Volume xLiX | Issue 10 | november 14, 2019
Freedom Wall Saga Casts Light on Relationship between Pepperdine and LGBTQ+ Students
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Art Student Pushes Boundaries
with Nude Photography Exhibit; Administrators Push Back V ER NIE C OVARRUBIAS New s Assista n t An art major’s photography of nude female students depicting the seven deadly sins is pushing boundaries on what Pepperdine administrators deem appropriate to display in public spaces. Senior Alessandra Guth said she is attempting to deliberately provoke administration with the religious subject of her art exhibit project, which will debut Nov. 21. “I am an artist who will never follow the rules because rule followers don’t get anywhere in the art world,” Guth said. “I’m using this Biblical reference and poking fun at the fact that Pepperdine teaches us about the seven deadly sins — how you need to have some sort of a clean slate from God and how, to do that, you need to believe in God. But everyone sins.” Her artwork features seven photographs of seven completely nude Pepperdine students’ bodies, without showing their faces, printed on canvas and cut out. The shapes are suspended to metal frames by wires. “This is me saying, ‘Let’s not make our students feel like sinners because they have normal characteristics [a sinful nature, nude forms] that everybody holds,’” Guth said. “It also doesn’t mean we’re sinners if we are naked. It’s a body. That in itself is art in my opinion.” Guth said she has received
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advice from professional artists to consider depicting subjects that her school would be shocked by. “I just immediately thought: anything that goes with religion that they don’t like,” Guth said. Guth’s classmates’ artwork will be displayed in the Sandbar until the end of the semester. However, Guth’s work will be displayed in the mobile art gallery next to the Sandbar on the night of the opening reception. Dean of the Fine Arts Division Bradley Griffin said the reason for separating her work is that it necessitates a forewarning about what an audience member is about to encounter. “There’s no way we can close off entrances to the Sandbar and [put up signs that] say, ‘There is work in this space that could be triggering for some individuals,’” Griffin said. “We have to make a decision about what we are going to hang in a completely public space like that — one that’s not technically a gallery space.” Griffin said Guth’s work will not be covered up in any way, and it will be presented as the artist intended in the mobile art gallery. “I’m not interested in having anything to do with determining what to do with her work,” Griffin said. “What I am interested in is the way in which patrons will interact with the work and being responsible to the community in that interaction.”
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Guth said she feels it is unfair for her work to be displayed separately from her peers’ work. “Just because they’re not making me cover the body part doesn’t mean they’re not censoring it,” Guth said. Griffin said he does not consider separating Guth’s project to be censorship. “The Fine Arts division is not in the business of censoring art,” Griffin said. “There’s no denying it is separate from the work that’s hanging inside the Sandbar. But by putting it in the mobile art unit for the opening, we’re not saying, ‘This is not a part of the show.’” The mobile art gallery will be moved off campus after the exhibit’s opening night. Guth and Griffin both said they believe it would be unfair for Guth’s work to no longer be displayed for the remainder of the semester, as her peers’ work will be. “My work deserves to be seen with everyone else’s fairly,” Guth said. “These are not pornographic images. So the fact that they are sexualizing my work and making it into something that it is not is also very annoying because everyone has a body, and there’s no faces.” Griffin said he is working closely with Guth’s art professor, Gretchen Batcheller, to find a solution for Guth’s work to be displayed for the same amount of time as her peers’ work. Batcheller said she believes the issue of how to display
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Courtesy of Alessandra Guth Risky Art | Guth works on her art exhibition. She depicted the seven deadly sins through nude photography. Guth’s work brings to light a greater issue in the Fine Arts Division. “I don’t know that this is as much an issue of censorship as it is of [the need for] a dedicated student gallery space,” Batcheller said. Currently, the mobile art gallery is the only dedicated space for student work available. Batcheller said she has been pushing for a space for students to display their work as well as a nude figure drawing class on Pepperdine’s Malibu campus. “Historically, the human
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form has been this sort of litmus test of if you can draw the human form, you can draw anything,” Batcheller said. At the same time, Batcheller said she understands the pushback from the university. “Most often, human experience of the nude form is in intimate partnership with another person or within the realms of pornography,” Batcheller said. “So if those are your only experiences of the human body, of course it’s a sexual object in front of you because that is your only experience of it.” V ER NETTA.C OVAR R UBIAS@PEPPER DINE.EDU
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