchestra Dancing Suite for two pianos and string orchestra
15.00-17.00 | Master-Class PERCUSSION ENSEMBLE OF FREIBURG MUSIC UNIVERSITY (DE) (Odessa Regional Philarmonic, Bunin Str., 15)
CONCERTS – PRELUDES
performed by STRING ORCHESTRA OF ODESSA STOLIARSKY MUSIC SCHOOL (UA) Artistic director and conductor Viktor Moldavanov (UA) Soloists
Oksana Rapita (UA) piano Myroslav Dragan (UA) piano Conductor
Myroslav SKORYK (UA) (Great Hall of Odessa Stoliarsky Music School, Sabaniiiv Bridge, 1)
programme
7
the first day
| April 23
KONZERT–GRAND–SZENE 1 16.00 | GRAND OPENING Part I
Part II
N.A. Huber (DE) Clash Music (1988)~ 3`
Duel-Duo 1
Oleksandr Krasotov (UA) Rhythmotecture – Concerto for four percussion players (2005) ~ 11`
clarinet, bass clarinet, liru (Finnish shepherd’s clarinet) & ANTTI VAHTOLA (FN) piano
performed by PERCUSSION ENSEMBLE OF FREIBURG MUSIC UNIVERSITY (DE) Nanae Kubo (JA) Torgrim Halse (NO) Jin Yu-Young (KR) Bernhard Wulff (DE) conductor, artistic director
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FESTIVAL
MIKKO RAASAKKA (FN)
Vinko Globokar (SL/FR) Voix instrumentalisée for a bass clarinet player (1973) ~10` Lauri Mäntysaari (FN) Ristivalossa / At Crosslight for clarinet and piano (2009) ~ 4` Tolga Tüzün (TR) Crosssection for clarinet and piano (2004) ~ 7` Ari Romppanen (FN) Punga mare for clarinet and piano (2015) ~ 4` wp Jörg Widmann (DE) Fünf Bruchstücke for clarinet and piano (1997) ~ 8` Kirmo Lintinen (FN) Rieha (Happening) for clarinet and piano (2009) ~ 6`
programme
KONZERT–GRAND–SZENE 2 17.30 |
18.30 |
PIERRE BOULEZ IN MEMORIAM
GULFSTREAM STRING QUARTET (UA)
(26.03.1925 – 05.01.2016)
Boris Skalsky (US) String Quartet No. 3 (2014) ~ 20` Liubava Sydorenko (UA) String Quartet (2005) ~ 6` Zoltan Almashi (UA) String Quartet No. 1 “3+1” (2005) ~ 20`
Solo-Solissimo 1
EVGENY GROMOV (UA) piano
Une page d’éphéméride (2005) ~ 5` Notations I – IV, VII, X, IX, XII (1945) ~ 6` Troisième sonate (1955 – 1957/1963) ~ 20` Formant 2: Trope (Texte – Parenthèse – Glose – Commentaire)
performed by Ol’ha Akolishnova (UA) volin Mariana Skrypa (UA) violin Andrii Tukhapets’ (UA) viola Zoltan Almashi (UA) cello
Formant 3: ConstellationMiroir (Mélange – Points 3 – Blocs II – Points 2 – B locs I – Points 1) (version rétrograde) Incises (1994/2001) ~ 10`
the first day | April 23
9
19.30 |
Remembering the shoah
DUOS and TRIOS
WITH
RUPERT BERGMANN (AU)
20.30 | ENTRACTE-FANTASY 1 ALIONA TOMLIONOVA (UA)
bass-baritone
Alexander Kukelka (AU) Trau noch dem Frühling nicht on the texts of a Jewish writer from Chernivtsi for bass-baritone, clarinet and piano Arnold Schönberg (AU) The Survivor from Warsaw op.46 (1947) (op.46b, reduction for voice and piano by Kurt Frederick) ~ 7` Yuri Povolotsky (IL) New piece for ensemble (2016) ~ 6` wp Mercé Pons Ramis (ES) Dos Almas for bass-baritone and piano Uwe Scheer (AU) Two songs (Was weiss ich; Der nette junge Mann) for bass-baritone, clarinet and piano performed by Volodymyr Gitin (UA) clarinet Maryna Mokhriakova (UA) piano Oleksandr O. Perepelytsia (UA) piano and Rupert Bergmann (AU) bass-baritone 10
Two Bagatelles for domra and piano (2015) ~ 5` wp performed by Viktoriia Mel’nyk (UA) domra Olena Pavlova (UA) piano For Emily for oboe and piano (2015) ~ 14` performed by Yevhen Yeremenko (UA) oboe Olena Pavlova (UA) piano Rondo Tristitiae for string quartet (2015) ~ 10` performed by THE HARMONIES OF THE WORLD STRING QUARTET Nataliia Lytvynova (UA) violin Leonid Piskun (UA) violin Iia Komarova (UA) viola Serhii Scholz (UA) cello, artistic director
the first day | April 23
KONZERT–FOYER–SZENE 1 (down) 21.30 | Duel-Duo 2
23.00 | Duel-Duo 4
OLENA PAVLOVA (UA) piano & VIKTORIIA MEL’NYK (UA) domra
ACCOSPHERE DUO ALENA BUDZINAKOVA (SK) accordion & GRZEGORZ PALUS (PL) button accordion
Grigorii Zaitsev (RU) Irodiada for solo domra (2010) ~ 8` Julia Gomelskaya (UA) Three Pieces from Seven Touches for solo piano (2000) ~ 6` Mikhail Bronner (RU) Dyptykh (Memory; On the other side) for domra and piano (2007) ~ 14`
22.00 | Duel-Duo 3 ANDRII PAVLOV (UA) violine & NAZAR STETS’ (UA) double bass Krzysztof Penderecki (PL) Duo Concertante (1983) ~ 7` Hanna Kulenty (PL/ ND) Going up (1995) ~ 12` Virgilio Mortari (IT) Capriccio (1966) ~ 6` Julia Gomelskaya (UA) DiaDem (2003) ~ 7`
Yuji Takahashi (JP) Like a Water Buffalo for solo accordion (1985) ~ 9` Bent Lorentzen (DK) Tears for solo button accordion (1992) ~ 8` Ketil Hvoslef (NO) What may become of 7 feathers for two accordions (1979) ~ 7` Poul Rovsing Olsen (DK) How to play in D-major without caring about it... ~ 6` Kira Maydenberg-Todorova (UA) Sketch for two accordions (2016) ~ 4` wp Volodymyr Runchak (UA) Slob-art, the Art; to each His Own for two accordions (2014) ~ 13
the first day | April 23
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| April 24
the first night
KONZERT–FOYER–SZENE 2 (down) 00.00 | Part II
Part I
SOLI and DUOS with GULFSTREAM (UA) Bohdan Kryvopust (UA) Capriccio for violin and piano (2004) ~ 9` Liudmyla Yurina (UA) Irrlicht for solo cello (2000) ~ 7` Bohdan Kryvopust (UA) Podium for solo viola (2004) ~ 6` Serhii Piliutykov (UA) Bourrée for solo cello (2004) ~ 6` Ihor Shcherbakov (UA) Sonata for violin and cello (1985) ~ 13`
SOLI with PERCUSSION Akiko Yamane (JP) Poppi Cue Popper Key for percussion solo (1991) ~ 7` performed by Nanae Kubo (JP) Áskell Másson (IS) Prim 8 for snare drum (2009) ~ 5` Toshimitsu Tanaka (JP) Two Movements for marimba: Movement 1 (1965)~ 4` performed by Torgrim Halse (NO)
performed by Ol’ha Akolishnova (UA) violin Mariana Skrypa (UA) violin Kateryna Suprun (UA) viola Zoltan Almashi (UA) cello Bohdan Kryvopust (UA) piano
Ryoo, Kyoung-Sun (KR) Contrast for percussion duo (1997) ~ 5`
02.00 | INTERVAL
Peter Eötvös (HU) Psalm 151 (in memoriam Frank Zappa) for percussion solo (1993) ~ 10`
performed by Jin Yu-Young (KR) Nanae Kubo (JP)
performed by Jin Yu-Young (KR) 12
the first night | April 24
the second day
| April 24
KONZERT–GRAND–SZENE 3 16.00 |
Part I SENZA SFORZANDO ENSEMBLE (UA) Vsevolod Sirenko (UA) Deformations of harmony for clarinet, piano and cello (2016) ~ 10` wp Ricardo Monteras (EC) Pulsaciones – corazon de Cheburashka for piano (2013) ~ 3` Anna Tichoplav (UA) Living brook for marimba and piano (2015) ~ 5` Boris Alvarado (CL) Vetro III for piano player and image projection (2015) ~ 7` wp Sasha Lino Lemke (DE) New work for piano ~ 4` performed by Mariia Kostina (UA) flute Volodymyr Gitin (UA) clarinet Daniel Fernando Castro (EC) percussion Maryna Mokhriakova (UA) piano Yevhen Tal’ko (UA) violin
Elmir Mirzoev (AZ) Allegoria Sacra for two performers with microphones, tape & multimedia, violin, prepared piano, percussion (2 triangles, glockenspiel, tibetan singing bowls) (2015) ~ 8` Alan Fabian New work for ensemble ~ 8` wp Asmati Chibalashvili (UA/GE) Light for violin, cello, piano and video (2012) ~ 5` Andrii Merkhel’ (UA) Con(tra) ception for voice and chamber ensemble (2011) ~ 7`
Yevhen Dovbysh (UA) cello Andrii Malinich (UA) voice Oleksandr O. Perepelytsia (UA) piano, conductor, artistic director
the second day | April 24
13
KONZERT–GRAND–SZENE 4 17.00 | IN MEMORIAM OF OLEKSANDR KRASOTOV (06.05.1936 – 05.10.2006) Marcato – concert piece for trumpet and piano (1985) ~ 10` performed by Ridvan Arifov (UA) trumpet Tetiana Kravchenko (UA) piano Queue for Happiness – vocal cycle on poems by L. Ashkenazi for mezzo-soprano and piano (1967) ~ 10` performed by Ol’ha Kreps (UA) mezzo-soprano Tetiana Kravchenko (UA) piano
14
Consequences for string quartet (1997) ~ 12` performed by THE HARMONIES OF THE WORLD STRING QUARTET Nataliia Lytvynova (UA) violin Leonid Piskun (UA) violin Iia Komarova (UA) viola Serhii Scholz (UA) cello, artistic director
Rhythmotecture – Concerto for four percussion players (2005) ~ 11` performed by PERCUSSION ENSEMBLE OF FREIBURG MUSIC UNIVERSITY (DE) Nanae Kubo (JA) Torgrim Halse (NO) Jin Yu-Young (KR) Bernhard Wulff (DE) conductor, artistic director
the second day | April 24
18.00 | NEO TEMPORIS GROUP – Polish-Ukrainian New Music Ensemble Oleksii Shmurak (UA) I have lost my Eurydice – four lost dances for ensemble (2014) ~ 13` Sławomir Kupczak (PL) Concerto for eleven (2014) ~ 15`
performed by NeoQuartet (PL) Karolina Piątkowska-Nowicka (PL) violin Paweł Kapica (PL) violin Michał Markiewicz (PL) viola Krzysztof Pawłowski (PL) cello
Maksym Kolomiiets’ (UA) Supremus for ensemble (2015) ~ 11` Jerzy Kornowicz (PL) Ekstrema for eleven player (2016) ~ 15` wp
Nostri Temporis Ensemble (UA) Arina Shapochkina (UA) flute Maksym Kolomiiets’ (UA) oboe Dmytro Pashyns’kyi (UA) clarinet Artem Hordyk (UA) bassoon Serhii Lohinov (UA) French horn Oleksii Shmurak (UA) piano Bohdan Sehin (UA) artistic director Jędrzej Kacprzyk (PL) double bass Łukasz Wódecki (PL) conductor Monika Pasiecznik (PL) word about the music
the second day | April 24
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19.00 | NINE STUDENTS-COMPOSERS Have Been Writing 10 OneMinute Super Mini-MonoOperas wp -in futureEhsan Tavakkol (IR) News for bass-baritone and ensemble (2016, Kharkiv) Andrii Malinich (UA) Citadelle after the homonym work by Antoine de Saint-Exupéry for bass-baritone and ensemble (2016, Odessa) Nazar Skrypnyk (UA) Wouldn't it, Didi? after Samuel Beckett’s play Waiting for Godot for bass-baritone and ensemble (2016, Lviv) Anna Stoianova (UA) Do Survive after J. Brodsky’s sonnet for bass-baritone and ensemble (2016, Odessa) Mykola Khshanovs’kyi (UA) Rêveur after Arthur Rimbaud’s poems for bass-baritone and ensemble (2016, Lviv)
Oleksandr Kostov (UA) This is only a little devil for bassbaritone and ensemble (2016, Odessa) Hanna Kopiika (UA) Eyjafjallajökull Volcano in Iceland for bass-baritone and ensemble (2016, Odessa) Olesia Halas (UA) Lumière after Blaise Pascal’s text for bass-baritone, ensemble and electronic (2016, Kiev) Anton Stuk (UA) I have a rat in my pocket or A little unchildish surprise for bassbaritone, violin, clarinet, piano and electronic recording (2016, Kiev) Ehsan Tavakkol (IR) Fire and Death for bass-baritone and ensemble (2016, Kharkiv)
performed by RUPERT BERGMANN (AU) bass-baritone + SENZA SFORZANDO ENSEMBLE Volodymyr Gitin (UA) clarinet Daniel Fernando Castro (EC) percussion Maryna Mokhriakova (UA) piano
Valentyna Solonenchuk (UA) button accordion Yevhen Pihuliak (UA) violin Yevhen Tal’ko (UA) violin Yevhen Dovbysh (UA) cello Oleksandr Perepelytsia (UA) piano, conductor, artistic director
16
the second day | April 24
KONZERT–FOYER–SZENE 3 (down) 20.00 | ENTR’ACTEFANTASY 2
METROSCAN-PROJECT ~ 45`
21.00 | Duel-Duo 5
MIKKO RAASAKKA (FN) clarinet & ANTTI VAHTOLA (FN) piano
Vytautas V. Jurgutis (LT) composer, live audio Vaclovas Nevcesauskas (LT) visuals live artist
22.00 | TRANSFERFANTASY Drew Wilson (GB) Notes of a Phoenix for clarinet/liru, violin and piano (2016) ~ 10` wp performed by Mikko Raasakka (FN) clarinet/liru Yevhen Tal’ko (UA) violin Antti Vahtola (FN) piano Vitalii Samoliuk (UA) The mystery of the heavenly luminaries – miniature-picture for violin and piano (2016) ~ 5` wp performed by Anton Tkachenko (UA) violin Vitalii Samoliuk (UA) piano
Jukka Tiensuu (FN) Asteletsa for walking bass clarinetist (1999) ~ 5` Karmella Tsepkolenko (UA) Duel-Duo No.7 for clarinet and piano (1997) ~ 10` Tapio Tuomela (FN) Pilke 2 for clarinet and piano (2009) ~ 11` Volodymyr Runchak (UA) Anti-sonatas Nos. 28, 29 and 53 for piano and clarinet (2003) ~ 12` Piet Swerts (BE) Klonos for alto saxophone and piano (1993) ~ 6` performed by Anna Stepanova (UA) saxophone Marianna Lacarin (UA) piano Liudmyla Samodaieva (UA) Wondered for two violins ~ 6` performed by Polina Chaika (UA) violin Yelyzaveta Hryhor‘ieva (UA) violin
17
John Cage (US) Amores for percussion and prepared piano (1943) ~ 10` performed by Oleksii Lupashko (UA) percussion Anastasiia Filins’ka (UA) percussion Khrystyna Blyzniuk (UA) percussion Olena Stril’chuk (UA) prepared piano
KONZERT–FOYER–SZENE 4 (down) 23.00 | NEO TEMPORIS GROUP – Polish-Ukrainian New Music Ensemble Karol Nepelski (PL) BioChorales for wind quintet (2014) ~ 12` Zoltan Almashi (UA) Barcarole for wind quintet and piano (2016) ~ 8` wp Dariusz Przybylski (PL) Green and Maroon Hommage à Mark Rothko Op. 71b for string quartet (2013) ~ 8` up Bohdan Sehin (UA) Talos for string quartet (2014) ~ 7`
18
Oleksii Surovykh (UA) Alone with water – poem for alto domra, button accordion and electronic (2016) ~ 7` wp performed by V‘iacheslav Starozhylov (UA) alto domra Borys Tal’ko (UA) button accordion Oleksii Surovykh (UA) electronic
performed by NeoQuartet (PL) Karolina Piątkowska-Nowicka (PL) violin Paweł Kapica (PL) violin Michał Markiewicz (PL) viola Krzysztof Pawłowski (PL) cello Nostri Temporis Ensemble (UA) Arina Shapochkina (UA) flute Maksym Kolomiiets’ (UA) oboe Dmytro Pashyns’kyi (UA) clarinet Artem Hordyk (UA) bassoon Serhii Lohinov (UA) French horn Oleksii Shmurak (UA) piano Bohdan Sehin (UA) artistic director Jędrzej Kacprzyk (PL) double bass Łukasz Wódecki (PL) conductor Monika Pasiecznik (PL) word about the music
| April 25
the second night
00.00 | Closing Speeches EPILOGUE Rob Waring (US/NO) Sikoté Sukán for percussion trio (1997) ~ 6` Siegfried Kutterer (DE) Angel’s Smile / The Gliss (2008) ~ 5`
performed by PERCUSSION ENSEMBLE OF FREIBURG MUSIC UNIVERSITY (DE) Nanae Kubo (JA) Torgrim Halse (NO) Jin Yu-Young (KR) Bernhard Wulff (DE) conductor, artistic director
01.00 | END
the second night | April 25
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