The Sound of the Suburbs

issue 002 feb 2012

The NEW

glamour MAGNIFICENT MINKI tells all about the   NEW 50ft woman!

A Perfect Pop Co-Op debut at the tap@simonj68

A Quiet Word Australian artists unite for a worthy cause brought to you by

and the

Perfect Pop Co-Op

Welcome TO THIS, THE SECOND ISSUE OF OUR NEW INTERACTIVE MAG ‘ THE PERFECT POPZINE’ - BROUGHT TO YOU IN CONJUNCTION WITH RECHARGEDRADIO.COM AND THE PERFECT POP CO-OP

“BIG thanks to everyone who came the TAP on 21st Jan, with great sets from Model Staggs and the Tuesday Club (read and, indeed, listen all about it in @SimonJ68’s fab new reviews column!...”

The Perfect Pop Co-op

FEBULOUS If you have any suggestions for bands to feature at Perfect Pop Co-Op nights please drop us a mail at: studio@rechargedradio.com

Following on from our successful debut at The White Hart Tap in St.Albans, we are delighted to announce the next date (see below). We are also rather excited by the response to our ‘loyalty stamps scheme’, which saw all those attending collect a handstamp on a specially designed Perfect Pop Postcard, which will ultimately enable all ‘pop fans’ to earn a copy of a live best of compilation featuring the best ‘bootleg’ tracks from our shows. The Great thing is attendance is FREE, so ‘earn’ is maybe not the best term, however, anyone purchasing any of the merchandise from our beautiful new table stand, will get an extra stamp per item... so I guess, in a weird way, you can earn... but you don’t have to!... does that make any sense? For more info on the last and next TAP session, tune into Sound of the Suburbs’ show. Tuesday evenings at 10pm.

Saturday 10th March: Adam Barker and The Pins - White Hart Tap, St.Albans FREE ENTRY from 8pm.

Contents Cover star:

Minki from 50ft Woman

Welcome 2-3 From Recharged Radio

Round the Tap 4-5 All the news and reviews from our first night!

The D.O.D.O 6 Debut album of Victoriana and vocal trumpets

A Quiet Word

7

New Glamour

8-9

Pete Renzullo tells us about a new Australian charity album

50ft Woman double page special

The Pins, Adam Barker and My Favourite Toy

10-11

Bring on the AGONY!

12

Next on at the Tap!

Recharged’s weekend Breakfast stalwart turns agony Aunt!

Thanks to: Design @8ecreative. Photography: courtesy of imagessence.co.uk www.andybenge.com Words: Pete Renzullo, @simonj68, Jim Distortion Andrea Perry.

facebook.com/rechargedradio @rechargedradio rechargedradio.com studio@rechargedradio.com

We are excited and delighted in this month’s issue to welcome an esteemed new contributor. He’s been a huge supporter of recharged radio and all our associated projects over the last couple of years... Ladies and Gentlemen we give you...

BOOTLEG SimonJ68 REVIEW THE LIVE

B

A

C

K

TRACK

As part of our never ending quest to promote and publicise the acts who have joined the goodship PPCO and with the consent of the acts appearing we are most proud to bring you a gorgeously retro style Bootleg of last months TAP session. We hope that you not only enjoy the music, but it inspires those of you who couldn’t make the last one, to re-double your efforts for the next one on Saturday March 10th.

MID JANUARY, THE NEW YEAR BLUES KICKED RIGHT IN, NO SIGN OF ANY SNOW AND PAYDAY LOOKING FURTHER AWAY THAN THE CHANCE OF THE EURO-MILLIONS LOTTERY WIN. SO WHAT TO DO TO LIVEN UP? St Albans; one of those funny towns that no one is really sure where it is, but is home to a bubbling music scene, where many pubs seem to realise that most of us want a bit more from a night out than just a bottle of Becks and a kebab on the way home after listening to noise through bad speakers.

The evening of the 21st looked good, a couple of bands at the White Hart Tap, one I had heard of a fair bit, and one that looked strangely familiar, but I wasn’t sure why. Luckily it was the wife’s turn to drive again, so after we were parked up we got in just before Model Staggs took to the stage. A band, (do you call two people a band?), I have been aware of for a while via the good people at Recharged Radio and also through some reviews on some of the other music sites I frequent, ChooseMyMusic.org has an interview with them here http://www.choosemymusic.org/ audiophiles/audiophiles-model-staggs Two guys on stage, one guitar and one drummer, and yet if you close your eyes there is the sound of a full band there. Amazingly tight and tune filled at the same time, almost a hint of Radiohead, but then the up tempo kicks in again. Starting with Magnetic People the lead track off their current EP, the crowd stopped talking, which is always the best sign for an unknown quantity. A solid set of half a dozen or so tracks, ending with the quite frankly amazing Turning which you really should find on line and listen to, and look out for their next gigs. (or would they play giggs??)

Time for a beer, and the pub was getting busier, but not as busy as the stage seemed to be, as an apparently endless stream of musicians and instruments were appearing. The Tuesday Club, for it was them, taking the opposite approach to the Model Staggs and going for the more traditional eight piece stage presence..

As I said, some of the people looked familiar, but with no heads it was impossible to come to a conclusion. I spoke briefly to one of the singers, Andreas Vanderbraindrain, and the key message from him, and the rest of the group, was this was fun.

This is what a night out is supposed to be like. No pretentions, no hang ups, no cow bells. Actually I take that back, there was a cow bell.

Opening with Oh Daddy Please, the female lead, also oddly familiar, kicks the night off, and the energy and enjoyment was instant to see, these are people playing for the right reasons. A few songs in and we are given a choice of the jazz or the punk version of New Regime.. Not something you usually get offered. The jazz version was the winner...

New Glamour and then Vinyl as a Manifesto carry the set on, which is turning into a mix of lyrics that Half Man Half Biscuit or Carter USM would be proud of. Ain’t Got No Class kicked in with my favourite opening line of the last year “I went to the shops and bought a bucket full of sex” and the sense of familiarity again raised its head.

The Punk version of No Regime was played as promised, and a reprise of Old Before Your Time closed the night off.

As I tweeted on the way home, “Anyone who says there is no independent music scene in the UK is a pretentious twat” and The Tuesday Club are proof of this.

Waking up in the morning and remembering a line that linked Jack Bauer and Charles Hawtrey. That is the sign of a good night out.

See you next Tuesday indeed...

THE TAP ROUNDUP

“Anyone who says there is no independent music scene in the UK is a pretentious twat” and The Tuesday Club are proof of this.

Jason Gissing

@Simonj68

Pictures courtesy of debbie@imagingessence.co.uk • www.imagingessence.co.uk • @imagingessence

NEW ALBUM

The D.I.Y or DIE Organisation’s handmade debut album is limited edition and available through The Perfect Pop Co-Op

THE DIY OR DIE ORGANISATION

Unlike anything we can easily pigeon hole, The D.O.D.O’s debut album sounds more like the soundtrack to Saint-Saëns Carnival of the Animals transported to a lost autumn somewhere in a darker, richer, swinging 60’s... the 1860’s that is. Harpsichord, strings, bells, and tormented otherwordly backing vocals provide the backdrop to this feast of psychedelic melancholia laid bare to inspire and unhinge in equal measure. From the soaring yet forbidding, puritanical drama of the ‘Beck

meets Judge Dredd’ - ‘I am the Purist’, the bleak, wailing, death mask procession of ‘Into the Black’, the 60’s apple blossom infused cold war time bomb - ‘Waiting for the walls to come down’ to the deliciously sorrowful ode to wasted youth - ‘Tin Foil Crown’. The DIY or DIE organisation sound like a ghostly ice-cream van stalking the neighbourhoods of the as yet unwritten Tim Burton animation ‘Gothic Pop Victoriana’.

http://thedodo.bandcamp.com/

A QUIET WORD

Australian artists unite for a worthy cause

PERHAPS the most rewarding thing about being a Presenter at Recharged Radio is that I have the ability to bring listeners music they simply wouldn’t hear on other radio shows. Now, I‘m not suggesting that I’ve kidnapped a bunch of artists and have them locked up in my basement (most are there of their own free will) or that I have special abilities others do not (although I do have the uncanny ability to grow a single hair out of my forehead). What I DO have is access to emerging artists in my part of the world.

Many of the bands and soloists you’ll hear on my show have only just started hitting the stage, armed with demo recordings or live audio that other radio stations simply wouldn’t give a second glance. Alas, being all the way down in the most isolated city in the world – Perth (Western Australia) these artists find it near impossible to get their music heard outside the dodgy pubs they slog it out in each and every night. (Please note: Not all Perth’s pubs are dodgy, I can name two you won’t get stabbed in...)

Anyway, in my dealings with these artists I’ve come across some very impressive acts, so I started thinking of some ideas on how to get this incredible music spread. I decided that an album featuring them would be the way to go. So I started out by approaching 8 artists, then that grew to 12, then 16, then 19, then finally I stopped at 24.

The result is an album showcasing the grass-roots scene of Perth. I also had the artists filmed as part of a music video about it. So, six months later – with a lot of blood, sweat and beers – the result is a two-volume album and DVD I’ve called A QUIET WORD. Each of the artists featured on the album has been broadcast on my show Close to Nowhere, and this album is like a “Best of…” compilation for the music I am surrounded with here in Perth.

My hope is that through this album, I am able to help bring the music scene here in Perth some much deserved exposure, especially since a lot of them will probably never be heard outside of Australia. As a way to generate some buzz about this music, and encourage people to get their hands on it, I’ve decided to release ‘A Quiet Word’ with profits going to The Starlight Foundation – which is an organization in Australia that helps provide better lives for seriously ill kids.You can find all the info, hear the songs, see the video and buy the album right here:

www.facebook.com/aquietword

The result is an album showcasing the grass-roots scene of Perth.

Article by Peter Renzullo

SUPERHERO FOR OUR FUTURE A PER S ON IFIC ATION O F ‘I N TO T HE VAL L EY OF TH E U LTR A V I X E NS ’ So 50ft Woman; does the name come from the scifi film? Are you and the band fans of B-movies?

I’ve always found sci-fi films like that amusing, but the name actually came from a friend of mine who said it ‘was an awesome band name’. I liked all of the imagery that came with it as well as the fact it did really reflect my stature. It just seemed perfect plus it’s a very easy brand to play with!

You’ve been compared to the likes of Blondie, The Ramones and The New York Dolls. Are these the sort of bands you grew up listening to?

Blondie, yes, but I was a latecomer to The Ramones and The ‘Dolls. I was more of a confused musical child, flicking from listening to classical to AC/DC to Adam and the Ants to Madness.

Then, when I first moved down to London, my housemates were into all sorts, from MC5, 999 to The Quireboys and Hanoi Rocks. I think my eyes were truly opened (and from then on my hair truly backcombed)!

Who has been your biggest influence then, would you say?

Well I think without Adam and the Ants, there may not have ever been ‘Minki’ the character. Just the sheer showmanship with a touch of fantasy, that step removed from reality, I love all that.

Dressing up is a big part of it, any excuse. So I suppose mostly Adam Ant, with a bit of Steve Tyler from Aerosmith, the way he uses his voice almost as a percussive instrument!

“I was more of a confused musical child, flicking from listening to classical to AC/ DC to Adam and the Ants to Madness.”

Ah yes, the dressing up. Apparently you are famous for shoes. Are you threatening to knock Imelda Marcos from the record holder?

You know, I haven’t actually got THAT many shoes! I’m very fussy and I’m actually quite good at NOT buying, say yes another pair of black patent shoes. I think I’m autistic when it comes to shoes; they have to be exactly the right proportion and angle. Sadly my dream of owning a pair of YSL Tribtoos or a pair of Christian Louboutins appears to have been quashed, as they just don’t suit my feet. No point having shoes that cripple my feet! Particularly ones as expensive as that!

You don’t have ANY shoes that you can’t walk in?

Er, yes I have quite a few, but I get away with it by calling them ‘photo shoot shoes’.

Talking of photo shoots, we notice you have done quite a few pin-up shoots. Is that something you like doing?

Yes I love it! I suppose it ties in with the whole

fantasy thing. The really good thing about pin-up is that it celebrates who you are as a women, whatever height, weight, shape you are. I love that. There’s too much conformity portrayed in normal magazines, too much pressure to ‘be thin’. 50ft Woman ties in with all the pin-up stuff – it’s all about being who you are. Stand up, be tall, be proud.

Who are your heroines, women wise, then?

I think my idol has to be Sophia Loren. What a woman! She looks amazing in The Millionaress. I also love Raquel Welch, Ursula Andress, Marilyn, of course. I also adore Audrey Hepburn. Apparently she was quite a character! And, even though she isn’t real, Jessica Rabbit is a big inspiration.

There’s a bit of theme going on there then. Hollywood glamour, the old way?

Exactly! They were all really powerful women!

Even Marilyn who everyone thinks of as this vulnerable little girl. She was actually very aware of how she came across to people. OK she had her problems and insecurities, but who doesn’t?

So, back to 50ft Woman the band. What have been your highlights so far?

I think one of our best experiences was being asked to play the Marussia Virgin Race Weekend at Silverstone as part of the British Grand Prix. Not only was it a great opportunity as a gig, but as I’m such a Formula One fan, being there and being part of it was brilliant. I think after that would be The Union support dates.

And what of this year?

Well, I am still hoping we get asked to play at the GP again! We have some gigs lined up which I’m really excited about. We are only a 4 piece at the moment and I think we thought we couldn’t book any gigs with a man down. But then we went into the studio and you know what, it sounded really great as it was. So we decided to go ahead and play like we are, while we look for the right person.

So what gigs have you got coming up?

We have a private party for The Serpentine Club, followed by the Cat Scratch Fever Charity gig on 31st March at the White Lion in Streatham with Tyla, a great line up. Then in April we have Hits of the Near Future and then hopefully the Great Escape in May. And any releases planned?

Well we actually recorded some stuff to release, but the line-up change put it on hold. We have a new

NEW glamour

50ft WOMAN track Google Tan which we want to release as a free download single, and we are in the middle of recording a video for that.

Oh, tell us about the video?

It started off as a simple idea, and then suddenly we have a 20 page story board with about 7 different characters! I’m going to be playing most of them and we have cameos for each of the boys. It’s very silly. It’ll be the first proper promo video that we’ve done, so we want it to be right.

So we look forward to the gigs and the forthcoming video then!

Good luck with the rest of 2012.

Minki was talking to Andrea Perry.

The new line up: Axel, drums, Jon, bass, Minki, Ben, guitar

www.facebook.com/50ftWomanBand

NE XT on AT THE TAP

MARCH 10th SATURDAY

Getting that first gig Before reading this article, it’s important to stress that I’m not in the habit of giving advice to people about to how to run their own bands, nor do I think my band is the best thing since sliced bread, I’ve merely been asked to write a piece on how easy I think it is to get gigs outside of London. The below experience is simply a personal experience about the journey we - The Pins - went through to get that important first gig.

Three years ago we decided to take the big step of venturing out of our dark “bunker” where we rehearsed and get off our arses to actually play a gig. I remember the day well. We’d just finished playing a new song, where there was a short period of silence from everyone as we all digested what we’d played. “people need to hear this” Ben our guitarist said.

So we’d made that decision, we had some real belting, banging songs that we wanted to share with the world, getting a gig shouldn’t be a problem right? Wrong.

For those of you reading this who are in a band, you’ll know that getting a gig when you’re first starting out isn’t as easy as you’d think, particularly if you live outside London. So first stop was the music bible that is The Gig Guide. In hindsight this is where we went wrong.

Emailing hundreds and hundreds of venues asking for gigs simply doesn’t work. Whilst you may get a standardised reply from a handful of venues, most receive so many, they can’t physically reply to them. Looking back we should’ve visited every single venue, personally given them our demo and spoken to them. It’s a lot harder to say no face to face, whether you’re a good band or not.

After months of trying, our days of playing in front of a large poster of Jimi Hendrix was over. A local promoter from Bishops Stortford offered us a support slot at one of their nights - Club Blub. As you’d expect we were all absolutely shitting ourselves and despite playing at 100mph we played a cracking 20 minute set (would’ve played longer but only had 20 minutes worth of songs), so much so that that straight after the gig, the promoters spoke to us about getting on board The Pins bus.

Three years down the line, we’ve been lucky enough and are lucky enough to play some fantastic venues from all around the country.

We’re off on a European tour in May but will be returning to the Half Moon in Bishops Stortford for another Club Blub night real soon.

So what’s my point? I suppose it’s not to look too far afield for that first gig. We looked for ages and ages and all along, the perfect venue for our first gig was right on our doorstep. Even if there’s no live music venues in your area, talk to a local pub or bar to see if you can play there. They don’t care if you’re good or not, as long as you bring all your mates and pack the place out, they’ll have you back again.

e: the.pins@hotmail.co.uk w: www.thepins.co.uk Management, Press and Bookings stevemthompson@hotmail.co.uk

The Pins

Adam Barker

The Roland SPD-20 Self-styled “bedroom performer”, Adam Barker, when not selling insurance to canines or catching his testicles in his zipper (whilst on holiday with his parents in the South of France), is a singer/songwriter based in Bedfordshire.

But this only tells part of the story; his real talents exude when he picks up a guitar. Having proactively found Recharged Radio, Adam’s home-recordings reflect an honesty and effortless charm which could possibly be obscured by over production.

The warmth (and range) to his voice is reminiscent of Jeff Buckley and with such a keen desire to progress as a musician, this is really just the beginning of the journey for this talented young man.

Hopefully by replacing the zippers with velcro and getting out of the bedroom (for everything but the necessary - the things either dull or x-rated) Adam will go far. www.adambarker.co.uk http://www.facebook.com/adam.barker2

MY FAVOURITE TOY This month is brought to you by Ash Allerton - Modelstaggs

The Roland SPD-20 is without a doubt one of the lynchpins of how we work as a band. I pulled this out of my loft about 2 years ago as it had seen barely any light for a couple of years. It was a real spur of the moment ebay purchase but ended up being a diamond in the rough. I think I paid around £300 for it at the time (including a stand) but I never realised its potential until I decided to take it to rehearsal one day. We fixed it to the side of the drum kit thinking that maybe we could just use it to add some extra percussion or something but the real “aha” moment came when we started using the bass sounds.

Using bass notes as a rhythmic element alongside synthy percussion noises really opened up new worlds for us and since then it has become a full time member in the band. It’s a really useful bit of kit. The pads are all velocity sensitive and really easy and nice to hit. The sound palette ranges from ridiculous vocal samples and hip hop loops to big synth sounds. The beauty of it is that you can alter the parameters of each sound to make it your own. People have often said to us, “why don’t you get the newer one with the sampling capability?” But I think there’s a certain charm to selecting sounds from a limited bucket of noise and bending those sounds to suit your own means.

i r

Bring on the

agony!

With Rehcarged Radio Breakfast show host and part-time problem soother Jim Distortion

t p

“Dear Jim - My drummer smells. We thought this wouldn’t be a problem but now it’s gotten to the stage (no pun!) that we’re being refused gigs - even at the 12 Bar!! I am 25, he is 27. I know that someone tried to tell him that he has a body odour problem before but he ran off crying and threatened to quit the band. The problem is that he’s a great drummer, like Animal from The Muppets - but, just like Animal from The Muppets, smells like a sweaty sock. What should we do?!” Confused, Hackney

d r t p

“Dear Jim - I hate promoters... last time I went out in London, I saw a gang of them hanging around on the corner by Camden Lock, doing something shifty. When they saw me staring at them, they all started snarling and started walking towards me, muttering things like ‘give us cash up front or you’re not on the bill’ and things. They were all aged between 20 and 40 and I’m 26 and not even in a band!! What’s the best way to fend them off and what happens when they corner someone?” Dazed, Harlow

JD says: Hi Confused, I’m glad you brought this subject up as I to have had trouble with drummers in the past! Once word has got out about a stinky skin wacker, life can be pretty down heartening! Fear not I’m sure there is an answer! First thing, be brave and make him confront his stink, no man should be left to smell up the joint! It would have to be an intervention, get all his friends and family around and do it in a room with a lockable door! Forcibly wash him and then give him the holy grail that stops all stinking tub thumpers from humming, deodorant! He may well kick and scream but believe me when he notices his aroma has changed and the girls start flocking to him he will see that you have not only stopped the stink but also got him a home as we all know a drummer without a girlfriend is ...homeless. ps make sure to burn his clothes as the stink will be ingrained. It’s also a chance to get him out of his shorts and redesign him from the feet up!

JD says: Hi Dazed! Best thing to do with promoter is simply turn and growl back! No promoter should be allowed to intimidate you as they simply are no higher on the food chain than pond scum! Stamp your feet and make loud noises as they are all as chicken sh@t as each other! If you really want to turn the tables on them, take their pay to play deal, sell all their tickets, play the gig and simply say that what you sold was your fee for being the talent and not the money grabbing cockroach! They may cry moan and bitch at you but always, remember you are the ones that bring the crowds, they just open a door! Screw em!

“Dear Jim - Recently, I purchased a van to move our band’s gear around. Now I keep on getting approached to plaster people’s walls - just because I bought the van! I am 29, the van is 10. Which forms do I need to fill in to send back to the revenue so I don’t get done for income tax fraud?” Dave The Plasterer, Stevenage JD says: Hi Dave. Sometimes you just have to man up son there are no pen pushing ways to deal with this issue! This issue is dealt with in one way and one way only! Buy a band sign for the van you numpty and quit crying to me! You have control of the reaction people have to who you are. Stand up and be counted but as a musician not as a plasterer! Talented as plasterers are it’s a different talent to musicians and quite frankly musicians are much more useful to life!!!!!

Jim Distortion

http://www.jimdistortion.co.uk http://www.madhousetattoo.co.uk http://jimdistortion.wordpress.com

e

00.00 - 20.00 Music and Shows throughout the night 20:00 - 22.00 The California Diner 22:00 - 00.00 Sound of the Suburbs rpt 00.00 - 20.00 Music and Shows throughout the night

Wednesday, 15 February 18:30 - 19.00 That Time of the Month 20:00 - 22.00 Metal Mumin 22.00 - 00.00 Night of the Artisans RPT 00.00 - 20.00 Music and Shows throughout the night

Thursday, 16 February 19:00 Close to Nowhere 20:00 - 22.00 Minki’s Magic Moments 23:00 - 00.00 20/20 Hip Hop 00.00 - 20.00 Music and Shows throughout the night

Friday, 17 February 20:00 - 22.00 The Forum 22:00 - 23.00 I Land Music 00.00 - 20.00 Music and Shows throughout the night

Saturday 18 February

10:00 - 12:00 Jim Distortion In The Morning 12.00 - 21:00 Best of: Music and show repeats 21.00 - 24.00 Music and Shows throughout the night

Sunday, 19 February 00.00 - 18.00 Music and Shows throughout the night 19:00 - 20.00 Music Unleashed Top 40 21.00 - 24.00 Best of: Music and show repeats

Monday, 20 February 20:00 0 22.00 Crawling Home 22.00 - 24.00 Music and Shows throughout the night

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Tuesday, 14 February

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www.thescratch.co.uk

THE FIRST 3 ALBUMS FROM THE SCRATCH: DIY “DIY is the sound of what it is to be a rock star.

Basically, there’s something here for everyone who has a pulse to get excited about. Turn it up, and turn your inner rock god on.” [It’s All Happening magazine]

NIGHT BUS OR MILK TRAIN “Tightly crafted guitar pop music interwoven with the odd synth or sample. The guitar work is excellent, there are some damn fine riffs on this record and they seem genuinely keen to do something just a little bit different.”

[Is This Music] WHATEVER HAPPENED TO FRIDAY NIGHT “The songs have an effervescent radiance that’s immediate and spontaneous, all too often ridiculously catchy and insanely infectious, for those whose teeth cutting exposure to pop was the late 60s mods such as the Small Faces and the Move, the glam rock of the early 70s via T-Rex Sweet and Cockney Rebel or maybe late 70s new wave a la the Buzzcocks , Soft Boys and the Motors - ‘Whatever happened to Friday nights’ will seem and feel like the years peeling away.” [Losing Today]

Whilst you can purchase all of these digitally from Amazon, Play, iTunes et al, our online shop will offer you a whole load more including limited edition Vinyl & CDs. http://shop.thescratch.co.uk

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