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I.S.M.S
Ph eli m Webb - Gr a ph ic De sign H N D ye a r 2 - 2 016 / 2 017
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IMPRESSIONISM 1870 -1900 Paul Cezanne (1839 - 1906) Edgar Degas (1834 - 1917) Claude Monet (1840 - 1926) Camille Pissarro (1830 - 1903) Pierre-Auguste Renoir (1841 - 1919) Alfred Sisley (1839 - 1899)
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IMPRESSIONISM 1870 -1900 About - Influences Académie des Beaux-Arts dominated French art. The Académie preferred carefully finished images that looked realistic Four young painters—Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, and Frédéric Bazille discovered that they shared an interest in painting landscape and contemporary life. Violated the rules of academic painting The Impressionists found that they could capture the momentary and transient effects of sunlight by painting en plein air. Influences on other movements Neo-impressionism Post-Impressionism Naturalism Illusionism Idealsim Fauvism
Key Works Le déjeuner sur l’herbe - Edouard Manet Fog, Voisins - Alfred Sisley In a Park - Berthe Morisot L’Absinthe - Edgar Degas Paris Street, Rainy Day - Gustave Caillebotte Vetheuil in the Fog - Claude Monet At the Opera - Mary Cassatt Girl with a Hoop - Pierre-Auguste Renoir The Boulevard Montmartre, Afternoon - Camille Pissarro Key Features / Style / Techniques - Short, thick strokes of paint quickly capture the essence of the subject, rather than its details. - The paint is often applied impasto. - Colours are applied side-by-side with as little mixing as possible. - Pure impressionism avoids the use of black paint. - Wet paint is placed into wet paint. - Painters often worked in the evening to produce effects de soir—the shadowy effects of evening or twilight. - Mainly painted outdoors (en plein air)
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ARTS & CRAFTS 1860 - 1920 William Morris (1834-1896) C.R. Ashbee (1863-1942) C. F. A. Voysey (1857-1941) Augustus Pugin (1812–1852) John Ruskin (1819–1900)
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ARTS & CRAFTS 1860 - 1920 About - Influences Social/artistic movement International movement in the decorative and fine arts. Negative feelings about machinery. Stood for traditional craftsmanship. Arts and Crafts designers shared John Ruskin’s belief in the moral purpose of art. Preserving and emphasising the natural qualities of the materials. Inspired by the flora and fauna of the British countryside. Furniture and woodwork, stained glass, leatherwork, lacemaking, embroidery, rug making and weaving, jewellery and metalwork, enamelling and ceramics. Influences on other movements Art Nouveau Bauhaus Folk art (revival) Jugendstil
Key Works The Nature of Gothic by John Ruskin, printed by William Morris William Morris’s Red House in London designed by Philip Webb. Newcomb Pottery. Vase, 1902-1904. Brooklyn Museum Gustav Stickley. Dropfront Desk, ca. 1903 Brooklyn Museum Mueller Mosaic Company. Tile, ca. 1910 Brooklyn Museum William Morris. Wallpaper Sample, Compton 323, c.1917 Brooklyn Museum Key Features / Style / Techniques Natural motifs - flora and fauna Simple forms Stylised bird and plant forms medieval, romantic, or folk styles of decoration bold outlines flat colours
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ART NOUVEAU 1890 - 1905 Beardsley, Aubrey Behrens, Peter Berlage, Hendrik de Feure, Georges Eckmann, Otto Endell, August Gaudi, Antoni Giacometti, Diego Guimard, Hector Horta, Victor Klimt, Gustav Klinger, Max Lalique, Rene Mackintosh, Charles Mucha, Alphonse
Obrist, Hermann Riemerschmid, Richard Schiele, Egon Stuck, Franz von Thorn Prikker, Johan Tiffany, Louis Comfort Velde, Henry van der Vogeler, Heinrich Wagner, Otto
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ART NOUVEAU 1890 - 1905 About - Influences A decorative-art movement centered in Western Europe. It began in the 1880s as a reaction against the historical emphasis of mid-19th-century art, but did not survive World War I. Originated in London and was variously called Jugendstil in Germany Sezessionstil in Austria Modernismo in Spain. Practiced mostly in the decorative arts: furniture, jewelry, and book design and illustration. Influences on other movements Bauhaus Symbolism Les Nabis
Key Works Park Guell (1900-1914)Artist: Antoni Gaudi and Josep Maria Jujol Hope II (1907-08) Artist: Gustav Klimt Model #342, “Wisteria” Lamp (ca. 1901-05) Artist: Clara Driscoll for Tiffany Studios, New York Ernst-Ludwig-Haus, Darmstadt (1900-01) Artist: Joseph Maria Olbrich Entrances to Paris Subway Stations (1900) Artist: Hector Guimard The Budapest Museum of Applied Arts (1893-96) Artist: Ödön Lechner and Gyula Pártos The Peacock Skirt (1894) Artist: Aubrey Beardsley La Goulue at the Moulin Rouge (1891) Artist: Henri de Toulouse-Lautrec Cover design for Wren’s City Churches (1883) Artist: Arthur Heygate Mackmurdo Key Features / Style / Techniques richly ornamental and asymmetrical characterized by a whiplash linearity reminiscent of twining plant tendrils. themes of symbolism, frequently of an erotic nature. designs were dreamlike and exotic forms New design principle: Unifying decoration, structure, and intended function. forms and lines were often invented rather than copied from nature or the past (like the arts and Crafts movement). The design process pointed toward abstract art..
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JUGENDSTIL 1890 - 1905 Beardsley, Aubrey Behrens, Peter Eckmann, Otto Endell, August Kearney, Jonathan Klimt, Gustav Klinger, Max Obrist, Hermann Thorn Prikker, Johan Tiffany, Louis Comfort Velde, Henry van der Vogeler, Heinrich Wagner, Otto
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JUGENDSTIL 1890 - 1905 About - Influences A decorative-art movement centered in Western Europe. It began in the 1880s as a reaction against the historical emphasis of mid-19th-century art, but did not survive World War I. Originated in London and was variously called Jugendstil in Germany Sezessionstil in Austria Modernismo in Spain. Practiced mostly in the decorative arts: furniture, jewelry, and book design and illustration. Influences on other movements Art Nouveau Bauhaus Symbolism Les Nabis
Key Works Park Guell (1900-1914)Artist: Antoni Gaudi and Josep Maria Jujol Hope II (1907-08) Artist: Gustav Klimt Model #342, “Wisteria” Lamp (ca. 1901-05) Artist: Clara Driscoll for Tiffany Studios, New York Ernst-Ludwig-Haus, Darmstadt (1900-01) Artist: Joseph Maria Olbrich Entrances to Paris Subway Stations (1900) Artist: Hector Guimard The Budapest Museum of Applied Arts (1893-96) Artist: Ödön Lechner and Gyula Pártos The Peacock Skirt (1894) Artist: Aubrey Beardsley La Goulue at the Moulin Rouge (1891) Artist: Henri de Toulouse-Lautrec Cover design for Wren’s City Churches (1883) Artist: Arthur Heygate Mackmurdo
Key Features / Style / Techniques The style is ornamental and asymmetrical and artists used dreamlike and exotic forms with symbols of sexuality, death, and resurrection. It was influenced by the newly in fashion Japanese Art, by the English poet-painter William Blake and also by the Pre-Raphaelites.
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PLAKATSTIL 1890 -1905 Lucian Bernhard, Hans Rudi Erdt, Edmund Edel, Ernst Deutsch-Dryden, Ludwig Hohlwein, Hans Lindenstadt, Julius Klinger, Julius Gipkens, Paul Scheurich, Karl Schulpig.
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PLAKATSTIL 1890 -1905 About - Influences Plakatstil, also known as Sachplakat Movement, was an early style of poster art that originated in Germany in the 1900s.
Influences on other movements a bridge between Art Nouveau and Art Deco.
Key Works Hohlwein, Ludwig. Direct China Cotton Importers, 1909 Diez, Julius. Munchen 1908 Austellung, 1908 Cardinaux, Emil. PKZ - Confection Kehl, 1908 Key Features / Style / Techniques bold eye-catching lettering flat colors. Shapes and objects are simplified the composition focuses on a central object.
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ART DECO 1900 -1945 Alen, William van Artigas, Joan-Gardy Cappiello, Leonetto Cassandre, Adolphe Mouron Dreyfuss, Henry Drtikol, Frantisek Follot, Paul Lalique, Rene Lempicka, Tamara de Ragan, Leslie Tirtoff, Romain de
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ART DECO 1900 -1945 About - Influences The Art Deco period is one of the most popular andenduring design periods in jewelry’s history. In sharp contrast to the jewels of preceding periods, Art Deco jewelry design is defined by geometric forms and bold colors. Diamonds were extremely popular in the period and were often accompanied by the bright colors of rubies, sapphires and emeralds. The use of black onyx in contrast with white diamonds and rock crystal is a defining style of the period. 1915 - 1935
Key Works Spirit of the Wind (1925) Artist: René Lalique État Cabinet (1922) Artist: Emile-Jacques Ruhlmann Pi Volo Apertif Advertisement (1925) Artist: A.M. Cassandre Egyptienne chiming clock (1927) Artist: Louis Cartier Mariage d’Amour. . . Mariage de Raison Cover Design for Harper’s Bazaar (1927) Artist: Romain de Tirtoff Young Lady With Gloves (1930) Artist: Tamara de Lempicka Chrysler Building (completed 1930) Artist: William Van Alen Bakelite Radio (1933) Artist: Serge Chermayeff American Progress Murals (1937) Artist: Jose Maria Sert Delahaye 135M Figoni & Falaschi Competition Coupe (1935) Artist: Giuseppe Figoni and Ovidio Falaschi Key Features / Style / Techniques man-made substances (plastics, especially Bakelite; vita-glass; and ferroconcrete) natural ones (jade, silver, ivory, obsidian, chrome, and rock crystal) relative simplicity, planarity, symmetry ideas came from American Indian, Egyptian, and early classical sources as well as from nature Characteristic motifs included nude female figures, animals, foliage, and sun rays, all in conventionalized forms.
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WIENER WERKSTÄTTE 1903 -1932 Gustav Klimt, Oskar Kokoschka, Egon Schiele
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WIENER WERKSTÄTTE 1903 -1932 About - Influences Originating in Vienna in 1903, the Wiener Werkstatte intended to create works of art on everyday objects and applied arts, giving to the crafters recognition and high value to their works, and go against the apparently unaesthetic and artificial objects created by the industries, basing those ideas from the Arts & Crafts movement. Due to the luxury products they make, The Werkstatte went in bankruptcy and ended in 1932. Influences on other movements architects and designers in the 20th century The Bauhaus in Germany, Art Deco in America from 1920 to 1940, Scandinavian design from 1940-1960
Key Works First Exhibition of the Vienna Secession, c.1898. Josef Hoffmann Sitzmachine Chair Design, c. 1908. Set of Carl Otto Czeschka Flatware, c.1910 Wiener Werkstätte Presentation Case. Photo Courtesy of Christie’s. Key Features / Style / Techniques avant-garde, artistic, yet timeless designs geometric shapes and forms that were more abstract
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FAUVISM 1905 -1908 Braque, Georges Camoin, Charles Derain, Andre Dongen, Kees van Dufy, Raoul Friesz, Emile Othon Gauguin, Paul Manguin, Henri Marquet, Albert Matisse, Henri Pascin, Jules Rouault, Georges Valtat, Louis Vlaminck, Maurice de
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FAUVISM 1905 -1908 About - Influences Fauve (meaning wild beasts) used by art critic Louis Vauxalles Admired older artists emphasis on personal expressionism Sense of creative freedom Influenced by Van Gogh and Gauguin Central Fauve artists were Henri Matisse, Andre Derian and Maurice De Vlaminck The group first exhibited together at the Salon d’Automne Unconstrained by colour (trees could be painted orange - sky could be pink) Influences on other movements Primitivism Expressionism Post-Impressionism Cubism
Key Works Luxe, Calme et Volupte - Henri Matisse Yacht at Le Havre Decorated with Flags - Raoul Dufy Mountains at Collioure - André Derain Portrait of Henri Matisse - André Derain Le Bonheur de Vivre - Henri Matisse The River Seine at Chatou - Maurice de Vlaminck Paysage - Othon Friesz Jeanne dans les fleurs - Raoul Dufy At the Circus (The Mad Clown) - Georges Rouault Le Viaduc a l’Estaque - Georges Braque La Danse - Henri Matisse L’Atelier Rouge -Henri Matisse Key Features / Style / Techniques Patterns of Intense Colour Thick Heavy Brush Stokes Strong Colour Simplified Scenes / Forms Flatness Intensity Non-Naturalisitic Individual Expressionism Emotion Response to Nature Colour Projects Mood / Establishes Structure
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CUBISM 1908 - 1920 Adler, Jankel Archipenko, Alexander Braque, Georges Delaunay, Robert Duchamp-Villon, Raymond Fauconnier, Henri le Gris, Juan Laurens, Henri Leger, Fernand Lipchitz, Jacques Marcoussis, Louis Metzinger, Jean Picasso, Pablo Rozanova, Olga Udaltsova, Nadezhda Andreevna
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CUBISM 1908 - 1920 About - Influences Avant Garde Movement. Inspired by the discoveries of African, Polynesian, Micronesian and Native America art. Inspired related movements in music, literature and architecture. Made use of shifting viewpoints. Attempted to capture all viewpoints on one canvas. Abandoned perspective. Turned away from realistic modelling of figures. Spread rapidly across the globe. Influences on other movements Futurism De Stijl Abstract Expressionism Constructivism Neo-Plasticism Suprematism Conceptualism
Key Works Clarinet and bottle of rum on a mantlepiece - Georges Braque Bowl of fruit, violin and bottle - Pablo Picasso Mandora - Georges Braque Glass on table - Georges Braque Bottle and fishes -Georges Braque The sunblind - Juan Gris Bottle of rum and newspapers - Juan Gris Nature Morte - Pablo Picasso Key Features / Style / Techniques Flattened Volume Confused Perspective Collage Multiple Viewpoints Still Life Analytic Synthetic
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FUTURISM 1909 -1918 Umberto Boccioni Giacomo Balla Gino Severini Carlo Carra Luigi Russolo Pablo Picasso Christopher R.W. Nevinson Anton Giulio Bragaglia David Burliuk Nikolay Diulgheroff
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FUTURISM 1909 -1918 About - Influences The Futurists were fascinated by the problems of representing modern experience, and strived to have their paintings evoke all kinds of sensations Futurism was not immediately identified with a distinctive style The Futurists were fascinated by new visual technology, in particular chrono-photography, a predecessor of animation and cinema that allowed the movement of an object to be shown across a sequence of frames. Influences on other movements Dadaism Surrealism Cubism Supremativism
Key Works The City Rises (1910 Dynamism of a Dog on a Leash (1912) The Cyclist (1913) Unique Forms of Continuity in Space (1913) Sea = Dancer (Mare = Ballerina) (1914) Interventionist Manifesto (1953-54) Key Features / Style / Techniques Speed Energy Agression Force Lines Urban New technology Progress Weapon
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CONSTRUCTIVISM 1915 - 1930 Altman, Natan Berlewi, Henryk Buchholz, Erich Calderara, Antonio Dexel, Walter Gabo, Naum Kassak, Lajos Kobro, Katarzyna Lissitzky, El Malevich, Kasimir Martin, Kenneth Mashkov, Ilya Moholy-Nagy, Laszlo Pevsner, Antoine Popova, Liubov
Richter, Hans Rodchenko, Alexander Stazewski, Henryk Stepanova, Varvara Tatlin, Vladimir Vesnin, Alexander
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CONSTRUCTIVISM 1915 - 1930 About - Influences Constructivism was the last and most influential modern art movement to flourish in Russia in the 20th century. it acted as a lightning rod for the hopes and ideas of many of the most advanced Russian artists who supported the revolution’s goals. It borrowed ideas from Cubism, Suprematism and Futurism, but at its heart was an entirely new approach to making objects, one which sought to abolish the traditional artistic concern with composition, and replace it with ‘construction. involve projects in architecture, interior and fashion design, ceramics, typography and graphics. Influences on other movements Cubism Neo-Plasticism Suprematism Conceptualism Dada Surealism
Key Works Corner Counter-Relief (1914) Design for the Monument to the Third International (19191920) Pure Red Color, Pure Yellow Color, Pure Blue Color (1921) Textile Design (c. 1924) Constructed Head No. 2 (Originally conceived c. 1916) Proun Room (1923) Key Features / Style / Techniques eveloped side by side with Suprematism embraced the new social and cultural developments Geometric Abstraction Kinetics Technology Social utility Social progress Non-spiritual
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DADAISM 1916 - 1924 Duchamp, Marcel Eggeling, Viking Eluard, Paul Ernst, Max Freytag-Loringhoven , Elsa von Grosz, George Hausmann, Raoul Heartfield, John Hennings, Emmy Herzfelde, Wieland Hoch, Hannah Huelsenbeck, Richard Hugnet, Georges Aragon, Louis
Janco, Marcel Arp, Jean Johnson, Ray Baader, Johannes Picabia, Francis Baargeld, Johannes Theodor Ray, Man Ball, Hugo Richter, Hans Blumenfeld, Erwin Rinsema, Thijs Breton, Andre Schad, Christian Charchoune, Serge Schamberg, Morton
Crotti, Jean Schwitters, Kurt Doesburg, Nelly van Soupault, Philippe Doesburg, Theo van Taeuber-Arp, Sophie Duchamp – Crotti, Suzanne Tzara, Tristan
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DADAISM 1916 - 1924 About - Influences Dada or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centers in Zürich, Switzerland at the Cabaret Voltaire (circa 1916), in New York (circa 1915), and after 1920, in Paris. Developed in reaction to World War I, the Dada movement consisted of artists who rejected the logic, reason, and aestheticism of modern capitalist society, instead expressing nonsense, irrationality, and anti-bourgeois protest in their works. Influences on other movements Surrealism Primitivism Futurism Suprematism Conceptualism Neo-Conceptualism Sensationalism
Key Works Study for chess players - Marcel Duchamp Fountain - Marcel Duchamp LHOOQ - Marcel Duchamp Ici, C’est Stieglitz (Here, This is Stieglitz) (1915)Artist: Francis Picabia Reciting the Sound Poem “Karawane” (1916)Artist: Hugo Ball Untitled (Squares Arranged according to the Laws of Chance) (1917)Artist: Hans Arp Cut with a Kitchen Knife Dada through the Last Weimar Beer Belly Cultural Epoch of Germany (1919)Artist: Hannah Höch Key Features / Style / Techniques Destruction Liberation The Unconscious Chance Nonsense Ready-Mades Anti-Bourgeois Nihilistic Witty Anti-Art
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DE STIJL 1917 -1931 Arp, Jean Doesburg, Theo van Domela, Cesar Ebneth, Lajos Eesteren, Cornelis van Huszar, Vilmos Leck, Bart van der Lissitzky, El Mondrian, Piet Oud, J.J.P. Rietveld, Gerrit Taeuber-Arp, Sophie Vantongerloo, Georges Vordemberge-Gildewart, Friedrich Wils, Jan Zwart, Piet
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DE STIJL 1917 -1931 About - Influences De Stijl, Dutch for “The Style”, also known as neoplasticism, was a Dutch artistic movement founded in 1917 in Amsterdam. The De Stijl consisted of artists and architects. In a narrower sense, the term De Stijl is used to refer to a body of work from 1917 to 1931 founded in the Netherlands. Influences on other movements Constructivism Cubism Suprematism Conceptualism Bauhaus Dadism
Key Works Composition A (1920) Mechano-Dancer (1922) Red Blue Chair (1923) Counter Composition V (1924) Rietveld Schroder House (1924) Arithmetic Composition (1929-30) Key Features / Style / Techniques Grids Primary Colours Black and white Spiritual order Decentralisation Peripheric Elementarism
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BAUHAUS 1919 - 1933 Albers, Anni Albers, Josef Bayer, Herbert Behrens, Peter Bill, Max Breuer, Marcel Citroen, Paul Feininger, Andreas Feininger, Lyonel Feininger, T Lux Gropius, Walter Henri, Florence Itten, Johannes Kandinsky, Wassily Klee, Paul
Lissitzky, El Marcks, Gerhard Mies van der Rohe, Ludwig Moholy-Nagy, Laszlo Moholy, Lucia Muche, Georg Reich, Lilly Schlemmer, Oskar Stolzl, Gunta Umbehr, Otto Vordemberge-Gildewart, Friedrich
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BAUHAUS 1919 - 1933 About - Influences The Bauhaus was the most influential modernist art school of the 20th century, one whose approach to teaching, and understanding art’s relationship to society and technology, had a major impact both in Europe and the United States long after it closed.
Key Works Bauhaus building in Dessau, Germany (1919-1925) Club Chair (Model B3) (The Wassily Chair) (1925) Universal Bayer (1925) Model No. MT 49 (1927) Light Prop for an Electric Stage (Light Space Modulator) (1930) Homage to the Square: Dissolving/Vanishing (1951)
Influences on other movements Arts and Crafts movement Pop Art
Key Features / Style / Techniques level the distinction between fine and applied arts, and to reunite creativity and manufacturing. reflected in the romantic medievalism uniting art and industrial design rejuvenating design for everyday life Fine art and craft were brought together with the goal of problem solving for a modern industrial society he stress on experiment and problem solving at the Bauhaus has proved enormously influential for the approaches to education in the arts
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SURREALISM 1924 - 1966 Dorothea Tanning Man Ray Max Ernst Meret Oppenheim Rene Magritte Alberto Giacometti Salvador Dalí
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SURREALISM 1924 - 1966 About - Influences The Surrealist artists sought to channel the unconscious as a means to unlock the power of the imagination. Disdaining rationalism and literary realism, and powerfully influenced by psychoanalysis, the Surrealists believed the rational mind repressed the power of the imagination, weighting it down with taboos. Influences on other movements Symbolisim Conceptualism Street Art Psychedelia
Key Works The Accommodations of Desire (1929) The Palace at 4 a.m. (1932) The Human Condition (1933) Luncheon in Fur (1936) The Barbarians (1937) Mannequin (1938) Birthday (1942) Key Features / Style / Techniques embrace chance when creating art imagery is probably the most recognizable element of the movement artists relied on their own recurring motifs arisen through their dreams or/and unconscious mind outlandish, perplexing, and even uncanny
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ABSTRACT EXPRESSIONISM 1943 - 1965 David Smith Lee Krasner John Chamberlain Philip Guston Franz Kline Barnett Newman Willem de Kooning Mark Rothko Jackson Pollock
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ABSTRACT EXPRESSIONISM 1943 - 1965 About - Influences Most of the artists associated with Abstract Expressionism matured in the 1930s. They were influenced by the era’s leftist politics, and came to value an art grounded in personal experience. Few would maintain their earlier radical political views, but many continued to adopt the posture of outspoken avant-gardists protesting from the margins. Influences on other movements Surrealism Conceptualism Minimilism
Key Works Number 1 (Lavender Mist) (1950) Red, Brown and Black (1958) Door to the River (1960) Vir heroicus sublimis (1950-51) Chief (1950) Zone (1953-54) Essex (1960) Thaw (1957) Cubi XII (April 7, 1963) Key Features / Style / Techniques suffered economically and felt culturally isolated welcomed as the first authentically American avant-garde art was championed for being emphatically American in spirit monumental in scale, romantic in mood, and expressive of a rugged individual freedom.
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INTERNATIONAL TYPOGRAPHIC STYLE 1950 - 1960 aRTISITS
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INTERNATIONAL TYPOGRAPHIC STYLE 1950 - 1960 About - Influences It became famous through the art of very talented Swiss graphic designers, but it emerged in Russia, Germany and Netherlands in the 1920’s. This style in art, architecture and culture became an ‘international’ style after 1950’s and it was produced by artists all around the globe. Despite that, people still refer to it as the Swiss Style or the Swiss Legacy.
Key Features / Style / Techniques progressive, radical movement Keen attention to detail, precision, craft skills, system of education and technical training, a high standard of printing as well as a clear refined and inventive lettering and typoraphy
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POP ART 1950 - 1970 Andy Warhol Roy Lichtenstein James Rosenquist Claes Oldenburg Richard Hamilton Tom Wesselmann
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POP ART 1950 - 1970 About - Influences Pop art started with the New York artists Andy Warhol, Roy Lichtenstein, James Rosenquist, and Claes Oldenburg, all of whom drew on popular imagery and were actually part of an international phenomenon.
Influences on other movements Minimilism Conceptualism Absratct expressionism Fauvism
Key Works I Was a Rich Man’s Plaything (1947) Just What Is It That Makes Today’s Homes So Different, So Appealing? (1956) President Elect (1960-61) Pastry Case, I (1961-62) BLAM (1962) Campbell’s Soup Cans (1962) Bunnies (1966) Standard Station (1966) A Bigger Splash (1967) Key Features / Style / Techniques drawn from mass media and popular culture celebrated commonplace objects and people of everyday life, incorporation of commercial images blur the boundaries between “high” art and “low” culture
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CONCEPTUALISM 1960 Dan Graham Marina Abramovic Hans Haacke Marcel Broodthaers Ed Ruscha Yoko Ono Walter de Maria Joseph Kosuth Robert Rauschenberg Damien Hirst
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CONCEPTUALISM 1960 About - Influences Conceptual art is a movement that prizes ideas over the formal or visual components of art works. From the mid-1960s through the mid-1970s Conceptual artists produced works and writings that completely rejected standard ideas of art. implied that concerns such as aesthetics, expression, skill and marketability were all irrelevant standards by which art was usually judged.
Influences on other movements Dada Minimilism Constructivism Punk Pop Art
Key Works Erased de Kooning Drawing (1953) One and Three Chairs (1965) Vertical Earth Kilometer (1977) Grapefruit (1964) Every Building on the Sunset Strip (1966) Museum of Modern Art, Department of Eagles, Financial Section (1970-71) MoMA Poll (1970) Imponderabilia (1977) Two Correlated Rotations (1968-69) Key Features / Style / Techniques drastically simplified art need not look like a traditional work of art, or even take any physical form at all. art that is about art pushed its limits minimal materials and even text
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MINIMALISM 1960 - 1970 Frank Stella Tony Smith Carl Andre Robert Morris Robert Morris Robert Morris Donald Judd Richard Serra Sol LeWitt Ronald Bladen Dan Flavin
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MINIMALISM 1960 - 1970 About - Influences Minimalism emerged in New York in the early 1960s among artists who were self-consciously renouncing recent art they thought had become stale and academic. A wave of new influences and rediscovered styles led younger artists to question conventional boundaries between various media.
Influences on other movements Abstract Expressionism Conceptualism Bauhaus Street Art Supremativism
Key Works Key Works Key Works
Key Features / Style / Techniques Minimalists sought to breakdown traditional notions of sculpture and to erase distinctions between painting and sculpture. use of prefabricated industrial materials simple, often repeated geometric forms together emphasis placed on the physical space occupied by the artwork some works that forced the viewer to confront the arrangement and scale of the forms Viewers also were led to experience qualities of weight, height, gravity, agility or even the appearance of light as a material presence.
ISMS - Phelim Webb â– 91
ART FROM THE MOVEMENT
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INFLUENCES ON OTHER MOVEMENTS
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INFLUENCES ON MODERN WORK
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PSYCHEDELIA 1960 - 1975 Pablo Amaringo Chris Dyer (artist) David Barnes Doug Binder Brummbaer Robert Crumb Salvador Dalí Roger Dean Warren Dayton
ISMS - Phelim Webb ■ 95
PSYCHEDELIA 1960 - 1975 About - Influences Psychedelic art is any art or visual displays inspired by psychedelic experiences and hallucinations known to follow the ingestion of psychoactive drugs such as LSD and psilocybin. The word “psychedelic” means “mind manifesting”.
Influences on other movements Pop Art Cubism Conceptualism Minilism Surrealism
Key Features / Style / Techniques depict the inner world Concert posters, album covers, liquid light shows, liquid light art, murals, comic books, underground newspapers swirling colour patterns revolutionary political Fantastic, metaphysical and surrealistic subject matter Kaleidoscopic, fractal or paisley patterns Bright and/or highly contrasting colors Extreme depth of detail or stylization of detail. Also so called Horror vacui style. Morphing of objects and/or themes and sometimes collage Phosphenes, spirals, concentric circles, diffraction patterns, and other entoptic motifs Repetition of motifs Innovative typography and hand-lettering, including warping and transposition of positive and negative spaces
ISMS - Phelim Webb â– 96
ART FROM THE MOVEMENT
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INFLUENCES ON OTHER MOVEMENTS
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INFLUENCES ON MODERN WORK
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PUNK 1960 -1990 John Holmstrom Alan Vega Tom Otterness and Beth and Scott B Marcia Resnick Jimmy De Sana Ruth Marten
ISMS - Phelim Webb â– 100
PUNK 1960 -1990 About - Influences Punk visual art is artwork associated with the punk subculture. It often graces punk rock album covers, flyers for punk concerts, punk zines and punk websites. It is also sometimes showcased in art galleries and exhibition spaces.
Influences on other movements Dada Constructivism Conceptualism
Key Features / Style / Techniques Anti-art unique and complex aesthetic safety pinned anti-fashion statements impulse to outrage cut and pasted from magazines collage sense of empathy or revulsion grand point with an acidic or sarcastic wit
ISMS - Phelim Webb â– 101
ART FROM THE MOVEMENT
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INFLUENCES ON OTHER MOVEMENTS
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INFLUENCES ON MODERN WORK
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PRIMITIVISM 1980 Paul Guillaume, Jacob Epstein Paul Gauguin Max Pechstein Pablo Picasso
ISMS - Phelim Webb ■ 105
PRIMITIVISM 1980 About - Influences Primitivism is a Western art movement that borrows visual forms from non-Western or prehistoric peoples, such as Paul Gauguin’s inclusion of Tahitian motifs in paintings and ceramics. Borrowings from primitive art has been important to the development of modern art. Influences on other movements Neoclassicism Fauvism Art Deco Conceptualism Abstract expressionism Cubism
Key Works • Oviri (The Savage Woman) (1891-93) by Paul Gauguin. • Crouching Figure (1907) by Andre Derain. • Standing Nude (1907) by Andre Derain. • The Kiss (1908) by Constantin Brancusi. • Woman Dancing (1908-12) by Ernst Ludwig Kirchner. • Sleeping Muse (1910) by Constantin Brancusi. • The First Step (1913) by Constantin Brancusi. • Red Stone Dancer (1913) by Henri Gaudier-Brzeska. • Hieratic Head of Ezra Pound (1914) by Henri Gaudier-Brzeska. • Assunta (1921) by Georg Kolbe. • Adam (1938) Jacob Epstein’s awesome Neanderthal statue. • Crouching Woman (The Farewell) by Henri Laurens. • Jacob and the Angel (1940-41) by Jacob Epstein. • Baboon and Young (1952) by Pablo Picasso. • Divided Head (1963) Easter Island-style bronze sculpture by Cesar. Key Features / Style / Techniques intrigued and inspired by the stark power and simplicity of styles Iberian sculpture, African sculpture, African traditional masks depict realities that might exist in a world beyond the limitations
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ART FROM THE MOVEMENT
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INFLUENCES ON MODERN WORK
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SENSATIONALISM 1980
ISMS - Phelim Webb â– 109
SENSATIONALISM 1980 About - Influences The term is commonly used in reference to the media. Critics of media bias of all political stripes often charge the media with engaging in sensationalism in their reporting and conduct. That is, the notion that media outlets often choose to report heavily on stories with shock value or attention-grabbing names or events, rather than reporting on more pressing issues to the general public.
Key Features / Style / Techniques journalism and mass communication politics and the economy educated and encouraged to take more interest in the news zealots, doomsayers and/or junk science biased way or present one side of an issue while deriding another
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ART FROM THE MOVEMENT
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INFLUENCES ON MODERN WORK
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STREET ART 1980 John Fekner Jacek Tylicki, Kevin Larmee, René Moncada Shepard Fairey
ISMS - Phelim Webb â– 113
STREET ART 1980 About - Influences Street art is visual art created in public locations, usually unsanctioned artwork executed outside of the context of traditional art venues. The term gained popularity during the graffiti art boom of the early 1980s and continues to be applied to subsequent incarnations
Influences on other movements Cave Painting Punk Dadism Surrealism Pop Art
ISMS - Phelim Webb â– 114
ART FROM THE MOVEMENT
ISMS - Phelim Webb â– 115
INFLUENCES ON MODERN WORK