DESIGN PORTFOLIO PETER ZHOU
peterzh7788@gmail.com “I see myself as a MEDIATOR that has a fondness of, but not limited to, the serenity of local architecture through time, and its link to today’s human life.” MEDIATION: A MILLENNIAL RESPONSE TO SUSTAINABILITY FRAMEBox: Sustainable Innovation Center at the University of Maryland PROVIDE, CONNECT, INVITE: Baltimore Institute of Urban Sustainability MEDIATION: HOUSING FOR THE PEOPLE AN INTERVAL OF ENCLOSURE: Housing for the Formerly Homeless SIPS HOUSE BY THE RIVER: Vacation Housing Charrette MEDIATION: DREAMS IN THE SKY FORMATION: Astronomy Department and Planetarium, Montgomery College PRISM TOWARDS ENTITY: Memorial Museum for the Architect MEDIATION: MY INSPIRATIONS SHADOW IN THE VESUVIUS: Archaeological Field Work, Italy SKETCHES
FRAMEBox
FRAMEBox is determined as a sustainand beyond the school, and applies ability-centered building linking Baltisustainable strategies to educate and Sustainable Innovation more Avenue, the major artery towards energize the context. Sustainable Innovation Center the University of Maryland, College Center at the University at the University of Maryland Park, and campus, notably the To envision this, the very parti, Frameof the Maryland iconic Memorial Chapel built in the Box, is achieved through three “Frame” AutoCAD, Revit, Illustrator, InDesign, Enscape, Lumion, mid-nineteenth century. FRAMEBox approaches: Framing the View; FramSketchUp, Photoshop, Model Making, Hand Drafting takes advantage of the unique locaing the Landscape; and Framing the Oct-Nov 2019: ARCH403, UMD Integrated Design Studio FRAMING THE VIEW: FRAM FRAMEBox is determined as ato sustainability-centered building tion create a conversation within Pathway. College Park, MD A conjunction of motor traffic, student circulations,
FRAMEBox
linking Baltimore Avenue, the major DYHQXH towards the University of Mary-and, College Park, and the campus, notably the iconic Memorial Chapel built in the PLG QLQHWHHQWK century. FRAMEBox takes advantage of the unique location to create a conversation within and beyond the school, and applies sustainable strategies to educate and HQHUJL]H the context.
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and visitor routes, FRAMEBox’s major access is detached from Baltimore Avenue; rather, it utilizes the artery as a vital therehold in terms of viewing the building embedded in the landscape, overlooking the chapel on the hills to its west. The glazing and envelope system is also conceived by such.
The bu que vie the lan and ca of the water m EDPER
CIRCULATION
1. FRAMING THE VIEW
MING THE VIEW:
MASSING
2. FRAMING THE LANDSCAPE
3. FRAMING THE PATHWAY
FRAMING THE LANDSCAPE:
THE LANDSCAPE: FrameBox maintains aFRAMING strong existingTHE axis, PA The building, entrenched into the landFRAMEBox’s major access is FRAMING detached junction of motor traffic, student circulations, The building’s orientation, which frames a pictureVwhich offsets into smaller paths, creating scape, makes uses which of the topographic from Baltimore Avenue; rather, it utilizes nt circulations, The building’s orientation, frames a pictureVLocated on a busy sitorthe routes, FRAMEBox’s major access is deque view toward the major streets, is entrenched into thresholds to engage people in layered rise and carves out a retention pond, artery as a vital threshold in terms of access is deque view toward the major streets, is entrenched into the campus. FRAM d from Baltimore Avenue; rather, it utilizes the advantagethe landscape. It on makes uses of the topographic experiences whereas maintaining rise a domitaking of the existing drainviewing the building embedded in the g’s orientation, which frames a pictureVLocated a busy walkway between theitc er, utilizes the landscape. makes the topographic further GHYLDWLQJ nating pattern. age It on-site and uses enhancing it, helped overlooking the the chapel on as italandscape, vital therehold in terms of viewing the and of carves out a retentionrise pond,circulation taking advantage oward the major is entrenched into thetaking campus. FRAMEBox embraces thethe exist by plants for pond, infiltration. tostreets, its west.and viewing thethe carves out a retention advantage aligning with b ng embedded inhills the landscape, overlooking
THE LANDSCAPE:
FRAMING THE PATHWAY:
of the existing drainage on-site but further emphasize ape. It makes uses of the topographic GHYLDWLQJ it into fragments. A strong e, overlooking of the existing but further emphasize smaller paths, thus hapel on the hills to its west. The glazing anddrainage en-rise on-site waterfurther management, helped by shrubs, trees, and
STRUCTURE
ENVELOPE GLAZING
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SITE MAP
SITE ANALYSES
SOUTH ELEVATION
FRAMING THE VIEW: ROUTE 1
EAST ELEVATION
GROUND FLOOR PLAN
UPPER FLOOR PLAN
EARLY ITERATIONS
PROVIDE, CONNECT, INVITE
As environmental and sustainable issues amount, concerned citizens of Baltimore are in need of a venue of dialogue. The institute serves as not just a Baltimore Institute of gathering place for discussions of susUrban Sustainability tainability, but a locus for both children and adults to experience sustainability AutoCAD, Revit, Illustrator, InDesign, Enscape, Lumion, through the procession, as well as a Photoshop, Model Making, Hand Drafting link for the neighborhood to celebrate Sept-Oct 2019: ARCH403, UMD Integrated Design Studio social bindings by its spatial usage. Baltimore, MD
SITE ANALYSES
SUN STUDY
VERTICAL CIRCULATION
STRUCTURE
SOUTH FACADE
RHYTHM, DATUM
WEST FACADE
NORTH ALLEY PERSPECTIVE
GROUND FLOOR PLAN
FIRST FLOOR PLAN
SECOND FLOOR PLAN
PROCESSION
BAY, PIERS, ARTICULATION
HIERACHY: CENTRAL PATIO
EARLY ITERATIONS OF ELEVATIONS
AN INTERVAL OF ENCLOSURE
The 14th/P Streets intersection in Washington, DC is a threshold linking the affluent, historical Logan Circle District and the vibrant, mixed-used 14th Street Housing for the Zone. In such uptown and challenging Formerly Homeless surroundings for the formerly homeless, the resolution is to not advocate AutoCAD, Revit, Illustrator, Enscape, openness to society but to readjust the Photoshop, Model Making, Hand Drafting formerly homeless into a safe, faithful, Mar-May 2019: ARCH402, UMD Integrated Design Studio and self-encouraging environment. Logan Circle, Washington DC
Structural rationalism is emphasized by the rhythmic partitions on the facade as well as its timber grids. The building, while celebrating the introvert collectivity of equity on the exterior to merge in the context, emphasizes on individuality by its room layout, with a semi-private, serene courtyard extending to the street.
CIRCULATION
PUBLIC/OUTDOOR
GREENERY
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NORTHEAST ELEVATION
A
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TYPICAL FLOOR PLAN SCALE: 1/8” = 1’-0”
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TYPICAL FLOOR PLAN SCALE: 1/8” = 1’-0”
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1ST FLOOR PLAN SCALE: 1/8” = 1’-0”
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WEST ELEVATION SCALE: 1/8” = 1’-0”
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1ST FLOOR PLAN 1 B
GROUND FLOOR PLAN N
GROUND FLOOR PLAN w/ CONTEXT SCALE: 1/8” = 1’-0”
APARTMENT FLAT TYPE 2: 1 BEDROOM
APARTMENT FLAT TYPE 1: STUDIO #OF TYPE: 6 470 SF EACH
1 A
UNIT F PLAN UNIT F PLAN 1 SCALE: A 1/4” =SCALE: 1’-0” 1/4” = 1’-0”
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2 A
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OF TYPE: 14 650 SF EACH
PUBLIC2VS. PRIVATE: UNIT F PUBLIC VS. PRIVATE: UNIT F UNIT B PLAN 3 A A SCALE: 1/4” = 1’-0”
4 A
PUBLIC VS. PRIVATE: UNIT B
3 A
UNIT B5PLAN SITE PLAN SCALE:A1/4”SCALE: = 1’-0” 1/32” = 1’-0”
1 A
UNIT F PLAN SCALE: 1/4” = 1’-0”
38%/,&
1 A
UNIT F PLAN SCALE: 1/4” = 1’-0”
2 A
PUBLIC VS. PRIVATE: UNIT F
SIPS HOUSE BY THE RIVER Vacation Housing Charrette ArchiCAD, Photoshop, Model Making, Hand Drafting Sept-Oct 2017: ARCH201, Montgomery College Studio Great Falls, VA
In this program, I designed a SIPS House in Great Falls, VA for a couple as their abode for vacations. The house is set in a standard 33â&#x20AC;&#x2122;x16â&#x20AC;&#x2122; pre-fabricated steel system with on-grid photovoltaic panels, an underneath warmboard, and a tankless water heater. I, inspired by old Ethiopian architecture, employed a natural firmness in my de-
sign to fit in the mystical, forestry environment. The house uses stucco cladding to reduce moisture damages and create tranquility. The windows correspond with the prevailing wind and sunlight. They give people comfort and serenity inside but do not pacify them into laziness; instead, they lure people into exploring around the house.
PLAN
LONGITUDINAL SECTION
PROCESS PLAN
Astronomy Department and Planetarium, Montgomery College Hand Drafting, Model Making, ArchiCAD, SketchUp, Photoshop Oct-Dec 2017: ARCH201, Montgomery College Studio Rockville, MD
In this teamwork project, we were assigned a schematic design of a proposed astronomy department in the Rockville Campus of Montgomery College. We communicated with the Astronomy Department and decided to use “FORMATION” as the parti, with particular inspirations from the creation of an accretion. During the process we decided to simplify the complicated as-
tronomic process by aligning five processional cubes in slight slants (each tilt in relation with 23.5°, the tilt of Earth), connecting them with glass joints to represent the mystique and unpredictability of our universe. We used the major walkway of the campus as the axis of our building, such procession also marked by the volume of each cube, leading to a glorious planetarium.
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ARCH201 FALL 2017 TEAM RALPH PLANETARIUM SCHEMATIC DESIGN
FORMATION
D3
C2
3 sq ft
C1
D1
A GSEducationalVersion
SITE PLAN
1" = 20'
LONGITUDINAL SECTION
CIRCULATION, PUBLIC & PRIVATE, GREENERY
MASSING MODEL
PROCESS WORK
PARTI
MECH. ROOM SERVER ROOM STORAGE 900SF
OFFICE 120 SF CONFERENCE ROOM 165 SF
STORAGE ROOM 165 SF
3
sq
ft
GREENHOUSE
PLANETARIUM
WC 64 SF MEDIA STORE 400 SF ENTRY LOBBY 1000 SF
RECEPTION 250 SF
CAFE 125 SF WC 64 SF
GARDEN COAT ROOM 280 SF
C F W 4S 6
C F W 4S 6
DECK
B
MAIN FLOOR PLAN
FLOOR PLAN 1/8" =
1'-0"
RCH201 FALL 2017 TEAM RALPH PLANETARIUM SCHEMATIC DESIGN
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OFFICE 120 SF
PRISM TOWARDS ENTITY Memorial Museum for the Architect
SketchUp, Podium, Photoshop, Model Making, Hand Drafting Sept-Oct 2017: ARCH201, Montgomery College Studio Kiawah Island, SC
This program is a memorial gellery of myself in Kiawah Island, SC. I first envisioned my career: “I see myself raised in China, studied in the US, later moving to Ethiopia and Lebanon for urban works before retiring in the US. My beliefs would be one of a mediator, who, in a cross-disciplinary fashion, resolve social and historic tension by elegant, sensitive mediation through design.”
The parti, “PRISM TOWARD ENTITY”, has three concepts: “Experience”, “Distillation”, and “Entity”. Each pavilion presents a specific realm I would work in, connected by four distillation halls which refine each period and lead the “Sanctum Santorum”, a holy space storing my important manuscripts and a garden pronouncing the “entity” of life.
KEYNOTES A I
J
H G
B K C
F D
FLOOR PLAN
E
A ENTRY LOUNGE B PAVILION OF CHINA C DISTILLATION HALL OF CHINA D PAVILION OF ETHIOPIA E DISTILLATION HALL OF ETHIOPIA F PAVILION OF LEBANON G DISTILLATION HALL OF LEBANON H PAVILION OF AMERICA I SANCTUM SANTORUM J READING ROOM (DISTILLATION HALL OF AMERICA) K ARISTOTLEâ&#x20AC;&#x2122;S GARDEN
SITE PLAN
PARTI MODEL
ORGANIZATIONAL SKETCH
EARLY ITERATIONS
SOUTHEAST ELEVATION
LONGTITUDINAL SECTION
SHADOW IN THE VESUVIUS
Archaeological Field Work, Italy AutoCAD, Faro Scene, LIDAR, EDM, Photoshop, Hand Drafting July 2018 Castellamare di Stabia, Italy
DRAWINGS ON SITE
I reflect on my trip in Italy, Summer 2018 as educational, horizon-broadening, and friendship-binding. During my fiveweek stay in Italy, I was overwhelmingly impressed by the hospitality of the Italians and the on-site experiences with both traditional and modern tech-
niques to document and restore the heritage of Villa Arianna in the Vesuvius region. Besides the field studies, I was fortunate to make trips around Paestum, Rome, Siena, Salerno and Sicily as well.
PHOTOGRAPHY
LIDAR PHOTOGRAPHY
PHOTOGRAPHY
PHOTO STITCHING
ORTHOGRAPHIC DRAWING
AUTOCAD ELEVATION
SKETCHES