The Arts Catalogue 2017 by Peter Lang Publishing Group

THE ARTS 2017

Contents Contents Subject

Editorial . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1

Berner Veröffentlichungen zur Musikforschung . . . . . . . . . . . . 50 Hamburger Jahrbuch für Musikwissenschaft . . . . . . . . . . . . . . . . . 51

Highlights . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

Interdisziplinäre Studien zur Musik / Interdisciplinary Studies of Music . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52 Methodology of Music Research . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

Recent Publications :

Music and Spirituality . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Art History of Art . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 Theory of Art . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 Art Techniques & Principles

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Painting & Paintings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 Media and Culture

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Architecture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 Film & Theatre Studies Films, Cinema . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21 Film History, Theory & Criticism . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

Musica poetica . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55 Quellen und Studien zur Musikgeschichte von der Antike bis in die Gegenwart / Sources and Studies in Music History from Antiquity to the Present . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56 European University Studies. Series 28: History of Art . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57 European University Studies. Series 30: Theatre, Film and Television . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58 European University Studies. Series 36: Musicology . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Theatre Studies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 Music Musical Scores . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28 History of Music

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Journals: International Journal of Musicology. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60

Theory of Music & Musicology . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 Styles & Genres . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

Complete Series List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62

Techniques of Music . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64 MIMOS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36 Conference Announcements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66 Selected Series : Art – Knowledge – Theory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38 Cultural Interactions: Studies in the Relationship between the Arts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

The Peter Lang Publishing Group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

Our Representatives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69

German Visual Culture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 ICCA – Industries culturelles, création, numérique . . . . . . . . . 41 Internationalism and the Arts at the Fin de Siècle . . . . . . . . . . 42 Kunstgeschichten der Gegenwart . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 Natur, Wissenschaft und die Künste / Nature, Science and the Arts / Nature, Science et les Arts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44 Contemporary German Writers & Filmmakers . . . . . . . . . . . . . . 45 Framing Film. The History and Art of Cinema . . . . . . . . . . . . . . . . 46 Medienästhetik und Mediennutzung / Media Production and Media Aesthetics

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New Studies in European Cinema . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48 Theaomai – Studien zu den performativen Künsten . . . . . . . 49

Order information: Please use the order form, order online at: www.peterlang.com or send your order directly to: order@peterlang.com

Editorial

Subject

Dear Reader,

n this catalogue you will find an overview of Peter Lang publications in The Arts: our highlights, our recent titles, and selected series.

As a long-established and internationally positioned publishing group, Peter Lang offers a diverse range of high-quality publications in The Arts. Highlights include Francine Giese and Ariane Varela Braga’s The Myth of the Orient: Architecture and Ornament in the Age of Orientalism, a collection of essays exploring the significance of the famous city on the Nile as a privileged model for 19th-century architecture and ornamentation (page 3); Gregory Frame’s The American President in Film and Television: Myth, Politics and Representation, a highly topical book that offers unique insights into the roles mainstream cinema and television continue to play in the reinforcement of mythological conceptions of the American presidency (page 7); or Constantin Floros’s Brahms and Bruckner as Artistic Antipodes: Studies in Musical Semantics, which seeks to answer the question whether the commonly-held belief in the 19th century that Johannes Brahms and Anton Bruckner were antipodes is true (page 11). Peter Lang offers a broad spectrum of academic research that covers the latest trends and debates within The Arts. This is illustrated by series such as Art – Knowledge – Theory, which focuses on transdisciplinary, epistemological and methodological approaches to contemporary art, thereby exploring artistic modes of expression as forms of knowledge production (page 38); Contemporary German Writers and Filmmakers, which aims to reflect the continuing and dynamic developments in German culture since the reunification of Germany in 1990. Each volume is devoted to the work of a contemporary German-speaking novelist, poet, playwright or filmmaker (page 45); or Methodology of Music Research, a forum for current discussions and debates in musicological research (page 53). Please visit our website www.peterlang.com for a complete overview of our diverse publishing portfolio. Should you have any comments or queries, feel free to contact us at: marketing@peterlang.com. Best regards,

Dr. Bianca Matzek

Simon Reber

Publishing Director

Global Marketing Manager

PETER LANG | Bern

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Highlights

The Arts

Suzanne Anker • Sabine Flach (eds.)

Naturally Hypernatural I: Concepts of Nature

ature, a topic central to art history, is concurrently a dominant concept in contemporary art, art theory and its related disciplines such as cultural theory, philosophy, aesthetic theory and environmental studies. The project Naturally Hypernatural questions lines of tradition and predetermined categories that coexist with the topic of nature. Currently, nature in art surpasses the simple depiction of art as a material or object. To clarify and analyze the interrelations between nature and art is the aim of the project Naturally Hypernatural. Concepts of Nature – the first volume of this project – argues that contemporary art is predominantly concerned with concepts of nature regarding the depth of their implications in order to reveal and analyze their internal structure.

Bern, 2016. 212 pp., 57 coloured ill., 25 b/w ill. Art – Knowledge – Theory. Vol. 4 pb. • ISBN 978-3-0343-2124-2 CHF 67.– / €D 58.95 / €A 60.– / € 54.50 / £ 44.– / US-$ 65.95 eBook (SUL) • ISBN 978-3-0343-2402-1 CHF 70.– / €D 62.95 / €A 64.90 / € 54.50 / £ 44.– / US-$ 65.95

Karin Dannecker

Kunst, Symbol und Seele Thesen zur Kunsttherapie 4., unveränderte Auflage, 4. Ausgabe

Frankfurt am Main, 2015. 213 S., 12 farb. Abb. br. • ISBN 978-3-631-66135-2 CHF 45.– / €D 39.95 / €A 41.– / € 37.30 / £ 30.– / US-$ 48.95

ie wirkt Kunsttherapie? Was ist das Besondere an ihr als psychotherapeutische Arbeitsweise? Mit diesen Fragen setzt sich die Autorin des Buches auseinander. Sie vertritt die Position, dass das Thema «Symbol und Symbolisierungsprozesse» den Kern einer Theorie der Kunsttherapie bildet. Denn Kunsttherapeuten arbeiten mit visuellen Bildern und Skulpturen, dem rohen Material der Symbolisierungen. Der Begriff des Symbols ist sowohl in der Kunst als auch in der Psychoanalyse von zentraler Bedeutung. In der Kunsttherapie geschieht eine Synthese beider Bereiche. Eine neue Form von Beziehung wird geschaffen zwischen Patient, dem künstlerischen Werk und dem Therapeuten. Wichtige Themen tauchen dabei auf, die von der Autorin diskutiert werden: Was unterscheidet einen Künstler von einem Patienten, der mit künstlerischen Medien arbeitet? Was ist das Heilende in der Kunst? Kann in der Kunsttherapie auch Kunst entstehen? Und welche Rolle spielt dabei der Kunsttherapeut? Fallgeschichten und Bilder aus der klinischen Praxis ergänzen die Darstellungen.

Highlights

The Arts

Francine Giese • Ariane Varela Braga (eds.)

The Myth of the Orient Architecture and Ornament in the Age of Orientalism

his volume commemorates the 160th anniversary of the Selamlik of Oberhofen Castle near Thun – one of the most significant Swiss Orientalist interiors, designed by the Bernese architect Theodor Zeerleder (1820–1868) – by presenting the latest research on the spectacular smoking room inspired by the luxurious reception halls in Cairo, which Zeerleder discovered during his travels to the East. At the same time, this collection of essays explores the significance of the famous city on the Nile as a privileged model for 19th-century architecture and ornamentation, bringing together papers by Mercedes Volait (Paris), Romain Siegenfuhr (Paris), Richard Parisot (Besançon), Elke Pflugradt-Abdel Aziz (Düsseldorf), Tarek Ibrahim (Berlin), Vincenza Garofalo (Palermo), Andrea Lermer (München), Rémi Labrusse (Paris), Ariane Varela Braga (Zürich), Leïla el-Wakil (Genève), Francine Giese (Zürich) and Annette Loeffel (Bern). Contents: Francine Giese/Ariane Varela Braga: The Myth of the Orient • Mercedes Volait : Figuration et fortune artistique des interieurs du Caire au XIXe siècle • Romain Siegenfuhr : Les photographies du Caire peintes par Willem de Famars Testas • Richard Parisot : Architecture(s) du Caire au prisme des recits de voyageuses germanophones au XIXe siècle • Elke Pflugradt-Abdel Aziz: Carl von Diebitsch (1819–1869): Moorish Style as State-of-the-art Architecture in 19th-century Cairo • Tarek Ibrahim: Johann Adam Rennebaum and the Architecture of Shepheard’s Hotel in Cairo • Vincenza Garofalo: Mamluk Reproductions: Survey and Analysis of Tombs in the Cemetery of Sant’Orsola in Palermo • Andrea Lermer: Von Kairo nach Dresden: Zu den islamischen Vorbildern der Tabak- und Cigarettenfabrik Yenidze, ihrer medialen Vermittlung und formalen Adaption • Rémi Labrusse : Tectonique islamique : un paradigme pour penser l’ornement au XIXe siècle • Ariane Varela Braga: Owen Jones and the Oriental Perspective • Leïla el-Wakil : La Banque Misr du Caire : Antonio Lasciac, les decorateurs italiens et le « style arabe » • Francine Giese: The Oberhofen Selamlik – a Cairene mandara made in Switzerland • Annette Loeffel: Restaurierung des Selamlik im Schloss Oberhofen 2010–2013.

Bern, 2016. 229 pp., 21 b/w ill., 45 coloured ill. pb. • ISBN 978-3-0343-2107-5 CHF 45.– / €D 40.10 / €A 41.30 / € 37.50 / £ 30.– / US-$ 48.95 eBook (SUL) • ISBN 978-3-0351-0945-0 CHF 49.– / €D 44.95 / €A 45.– / € 37.50 / £ 30.– / US-$ 48.95

Francine Giese is SNSF professor at the University of Zurich. Her PhD thesis and habilitation dealt with different aspects of Islamic architecture and its preservation. Her research interests are Islamic art and architecture, cross-cultural exchanges in the Middle Ages and the appropriation of Islamic aesthetics in the West. Current projects: Mudejarismo and Moorish Revival in Europe / The Orient in Switzerland. Ariane Varela Braga is SNSF assistant and post-doc researcher at the University of Zurich, in the project «Mudejarismo and Moorish Revival in Europe», directed by F. Giese. Her PhD thesis examined the genesis and theory of Owen Jones’ Grammar of Ornament. She has taught at John Cabot University and has been a fellow of the Swiss Institute in Rome.

Highlights

The Arts

Lena Schrage

Otto Freundlich (1878–1943) Individualist im Netzwerk der Pariser Avantgarde – Das Frühwerk

ie Autorin analysiert umfassend das Frühwerk des deutschen Künstlers Otto Freundlich (1878–1943). Dieser begann bereits während seines ersten Paris-Aufenthaltes 1908 eine eigenständige, nicht-gegenständliche Formensprache zu entwickeln, ohne sich wie zahlreiche seiner Zeitgenossen den vorherrschenden Kunststilen anzupassen oder unterzuordnen: «Ich habe […] nach meiner inneren Überzeugung geschaffen, die verlangte, von der Tradition abzugehen.» Anhand der Rekonstruktion seines Netzwerkes positioniert die Untersuchung den Künstler als selbstbewussten Wegbereiter der Abstraktion innerhalb der Pariser Avantgarde.

Frankfurt am Main, 2017. 350 S., 36 s/w Abb., 16 farb. Abb. br. • ISBN 978-3-631-68095-7 CHF 87.– / €D 74.95 / €A 77.– / € 70.– / £ 57.– / US-$ 84.95 eBook (SUL) • ISBN 978-3-653-07219-8 CHF 92.– / €D 82.95 / €A 84.– / € 70.– / £ 57.– / US-$ 84.95

Jolene Armstrong

Cruel Britannia Sarah Kane’s Postmodern Traumatics

Bern, 2015. 234 pp. pb. • ISBN 978-3-0343-1565-4 CHF 74.– / €D 65.30 / €A 67.10 / € 61.– / £ 49.– / US-$ 79.95 eBook (SUL) • ISBN 978-3-0351-0776-0 CHF 77.95 / €D 72.59 / €A 73.20 / € 61.– / £ 49.– / US-$ 79.95

ruel Britannia: Sarah Kane’s Postmodern Traumatics examines four plays by British playwright Sarah Kane (1971–1999), all written between 1995 and 1999 within the context of the «Cool Britannia», or «In-Yer-Face» London theatre movement of the 1990s. Kane’s plays were notorious for their shocking productions and challenging and offensive subject matter. This book analyzes her plays as products of a long history of theatrical convention and experimentation, rather than trend. I read Kane’s plays through an optic of trauma theory, and link the trauma to postmodern experience as defined by war, interpersonal violence, repetitive memory, and sex as medium of violence. Kane’s plays’ unrelenting violence and graphic depictions of violent sex suggest a relationship with theories and practices such as Artaud’s theatre of cruelty, and Kroker and Cook’s theory of the postmodern as sign of excremental culture and an inherently abject state of being. Through a play by play analysis I conclude that Kane’s work suggests that violence and trauma are endemic to postmodern life, and are ultimately apocalyptic due to their culmination in Kane’s final play, the suicide text of 4.48 Psychosis.

Highlights

The Arts

Christopher Brown • Pam Hirsch (eds.)

The Cinema of the Swimming Pool

Oxford, 2014. 249 pp., 15 coloured ill., 18 b/w ill.

he swimming pool frequently appears in film not merely as a setting but as a dynamic site where social, political, cultural and aesthetic forces converge. What is it about this space that has so fascinated filmmakers and what kinds of cinematic investigations does it encourage? This collection features essays by an eclectic, international range of film researchers. Amongst the works analysed are classics such as The Cameraman (1928), The Philadelphia Story (1940) and La Piscine (1969); cult hits such as The Swimmer (1968) and Deep End (1970); and more recent representations of the pool in Water Lilies (2007), Sea Point Days (2009) and Ausente (2011). The pool is considered as a realm where artifice meets nature, where public meets private, where sexualities morph and blend; and as a space that reconfigures the relationship between architecture and narrative, in which themes of pollution, spectacle and reflexivity find unique expression. Approaching the swimming pool from a wide range of methodological perspectives, the essays in this collection stake a claim for the enduring significance of this exciting cinematic space.

New Studies in European Cinema. Vol. 17 pb. • ISBN 978-3-0343-1783-2 CHF 63.– / €D 55.60 / €A 57.20 / € 52.– / £ 42.– / US-$ 67.95 eBook (SUL) • ISBN 978-3-0353-0619-4 CHF 66.40 / €D 61.88 / €A 62.40 / € 52.– / £ 42.– / US-$ 67.95

Deutsches Tanzarchiv Köln (Hrsg.)

Die Tanzkritiken von Artur Michel in der «Vossischen Zeitung» von 1922 bis 1934 nebst einer Bibliographie seiner Theaterkritiken Mit einer biographischen Skizze über Artur Michel von Marion Kant Frankfurt am Main, 2015. 633 S., 4 s/w Abb. Studien und Dokumente zur Tanzwissenschaft. Bd. 7 geb. • ISBN 978-3-631-53736-7 CHF 113.– / €D 99.95 / €A 102.70 / € 93.40 / £ 75.– / US-$ 121.95 eBook (SUL) • ISBN 978-3-653-05746-1 CHF 119.05 / €D 111.15 / €A 112.08 / € 93.40 / £ 75.– / US-$ 121.95

er jüdische Tanz- und Theaterkritiker Artur Michel gehörte zu den kenntnis- und einflussreichsten Tanzberichterstattern der Weimarer Republik. In diesem Band ist sein Hauptwerk – die Tanzkritiken aus der Vossischen Zeitung zwischen 1922 und 1934 – abgedruckt. Es liest sich als eine spannende und äußerst lebendige Tanzgeschichte des modernen künstlerischen Tanzes in Europa. Artur Michel entwickelte ab 1922 in der Vossischen Zeitung systematisch die Tanzkritik. Die Vossische Zeitung war eine der wichtigsten überregionalen Berliner Tageszeitungen. Sie galt als Sprachrohr des liberalen Bürgertums. Als das Blatt 1934 aus Protest gegen die von den Nationalsozialisten gleichgeschaltete Presse sein Erscheinen einstellte, verlor Michel sein wichtigstes Publikationsorgan. Erst 1941 erkannte er, dass er in NaziDeutschland nicht mehr sicher leben konnte und floh in letzter Minute auf abenteuerlichem Weg nach New York. Bis zu seinem Tod im Jahr 1946 schrieb er nunmehr in der deutsch-jüdischen Emigrantenzeitschrift Aufbau über den modernen künstlerischen Tanz in den USA.

Highlights

The Arts

Melvin Donalson

Hip Hop in American Cinema

ip Hop in American Cinema examines the manner in which American feature films have served as the primary medium for mainstreaming hip hop culture into American society. With their glamorizing portrayals of graffiti writing, break dancing, rap music, clothing, and language, Hollywood movies have established hip hop as a desirable youth movement. This book demonstrates how Hollywood studios and producers have exploited the profitable connection among rappers, soundtracks, and mass audiences. Hip Hop in American Cinema offers valuable information for courses in film studies, popular culture, and American studies.

New York, 2007. XII, 191 pp. pb. • ISBN 978-0-8204-6345-2 CHF 33.– / €D 28.80 / €A 29.60 / € 26.90 / £ 22.– / US-$ 34.95

«‘Hip Hop in American Cinema’ is a pioneering study of the marriage of hip hop and gangsta rap with Hollywood, carefully considering the cultural, political, and business aspects of this important and often controversial musical phenomenon from the 1980s to the present. Today, rap outstrips both rock and country music in sales and pulses through the soundtracks of many Hollywood films, sometimes also furnishing the subject matter and the stars. Melvin Donalson, the well-known scholar of American film, surveys dozens of films, casting an understanding but critical eye on the music and its messages.» (Andrew Gordon, University of Florida; co-author, ‘Screen Saviors: Hollywood Fictions of Whiteness’)

Christian Janssens

Maurice Maeterlinck, un auteur dans le cinéma des années dix et vingt

Bruxelles, 2016. 271 p., 59 ill., 2 tabl. Repenser le cinéma / Rethinking Cinema. Vol. 8 br. • ISBN 978-2-87574-349-7 CHF 45.– / €D 38.95 / €A 39.60 / € 36.– / £ 30.– / US-$ 43.95 eBook (SUL) • ISBN 978-3-0352-6626-9 CHF 47.– / €D 42.95 / €A 43.20 / € 36.– / £ 30.– / US-$ 43.95

et ouvrage porte sur le cas concret de Maurice Maeterlinck comme auteur adapté à l’époque du cinéma muet. Inspiré de la théorie de Pierre Bourdieu, il propose de renouveler la problématique de l’adaptation cinématographique en prenant pour point de départ l’auteur agissant dans plusieurs champs et étant agi par ceux-ci. Dans les années dix et vingt, Maeterlinck occupe des positions contrastées : consacré en littérature, peu ou pas reconnu au cinéma. Cet écart suscite un triple questionnement, sur l’entrée de l’auteur dans le champ cinématographique, sur les stratégies qu’il transpose d’un domaine à l’autre, enfin sur l’ajustement des stratégies aux états successifs du cinéma. Centré sur le contexte de production des œuvres, l’ouvrage ne néglige pas leur dimension esthétique. Il met en évidence des sources premières rarement sollicitées: les films Monna Vanna (Ambrosio, 1914– 1916), Pelléas et Mélisande (Éclair, 1915) et The Blue Bird (Paramount, 1918). L’analyse esthétique révèle la manière dont le cinéma reprend des éléments théâtraux et se les réapproprie, ou encore dans quelle mesure les œuvres adaptées oscillent entre les différents pôles de production et se stabilisent dans la zone de grande production de qualité.

Highlights

The Arts

Gregory Frame

The American President in Film and Television Myth, Politics and Representation

Runner-up for the BAFTSS 2016 Best Book Award

hy are fictional US presidents everywhere on screen? How do these constructs relate to our understanding of the presidency as an institution and the United States as a nation? This book sheds new light on fictional representations of the leader of the United States by analysing key films and television series from the early 1990s to the present day. Combining textual analysis with close attention to political and historical contexts, it addresses the ways in which representations of the president have responded to a period of profound change in American politics and society, encompassing the end of the Cold War, 9/11 and the collapse of the economy. Exploring the complex relationship between the political context and the generic, iconographic and narrative parameters upon which mainstream cinema and television are based, this book challenges the tendency to equate content with context. Instead, contemporary representations of the president are examined as critiques of, or reinforcements to, dominant conceptions of political leadership. The reasons behind the proliferation of images of the president during this period are explored, from the archetype in American genre cinema (Air Force One, Independence Day and Deep Impact) to the idealised fantasy figure in network television (The West Wing, 24 and Commander in Chief). This book offers unique insights into the roles mainstream cinema and television continue to play in the reinforcement of mythological conceptions of the American presidency. Contents: Introduction: The American President in History and Criticism • The Symbolic Presidency in Washington and Hollywood, 1932–1989 • The PostCold War Presidency in Hollywood • The West Wing: Continuity and Change from Clinton to Bush • Predicting Obama? Hollywood’s Black Presidency and the Creation of a Stereotype • «Having it Allen»: Motherhood, Family and The President in Commander in Chief • Old Constructs for a New Era: The White House Invasion Narrative and the Return of Abraham Lincoln. «An assuredly deft and engaging exploration of how presidential figures function in American film and television, Gregory’s book is anchored in textual readings and it hits the right note – whether he is discussing the Capraesque tendencies in the comedy ‘Dave’, offering a focused appreciation of the looming presence of Martin Sheen, or unpacking issues of race and gender (in particularly persuasive chapters on black and women presidents). In Gregory’s own words the book ‘looks to engage fully with the politics of representation in the Representation of Politics’, and it is completely successful in that mission.» (British Association of Film, Television and Screen Studies, 2016 Best Book Award Committee)

Oxford, 2014. 326 pp., 11 b/w ill. hb. • ISBN 978-3-0343-0951-6 CHF 90.– / €D 80.30 / €A 82.50 / € 75.– / £ 60.– / US-$ 97.95 eBook (SUL) • ISBN 978-3-0353-0634-7 CHF 94.85 / €D 89.25 / €A 90.– / € 75.– / £ 60.– / US-$ 97.95

Gregory Frame is Associate Fellow of Film and Television Studies at the University of Warwick. His research interests revolve around the politics and ideologies of mainstream cinema and television, and he is currently working on a project concerning the representation of American monuments and memorials in visual culture.

Highlights

The Arts

Bernard McCarron

The Paradigm Case The Cinema of Hitchcock and the Contemporary Visual Arts

Oxford, 2015. XII, 312 pp., 14 coloured ill., 11 b/w ill. Cultural Interactions: Studies in the Relationship between the Arts. Vol. 36 pb. • ISBN 978-3-0343-1780-1 CHF 72.– / €D 64.20 / €A 66.– / € 60.– / £ 48.– / US-$ 77.95

ith the migration of cinema into the art gallery, artists have been turning, with remarkable regularity and ingenuity, to Alfred Hitchcock-related images, sequences and iconography. The world of Hitchcock’s cinema – a classical cinema of formal unities and narrative coherence – represents more than the spectre of a supposedly dead art form: it transcends its own filmic and institutional contexts, becoming an important audio-visual lexicon of desire, loss, mystery and suspense. Through a detailed study of the Hitchcock-related work of artist-filmmakers Matthias Müller and Christoph Girardet, Johan Grimonprez, Pierre Huyghe, Douglas Gordon and Atom Egoyan, this book facilitates a dialogue between the creative appropriation of Hitchcock’s films and the cinematic practices that increasingly inform the wider field of the contemporary visual arts. Each chapter is structured around a consideration of how the artwork in question has reconfigured or ‘remade’ key Hitchcockian expressive elements and motifs – in particular, the relationship between mise en scène and the mechanics of suspense, time, memory, history and death. In a career that extended across silent and sound eras as well as the British, European and Hollywood industries, Hitchcock’s film œuvre can be seen as a history of the cinema itself. As the work of these contemporary artist-filmmakers shows, it was also a history of the future, a paradigm case par excellence.

eBook (SUL) • ISBN 978-3-0353-0750-4 CHF 75.85 / €D 71.40 / €A 72.– / € 60.– / £ 48.– / US-$ 77.95

Dhamu Pongiyannan

Film and Politics in India Cinematic Charisma as a Gateway to Political Power

n the South Indian state of Tamil Nadu, all five of the Chief Ministers since 1967 have been former actors. This provocative book debunks the notion of Bollywood as the synecdoche of Indian cinema to explore the hitherto less studied, yet highly influential cinema in South Asia. Developing the concept of the politics of sentiment, the author examines the ways in which actor-politicians constructed their cinematic charisma, projecting themselves as messiahs saving the people from injustices, to create a political appeal to voters. The resilience of cinematic charisma, as Indian society undergoes massive socio-economic changes, provides a compelling study of modern politics, cinema, celebrity and the culture of the subcontinent.

Bern, 2015. X, 230 pp. Film Cultures. Vol. 7 pb. • ISBN 978-3-0343-1551-7 CHF 75.– / €D 66.90 / €A 68.80 / € 62.50 / £ 50.– / US-$ 81.95 eBook (SUL) • ISBN 978-3-0351-0742-5 CHF 79.– / €D 74.38 / €A 75.– / € 62.50 / £ 50.– / US-$ 81.95

Highlights

The Arts

Kerstin Stutterheim

Handbuch Angewandter Dramaturgie Vom Geheimnis des filmischen Erzählens – Film, TV und Games

ramaturgie hat eine lange Tradition, auch im Bereich von Film- und Fernsehen. Kenntnisse der Dramaturgie ermöglichen es, einem Werk zu seiner bestmöglichen Entfaltung zu verhelfen, ohne diesem standardisierte Grenzen einer Formatvorlage aufzuerlegen. Ebenso kann Dramaturgie die Analyse von Werken unterstützen, um künstlerische Prozesse und die Qualitäten eines Werkes erkennen und verstehen zu können. In diesem Buch wird ein Überblick über dramaturgische Grundlagen gegeben. Es werden dramaturgische Traditionen und Modelle aus der Praxiserfahrung heraus und für diese anwendbar diskutiert. Es wendet sich an Medienschaffende und Medienwissenschaftler ebenso wie an Filminteressierte. Frankfurt am Main, 2015. 403 S., 6 farb. Abb., 4 s/w Abb. Babelsberger Schriften zu Mediendramaturgie und -Ästhetik. Bd. 4 br. • ISBN 978-3-631-64138-5 CHF 45.– / €D 39.95 / €A 41.– / € 37.30 / £ 30.– / US-$ 48.95

«Kerstin Stutterheim, Professorin für AV-Mediendramaturgie und -Ästhetik an der Filmuniversität Konrad Wolf in Potsdam-Babelsberg, hat ein Handbuch publiziert, das man wohl für einige Zeit als Standardwerk bezeichnen kann.» Hans Helmut Prinzler, Stiftung Deutsche Kinemathek, www.hhprinzler.de

eBook (SUL) • ISBN 978-3-653-03095-2 CHF 47.40 / €D 44.39 / €A 44.76 / € 37.30 / £ 30.– / US-$ 48.95

Bengt Edlund

Questioning Schenkerism

uring the past fifty years Schenkerian theory has been adopted as the main method for analysing tonal music. This book questions the value of Schenker’s «tonal analysis» for musical description and interpretation, and discusses its relations to «generative» theory and «implicational» analysis – taking into account its links with linguistic syntax and the perception of tonal closure. It is observed how auxiliary theoretical concepts transform the music so as to pave the way for preordained tonal structures. Alternative readings of the music examples are provided.

Frankfurt am Main, 2015. 497 pp., 122 b/w fig. hb. • ISBN 978-3-631-66113-0 CHF 96.– / €D 84.95 / €A 87.30 / € 79.40 / £ 64.– / US-$ 103.95 eBook (SUL) • ISBN 978-3-653-05592-4 CHF 101.15 / €D 94.49 / €A 95.28 / € 79.40 / £ 64.– / US-$ 103.95

Highlights

The Arts

Nancy L. Graham

They Bear Acquaintance African American Spirituals and the Camp Meetings

dentifying the roots of African American spirituals and other religious folk music has intrigued academics, hymnologists and song leaders since this genre came to the public eye in 1867. The conversation on origins has waned and waxed for over eighty years, sometimes polemical, sometimes compromising. They Bear Acquaintance looks at this discussion through the output of various well-regarded researchers from the twentieth century. The effects of cultural distinctions, immigration patterns and class structure have all left their imprint on the anatomy of the music. No one living has ever heard a spiritual performed in an authentic setting, so misconceptions abound. Pre-dating the American Civil War and achieving global attention in the Civil Rights movement, the spirituals soften the edges of difficult situations, and speak gently, yet poignantly, to human struggles. The book also pinpoints new material from a wide range of sources in the twentyfirst century that will preserve and affirm this music for many years to come. Oxford, 2017. XIV, 164 pp., 5 b/w ill. Music and Spirituality. Vol. 4 pb. • ISBN 978-3-0343-2211-9 CHF 68.– / €D 58.95 / €A 59.80 / € 54.40 / £ 44.– / US-$ 66.95 eBook (SUL) • ISBN 978-1-78707-251-0 CHF 72.– / €D 64.95 / €A 65.20 / € 54.40 / £ 44.– / US-$ 66.95

Tasos Zembylas (ed.)

Kurt Blaukopf on Music Sociology – an Anthology 2nd Unrevised Edition

his anthology contains seven texts by Kurt Blaukopf (1914–1999) that exemplify the sociological and epistemological position of this pioneer of Austrian music sociology. Blaukopf’s efforts were aimed at a comprehensive, interdisciplinary approach and analysis of music as a cultural phenomenon and as social practice. The primary aim of this anthology is to make Blaukopf’s work better known in the English-speaking world. It offers the interested reader a fruitful analysis of the relation between music sociology and its sister disciplines, e.g. musicology, a solid analysis in terms of the philosophy of science on the possibilities and limits of music sociology, and a highly topical discussion about the significance of intrinsic artistic aspects in music sociology. Frankfurt am Main, 2016. 154 pp. Musik und Gesellschaft. Vol. 31 hb. • ISBN 978-3-631-67572-4 CHF 26.– / €D 21.95 / €A 22.60 / € 20.50 / £ 17.– / US-$ 24.95 eBook (SUL) • ISBN 978-3-653-07110-8 CHF 27.– / €D 23.95 / €A 24.60 / € 20.50 / £ 17.– / US-$ 24.95

Highlights

The Arts

Constantin Floros • Ernest Bernhardt-Kabisch

Brahms and Bruckner as Artistic Antipodes Studies in Musical Semantics

n the last third of the 19th century Brahms and Bruckner were regarded as antipodes. Is this perception really true to the historical reality or had their contemporaries overestimated the «dimension of their distance», as argued later? Both wrote autonomously conceived music, both held on to traditional forms, and both rejected program music. To find an answer to this question, part I tries to elucidate Brahms’ relation to Bruckner in its biographic, historical, artistic and art-theoretical aspects. At the center of the second part, whose subject is Brahms’ early work, is the question whether Brahms was indeed an autonomously working composer. The topic of the third part is a taboo of Bruckner research: Bruckner’s relation to program music. Contents: A Radical Historical, Art-Theoretical and Artistic Contrast • Art and Personality • The Conflict • Art-Theoretical Controversies • The Unknown Brahms: An Autonomous Composer? «Young Kreisler» • Schumann’s Essay «Neue Bahnen»: A New Interpretation • Schumann and Brahms • Brahms’ Variations op. 9 and op. 23 • «Benedictus qui venit in nomine Domini» • Bruckner and the Program Music • The «Tonal Symbol of the Cross» • The program of the Romantic Symphony • The program of the Eighth Symphony • The legend of «german Michel». «The second and third part of the study achieve new insights. With a consistent analysis of biographic data and, simultaneously, a careful scrutiny of musical facts (increased experience in assessing the music of the 19th century), Floros gains convincing interpretations.» (Friedrich Heller about the German edition of the book) «The book is the result of Floros’s intensive study of Mahler, during which he found hitherto undiscovered clues to the interpretation of Brahms’s and Bruckner’s work. Most of the borrowings discussed confirm differences between the two composers in both ideologies and musical heritage. Long thought to be ‘absolute’ music, Bruckner’s compositions carry significant semantic meaning when the composer desired.» (Mucical Borrowing)

Frankfurt am Main, 2015. 311 pp., 7 b/w ill., 42 graphs hb. • ISBN 978-3-631-66034-8 CHF 68.– / €D 59.95 / €A 61.60 / € 56.– / £ 45.– / US-$ 72.95 eBook (SUL) • ISBN 978-3-653-05390-6 CHF 71.65 / €D 66.64 / €A 67.20 / € 56.– / £ 45.– / US-$ 72.95

Constantin Floros is professor emeritus of Musicology at the University of Hamburg. Among his monographs are volumes on the origin of Gregorian neumes, about Gustav Mahler, Anton Bruckner, Johannes Brahms, Ludwig van Beethoven, the Symphony of the 19th Century, Alban Berg and György Ligeti. Ernest Bernhardt-Kabisch is professor emeritus of English and Comparative Literature at Indiana University, Bloomington (IND.). He has translated several books by Constantin Floros.

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History of Art

Art

Christina Baird

Deborah Ascher Barnstone (ed.)

Showcase Britain

The Doppelgänger

Britain at the Vienna World Exhibition 1873 Showcase Britain explores the diverse aspects of British participation in the Vienna World Exhibition (Weltausstellung) of 1873. The exhibition covered a vast spectrum of human endeavour and achievement. The British involvement encompassed not only the national submission but also the British individuals who visited and contributed to the displays. The book offers a snapshot of British aspirations and commerce at a singular point in history through the lens of the exhibition. The central theme is explored through various perspectives: the ceramic collections, the Fine Art collections, British connections with China, the act of collecting, the visitor experience, and the mobility and re-use of collections, with particular reference to the display from India. The British submission is compared and contrasted throughout with that of the government of Japan, a newcomer to international shows, whose collections presented a competitor to Britain’s and a focus for British acquisition and emulation. Finally, the exhibition is viewed in the wider context of international exhibitions held in London in the following decade.

The Doppelgänger – the double, twin, mirror image or alter ego of someone else – is an ancient and universal theme that can be traced at least as far back as Greek and Roman mythology, but is particularly associated with two areas of study: psychology, and German literature and culture since the Romantic movement. Although German language literature has been a nexus for writing on the Doppelgänger, there is a paucity of scholarly work treating a broader selection of cultural products from the German-speaking world. The essays in this volume explore the phenomenon of the double in multiple aspects of German visual culture, from traditional art forms like painting and classical ballet to more contemporary ones like film, photography and material culture, and even puppet theatre. New ways of understanding the Doppelgänger emerge from analyses of various media and time periods, such as the theme of the double in a series of portraits by Egon Schiele, the doubling of silk by rayon in Weimar Germany and its implications for class distinctions in Germany, and the use of the x-ray as a form of double in Thomas Mann’s Magic Mountain and Christoph Schlingensief’s performance art.

Oxford, 2016. XII, 188 pp., 14 b/w ill., 4 tables Cultural Interactions: Studies in the Relationship between the Arts. Vol. 39

Oxford, 2016. XI, 273 pp., 37 coloured ill., 8 b/w ill.

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ISBN 978-3-0343-1908-9 CHF 62.– / €D 52.95 / €A 54.40 / € 49.40 / £ 40.– / US-$ 60.95

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eBook (SUL) ISBN 978-1-78707-011-0 CHF 65.– / €D 58.95 / €A 59.30 / € 49.40 / £ 40.– / US-$ 60.95

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German Visual Culture. Vol. 3 ISBN 978-3-0343-1961-4 CHF 98.– / €D 86.70 / €A 89.10 / € 81.– / £ 65.– / US-$ 105.95 ISBN 978-3-0353-0818-1

CHF 103.25 / €D 96.39 / €A 97.20 / € 81.– / £ 65.– / US-$ 105.95

History of Art

Manuel Carrera • Niccolò D’Agati • Sarah Kinzel (a cura di)

Tra Oltralpe e Mediterraneo Arte in Italia 1860–1915 La grande sfida dell’arte italiana tra l’Unità e la Prima guerra mondiale è quella di creare uno stile nazionale competitivo e riconoscibile a livello europeo. Il volume intende indagare gli sviluppi artistici italiani nei loro rapporti internazionali. Nach der Staatsgründung 1861 sahen sich italienische Künstler mit der Herausforderung konfrontiert, eine eigenständige und auf europäischer Ebene wettbewerbsfähige Formsprache zu entwickeln. Der Band thematisiert den künstlerischen Wandel in Italien im Spiegel seiner internationalen Beziehungen von Nordeuropa bis zum Mittelmeerraum. After the unification in 1861 the creation of a national art, unique and competitive at a European level, represented a major challenge for Italian artists. This volume analyses artistic developments in Italy with regard to their international relations from Northern Europe to the Mediterranean.

Ingrid Halászová (Hrsg.)

Andrzej Pieńkos

Die Noblesse im Bild

The House of Art

Die adeligen Porträtgalerien in der Frühen Neuzeit in den Ländern der ehemaligen Habsburgermonarchie

Modern Residences of Artists as the Subject and Space of Creation

Zu den aufwendigsten und aus diesem Grund wenig bearbeiteten Themen gehört die Problematik der Entstehung und der Anfangsphasen der Entwicklung von adeligen Porträtgalerien in den ehemaligen Ländern der Habsburgermonarchie in Mitteleuropa. Die vorliegende Publikation ist das gemeinsame Werk eines internationalen Autorenkollektivs. Die einzelnen Kapitel bieten einen aktuellen und möglichst kompletten Stand der Erkenntnisse über die Entstehung und Entwicklung der Porträtgalerien in Tschechien und Mähren: die Neuhaus-Sammlung und die Rosenberger-Sammlung (B. Kubíková), die Lobkowitz-Sammlung (P. Štěpánek) und die Porträtgalerie der Familie Dietrichstein (P. Medříková). Bezüglich des ehemaligen Königreichs Ungarn wird ein allgemeiner Überblick über die Entwicklung des adeligen Porträts im 17. Jahrhundert am Beispiel von Malern und Auftraggebern präsentiert (E. Buzási). In den einzelnen Fallstudien werden zwei Porträtsammlungen analysiert: die Bibersburger Porträtgalerie der Familie Pálffy (I. Halászová) und die Esterházy-Sammlung auf Burg Forchtenstein (M. Kopp). Die österreichische Seite der Donau repräsentiert die Galerie des Adelsgeschlechts Lamberg auf Schloss Ottenstein (F. Polleroß).

Frankfurt am Main, 2016. 412 pp., 170 b/w ill.

Bern, 2016. 342 p., 18 ill. b/n, 34 ill. a colori br.

ISBN 978-3-0343-2093-1 CHF 99.– / €D 85.95 / €A 88.– / € 80.– / £ 66.– / US-$ 96.95 eBook (SUL)

ISBN 978-3-0343-2282-9

CHF 105.– / €D 94.95 / €A 96.– / € 80.– / £ 66.– / US-$ 96.95

The term «house of art» designates the cultural phenomenon and creative mode in modernity associated with an artist’s residence as his own creation and as his product of a need to create which is unfulfilled in the painter’s, writer’s or composer’s actual field. This book discusses the most important of these creations from the 18th century to the beginning of the 20th, including gardens as well as the artist’s space, broadly understood, annexed by his imagination. An artist’s shaping of his own residence was most commonly a secondary area of his creative work. The formula for a «house of art» is specific to the particular artist and does not have to fit within any given architectural or decorative style. It may conform to the traditions of a residence (artist’s palace, cottage etc), but most often it forms an individual case.

Frankfurt am Main, 2016. 395 S., 85 farb. Abb. Spectrum Slovakia. Bd. 13 geb.

ISBN 978-3-631-67175-7

CHF 87.– / €D 74.95 / €A 77.10 / € 70.10 / £ 57.– / US-$ 84.95

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ISBN 978-3-631-66972-3 CHF 68.– / €D 59.95 / €A 61.60 / € 56.– / £ 45.– / US-$ 72.95 eBook (SUL)

ISBN 978-3-653-06095-9

CHF 71.65 / €D 66.64 / €A 67.20 / € 56.– / £ 45.– / US-$ 72.95

History of Art

Charlotte Ribeyrol (ed.)

Agnieszka Rosales Rodríguez

Eva Spinazzè

The Colours of the Past in Victorian England

In the Footsteps of the Old Masters

La luce nell’architettura sacra: spazio e orientazione nelle chiese del X–XII secolo – tra «Romandie» e Toscana

The experience of colour underwent a significant change in the second half of the nineteenth century, as new coal tar-based synthetic dyes were devised for the expanding textile industry. These new, artificial colours were often despised in artistic circles who favoured ancient and more authentic forms of polychromy, whether antique, medieval, Renaissance or Japanese. However faded, ancient hues were embraced as rich, chromatic alternatives to the bleakness of industrial modernity, fostering fantasized recreations of an idealized past. The interdisciplinary essays in this collection focus on the complex reception of the colours of the past in the works of major Victorian writers and artists. Drawing on close analyses of artworks and literary texts, the contributors to this volume explore the multiple facets of the chromatic nostalgia of the Victorians, as well as the contrast between ancient colouring practices and the new sciences and techniques of colour.

The Myth of Golden Age Holland in 19th Century Art and Art Criticism The author presents a broad phenomenon known under the term of «Hollandism» as present in the European culture. Investigating various areas of 19th century painting, art criticism and literature, the author explains interpretation clichés attached to the culture of the Golden Age (e.g. its bourgeois and Protestant character, its realism and its genre character), which are entrenched in art history. She also presents those aspects of northern Netherlandish painting in the 17th century which were contrary to this image and which made many artists seek the sources of modernité in the art of Rembrandt, Hals and Vermeer. The book offers an insight into the complex motivations and attitudes towards the artistic tradition not only of the great painters, but also of the little-known, almost forgotten imitators of the Dutch «Little Masters».

Oxford, 2016. XIV, 270 pp., 40 coloured ill.

Including an English Summary L’autrice ha messo in luce un’antica tradizione sull’orientazione degli edifici sacri. In particolare ha studiato le architetture sacre dei secoli X–XII situate lungo la Via Francigena, da Romainmôtier al Sud della Toscana, seguendo le tappe dell’arcivescovo Sigerico che alla fine del X secolo percorse la via di pellegrinaggio da Roma a Canterbury. Sulla base delle testimonianze trovate nelle fonti e nei manoscritti medioevali di argomento astronomico e liturgico e attraverso rilievi topografici georeferenziati uniti a calcoli astronomici l’autrice ha evidenziato che la maggior parte dei sessantatré edifici sacri presi in considerazione sono allineati verso punti precisi sull’orizzonte versus solem orientem et versus solis occasum in giorni significativi dal punto di vista astronomico o religioso.

Frankfurt am Main, 2016. 950 p., 114 ill. a colori, 4 ill. b/n

Cultural Interactions: Studies in the Relationship between the Arts. Vol. 38

Frankfurt am Main, 2016. 399 pp., 128 b/w fig.

Beihefte zur Mediaevistik. Monographien, Editionen, Sammelbände. Vol. 20

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ISBN 978-3-631-66838-2 CHF 145.– / €D 129.– / €A 132.70 / € 120.60 / £ 96.– / US-$ 156.95 ISBN 978-3-653-06039-3

CHF 152.80 / €D 143.51 / €A 144.72 / € 120.60 / £ 96.– / US-$ 156.95

History of Art

Theory of Art

Aleksandra Sulikowska

Eva Zangger Hausherr

Sabine Flach • Gary Sherman (eds.)

The Icon Debate

«Kunstverständnis und vollendetes technisches Geschick»

Naturally Hypernatural III: Hypernatural Landscapes in the Anthropocene

Religious Images in Russia in the 15th and 16th Centuries The book explores the subject of Russian icons and their changes as well as the discussion on art that unfolded in Russia in the 15th and 16th centuries. Taking the representation of the Old Testament Trinity, attributed to Andrei Rublev, as its point of departure, it discusses and analyses the key issues of the iconography of the Holy Trinity and the process of the emergence and the dissemination of the imagery of God the Father and the New Testament Trinity in Russia. These issues are framed in the context of the debate that took place at the time within the Muscovite Orthodoxy, which concerned heresy, the relations with other denominations, the identity of the Russian Orthodox Church and the place of the icons in the existing canon.

Studien zum Werk des Glasmalers Jakob Georg Röttinger Die Werkstatt Georg Röttingers war in der Zeit um 1900 international sehr erfolgreich in der Produktion von Glasmalereien tätig. Das Zürcher Atelier, in welchem bereits in der zweiten Generation Glasgemälde erschaffen wurden, hatte sich auf die Herstellung von Glasmalereien im Stil des Historismus und Jugendstil spezialisiert und belieferte sowohl öffentliche Institutionen und Kirchgemeinden als auch Privatpersonen mit den leuchtenden Kunstwerken. Der künstlerisch wie auch handwerklich äusserst versierte Georg Röttinger leitete die Werkstatt zusammen mit seinem Bruder Heinrich, welcher für die administrativen Belange zuständig war. Die Firma Röttinger ist eine der einzigen Werkstätten in Europa, von welcher noch der praktisch vollständige Nachlass erhalten ist. Zudem befinden sich noch einige der Werke in situ oder sind eingelagert. Diese ausserordentlich gute Quellenlage erlaubt es, den Entstehungsprozess der Kunstwerke exemplarisch nachzuvollziehen und lässt Einblicke in das Funktionieren eines Glasmalereiateliers in der Zeit um 1900 zu.

Frankfurt am Main, 2016. 428 pp., 30 b/w ill., 26 coloured ill.

Bern, 2016. 286 pp., 40 b/w ill., 35 coloured ill.

Eastern European Culture, Politics and Societies. Vol. 11 hb.

Art – Knowledge – Theory. Vol. 5

ISBN 978-3-631-66969-3 CHF 81.– / €D 69.95 / €A 71.90 / € 65.40 / £ 54.– / US-$ 78.95

Bern, 2016. 274 S., 168 farb. Abb.

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ISBN 978-3-653-06097-3

CHF 86.– / €D 77.95 / €A 78.50 / € 65.40 / £ 54.– / US-$ 78.95

This third volume of Naturally Hypernatural explores contemporary concepts of landscape in the humanities and the arts in relation to the notion that our age is defined by a ‘geology of the human’ and that this reckoning constitutes a new epoch, aptly named the anthropocene. The thesis of this volume – that there is no homogeneous concept of landscape, just as there is no uniform definition of nature or culture – was developed concurrently at a conference at the University of Graz and at a series of exhibitions centered on film, painting and photography at the Kunsthaus Graz. This thesis has been fortified by registering the simultaneity of land art, the ecological movement and the view of the earth from space. Art since the modern period reveals how divergent ideas of landscape are intertwined with differently chanted conceptions of subjectivity, perception and space.

pb.

ISBN 978-3-0343-2612-4 CHF 85.– / €D 73.95 / €A 76.10 / € 69.20 / £ 56.– / US-$ 82.95 ISBN 978-3-0343-2033-7

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eBook (SUL) ISBN 978-3-0343-2613-1 CHF 90.– / €D 80.95 / €A 82.90 / € 69.20 / £ 56.– / US-$ 82.95

Art Techniques & Principles

Painting & Paintings

Media and Culture

Béatrice Cron • Karen Betty Tobias

Daniel Schrembs

Veronika Bernard (ed.)

Faszination Komposition

Die Haftung des Kunstexperten

IMAGES (V) – Images of (Cultural) Values

Das Buch beschäftigt sich mit den Hintergründen und Grundlagen der Kunstexpertenhaftung. Die Kunstexpertise ist von herausragender Bedeutung für den Kunstmarkt. Sie entscheidet über die Authentizität eines Kunstwerkes und damit über Millionenwerte. Der Autor untersucht die Fälle, in denen Experten irren. Geschädigte Käufer und Verkäufer fragen dann nach ihren rechtlichen Möglichkeiten – auch nach einer Haftung des Kunstexperten. Die Haftung des Kunstexperten ist gerichtlich nicht geklärt, wodurch sich eine erhebliche Rechtunsicherheit für die Kunstmarktbeteiligten ergibt. Der Autor klärt die Sorgfaltsanforderungen an die Tätigkeit eines Kunstexperten und zeigt anhand von vielen Beispielen aus der Praxis Wege einer Haftung des Kunstexperten auf.

The Conference Proceedings

Grundelemente der Komposition im bildnerischen Bereich – Ein Werkbuch 2., unveränderte Auflage, 2. Ausgabe Dieses Buch führt mit erprobten Methoden und praktischen Übungen in die Welt der Gestaltungs- und Kompositionslehre ein. Der schöpferische Weg, der im malerischen Prozess auf dem Wechselspiel von verschiedenen kognitiven und emotionalen Vorgängen fußt, wird zum Gegenstand der Beobachtung und der Reflexion. So kann ein differenziertes Verstehen im malerischen Tun erreicht werden. Anhand von Themenschwerpunkten wie Fläche, Linie und Hell-Dunkel hilft dieses systematisch aufgebaute, praktische Übungsbuch, handwerkliche Fähigkeiten zu erweitern und Bilder bewusst zu gestalten. Die Übungen dienen jedoch nicht nur als Leitfaden, sondern schulen auf besondere Weise Aufmerksamkeit und Gestaltungskräfte des Schaffenden im bildnerischen Prozess.

This collection of articles offers readers a crosssection of current research on contemporary and historical concepts and representations of (cultural) values as documented in popular culture, public space, the arts, works of literature and in ethnic contexts. The contributors to this volume are from the US, Algeria, Germany, Italy, Croatia, Albania, Serbia, Turkey, and Austria. Their very different cultural, ideological, scientific, academic and non-academic perspectives and backgrounds allow insights from many different viewpoints.

Frankfurt am Main, 2016. 192 S.

Frankfurt am Main, 2016. 360 S.

Kulturwissenschaftliche Beiträge der Alanus Hochschule für Kunst und Gesellschaft. Bd. 11

Saarbrücker Studien zum Privat- und Wirtschaftsrecht. Bd. 92

Frankfurt am Main, 2016. 199 pp., 14 b/w fig.

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Media and Culture

Antony Buxton • Linda Hulin • Jane Anderson (eds.)

InHabit People, Places and Possessions Central to human life and experience, habitation forms a context for enquiry within many disciplines. This collection brings together perspectives on human habitation in the fields of anthropology, archaeology, social history, material culture, literature, art and design, and architecture. Significant shared themes are the physical and social structuring of space, practice and agency, consumption and gender, and permanence and impermanence. Topics range from archaeological artefacts to architectural concepts, from Romano-British consumption to the 1950s Playboy apartment, from historical elite habitation to present-day homelessness, from dwelling «on the move» to the crisis of household dissolution, and from interior design to installation art. Not only is this volume a rich resource of varied aspects and contexts of habitation, it also provides compelling examples of the potential for interdisciplinary conversations around significant shared themes.

Laurent Creton • Kira Kitsopanidou (éds)

Crowdfunding, industries culturelles et démarche participative De nouveaux financements pour la création La notion de participation, associée aux usages du web 2.0, est devenue une composante essentielle de l’économie numérique. Par-delà les fantasmes cultivés par les discours médiatiques sur l’économie participative et la rhétorique techno-démocratique, cet ouvrage vise à déterminer si la nouveauté des termes «crowdfunding», «finance participative», «économie contributive», «crowdsourcing», «consommation collaborative», etc., rend compte de changements majeurs et d’innovations significatives en matière de pratiques sociales, de modèles organisationnels et de logiques financières et industrielles à l’œuvre au sein des industries de la culture. Le crowdfunding contribue-t-il au financement et à l’exposition de biens culturels plutôt en marge des logiques industrielles et du circuit commercial traditionnel, ou est-il principalement au service de l’économie de best-sellers participant d’emblée à la réduction de l’incertitude qui caractérise tous les biens d’expérience et permettant la captation très en amont d’une audience potentielle pour les projets les plus fédérateurs ? L’ouvrage met en perspective les logiques transformatives du crowdfunding et de l’économie participative selon une approche interdisciplinaire (économie, sociologie, sciences de l’information et de la communication, droit, histoire) en se fondant sur l’étude de cas précis et sur les témoignages de professionnels issus de différents secteurs culturels et créatifs.

Eduardo González Castillo • Jorge Pantaleón • Nuria Carton de Grammont (eds.)

Politics, Culture and Economy in Popular Practices in the Americas This collection of essays on popular culture and politics in the Americas presents the study of ethnographic and historical data from different countries: Canada, United States, Mexico, Brazil, Paraguay and Argentina. Each chapter brings to light a distinct focus on the way in which popular cultural practices evolve in the context of contemporary globalization. Accordingly, this book aims to improve our understanding of the way in which subordinate groups participate in the process of state building and in the reproduction (or rejection) of the major macroeconomic and cultural processes shaping contemporary societies.

Oxford, 2017. X, 276 pp., 15 b/w ill., 1 table, 8 fig.

Bruxelles, 2016. 192 p., 1 fig., 4 tabl.

Cultural Interactions: Studies in the Relationship between the Arts. Vol. 40

ICCA – Industries culturelles, création, numérique. Vol. 1

New York, 2016. IX, 258 pp.

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Architecture

Francine Giese

Bauen und Erhalten in al-Andalus Bau- und Restaurierungspraxis in der Moschee-Kathedrale von Córdoba Die Moschee-Kathedrale von Córdoba zählt zu den Hauptwerken spanisch-islamischer Architektur und markiert als erster Monumentalbau von al-Andalus den Beginn einer der fruchtbarsten Phasen westislamischer Architektur. Welches sind die bautechnologischen Merkmale des Baus und wie ist er innerhalb der islamischen Architektur zu verorten? Welche Veränderungen durchlief die umaiyadische Hauptmoschee von Córdoba nach ihrer Weihung zur Kathedrale im Jahre 1236 und inwiefern beeinflusste diese neue Nutzungsphase die Denkmalpflegestrategien des 19. und 20. Jahrhunderts? Eine kritische Untersuchung der Bau- und Restaurierungspraxis in der einst wichtigsten Moschee des islamischen Westens bietet neue Erkenntnisse zur Architektur von al-Andalus und dem nicht immer einfachen Umgang Spaniens mit seinem islamischen Erbe.

Bern, 2016. XXII, 394 S., 70 s/w Abb., 9 farb. Abb. br.

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Films, Cinema

Film & Theatre Studies

Gemma Blackwood • Andrew McGregor (eds.)

Brian C. Johnson (ed.)

The Problematic Tyler Perry

Motion Pictures Travel Ideals in Film This volume examines representations and explorations of travel ideals in contemporary international cinema. It assembles work from a diverse range of academic fields including anthropology, sociology, ethnography, cinema, culture, tourism, communication and language studies, with contributions from international experts such as Mary Louise Pratt of New York University, whose work on ‘contact zones’ continues to provide the framework for scholarship on travel writing around the world. The volume explores the link between filmed spaces and real locations, with one of the fundamental dynamics being the investigation of filmmaking itself, and in particular the notion that cultural authenticity may be sought and found by filming ‘on location’. Also examined are the notions of fantasy and exoticism that arise through an idealisation of the locations themselves and their transformational impact on the protagonists who travel there. Such is the impact of motion pictures on contemporary culture that these travel ideals in film will inevitably influence our understanding of cities, regions, nations and cultures; indeed, the world around us and our role in it.

For the past decade or more, few Hollywood stars have experienced a more meteoric rise than Tyler Perry. As much as he is lauded by fans, Perry is panned by cultural critics who reject his work as overtly preachy and rife with racially stereotypical characterizations and controversial themes. This book explores the vast chasm between his fans’ adoration and the critical reception of his work: while some argue that Perry’s brand of «blackness» is little more than buffoonery, others claim he offers representations that are missing in entertainment choices, especially among niche audiences. He is applauded by some for offering films and television shows that are «good entertainment», while others label his work trashy. He can be seen either as an oracle whose morality plays provide a gospel message of family healing, or as an actor with a misaligned worldview. This book asks: what are we to do with the «problem» of Tyler Perry?

Bern, 2016. 238 pp.

New York, 2016. VI, 251 pp.

Film Cultures. Vol. 8

Black Studies and Critical Thinking. Vol. 83

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Films, Cinema

Giancarlo Lombardi • Christian Uva (eds.)

Italian Political Cinema Public Life, Imaginary, and Identity in Contemporary Italian Film Despite the powerful anti-political impulses that have pervaded Italian society in recent years, Italian cinema has sustained and renewed its longstanding engagement with questions of politics, both in the narrow definition of the term, and in a wider understanding that takes in reflections on public life, imaginary, and national identity. This book explores these political dimensions of contemporary Italian cinema by looking at three complementary strands: the thematics of contemporary political film from a variety of perspectives; the most prominent directors currently engaged in this filone; and case studies of the films that best represent this engagement. Conceived and edited by two Italian film scholars working in radically different academic settings, Italian Political Cinema brings together a wide array of critical positions and research from Italy, France, the Netherlands, the United Kingdom, Canada, and the United States. The tripartite structure and international perspective create a volume that is an accessible entry-point into a subject that continues to attract critical and cultural attention, both inside and outside of academia.

Gerd Naumann

Roswitha Skare

Filmsynchronisation in Deutschland bis 1955

«Nanook of the North» From 1922 to Today

Diese Studie widmet sich der Geschichte der deutschen Filmsynchronisation zwischen 1895 und der Mitte der 1950er Jahre. Der Autor zeigt historisch gewachsene Traditionslinien auf und ordnet diese in gesellschaftlich-politischökonomische Prozesse ein. Dabei geht er der Fragestellung nach, ob es in der Geschichte der deutschen Filmsynchronisation konnektive Strukturen gibt, mit denen sich durch wiederholende Handlungslinien wiedererkennbare Muster nachweisen lassen. Das Buch ergänzt bekanntere Aspekte der Filmgeschichte durch bisher nicht ausgewertete Materialien. So entsteht ein facettenreiches Bild der Geschichte des Synchronisierens von Kinofilmen, das gleichermaßen den Wandel medienpolitischer Interessen im historischen Kontext erzählt. Darüber hinaus ermöglicht der in der Praxis des Synchronisierens erfahrene Autor einen Einblick in die Studioarbeit wie auch ein Verständnis der Produktionsprozesse und stellt einige der Sprecher vor.

The Famous Arctic Documentary and Its Afterlife Robert Flaherty’s Nanook of the North is one of the best-known documentaries of the silent era and has remained well-known throughout the world ever since its release in 1922. This study takes as its point of departure the changes Nanook underwent from its premiere at the New York Capitol on June 11, 1922, to the sound version of 1947, the film’s restoration in the 1970s, and later editions on different platforms. Accordingly, the book focuses on the different versions and editions of the film and the significant ways in which the different elements surrounding the film influence our perception.

Frankfurt am Main, 2016. 310 S. Oxford, 2016. VIII, 439 pp., 31 b/w ill., 3 fig. Panoramas. Vol. 1

Medienästhetik und Mediennutzung. Media Production and Media Aesthetics. Bd. 5

Frankfurt am Main, 2016. 160 pp., 46 b/w ill.

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Film History, Theory & Criticism

Simon Bacon

Julia Dobson • Jonathan Rayner (eds.)

Emma Hamilton

Becoming Vampire

Mapping Cinematic Norths

Difference and the Vampire in Popular Culture

International Interpretations in Film and Television

Masculinities in American Western Films

Becoming Vampire is an interdisciplinary study of how the figure of the vampire in the twentyfirst century has been used to create and define difference, not as either a positive or negative attribute, but as a catalyst for change and the exploration of new identity positions. Whilst focusing on the films Let Me In and Let the Right One In to highlight the referential and intertextual nature of the genre itself, it utilises a broad spectrum of methodological approaches to show how the many facets of the vampire can destabilise traditional categories of who we are and what we might become. This volume then provides a timely examination of the multifaceted and multivalent character of the vampire and the possibilities inherent within our interactions with them, making this study a consideration of what we might term ‘vampiric becomings’ and an exploration of why the undead ‘creatures of the night’ remain so fascinating to Western culture.

Mapping Cinematic Norths presents an international range of research and enquiry into the significance, representation and manipulation of depictions of the ‘North’ in cinema and television. Northern landscapes, soundscapes, characters and narratives are defined and recognized as distinctive image-spaces within film and television. However, the ‘North’ is portrayed, exploited and interpreted in divergent ways by filmmakers and film audiences worldwide, and this volume sheds new light on these varying perspectives. Bringing together the work of established and emerging academics as well as practising filmmakers, this collection offers new critical insights into the coalescence of North-ness on screen, exploring examples from Britain, Scandinavia, continental Europe, Australia and the United States. With contextual consideration and close readings, these essays investigate concepts of the North on film from generic, national, aesthetic, theoretical, institutional and archival perspectives, charting and challenging the representations and preconceptions of the idea of North-ness across cultural and cinematic heritages.

A Hyper-Linear History The «Western» embodies many of the stereotypes of masculinity: rugged, independent men in cowboy hats roam the barren landscapes of the American West, resolving conflicts with guns and tough talk. Where did these cowboys come from? What historical trends led to their emergence on screen? This book explores the relationship between the Western, film and historical representation and the ways in which masculine gender performance is itself historical. It posits a new interpretation of how history functions on film, termed hyper-linear history. Hyper-linear history creates the possibility of seeing film as a vehicle that makes the past immediately explicit and relevant, rendering historical understandings complex. The study offers a fresh exploration of American Western films made in the 1950s and 1960s, arguing that many Westerns of this period rely on the post-Civil War on-screen past to make sense of the tumultuous experiences of the period, to various effect. The films especially tap into the ways in which national economic, political, technological and social changes impact the performance of hegemonic masculinities. These films provide insight into the ways in which masculinities are performed and gender crises are expressed, explored and resolved.

Oxford, 2016. X, 300 pp., 28 b/w ill., 1 table Oxford, 2016. X, 282 pp., 3 coloured ill., 17 b/w ill.

New Studies in European Cinema. Vol. 20

Oxford, 2016. XII, 280 pp., 4 coloured ill., 4 b/w ill.

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Film History, Theory & Criticism

Danielle Hipkins

Julian Preece • Nick Hodgin (eds.)

Alan Taylor

Italy’s Other Women

Andreas Dresen

Film Mavericks in Action

Gender and Prostitution in Italian Cinema, 1940–1965 In the period 1940 to 1965 the female prostitute featured in at least ten per cent of all Italian-made films, but she cast her shadow over many more. With reference to the changing social and film industrial context, this book explains why the figure of the female prostitute was so prevalent in Italian cinema of this period and offers a new account of her onscreen presence. It shows that the prostitutes that populate Italian cinema are much more than simply ‘tarts with hearts’ or martyr figures. Via the constant reworking of the prostitute trope across genres, the figure takes us to the heart of many ideological contradictions in postwar Italian cinema and society: these include the entanglement of rhetoric about political truth with the suppression of postwar guilt and shame, fears about racial contamination, and a preoccupation with nonnormative forms of masculine behaviour and desire. The book also shows how the female prostitute is important to Italian national cinema as a ‘borderline identity’, used to establish, but also destabilize, the hegemony of respectable femininities. It is precisely through her borderline condition, this book argues, that the prostitute ‘haunts’ gender, sometimes policing it, but more often than not problematizing its very construction.

Andreas Dresen is a leading European filmmaker whose œuvre now spans three decades and includes some of the most acclaimed German films of recent times, such as Halbe Treppe (Grill Point, 2002), Sommer vorm Balkon (Summer in Berlin, 2005) and Halt auf freier Strecke (Stopped on Track, 2011). The essays collected in this volume by leading scholars from the USA, UK and Ireland place him in the tradition of auteur cinema while emphasising his roots in the pre-1990 film industry of DEFA in the GDR. Dresen works with an established team of performers, technicians and scriptwriters, uses improvisation and non-professional actors, and makes music and song an integral component of many of his films. He is a scholar-filmmaker who pushes at the boundaries of his chosen modes and genres (documentary, neo-realism, films about films or literary adaptation); he is socially committed, casting a Brechtian eye on interpersonal encounters in neoliberal environments; and he is always interested to tell universal stories from the localities he knows best, the working-class milieus of Germany’s east.

New Hollywood, New Rhetoric, and Kenneth Burke The book’s ambition is to uniquely yoke familiar histories of New Hollywood with aspects of critical theory that, since the 1950s, have embraced advances in the New Rhetoric as pioneered by literary theorist, philosopher, social analyst and educator Kenneth Burke (1897–1993). The study tracks the career arcs of Hollywood film directors Peter Bogdanovich, Martin Scorsese, Michael Cimino and Francis Ford Coppola whose productions are regarded as Burkean perspectives by incongruity. This analysis is contextualized within an overview that, from the 1920s to the present, considers Hollywood as a «languaged industry» that is grounded in Burkean principles of Order, identification, hierarchy, courtship and ambiguities of substance. The project is designed to serve the interests of colleagues and students in Rhetorical Theory, Film Education, Creative Writing, American Studies, Production Studies, and Film and Media Studies.

Oxford, 2017. XVI, 260 pp., 23 b/w ill. Oxford, 2016. XVI, 454 pp., 51 b/w ill. Italian Modernities. Vol. 25

Contemporary German Writers and Filmmakers. Vol. 4

Frankfurt am Main, 2017. 334 pp.

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Theatre Studies

Lorenz Aggermann • Georg Döcker • Gerald Siegmund (Hrsg.)

Theater als Dispositiv Dysfunktion, Fiktion und Wissen in der Ordnung der Aufführung Die Normen, Strategien und Regierungsformen des Theaters genauso kenntlich zu machen wie sein Ereignis, seinen Überschuss oder sein Scheitern – das ist die Herausforderung, die sich mit Michel Foucaults Dispositiv-Konzept für jede Betrachtung des Theaters stellt. Der Band «Theater als Dispositiv» versammelt Beiträge aus Philosophie, Soziologie, Theologie, Medien-, Film- und Theaterwissenschaft, die alle auf Foucault antworten, indem sie je unterschiedlich die Ordnung der Aufführung in ihrer historischen Dynamik, vor allem aber im Hinblick auf Dysfunktion, Fiktion und Wissen skizzieren. Das antike, das moderne und das zeitgenössische Theater finden darin ebenso ihren Auftritt wie die Illusion oder die Szenographie, Kleist und Kubrick, die Figur des Harlekins oder das Theater der Theorie.

Matteo Bonfitto

The Kinetics of the Invisible Acting Processes in Peter Brook’s Theatre What’s the role played by the invisible in our lives? At what level can it be perceived when explored in theatre-making? Having as its focus the acting processes carried out by Peter Brook and his actors, this book examines many aspects of their practical work – from actor training seen as «poiesis» to the production of the «present moment» – and in doing so, it tries to recognize the nuances and subtle qualities generated by the invisible produced by them. However, the core of this investigation is that of trying to capture the invisible not as a vague sensation but in its dynamic and powerful manifestation.

Anne Fournier • Paola Gilardi • Andreas Härter • Beate Hochholdinger-Reiterer (Hrsg.)

MIMOS 2016 Theater HORA Theater HORA, 1993 in Zürich als Kulturwerkstatt für Menschen mit einer geistigen Behinderung entstanden, erobert heute als «freie Republik» die Bühnen weltweit. Dem breiten Spektrum der künstlerischen Arbeit und den aktuellsten Entwicklungen dieses einzigartigen Projekts gilt das vorliegende Buch. Le Théâtre HORA, créé à Zurich en 1993 comme atelier culturel pour personnes en situation de handicap mental, conquiert aujourd’hui les scènes du monde en tant que «République libre». Le présent ouvrage se penche sur le large spectre du travail artistique de ce projet unique et sur ses audaces les plus actuelles. Il Theater HORA, fondato nel 1993 come laboratorio artistico per persone con una disabilità mentale, è divenuto oggi una «Libera Repubblica» alla conquista della scena internazionale. Il presente volume analizza l’ampio ventaglio dell’espressione artistica e l’evoluzione più recente di questo progetto unico nel suo genere. Theater HORA, which began in Zurich in 1993 as a cultural workshop for people with a mental disability, is today conquering stages around the world as a «free republic». The present book is devoted to the broad spectrum of artistic work and most recent developments of this unique project. See table of contents on page 36.

Frankfurt am Main, 2017. 278 S., 6 farb. Abb.

Frankfurt am Main, 2016. 222 pp., 33 b/w ill.

Theaomai – Studien zu den performativen Künsten. Bd. 9

Interdisciplinary Studies in Performance. Historical Narratives. Theater. Public Life. Vol. 5

Bern, 2017. 328 S., 22 farb. Abb.

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MIMOS – Schweizer Theater-Jahrbuch. Bd. 78 ISBN 978-3-0343-2715-2 CHF 35.– / €D 30.95 / €A 31.30 / € 28.50 / £ 23.– / US-$ 34.95

Theatre Studies

Rosalie Rahal Haddad

Mirosław Kocur

Teresa Pękala (ed.)

Bernard Shaw in Brazil

On the Origins of Theater

Witkacy. Logos and the Elements

This book presents an interdisciplinary investigation into the emergence of the actor and theater. Scholarship helps us to realize how we have evolved to who we are today and to understand the transformative power of performance. The author proposes to boost and advance theater studies by reviewing new research in anthropology, archaeology, paleoanthropology, classics, ethnography, physics, cognitive science, neuroscience, theater anthropology and performance studies. Referring to his fieldwork in Bali and Tibet, and to his professional experience in theater, the author explains the role of bipedality, toolmaking and trance in the evolution of the performer, examines the performativity of space and writing, and argues that ancient culture emerged from dance.

This book focuses on Stanisław Ignacy Witkiewicz, philosopher and controversial artist. It expresses the opinions of philosophers, museologists and artists, for whom Stanisław Ignacy Witkacy’s 130th birthday anniversary became an opportunity to view his works from the perspective of postmodernity. The authors concentrate on Stanisław Ignacy Witkiewicz as eminent and prophetic philosopher concerned about Western culture with its waning metaphysical feelings, master of gesture and poses, anticipating the postmodern theatricalization of life.

The Reception of Theatrical Productions, 1927–2013 In 1927, the first production of Pygmalion was staged in Brazil. At the time, over 65 per cent of the adult Brazilian population was illiterate, which makes it all the more surprising that directors and producers dared to stage such a controversial playwright – a writer who had often been rejected by the more sophisticated theatregoer in England. This book analyses the reception of almost a century of Brazilian productions of Pygmalion, My Fair Lady, Arms and the Man, Candida and Mrs Warren’s Profession, setting that analysis in the context of the political, economic and cultural climate at the time of each production. What emerges is a faithful portrait of a country where theatre and theatre criticism are precariously established, and the theatregoer with no knowledge of English cannot be certain that the translation or adaptation they are watching bears anything more than a passing resemblance to the original. Nonetheless, Brazil has also witnessed a number of fine productions, presented by highly skilled actors and directors and reviewed by well-informed and articulate critics. As well as supplying fascinating detail on the wide range of Shaw productions staged in Brazil over the last ninety years, this volume also generates valuable insights into the complexities of twentieth-century Brazilian society.

Frankfurt am Main, 2016. 337 pp., 7 coloured fig., 33 b/w fig. Oxford, 2016. XXXI, 276 pp., 6 tables

Interdisciplinary Studies in Performance. Historical Narratives. Theater. Public Life. Vol. 4

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Interdisciplinary Studies in Performance. Historical Narratives. Theater. Public Life. Bd. 7

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Frankfurt am Main, 2017.

ISBN 978-3-631-66905-1

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Theatre Studies

Élodie Verlinden

Danse et spectacle vivant Réflexion critique sur la construction des savoirs Les pratiques contemporaines, exogènes et plus anciennes rendent les définitions de la danse labiles. Cet ouvrage a pour objectif premier de relire les discours scientifiques sur la danse à travers quelques démarches considérées comme illustratives d’une discipline : les modes de représentation de Foster ; les formes de (re)présentation de Hanna ; le lecteur modèle d’Eco ; les questionnaires de Pavis, d’Helbo et d’Ubersfeld ; la souspartition et la pré-expressivité de Barba ; le Rasaesthetics de Schechner ; l’orchésalité de Bernard, etc. Ce parcours a pour vocation seconde d’interroger les modes de construction de l’objet danse au sein des études en arts du spectacle vivant en attirant l’attention sur des paramètres généralement masqués par des approches globalisantes ou non adaptées, tels que l’énergie, l’intention, la pulsion auto-affective, les champs sensoriels, les techniques extra-quotidiennes. L’approche défamiliarisante aborde des modélisations en perspective par rapport à leur objet, et conduit non seulement à saisir de manière critique les regards sur la danse mais à élaborer un modèle propre qui pose la question de l’identité et des processus énonciatifs de la danse au sein du paradigme des arts du spectacle vivant.

Bruxelles, 2016. 246 p., 43 ill., 6 tabl. Dramaturgies. Textes, Cultures et Représentations. Vol. 36 br.

ISBN 978-2-87574-332-9 CHF 46.– / €D 40.70 / €A 41.80 / € 38.– / £ 30.– / US-$ 49.95 eBook (SUL)

ISBN 978-3-0352-6607-8

CHF 48.45 / €D 45.22 / €A 45.60 / € 38.– / £ 30.– / US-$ 49.95

Musical Scores

History of Music

Music

Wojciech Bońkowski

Paul-André Bempéchat (ed.)

Editions of Chopin’s Works in the Nineteenth Century

Naturlauf

Aspects of Reception History This book presents the editions of Chopin’s works as cultural texts and gives account of the main events in their reception history. Based on a new typology and an overview of copyright and economics, 140 editions evidence a dominance of a few popular works and genres (nocturnes, mazurkas, waltzes) and two distinctive tendencies in editing: academic (historical-monumental) and popular (salon & entertainment music). Four case studies research real-life typology, reprints, edition filiation, and the use of compositional sources. The author addresses edition aesthetics, from musical work ontology through national aspects of reception and recontextualisation strategies to the role of women in Chopin editing and axiological aspects of editions. The appendix includes forewords to major Chopin editions.

Scholarly Journeys Toward Gustav Mahler – Essays in Honour of Henry-Louis de La Grange for his 90th Birthday This collection of essays forms the second Festschrift to honour the dean of Gustav Mahler research, Henry-Louis de La Grange, on the occasion of his ninetieth birthday. It includes vibrant, new historical, theoretical, and aesthetic research on the complex mind which produced among the best-loved orchestral works and songs of Western classical music. Henry-Louis de La Grange’s passion and tireless devotion to Gustav Mahler began when he first heard his Ninth Symphony conducted by Bruno Walter at Carnegie Hall in New York. He went on to plumb the depths of this composer’s mind and soul and to explore every facet of his existence. Among the many honours he has gleaned since the publication of the first Festschrift, Neue Mahleriana (Lang, 1997), Henry-Louis de La Grange has been named Professor by the Government of Austria (1998) and Officier de l’Ordre de la Légion d’honneur (2006). He has also been awarded Bard College’s Charles Flint Kellogg Award in Arts and Letters, the Österreichisches Ehrenkreuz für Wissenschaft und Kunst, 1. Klasse (2010), the Gold Medal of the Internationale Gustav Mahler Gesellschaft (2010), and an honourary doctorate from The Juilliard School (2010). As another everlasting tribute, the American film director Jason Starr released his documentary film, For the Love of Mahler: The Inspired Life of Henry-Louis de La Grange, in 2015.

Frankfurt am Main, 2016. 366 pp. Eastern European Studies in Musicology. Vol. 7

New York, 2016. XVIII, 658 pp., 4 ill.

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CHF 116.95 / €D 109.79 / €A 110.71 / € 92.26 / £ 74.– / US-$ 119.95

History of Music

Albrecht Dümling

The Vanished Musicians Jewish Refugees in Australia About 9,000 Jewish refugees from Nazi Germany settled in Australia between 1933 and 1945, a small fraction of the hundreds of thousands who fled. Although initially greeted with a mixed reception as «enemy aliens», some of these refugees remained and made a significant impact on multicultural Australia. This book traces the difficult journey of the orchestral performers, virtuoso soloists, singers, conductors and composers who sought refuge on a distant continent. A few were famous artists who toured Australia and stayed, most notably the piano virtuoso Jascha Spivakovsky and the members of the Weintraubs Syncopators, one of the most successful jazz bands of the Weimar Republic. Drawing on extensive primary sources – including correspondence, travel documents and interviews with the refugees themselves or their descendants – the author depicts in vivid detail the lives of nearly a hundred displaced musicians. Available for the first time in English, this volume brings to light a wealth of Jewish, exilic and musical history that was hitherto unknown.

Reinmar Emans • Oliver Huck • Sven Hiemke (Hrsg.)

Musik an den Welfenhöfen Der Musik an den Welfenhöfen kam im 17. und 18. Jahrhundert eine überregionale Bedeutung zu, wie die in diesem Band vereinten Beiträge unterstreichen. Insbesondere in Wolfenbüttel und Hannover wirkten bedeutende Musiker, darunter Michael Praetorius, Heinrich Schütz, Antonio Sartorio, Agostino Steffani und Georg Friedrich Händel. Beide Höfe leisteten sich eine glänzende Hofhaltung, bei der neben Kunst, Literatur und Philosophie die Musik eine tragende Rolle zur Repräsentation der Herzöge spielte, von denen einige selber musizierten, Libretti schrieben oder komponierten. Als Liebhaber der venezianischen Oper und Bewunderer der Hofführung von Ludwig XIV. brachten sie im ausgehenden 17. Jahrhundert von ihren Reisen nach Italien und Frankreich Musik und Musiker mit und etablierten im Norden eine geradezu europäisch geprägte Musikszene.

Vanja Hug • Thomas Steiner (éds./eds.)

Chopin et son temps Actes des Rencontres Internationales «harmoniques», Lausanne 2010

Chopin and his time Proceedings of the «harmoniques» International Congress, Lausanne 2010 Ce volume présente les contributions des cinquièmes Rencontres Internationales organisées à Lausanne par la Fondation harmoniques en septembre 2010. Il offre un regard panoramique et des études à plusieurs voix sur la variété des écoles de facture de piano et des styles pianistiques à l’époque de Chopin. C’est la conjonction de l’observation scientifique, de la connaissance des sources historiques et de la pratique artisanale qui constitue l’intérêt principal de ces communications. This volume comprises the proceedings of the fifth International Congress which was organised by the harmoniques foundation and held in Lausanne during September 2010. Through the juxtaposition of scientific observation, historical research and practical instrument-making in the assembled essays, an impressive diversity of piano making and playing encountered in Chopin’s time unfolds.

Bern, 2015. 422 p., 43 ill. en couleurs, 176 ill. n/b

Oxford, 2016. XXVIII, 572 pp., 56 b/w ill.

Frankfurt am Main, 2016. 255 S.

Exile Studies. Vol. 14

Hamburger Jahrbuch für Musikwissenschaft. Bd. 31

Publicatons de la Société Suisse de Musicologie. Série II. Vol. 54

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History of Music

Karsten Mackensen

Bärbel Pelker • Rüdiger Thomsen-Fürst

Musik und die Ordnung der Dinge im ausgehenden Mittelalter und in der Frühen Neuzeit

Georg Joseph Vogler (1749–1814)

Die «Musica» ist in Weltvorstellungen des Mittelalters und der Frühen Neuzeit oft nicht nur ein Bestandteil des Wissens neben vielen anderen, sondern stellt ein übergeordnetes Ordnungsprinzip dar. Erstmals untersucht dieses Buch die genaue Stellung von Musik innerhalb der universalen Ordnung der Dinge, wie sie sich in enzyklopädischen Texten auch jenseits des fachdisziplinären Diskurses darstellt. Anhand zentraler Leitthemen wie Produktivität, Kombinatorik und Kosmologie führt die Untersuchung von der mittelalterlichen Logik Ramon Llulls über zahlreiche Stationen bis hin zur Weltkonzeption Athanasius Kirchers. Noch im 17. Jahrhundert, so wird deutlich, kann die Rolle der Musik nur vor dem Hintergrund der anhaltenden Wirksamkeit mystischer, magischer und kosmologischer Denkweisen verstanden werden.

Materialien zu Leben und Werk unter besonderer Berücksichtigung der pfalz-bayerischen Dienstjahre Dieses Buch beschäftigt sich mit dem zu seiner Zeit heftig umstrittenen, aber auch glühend verehrten Komponisten, Orgelvirtuosen und Theoretiker Georg Joseph (Abbé) Vogler. Es ergänzt die bislang einzige umfassende Biographie von Karl Emil von Schafhäutl aus dem Jahre 1888 und bietet eine Bestandsaufnahme zu Voglers Leben und Werk. Ausführlich stellen die Autoren dessen pfalz-bayerische Dienstjahre dar. Vor allem in seiner kurpfälzischen Zeit (1771–1780) schuf er die Basis für seine zahlreichen musiktheoretischen Publikationen. Angesichts der außerordentlich zahlreichen und weit verstreut überlieferten Quellen, die größtenteils nur schwer erreichbar sind, soll diese Materialsammlung eine Grundlage schaffen und weitere Forschungen anregen.

Gregor Pompe • Katarina Bogunović Hočevar • Nejc Sukljan (eds.)

From Modernism to Postmodernism Between Universal and Local The book explores two radical changes of cultural and social paradigm that determined the World after 1945 – Modernism and Postmodernism. From the cataclysmic atmosphere emerged the second wave of Modernism. In art this attitude was manifested in the form of a radical break with the aesthetic and stylistic characteristics of prior generations. In architecture the International Style was born, meanwhile similar «universality» was also a characteristic of musical serialism. From the beginning of the 1970s the wheels again began to turn in the other direction. The powerful destructive will of modernism increasingly waivered, and the period after modernism – postmodernism – began. The book answers questions related to the reasons for these turnarounds, their consequences and their implications.

Frankfurt am Main, 2016. 836 S., 28 farb. Abb., 160 s/w Abb.

Frankfurt am Main, 2016. 402 pp., 14 b/w ill., 4 b/w tables

Musica poetica. Musik der Frühen Neuzeit. Bd. 1

Quellen und Studien zur Geschichte der Mannheimer Hofkapelle. Bd. 6

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Frankfurt am Main, 2017. 352 S.

ISBN 978-3-631-71980-0

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ISBN 978-3-631-67144-3 CHF 72.– / €D 61.95 / €A 63.70 / € 57.90 / £ 48.– / US-$ 69.95

History of Music

Theory of Music & Musicology

Johnny Reinhard

Monica Kang

Andreas Kramarz

Bach and Tuning

Post-Tonal Affinities in Piano Works of Bartók, Chen, and Crumb

The Power and Value of Music

Bach and Tuning is strictly concerned with the identification of a historically accurate tuning paradigm that applies to the great majority of Johann Sebastian Bach’s music. Once Bach has his personal tuning aesthetic acknowledged, a new dimension of meaning is invoked in performance through the intended interplay of diverse musical intervals. This new narrative lays bare Bach’s mental calculations regarding his idealized intonation. Bach, the true chromatic composer of the Baroque, was the scion of a great music family. Likewise, Andreas Werckmeister was the bright star in a neighboring musical family, only a generation earlier. Bach and Tuning connects the valuable tuning contribution made by Werckmeister to Bach’s musical masterpieces.

The book explores cellular pivots as a new means of progression, functional tonality having disappeared in much of contemporary music. Béla Bartók can be seen as a kind of father figure to the other two composers, Chen Yi and George Crumb, in terms of their stylistic, technical, and even philosophical connections. The musical affinities of all three composers reflect a larger body of post-tonal music. Cell constructions and their pivotal motions span the gamut from traditional/asymmetrical to more abstract/symmetrical formations. This study provides insight into universal principles of the post-tonal era and reveals a broader evolution of the musical language as represented by the three composers.

Its Effect and Ethos in Classical Authors and Contemporary Music Theory Nobody doubts that music has a special, somewhat mysterious power. Less clear is how we can evaluate that power. What makes music good or bad? Are there objective criteria for such a distinction? What impact can or should music have on individuals and on society as a whole? What are the factors responsible for the effect of music? This book summarizes and discusses how authors of classical antiquity addressed these questions on musical «ethos» and how they can be approached from a modern-day perspective. After systematically assembling and assessing the value-carrying characterizations of music in poetic literature, the author reviews all noteworthy Greek and Latin writings which enlighten musical «ethos» from the theoretical-philosophical perspective. He then carries the intuitions of the ancients into our time by proposing a coherent model to explain the relationship between music, ethos, and emotions based on the results of contemporary research in the disciplines of music psychology and philosophy. This book provides the most comprehensive overview available about the effect and ethos of music in antiquity and discusses many related questions of scholarly interest. It includes numerous references provided in the original language with translation, ample empirical material for further research, and an extensive bibliography.

Frankfurt am Main, 2016, 297 pp., 17 ill.

Frankfurt am Main, 2016. 227 pp.

New York, 2016. XXII, 612 pp., num. ill.

Sources and Studies in Music History from Antiquity to the Present. Vol. 47

Sources and Studies in Music History from Antiquity to the Present. Vol. 48

Medieval Interventions. New Light on Traditional Thinking. Vol. 1

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CHF 113.80 / €D 107.04 / €A 107.94 / € 89.95 / £ 72.– / US-$ 116.95

Theory of Music & Musicology

Adina Mornell

Adina Mornell (ed.)

Natalia Nowack

Lampenfieber und Angst bei ausübenden Musikern

Art in Motion III

Anfänge der Musiksoziologie

Performing Under Pressure

Russisch-sowjetische Quellen, 1900–1930

Kritische Übersicht über die Forschung Ein Bühnenauftritt verlangt vom Musiker Konzentration und schöpferische Kraft statt Aufregung und Angst. Ist die optimale Konzerterfahrung eine Schimäre? Weder für Lampenfieber noch für Aufführungsangst existiert eine einheitliche Definition. Das Ergebnis ist ein Bündel von Symptombeschreibungen und Erklärungsversuchen, differierenden theoretischen Ansätzen und experimentellen Methoden. Dieser Literaturbericht umfaßt Erkenntnisse aus der Angstforschung, Sportpsychologie und klinischen Psychologie. Diese werden unter Einbeziehung der Besonderheiten des Musizierens betrachtet. Durch eine geordnete Übersicht wird Auskunft über den gegenwärtigen Wissensstand geboten. Die kritische Beurteilung der bisherigen Untersuchungen schließt Empfehlungen für die zukünftige Forschung ein.

Top performers are typically seen as those experts in their fields with the most confidence, highest powers of concentration, and best training methods. Is this a realistic, comprehensive assessment of the components of artistic and athletic success? Stress situations can create vulnerability to mistakes, even in professionals. Not one strategy is known to consistently shelter humans from the fear of public scrutiny. As long as the factors underlying personal achievement are not sufficiently researched, sub-optimal performance will remain a possibility. An interdisciplinary understanding of human physiology, psychology and behavior can aid the development and implementation of training, motivational, and coping strategies that help performers to achieve their best, even under pressure.

Die Untersuchung zeigt am Beispiel Russlands, dass es zu Beginn des 20. Jahrhunderts deutlich mehr Aktivitäten mit musiksoziologischer Relevanz gab als bisher angenommen. Diese Aktivitäten stellen Verbindungen zwischen Taine, Guyau, Lalo, Simmel, Weber, Bekker und vielen anderen Ansätzen her. Analysiert werden russischsprachige Texte und Archivdokumente bis ca. 1930 und ihre Vorläufer, die in erster Linie aus Frankreich stammen. Die Studie leistet ebenfalls einen Beitrag zur Aufarbeitung einer nicht-demokratischen Zeit. «Utopisch», «vulgär» oder «nicht marxistisch» – all diese Bezeichnungen haben die frühen kunst- und musiksoziologischen Konzepte (er-)tragen müssen. Die Gesamtheit der Texte macht aus den vereinzelten Ansätzen des Faches Musiksoziologie eine komplette eigenständige Disziplin.

Frankfurt am Main, 2016. 107 S. Schriften zur Systematischen Musikwissenschaft. Bd. 14 br.

ISBN 978-3-631-67156-6 CHF 28.– / €D 24.95 / €A 25.60 / € 23.30 / £ 19.– / US-$ 30.95 eBook (SUL)

ISBN 978-3-653-06537-4

CHF 29.50 / €D 27.73 / €A 27.96 / € 23.30 / £ 19.– / US-$ 30.95

Frankfurt am Main, 2017. 521 S., 8 s/w Abb., 1 s/w Tab., 6 s/w Graf. Frankfurt am Main, 2016. 195 pp., 1 b/w fig., 5 tables, 11 graphs

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Theory of Music & Musicology

Rima Povilionienė

Musica Mathematica Traditions and Innovations in Contemporary Music The concept of «musica mathematica» seeks to accurately examine the intersection of two seemingly radically different subject areas. From the perspective of a European perception, the definition of the science of music was a result of the Pythagorean concept of universal harmony. The Pythagoreans were the first in European culture to raise the issue of uniting music and mathematics, sound and number. In the three parts of the monograph, versatile cases of the intersection of music and mathematics are displayed, moving from philosophical and aesthetic considerations about mathesis to practical studies, discussing the interaction between music and other kinds of art (architecture, painting, poetry and literature), and providing a practical research of contemporary music compositions.

Styles & Genres

Constantin Floros • Ernest Bernhardt-Kabisch

John K. Novak

Music as Message

The Symphonic Works of Leoš Janáček

An Introduction to Musical Semantics

From Folk Concepts to Original Style

Music is often defined as art for the ear, as the language of feeling, of the heart, as sound play, or as the science of composition. But music also conveys intellectual and emotional experiences, literary, religious, philosophical, social and political ideas. Countless composers encrypt contents in their music that can be deciphered by a variety of methods. This book is designed as an introduction to the basic questions of musical semantics and discusses Beethoven’s committed art, the core ideas of the «Ring of the Nibelung» and of the «Symphony of a Thousand», Wagner’s idea of a religion of art, the relation of music and poetry, the musico-literary conceptions of composers, the large field of program music and the history of the impact of Gustav Mahler.

This book investigates the spectrum of meaning inherent in six orchestral works by Leoš Janáček. It codifies his compositional style, first through a thorough examination of its origins in folk music and speech-melody, then in discussions of the features of its melody and motivic techniques. His harmonic style and multiple organizations of tonality are examined in rich detail. The analysis section consists of the examination of each musical work’s musical elements, its affective and programmatic associations, as well as four narrative codes through which the listener discovers further meaning in the work: the hermeneutic code (which governs enigmas), the semic code of musical motives, the proairetic (formal) code, and the referential code (which draws on analogous passages from other pieces of music).

Frankfurt am Main, 2016. 305 pp., 9 b/w ill., 8 tables

Frankfurt am Main, 2016. 288 pp., 123 b/w graphs Methodology of Music Research. Vol. 9 hb.

ISBN 978-3-631-71381-5

CHF 72.– / €D 61.95 / €A 63.70 / € 57.90 / £ 48.– / US-$ 69.95

Frankfurt am Main, 2016. 339 pp., 2 b/w fig., 6 graphs

Sources and Studies in Music History from Antiquity to the Present. Vol. 46

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CHF 71.65 / €D 66.64 / €A 67.20 / € 56.– / £ 45.– / US-$ 72.95

ISBN 978-3-631-67071-2 CHF 68.– / €D 59.95 / €A 61.60 / € 56.– / £ 45.– / US-$ 72.95 ISBN 978-3-653-06305-9

CHF 71.65 / €D 66.64 / €A 67.20 / € 56.– / £ 45.– / US-$ 72.95

Styles & Genres

Diau-Long Shen

André Sirois

June Boyce-Tillman

E. T. A. Hoffmanns Weg zur Oper

Hip Hop DJs and the Evolution of Technology

Experiencing Music – Restoring the Spiritual

Cultural Exchange, Innovation, and Democratization

Music as Well-being

Von der Idee des Romantischen zur Genese der romantischen Oper Erst nach der Publikation seiner musikalischen Erzählung Ritter Gluck (1809) eröffnete sich für E. T. A. Hoffmann die Perspektive, nicht als Komponist, sondern als Schriftsteller Berühmtheit zu erlangen. Der literarische Ruhm des Schriftstellers läßt jedoch leicht vergessen, daß der angehende Jurist zwischen 1799 und 1816 insgesamt acht Opern komponierte, von denen jedoch nur sechs erhalten sind. Der Autor geht der Frage nach, welchen Niederschlag Hoffmanns Idealvorstellungen von romantischer Oper und romantischer Instrumentalmusik in seinen Partituren fanden. Neben der berühmten Zauberoper Undine (1816) untersucht er auch die heute kaum mehr bekannten Opern Die Maske (1799), Die lustigen Musikanten (1805), Liebe und Eifersucht (1807), Der Trank der Unsterblichkeit (1808) und Aurora (1811–1812). Die Vielfalt der musikdramatischen Resultate unterstreicht die ästhetische Mannigfaltigkeit der deutschen Romantik.

Using interviews with world-renowned and innovative hip-hop DJs, as well as technology manufacturers that cater to the market/culture, this book reveals stories behind some of the iconic DJ technologies that have helped shape the history and culture of DJing. More importantly, it explores how DJs have impacted the evolution of technology. By looking at the networks of innovation behind DJ technologies, this book problematizes the notion of the individual genius and the concept of invention. Developing a theory of «technocultural synergism,» this book attempts to detail the relationship between culture and industry through the manipulation, exchange, and rights associated with intellectual property. While the subject of hip-hop and intellectual property has already been well explored, this is the first time that hip-hop DJs have been conceptualized as intellectual property because of their role in the R&D and branding of DJ products. The book also addresses the impact of digital technology on the democratization of DJ culture, as well as how new digital DJ technology has affected the recorded music market.

This book concerns an examination of the totality of the musical experience with a view to restoring the soul within it. It starts with an analysis of the strands in the landscape of contemporary spirituality. It examines the descriptors spiritual but not religious, and spiritual and religious, looking in particular at the place of faith narratives in various spiritualities. These strands are linked with the domains of the musicking experience: Materials, Expression, Construction and Values. The book sets out a model of the spiritual experience as a negotiated relationship between the musicker and the music. It looks in detail at various models of musicking drawn from music therapy, ethnomusicology, musicology and cultural studies. It examines the relationship between Christianity and music as well as examining some practical projects showing the effect of various Value systems in musicking, particularly in intercultural dialogue. It finally proposes an ecclesiology of musical events that includes both orate and literate traditions and so is supportive of inclusive community.

Frankfurt am Main, 2016. 240 S., 50 s/w Abb.

New York, 2016. XXI, 221 pp., num. b/w ill.

Oxford, 2016. XII, 406 pp., 16 fig.

Perspektiven der Opernforschung. Bd. 24

Popular Culture and Everyday Life. Vol. 27

Music and Spirituality. Vol. 2

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ISBN 978-3-631-66397-4 CHF 57.– / €D 49.95 / €A 51.40 / € 46.70 / £ 37.– / US-$ 60.95

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CHF 60.05 / €D 55.57 / €A 56.04 / € 46.70 / £ 37.– / US-$ 60.95

ISBN 978-1-4331-2336-8

CHF 38.– / €D 33.70 / €A 34.70 / € 31.50 / £ 25.– / US-$ 40.95

ISBN 978-3-0343-1952-2 CHF 83.– / €D 73.80 / €A 75.90 / € 69.– / £ 55.– / US-$ 89.95 ISBN 978-3-0353-0801-3

CHF 87.45 / €D 82.11 / €A 82.80 / € 69.– / £ 55.– / US-$ 89.95

Techniques of Music

Jennifer Borkowski

Modernizing Practice Paradigms for New Music Periodization Theory and Peak Performance Exemplified Through Extended Techniques The author examines how new music scores with extended playing techniques call for new practice structures. YouTube access to basic instructional videos and the streaming of sound files allows musicians today to learn easily and independently. Yet, the trailblazers in new music tackled new scores without these aids; they used imagination, experimentation and tenacity. Conscious use of both learning modalities can augment ideas of practice and performance preparation; expanding new music’s reach while preserving its fire. Practice is differentiated between the quick learning for an upcoming performance and the transformative learning that new music offers. Periodization theory from sport science provides a pedagogical framework for building both mental and physical stamina leading to peak performance.

Frankfurt am Main, 2016. 118 pp., 27 b/w fig., 2 tables The Art and Science of Music Teaching and Performance. Vol. 2 hb.

ISBN 978-3-631-67397-3 CHF 32.– / €D 27.95 / €A 28.70 / € 26.10 / £ 21.– / US-$ 33.95 eBook (SUL)

ISBN 978-3-653-06720-0

CHF 33.70 / €D 31.06 / €A 31.32 / € 26.10 / £ 21.– / US-$ 33.95

MIMOS

MIMOS Schweizer Theater-Jahrbuch • Annuaire suisse du théâtre Annuario svizzero del teatro • Annuari svizzer dal teater Herausgegeben von der Schweizerischen Gesellschaft für Theaterkultur / Société suisse du théâtre / Società Svizzera di Studi Teatrali / Societad svizra per cultura da teater Das Schweizer Theater-Jahrbuch MIMOS ist dem zeitgenössischen Theaterleben der Schweiz gewidmet. Das reich bebilderte Jahrbuch vereint Beiträge von Theaterexperten und macht sie in den Landessprachen Deutsch, Französisch und Italienisch sowie auf Englisch zugänglich. Der Fokus von MIMOS liegt auf dem Träger oder der Trägerin des Schweizer Grand Prix Theater / Hans-Reinhart-Ring, der wichtigsten Auszeichnung im Theaterleben der Schweiz.

MIMOS 2016 • Theater HORA Anne Fournier • Paola Gilardi • Andreas Härter • Beate Hochholdinger-Reiterer (Hrsg.) Bern, 2017. 328 S., 22 farb. Abb. br.

ISBN 978-3-0343-2589-9

eBook (SUL)

ISBN 978-3-0343-2590-5

Isabelle Chassot • Heldinnen und Helden des Möglichkeitssinns – Vorwort • Le sens du possible a aussi ses héros – Préface • Eroi ed eroine del senso della possibilità – Prefazione • Heroes and heroines of the possible – Preface Kaa Linder • Laudatio der Jury • Laudatio du jury • Laudatio della giuria • The Jury’s Statement Anne Fournier • D’abord pour jouer – Introduction • Vor allem: um zu spielen – Einleitung • Soprattutto per fare teatro – Introduzione • The Play’s the Thing – Introduction Daniele Muscionico • Auf der Suche nach der Zeit – Gespräch mit Michael Elber, Nele Jahnke, Giancarlo Marinucci und Marcel Bugiel • En quête du temps – Discussion avec Michael Elber, Nele Jahnke, Giancarlo Marinucci et Marcel Bugiel • Alla ricerca del tempo – Intervista con Michael Elber, Nele Jahnke, Giancarlo Marinucci e Marcel Bugiel • n Search of Time – Interview with Michael Elber, Nele Jahnke, Giancarlo Marinucci and Marcel Bugiel Milo Rau • Anarchie und Ordnung – Notizen zu 120 Tage von Sodom • Anarchie et ordre – Notes sur les 120 journées de Sodome • Anarchia e ordine – Appunti sulle 120 giornate di Sodoma • Anarchy and Order – Notes on the 120 Days of Sodom Marcel Bugiel • Isabelle Ginot • Présupposer la poésie – À propos du travail artistique de Matthias Grandjean, Peter Keller, Lorraine Meier • Poesie voraussetzen – Über die künstlerische Arbeit von Matthias Grandjean, Peter Keller und Lorraine Meier • Presupporre la poesia – Riflessioni sul lavoro artistico di Matthias Grandjean, Peter Keller, Lorraine Meier • Presupposing Poetry – Concerning the Artistic Work of Matthias Grandjean, Peter Keller and Lorraine Meier

CHF 35.– / €D 30.95 / €A 31.30 / € 28.50 / £ 23.– / US-$ 34.95 CHF 37.– / €D 28.95 / €A 34.10 / € 28.50 / £ 23.– / US-$ 34.95

Benjamin Wihstutz • Lust am Scheitern – Über Schauspiel, Performance und Behinderung Ketty Ghnassia • Präsenz in Jérôme Bels Inszenierung Disabled Theater und die Figur des ‹geistig Behinderten› Kati Kroß • Matthias Brücker: Augen auf – ich komme! Pascale Caemerbeke • Venir voir Disabled Theater – Réflexions sur le handicap mental Giulia Innocenti • Attorialità performative al confine tra vita e teatro Yvonne Schmidt • Ordnungen des Inszenierens: Theater als Freie Republik Sarah Marinucci • Freie Republik HORA: Vom «Sprechen über» zum «Sprechen mit» Darstellenden mit geistiger Behinderung Paola Gilardi • «Wir sind alle wie wildes Schilf gewachsene Performerinnen und Performer» – Gespräch mit Florian Loycke zu Mars Attacks und Freie Republik HORA Andreas Klaeui • Kann man sich mit Boxhandschuhen streicheln? – Ein Probenbesuch bei den HORA-Azubis Jean-Marc Heuberger • Un succès insuffisant Marcel Bugiel • Theater HORA: Meilensteine von 1993 bis heute • Théâtre HORA : Histoire de 1993 à aujourd’hui • Theater HORA: Momenti salienti dal 1993 fino ad oggi • Theater HORA: Milestones from 1993 to the Present Day Anhang / Annexe / Appendice / Appendix

MIMOS Sub-Classification

MIMOS 2015 • Rimini Protokoll

MIMOS 2014 • Omar Porras

Der vorliegende Band gibt Einblick in die Arbeitsweisen und die künstlerische Entwicklung von Rimini Protokoll. Mit seiner Experimentierfreudigkeit und der sozialen Relevanz seiner Produktionen prägt das Kollektiv das internationale Theaterschaffen seit fünfzehn Jahren nachhaltig.

Metteur en scène et comédien, Omar Porras a mené les destinées du Teatro Malandro d’un squatt genevois aux plus grandes scènes internationales. Avec le Théâtre Kléber-Méleau de Renens, il reprend une institution qui porte, comme Malandro, le nom d’un être libre. La Société suisse du théâtre documente son parcours et souhaite faire connaître sa créativité éclectique.

Anne Fournier • Paola Gilardi • Andreas Härter • Claudia Maeder (Hrsg.)

This volume provides insights into the modes of operation and the artistic development of Rimini Protokoll. For more than fifteen years, the collective, with its love of experimentation and the social relevance of its productions, has had a deep and lasting impact on the international theatre world. Cet ouvrage se penche sur le laboratoire créatif et l’évolution artistique du Rimini Protokoll. Depuis quinze ans, ce collectif marque de son talent la scène théâtrale internationale grâce à sa pertinence sociale, son esprit expérimental et une curiosité sans borne.

Joel Aguet • Anne Fournier • Paola Gilardi • Andreas Härter (éds.)

Als Regisseur und Schauspieler hat Omar Porras die Geschicke des Teatro Malandro von den Genfer Anfängen in einem besetzten Haus bis auf die grössten internationalen Bühnen gelenkt. Mit dem Théâtre Kléber-Méleau in Renens übernimmt er ein Haus, das wie Malandro den Ruf hat, freigeistig gesinnt zu sein. Die Schweizerische Gesellschaft für Theaterkultur dokumentiert seinen Werdegang und will Gelegenheit bieten, seine Kreativität, die Traditionen und Stile kombiniert, zu entdecken.

La presente pubblicazione getta uno sguardo nel laboratorio creativo e ripercorre le principali tappe evolutive del collettivo teatrale Rimini Protokoll che, grazie all’incessante ricerca sperimentale e alla rilevanza sociale delle sue produzioni, da quindici anni esercita un notevole influsso sulla scena teatrale internazionale.

Il regista e attore Omar Porras, dopo aver condotto le sorti del Teatro Malandro da uno squat ginevrino alle più importanti scene internazionali, prende le redini del Teatro Kléber-Méleau di Renens che, come Malandro, porta il nome di uno spirito libero. La Società Svizzera di Studi Teatrali documenta il suo percorso con l’intento di fare conoscere la sua creatività eclettica.

Bern, 2015. 224 S.

Bern, 2014. 330 S.

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eBook (SUL) ISBN 978-3-0343-2719-0 CHF 35.– / €D 32.95 / €A 32.50 / € 28.50 / £ 23.– / US-$ 34.95

ISBN 978-3-0343-2712-1

CHF 36.90 / €D 34.70 / €A 34.99 / € 29.16 / £ 23.– / US-$ 37.95

ISBN 978-3-0343-2713-8 CHF 35.– / €D 30.95 / €A 31.30 / € 28.50 / £ 23.– / US-$ 34.95

MIMOS 2013 • Yvette Théraulaz Joel Aguet • Anne Fournier • Jean-Marc Heuberger • Sylvie Jeanneret (éds.)

Cet ouvrage dresse le portrait d’Yvette Théraulaz, comédienne et chanteuse, à laquelle la Société Suisse du Théâtre a décerné l’Anneau Hans-Reinhart 2013. Die Schweizerische Gesellschaft für Theaterkultur hat der Schauspielerin und Sängerin Yvette Théraulaz den Hans-Reinhart-Ring 2013 verliehen. Dieses Buch zeichnet ein Portrait der Bühnenkünstlerin. Questo volume illustra il percorso artistico di Yvette Théraulaz, attrice e cantante a cui la Società Svizzera di Studi Teatrali ha conferito l’Anello Hans Reinhart 2013

Bern, 2013. 192 S., mit CD-ROM. br.

ISBN 978-3-0343-2718-3

CHF 35.– / €D 30.95 / €A 31.30 / € 28.50 / £ 23.– / US-$ 34.95

Selected Series

The Arts

Art – Knowledge – Theory Edited by Suzanne Anker and Sabine Flach Art – Knowledge – Theory is a book series that explores artistic modes of expression as forms of knowledge production. It focuses on transdisciplinary, epistemological and methodological approaches to contemporary art. Linking artistic and scientific practices, tools, techniques and theories, the volumes investigate the cultures of aesthetics and science studies as they relate to works of art. Art – Knowledge – Theory analyzes the role of art in contemporary culture by probing the philosophical, historical and social parameters by which images are accessed and assessed. As an amplification – as well as intervention or even a correction to historical research, this series questions the state of the art and knowledge within a culture, characterized by technology and science.

ISSN: 2235-2759 www.peterlang.com/view/serial/AKT Proposals for new projects : publishing@peterlang.com

Bern, 2016. 286 pp., 40 b/w ill., 35 coloured ill. pb. • ISBN 978-3-0343-2612-4 CHF 85.– / €D 73.95 / €A 76.10 / € 69.20 / £ 56.– / US-$ 82.95 eBook (SUL) • ISBN 978-3-0343-2613-1 CHF 90.– / €D 80.95 / €A 82.90 / € 69.10 / £ 56.– / US-$ 82.95

Bern, 2016. 212 pp., 57 coloured ill., 25 b/w ill. pb. • ISBN 978-3-0343-2124-2 CHF 67.– / €D 58.95 / €A 60.– / € 54.50 / £ 44.– / US-$ 65.95 eBook (SUL) • ISBN 978-3-0343-2402-1 CHF 70.– / €D 62.95 / €A 64.90 / € 54.10 / £ 44.– / US-$ 64.95

Bern, 2014. 184 pp., num. coloured and b/w ill. pb. • ISBN 978-3-0343-1233-2 CHF 61.– / €D 53.60 / €A 55.10 / € 50.10 / £ 40.– / US-$ 65.95 eBook (SUL) • ISBN 978-3-0351-0720-3 CHF 64.25 / €D 59.62 / €A 60.12 / € 50.10 / £ 40.– / US-$ 65.95

Volume 5

Sabine Flach • Gary Sherman (eds.)

Naturally Hypernatural III: Hypernatural Landscapes in the Anthropocene Volume 4

Suzanne Anker • Sabine Flach (eds.)

Naturally Hypernatural I: Concepts of Nature

Volume 3

Mika Elo • Miika Luoto (eds.)

Senses of Embodiment: Art, Technics, Media

Bern, 2015. 220 pp.

Volume 2

pb. • ISBN 978-3-0343-1101-4 CHF 42.– / €D 37.50 / €A 38.50 / € 35.– / £ 28.– / US-$ 45.95

Suzanne Anker • Sabine Flach

eBook (SUL) • ISBN 978-3-0351-0814-9 CHF 44.25 / €D 41.65 / €A 42.– / € 35.– / £ 28.– / US-$ 45.95

The Glass Veil: Seven Adventures in Wonderland Seven Adventures in Wonderland

Selected Series

The Arts

Cultural Interactions: Studies in the Relationship between the Arts Edited by J. B. Bullen Interdisciplinary activity is now a major feature of academic work in all fields. The traditional borders between the arts have been eroded to reveal new connections and create new links between art forms. Cultural Interactions is intended to provide a forum for this activity. It will publish monographs, edited collections and volumes of primary material on points of crossover such as those between literature and the visual arts or photography and fiction, music and theatre, sculpture and historiography. It will engage with book illustration, the manipulation of typography as an art form, or the ‹double work› of poetry and painting and will offer the opportunity to broaden the field into wider and less charted areas. It will deal with modes of representation that cross the physiological boundaries of sight, hearing and touch and examine the placing of these modes within their representative cultures. It will offer an opportunity to publish on the crosscurrents of nationality and the transformations brought about by foreign art forms impinging upon others. The interface between the arts knows no boundaries of time or geography, history or theory. ISSN: 1662-0364 www.peterlang.com/view/serial/ CISRA Proposals for new projects : publishing@peterlang.com

Oxford, 2017. X, 276 pp., 15 b/w ill., 1 table, 8 fig. pb. • ISBN 978-3-0343-1866-2 CHF 70.– / €D 59.95 / €A 61.20 / € 55.60 / £ 45.– / US-$ 67.95 eBook (SUL) • ISBN 978-1-78707-231-2 CHF 73.– / €D 66.95 / €A 66.70 / € 55.60 / £ 45.– / US-$ 67.95

Oxford, 2016. XII, 188 pp., 14 b/w ill., 4 tables pb. • ISBN 978-3-0343-1908-9 CHF 62.– / €D 52.95 / €A 54.40 / € 49.40 / £ 40.– / US-$ 60.95 eBook (SUL) • ISBN 978-1-78707-011-0 CHF 65.– / €D 58.95 / €A 59.30 / € 49.40 / £ 40.– / US-$ 60.95

Volume 40

Antony Buxton • Linda Hulin • Jane Anderson (eds.)

InHabit People, Places and Possessions

Volume 39

Christina Baird

Showcase Britain Britain at the Vienna World Exhibition 1873

Oxford, 2016. XIV, 270 pp., 40 coloured ill.

Volume 38

pb. • ISBN 978-3-0343-1974-4 CHF 63.– / €D 55.60 / €A 57.20 / € 52.– / £ 42.– / US-$ 67.95

Charlotte Ribeyrol (ed.)

eBook (SUL) • ISBN 978-3-0353-0827-3 CHF 66.40 / €D 61.88 / €A 62.40 / € 52.– / £ 42.– / US-$ 67.95

Oxford, 2015. X, 258 pp., 14 coloured ill., 14 b/w ill. pb. • ISBN 978-3-0343-1771-9 CHF 68.– / €D 59.90 / €A 61.60 / € 56.– / £ 45.– / US-$ 72.95 eBook (SUL) • ISBN 978-3-0353-0763-4 CHF 71.65 / €D 66.64 / €A 67.20 / € 56.– / £ 45.– / US-$ 72.95

The Colours of the Past in Victorian England

Volume 37

Terri Mullholland • Nicole Sierra (eds.)

Spatial Perspectives Essays on Literature and Architecture

Selected Series

The Arts

German Visual Culture Edited by Deborah Ascher Barnstone and Thomas O. Haakenson German Visual Culture offers an innovative approach to German Studies within the diverse and growing field of Visual Culture. The series invites scholarship by artists, designers, academics and curators across all media forms and time periods. It engages with traditional art historical methods as well as inventive interdisciplinary ones, recognizing the scholarly merits of both. Of particular interest are provocative perspectives on archival materials, original scholarship on emerging and established visual forms, and new readings of history through the lens of visual culture. The series offers a much-needed venue for expanding how we engage with the field of Visual Culture in general. The series is the publishing project of the Visual Culture Network (VCN) for the German Studies Association in the United States. Proposals for revised dissertations, monographs and edited volumes from a wide range of comparative, theoretical and methodological perspectives are welcome. Prospective authors are encouraged to submit proposals on any aspect of German Visual Culture, including projects that address such themes as new media, intermediality, gender, identity, memory, nostalgia, spectacle, trauma, the double, East/West, dissent and fetishism. We publish in both English and German. ISSN: 2296-0805 www.peterlang.com/view/serial/GVC Proposals for new projects : publishing@peterlang.com

Oxford, 2016. XI, 273 pp., 37 coloured ill., 8 b/w ill. hb. • ISBN 978-3-0343-1961-4 CHF 98.– / €D 86.70 / €A 89.10 / € 81.– / £ 65.– / US-$ 105.95 eBook (SUL) • ISBN 978-3-0353-0818-1 CHF 103.25 / €D 96.39 / €A 97.20 / € 81.– / £ 65.– / US-$ 105.95

Volume 3

Deborah Ascher Barnstone (ed.)

The Doppelgänger

Oxford, 2015. XII, 305 pp., 10 coloured ill., 29 b/w ill.

Volume 2

hb. • ISBN 978-3-0343-1803-7 CHF 98.– / €D 86.70 / €A 89.10 / € 81.– / £ 65.– / US-$ 105.95

Jennifer Creech • Thomas O. Haakenson (eds.)

eBook (SUL) • ISBN 978-3-0353-0654-5 CHF 103.25 / €D 96.39 / €A 97.20 / € 81.– / £ 65.– / US-$ 105.95

Oxford, 2013. XXX, 282 pp., 5 coloured ill., 21 b/w ill. hb. • ISBN 978-3-0343-0841-0 CHF 98.– / €D 86.90 / €A 89.40 / € 81.25 / £ 65.– / US-$ 105.95 eBook (SUL) • ISBN 978-3-0353-0426-8 CHF 103.25 / €D 96.69 / €A 97.50 / € 81.25 / £ 65.– / US-$ 105.95

Spectacle

Volume 1

Deborah Ascher Barnstone • Thomas O. Haakenson (eds.)

Representations of German Identity

Selected Series

The Arts

ICCA – Industries culturelles, création, numérique / ICCA – Cultural industries, artistic creation, digital technology

NE W

S ER IE S

Edité par/Edited by Bertrand Legendre et/and François Moreau Sous l’égide du LABoratoire d’EXcellence ICCA (Industries Culturelles et Création Artistique), cette collection réunit les résultats de recherches consacrées aux différentes industries culturelles, traditionnelles comme le cinéma, la télévision, la musique ou l’édition, ou plus récentes comme la vidéo ou le jeu vidéo. Elle privilégie une perspective interdisciplinaire pour étudier les dispositifs de médiation et de promotion, les pratiques de consommation et les mutations induites par des mouvements de fond comme la mondialisation ou la numérisation, qui bouleversent aussi bien les processus de création des contenus que les modes de financement et de distribution de la production.

ISSN: 2506-8741 www.peterlang.com/view/serial/ICCA Proposals for new projects : publishing@peterlang.com

Under the aegis of the LABEX ICCA (LABoratoire d’EXcellence ICCA) research centre, this collection contains the results of research into various cultural industries, in both traditional fields – such as the film industry, television, music or print publishing – and more recent fields such as video or video games. It focuses on an interdisciplinary perspective for studying the means of mediation and promotion, the consumption practices and the transformations induced by underlying trends such as globalisation and digitisation, which radically change both the processes for creating content and the ways of funding and distributing the content produced.

Bruxelles, 2016. 192 p., 1 fig., 4 tabl.

Volume 1

br. • ISBN 978-2-87574-368-8 CHF 51.– / €D 38.95 / €A 39.60 / € 36.– / £ 30.– / US-$ 43.95

Laurent Creton • Kira Kitsopanidou (dir.)

eBook (SUL) • ISBN 978-3-0352-6641-2 CHF 51.– / €D 42.95 / €A 43.20 / € 36.– / £ 30.– / US-$ 43.95

Crowdfunding, industries culturelles et démarche participative De nouveaux financements pour la création

Selected Series

The Arts

Internationalism and the Arts at the Fin de Siècle

NE W

S ER IE S

Edited by Grace Brockington Internationalism and the Arts at the Fin de Siècle is a multidisciplinary series that explores cosmopolitan practices and processes of cultural exchange across national boundaries at a crucial historical moment. The period from the late nineteenth century to the early twentieth century was characterized by national consolidation, empire building and catastrophic conflict. As part of the same process of collective encounter and self-definition, this time was also marked by international cooperation, proposals for world government, and transnational communities that challenged the nation state. The arts were central to the formation of national identities, and cultural practitioners (artists, writers, musicians, dramatists) were expected to shore up national traditions. Yet their lives were often cosmopolitan and their practices shaped by cross-cultural collaboration.

ISSN: 2235-0160 www.peterlang.com/view/serial/IAFS Proposals for new projects : publishing@peterlang.com

Oxford, 2015. XVIII, 442 pp., 44 b/w ill., 38 coloured ill. hb. • ISBN 978-3-0343-1742-9 CHF 106.– / €D 94.20 / €A 96.80 / € 88.– / £ 70.– / US-$ 114.95 eBook (SUL) • ISBN 978-3-0353-0745-0 CHF 111.70 / €D 104.72 / €A 105.60 / € 88.– / £ 70.– / US-$ 114.95

Volume 1

Andrzej Szczerski

Views of Albion The Reception of British Art and Design in Central Europe, 1890–1918

Selected Series

The Arts

Kunstgeschichten der Gegenwart Herausgegeben von Peter Schneemann Kunstgeschichten der Gegenwart ist als wissenschaftliche Publikationsreihe konzipiert, die aus der Lehre und Forschung im Bereich der zeitgenössischen Kunst hervorgeht. Sie versammelt Tagungsakten, Monographien und Dissertationen zu innovativen Fragestellungen und neuen methodologischen Ansätzen. Der kunsthistorischen Meistererzählung wird programmatisch der historiographische Plural entgegengesetzt. Wer erzählt aus welcher Motivation und in welcher Funktion welche Geschichte, welche Rhetoriken und Modelle kommen dabei zum Tragen? Aufgabenstellungen von Dokumentation und Kanonbildung, Kontextualisierung und Deutung werden in exemplarischen Studien kritisch analysiert und zur Diskussion gestellt.

ISSN: 1660-8674 www.peterlang.com/view/serial/KDG Proposals for new projects : publishing@peterlang.com

Bern, 2015. 280 S., 68 s/w Abb.

Band 12

br. • ISBN 978-3-0343-1515-9 CHF 84.– / €D 74.90 / €A 77.– / € 70.– / £ 56.– / US-$ 90.95

Peter Schneemann (Hrsg.)

eBook (SUL) • ISBN 978-3-0351-0816-3 CHF 88.50 / €D 83.30 / €A 84.– / € 70.– / £ 56.– / US-$ 90.95

Paradigmen der Kunstbetrachtung Aktuelle Positionen der Rezeptionsästhetik und Museumspädagogik

Bern, 2014. 331 S.

Band 11

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Eva Ehninger • Magdalena Nieslony (Hrsg.)

eBook (SUL) • ISBN 978-3-0351-0660-2 CHF 85.35 / €D 80.33 / €A 81.– / € 67.50 / £ 54.– / US-$ 87.95

Theorie2 Potenzial und Potenzierung künstlerischer Theorie

Bern, 2012. 302 S., zahlr. Abb. und Tab.

Band 10

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Rachel Mader (Hrsg.)

eBook (SUL) • ISBN 978-3-0351-0392-2 CHF 50.60 / €D 40.70 / €A 41.04 / € 34.20 / £ 31.– / US-$ 51.95

Kollektive Autorschaft in der Kunst Alternatives Handeln und Denkmodell

Bern, 2009. 288 S., zahlr. Abb.

Band 9

br. • ISBN 978-3-0343-0037-7 CHF 46.– / €D 41.– / €A 42.10 / € 38.30 / £ 31.– / US-$ 49.95

Katharina Ammann

Video ausstellen Potenziale der Prõsentation

Bern, 2008. 317 S., 60 Abb.

Band 8

br. • ISBN 978-3-03911-308-8 CHF 84.– / €D 74.90 / €A 77.– / € 70.– / £ 56.– / US-$ 90.95

Kornelia Imesch • Jennifer John • Daniela Mondini • Sigrid Schade (Hrsg.)

Inscriptions/Transgressions Kunstgeschichte und Gender Studies – Histoire de l’art et Études genre – Art History and Gender Studies

Selected Series

The Arts

Natur, Wissenschaft und die Künste / Nature, Science and the Arts / Nature, Science et les Arts Herausgegeben von/Edited by Julia Burbulla, Bernd Nicolai, Ana-Stanca Tabarasi-Hoffmann, Philip Ursprung und/and Wolf Wucherpfennig Natur, Wissenschaft und die Künste ist eine internationale Wissenschaftsreihe, welche die Geschichte des Zusammenwirkens geisteswissenschaftlich-künstlerischer und naturwissenschaftlich-technischer Kultur auf der Ebene theoretischer Reflektion und künstlerischer Artikulation untersucht. Dabei gibt es keine Beschränkungen auf bestimmte Epochen, Gesellschaftsformen, Medien oder Regionen. Die Reihe stellt Untersuchungen aus diesem neuen wissenschaftlichen Forschungsgebiet vor und veranschaulicht den traditionellen Zusammenhang zweier Formen der Weltdeutung, welcher seit Wilhelm Diltheys strenger Trennung von Geistes- und Naturwissenschaften weitestgehend marginalisiert wurde.

ISSN: 1663-6007 www.peterlang.com/view/serial/ NWK Proposals for new projects : publishing@peterlang.com

Nature, Science and the Arts is an international scholarly series dealing with the history of cultural interplay between arts, humanities, natural sciences and technology, both on the level of theoretical reflection and in artistic enunciations. It is not restricted to any particular epoch, society, medium or region. By publishing contributions to this new interdisciplinary research area, the series illuminates the traditional connection between two ways of interpreting the world, a connection that has been largely marginalized since Wilhelm Dilthey’s strict dissociation between humanities and natural sciences.

Bern, 2016. 246 pp.

Volume 16

pb. • ISBN 978-3-0343-2192-1 CHF 79.– / €D 64.95 / €A 70.70 / € 64.30 / £ 52.– / US-$ 77.95

Luisa Camaiora • Andrea A. Conti

eBook (SUL) • ISBN 978-3-0351-0944-3 CHF 83.– / €D 74.95 / €A 76.– / € 64.30 / £ 52.– / US-$ 77.95

Bern, 2016. 236 pp., 3 b/w ill., 2 coloured ill. pb. • ISBN 978-3-0343-2110-5 CHF 74.– / €D 65.90 / €A 67.80 / € 61.60 / £ 49.– / US-$ 80.95 eBook (SUL) • ISBN 978-3-0351-0943-6 CHF 78.– / €D 69.95 / €A 72.30 / € 60.20 / £ 49.– / US-$ 72.95

Medicine Matters in Five Comedies of Shakespeare From the Renaissance Context to a Reading of the Plays Volume 15

Servanne Woodward

Pets and their Couples Chardin, Charrière, Bernardin de Saint-Pierre, and Marivaux

Bern, 2014. 350 p.

Volume 14

br. • ISBN 978-3-0343-1544-9 CHF 59.– / €D 52.40 / €A 53.90 / € 49.– / £ 39.– / US-$ 63.95

Maria Portmann

eBook (SUL) • ISBN 978-3-0351-0737-1 CHF 62.15 / €D 58.31 / €A 58.80 / € 49.– / £ 39.– / US-$ 63.95

L’image du corps dans l’art espagnol aux XVIe et XVIIe siècles Autour du « Libro Segundo » de Juan de Arfe y Villafañe (1585)

Bern, 2016. 202 pp.

Volume 13

pb. • ISBN 978-3-0343-0485-6 CHF 63.– / €D 56.20 / €A 57.80 / € 52.50 / £ 42.– / US-$ 68.95

George Rick Welch

eBook (SUL) • ISBN 978-3-0351-0897-2 CHF 66.40 / €D 62.48 / €A 63.– / € 52.50 / £ 42.– / US-$ 68.95

Physiology: The Language of Life and Nature

Selected Series

The Arts

Contemporary German Writers and Filmmakers Edited by Julian Preece and Frank Finlay

ISSN: 1664-6916 www.peterlang.com/view/serial/ CGWF

Contemporary German Writers and Filmmakers aims to reflect the continuing and dynamic developments in German culture since the reunification of Germany in 1990. The fall of communism, the forging of the new Berlin Republic and increasing ethnic diversity have coincided with growing international acclaim for writers of German (such as Nobel Laureates Günter Grass, Elfriede Jelinek and Herta Müller) and renewed interest in German cinema (such as award-winning film Das Leben der Anderen / The Lives of Others). Each volume is devoted to the work of a contemporary German-speaking novelist, poet, playwright or filmmaker, containing an interview with its subject and, in the case of writers, an original piece of previously unpublished writing presented in parallel English translation. The other chapters on key aspects of the emerging œuvre and its international significance are by scholars in the field. As the volumes are intended for readers with little or no knowledge of German, all quotations are translated into English. The volumes are designed as a resource for specialists and students alike and to stimulate debate within and beyond the academy. Proposals for new volumes on significant contemporary practitioners in the literary and cinematic fields are welcomed. The language of the series is English.

Proposals for new projects : publishing@peterlang.com

Oxford, 2017. XVI, 260 pp., 23 b/w ill.

Volume 4

pb. • ISBN 978-1-906165-68-0 CHF 70.– / €D 59.95 / €A 61.20 / € 55.60 / £ 45.– / US-$ 67.95

Julian Preece • Nick Hodgin (eds.)

eBook (SUL) • ISBN 978-1-78707-204-6 CHF 73.– / €D 66.95 / €A 66.70 / € 55.60 / £ 45.– / US-$ 67.95

Andreas Dresen

Oxford, 2016. XII, 222 pp.

Volume 3

pb. • ISBN 978-3-0343-1886-0 CHF 64.– / €D 56.70 / €A 58.30 / € 53.– / £ 42.– / US-$ 68.95

Helga Druxes • Karolin Machtans • Alexandar Mihailovic (eds.)

eBook (SUL) • ISBN 978-3-0353-0826-6 CHF 67.45 / €D 63.07 / €A 63.60 / € 53.– / £ 42.– / US-$ 68.95

Navid Kermani

Oxford, 2013. XII, 209 pp.

Volume 2

pb. • ISBN 978-3-0343-0894-6 CHF 64.– / €D 56.40 / €A 58.– / € 52.70 / £ 42.– / US-$ 68.95

Julian Preece (ed.)

eBook (SUL) • ISBN 978-3-0353-0408-4 CHF 67.45 / €D 62.71 / €A 63.24 / € 52.70 / £ 42.– / US-$ 68.95

Ilija Trojanow

Oxford, 2012. XII, 273 pp.

Volume 1

pb. • ISBN 978-3-0343-0869-4 CHF 63.– / €D 56.20 / €A 57.80 / € 52.50 / £ 42.– / US-$ 68.95

Tom Cheesman • Karin E. Yeşilada (eds.)

eBook (SUL) • ISBN 978-3-0353-0363-6 CHF 66.40 / €D 62.48 / €A 63.– / € 52.50 / £ 42.– / US-$ 68.95

Feridun Zaimoglu

Selected Series

The Arts

Framing Film The History and Art of Cinema Edited by Frank Beaver Framing Film has committed itself to the acquisition and publication of serious, high-quality film studies on topics of national and international interest. The series editors are open to a full range of scholarly methodologies and analytical approaches in the examination of cinema art and history, including topics on film theory, film and society, gender and race, politics. Cutting-edge studies and diverse points of view are particularly encouraged.

ISSN: 1524-7821 www.peterlang.com/view/serial/FF Proposals for new projects : publishing@peterlang.com

New York, 2012. XIV, 192 pp., num. ill.

Volume 18

hb. • ISBN 978-1-4331-1942-2 CHF 74.– / €D 65.80 / €A 67.70 / € 61.50 / £ 49.– / US-$ 79.95

Gábor Gergely

eBook (SUL) • ISBN 978-1-4539-0909-6 CHF 77.95 / €D 73.19 / €A 73.80 / € 61.50 / £ 49.– / US-$ 79.95

Foreign Devils Exile and Host Nation in Hollywood’s Golden Age

New York, 2012. VIII, 132 pp.

Volume 17

hb. • ISBN 978-1-4331-1932-3 CHF 68.– / €D 60.– / €A 61.70 / € 56.10 / £ 45.– / US-$ 72.95

Chih-Yun Chiang

eBook (SUL) • ISBN 978-1-4539-0828-0 CHF 71.65 / €D 66.76 / €A 67.32 / € 56.10 / £ 45.– / US-$ 72.95

Theorizing Ambivalence in Ang Lee’s Transnational Cinema

New York, 2014. 242 pp., num. ill.

Volume 16

hb. • ISBN 978-1-4331-1781-7 CHF 80.– / €D 70.90 / €A 72.90 / € 66.30 / £ 53.– / US-$ 86.95

Amy Shore

eBook (SUL) • ISBN 978-1-4539-1124-2 CHF 84.30 / €D 78.90 / €A 79.56 / € 66.30 / £ 53.– / US-$ 86.95

Suffrage and the Silver Screen

New York, 2012. XVIII, 167 pp.

Volume 15

hb. • ISBN 978-1-4331-1767-1 CHF 74.– / €D 65.80 / €A 67.70 / € 61.50 / £ 49.– / US-$ 79.95

Michael H. Gibbs

eBook (SUL) • ISBN 978-1-4539-0256-1 CHF 77.95 / €D 73.19 / €A 73.80 / € 61.50 / £ 49.– / US-$ 79.95

Film and Political Culture in Postwar Japan

New York, 2014. 206 pp., num. ill.

Volume 14

hb. • ISBN 978-1-4331-1757-2 CHF 79.– / €D 69.90 / €A 71.90 / € 65.35 / £ 52.– / US-$ 84.95

Jorge Barrueto

eBook (SUL) • ISBN 978-1-4539-1070-2 CHF 83.25 / €D 77.77 / €A 78.42 / € 65.35 / £ 52.– / US-$ 84.95

The Hispanic Image in Hollywood A Postcolonial Approach

Selected Series

The Arts

Medienästhetik und Mediennutzung / Media Production and Media Aesthetics Herausgegeben von/Edited by Kerstin Stutterheim und/and Martina Schuegraf Media aesthetics and media production are corresponding aspects of the discussion surrounding media that form a single unit. The series focuses partly on works about the aesthetic-dialectic analysis of media design. Areas of interest include media technology development and the resulting changes in both media design and what is expected of media. At the same time, digital and online media are influencing usage to a large extent. Authors in this series address these impacts and examine the extent to which changed forms of use are encouraging the development of new technologies and applications. By linking these interacting areas, we want this series to encourage and promote discussion between the disciplines. The volumes 1–4 have been published under Babelsberger Schriften zu Mediendramaturgie und -Ästhetik.

ISSN: 2365-2993 www.peterlang.com/view/serial/ MUM Proposals for new projects : publishing@peterlang.com

Frankfurt am Main, 2016. 192 S., 11 farb. Abb., 3 Tab., 11 Graf. br. • ISBN 978-3-631-67030-9 CHF 51.– / €D 44.95 / €A 46.20 / € 42.– / £ 34.– / US-$ 54.95 eBook (SUL) • ISBN 978-3-653-06237-3 CHF 53.75 / €D 49.98 / €A 50.40 / € 42.– / £ 34.– / US-$ 54.95

Band 6

Mahelia Hannemann

Accept Diversity! Accept Equality? Eine analytische Untersuchung des Anspruchs und der Realität von Gleichstellung in der Filmindustrie mit Hinblick auf die Funktion des internationalen Filmfestivals Berlinale

Frankfurt am Main, 2016. 310 S.

Band 5

br. • ISBN 978-3-631-65568-9 CHF 68.– / €D 59.95 / €A 61.60 / € 56.– / £ 45.– / US-$ 72.95

Gerd Naumann

eBook (SUL) • ISBN 978-3-653-04772-1 CHF 71.65 / €D 66.64 / €A 67.20 / € 56.– / £ 45.– / US-$ 72.95

Filmsynchronisation in Deutschland bis 1955

Selected Series

The Arts

New Studies in European Cinema Edited by Wendy Everett and Axel Goodbody With its focus on new critical, theoretical, and cultural developments in contemporary film studies, this series intends to develop rigorous analytical debate within an innovative, multidisciplinary, and transnational approach to European cinema. Through a mixture of edited collections and single-authored volumes, the series aims both to re-evaluate established critical thought and to identify and explore new trends and theories that will inform cinema studies over the coming decades. It provides an international forum for lively and controversial debate embracing all aspects of European cinema from a broad range of theoretical perspectives. The New Studies in European Cinema series thus makes a key contribution to a subject whose importance to contemporary culture and identity is fundamental.

www.peterlang.com/view/serial/NSEC Proposals for new projects : publishing@peterlang.com

Oxford, 2016. X, 300 pp., 28 b/w ill., 1 table pb. • ISBN 978-3-0343-1895-2 CHF 70.– / €D 59.95 / €A 61.20 / € 55.60 / £ 45.– / US-$ 67.95 eBook (SUL) • ISBN 978-1-78707-082-0 CHF 73.– / €D 66.95 / €A 66.70 / € 55.60 / £ 45.– / US-$ 67.95

Volume 20

Julia Dobson • Jonathan Rayner (eds.)

Mapping Cinematic Norths International Interpretations in Film and Television

Oxford, 2015. XIV, 209 pp., 26 b/w ill., 22 coloured ill.

Volume 19

pb. • ISBN 978-3-0343-0998-1 CHF 68.– / €D 59.90 / €A 61.60 / € 56.– / £ 45.– / US-$ 72.95

Silvio Carta

eBook (SUL) • ISBN 978-3-0353-0677-4 CHF 71.65 / €D 66.64 / €A 67.20 / € 56.– / £ 45.– / US-$ 72.95

Visual Anthropology in Sardinia

Oxford, 2015. XII, 281 pp., 13 coloured ill.

Volume 18

pb. • ISBN 978-3-0343-0988-2 CHF 68.– / €D 59.90 / €A 61.60 / € 56.– / £ 45.– / US-$ 72.95

Lisa Socrates

eBook (SUL) • ISBN 978-3-0353-0690-3 CHF 71.65 / €D 66.64 / €A 67.20 / € 56.– / £ 45.– / US-$ 72.95

Oxford, 2014. 249 pp., 15 coloured ill., 18 b/w ill. pb. • ISBN 978-3-0343-1783-2 CHF 63.– / €D 55.60 / €A 57.20 / € 52.– / £ 42.– / US-$ 67.95 eBook (SUL) • ISBN 978-3-0353-0619-4 CHF 66.40 / €D 61.88 / €A 62.40 / € 52.– / £ 42.– / US-$ 67.95

Time and Space in Contemporary Greek-Cypriot Cinema

Volume 17

Christopher Brown • Pam Hirsch (eds.)

The Cinema of the Swimming Pool

Selected Series

The Arts

Theaomai – Studien zu den performativen Künsten Herausgegeben von Helga Finter und Gerald Siegmund Das altgriechische Verb theaomai – «mit dem geistigen wie konkreten Auge schauen» – legt seit den Anfängen des europäischen Theaters eine enge Beziehung von Theater und Theorie nahe. Diese wird vom Zuschauer theates über den Akt seiner Wahrnehmung geknüpft: er verbindet konkretes Hören und Sehen mit dem Schauplatz seines Gedächtnisses und seiner Psyche. Künste, die diesen Prozess des Wahrnehmens in der ästhetischen Form selbst reflektieren, somit Denken und sinnliche Teilnahme des Rezipienten fordern, um die Sinnpotentialitäten des ästhetischen Gegenstands zu realisieren, sind performative Künste. Die Reihe veröffentlicht interdisziplinäre Studien im Übergang von Theater-, Kunst- und Medienwissenschaft, die das gesellschafts- und subjektkritische Potential des Prozesses ästhetischer Zuschauer-, Hörer- oder Leserwahrnehmung untersuchen.

ISSN: 1436-1981 www.peterlang.com/view/serial/ THEAOMAI Proposals for new projects : publishing@peterlang.com

Frankfurt am Main, 2017. 278 S., 6 farb. Abb. geb. • ISBN 978-3-631-71367-9 CHF 66.– / €D 56.95 / €A 58.60 / € 53.30 / £ 44.– / US-$ 64.95 eBook (SUL) • ISBN 978-3-631-71376-1 CHF 70.– / €D 62.95 / €A 64.– / € 53.30 / £ 44.– / US-$ 64.95

Band 9

Lorenz Aggermann • Georg Döcker • Gerald Siegmund (Hrsg.)

Theater als Dispositiv Dysfunktion, Fiktion und Wissen in der Ordnung der Aufführung

Frankfurt am Main, 2015. 410 S., 4 farb. Abb., 18 s/w Abb.

Band 8

geb. • ISBN 978-3-631-66195-6 CHF 84.– / €D 74.95 / €A 77.– / € 70.– / £ 56.– / US-$ 90.95

Juliane Howitz

eBook (SUL) • ISBN 978-3-653-05846-8 CHF 88.50 / €D 83.30 / €A 84.– / € 70.– / £ 56.– / US-$ 90.95

HimmelsKartenWissen Frühneuzeitliche Kartierungen des Himmels im Kontext einer theatralen Wissenskultur

Frankfurt am Main, 2014. 424 p., 1 ill. n/b

Volume 7

br. • ISBN 978-3-631-64561-1 CHF 84.– / €D 74.95 / €A 77.– / € 70.– / £ 56.– / US-$ 90.95

Helga Finter

eBook (SUL) • ISBN 978-3-653-03749-4 CHF 88.50 / €D 83.30 / €A 84.– / € 70.– / £ 56.– / US-$ 90.95

Le corps de l’audible Écrits franÇais sur la voix 1979–2012

Frankfurt am Main, 2014. 592 S.

Band 6

geb. • ISBN 978-3-631-64560-4 CHF 113.– / €D 99.95 / €A 102.70 / € 93.40 / £ 75.– / US-$ 121.95

Helga Finter

eBook (SUL) • ISBN 978-3-653-03748-7 CHF 119.05 / €D 111.15 / €A 112.08 / € 93.40 / £ 75.– / US-$ 121.95

Die soufflierte Stimme: Text, Theater, Medien Aufsätze 1979–2012

Frankfurt am Main, 2012. 405 S., 11 Abb.

Band 5

geb. • ISBN 978-3-631-63113-3 CHF 76.– / €D 66.95 / €A 68.90 / € 62.60 / £ 50.– / US-$ 81.95

Petra Bolte-Picker

eBook (SUL) • ISBN 978-3-653-01550-8 CHF 80.10 / €D 74.49 / €A 75.12 / € 62.60 / £ 50.– / US-$ 81.95

Die Stimme des Körpers Vokalität im Theater der Physiologie des 19. Jahrhunderts

Selected Series

The Arts

Berner Veröffentlichungen zur Musikforschung Herausgegeben von Gerhard Anselm und Hanspeter Renggli-Zubler Die Schriftenreihe Berner Veröffentlichungen zur Musikforschung (BVM) ist ein Publikationsforum der Musikforschenden Gesellschaft Bern. Sie schliesst wissenschaftliche Arbeiten zu regionalen musikhistorischen Themen, Kataloge, Werkverzeichnisse und Sammlungen ein, aber ebenso Publikationen von Symposien und Tagungen, welche inhaltlich oder durch die Autorschaft einen Bezugspunkt zu der Stadt oder der Region Bern aufweisen, resp. im Kontext mit deren Forschungsinstitutionen entstanden sind.

ISSN: 1661-4283 www.peterlang.com/view/serial/BVM Proposals for new projects : publishing@peterlang.com

Bern, 2015. 396 S., 8 s/w Abb.

Band 5

br. • ISBN 978-3-0343-2061-0 CHF 102.– / €D 91.– / €A 93.50 / € 85.– / £ 68.– / US-$ 110.95

Fabian Kolb • Klaus Pietschmann (Hrsg.)

eBook (SUL) • ISBN 978-3-0351-0908-5 CHF 107.45 / €D 101.15 / €A 102.– / € 85.– / £ 68.– / US-$ 110.95

Musik und Theater in der Schweiz des 19. Jahrhunderts Das Berner Hôtel de Musique und sein Umfeld

Bern, 2013. 820 S., zahlr. Notenbeispiele

Band 4

br. • ISBN 978-3-0343-1272-1 CHF 99.– / €D 88.30 / €A 90.80 / € 82.50 / £ 66.– / US-$ 107.95

Peter Gisi

eBook (SUL) • ISBN 978-3-0351-0542-1 CHF 104.30 / €D 98.18 / €A 99.– / € 82.50 / £ 66.– / US-$ 107.95

Verdis Welten Neuinterpretation der Werke im Spiegel der Tonarten

Bern, 2013. 328 S.

Band 3

br. • ISBN 978-3-0343-0350-7 CHF 94.– / €D 83.80 / €A 86.10 / € 78.30 / £ 63.– / US-$ 101.95

Hanspeter Renggli-Zubler

eBook (SUL) • ISBN 978-3-0351-0596-4 CHF 99.05 / €D 93.18 / €A 93.96 / € 78.30 / £ 63.– / US-$ 101.95

Die Richard Wagner-Sammlung der Zentralbibliothek der Universitätsbibliothek Bern Ein kommentierter Bibliothekskatalog mit unveröffentlichten Briefen von Wagner und Liszt

Bern, 2010. 244 S., 12 Abb. und Notenbeispiele br. • ISBN 978-3-0343-0349-1 CHF 35.– / €D 31.20 / €A 32.10 / € 29.20 / £ 23.– / US-$ 37.95 eBook (SUL) • ISBN 978-3-0351-0087-7 CHF 36.90 / €D 34.75 / €A 35.04 / € 29.20 / £ 23.– / US-$ 37.95

Band 2

Ivana Rentsch

Max Ettinger Ein kommentiertes Werkverzeichnis

Selected Series

The Arts

Hamburger Jahrbuch für Musikwissenschaft Herausgegeben vom Musikwissenschaftlichen Institut der Universität Hamburg In der Reihe Hamburger Jahrbuch für Musikwissenschaft werden aktuelle Beiträge aus dem Gebiet Musikwissenschaft publiziert. Im Mittelpunkt der Beiträge stehen dabei die Geschichte der Musik, aber auch musiktheoretische Ansätze. Ferner erscheinen in der Reihe Konferenzberichte und Ringvorlesungen. Die Reihe wird vom Musikwissenschaftlichen Institut der Universität Hamburg herausgegeben.

ISSN: 0342-8303 www.peterlang.com/view/serial/ HJBMW Proposals for new projects : publishing@peterlang.com

Frankfurt am Main, 2016. 255 S.

Band 31

br. • ISBN 978-3-631-67182-5 CHF 40.– / €D 34.95 / €A 36.– / € 32.70 / £ 26.– / US-$ 42.95

Reinmar Emans • Oliver Huck • Sven Hiemke (Hrsg.)

eBook (SUL) • ISBN 978-3-653-06655-5 CHF 42.15 / €D 38.91 / €A 39.24 / € 32.70 / £ 26.– / US-$ 42.95

Frankfurt am Main, 2015. 188 S., 8 farb. Abb., 24 s/w Abb. br. • ISBN 978-3-631-65997-7 CHF 37.– / €D 32.95 / €A 33.90 / € 30.80 / £ 25.– / US-$ 40.95 eBook (SUL) • ISBN 978-3-653-05487-3 CHF 39.– / €D 36.65 / €A 36.96 / € 30.80 / £ 25.– / US-$ 40.95

Musik an den Welfenhöfen

Band 30

Claudia Maurer Zenck • Ivana Rentsch (Hrsg.)

Gut oder schlecht? Urteil und Werturteil in der Musik

Frankfurt am Main, 2013. 161 S.

Band 29

br. • ISBN 978-3-631-62969-7 CHF 37.– / €D 32.95 / €A 33.90 / € 30.80 / £ 24.60 / US-$ 40.95

Jochen Brieger (Hrsg.)

eBook (SUL) • ISBN 978-3-653-02995-6 CHF 39.– / €D 36.65 / €A 36.96 / € 30.80 / £ 24.60 / US-$ 40.95

Frankfurt am Main, 2011. 317 pp., num. fig., tables, graphs and examples of notes pb. • ISBN 978-3-631-63553-7 CHF 71.– / €D 53.90 / €A 55.40 / € 50.40 / £ 45.40 / US-$ 75.95 eBook (SUL) • ISBN 978-3-653-01290-3 CHF 74.80 / €D 59.98 / €A 60.48 / € 50.40 / £ 45.40 / US-$ 75.95

Das modale System im Spannungsfeld zwischen Theorie und kompositorischer Praxis Volume 28

Albrecht Schneider • Arne von Ruschkowski (eds.)

Systematic Musicology: Empirical and Theoretical Studies

Selected Series

The Arts

Interdisziplinäre Studien zur Musik / Interdisciplinary Studies of Music Herausgegeben von/Edited by Tomi Mäkelä und/and Tobias Robert Klein Die Reihe Interdisziplinäre Studien zur Musik / Interdisciplinary Studies of Music umfasst Arbeiten in deutscher und englischer Sprache, deren über Fächergrenzen hinausweisende Perspektiven den interdisziplinären und internationalen Charakter der Musikwissenschaft betonen. Die Herausgeber, Prof. Dr. Tomi Mäkelä von der Martin-Luther-Universität Halle-Wittenberg, und PD Dr. Tobias Robert Klein, Musikwissenschaftler und Afrikanist an der Humboldt Universität zu Berlin, interessieren sich dabei gleichermaßen für historisch, transkultulturell und/oder systematisch orientierte Studien. Erschienen sind in der Reihe bislang sowohl Dissertationen und Habilitationsschriften als auch sonstige Monographien und Sammelbände, deren Themen sich von musikalischer Mehrsprachigkeit bis hin zu aktuellen Diskussionen der Performance-Theorie erstrecken.

ISSN: 1613-169X www.peterlang.com/view/serial/ISM Proposals for new projects : publishing@peterlang.com

Frankfurt am Main, 2015. 344 S., 85 s/w Abb. geb. • ISBN 978-3-631-66196-3 CHF 71.– / €D 62.95 / €A 64.70 / € 58.80 / £ 47.– / US-$ 76.95 eBook (SUL) • ISBN 978-3-653-05838-3 CHF 74.80 / €D 69.97 / €A 70.56 / € 58.80 / £ 47.– / US-$ 76.95

Interdisziplinäre Studien zur Musik / Interdisciplinary Studies of Music is a publication series that emphasizes the transdisciplinary and international nature of musicological research. The series editors, Tomi Mäkelä (Professor of Musicology at Martin-Luther-Universität Halle-Wittenberg) and Tobias Robert Klein (Privatdozent at Humboldt Universität zu Berlin) are equally interested in manuscripts with a historical, systematic or transcultural orientation. Hitherto published volumes (both monographs and edited collections) cover a wide range of topics from musical multilingualism to current debates in performance theory. Languages of Publication are English and German.

Band 8

Jorma Daniel Lünenbürger

Zwischen Kreativität und Traditionsbewusstsein. Jean Sibelius’ Kammermusik vom Frühwerk zu «Voces intimae»

Frankfurt am Main, 2014. 207 pp., 4 b/w fig., 4 tables, 21 graphs

Volume 7

hb. • ISBN 978-3-631-65085-1 CHF 57.– / €D 49.95 / €A 51.40 / € 46.70 / £ 37.– / US-$ 60.95

Taina Riikonen • Marjaana Virtanen (eds.)

eBook (SUL) • ISBN 978-3-653-04280-1 CHF 60.05 / €D 55.57 / €A 56.04 / € 46.70 / £ 37.– / US-$ 60.95

Frankfurt am Main, 2010. 433 pp., num. fig., tables and graphs hb. • ISBN 978-3-631-56025-9 CHF 98.– / €D 86.95 / €A 89.40 / € 81.30 / £ 65.– / US-$ 105.95

The Embodiment of Authority Perspectives on Performances

Volume 6

Timothy L. Jackson • Veijo Murtomäki • Colin Davis • Timo Virtanen (eds.)

Sibelius in the Old and New World Aspects of His Music, Its Interpretation, and Reception

Frankfurt am Main, 2008. 280 S., zahlr. Abb. und Tab., 1 Graf. br. • ISBN 978-3-631-57318-1 CHF 76.– / €D 66.95 / €A 68.90 / € 62.60 / £ 50.– / US-$ 81.95

Band 5

Tobias Robert Klein

Moderne Traditionen Studien zur postkolonialen Musikgeschichte Ghanas

Selected Series

The Arts

Methodology of Music Research Edited by Nico Schüler Die Buchreihe Methodology of Music Research präsentiert aktuelle und grundlegende Studien aus der Musikwissenschaft. Die Sammelbände und Monographien decken dabei ein breites Themenspektrum ab, von der Musiktheorie, interdisziplinären und pädagogischen Aspekten der Musikwissenschaft, musikwissenschaftlicher Methodik bis zur kritischen Auseinandersetzung mit Trends und Perspektiven der Musikwissenschaft. Herausgeber der Reihe ist Professor Nico Schüler.

ISSN: 1618-842X www.peterlang.com/view/serial/ MMR Proposals for new projects : publishing@peterlang.com

Frankfurt am Main, 2016. 288 pp., 123 b/w graphs

Volume 9

hb. • ISBN 978-3-631-71381-5 CHF 72.– / €D 61.95 / €A 63.70 / € 57.90 / £ 48.– / US-$ 69.95

Rima Povilionienė

eBook (SUL) • ISBN 978-3-631-71382-2 CHF 76.– / €D 68.95 / €A 69.50 / € 57.90 / £ 48.– / US-$ 69.95

Frankfurt am Main, 2014. 222 pp., 1 fig. pb. • ISBN 978-3-631-39764-0 CHF 57.– / €D 49.95 / €A 51.40 / € 46.70 / £ 37.– / US-$ 60.95

Musica Mathematica Traditions and Innovations in Contemporary Music

Volume 8

Nico Schüler

Computer-Assisted Music Analysis (1950s–1970s) Essays and Bibliographies

Frankfurt am Main, 2013. VIII, 333 pp., 24 graphs

Volume 7

hb. • ISBN 978-3-631-61659-8 CHF 64.– / €D 56.95 / €A 58.50 / € 53.20 / £ 43.– / US-$ 69.95

Denis Collins (ed.)

eBook (SUL) • ISBN 978-3-653-02906-2 CHF 67.45 / €D 63.31 / €A 63.84 / € 53.20 / £ 43.– / US-$ 69.95

Frankfurt am Main, 2011. 248 pp., num. fig., 2 tables hb. • ISBN 978-3-631-59200-7 CHF 53.– / €D 46.95 / €A 48.30 / € 43.90 / £ 35.– / US-$ 57.95

Music Theory and its Methods Structures, Challenges, Directions

Volume 6

Leon Stefanija • Nico Schüler (eds.)

Approaches to Music Research Between Practice and Epistemology

Frankfurt am Main, 2010. 149 pp., num. fig., tables and graphs

Volume 5

pb. • ISBN 978-3-631-57268-9 CHF 36.– / €D 31.95 / €A 32.90 / € 29.90 / £ 24.– / US-$ 38.95

Leon Stefanija • Nico Schüler • Tuomas Eerola • Reiko Graham

Musical Listening Habits of College Students in Finland, Slovenia, South Africa, and Texas Similarities and Differences

Selected Series

The Arts

Music and Spirituality Edited by June Boyce-Tillman Music and Spirituality explores the relationships between spirituality and music in a variety of traditions and contexts including those in which human beings have performed music with spiritual intention or effect. It addresses the plurality of modern society in the areas of musical style and philosophical and religious beliefs, and gives respect to different positions regarding the place of music both in worship and in the wider society. The series will include historical, anthropological, musicological, ethnomusicological, theological and philosophical dimensions and encourages multi-disciplinary and cross-disciplinary contributions. It looks for well-researched studies with new and open approaches to spirituality and music and encourages interesting innovative case-studies. Books within the series are subject to peer review and will include single and co-authored monographs as well as edited collections including conference proceedings. The use of musical material in either written or recorded form as part of submissions is welcome.

ISSN: 2296-164X

www.peterlang.com/view/serial/MAS Proposals for new projects : publishing@peterlang.com

Oxford, 2017. XIV, 164 pp., 5 b/w ill.

Volume 4

pb. • ISBN 978-3-0343-2211-9 CHF 68.– / €D 58.95 / €A 59.80 / € 54.40 / £ 44.– / US-$ 66.95

Nancy L. Graham

eBook (SUL) • ISBN 978-1-78707-251-0 CHF 72.– / €D 64.95 / €A 65.20 / € 54.40 / £ 44.– / US-$ 66.95

They Bear Acquaintance African American Spirituals and the Camp Meetings

Oxford, 2016. X, 184 pp., 9 b/w ill., 2 tables

Volume 3

pb. • ISBN 978-3-0343-2265-2 CHF 62.– / €D 52.95 / €A 54.40 / € 49.40 / £ 40.– / US-$ 60.95

Sarah Morgan • June Boyce-Tillman

eBook (SUL) • ISBN 978-3-0353-0844-0 CHF 65.– / €D 58.95 / €A 59.30 / € 49.40 / £ 40.– / US-$ 60.95

A River Rather Than a Road The Community Choir as Spiritual Experience

Oxford, 2016. XII, 406 pp., 16 fig.

Volume 2

pb. • ISBN 978-3-0343-1952-2 CHF 83.– / €D 73.80 / €A 75.90 / € 69.– / £ 55.– / US-$ 89.95

June Boyce-Tillman

eBook (SUL) • ISBN 978-3-0353-0801-3 CHF 87.45 / €D 82.11 / €A 82.80 / € 69.– / £ 55.– / US-$ 89.95

Experiencing Music – Restoring the Spiritual Music as Well-being

Oxford, 2014. 318 pp., 13 b/w ill.

Volume 1

pb. • ISBN 978-3-0343-1777-1 CHF 74.– / €D 65.30 / €A 67.10 / € 61.– / £ 49.– / US-$ 79.95

June Boyce-Tillman

eBook (SUL) • ISBN 978-3-0353-0613-2 CHF 77.95 / €D 72.59 / €A 73.20 / € 61.– / £ 49.– / US-$ 79.95

In Tune With Heaven Or Not Women in Christian Liturgical Music

Selected Series

The Arts

Musica poetica Musik der Frühen Neuzeit

NE W

S ER IE S

Herausgegeben von Oliver Huck und Ivana Rentsch Musica poetica widmet sich der Erforschung musikalischer Phänomene der frühen Neuzeit. Ästhetische, philologische, musiktheoretische, analytische und aufführungspraktische Fragestellungen stehen ebenso im Fokus der Reihe wie kulturwissenschaftliche Ansätze. Die frühe Neuzeit wurde in dichter Folge von katastrophischen Ereignissen, gesellschaftlichen Umwälzungen und wissenschaftlichen ‘Turns’ erschüttert. Leitfrage der Reihe ist nicht zuletzt, in welcher Weise fundamentale Verwerfungen wie der Dreißigjährige Krieg, der Durchbruch des galanten Paradigmas, cartesianische Wende oder Aufklärung ihre Spuren im Komponieren und Nachdenken über Musik hinterlassen haben. Musik avanciert als fester Bestandteil menschlichen Handelns zum klingenden Spiegel der frühen Neuzeit.

ISSN: 2365-094X www.peterlang.com/view/serial/ MUPOE Proposals for new projects : publishing@peterlang.com

Frankfurt am Main, 2017. 352 S.

Band 1

geb. • ISBN 978-3-631-71980-0 CHF 75.– / €D 64.95 / €A 66.80 / € 60.70 / £ 50.– / US-$ 73.95

Karsten Mackensen

eBook (SUL) • ISBN 978-3-631-71991-6 CHF 79.– / €D 71.95 / €A 72.80 / € 60.70 / £ 50.– / US-$ 73.95

Musik und die Ordnung der Dinge im ausgehenden Mittelalter und in der Frühen Neuzeit

Selected Series

The Arts

Quellen und Studien zur Musikgeschichte von der Antike bis in die Gegenwart / Sources and Studies in Music History from Antiquity to the Present Herausgegeben von/Edited by Elliot Antokoletz und/and Michael von Albrecht Die Reihe Quellen und Studien zur Musikgeschichte von der Antike bis in die Gegenwart beschäftigt sich mit einer großen Bandbreite von musikwissenschaftlichen Themen von der Antike bis in die neueste Zeit. Hier erscheinen Quelleneditionen unbekannter oder vergessener Musikwerke, Komponistenbiographien und Monographien sowie Schriften und Vorträge. Die Reihe nimmt aber auch epochenübergreifende und interdisziplinäre Entwicklungen zum Anlass für vergleichende Studien. Ebenso werden aktuelle Entwicklungen der Musikwissenschaft und Musiktheorie als Forschungsfeld aufgegriffen.

ISSN: 0175-6257 www.peterlang.com/view/serial/QSM Proposals for new projects : publishing@peterlang.com

The series Sources and Studies in Music History from Antiquity to the Present treats a wide range of musicological subjects from antiquity to the present day. There are editions of unknown or forgotten musical sources, biographies of composers, monographs, collections of articles and lectures. Its intention is to promote the dialogue between historical, comparative, and interdisciplinary studies, including recent developments in musicology and musical theory.

Frankfurt am Main, 2016. 227 pp.

Volume 48

pb. • ISBN 978-3-631-67645-5 CHF 58.– / €D 49.95 / €A 51.40 / € 46.70 / £ 38.– / US-$ 56.95

Monica Kang

eBook (SUL) • ISBN 978-3-653-07036-1 CHF 61.– / €D 55.95 / €A 56.– / € 46.70 / £ 38.– / US-$ 56.95

Post-Tonal Affinities in Piano Works of Bartók, Chen, and Crumb

Frankfurt am Main, 2016, 297 pp., 17 ill.

Volume 47

pb. • ISBN 978-3-631-67205-1 CHF 70.– / €D 59.95 / €A 61.60 / € 56.– / £ 46.– / US-$ 67.95

Johnny Reinhard

eBook (SUL) • ISBN 978-3-653-06710-1 CHF 73.– / €D 66.95 / €A 67.20 / € 56.– / £ 46.– / US-$ 67.95

Frankfurt am Main, 2016. 305 pp., 9 b/w ill., 8 tables pb. • ISBN 978-3-631-67071-2 CHF 68.– / €D 59.95 / €A 61.60 / € 56.– / £ 45.– / US-$ 72.95 eBook (SUL) • ISBN 978-3-653-06305-9 CHF 71.65 / €D 66.64 / €A 67.20 / € 56.– / £ 45.– / US-$ 72.95

Frankfurt am Main, 2015. 630 S., 142 s/w Abb. br. • ISBN 978-3-631-65985-4 CHF 118.– / €D 105.– / €A 107.90 / € 98.10 / £ 78.– / US-$ 127.95 eBook (SUL) • ISBN 978-3-653-05468-2 CHF 124.35 / €D 116.74 / €A 117.72 / € 98.10 / £ 78.– / US-$ 127.95

Bach and Tuning

Volume 46

John K. Novak

The Symphonic Works of Leoš Janáček From Folk Concepts to Original Style

Band 45

Antje Reineke

Benjamin Brittens Liederzyklen

Frankfurt am Main, 2015. 364 S., 49 Graf.

Band 44

br. • ISBN 978-3-631-65617-4 CHF 76.– / €D 66.95 / €A 68.90 / € 62.60 / £ 50.– / US-$ 81.95

Hans-Peter Retzmann

eBook (SUL) • ISBN 978-3-653-04851-3 CHF 80.10 / €D 74.49 / €A 75.12 / € 62.60 / £ 50.– / US-$ 81.95

Max Regers Musik Eine Studie zu Regers Musikdenken

« European University Studies » Series

The Arts

European University Studies. Series 28:

History of Art Europäische Hochschulschriften. Reihe 28:

Kunstgeschichte The European University Studies. Series 28: History of Art have been presenting current research in the field of the history of art for more than forty years. Today the series consists of an impressive 443 volumes. In this series you will find information and studies on special topics that may only be touched upon in major annotated works. Die Europäischen Hochschulschriften. Reihe 28: Kunstgeschichte präsentieren seit über 40 Jahren die Ergebnisse aktueller Forschungsarbeiten auf dem Gebiet der Kunstgeschichte. Mittlerweile ist die Reihe auf stolze 443 Bände angewachsen. In dieser Reihe finden Sie Informationen und Abhandlungen auch zu speziellen Themen, zu denen Ihnen die großen Kommentarwerke womöglich wenig bieten können. ISSN 0721-3557 www.peterlang.com/view/serial/ EHS28 Proposals for new projects : publishing@peterlang.com

Frankfurt am Main, 2016. 210 S., 3 s/w Abb. br. • ISBN 978-3-631-67608-0 CHF 145.– / €D 129.– / €A 132.70 / € 120.60 / £ 96.– / US-$ 156.95 eBook (SUL) • ISBN 978-3-653-06940-2 CHF 152.80 / €D 143.51 / €A 144.72 / € 120.60 / £ 96.– / US-$ 156.95

Frankfurt am Main, 2015. VI, 228 S., 111 s/w Abb. br. • ISBN 978-3-631-66257-1 CHF 62.– / €D 54.95 / €A 56.50 / € 51.40 / £ 41.– / US-$ 66.95 eBook (SUL) • ISBN 978-3-653-05365-4 CHF 65.35 / €D 61.17 / €A 61.68 / € 51.40 / £ 41.– / US-$ 66.95

Band 443

Christian Nille

Kathedrale – Kunstgeschichte – Kulturwissenschaft Ansätze zu einer produktiven Problemgeschichte architekturhistorischer Deutungen Band 442

Barbara Schmachtenberg

Das Ornamentum der Galerie d’Ulysse von Fontainebleau im gesellschaftlichen Kontext Phase I

Frankfurt am Main, 2015. 528 S., 4 Tab.

Band 441

geb. • ISBN 978-3-631-63388-5 CHF 107.– / €D 94.95 / €A 97.60 / € 88.70 / £ 71.– / US-$ 115.95

Annette Bügener

eBook (SUL) • ISBN 978-3-653-04668-7 CHF 112.75 / €D 105.55 / €A 106.44 / € 88.70 / £ 71.– / US-$ 115.95

Die Heldengalerie des Qianlong-Kaisers Ein Beitrag zur chinesischen Porträtmalerei im 18. Jahrhundert

Frankfurt am Main, 2012. X, 379 S., 52 Abb.

Band 440

br. • ISBN 978-3-631-63578-0 CHF 77.– / €D 67.95 / €A 69.90 / € 63.50 / £ 51.– / US-$ 82.95

Bärbel Schallow-Gröne

eBook (SUL) • ISBN 978-3-653-01524-9 CHF 81.15 / €D 75.57 / €A 76.20 / € 63.50 / £ 51.– / US-$ 82.95

Ideologisierung des Kirchenbaus in der NS-Zeit Am Beispiel der Kirchenneubauten (1934–1941) im Erzbistum München und Freising und Evang.-Luth. Dekanat München

« European University Studies » Series

The Arts

European University Studies. Series 30:

Theatre, Film and Television Europäische Hochschulschriften. Reihe 30:

Theater-, Film- und Fernsehwissenschaften The European University Studies. Series 30: Theatre, Film and Television have been presenting current research in the field of theatre, film and television for more than forty years. Today the series consists of an impressive 96 volumes. In this series you will find information and studies on special topics that may only be touched upon in major annotated works.

ISSN 0721-3662

Die Europäischen Hochschulschriften. Reihe 30: Theater-, Film- und Fernsehwissenschaften präsentieren seit über 40 Jahren die Ergebnisse aktueller Forschungsarbeiten auf dem Gebiet der Theater-, Film- und Fernsehwissenschaften. Mittlerweile ist die Reihe auf stolze 96 Bände angewachsen. In dieser Reihe finden Sie Informationen und Abhandlungen auch zu speziellen Themen, zu denen Ihnen die großen Kommentarwerke womöglich wenig bieten können.

www.peterlang.com/view/serial/ EHS30 Proposals for new projects : publishing@peterlang.com

Frankfurt am Main, 2016. 281 S.

Volume 96

br. • ISBN 978-3-631-67843-5 CHF 70.– / €D 59.95 / €A 61.60 / € 56.– / £ 46.– / US-$ 67.95

Nadia Foisil

eBook (SUL) • ISBN 978-3-653-06929-7 CHF 73.– / €D 66.95 / €A 67.20 / € 56.– / £ 46.– / US-$ 67.95

Être et avoir un corps Corps quotidien, corps scénique

Frankfurt am Main, 2014. XVI, 215 pp., 7 b/w fig., 1 graph

Volume 95

pb. • ISBN 978-3-631-65087-5 CHF 57.– / €D 49.95 / €A 51.40 / € 46.70 / £ 37.– / US-$ 60.95

Shikuku Emmanuel Tsikhungu

eBook (SUL) • ISBN 978-3-653-04283-2 CHF 60.05 / €D 55.57 / €A 56.04 / € 46.70 / £ 37.– / US-$ 60.95

Frankfurt am Main, 2012. 146 S., 6 s/w Abb., 9 farb. Abb. br. • ISBN 978-3-631-61618-5 CHF 33.– / €D 28.95 / €A 29.80 / € 27.10 / £ 22.– / US-$ 35.95 eBook (SUL) • ISBN 978-3-653-01522-5 CHF 34.75 / €D 32.25 / €A 32.52 / € 27.10 / £ 22.– / US-$ 35.95

Identity in Postmillennial German Films on Africa

Band 94

Katia Beuth

Stadtraum in Performance «Site-specific Performance Art» und die Kunst des Alltags

Frankfurt am Main, 2008. 320 pp.

Volume 93

pb. • ISBN 978-3-631-57450-8 CHF 86.– / €D 75.95 / €A 78.10 / € 71.– / £ 57.– / US-$ 92.95

Rosana Herrero Martín

The Doing of Telling on the Irish Stage A Study of Language Performativity in Modern and Contemporary Irish Theatre

Frankfurt am Main, 2008. 194 pp.

Volume 92

pb. • ISBN 978-3-631-57141-5 CHF 61.– / €D 53.95 / €A 55.40 /

Agnieszka Rasmus

€ 50.40 / £ 40.– / US-$ 65.95

Filming Shakespeare, from Metatheatre to Metacinema

« European University Studies » Series

The Arts

European University Studies. Series 36:

Musicology Europäische Hochschulschriften. Reihe 36:

Musikwissenschaft The European University Studies. Series 36: Musicology have been presenting current research in the field of musicology for more than forty years. Today the series consists of an impressive 277 volumes. In this series you will find information and studies on special topics that may only be touched upon in major annotated works. Die Europäischen Hochschulschriften. Reihe 36: Musikwissenschaft präsentieren seit über 40 Jahren die Ergebnisse aktueller Forschungsarbeiten auf dem Gebiet der Musikwissenschaft. Mittlerweile ist die Reihe auf stolze 277 Bände angewachsen. In dieser Reihe finden Sie Informationen und Abhandlungen auch zu speziellen Themen, zu denen Ihnen die großen Kommentarwerke womöglich wenig bieten können. ISSN 0721-3611 www.peterlang.com/view/serial/ EHS36 Proposals for new projects : publishing@peterlang.com

Frankfurt am Main, 2016. 131 S., 13 Notenbeispiele, 1 Abb. br. • ISBN 978-3-631-67416-1 CHF 29.– / €D 24.95 / €A 25.60 / € 23.30 / £ 19.– / US-$ 28.95 eBook (SUL) • ISBN 978-3-653-06767-5 CHF 31.– / €D 27.95 / €A 28.– / € 23.30 / £ 19.– / US-$ 28.95

Frankfurt am Main, 2014. X, 393 S., 202 s/w Abb., 1 DVD br. • ISBN 978-3-631-65628-0 CHF 84.– / €D 74.95 / €A 77.– / € 70.– / £ 56.– / US-$ 90.95 eBook (SUL) • ISBN 978-3-653-04871-1 CHF 88.50 / €D 83.30 / €A 84.– / € 70.– / £ 56.– / US-$ 90.95

Frankfurt am Main, 2014. XVI, 324 S., 15 farb. Abb., 36 s/w Abb. br. • ISBN 978-3-631-65287-9 CHF 73.– / €D 64.95 / €A 66.80 / € 60.70 / £ 49.– / US-$ 78.95 eBook (SUL) • ISBN 978-3-653-04424-9 CHF 76.90 / €D 72.23 / €A 72.84 / € 60.70 / £ 49.– / US-$ 78.95

Frankfurt am Main, 2015. XVIII, 518 S., 166 s/w Abb. br. • ISBN 978-3-631-65040-0 CHF 101.– / €D 89.95 / €A 92.50 / € 84.10 / £ 67.– / US-$ 109.95 eBook (SUL) • ISBN 978-3-653-04059-3 CHF 106.40 / €D 100.08 / €A 100.92 / € 84.10 / £ 67.– / US-$ 109.95

Band 277

Esther Dubke

Das Melodramatische als Vertonungsstrategie Robert Schumanns Balladen op. 106 und op. 122

Band 276

Nepomuk Riva

Handschrift und Körpernotation Schriftliche und mündliche Überlieferungen von Kirchenmusik in Kamerun

Band 275

Claudia Irion-Senge

«Der Charakter des Spielplans bestimmt das Wesen des Theaters» Die Bayerische Staatsoper in München zwischen 1918 und 1943 Band 274

Wladimir Stadnitschenko

Zachows Kantaten Quellen – Stil – Kontext

Journals

The Arts

International Journal of Musicology Edited by Michael von Albrecht and Elliot Antokoletz The International Journal of Musicology is an open forum for musicological research. The editors hope to further the dialogue between different fields of musicology as well as between musicology and neighboring disciplines. The Journal contains articles on: New historical material, analysis of musical texts, musical genres, style periods of musical history, musical theory, history of reception, and other related topics. Those interested in contributing to the journal are invited to send their article to one of the editors. Das International Journal of Musicology ist ein freies Forum für musikwissenschaftliche Forschung. Die Herausgeber hoffen, den Dialog zwischen verschiedenen Gebieten der Musikwissenschaft und zwischen der Musikwissenschaft und ihren Nachbardisziplinen zu fördern. Die Zeitschrift veröffentlicht u.a. Artikel über: Neues historisches Material, Analyse musikalischer Texte, musikalische Gattungen, Epochenstile, Musiktheorie und Rezeptionsgeschichte. Wenn Sie einen Beitrag für die Zeitschrift einreichen möchten, können Sie sich gerne an einen der Herausgeber wenden. 1 issue per year ISSN 0941-9535 • e-ISSN 2366-3847 Annual subscription: Print: CHF 83.– / €D 79.95 / €A 82.20 / € 75.– / £ 58.– / US-$ 93.– Electronic • Individuals rate: € 75.– / US-$ 93.– Electronic • Institutional rate: € 150.– / US-$ 186.– Electronic • Single chapter price: € 15.– / US-$ 20.–

New Series Vol. 2 • 2016 Single Issue : 2016 • pb. • 252 pp.

CHF 101.– / €D 89.95 / €A 92.50 / € 84.10 / £ 67.30 / US-$ 109.95

The volume ranges from a study of the medieval music-theatre piece Play of Daniel, and a double attribution of the Renaissance madrigal Canzon se l’esser meco to theoretic-analytical studies of musical language, style, and aesthetics in Classical and Romantic as well as post-tonal music. It includes Mozart’s use of expression markings, re-invention of the chorale by nineteenth-century opera and symphony composers, the Sturm und Drang spirit in Schubert’s ballad setting of Goethe’s Erlkönig, and Liszt’s transformation of chromatic tonality into a more abstract symmetrical tonal language. This volume also explores Wagner’s game plan in Tristan, comparison of the research and compositional activity of Hungarian Bartók and Armenian Komitas, consistency versus deconstruction as shown in the evolution of the interval cycles in post-tonal music, and a re-conception of analysis. Contents: Medieval music-theatre piece • Renaissance madrigal • Mozart expression markings • Chorale in nineteenth century opera • Schubert ballad • Liszt’s innovations in chromatic tonality • Wagner’s harmonic game plan • Parallels between Bartók and Komitas • Evolution of the interval cycles • Re-conception of analysis.

New Series Vol. 1 • 2015 Single Issue : 2015 • pb. • 225 pp., 113 b/w ill.

CHF 62.– / €D 54.95 / €A 56.50 / € 51.40 / £ 41.– / US-$ 66.95

This volume explores musical language, style, and aesthetics in post-tonal music. The latter includes motives and Gestalten in Schoenberg, tonality-defining characteristics of whole-tone harmonies in Debussy, folk stanzaic structures used by Kodály, polymodal chromaticism in Bartók, East-West synthesis in atonal contexts of Yun, and approaches to Yiddish music by non-Yiddish speaking Israeli-born composers. The volume also explores the way physicians and musicologists look at musical mode and emotion and takes a close look at Wagnerianism in the translations of Greek dramatic poetry by Zielinski. Contents: Milton D. Heifetz: The Relationship Between Minor Mode Music and Sadness: A Theoretical Concept • Grażyna Golik-Szarawarska: Wagnerianismus in den Übersetzungen der Griechischen Dramatischen Dichtung von Tadeusz Zieliński • John Brackett: Schoenberg, Unfolding, and «Composing With Twelve Tones»: A Case Study (Op. 25/I) • John K. Novak: Whole-Tone as Extension of Tonal Harmony in the Music of Debussy: An Underestimated Technique of Conjunction • Francesco Mastromatteo: Kodály’s Sonata Opus 8: Transformation of Hungarian Lament • Eui Young Chung: Structural Functions of Polymodal Combination in Bartók’s Sonata No. 2 for Violin and Piano • Chaekyung Moon: Isang Yun’s Piano Music: Fusion of East and West in Twelve-Tone and Atonal Contexts • Laya Harbater Silber: Yiddish Art Songs by Israeli-Born Composers: A New Stylistic Interpretation.

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Complete Series List

The Arts

Art

Theatre and Film Studies

American University Studies. Series 20: Fine Arts

American University Studies. Series 26: Theatre Arts

Art / Knowledge / Theory

Contacts. Série 1: Theatrica

Edited by Suzanne Anker and Sabine Flach

Collection dirigée par Jean-Marie Valentin

Art and Thought. Histories of the Avant-Garde / Art et pensée. Histoires des avant-gardes

Contemporary German Writers & Filmmakers

Edited by Dawn Ades and Timothy Mathews

Cultural Interactions: Studies in the Relationship between the Arts Edited by J. B. Bullen

European University Studies. Series 28: History of Art / Europäische Hochschulschriften. Reihe 28: Kunstgeschichte German Visual Culture Edited by Deborah Ascher Barnstone and Thomas O. Haakenson

ICCA – Industries culturelle, création, numérique / ICCA – Cultural industries, artistic creation, digital technology Collection dirigée par Bertrand Legendre et François Moreau

Internationalism and the Arts at the Fin de Siècle Edited by Grace Brockington

Kunst im Ostseeraum. Greifswalder Kunsthistorische Studien

Edited by Julian Preece and Frank Finlay

Criminal Humanities & Forensic Semiotics Edited by Marcel Danesi and Mike Arntfield

Dramaturgies. Texts, Cultures and Performances / Textes, Cultures et Représentations Edited by Marc Maufort

European University Studies. Series 30: Theatre, Film and Television / Europäische Hochschulschriften. Reihe 30: Theater-, Film- und Fernsehwissenschaften Film Cultures Edited by Andrew McGregor and Philippe Met

Framing Film. The History and Art of Cinema Edited by Frank Beaver

Kinder-, Schul- und Jugendtheater – Beiträge zu Theorie und Praxis Herausgegeben von Wolfgang Schneider

Medien und Fiktionen Herausgegeben von Helmut Schanze

Herausgegeben von Bergfried Lichtnau und Brigitte Hartel

Medienästhetik und Mediennutzung

Kunstgeschichten der Gegenwart

Herausgegeben von Kerstin Stutterheim und Martina Schöngraf

Herausgegeben von Peter J. Schneemann

L’atelier. Travaux d’Histoire de l’art et de Muséologie / Das Atelier. Arbeiten zur Kunstgeschichte und Museumskunde / The Workshop. Art History and Museum Studies

Minding the Media. Critical Issues for Learning and Teaching Edited by Shirley R. Steinberg and Pepi Leistyna

New Studies in European Cinema

Collection dirigée par Pascal Griener et Pierre Alain Mariaux

Edited by Wendy Everett and Axel Goodbody

Literature and the Visual Arts. New Foundations

Polish Studies – Transdisciplinary Perspectives

Edited by Ernest B. Gilman

Edited by Krzysztof Zajas and Jarosław Fazan

Natur, Wissenschaft und die Künste / Nature, Science and the Arts / Nature, Science et les Arts

Repenser le cinéma / Rethinking Cinema

Herausgegeben von Julia Burbulla, Bernd Nicolai, Ana-Stanca Tabarasi-Hoffmann, Philip Ursprung und Wolf Wucherpfennig

Neue Berner Schriften zur Kunst Herausgegeben von Birgitt Borkopp-Restle, Christine Göttler, Norberto Gramaccini, Bernd Nicolai und Peter J. Schneemann

New Studies in Aesthetics Edited by Robert Ginsberg

Raffael und seine Zeit / Raphael and His Time Herausgegeben von Jürg Meyer zur Capellen

Schriften zur Bildenden Kunst / Papers on Art Herausgegeben von Jürg Meyer zur Capellen

Collection dirigée par Dominique Nasta

Studien und Dokumente zur Tanzwissenschaft Herausgegeben vom Deutschen Tanzarchiv Köln

Studien zum Theater, Film und Fernsehen Herausgegeben von Renate Möhrmann, Lisa Gotto und Thomas Wortmann

Studies in Shakespeare Edited by Alan Powers

The Art and Science of Music Teaching and Performance Edited by Adina Mornell

Theaomai – Studien zu den performativen Künsten Herausgegeben von Helga Finder und Gerald Siegmund

Complete Series List

The Arts

Music

American University Studies. Series 20: Fine Arts Ars Musica. Interdisziplinäre Studien Herausgegeben von Tadeusz Guz und Elżbieta Szczurko

Berner Veröffentlichungen zur Musikforschung

Musica poetica. Musik der Frühen Neuzeit Herausgegeben von Ivana Rentsch und Oliver Huck

Musik und Gesellschaft Herausgegeben von Alfred Smudits

Herausgegeben von der Schweizerischen Musikforschenden Gesellschaft, Ortsgruppe Bern

Musik und Literatur

Eastern European Studies in Musicology

Perspektiven der Opernforschung

Edited by Maciej Gołąb

Herausgegeben von Jürgen Mähder und Thomas Betzwieser

Editionen der Schweizerischen Musikforschenden Gesellschaft / Éditions de la Société Suisse de Musicologie

Publikationen der Schweizerischen Musikforschenden Gesellschaft. Serie II / Publicatons de la Société Suisse de Musicologie. Série II

Herausgegeben von der Schweizerischen Musikforschenden Gesellschaft

Études de Musicologie / Musicological Studies

Quellen und Studien zur Musikgeschichte von der Antike bis in die Gegenwart / Sources and Studies in Music History from Antiquity to the Present

Collection dirigée par Henri Vanhulst

European University Studies. Series 36: Musicology / Europäische Hochschulschriften. Reihe 36: Musikwissenschaft Friedensauer Schriftenreihe. Reihe C: Musik – Kirche – Kultur

Herausgegeben von Edwin Vanecek

Herausgegeben von Eliot Antokoletz und Michael von Albrecht

Salzburger Beiträge zur Musik- und Tanzforschung Herausgegeben von Peter Maria Krakauer

Herausgegeben von Friedbert Ninow, Wolfgang Kabus und Horst Friedrich Rolly

Schriften zur Musikpsychologie und Musikästhetik

Hamburger Jahrbuch für Musikwissenschaft

Schriften zur Systematischen Musikwissenschaft

Herausgegeben vom Musikwissenschaftlichen Institut der Universität Hamburg

Herausgegeben von Günther Rötter

Interdisziplinäre Studien zur Musik / Interdisciplinary Studies of Music

Herausgegeben von Martin Ebeling und Margret Kaiser-el-Safti

Herausgegeben von Tomi Mäkelä und Tobias R. Klein

Interuniversitäre Schriften zur Musikpädagogik und Musikwissenschaft Herausgegeben von Peter Maria Krakauer und Christoph Khittl

Jazz under State Socialism Edited by Gertrud Pickhan and Rüdiger Ritter

Mahler-Studien. Schriftenreihe der Gustav MahlerVereinigung Hamburg Herausgegeben von Alexander Odefey

Mannheimer Hochschulschriften Herausgegeben von Hermann Jung

Martinů-Studien Herausgegeben von Aleš Březina

Methodology of Music Research Edited by Nico Schüler

Mousikae Paideia. Music and Education / Musik und Bildung / Musique et Pédagogie Edited by Markus Cslovjecsek, Janet Hoskyns and Madeleine Zulauf

Music/Meanings Edited by Steve Jones, Will Straw and Joli Jensen

Music and Spirituality Edited by June Boyce-Tillman

Herausgegeben von Helga de la Motte-Haber

Schriftenreihe der Carl-Stumpf-Gesellschaft

Schweizer Jahrbuch für Musikwissenschaft. Neue Folge / Nouvelle Série / Nuova Serie Herausgegeben von der Schweizerischen Musikforschenden Gesellschaft

Studi Pergolesiani / Pergolesi Studies A cura della Fondazione Pergolesi Spontini

Studien und Dokumente zur Tanzwissenschaft Herausgegeben vom Deutschen Tanzarchiv Köln

Studien zur Kulturpolitik Herausgegeben von Wolfgang Schneider

The Art and Science of Music Teaching and Performance Edited by Adina Mornell

Varia Musicologica Herausgegeben von Peter Maria Krakauer

Vergleichende Musikwissenschaft Herausgegeben von Franz Födermayr, Michael Weber und August Schmidhofer

Zürcher Musikstudien Herausgegeben von Dominik Sackmann

Index

The Arts

A Aggermann, Lorenz . . . . . . . . . . . . . . 25 , 49

Gisi, Peter . . . . . . . . . . . . . . . . . . . . . . . 50

Pelker, Bärbel . . . . . . . . . . . . . . . . . . . . . 30

Aguet, Joel . . . . . . . . . . . . . . . . . . . . . . . 37

González Castillo, Eduardo . . . . . . . . . . . . 19

Pieńkos, Andrzej . . . . . . . . . . . . . . . . . . . 15

Ammann, Katharina . . . . . . . . . . . . . . . . 43

Graham, Nancy L. . . . . . . . . . . . . . . . 10 , 54

Pietschmann, Klaus . . . . . . . . . . . . . . . . 50

Anderson, Jane . . . . . . . . . . . . . . . . . 19 , 39

Graham, Reiko . . . . . . . . . . . . . . . . . . . . 53

Pompe, Gregor . . . . . . . . . . . . . . . . . . . . 30 Pongiyannan, Dhamu . . . . . . . . . . . . . . . . 8

Anker, Suzanne . . . . . . . . . . . . . . . . . . 2 , 38

H Haakenson, Thomas O. . . . . . . . . . . . . . . 40

Portmann, Maria . . . . . . . . . . . . . . . . . . 44

Haddad, Rosalie Rahal . . . . . . . . . . . . . . . 26

Povilionienė, Rima . . . . . . . . . . . . . . 33, 53

B Bacon, Simon . . . . . . . . . . . . . . . . . . . . . 23

Halászová, Ingrid . . . . . . . . . . . . . . . . . . 15

Preece, Julian . . . . . . . . . . . . . . . . . . 24 , 45

Baird, Christina . . . . . . . . . . . . . . . . . 14 , 39

Hamilton, Emma . . . . . . . . . . . . . . . . . . 23

Armstrong, Jolene . . . . . . . . . . . . . . . . . . . 4

Barnstone, Deborah Ascher . . . . . . . . . 14 , 40

Hannemann, Mahelia . . . . . . . . . . . . . . . 47

R Rasmus, Agnieszka . . . . . . . . . . . . . . . . . 58

Barrueto, Jorge . . . . . . . . . . . . . . . . . . . . 46

Härter, Andreas . . . . . . . . . . . . . . 25, 36, 37

Rayner, Jonathan . . . . . . . . . . . . . . . . 23 , 48

Bempéchat, Paul-André . . . . . . . . . . . . . . 28

Herrero Martín, Rosana . . . . . . . . . . . . . . 58

Reineke, Antje . . . . . . . . . . . . . . . . . . . . 56

Bernard, Veronika . . . . . . . . . . . . . . . . . . 18

Heuberger, Jean-Marc . . . . . . . . . . . . . . . 37

Reinhard, Johnny . . . . . . . . . . . . . . . .31 , 56

Bernhardt-Kabisch, Ernest . . . . . . . . . .11 , 33

Hiemke, Sven . . . . . . . . . . . . . . . . . . .29 , 51

Renggli-Zubler, Hanspeter . . . . . . . . . . . . 50

Beuth, Katia . . . . . . . . . . . . . . . . . . . . . . 58

Hipkins, Danielle . . . . . . . . . . . . . . . . . . 24

Rentsch, Ivana . . . . . . . . . . . . . . . . . . 50 , 51

Blackwood, Gemma . . . . . . . . . . . . . . . . 21

Hirsch, Pam . . . . . . . . . . . . . . . . . . . . 5 , 48

Retzmann, Hans-Peter . . . . . . . . . . . . . . . 56

Bogunović Hočevar, Katarina . . . . . . . . . . 30

Hochholdinger-Reiterer, Beate . . . . 25, 36, 37

Ribeyrol, Charlotte . . . . . . . . . . . . . . .16 , 39

Bolte-Picker, Petra . . . . . . . . . . . . . . . . . . 49

Hodgin, Nick . . . . . . . . . . . . . . . . . . . 24 , 45

Rick Welch, George . . . . . . . . . . . . . . . . . 44

Bonfitto, Matteo . . . . . . . . . . . . . . . . . . . 25

Howitz, Juliane . . . . . . . . . . . . . . . . . . . . 49

Riikonen, Taina . . . . . . . . . . . . . . . . . . . 52

Bońkowski, Wojciech . . . . . . . . . . . . . . . . 28

Huck, Oliver . . . . . . . . . . . . . . . . . . . .29 , 51

Riva, Nepomuk . . . . . . . . . . . . . . . . . . . . 59

Borkowski, Jennifer . . . . . . . . . . . . . . . . . 35

Hug, Vanja . . . . . . . . . . . . . . . . . . . . . . . 29

Rosales Rodríguez, Agnieszka . . . . . . . . . . 16

Boyce-Tillman, June . . . . . . . . . . . . . . 34 , 54

Hulin, Linda . . . . . . . . . . . . . . . . . . . 19 , 39

Brieger, Jochen . . . . . . . . . . . . . . . . . . . . 51 Brown, Christopher . . . . . . . . . . . . . . . 5 , 48

Bügener, Annette . . . . . . . . . . . . . . . . . . 57

Schade, Sigrid . . . . . . . . . . . . . . . . . . . . . 43

Irion-Senge, Claudia . . . . . . . . . . . . . . . . 59

Schallow-Gröne, Bärbel . . . . . . . . . . . . . . 57

Jackson, Timothy L. . . . . . . . . . . . . . . . . . 52

Schneemann, Peter . . . . . . . . . . . . . . . . . 43

Schmachtenberg, Barbara . . . . . . . . . . . . 57

Buxton, Antony . . . . . . . . . . . . . . . . . 19 , 39

J C

Camaiora, Luisa . . . . . . . . . . . . . . . . . . . 44

Janssens, Christian . . . . . . . . . . . . . . . . . . 6

Schneider, Albrecht . . . . . . . . . . . . . . . . . 51

Carrera, Manuel . . . . . . . . . . . . . . . . . . . 15

Jeanneret, Sylvie . . . . . . . . . . . . . . . . . . . 37

Schrage, Lena . . . . . . . . . . . . . . . . . . . . . . 4

Carta, Silvio . . . . . . . . . . . . . . . . . . . . . . 48

John, Jennifer . . . . . . . . . . . . . . . . . . . . . 43

Schrembs, Daniel . . . . . . . . . . . . . . . . . . 18

Carton de Grammont, Nuria . . . . . . . . . . . 19

Johnson, Brian C. . . . . . . . . . . . . . . . . . . 21

Shen, Diau-Long . . . . . . . . . . . . . . . . . . . 34

Cheesman, Tom . . . . . . . . . . . . . . . . . . . 45

Sherman, Gary . . . . . . . . . . . . . . . . . .17 , 38

Chiang, Chih-Yun . . . . . . . . . . . . . . . . . . 46

K Kang, Monica . . . . . . . . . . . . . . . . . . .31 , 56

Shore, Amy . . . . . . . . . . . . . . . . . . . . . . 46

Collins, Denis . . . . . . . . . . . . . . . . . . . . . 53

Kant, Marion . . . . . . . . . . . . . . . . . . . . . . 5

Siegmund, Gerald . . . . . . . . . . . . . . . 25 , 49

Conti, Andrea A. . . . . . . . . . . . . . . . . . . . 44

Kinzel, Sarah . . . . . . . . . . . . . . . . . . . . . 15

Sierra, Nicole . . . . . . . . . . . . . . . . . . . . . 39

Creech, Jennifer . . . . . . . . . . . . . . . . . . . 40

Kitsopanidou, Kira . . . . . . . . . . . . . . . 19 , 41

Sirois, André . . . . . . . . . . . . . . . . . . . . . 34

Creton, Laurent . . . . . . . . . . . . . . . . . 19 , 41

Klein, Tobias Robert . . . . . . . . . . . . . . . . 52

Skare, Roswitha . . . . . . . . . . . . . . . . . . . 22

Cron, Béatrice . . . . . . . . . . . . . . . . . . . . . 18

D D’Agati, Niccolò . . . . . . . . . . . . . . . . . . . 15

Kocur, Mirosław . . . . . . . . . . . . . . . . . . . 26

Socrates, Lisa . . . . . . . . . . . . . . . . . . . . . 48

Kolb, Fabian . . . . . . . . . . . . . . . . . . . . . . 50

Spinazzè, Eva . . . . . . . . . . . . . . . . . . . . . 16

Kramarz, Andreas . . . . . . . . . . . . . . . . . . 31

Stadnitschenko, Wladimir . . . . . . . . . . . . 59

Dannecker, Karin . . . . . . . . . . . . . . . . . . . 2

Stefanija, Leon . . . . . . . . . . . . . . . . . . . . 53

Lünenbürger, Jorma Daniel . . . . . . . . . . . 52

Steiner, Thomas . . . . . . . . . . . . . . . . . . . 29

Deutsches Tanzarchiv Köln . . . . . . . . . . . . 5

Lombardi, Giancarlo . . . . . . . . . . . . . . . . 22

Stutterheim, Kerstin . . . . . . . . . . . . . . . . . 9

Dobson, Julia . . . . . . . . . . . . . . . . . . . 23 , 48

Luoto, Miika . . . . . . . . . . . . . . . . . . . . . . 38

Sukljan, Nejc . . . . . . . . . . . . . . . . . . . . . 30

Davis, Colin . . . . . . . . . . . . . . . . . . . . . . 52

Döcker, Georg . . . . . . . . . . . . . . . . . . 25, 49

Schüler, Nico . . . . . . . . . . . . . . . . . . . . . 53

Imesch, Kornelia . . . . . . . . . . . . . . . . . . . 43

Sulikowska, Aleksandra . . . . . . . . . . . . . . 17

Donalson, Melvin . . . . . . . . . . . . . . . . . . . 6

M Machtans, Karolin . . . . . . . . . . . . . . . . . . 45

Druxes, Helga . . . . . . . . . . . . . . . . . . . . . 45

Mackensen, Karsten . . . . . . . . . . . . . . 30 , 55

Dubke, Esther . . . . . . . . . . . . . . . . . . . . . 59

Mader, Rachel . . . . . . . . . . . . . . . . . . . . . 43

Dümling, Albrecht . . . . . . . . . . . . . . . . . 29

Maeder, Claudia . . . . . . . . . . . . . . . . . . . 37

Thomsen-Fürst, Rüdiger . . . . . . . . . . . . . . 30

Maurer Zenck, Claudia . . . . . . . . . . . . . . . 51

Tobias, Karen Betty . . . . . . . . . . . . . . . . . 18

Edlund, Bengt . . . . . . . . . . . . . . . . . . . . . . 9

McCarron, Bernard . . . . . . . . . . . . . . . . . . 8

Tsikhungu, Shikuku Emmanuel . . . . . . . . 58

Eerola, Tuomas . . . . . . . . . . . . . . . . . . . . 53

McGregor, Andrew . . . . . . . . . . . . . . . . . 21

Szczerski, Andrzej . . . . . . . . . . . . . . . . . . 42

Taylor, Alan . . . . . . . . . . . . . . . . . . . . . . 24

U Uva, Christian . . . . . . . . . . . . . . . . . . . . 22

Ehninger, Eva . . . . . . . . . . . . . . . . . . . . . 43

Mihailovic, Alexandar . . . . . . . . . . . . . . . 45

Elo, Mika . . . . . . . . . . . . . . . . . . . . . . . . 38

Mondini, Daniela . . . . . . . . . . . . . . . . . . 43

Emans, Reinmar . . . . . . . . . . . . . . . . .29 , 51

Morgan, Sarah . . . . . . . . . . . . . . . . . . . . 54

V Varela Braga, Ariane . . . . . . . . . . . . . . . . . 3

Mornell, Adina . . . . . . . . . . . . . . . . . . . . 32

Verlinden, Élodie . . . . . . . . . . . . . . . . . . 27

Finter, Helga . . . . . . . . . . . . . . . . . . . . . . 49

Mullholland, Terri . . . . . . . . . . . . . . . . . . 39

Virtanen, Marjaana . . . . . . . . . . . . . . . . . 52

Flach, Sabine . . . . . . . . . . . . . . . . . 2 , 17 , 38

Murtomäki, Veijo . . . . . . . . . . . . . . . . . . 52

Virtanen, Timo . . . . . . . . . . . . . . . . . . . . 52

Floros, Constantin . . . . . . . . . . . . . . . .11 , 33

von Ruschkowski, Arne . . . . . . . . . . . . . . 51

Foisil, Nadia . . . . . . . . . . . . . . . . . . . . . . 58

N Naumann, Gerd . . . . . . . . . . . . . . . . . 22 , 47

Fournier, Anne . . . . . . . . . . . . . . . 25, 36, 37

Nieslony, Magdalena . . . . . . . . . . . . . . . . 43

Frame, Gregory . . . . . . . . . . . . . . . . . . . . 7

Nille, Christian . . . . . . . . . . . . . . . . . . . . 57 Novak, John K. . . . . . . . . . . . . . . . . . . 33 , 56

G Gergely, Gábor . . . . . . . . . . . . . . . . . . . . 46

W Woodward, Servanne . . . . . . . . . . . . . . . 44 Y Yeşilada, Karin E. . . . . . . . . . . . . . . . . . . 45

Nowack, Natalia . . . . . . . . . . . . . . . . . . . 32

Z Zangger Hausherr, Eva . . . . . . . . . . . . . . . 17

Gibbs, Michael H. . . . . . . . . . . . . . . . . . . 46 Giese, Francine . . . . . . . . . . . . . . . . . . 3 , 20

P Pantaleón, Jorge . . . . . . . . . . . . . . . . . . . 19

Gilardi, Paola . . . . . . . . . . . . . . . . 25, 36, 37

Pękala, Teresa . . . . . . . . . . . . . . . . . . . . . 26

Zembylas, Tasos . . . . . . . . . . . . . . . . . . . 10

Ain’t No Mountain High Enough ! Stack up our entire front- and backlist and the sky’s the limit. Hardly surprising, then, that we cannot list all our 60,000 titles in this catalogue. Consult our website www.peterlang.com for other relevant publications in your areas of interest.

Conference Announcements

The Arts

Come and learn more about Peter Lang and our publishing program ! Featured here is a selection of events that we are involved in : March 2017

Deutscher Kunsthistorikertag

Dresden, Germany 8–12 March 2017

March 2017

International Musicological Society, 20th Quinquennial Congress

Tokyo, Japan 19–23 March 2017

March 2017

Society for Cinema and Media Studies

Chicago, IL, USA 22–26 March 2017

April 2017

43rd Association of Art Historians Conference & Art Book Fair

Loughborough, Great Britain 6–8 April 2017

June 2017

Festival de l’histoire de l’art

Fontainebleu, France 2–4 June 2017

June 2017

27th International Screen Studies Conference

Glasgow, Great Britain 23–25 June 2017

June 2017

European Network for Cinema and Media Studies Conference

Paris, France 29 June–1 July 2017

August 2017

The Second Conference of European Association for Asian Art and Archaeology

Zürich, Switzerland 24–27 August 2017

Should you have any queries, please contact Franziska Suter (f.suter@peterlang.com), Book Fair & Conference Executive.

For a concise overview of all conferences and fairs Peter Lang will be attending, please visit www.peterlang.com

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