ARCHITECTURE PORTFOLIO Phalhong Mao 2013 - 2016
Contents Preface
5
1
The Simplicity of Shelter
7 - 11
2
Inspiration from Nature
13 - 19
3
Crystalline Speculation
21 - 25
4
Spatial Sequencing
27 - 43
5
Architectural Details
45 - 49
Section 2 highlights the process of taking natural elements such as living organisms, water or geology from around a site as metaphoric inspirations, and working with them towards a design solution in order to generate forms, as well as space, which relate back to the natural environment of a site.
Contents
Section 1 describes how the use of simplicity within design helps to create a calming and sensory experience without dominating the surrounding context or nature.
Section 3 illustrates the use of crystalline forms, structure, material and light as a whole composition in helping to unfold a romantic expressionism along with a revealing of hope in other forms. Section 4 outlines how form, hierarchy of space, light and shadow help in choreographing a journey for users to experience the various levels of emotional impact as they transit through/ between spaces.
Section 5 identifies how simple detailed connections have the ability to inform the whole.
Epilogue
51
3
As a person, I adore the simplicity in basic everyday life, and I observed that the excitement increase as the level of complexity increase. However, I think there is a limitation of complexity to which every human can handle.
Self-fulfilment needs
realizing one's own potential, being creative
Futuristic, or Innovative Design approach
self-esteem, self-respect, self-confidence, and recognition by others
Social needs
Organic Design Approach
Be respectful to the existing nature
Preface
To what extend???
Egotistic needs
group acceptance, friendship, and belonging
Need for security Simple Design Approach Need for survival air, food, and shelter
(Apologies to Maslow)
5
The Simplicity of Shelter
Section 1 describes how the use of simplicity within design helps to create a calming and sensory experience without dominating the surrounding context or nature.
The Simplicity of Shelter
Simplicity, carried to the extreme, becomes elegance. ~ Jon Franklin
Street view of a row of monolithic brick terraced houses (current studio - Let's Dense) 7
The use of a symmetrical geometric structure (plan and form), with the repetition of patterns mirrored around a central axis, in order to create a harmonious rhythm.
Floor plan Scale 1:100
Shelter Design Model Inspired by Abraham Maslow's theory - "hierarchy of needs" Each layer of pattern is an interpretation of each hierarchy of needs
Section
Scale 1:100
The use of the minimal type of materials (brick and timber) to express simplicity.
Front/West elevation of the adaptable house
The Simplicity of Shelter
Scale NTS
Precedent: Heidii II
David McGlashan and Neil Everist
9
View towards the library entrance
Scale: NTS
West and South elevations of the library
The Simplicity of Shelter
View towards the library and existing historical facade
Scale: NTS
East and North elevations of the library
11
Inspiration from Nature
Inspiration from Nature
Section 2 highlights the process of taking natural elements such as living organisms, water or geology from around a site as metaphoric inspirations, and working with them towards a design solution in order to generate forms, as well as space, which relate back to the natural environment of a site.
1,2 Grasshopper parametric recursive modelling 3 Maya modelling Precedent: Lautner Redux by Xefirotarch/ Hernan Diaz Subject: Communication 3 13
Existing dwelling
South elevation Scale: NTS
Section (Living space) Scale: NTS
Inspiration from Nature
Existing dwelling
Studio extension floor plan Scale: NTS
Inspired by asparagus, asparagus beetle's cocoon & how the beetle takes advantage of asparagus Metaphor: extension = parasite, cocoon = living space
15
Pop up CafĂŠ Location: Geelong Botanic Garden Inspired by Cactus plant Metaphor: Cactus has the ability to withstand the harsh weather condition of the site
Floor plan
Section
Site Plan
Elevations
17
Inspiration from Nature
19
Inspiration from Nature
Crystalline Speculation
Crystalline Quality Future Speculation
Section 3 illustrates the use of crystalline forms, structure, material and light as a whole composition in helping to unfold a romantic expressionism along with a revealing of hope in other forms.
Grasshopper parametric recursive modelling Subject: Communication 3 21
View towards the top part of the Fashion Museum Tower
Inspiration: Site: The adjacent art centre spire (skirt form) Dress: The blue dress: Pat Rodgers - La Petite, Evening dress (1960) The gold dress: Lucy Secor, Evening dress (1935) The rainbow dress: Maureen Fitzgerald, Motion Dress Collars (1983) Structure: Diagrid structure curtain wall Sewing technique: Pleat Precedents: Seattle Library by Rem Koolhaas, UK Pavilion at Expo by Thomas Heatherwick, Caixa Forum Madrid by Prerre De Meuron & Jacques Herog
Crystalline Speculation
Process diagram
Crystalline element
Inspired by: Cross stitch pattern
23
View towards the central void and other gallery spaces
Crystalline Speculation
View of museum’s sky bar 25
Spatial Sequencing
Spatial Sequencing
Section 4 outlines how form, hierarchy of space, light and shadow help in choreographing a journey for users to experience the various levels of emotional impact as they transit through/between spaces.
Conceptual visualisation of station platform looking up towards the concourse (Elective course - Metro project - CBD North Station Design) 27
Front view of the Adaptable House
View of study room towards
View through the partial courtyard
View of living room towards the last courtyard
Section through living room
first floor plan
Scale: NTS
Spatial Sequencing
Scale: NTS
Adaptable House ground floor plan Scale: NTS
29
A spatial relationship conceptual diagram of the library and childcare centre. Its aim is to achieve the maximum quality of light in order to create a coherent spatial sequence throughout.
Proposed library and child care entry on existing car park floor plan
Scale: NTS
Scale: NTS
Spatial Sequencing
Proposed library entry second floor plan
Proposed library and child care entry first floor plan
Scale: NTS
31
View from the library entry towards the reception
View of the story telling and multimedia space
Spatial Sequencing
View of child care space through to the external playground
Panorama view of central courtyard in relation to the library and child care centre 33
View towards community centre (men shed & kindergarten) entrance
Spatial Sequencing
The view from the entrance door towards the reception area. The courtyard, with links towards both the male shed and kindergarten space, can be seen beyond.
35
View of the fashion museum tower from a distance
Spatial Sequencing
View towards the fashion museum's entrance from the footpath (close up view)
37
View of the lobby from the entrance door
Spatial Sequencing
The view looking up as one passes through the lobby door. 39
Juxtaposition of a new and an existing neighbourhood with different hierarchies of void spaces.
Void system study
41
Spatial Sequencing
View of the mixed use open space from the immediate entrance (small void space)
Spatial Sequencing
View of the plaza and water retention (larger void space) 43
Architectural Details
Architectural Details
Section 5 identifies how simple detailed connections have the ability to inform the whole.
45
Precedent: Geelong Ring Road Rest Area by BKK Architects
33
1060 CLEAR
150mm 150mm VERTICLE VERTICLE SPANDEK SPANDEK PROFILED PROFILED SURFACE SURFACE PRECAST PRECAST CONCRETE CONCRETE AS SPEC. AS SPEC.
P/J P/J
MIN.
LINE OF WALL ABOVE
LINE OF WALL ABOVE
LINE OF WALL BELOW
SCREED SCREED PACKER PACKER LINE OF WALL BELOW
105
105 MIN.
SEALANT AS SPEC. SEALANT AS SPEC.
SHADED SHADED ENTRY ENTRY
SELECTED SELECTED COLOR COLOR PAINTED PAINTED ON 3mm ON 3mm GALVANISED GALVANISED STEEL STEEL PLATE PLATE AS SPEC. AS SPEC.
MITER JOINT MITER JOINT CHAMFER CHAMFER
AA x 10mm STEEL ANGLE 150 x150 150x x150 10mm STEEL ANGLE BOLT TO PRECAST CONCRETE BOLT TO PRECAST CONCRETE REFER TO ENGINEER DRWG REFER TO ENGINEER DRWG MAKE GOOD TO PATCH WORK MAKE GOOD TO PATCH WORK
150mm 150mm VERTICAL VERTICAL SPANDEK SPANDEK PROFILED PROFILED SURFACE SURFACE PRECAST PRECAST CONCRETE CONCRETE AS AS SPEC. SPEC. FLOOR LINE BELOW
362mm 362mm WIDE WIDE x 10mm x 10mm THICK THICK PAINTED PAINTED GALVANISED GALVANISED STEEL STEEL DOOR DOOR REVEAL REVEAL SCREW SCREW FIX TO FIXPRECAST TO PRECAST CONCRETE CONCRETE WALL WALL AS AS SPEC. SPEC.
BB
90 x 90 45mm MGP10 STUD x 45mm MGP10 STUD SPACED @ 450 SPACED @ CTRS. 450 CTRS. MAX.MAX.
SELECTED COLOR SELECTED COLOR CONCRETE JOINT CONCRETE JOINT SEALANT AS SPEC. SEALANT AS SPEC.
EXTERIOR EXTERIOR
LINELINE OF FLOOR OF FLOOR FINISH BELOW FINISH BELOW
SELECTED COLOR GLAZED SELECTED COLOR GLAZED BRICK WITH STRETCHER BOND BRICK WITH STRETCHER BOND FINISH AS SPEC. FINISH AS SPEC.
30mm CAVITY 30mm CAVITY
33
FLOOR LINE BELOW
1060 CLEAR
START START STEEL STEEL REVEAL REVEAL FLASH FLASH WITH WITH INTERNAL INTERNAL BASE BASE OF PRECAST OF PRECAST CONCRETE CONCRETE WALL WALL SLANTED SLANTED WITH WITH THETHE SAME SAME ANGLE ANGLE AS AS THETHE WALL WALL
LINE OF WALL AT GROUND BELOW LINE OF WALL AT GROUND BELOW
MALE MALE TOILET TOILET
REFER REFER TO SHOP TO SHOP DRAWING DRAWING
MALE MALE TOILET TOILET
NONNON SHRINKING SHRINKING GROUT GROUT INFILL INFILL TO FLASH TO FLASH WITH WITH PRECAST PRECAST CONCRETE CONCRETE AS AS SPEC. SPEC.
36 MAX.
REFER TO ROOF PLAN ROOF SARKING AS SPEC.
SEALANT TO COLORBOND STEP FLASHING AS REQUIRED
200 WIDE x 150 DEPTH COLOBOND BOX GUTTER
12mm PLYWOOD FINISH CEILING AS SPEC. FIX TO CEILING BATTENS
25mm EXTERNAL PLYWOOD GUTTER BOARD
35mm x 70mm MGP10 CEILING BATTEN SPACED @ 450 CTRS.
50mm DIA STAINLESS STEEL GLASS ADAPTER WITH 50mm DEEP SPACER MOUNTED ONTO STAINLESS STEEL SHS REFER TO STRUCTURAL
SHS REFER TO STRUCTURAL
RAFTER BEAM - RB4 REFER TO STRUCTURAL
20 MAX.
4mm THICK STAINLESS STEEL SHEET ROOF TYPE 1 AS SPEC. REFER TO STRUCTURAL
SELECTED COLORBOND SPANDEK ROOFING AT 16° AS SPEC.
150mm VERTICAL SPANDEK PROFILED SURFACE PRECAST CONCRETE AS SPEC.
FRAMING BEYOND
SELECTED COLOR 10mm LAMINATED TOUGHENED GLASS AS SPEC. ALL GLAZING ARE TO COMPLY WITH AS 1288
CUT PLYWOOD SHEETING TO FINISH WITH HAIRLINE JOINT TO BRICKWORK
STEEL PFC BEAM REFER TO STRUCTURAL
SELECTED COLOR GLAZED BRICK WITH STRETCHER BOND FINISH AS SPEC.
Architectural Details
PVC DOWNPIPE
4 LINE OF WALL AT GROUND BELOW
SELECTED COLORBOND SPANDEK ROOFING AT 16° AS SPEC. REFER TO ROOF PLAN
ROOF FIXING AS PER THE MANUFACTURER SPEC. COLORBOND FLASHING COLOR TO MATCH ROOF
12mm PLYWOOD FINISH CEILING AS SPEC. FIX TO BEAM
SCREED PACKER
15 x 35mm PAINTED GALVANISED STEEL DOOR STOP AS SPEC
10mm THICK PAINTED GALVANISED STEEL DOOR REVEAL SCREW FIX TO PRECAST CONCRETE WALL AS SPEC.
DIS. TOILET
REFER TO DOOR SCHEDULE FOR FRAME DIMENSION
F OR LO FF
35 x 70mm MGP10 ROOF BATTEN SPACED @ 1300 CTRS. MAX.
12mm PLYWOOD FINISH CEILING AS SPEC. FIX TO CEILING BATTENS
E OV AB
35 x 70mm MGP10 CEILING BATTEN SPACED @ 450 CTRS. MAX.
SHADED ENTRY
W LO BE ISH IN
PACKER AS REQUIRED
L AL FW EO LIN
RAFTER BEAM - RB1 REFER TO STRUCTURAL
AR LE 5C 86
ROOF SARKING
START STEEL REVEAL FLASH WITH INTERNAL BASE OF PRECAST CONCRETE WALL SLANTED WITH THE SAME ANGLE AS THE WALL
EO LIN
SELECTED COLORBOND SPANDEK ROOFING AT 8° AS SPEC.
125 x 45mm MGP10 MEMBER SPACED AT 450 CTRS. MAX. REFER TO STRUCTURAL
150mm VERTICAL SPANDEK PROFILED SURFACE PRECAST CONCRETE AS SPEC.
STANDARD TWO TRAY METHOD METAL CLAD HOLLOW DOOR AS SPEC.
STAINLESS STEEL BUTT HINGE AS SPEC.
SEALANT AS SPEC.
47
SELECTED COLORBOND SELECTED COLORBOND SPANDEK ROOFING SPANDEK ROOFING MATERIAL (MT-2) AS SPEC. MATERIAL (MT-2) AS SPEC.
150 DEPTH x 300 WIDE 150 DEPTH x 300 WIDE COLORBOND BOX GUTTER COLORBOND BOX GUTTER REFER TO ROOF PLAN REFER TO ROOF PLAN
RAFTER (R1) SPACED AT RAFTER (R1) SPACED AT 1300mm CTRS. MAX. 1300mm CTRS. MAX. REFER TO STRUCTURAL REFER TO STRUCTURAL
A
ROOF SARKING AS SPEC. ROOF SARKING AS SPEC.
FLASHING TO BOX FLASHING TO BOX GUTTER AS REQUIRED GUTTER AS REQUIRED
A
RAFTER (R1) SPACED AT RAFTER (R1) SPACED AT 1300mm CTRS. MAX. 1300mm CTRS. MAX. REFER TO STRUCTURAL REFER TO STRUCTURAL
90 x 45mm MGP10 90 x 45mm MGP10 MEMBER SPACED AT 50 MEMBER SPACED AT 50 ALL ROUND 1300 CTRS. MAX. ALL ROUND 1300 CTRS. MAX.
20.00째
20.00째
ROOF BEAM ROOF BEAM MEMBER BEYOND MEMBER BEYOND REFER TO SPEC. REFER TO SPEC.
COLORBOND SPANDEK 90 x 45mm MGP10 90 x 45mm MGP10 COLORBOND SPANDEK ROOFING MATERIAL AS MEMBER SPACED ROOFING MATERIAL AS MEMBER SPACED SPEC. AT 1300 CTRS. MAX. SPEC. AT 1300 CTRS. MAX. REFER TO CEILING PLAN REFER TO CEILING PLAN
SELECTED COLORBOND SELECTED COLORBOND SPANDEK ROOFING MATERIAL SPANDEK ROOFING MATERIAL AS SPEC. AS SPEC. REFER TO CEILING PLAN REFER TO CEILING PLAN
SELECTED 6mm PAINTED SELECTED 6mm PAINTED GALVANISED STEEL COLLAR GALVANISED STEEL COLLAR WELD TO COLUMN AS SPEC. WELD TO COLUMN AS SPEC. COLLAR TO BEND AS PER THE COLLAR TO BEND AS PER THE CEILING ANGLE CEILING ANGLE STEEL COLUMN STEEL COLUMN
ROOF BEAM (RB2) ROOF BEAM (RB2) REFER TO STRUCTURAL REFER TO STRUCTURAL
B
PARAPET BEYOND PARAPET BEYOND
SELECTED SPANDEK SELECTED SPANDEK ROOFING MATERIAL AS ROOFING MATERIAL AS SPEC. SPEC. REFER TO CEILING PLAN REFER TO CEILING PLAN
STEEL COLUMN STEEL COLUMN REFER TO STRUCTURAL REFER TO STRUCTURAL
ROOF BEAM MEMBER (RB3) ROOF BEAM MEMBER (RB3) REFER TO STRUCTURAL REFER TO STRUCTURAL COLORBOND FLASHING COLORBOND FLASHING AS SPEC. AS SPEC.
90 x 90mm MGP10 90 x 90mm MGP10 TRIM TO SUIT FIXING TRIM TO SUIT FIXING AS REQUIRED AS REQUIRED COLORBOND CAPPING COLORBOND CAPPING
3
COLORBOND SPANDEK COLORBOND SPANDEK ROOFING MATERIAL (MT-2) ROOFING MATERIAL (MT-2) REFER TO ROOF PLAN REFER TO ROOF PLAN
3 REFLECTIVE FOIL REFLECTIVE FOIL
ROOF SARKING AS ROOF SARKING AS SPEC. SPEC.
RAFTER BEYOND RAFTER BEYOND
90 x 90mm MGP10 90 x 90mm MGP10 MEMBER TRIM TO MEMBER TRIM TO SUIT FIXING AS SUIT FIXING AS REQUIRED REQUIRED
ROOF BEAM BEYOND ROOF BEAM BEYOND
mm 150 AX. M
GRADED MGP10 TIMBER GRADED MGP10 TIMBER ALL 50 50 RAFTER TO MATCH A RO RAFTER TO MATCH UND LL RO ROOF FALL UND ROOF FALL REFER TO ROOF PLAN REFER TO ROOF PLAN & STRUCTURAL DRWG & STRUCTURAL DRWG SELECTED 6mm PAINTED SELECTED 6mm PAINTED GALVANISED STEEL COLLAR GALVANISED STEEL COLLAR WELD TO COLUMN AS SPEC. WELD TO COLUMN AS SPEC.
STE EL B STE EAM EL B BEY EAM OND BEY OND
PACKER AS REQUIRED PACKER AS REQUIRED
mm 150 AX. M
ROOF BEAM (RB2) ROOF BEAM (RB2) REFER TO STRUCTURAL REFER TO STRUCTURAL DRWG DRWG
FLASHING BEYOND FLASHING BEYOND REFLECTIVE FOIL REFLECTIVE FOIL ROOF SARKING ROOF SARKING
20.00째
50
SELECTED COLOR SELECTED COLOR COLORBOND CAPPING COLORBOND CAPPING AS SPEC. AS SPEC.
760 VARIES
B
20.00째
50
SELECTED 0.42mm SELECTED 0.42mm SPANDEK ROOFING SPANDEK ROOFING MATERIAL (MT-2) AS MATERIAL (MT-2) AS SPEC. SPEC.
760 VARIES
6mm PAINTED 6mm PAINTED STEEL TO MATCH STEEL TO MATCH FLASHING COLOR FLASHING COLOR AS SPEC. SELECTED BARGE AS SPEC. SELECTED BARGE COLORBOND COLORBOND CAPPING AS SPEC. CAPPING AS SPEC.
200 mm MAX .
200 mm MAX .
Precedent: Geelong Ring Road Rest Area by BKK Architects
170 mm170 mm MAX.
MAX.
50 50 ALL ROUND ALL ROUND
SELECTED SELECTED COLORBOND SPANDEK COLORBOND SPANDEK ROOFING MATERIAL ROOFING MATERIAL REFER TO CEILING REFER TO CEILING PLAN PLAN
ROOF BEAM ROOF BEAM MEMBER (RB1) MEMBER (RB1) REFER TO REFER TO STRUCTURAL STRUCTURAL SELECTED 6mm PAINTED SELECTED 6mm PAINTED GALVANISED STEEL GALVANISED STEEL COLLAR WELD TO COLLAR WELD TO COLUMN AS SPEC. COLUMN AS SPEC. STEEL COLUMN STEEL COLUMN
VAPOUR VAPOUR BARRIER BARRIER ASAS SPEC. SPEC. VAPOUR BARRIER AS SPEC. 150150 x 75mm x 75mm MGP10 MGP10 RAFTER RAFTER 150 x 75mm MGP10 RAFTER SPACED SPACED ATAT 600600 CTRS. CTRS. MAX. MAX. SPACED AT 600 CTRS. MAX. TRUSS TRUSS BYBY TRUSS BY ENGINEER ENGINEER ENGINEER REFER REFER TOTO REFER TO STRUCTURAL STRUCTURAL STRUCTURAL
STEEL STEEL COLUMN COLUMN BEYOND BEYOND STEEL COLUMN BEYOND REFER REFER TOTO STRUCTURAL STRUCTURAL REFER TO STRUCTURAL 45 45 x 90mm x 90mm MGP10 MGP10 45 x 90mm MGP10 TRIMMER TRIMMER TRIMMER 400400 x 400mm x 400mm ADEKA ADEKA 400 x 400mm ADEKA ZINC ZINC ROOFING ROOFING ZINC ROOFING MATERIAL MATERIAL ASAS SPEC. SPEC. MATERIAL AS SPEC. 150150 x 45mm x 45mm MGP10 MGP10 150 x 45mm MGP10 NOGGING NOGGING SPACED SPACED NOGGING SPACED ATAT 600600 CTRS. CTRS. MAX MAX AT 600 CTRS. MAX
MITERED MITERED CORNER CORNER MITERED CORNER 82 82 x 9mm x 9mm THICK THICK DRESSED DRESSED 82 x 9mm THICK DRESSED FACE FACE CEDAR CEDAR SHIPLAP SHIPLAP FACE CEDAR SHIPLAP FACE FACE NAILED NAILED ASAS SPEC. SPEC. FACE NAILED AS SPEC.
VAPOUR VAPOUR BARRIER BARRIER VAPOUR BARRIER ASAS SPEC. SPEC. AS SPEC. 15mm 15mm CDCD GRADE GRADE 15mm CD GRADE PLYWOOD PLYWOOD ASAS PLYWOOD AS SPEC. SPEC. SPEC.
35 35 X 70mm X 70mm MGP10 MGP10 35 X 70mm MGP10 CEILING CEILING BATTEN BATTEN CEILING BATTEN SPACED SPACED ATAT 450450 SPACED AT 450 CTRS. CTRS. MAX MAX CTRS. MAX
Precedent: Geelong Ring Road Rest Area by BKK Architects
x 400mm ADEKA ZINC 400400 x 400mm ADEKA ZINC 400 x 400mm ADEKA ZINC ROOFING MATERIAL SPEC. ROOFING MATERIAL ASAS SPEC. ROOFING MATERIAL AS SPEC. x 75mm MGP10 RAFTER 150150 x 75mm MGP10 RAFTER 150 x 75mm MGP10 RAFTER SPACED CTRS. MAX. SPACED ATAT 600600 CTRS. MAX. SPACED AT 600 CTRS. MAX.
PACKER REQUIRED PACKER ASAS REQUIRED PACKER AS REQUIRED 150150 UBUB 150 UB REFER STRUCTURAL REFER TOTO STRUCTURAL REFER TO STRUCTURAL 15mm GRADE 15mm CDCD GRADE 15mm CD GRADE PLYWOOD SPEC. PLYWOOD ASAS SPEC. PLYWOOD AS SPEC. TRUSS TRUSS BYBY TRUSS BY ENGINEER ENGINEER ENGINEER REFER REFER TOTO REFER TO STRUCTURAL STRUCTURAL STRUCTURAL
VAPOUR BARRIER VAPOUR BARRIER VAPOUR BARRIER SPEC. ASAS SPEC. AS SPEC.
STEEL COLUMN BEYOND STEEL COLUMN BEYOND STEEL COLUMN BEYOND REFER TOTO STRUCTURAL REFER STRUCTURAL REFER TO STRUCTURAL
150150 x 45mm NOGGIN x 45mm NOGGIN 150 x 45mm NOGGIN SPACED ATAT 600600 SPACED SPACED AT 600 CRTS. MAX CRTS. MAX CRTS. MAX
6.00° 6.00° 6.00° 400400 x 400mm ANDEAN ZINC x 400mm ANDEAN ZINC 400 x 400mm ANDEAN ZINC ROOFING MATERIAL ASAS ROOFING MATERIAL ROOFING MATERIAL AS SPEC. SPEC. SPEC. VAPOR BARRIER ASAS SPEC. VAPOR BARRIER SPEC. VAPOR BARRIER AS SPEC.
82 82 x 9mm x 9mm THICK THICK 82 x 9mm THICK DRESSED DRESSED FACE FACE CEDAR CEDAR DRESSED FACE CEDAR SHIPLAPS SHIPLAPS FACE FACE NAILED NAILED SHIPLAPS FACE NAILED ASAS SPEC. SPEC. AS SPEC.
15mm CDCD GRADE PLYWOOD 15mm GRADE PLYWOOD 15mm CD GRADE PLYWOOD ASAS SPEC. SPEC. AS SPEC.
35 35 X 70mm MGP10 WALL X 70mm MGP10 WALL 35 X 70mm MGP10 WALL BATTEN SPACED ATAT 450450 BATTEN SPACED BATTEN SPACED AT 450 CRTS. MAX CRTS. MAX CRTS. MAX
FOLDED GALVANISED FOLDED GALVANISED FOLDED GALVANISED STEEL FOOT MOULD STEEL FOOT MOULD STEEL FOOT MOULD PAINTED COLOR PAINTED COLOR TOTO PAINTED COLOR TO MATCH WALL MATCH WALL MATCH WALL CLADDING SPEC. CLADDING ASAS SPEC. CLADDING AS SPEC.
FOLDED GALVANISED FOLDED GALVANISED FOLDED GALVANISED STEEL FOOT MOULD STEEL FOOT MOULD STEEL FOOT MOULD PAINTED COLOR SPEC. PAINTED COLOR ASAS SPEC. PAINTED COLOR AS SPEC. ENSURE ENSURE ALLALL FOOT FOOT ENSURE ALL FOOT MOULD MOULD SITSIT FLASH FLASH MOULD SIT FLASH WITH WITH CONCRETE CONCRETE WITH CONCRETE SLAB SLAB SLAB
F.G.L. F.G.L. F.G.L. 0 00 303.000.00 30.0 0° ° °
6mm THICK PAINTED 6mm THICK PAINTED 6mm THICK PAINTED GALVANISED STEEL GALVANISED STEEL GALVANISED STEEL PLATE SPEC. PLATE ASAS SPEC. PLATE AS SPEC. REFER CEILING PLAN REFER TOTO CEILING PLAN REFER TO CEILING PLAN
30 30 30
30 30 30
30 30 30
REFER REFER TOTO ENGINEER ENGINEER REFER TO ENGINEER FOR FOR FOOTING FOOTING FOR FOOTING
Architectural Details
35 35 X 70mm X 70mm MGP10 MGP10 WALL WALL 35 X 70mm MGP10 WALL BATTEN BATTEN SPACED SPACED ATAT 450450 BATTEN SPACED AT 450 CTRS. CTRS. MAX MAX CTRS. MAX
82 82 x 9mm x 9mm THICK THICK 82 x 9mm THICK DRESSED DRESSED FACE FACE DRESSED FACE CEDAR CEDAR SHIPLAP SHIPLAP FACE FACE CEDAR SHIPLAP FACE NAILED NAILED ASAS SPEC. SPEC. NAILED AS SPEC.
30mm 30mm EXTENDED EXTENDED 30mm EXTENDED FROM FROM CEILING CEILING FROM CEILING X 70mm MGP10 35 35 X 70mm MGP10 35 X 70mm MGP10 CEILING BATTEN CEILING BATTEN CEILING BATTEN SPACED SPACED ATAT 450450 SPACED AT 450 CTRS. MAX CTRS. MAX CTRS. MAX
49
However, as every human being is different to the next, it is impossible for one piece of Architecture to offer the same experience to all. With this as a backdrop, it is the interaction with the surrounding landscape, geographical and social, which can create a piece of harmony which everyone can relate to in some small way – physically and/ or emotionally.
Epilogue
Composing this portfolio of Architecture has pushed me to continually investigate and define the concept of “beauty” within Architecture. The search for inclusivity of special sequencing arrangements between functions/ programmes, as well as both the aesthetic and tectonic, with an overall aim of creating surprise and excitement with each encounter with Architecture – an Architecture which captures and engages the body, mind and spirit.
“Every basic piece of architecture should at least have a scene that captures the heart of all users through a combination of not only physically seen elements yet also the unseen ones.” (This Architecture Portfolio is dedicated to my Father.)
51
Bibliography Antwerp Port House / Zaha Hadid Architects, http://www.archdaily.com/795832/antwerp-port-house-zaha-hadidarchitects BKK Architects, http://b-k-k.com.au/projects/geelong-ring-road-rest-areas Clarke A.: Spatial experience, Narrative and Architecture’, http://architectureinsights.com.au/resources/spatialexperience-narrative-and-architecture/ Freed E.C.: A Brief History of Organic Architecture, http://www.organicarchitect.com/organic/#axzz4lmqqhsxi Hamann C.: Life Cycle: Heide II, https://www.australiandesignreview.com/features/22079-life-cycle-heide-ii Kanda. S., Massachusetts Institute of Technology. Dept. of Architecture.: Beyond bolts: architectural details, construction, meaning, http://hdl.handle.net/1721.1/70861
Maslow, Abraham Harold, Robert Frager, and Ruth Cox. Motivation and personality. Edited by James Fadiman, and Cynthia McReynolds. Vol. 2. New York: Harper & Row, 1970. Organic Architecture and the Buildings of Frank Lloyd Wright, http://architecture.about.com/od/periodsstyles/g/ organic.htm
Bibliography
Malan R., Bredemeyer D.: Architectural Requirements and the Visual Architecting Process, http://www.bredemeyer. com/architectingprocess/architecturalrequirements.htm
Rasmussen, Steen Eiler. Experiencing architecture. Vol. 2. MIT press, 1964. Routio P.: Early Theories of Beauty, http://www2.uiah.fi/projects/metodi/15k.htm Routio P.: Thematic Theories of Architecture, http://www2.uiah.fi/projects/metodi/13k.htm Routio P.: Theories of Architectural Synthesis, http://www2.uiah.fi/projects/metodi/13l.htm Schumacher P.: The Architecture of Movement, http://www.patrikschumacher.com/texts/movement.htm Uechi, Naomi. “Evolving Transcendentalism: Thoreauvian Simplicity in Frank Lloyd Wright’s Taliesin and Contemporary Ecological Architecture.” The Concord Saunterer 17 (2009): 73-98. http://www.jstor.org/stable/23395074.
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