Gateway to the Nort

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GATEWAY

Wednesday, February 14, 2018

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NEWS AND EVENTS FOR PRINCE GEORGE AND CENTRAL INTERIOR

WEDNESDAY Feburary 14, 2018

Your community voice for the north!

Cabaret returns to P.G. stage this month Frank PEEBLES Citizen staff fpeebles@pgcitizen.ca

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Citizen Photo by James Doyle

Shelby Meany and Owen Selkirk pose for a photo during rehearsals for Judy Russell’s presentation of Cabaret. Meany plays Sally Bowles and Selkirk will play the Emcee.

elloooooo ladies... und gennnnntlemennnnnn.” Welcome to the hottest nightspot in Berlin, where the dancing sizzles, the drinks flow, and dark atmosphere leaks across the dance floor from the cracks in society. Welcome to Cabaret! Producer-choreographer Judy Russell has already scored major audience acclaim with Cabaret on two past occasions, once in 2000 and again in 2001 due to popular demand. An entire generation of viewers hasn’t been offered the gift of this international theatrical sensation, until now. Cabaret will come to the Prince George Playhouse for a winter’s run from Feb. 13-24 starring some of the city’s best stage performers. This is the Broadway musical that launched the superstar careers of Liza Minnelli as sultry

siren Sally Bowles and Joel Grey as charismatic but creepy emcee of the Kit Kat Klub. These are some of musical theatre’s most coveted roles. Bowles has also been portrayed by the likes of Jill Haworth, Judy Dench, Natasha Richardson, Brooke Shields, Jennifer Jason Leigh, Molly Ringwald, Emma Stone and most recently on Broadway Sienna Miller. In Prince George, the past two productions cast Catherine McCarthy as the scintillating diva. The emcee has been played over the years by such luminaries as James Dreyfus, Randy Harrison, Wayne Sleep, and it has become a vehicle recently for Alan Cumming in both London and Broadway. The Prince George version was done by Andrew Halladay to enduring fanfare. In this upcoming Russell remount, Bowles will be portrayed by Shelby Meaney while The emcee will be carried by Owen Selkirk. — see ‘THE AUDIENCE, page 3


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