EmErgEncy charity SalE lotS 101-121
ADOPT A DrAWIng
Sold to bEnEfit thE EmErgEncy charitablE organiSation
Phillips de Pury & Company is proud to open the
‘Adopt a Drawing’ represents an important encounter of cultures and experiences to attract people’s attention to the suffering brought about by wars and poverty in every part of the world. International artists have been
Contemporary Art Day Sale with a collection of twenty-one
asked to reinterpret drawings by children; patients in several EmErgEnCy
works by internationally renowned artists, which will be
hospitals and, according to their sensibilities, to take inspiration from
sold to benefit the EmErgEnCy charitable organisation.
their images. By donating one of their works to EmErgEnCy, the artist
These works were inspired by and created in response to
has created an imaginary connection with these little artists. A travelling
drawings given to the artists by children affected by war and poverty. The artists’ donation to the ‘Adopt a Drawing’
exhibition, which included both the childrens’ drawings and the artists’ creations, was presented last year in several venues, including rome, Turin, genoa, Florence and Ferrara.
project, and the subsequent proceeds from the sale, will raise money for life support for civilian war victims. Phillips de Pury & Company is proud to be part of this
The drawings (by Souk, Ali, Kualid, Asuda, Federico…) have arrived from the refugee camps, the hospitals, and the places devastated by wars. Transcending different countries and cultures, these childrens’ drawings
project and wishes EmErgEnCy every success for their
have stimulated the creativity of well-known artists. All the artists have
worthwhile cause.
conceived, built and created something of their own for each one of these children.
EmErgEnCy Life Support for Civilian War Victims
For the children, art has a therapeutic value: through imagination, drawing helps them to free themselves from pain and fears, to overcome difficulties
EmErgEnCy is an independent and neutral humanitarian organization,
and recover a trace of light-heartedness. For the artists, on the other hand,
founded in Italy in 1994, that provides free-of-charge, high quality
it is an emotional journey into the depths of their creative aspirations, about
medical and surgical treatment to the victims of war, landmines
the recovery of art’s social meaning and a concrete engagement with
and poverty.
today’s problems.
EmErgEnCy has active programmes in Afghanistan, Cambodia,
Culture and art can and must be the most efficient means of educating
Central African republic, Iraq, Italy, Sierra Leone and Sudan.
and re-educating consciences and minds towards peace and rejection of
Since 1994, EmErgEnCy has worked in 14 countries, building 8
war in all shapes and forms. The artists’ personal involvement represents
Hospitals, 4 rehabilitation Centres, a maternity Centre and 55 First
the desire to participate and the opportunity to turn the suffering into a
Aid Posts and Primary Health Care Centres.
possibility of hope.
EmErgEnCy is currently building a Paediatric Centre in nyala, South
These works represent an understanding and construct a common
Darfur (Sudan).
language of signs to tell different stories, confirming that culture is, first of all, encounter and exchange.
EmErgEnCy has treated over 3 million patients so far. Sergio Casoli, Elena Geuna, Vauro Senesi EmErgEnCy works to implement Human rights based health projects,according to the principles of Equality, Quality and Social responsibility (EQS). In 2006 EmErgEnCy became a partner of the United nations
Special thanks to all the little and big artists, who have made this
Department of Public Information.
project possible.
EmErgEnCy UK is a British, independent, charitable organisation that
EmErgEnCy are very grateful to:
supports EmErgEnCy’s projects.
Sergio Casoli, Elena geuna, Stefano Senardi and Vauro Senesi; Luisa mensi, Ilaria Porotto, and Carola Serminato; Laura garbarino and Eugenia
www.emergency.it
Bertelè; Spedart S.r.l., massimo De rossi and Davide Papadia; regione
www.emergencyuk.org
Lazio, American Express and Fandango; Banca Popolare di milano
www.emergencyusa.org And for their precious support and collaboration: Archivio Fausto melotti, milan; Fondazione Lucio Fontana, milan; galleria Continua, San gimignano – Beijing; guido Costa Projects, Turin; galleria Emi Fontana, milan/West of rome, Los Angeles; galleria Franco noero, Turin; galeria Jérôme de noirmont, Paris; galleria Lia rumma, naples/milan
In memory of Teresa Sarti Strada, President of EmErgEnCy
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101
BEN VAUTIER b. 1935 Untitled, 2007 acrylic on paper. 50 x 70 cm. (19 5/8 x 27 1/2 in). Signed ‘ben’ lower right.
Estimate £1, 0 0 0 -1, 5 0 0
$1,70 0 - 2 , 5 0 0
€1,10 0 -1,70 0
•
Provenance acquired directly from the artist exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,
Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence, museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno
03_LON_OCT_CONT_v6.indd 115
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102
Paul Fryer b. 1963 And There Shall Be No Death, 2008 egg, nest, kevlar thread in Plexiglas case on wooden base. overall: 126 x 26 x 26 cm. (49 5/8 x 10 1/4 x 10 1/4 in).
estimate £ 8 , 0 0 0 -12 , 0 0 0
$13 , 2 0 0 -19 , 8 0 0
€ 9,10 0 -13 ,70 0
•
♠
Provenance acquired directly from the artist; guido costa Projects, turin exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,
Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence, museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno
03_LON_OCT_CONT_v6.indd 116
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103
MONA HATOUM b. 1952 Untitled (Willow Cage), 2002 Willow. 152.5 x 28.5 x 26.5 cm. (60 x 11 1/4 x 10 1/2 in). this work is from an edition of six plus two artist’s proofs.
Estimate £15 , 0 0 0 - 2 0 , 0 0 0
$ 24 , 8 0 0 - 3 3 , 0 0 0
€17,10 0 - 2 2 , 8 0 0 ♠
Provenance acquired directly from the artist; galleria continua, San
gimignano/beijing exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,
Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence, museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno Literature Mona Hatoum, exhibition catalogue, centro de arte contemporanea
de Salamanca (caSa), curated by cristina Zelich, 10 July – 1 September 2002, p.54, in collaboration with il centro galego de arte contemporanea (cgac), Santiago de compostela, 3 october 2002 – 5 January 2003; Mona Hatoum, exhibition at darat al funun, the Kalid fondation, darat al funun, 11 october 2002 – 22 January 2003, n.p.
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104
Lara Favaretto b. 1973 Twistle, 2003 air compressed tank, nitrogen, pressure regulator, timer, electrovalve, trumpet, plastic cables. 187 x 22 cm. (73 5/8 x 8 5/8 in).
estimate £ 3 , 0 0 0 - 5 , 0 0 0
$5,0 0 0 -8,30 0
€ 3 ,4 0 0 - 5 ,70 0
•
♠
Provenance acquired directly from the artist; galleria franco noero, turin exhibited turin, galleria franco noero, Lara Favaretto, 27 may, 2004 – 23 July,
Fig. 1
2004; new york, Swiss institute and grey art gallery, Ok/OKAY, 19 april, 2005 – 16 July, 2005; Paris, Palais de tokyo, Cinq Milliards d’Années/Une seconde une année, 14 September, 2006 – 14 January, 2007; rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa, Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence, museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno literature Swiss institute and grey art gallery, Ok/OKAY, new york, 2005, pp.
34-37; Palais de tokyo ed., Palais magazine, Cinq Milliards d’Années/Une seconde une année, Paris, fall – Winter 2006, p. 48-54
Fig. 2
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105
KEITH TYSON b. 1969 Little Fella, 2007 resin, acrylic and black lacquer base. Sculpture height: 39 cm. (15 1/4 in)., base: 22.7 x 17.6 x 3.7 cm. (9 x 7 x 1 in).
Estimate £ 8 , 0 0 0 -10 , 0 0 0
$13 , 2 0 0 -16 , 5 0 0
€ 9 ,10 0 -11,4 0 0
•
♠
Provenance acquired directly from the artist exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,
Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1 – 18 november 2008; florence, museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno
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106
Lucio Fontana 1899-1968 Studi per Buchi, 1960-1961 ballpoint pen on paper. 31 x 21 cm. (12 1/4 x 8 1/8 in). this work is registered under archive number 844/58.
Estimate £ 4 , 0 0 0 - 6 , 0 0 0
$6,60 0 -9,9 0 0
€4,60 0 - 6,90 0
•
Provenance fondazione lucio fontana, milan exhibited milan, castello Sforzesco, Fontana Disegni, 19 may – 31 July, 1977;
milan, Padiglione d’arte contemporanea, Da Modigliani a Fontana Disegno italiano del XX secolo nelle Civiche Raccolte d’Arte di Milano, 3 october – 8 december, 1991; rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa, Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1 – 18 november 2008; florence, museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno Literature exhibition catalogue milan, castello Sforzesco, Fontana disegni, pl.
58 (illustrated); exhibition catalogue milan, Padiglione d’arte contemporanea, Da Modigliani a Fontana. Disegno italiano del XX secolo nelle Civiche Raccolte d’Arte di Milano, p. 163 (illustrated)
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107
FAUSTO MELOTTI 1901-1986 Leone, circa 1975 brass. 22 x 20 x 8 cm. (8 5/8 x 7 7/8 x 3 1/8 in).
Estimate £15 , 0 0 0 - 2 0 , 0 0 0
$ 24 , 8 0 0 - 3 3 , 0 0 0
€17,10 0 - 2 2 , 8 0 0
•
Provenance archivio fausto melotti, milan exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,
Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence, museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno
03_LON_OCT_CONT_v6.indd 121
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108
Shay FriSch Peri b. 1963 Superficie Assemblata 1499 B., 2007 Plastic and electrical components. 134 x 140 cm. (52 3/4 x 55 1/8 in).
estimate £ 2 , 0 0 0 - 3 , 0 0 0
$3,30 0 -5,0 0 0
€ 2 , 3 0 0 - 3 ,4 0 0
•
Provenance acquired directly from the artist exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,
Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence, museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno
03_LON_OCT_CONT_v6.indd 122
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109
Enrico castEllani b. 1930 Untitled, 2007 acrylic on shaped canvas, copper nails. 50 x 80 cm. (19 3/4 x 31 1/2 in). Signed, dedicated and dated ‘castellani Per emergency 2007’ on the overlap.
Estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0
$ 3 3 ,10 0 - 4 9 , 6 0 0
€22,80 0 -34,30 0
•
♠
Provenance acquired directly from the artist exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,
Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence, museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno
03_LON_OCT_CONT_v6.indd 123
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110
PASCALE MARTHINE TAYOU b. 1967 School of the Funny Ones, 2007 graphite on paper. 120 x 180 cm. (47 1/4 x 70 7/8 in).
Estimate £ 8 , 0 0 0 -12 , 0 0 0
$13 , 2 0 0 -19 , 8 0 0
€ 9,10 0 -13 ,70 0
Provenance acquired directly from the artist; galleria continua, San
gimignano/beijing exhibited boissy-le-chatel, france, galleria continua/le moulin, Ouverture,
21 october 2007 – 6 april 2008; rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa, Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence, museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno Literature n. bourriaud, P.l. tazzi, Pascale Marthine Tayou, Le grand sorcier de
l’utopie, ed. gli ori, 2009, p.121 (illustrated), p.260
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111
RUDOLF STINGEL b. 1956 Untitled, 2002 celotex tuff - r mounted on panel in aluminium frame. 65 x 48.3 cm. (25 1/2 x 19 in). Signed and dated ‘Stingel 2002’ on the reverse.
Estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0
$ 3 3 ,10 0 - 4 9 , 6 0 0
€22,80 0 -34,30 0
•
♠
Provenance acquired directly from the artist exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,
Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence, museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno
03_LON_OCT_CONT_v6.indd 125
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112
PIERRE ET GILLES b. 1950 & b. 1953 Les enfants du Laos, 1994 hand-painted c-print flush-mounted to aluminium in the artists’ frame. 60.5 x 34.5 cm. (23 3/4 x 13 5/8 in). Signed, titled and dated ‘les enfants du laos 1994 pierre gilles’ on the reverse. this work is unique.
Estimate £15 , 0 0 0 - 2 0 , 0 0 0
$ 24 , 8 0 0 - 3 3 , 0 0 0
€17,10 0 - 2 2 , 8 0 0
•
♠
Provenance acquired directly from the artists; galerie Jérôme de
noirmont, Paris exhibited arles, chapelle du méjan, rencontres internationales de la
Photographie, Pierre et Gilles, 5 July – 15 august 1994; Paris, maison européenne de la Photographie, Pierre et Gilles – Vingt Ans 1976-1996, 26 november 1996 – 26 January 1997; Valencia, museo de bellas artes de Valéncia, Pierre et Gilles, 2 June – 29 July 1998; tokyo, Shiseido gallery ginza art Space, Pierre et Gilles Mémoire de Voyage, 16 September – 18 october 1998; Paris, galerie Jérôme de noirmont, fiac 2000, Pierre et Gilles 1977-1998, 24-30 october 2000; rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa, Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence, museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno Literature m. nuridsany, ‘Pierre et gilles – Un naturel confondant, par michel
nuridsany’, Actes Sud, arles, 1994, pl.8 (illustrated); b. marcadé & d. cameron, Pierre et Gilles, L’Oeuvre Complet 1976-1996, taschen, cologne, 1997, p.281 (illustrated); Pierre et Gilles Mémoire de voyage, Shiseido gallery ginza art Space, tokyo, 1998, p.17 (illustrated); J.m.g. cortes, e. mendicutti & S. leturcq, Pierre et Gilles, museo de bellas artes de Valéncia, Valéncia, 1998, p.123 (illustrated); b. marcadé, P. Park & J. Sans, Pierre et Gilles – Beautiful Dragon, Seoul museum of art, Seoul, 2004, p.62 (illustrated)
03_LON_OCT_CONT_v6.indd 126
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113
FRANCESCO VEZZOLI b. 1971 Whatever happened to Baby Francesco?, 2007 laser print on canvas with metal embroidery. 16 x 12 cm. (6 1/4 x 4 3/4 in).
Estimate £12 , 0 0 0 -18 , 0 0 0
$19 , 8 0 0 - 2 9 , 8 0 0
€13 ,70 0 - 2 0 , 6 0 0
•
♠
Provenance acquired directly from the artist exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,
Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence, museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno
03_LON_OCT_CONT_v6.indd 127
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114
ANSELM KIEFER b. 1945 Die Ungeborenen, 2002 charcoal and lead on photographic paper. 60.5 x 88 cm. (23 3/4 x 34 5/8 in).
Estimate £ 3 0 , 0 0 0 - 4 0 , 0 0 0
$ 4 9 , 6 0 0 - 6 6 ,10 0
€ 3 4 , 3 0 0 - 4 5 ,70 0
•
♠
Provenance acquired directly from the artist; galleria lia rumma,
naples/milan
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115
FABRICE HYBER b. 1961 Solitairies, 2007 oil, charcoal and collage on canvas. 150 x 150 cm. (59 x 59 in). inscribed ‘by m.Said’ lower right; signed, titled and dated ‘fabrice hyber 2007 “Solitaries”’ on the reverse.
Estimate £15 , 0 0 0 - 2 0 , 0 0 0
$ 24 , 8 0 0 - 3 3 , 0 0 0
€17,10 0 - 2 2 , 8 0 0
•
♠
Provenance acquired directly from the artist; galerie Jérôme de noirmont, Paris exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,
Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence, museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno
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116
117
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Sold to benefit the emergency charitable organiSation
116
117
MASSIMILIANO FUKSAS b. 1944
KENDELL GEERS b. 1968
Tra le nuvole, 2007
Hiroshima, 2004
tempera and pencil on paper. 45 x 52 cm. (17 3/4 x 20 1/2 in).
indian ink on paper. 140 x 200 cm. (55 1/8 x 78 3/4 in). Signed and dated ‘Kendell
Estimate £1, 0 0 0 -1, 5 0 0
$1,70 0 - 2 , 5 0 0
€1,10 0 -1,70 0
•
♠
geers 2004’ lower right.
Estimate £ 8 , 0 0 0 -12 , 0 0 0
$13 , 2 0 0 -19 , 8 0 0
€ 9 ,10 0 -13 ,70 0 ♠
Provenance acquired directly from the artist exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,
Provenance acquired directly from the artist; galleria continua, San
Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September
gimignano/beijing
– 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence,
exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,
museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno
Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence, museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno
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118
119
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118
MIKE KELLEY b. 1954
Sold to benefit the emergency charitable organiSation
119
Drawing, 2007
NAN GOLDIN b. 1953 Isabelle as a ghost, St. Remy de Provence, France, 2002
ink on paper. 50 x 70 cm. (19 3/4 x 27 1/2 in). Signed and dated ‘m. Kelley 2007’
cibachrome print. 76 x 103 cm. (30 x 40 1/2 in). this work is from an edition of
lower right.
fifteen plus one artist’s proof.
Estimate £ 6 , 0 0 0 - 8 , 0 0 0
$ 9 , 9 0 0 -13 , 2 0 0
€ 6 , 9 0 0 - 9,10 0
•
Provenance acquired directly from the artist; galleria emi fontana, milan/rome
Estimate £ 4 , 0 0 0 - 6 , 0 0 0
$6,60 0 -9,9 0 0
€4,60 0 - 6,90 0
•
Provenance acquired directly from the artist; guido costa projects, turin
exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,
exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,
Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September
Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September
– 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence,
– 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence,
museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno
museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno Literature nan goldin, The Devil’s Playgound, Phaidon Press, london, 2008,
p.464 (illustrated)
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120
Carla aCCardi b. 1924 Nero su Arancio, 2007 gouache on cardboard. 35 x 50 cm. (13 3/4 x 19 3/4 in).
Estimate £ 5 , 0 0 0 -7, 0 0 0
$ 8 , 3 0 0 -11, 6 0 0
€ 5 ,70 0 - 8 , 0 0 0
•
♠
Provenance acquired directly from the artist exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,
Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence, museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno
03_LON_OCT_CONT_v6.indd 133
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121
Daniel Buren b. 1938 Photo-Souvenir: Couleur et ombre portées N°11, travail situé, giugno 2006, 2006 Vinyl, Plexiglas and steel. 200 x 200 x 2.5 cm. (78 3/4 x 78 3/4 x 1 in).
estimate £ 3 0 , 0 0 0 - 4 0 , 0 0 0
$ 4 9 , 6 0 0 - 6 6 ,10 0
€ 3 4 , 3 0 0 - 4 5 ,70 0 ♠
Provenance acquired directly from the artist; galleria continua, San
gimignano/beijing exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,
Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence, museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno
03_LON_OCT_CONT_v6.indd 134
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Jack Goldstein 1945-2003 Untitled, 1986 Acrylic on canvas. 183 x 213.4 cm. (72 x 84 in).
estimate £ 2 5 , 0 0 0 - 3 5 , 0 0 0
Provenance
$ 41, 3 0 0 - 57, 9 0 0
€28,60 0 - 40,0 0 0 ‡
Dart Gallery Inc., Chicago; The Stone Collection,
Chicago; The Fruit Market Gallery, Edinburgh; Musée de Grenoble, Grenoble
Looking at these images, we think of the Northern Lights, sunspots, mushroom clouds or volcanic explosions seen either from a great distance or in greatly magnified detail. These events are depicted to meticulous, if not obsessive, perfection through a procedure that involves a great deal of taping and stenciling, and that leaves very little indication of human involvement. Each color of the spectrum has its own separate physical layer. Both process and result suggest topographical maps, but - even though there’s an inclination to read the darkest colors as ocean depths and the brightest as mountain ranges -here it is the topography of light and hue that is being charted. (Roberta Smith, New York Times, 5/22/87)
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DAMIÁN ORTEGA b. 1967 Biombio (Green), 2002 Fibreglass and metal. 90.2 x 117 x 109.2 cm. (35 1/2 x 46 x 43 in). This work is accompanied by a certificate of authenticity.
Estimate £ 6 , 0 0 0 - 8 , 0 0 0
$ 9 , 9 0 0 -13 , 2 0 0
€ 6 , 9 0 0 - 9,10 0
Provenance Galeria Pepe Cobo, Madrid
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23/09/09 12:02
124
MARTIN CREED b. 1964 Work No. 294 A Sheet of A5 paper crumpled into a ball, 2003 Paper, wood and Perspex. Overall: 65.4 x 21.5 x 15.9 cm. (25 3/4 x 8 1/2 x 6 1/4 in).
Estimate £ 5 , 0 0 0 -7, 0 0 0
$ 8 , 3 0 0 -11, 6 0 0
€ 5 ,70 0 - 8 , 0 0 0 ♠ ‡
Provenance Analix Forever, Geneva
03_LON_OCT_CONT_v6.indd 137
23/09/09 12:02
125
ImI Knoebel b. 1940 Under the Moon of Love, 1993 Acrylic on aluminium. 124.8 x 124.5 x 14 cm. (49 1/8 x 49 x 5 1/2 in). Initialed and dated ‘IM 93’ on the reverse.
estimate £ 3 0 , 0 0 0 - 4 0 , 0 0 0
$ 4 9 , 6 0 0 - 6 6 ,10 0
€ 3 4 , 3 0 0 - 4 5 ,70 0 ♠ ‡
Provenance Acquired directly from the artist
Like Beuys’ disciple Palermo, with whom he shared a studio in 1968, Knoebel devoted his attention in various analytical series to the relationship between space, carrier and colour. He was indebted to his second great master Kasimir Malevich for a certain reduction to the elementary coordinates of painting. (D. Zwirner, Imi Knoebel, in exhibition catalogue, German Art from Beckmann to Richter, Images of a Divided Country, Berlin 1997, p. 523).
03_LON_OCT_CONT_v6.indd 138
23/09/09 12:03
03_LON_OCT_CONT_v6.indd 139
23/09/09 12:03
126
Louise LawLer b. 1947 Two Heads, 2004 Cibachrome on aluminium museum box. 103 x 133.5 cm. (40 1/2 x 52 1/2 in). Signed, dated and numbered of five ‘Louise A Lawler 2004’ on the reverse. This work is from an edition of five.
estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0
$ 3 3 ,10 0 - 4 9 , 6 0 0
€22,80 0 -34,30 0 ‡
Provenance Metro Pictures, New York exhibited New York, Metro Pictures, Louise Lawler, Looking Forward, 30 October
– 23 December, 2004
03_LON_OCT_CONT_v6.indd 140
23/09/09 12:04
127
Wade Guyton b. 1972 Untitled, 2001 Fibreglass and tape. 122 x 90 x 90 cm. (48 x 35 1/2 x 35 1/2 in).
estimate £15 , 0 0 0 - 2 0 , 0 0 0
$ 24 , 8 0 0 - 3 3 , 0 0 0
€17,10 0 - 2 2 , 8 0 0
Provenance Private collection, Austria exhibited Vienna, Engholm Engelhorn Galerie, The Love of Look, 1 February,
2001 – 18 March, 2001
03_LON_OCT_CONT_v6.indd 141
23/09/09 12:05
128
Katja Strunz b. 1970 Untitled, 2003 Oil on wood. 200 x 80 x 13.5 cm. (78 3/4 x 31 1/2 x 5 3/8 in).
Estimate £10 , 0 0 0 -15 , 0 0 0
$16 , 5 0 0 - 24 , 8 0 0
€11,4 0 0 -17,10 0 ♠
Provenance Galerie Giti Nourbakhsch, Berlin
03_LON_OCT_CONT_v6.indd 142
23/09/09 12:06
129
WIM DELVOYE b. 1965 Silvett Gomex, 1989 Enamel paint on steel saw blade. Diameter: 25 cm. (9 7/8 in). Signed, titled and dated ‘Wim Delvoye 1989 Silvett Gomex’ on the reverse.
Estimate £7, 0 0 0 - 9, 0 0 0
$11, 6 0 0 -14 , 9 0 0
€ 8 , 0 0 0 -10 , 3 0 0 ♠
Provenance Galleria Pontepietra, Verona
03_LON_OCT_CONT_v6.indd 143
23/09/09 12:06
130
John Armleder b. 1948 Furniture Sculpture, 1986 Two painted mahogany side tables. Red: diameter: 45.6 cm. (18 in); height: 66.6 cm (26 1/4 in). Blue: diameter: 46 cm. (18 1/8 in), height: 67 cm. (26 3/8 in). Each signed and dated ‘John Armleder 1986’ on the underside.
estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0
$ 3 3 ,10 0 - 4 9 , 6 0 0
€22,80 0 -34,30 0 ‡
Provenance John Gibson Gallery, New York exhibited Geneva, Mamco, John Armleder, Amor Vacui, Horror Vacui, 18 October,
2007 – 21 January, 2007
03_LON_OCT_CONT_v6.indd 144
23/09/09 12:08
131
JIM LAMBIE b. 1964 Two works: (i) Sandhead (Blue); (ii) Sandhead (Sand), 2004 Hand-cut boxer shorts with gloss paint, tape and two cans of paint. Each: 31.8 x 25.4 x 9.5 cm. (12 1/2 x 10 x 3 3/4 in).
Estimate £12 , 0 0 0 -18 , 0 0 0
$19 , 8 0 0 - 2 9, 8 0 0
€13 ,70 0 - 2 0 , 6 0 0 ♠
Provenance Konrad Fischer Galerie, Düsseldorf
03_LON_OCT_CONT_v6.indd 145
23/09/09 12:08
132
JEFF GEYS b. 1934 Ten Model Paintings, 1965 Ten oil on canvas paintings in artist’s frames. Largest: 56.2 x 69.2 cm. (22 1/8 x 27 1/4 in). Smallest: 40.3 x 30.2 cm. (15 7/8 x 11 7/8 in). Six works signed ‘Jeff Geys’ on the reverse.
Estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0
$ 3 3 ,10 0 - 4 9 , 6 0 0
€22,80 0 -34,30 0 ♠‡
Provenance Galerie Micheline Szwajcer, Antwerp
03_LON_OCT_CONT_v6.indd 146
23/09/09 12:10
03_LON_OCT_CONT_v6.indd 147
23/09/09 12:10
133
Yves Klein 1928 - 1962 La Terre Bleue, 1957/1990 Dry blue pigment and synthetic resin on plaster cast. 41.5 x 29.5 x 29.5 cm. (16 1/4 x 11 1/2 x 11 1/2 in). Embossed with the star and numbered of 300 on a label attached to the underside. This work is from an edition of 300 plus 50 Hors Commerce copies, edited by Galerie Bonnier, Geneva. This work was conceived in 1957 and cast in 1990.
estimate £10 , 0 0 0 -15 , 0 0 0
$16 , 5 0 0 - 24 , 8 0 0
€11,4 0 0 -17,10 0
Provenance Private collection, Geneva Literature P. Wember, Yves Klein, Cologne, 1969, p. 137, no. RP7
(illustration of original cast); J.-P. Ledeur, Yves Klein, Catalogue Raisonné des Editions et Sculptures, Knokke-le-Zoute, 2000, p. 242, no. RP7 (illustration of another cast in colour)
03_LON_OCT_CONT_v6.indd 150
24/09/09 07:54
134
Rudolf Stingel b. 1956 Untitled, 1994 Pigmented cast polyurethane rubber compound. 34.3 x 25 cm. (13 1/2 x 9 7/8 in). Signed, inscribed and and dated ‘M-8 94 Stingel’ on the reverse.
estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0
$ 3 3 ,10 0 - 4 9 , 6 0 0
€22,80 0 -34,30 0 ♠‡
Provenance Paula Cooper Gallery, New York
03_LON_OCT_CONT_v6.indd 151
24/09/09 07:54
135
Louise Bourgeois b. 1911 Les Herbes Folles, 2002 Crayon, ink and pencil on paper. 22.5 x 29.8 cm (8 7/8 x 11 3/4 in). Initialed ‘LB’ lower right.
estimate £10 , 0 0 0 -15 , 0 0 0
$16 , 5 0 0 - 24 , 8 0 0
€11,4 0 0 -17,10 0 ‡
Provenance Galerie Karsten Greve AG, St. Moritz
03_LON_OCT_CONT_v6.indd 152
24/09/09 07:54
136
ANYA GALLACCIO b. 1963 Nevertheless, 2003 Bronze. 12 x 87 x 17.8 cm. (4 3/4 x 34 1/4 x 7 in).
Estimate £15 , 0 0 0 - 2 0 , 0 0 0
$ 24 , 8 0 0 - 3 3 , 0 0 0
€17,10 0 - 2 2 , 8 0 0 ♠
Provenance Blum & Poe, Los Angeles
03_LON_OCT_CONT_v6.indd 153
24/09/09 07:54
137
Steven Parrino 1958-2005 Untitled-Silver, 1995 Enamel and silicone on canvas. 43.2 x 45 cm. (17 x 17 3/4 in). Signed and dated ‘Steven Parrino 95’ on the stretcher.
estimate £ 3 0 , 0 0 0 - 5 0 , 0 0 0
$ 4 9 , 6 0 0 - 8 2 ,70 0
€ 3 4 , 3 0 0 - 57,10 0 ‡
provenance Acquired directly from the artist
03_LON_OCT_CONT_v6.indd 152
23/09/09 12:15
03_LON_OCT_CONT_v6.indd 153
23/09/09 12:15
138
Frank nitsche b. 1964 BDG-01, 2002 Oil on canvas. 300 x 250 cm. (118 1/8 x 98 3/8 in). Signed, titled and dated ‘BDG-01 -2002 Nitsche’ on the reverse.
estimate £15 , 0 0 0 - 2 0 , 0 0 0
$ 24 , 8 0 0 - 3 3 , 0 0 0
€17,10 0 - 2 2 , 8 0 0 ♠ ‡
Provenance Leo Koenig Inc., New York Literature G. Gohlke, Frank Nitsche, Buchhandlung, Walther König, Cologne,
2002, p. 5 (illustrated)
03_LON_OCT_CONT_v6.indd 154
23/09/09 12:15
139
FRANK NITSCHE b. 1964 BAB-02, 2002 Oil on canvas. 230 x 199 cm. (90 1/2 x 78 3/8 in). Signed, titled and dated ‘Nitsche BAB-02-2002’ on the reverse.
Estimate £15 , 0 0 0 - 2 0 , 0 0 0
$ 24 , 8 0 0 - 3 3 , 0 0 0
€17,10 0 - 2 2 , 8 0 0 ♠
provenance Leo Koenig Inc., New York
03_LON_OCT_CONT_v6.indd 155
23/09/09 12:16
140
GÜnther FÖrG b.1952 Untitled, 1991 Acrylic on lead. Each: 80 x 60.3 cm. (31 1/2 x 23 3/4 in). Each signed and dated ‘Förg 91’ on the reverse.
estimate £ 3 5 , 0 0 0 - 4 5 , 0 0 0
$ 57, 9 0 0 -74 ,4 0 0
€ 4 0 , 0 0 0 - 51,4 0 0 ♠ ‡
Provenance Acquired directly from the artist
03_LON_OCT_CONT_v6.indd 156
23/09/09 12:17
03_LON_OCT_CONT_v6.indd 157
23/09/09 12:17
141
GÜnther FÖrG b. 1952 Untitled, 1998 Acrylic on canvas. 200.4 x 165 cm. (78 7/8 x 65 in). Signed and dated ‘Förg 98’ on the reverse.
estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0
$ 3 3 ,10 0 - 4 9 , 6 0 0
€22,80 0 -34,30 0 ♠‡
Provenance Acquired directly from the artist
04_LON_OCT_CONT_v6.indd 158
23/09/09 13:58
142
Dan Walsh b. 1960 Reflector, 1995 Acrylic on canvas 178 x 177.8 cm. (70 1/8 x 70 in). Signed, titled and dated ‘Dan Walsh “Reflector” 1995’ on the stretcher bar.
Estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0
$ 3 3 ,10 0 - 4 9 , 6 0 0
€22,80 0 -34,30 0 ‡
Provenance Acquired directly from the artist
04_LON_OCT_CONT_v6.indd 159
23/09/09 13:58
04_LON_OCT_CONT_v6.indd 160
23/09/09 13:59
143
JOHN MCCRACKEN b. 1934 Visit, 1994 Polyester resin, fibreglass and plywood. 16 x 107.7 x 23.2 cm. (6 1/4 x 42 3/8 x 9 1/8 in). Signed, titled and dated ‘VISIT 1994 McCracken’ on the reverse.
Estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0
$ 3 3 ,10 0 - 4 9 , 6 0 0
€22,80 0 -34,30 0 ‡
Provenance Acquired directly from the artist
04_LON_OCT_CONT_v6.indd 161
23/09/09 13:59
144
JOHN MCCRACKEN b. 1934 Zing, 1994 Polyester resin, fibreglass and plywood 54 x 28.5 x 23.5 cm. (21 1/4 x 11 1/4 x 9 1/4 in). Signed, titled and dated ‘ZING 1994 McCracken’ on the underside.
Estimate £ 8 , 0 0 0 -12 , 0 0 0
$13 , 2 0 0 -19 , 8 0 0
€ 9,10 0 -13 ,70 0 ‡
Provenance Acquired directly from the artist
04_LON_OCT_CONT_v6.indd 164
24/09/09 07:59
145
RobeRt Mangold b. 1937 Two Squares within Two Triangles, 1976 Coloured pencil on paper. 58 x 79.7 cm. (22 7/8 x 31 3/8 in). Signed, titled and dated ‘Two Squares within Two Triangles R.Mangold 1976’ upper left.
estimate £15 , 0 0 0 - 2 0 , 0 0 0
$ 24 , 8 0 0 - 3 3 , 0 0 0
€17,10 0 - 2 2 , 8 0 0 ‡
Provenance Galerie Marcel Fleiss, Paris
04_LON_OCT_CONT_v6.indd 165
24/09/09 08:00
146
ROBERT MANGOLD b. 1937 One 72” square within 6 distorted rectangles, 1979 Graphite on six sheets of paper. 210 x 192.5 cm. (83 x 75 3/4 in).
Estimate £ 4 0 , 0 0 0 - 6 0 , 0 0 0
$ 6 6 ,10 0 - 9 9 , 2 0 0
€ 4 5 ,70 0 - 6 8 , 5 0 0 ‡
Provenance Paula Cooper Gallery, New York
Drawing for me is a process. It’s true that my paintings in a lot of ways are as much drawing as they are paintings. I think my involvement from the beginning has been very linear in terms of how I work, and I’ve never been involved in paint the way a lot of painters are. It’s been a way of coloring a surface or a step, but drawing is the starting point. It’ll start with little sketches where I get an idea about fitting one form within another or I’ll do some thumbnail sketches and then I’ll go through a process of picking and choosing or deciding if it’s a good idea or not a good idea, and making larger drawings and finally drawings with color so that basically I have a pretty strong idea of what I’m going to do. That’s pretty well established in the drawing state. Because I work in shaped canvas, I have to have the idea worked out so that I can build the stretchers, because there’s a cost commitment when you build a stretcher. You want to get it figured out ahead of time so you don’t waste too many stretchers, so there’s a sense in using the drawing in that way. Drawing is central to the work. (Robert Mangold in conversation with John Yau, The Brooklyn Rail, March 2009)
04_LON_OCT_CONT_v6.indd 164
23/09/09 14:07
04_LON_OCT_CONT_v6.indd 165
23/09/09 14:07
147
HANNE DARBOVEN 1941-2009 Dostojewski, 12 months (May), 1990 Ink and collage on graph paper in sixteen parts. Overall: 90.5 x 130 cm. (35 5/8 x 51 1/8 in). Each: 22.5 x 31.1 cm. (8 7/8 x 11 7/8 in). Each dated ‘V 90’ on the reverse.
Estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0
$ 3 3 ,10 0 - 4 9 , 6 0 0
€22,80 0 -34,30 0 ♠
Provenance Galerie Crone, Berlin
04_LON_OCT_CONT_v6.indd 168
24/09/09 08:05
04_LON_OCT_CONT_v6.indd 169
24/09/09 08:05
148
MAREPE b. 1970 Untitled, 2003 Plastic. 83.8 x 67.9 x 58.4 cm. (33 x 26 3/4 x 23 in).
Estimate £ 5 , 0 0 0 -7, 0 0 0
$ 8 , 3 0 0 -11, 6 0 0
€ 5 ,70 0 - 8 , 0 0 0 ♠
Provenance Galeria Luisa Strina, Sao Paolo; Private collection, Paris
04_LON_OCT_CONT_v6.indd 170
24/09/09 08:05
149
Paul Mccarthy b. 1945 Brancusi Tree (Silver), 2007 Self-inflatable mylar fabric with integrated fan on plastic base with electrical fittings. Height: 203 cm. (80 in). Diameter: 101.6 cm. (40 in). Signed, numbered of 75 and dated ‘Paul McCarthy 2007’ on the base. This work is from an edition of 75.
Estimate £7, 0 0 0 - 9, 0 0 0
$11, 6 0 0 -14 , 9 0 0
€ 8 , 0 0 0 -10 , 3 0 0
Provenance Hauser & Wirth, London
04_LON_OCT_CONT_v6.indd 171
24/09/09 08:05
150
Julian Opie b. 1958 J, 1987 Glass, aluminium, stainless steel, foam, PVC, wood. 126.8 x 248.8 x 22 cm. (49 7/8 x 98 x 8 5/8 in). Signed ‘J. Opie’ on the reverse.
estimate £12 , 0 0 0 -18 , 0 0 0
$19 , 8 0 0 - 2 9 , 8 0 0
€13 ,70 0 - 2 0 , 6 0 0 ♠
PrOVenanCe Galleria Lia rumma, naples
04_LON_OCT_CONT_v6.indd 172
24/09/09 08:06
151
JULIAN OPIE b. 1958 Sara Walking Naked, 2003 Computer animation on LCD screen. 94.9 x 64.4 x 31.1 cm. (37 1/4 x 25 1/4 x 12 3/8 in). This work is from an edition of four.
Estimate £15 , 0 0 0 - 2 0 , 0 0 0
$ 24 , 8 0 0 - 3 3 , 0 0 0
€17,10 0 - 2 2 , 8 0 0 ♠
Provenance Patrick De Brock Gallery, Knokke
04_LON_OCT_CONT_v6.indd 173
24/09/09 08:06
152
ENRICO DAVID b. 1966 Dinnisblumen, 1999 Wool on dyed canvas. 300 x 220 cm. (118 1/8 x 86 5/8 in).
Estimate £ 8 , 0 0 0 -12 , 0 0 0
$13 , 2 0 0 -19 , 8 0 0
€ 9,10 0 -13 ,70 0 ♠ †
Provenance The Approach, London Literature M. Holbern & F. Huber, eds., The Triumph of Painting, London, 2005,
p. 271 (illustrated)
04_LON_OCT_CONT_v6.indd 174
24/09/09 08:06
04_LON_OCT_CONT_v6.indd 175
24/09/09 12:08
153
GeorGe Condo b. 1957 Outside the Hotel, 2005 Oil on canvas. 61 x 50.8 cm. (24 x 20 in). Signed, titled and dated ‘George Condo Outside the Hotel 05’ on the reverse.
estimate £ 2 5 , 0 0 0 - 3 5 , 0 0 0
$ 41, 3 0 0 - 57, 9 0 0
€28,60 0 - 40,0 0 0 ‡
Provenance Private collection, New York
04_LON_OCT_CONT_v6.indd 174
23/09/09 14:09
04_LON_OCT_CONT_v6.indd 175
23/09/09 14:09
154
GeorGe Condo b. 1957 Multi-coloured Figure IV, 1993 Oil on linen. 177.8 x 162.6 cm. (70 x 64 in). Signed and dated ‘Condo 93’ lower left.
estimate £ 6 0 , 0 0 0 - 8 0 , 0 0 0
$ 9 9 , 2 0 0 -13 2 , 0 0 0
€ 6 8 , 5 0 0 - 91,4 0 0 ‡
Provenance Baldwin Gallery, Aspen; Private collection, New York
04_LON_OCT_CONT_v6.indd 176
23/09/09 17:53
04_LON_OCT_CONT_v6.indd 177
23/09/09 17:53
155
GRAYSON PERRY b. 1960 Driven Man, 2000 Glazed earthenware. 39 x 31 x 31 cm. (15 3/8 x 12 1/4 x 12 1/4 in).
Estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0
$ 3 3 ,10 0 - 4 9 , 6 0 0
€22,80 0 -34,30 0
†
Provenance Laurent Delaye Gallery, London exhibited London, Tate Britain, Turner Prize, 29 October, 2002 - 18 January, 2003;
Amsterdam, Stedelijk Museum, Grayson Perry, 25 November - 31 December, 2003
04_LON_OCT_CONT_v6.indd 180
24/09/09 08:10
Alternative view
04_LON_OCT_CONT_v6.indd 181
24/09/09 08:11
156
Grayson Perry b. 1960 Print for a Politician, 2005 Etching on paper. 67 x 249.5 cm. (26 3/8 x 98 1/4 in). Signed ‘Grayson Perry’ and numbered of 59 on the reverse. This work is from an edition of 59.
estimate £15 , 0 0 0 - 2 0 , 0 0 0
$ 24 , 8 0 0 - 3 3 , 0 0 0
€17,10 0 - 2 2 , 8 0 0 ♠
provenance Acquired directly from the artist
04_LON_OCT_CONT_v6.indd 180
23/09/09 14:14
04_LON_OCT_CONT_v6.indd 181
23/09/09 14:14
04_LON_OCT_CONT_v6.indd 182
23/09/09 14:15
157
Markus Muntean & adi rosenbluM b. 1962 & b. 1962 Untitled (We look at each other…), 2002 Acrylic on canvas. 200 x 250 cm. (78 3/4 x 98 1/2 in).
estimate £18 , 0 0 0 - 2 2 , 0 0 0
$ 2 9 , 8 0 0 - 3 6 ,4 0 0
€ 2 0 , 6 0 0 - 2 5 ,10 0 ♠ †
Provenance Maureen Paley Interim Arts, London Literature M. Holborn & F. Huber, eds., The Triumph of Painting, London, 2005,
p. 164 (illustrated)
04_LON_OCT_CONT_v6.indd 183
23/09/09 14:15
158
JULES DE BALINCOURT b. 1972 Two works: (i) Boxing Your Subconscious; (ii) Untitled, 2005 (i) Oil and enamel on panel; (ii) Mixed media. (i) 61 x 121.9 cm. (24 x 48 in). (ii) 61 x 101.6 x 40.7 cm. (24 x 40 x 16 in). (i) Signed and dated ‘Jules de Balincourt 2005’ on the reverse.
Estimate £15 , 0 0 0 - 2 0 , 0 0 0
$ 24 , 8 0 0 - 3 3 , 0 0 0
€17,10 0 - 2 2 , 8 0 0 ♠ †
Provenance Zach Feuer (LFL) Gallery, New York
04_LON_OCT_CONT_v6.indd 184
23/09/09 14:17
04_LON_OCT_CONT_v6.indd 185
23/09/09 14:18
(i)
(ii)
159
GAVIN TURK b. 1967 Four works: (i) Flag, (ii) Stretcher, (iii) Union Jack, (iv) Requiem, 1994 Oil on paper. Each: 21.5 x 28 cm. (8 1/2 x 11 in). Each signed and dated ‘Gavin Turk 1994’ lower right; each titled lower centre.
Estimate £10 , 0 0 0 -15 , 0 0 0
$16 , 5 0 0 - 24 , 8 0 0
€11,4 0 0 -17,10 0 ♠ ‡
Provenance Jay Jopling, London
04_LON_OCT_CONT_v6.indd 188
24/09/09 08:12
(iii)
(iv)
04_LON_OCT_CONT_v6.indd 189
24/09/09 08:13
160
Damien Hirst b. 1965 Orange Butterfly with Red Tips, 2008 Colour aquatint: 119.5 x 108 cm. (47 x 42 1/2 in). Signed and dated ‘Damien Hirst 2008’ lower margin. This work is unique and is registered in the Damien Hirst Archive under Archive number DHS10364.
estimate £15 , 0 0 0 - 2 0 , 0 0 0
$ 24 , 8 0 0 - 3 3 , 0 0 0
€17,10 0 - 2 2 , 8 0 0 ♠
provenance Private collection, London
04_LON_OCT_CONT_v6.indd 190
24/09/09 08:13
161
Damien Hirst b. 1965 The Souls on Jacob’s Ladder Take Their Flight, 2007 The complete set of six colour photogravure etchings. 119.6 x 108.4 cm. (47 1/8 x 42 5/8 in). Each signed ‘Damien Hirst’ and numbered of 72 on the reverse. This work is from an edition of 72.
estimate £ 3 5 , 0 0 0 - 4 5 , 0 0 0
$ 57, 9 0 0 -74 ,4 0 0
€ 4 0 , 0 0 0 - 51,4 0 0 ♠
provenance Private collection, London
04_LON_OCT_CONT_v6.indd 191
24/09/09 08:14
162
Marc Quinn b. 1964 Polar Bears of the Liro, 2008 Oil on canvas. 170 x 250 cm. (67 x 98 1/2 in). Signed, titled and dated ‘Polar Bears of the Liro Marc Quinn 2008’ on the reverse.
Estimate £ 8 0 , 0 0 0 -12 0 , 0 0 0
$13 2 , 0 0 0 -19 8 , 0 0 0
€ 91,4 0 0 -13 7, 0 0 0 ♠
Provenance White Cube, London
04_LON_OCT_CONT_v6.indd 192
24/09/09 12:09
04_LON_OCT_CONT_v6.indd 193
24/09/09 12:09
163
AXEL HÜTTE b. 1951 Caño Harol, 2002 C-print. 157 x 256.5 cm. (61 3/4 x 101 in). This work is from an edition of four.
Estimate £7, 0 0 0 - 9 , 0 0 0
$11, 6 0 0 -14 , 9 0 0
€ 8 , 0 0 0 -10 , 3 0 0 ♠ ‡
Provenance Galerie Wilma Tolksdorf, Frankfurt
04_LON_OCT_CONT_v6.indd 192
23/09/09 14:22
04_LON_OCT_CONT_v6.indd 193
23/09/09 14:22
(i)
(ii)
164
Roni HoRn b. 1955 Three works: (i) Untitled (To Nest) #2; (ii) Untitled (To Nest) #5; (iii) Untitled (To Nest) #6, 2001 Iris prints. Each: 60.3 x 91.4 cm. (23 3/4 x 36 in). Each signed ‘Roni Horn’ on a label adhered to the reverse. These works are from an edition of fifteen.
Estimate £10 , 0 0 0 -15 , 0 0 0
$16 , 5 0 0 - 24 , 8 0 0
€11,4 0 0 -17,10 0 ‡
Provenance i8, Reykjavik
04_LON_OCT_CONT_v6.indd 196
24/09/09 08:17
(iii)
04_LON_OCT_CONT_v6.indd 197
24/09/09 08:17
165
Florian Maier-aichen b. 1973 Untitled, 2005 C-print in artist’s wooden frame. 183 x 241 cm. (72 1/4 x 95 in). Signed, numbered of six and dated, ‘Florian Maier-Aichen 2005’ on a label adhered to the reverse. This work is from an edition of six plus two artist’s proofs.
estimate £ 4 0 , 0 0 0 - 6 0 , 0 0 0
$ 6 6 ,10 0 - 9 9 , 2 0 0
€ 4 5 ,70 0 - 6 8 , 5 0 0
♠
PROVENANCE Blum & Poe, Los Angeles EXHIBITED Los Angeles, Blum & Poe, Florian Maier-Aichen, 21 January – 25
February, 2006 (another example exhibited); New York, 303 Gallery, Florian MaierAichen, 14 January – 25 February, 2006 (another example exhibited); London, Royal Academy of Arts, USA Today, 6 October – 4 November, 2006 (another example exhibited); New York, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, to:Night: Contemporary Representations of the Night, 12 September – 6 December, 2008 (another example exhibited); Madrid, Museo Thyssen-Bornemisza, Photo España 08, 3 June – 27 July, 2008 (another example exhibited)
04_LON_OCT_CONT_v6.indd 198
24/09/09 08:17
04_LON_OCT_CONT_v6.indd 199
24/09/09 08:17
166
FLORIAN MAIER-AICHEN b. 1973 Untitled, 2007 C-print. 78 x 103.5 cm. (30 3/4 x 40 3/4 in). Signed, numbered of six and dated ‘Florian Maier-Aichen, 2007’ on a label adhered to the reverse. This work is from an edition of six.
Estimate £10 , 0 0 0 -15 , 0 0 0
$16 , 5 0 0 - 24 , 8 0 0
€11,4 0 0 -17,10 0 ♠ ‡
Provenance Blum & Poe, Los Angeles Literature R. Morse, MOCA Focus, Florian Maier-Aichen, Ostfildern, Germany,
pl. 11 (illustrated)
04_LON_OCT_CONT_v6.indd 198
23/09/09 14:23
167
Florian Maier-aichen b. 1973 Untitled, 2003 C-print. 163.8 x 233.7 cm. (64 1/2 x 92 in). This work is from an edition of six.
estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0
$ 3 3 ,10 0 - 4 9 , 6 0 0
€22,80 0 -34,30 0 ♠
Provenance Blum & Poe, Los Angeles
04_LON_OCT_CONT_v6.indd 199
23/09/09 14:24
168
OLAFUR ELIASSON b. 1967 Trollakrokar series, 2004 Five c-prints in artist’s frames. Each: 30.5 x43 cm. (11 1/2 x 17 in.) Signed ‘Olafur Eliasson’ on a label adhered to the reverse of the fifth photograph; numbered of six on a label adhered to the reverse of each. This work is from an edition of six.
Estimate £ 2 5 , 0 0 0 - 3 5 , 0 0 0
$ 41, 3 0 0 - 57, 9 0 0
€28,60 0 - 40,0 0 0 ♠‡
Provenance neugeriemschneider, Berlin; Marc Jancou Contemporary, New York
04_LON_OCT_CONT_v6.indd 200
23/09/09 14:37
04_LON_OCT_CONT_v6.indd 201
23/09/09 14:38
169
CINDY SHERMAN b. 1954 Untitled #174, 1987 Cibachrome print. 186 x 126 cm. (71 x 47 1/2 in). This work is from an edition of six.
Estimate £12 , 0 0 0 -18 , 0 0 0
$19 , 8 0 0 - 2 9 , 8 0 0
€13 ,70 0 - 2 0 , 6 0 0 ‡
Provenance Metro Pictures, New York; Hoffman Borman Gallery, Santa
Monica; Lambert Art Collection, Switzerland Literature Whitney Museum of American Art, Cindy Sherman, New York, 1987
pl. 125 (illustrated)
04_LON_OCT_CONT_v6.indd 202
23/09/09 14:39
04_LON_OCT_CONT_v6.indd 203
23/09/09 14:39
170
Thomas Ruff b. 1958 19h 38m/-60, 1992 C-print in artist’s wooden frame. 257.8 x 186 cm. (101 1/2 x 73 1/4 in). Signed, titled and dated ‘TC Ruff 1992 19h 38m/ -60˚’ on the reverse. This work is from an edition of two.
Estimate £ 4 0 , 0 0 0 - 6 0 , 0 0 0
$ 6 6 ,10 0 - 9 9 , 2 0 0
€ 4 5 ,70 0 - 6 8 , 5 0 0 ♠ ‡
provenance Acquired directly from the artist
04_LON_OCT_CONT_v6.indd 206
24/09/09 08:20
176
171
VIJA CELMINS b. 1938
172
MAT COLLISHAW b.1966
Two works: (i) Untitled, 1995; (ii) Untitled, c. 1995
Infectious Orchid 2, 2004
Mezzotints. (i) 40.6 x 35.2 cm. (16 x 13 7/8 in); (ii) Sheet: 45.7 x 37.5 cm. (18 x 14 3/4
Digital print. 49 x 39 cm. (19 1/4 x 15 1/4 in). This work is from an edition of three
in). (i) Signed and numbered of 25 ‘V. Celmins’ in lower margin. This work is from
and one artist’s proof.
an edition of 25. (ii) Signed and numbered of 50 ‘V. Celmins’ in lower margin. This
Estimate £ 2 , 0 0 0 - 3 , 0 0 0
work is from an edition of 50.
Estimate £ 3 , 0 0 0 - 5 , 0 0 0
$5,0 0 0 -8,30 0
€ 3 ,4 0 0 - 5 ,70 0 ♠
$3,30 0 -5,0 0 0
€ 2 , 3 0 0 - 3 ,4 0 0 ♠
Provenance Galerie Anne Faggionato, London; Private collection, Paris
Provenance McKee Gallery, New York; Private collection, Paris
172
04_LON_OCT_CONT_v6.indd 207
24/09/09 08:20
173
Wolfgang Tillmans b. 1968 Eighteen works: (i) Sucking at Roxy, 1993, (ii) Macau/China border, 1993, (iii) Tristan on Rooftop, 1993, (iv) Tom, Gillian and Thiery doing makeup, 1994, (v) Four boots, 1992 (vi) Alex and Lutz am strand, 1992, (vii) Arse in fountain (repro), 1994, (viii) Lutz wanking, 1991, (ix) TV and Leatherman, 1993, (x) Sadie Frost, 1995, (xi) Palomino, piss, 1995, (xii) Travis with tree, 1994, (xiii) bück dich, 1992, (xiv) Far Rockaway, 1995, (xv) Lutz, Alex, Suzee and Christoph on beach, colour, (xvi) Paul, arm right angle, 1994, (xvii) Room after party, 1992, (xviii) Young woman, 1992 C-prints. Each: 40.5 x 30.5 cm. (16 x 12 in). Each signed, titled, inscribed, numbered of ten and dated on the reverse. These works are from an edition of ten plus one artist’s proof.
Estimate £ 4 0 , 0 0 0 - 6 0 , 0 0 0
$ 6 6 ,10 0 - 9 9 , 2 0 0
€4 5 ,70 0 - 6 8 , 5 0 0 ♠ ‡
provenance Ars Futura, Zurich
04_LON_OCT_CONT_v6.indd 206
23/09/09 14:41
04_LON_OCT_CONT_v6.indd 207
23/09/09 14:44
174
175
174
Carol Bove b. 1971
175
Joseph Kosuth b. 1945
Refugees from Affluence, 2000
Drawing for Discussion about a Lawn, 1965
Ink on paper. 114.5 x 152 cm. (45 1/8 x 59 7/8 in). Initialed and dated ‘CB00 lower
Graphite on paper. 29.2 x 38.6 cm. (11 1/2 x 15 1/4 in). Signed and dated ‘Joseph
left.
Kosuth 1965’ lower left; Initialed ‘JK’ on the reverse along with printed statement ‘A drawing only and not documentation for the construction of the work’.
estimate £ 6 , 0 0 0 - 8 , 0 0 0
$ 9 , 9 0 0 -13 , 2 0 0
€ 6 , 9 0 0 - 9,10 0 ‡ estimate £ 3 , 0 0 0 - 5 , 0 0 0
$5,0 0 0 -8,30 0
€ 3 ,4 0 0 - 5 ,70 0
Provenance Team Gallery, New York Provenance Galleria Primo Piano, Rome; Galeria Alfonso Artiaco, Naples
04_LON_OCT_CONT_v6.indd 208
23/09/09 14:47
176
177
176
JOHN BOCK b. 1965
177
LEE UfaN b. 1936
Untitled, 2004
Untitled, 1994
Mixed media collage and felt-tip pen on paper. 150 x 214 cm. (59 1/8 x 84 1/4 in).
Ground pigment on paper. 62 x 90.8 cm. (24 5/8 x 35 3/4 in). Signed and dated ‘L Ufan 94’ lower right.
Estimate £ 5 , 0 0 0 -7, 0 0 0
$ 8 , 3 0 0 -11, 6 0 0
€ 5 ,70 0 - 8 , 0 0 0 ♠ Estimate £ 3 , 0 0 0 - 5 , 0 0 0
$5,0 0 0 -8,30 0
€ 3 ,4 0 0 - 5 ,70 0
Provenance Klosterfelde, Berlin; Galleria Fonti, Naples Provenance Private collection, Paris
04_LON_OCT_CONT_v6.indd 209
23/09/09 14:47
178
MATT GREENE b. 1971 This Contains Our Pleasure, 2005 Acrylic and graphite on canvas. 183 x 152 cm. (72 x 60 in).
Estimate £ 8 , 0 0 0 -12 , 0 0 0
$13 , 2 0 0 -19 , 8 0 0
€ 9,10 0 -13 ,70 0 ‡
Provenance Modern Art, London exhibited London, Modern Art Inc., We Are the Dead, 21 April – 22 May, 2005
05_LON_OCT_CONT_v6.indd 212
24/09/09 08:37
179
Johannes Kahrs b. 1965 Schmerzbild I, 1990 Oil and varnish on felted material. 169.5 x 129.8 cm. (66 3/4 x 51 1/8 in). Signed, titled and dated ‘Johannes Kahrs “Schmerzbild” 1990’ on the reverse.
estimate £10 , 0 0 0 -15 , 0 0 0
$16 , 5 0 0 - 24 , 8 0 0
€11,4 0 0 -17,10 0 ♠
Provenance Acquired directly from the artist
05_LON_OCT_CONT_v6.indd 213
24/09/09 08:37
180
Larry Poons b.1937 Minter, 1975 Acrylic on canvas. 256.5 x 163 cm. (101 x 64 3/8 in). Signed, titled and dated ‘LARRY POONS 1975 MINTER’ on the reverse.
Estimate £12 , 0 0 0 -18 , 0 0 0
$19 , 8 0 0 - 2 9 , 8 0 0
€13 ,70 0 - 2 0 , 6 0 0 ‡
provenance Acquired directly from the artist
05_LON_OCT_CONT_v6.indd 212
23/09/09 14:54
05_LON_OCT_CONT_v6.indd 213
23/09/09 14:54
181
Raymond Hains 1926-2005 Untitled, 1975 Lacerated posters on galvanised steel. 108 x 93.5 cm. (42 1/2 x 36 7/8 in). Signed and dated ‘Raymond Hains 1975’ on the reverse.
Estimate £15 , 0 0 0 - 2 0 , 0 0 0
$ 24 , 8 0 0 - 3 3 , 0 0 0
€17,10 0 - 2 2 , 8 0 0 ‡
Provenance Anon. sale, Catherine Charbonneaux, Paris
05_LON_OCT_CONT_v6.indd 214
23/09/09 14:56
182
Raymond Hains 1926-2005 Palissade, 1961 Lacerated posters on galvanised steel. 49.5 x 48.9 cm. (19 1/2 x 19 1/4 in). Signed and dated ‘R. Hains 1961’ lower right; Signed and dated ‘Raymond Hains 1961’ on the reverse.
Estimate £15 , 0 0 0 - 2 0 , 0 0 0
$ 24 , 8 0 0 - 3 3 , 0 0 0
€17,10 0 - 2 2 , 8 0 0 ‡
Provenance Galerie Beaubourg, Paris
05_LON_OCT_CONT_v6.indd 215
23/09/09 14:56
183
Gerhard richter b. 1932 Untitled (1.2.89), 1989 Oil on colour photograph. 15 x 10.2 cm. (5 7/8 x 4 in). Signed and dated ‘Richter 1.2.89’ lower right; signed and dated ‘1.2.89 Richter’ on the reverse of backing.
estimate £12 , 0 0 0 -18 , 0 0 0
$19 , 8 0 0 - 2 9 , 8 0 0
€13 ,70 0 - 2 0 , 6 0 0 ♠ ‡
Provenance Sperone Westwater, New York
05_LON_OCT_CONT_v6.indd 216
23/09/09 14:57
05_LON_OCT_CONT_v6.indd 217
23/09/09 14:57
184
Francis alÿs b. 1959 Sin Titulo (Paisaje con plastico y burro), 1996 Mixed media on canvas. 30 x 40.5 cm. (12 x 16 in).
Estimate £ 3 0 , 0 0 0 - 5 0 , 0 0 0
$ 4 9 , 6 0 0 - 8 2 ,70 0
€ 3 4 , 3 0 0 - 57,10 0 ♠
Provenance Kenneth L. Freed collection, Boston; Goff + Rosenthal, New York
05_LON_OCT_CONT_v6.indd 218
23/09/09 14:58
05_LON_OCT_CONT_v6.indd 219
23/09/09 14:58
185
Christo b. 1935 Running Fence (Project for Sonoma and Marin Counties, California), 1976 Pencil, pastel, charcoal and black and white photograph on paper in Plexiglas frame. 72 x 56.5 cm. (28 3/8 x 22 1/4 in). Signed, titled and dated ‘Christo 1976 RUNNING FENCE (Project for Sonoma and Marin Counties, CA)’ lower right.
Estimate £ 3 0 , 0 0 0 - 4 0 , 0 0 0
$ 4 9 , 6 0 0 - 6 6 ,10 0
€ 3 4 , 3 0 0 - 4 5 ,70 0
Provenance Verner Amell Gallery, London Literature This work will be included in the forthcoming Christo Catalogue
Raisonné being prepared by Daniel Varenne under n° 7602
05_LON_OCT_CONT_v6.indd 220
23/09/09 15:00
05_LON_OCT_CONT_v6.indd 221
23/09/09 15:00
186
FRANCIS ALŸS b. 1959 Estudio para el soplón, 1996-1997 Oil on canvas mounted on wooden panel. 29.5 x 24.4 cm. (11 5/8 x 9 5/8 in). Signed, titled and dated ‘F Alÿs studio para el soplón 96-7’ lower right. This work is accompanied by a certificate of authenticity.
Estimate £ 2 5 , 0 0 0 - 3 5 , 0 0 0
$ 41, 3 0 0 - 57, 9 0 0
€28,60 0 - 40,0 0 0 ♠
Provenance Galeria OMR, Mexico City
05_LON_OCT_CONT_v6.indd 222
23/09/09 15:06
187
Valerio adami b. 1935 Voyage en train, 1968-1970 Acrylic on canvas. 81 x 100 cm. (31 7/8 x 39 3/8 in). Signed and titled on the reverse.
estimate £ 2 5 , 0 0 0 - 3 5 , 0 0 0
$ 41, 3 0 0 - 57, 9 0 0
€28,60 0 - 40,0 0 0
♠
Provenance Private collection, Italy
05_LON_OCT_CONT_v6.indd 223
23/09/09 15:06
188
ANDY WARHOL 1928-1987 Portrait of Man Ray, 1974 Colour screenprint. 35 x 35 cm. (13 3/4 x 13 3/4 in). Signed, numbered of 100 and dated ‘Andy Warhol 1974’ on the reverse. This work is from an edition of 100.
Estimate £ 3 , 0 0 0 - 5 , 0 0 0
$5,0 0 0 -8,30 0
€ 3 ,4 0 0 - 5 ,70 0
Provenance Galleria Il Centro, Naples; Galleria Lucio Amelio, Naples exhibited Naples, Maschio Angioino, Warhol – Viaggio in Italia, 20 July – 2
November, 1996; Modena, Padiglione d’Arte Moderna, Andy Warhol, 29 August – 23 September, 2002; Arona, Villa Ponti, Made in Warhol, 22 June – October, 2007 Literature Exhibition catalogue, Maschio Angioino, Warhol-Viaggio in Italia,
Naples, 1996, p. 112 (illustrated); Exhibition catalogue, Padiglione d’Arte Moderna, Andy Warhol, Modena, 2002, p. 94 (illustrated)
05_LON_OCT_CONT_v6.indd 226
24/09/09 08:40
189
Keith haring 1958-1990 Happiness (Parent Ship), c.1980-1984 Chalk on three sheets of paper. 204.5 x 101.7 cm. (80 1/2 x 40 in).
estimate ÂŁ 2 5 , 0 0 0 - 3 5 , 0 0 0
$ 41, 3 0 0 - 57, 9 0 0
â‚Ź28,60 0 - 40,0 0 0
provenance Angel Ortiz, Los Angeles; Private collection, Germany
05_LON_OCT_CONT_v6.indd 227
24/09/09 08:40
190
Sigmar Polke b. 1941 Untitled, 1983 Gouache and ink on paper. 68 x 47 cm. (26 3/4 x 18 1/2 in). Signed and dated ‘S. Polke 83 V’ on the reverse.
estimate £10 , 0 0 0 -15 , 0 0 0
$16 , 5 0 0 - 24 , 8 0 0
€11,4 0 0 -17,10 0 ♠ ‡
Provenance Patrick Painter Inc., Los Angeles
05_LON_OCT_CONT_v6.indd 226
23/09/09 15:07
191
Sigmar Polke b. 1941 Untitled, 1983 Gouache and ink on paper. 67.6 x 48 cm. (26 5/8 x 18 7/8 in). Signed ‘S Polke 83’ on the reverse.
estimate £10 , 0 0 0 -15 , 0 0 0 Provenance
05_LON_OCT_CONT_v6.indd 227
$16 , 5 0 0 - 24 , 8 0 0
€11,4 0 0 -17,10 0 ♠ ‡
Patrick Painter Inc., Los Angeles
23/09/09 15:08
192
192
Chiho AoshimA b. 1974 Ornamental Hairpin of the Rose; Golden Fish; Foot of the Squid, 1999 Three Inkjet prints. Each: 170 x 42.5 cm. (66 7/8 x 16 3/4 in). These works are from an edition of eight.
Estimate £ 6 , 0 0 0 - 8 , 0 0 0 Provenance
$ 9 , 9 0 0 -13 , 2 0 0
€ 6 , 9 0 0 - 9 ,10 0
Galerie Emmanuel Perrotin, Paris
193
193
Chiho AoshimA b. 1974 Hot Spring, 2002 Inkjet print, flush-mounted to aluminium. 100 x 100 cm. (39 3/8 x 39 3/8 in). This work is from an edition of eight plus one artists proof.
Estimate £ 3 , 0 0 0 - 5 , 0 0 0
$5,0 0 0 -8,30 0
€ 3 ,4 0 0 - 5 ,70 0
Provenance Blum & Poe, Los Angeles
05_LON_OCT_CONT_v6.indd 230
24/09/09 08:42
194
AyA TAkAno b. 1976 Infancy Snow, 2006 Acrylic on canvas. 61 x 72.5 cm. (24 x 28 1/2 in).
Estimate £15 , 0 0 0 - 2 0 , 0 0 0
$ 24 , 8 0 0 - 3 3 , 0 0 0
€17,10 0 - 2 2 , 8 0 0
Provenance Galerie Emmanuel Perrotin, Paris
05_LON_OCT_CONT_v6.indd 231
24/09/09 08:42
195
196
195
HIROSHI SugITO b. 1970 House and Tree, 1999 Acrylic, pigment and graphite on canvas. 169.5 x 200 cm. (66 3/4 x 78 3/4 in). Signed, titled and dated ‘HIROSHI SUGITO house and tree 1999’ on the reverse.
Estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0
$ 3 3 ,10 0 - 4 9 , 6 0 0
€22,80 0 -34,30 0
Provenance Arndt & Partner, Berlin
196
YOSHITOMO NARA b. 1959 Untitled, 2003 Coloured pencil on paper. 25.5 x 18.3 cm. (10 x 7 1/4 in).
Estimate £ 4 , 0 0 0 - 6 , 0 0 0
$6,60 0 -9,9 0 0
€4,60 0 - 6,90 0
Provenance Tomio Koyama Gallery, Tokyo
05_LON_OCT_CONT_v6.indd 230
23/09/09 15:09
197
Mr b. 1969 Tokyo Port Tunnel, 2004 Acrylic on fibreglass reinforced plastic. 68.5 x 56 x 73.7 cm. (27 x 22 x 29 in). Signed, numbered of five and dated ‘Mr 2004’ on the underside. This work is from an edition of five.
Estimate £15 , 0 0 0 - 2 0 , 0 0 0
$ 24 , 8 0 0 - 3 3 , 0 0 0
€17,10 0 - 2 2 , 8 0 0
Provenance Galerie Emmanuel Perrotin, Paris exhibited Naples, Castle St. Elmo, Cartoons, Comics and Contemporary Art, 26
April – 30 May, 2007
05_LON_OCT_CONT_v6.indd 231
23/09/09 15:09
198
199
198
ZHang Peng b. 1981
199
Wang XingWei b. 1969
Red No. 1, 2007
The Death of Ximen, 2002
C-print. 94 x 200 cm. (37 x 78 3/4 in). This work is from an edition of eight and is
Oil on canvas. 168.5 x 219 cm. (66 1/4 x 86 1/4 in).
accompanied by a certificate of authenticity.
estimate £ 8 , 0 0 0 -12 , 0 0 0 estimate £ 5 , 0 0 0 -7, 0 0 0
$ 8 , 3 0 0 -11, 6 0 0
$13 , 2 0 0 -19 , 8 0 0
€ 9 ,10 0 -13 ,70 0
€ 5 ,70 0 - 8 , 0 0 0 ‡ Provenance Primo Marella Gallery, Milan
Provenance Acquired directly from the artist
exhibited Milan, Spazio Oberdan, La Cina. Prospettive d’arte contemporanea,
28 June – 16 October, 2005; Naples, Museo Pan, La Cina è Vicina, 14 December, 2007 – 25 February, 2008 literature Damiani ed., China Contemporary Painting, Bologna, 2005, p. 149
05_LON_OCT_CONT_v6.indd 234
24/09/09 12:11
200
YANG QIAN b. 1959 Bath 13521300250, 2003 Oil on canvas. 110.2 x 150.2 cm. (43 3/8 x 59 1/8 in). Signed [in English and Pinyin] and dated ‘Yang Qian 2003’ upper left.
Estimate £ 8 , 0 0 0 -12 , 0 0 0
$13 , 2 0 0 -19 , 8 0 0
€ 9 ,10 0 -13 ,70 0
Provenance Primo Marella Gallery, Milan exhibited Naples, Museo Pan, La Cina è Vicina, 14 December, 2007 – 25
February, 2008
05_LON_OCT_CONT_v6.indd 233
23/09/09 15:11
201
Zhang huan b. 1965 Shanghai Family Tree, 2001 Nine c-prints flush-mounted to aluminium. Each: 50.8 x 76.2 cm (20 x 30 in). Signed, titled [in Pinyin], numbered of 25 and dated ‘Zhang Huan Shanghai Family Tree 2001’ on a label adhered to the reverse. This work is from an edition of 25.
Estimate £ 2 0 , 0 0 0 - 2 5 , 0 0 0
$ 3 3 ,10 0 - 41, 3 0 0
€22,80 0 -28,60 0 ‡
Provenance Galerie Volker Diehl, Berlin
05_LON_OCT_CONT_v6.indd 236
24/09/09 08:58
05_LON_OCT_CONT_v6.indd 237
24/09/09 08:58
202
203
202
Yan PEi MinG b. 1960
203
Cai-Guo-QianG b. 1957
Portrait II, 1999
Untitled, 2006
Charcoal on paper. 74.6 x 105.4 cm. (29 3/9 x 41 1/2 in). Signed and dated [in
Gunpowder on cardboard notebook. 13.2 x 13.2 cm. (5 1/4 x 5 1/4 in).
Pinyin] ‘Yan Pei-Ming 02.99’ lower right.
Estimate £ 2 , 0 0 0 - 3 , 0 0 0 Estimate £10 , 0 0 0 -15 , 0 0 0
$16 , 5 0 0 - 24 , 8 0 0
$3,30 0 -5,0 0 0
€ 2 , 3 0 0 - 3 ,4 0 0
€11,4 0 0 -17,10 0 ♠ ‡ Provenance Deutsche Guggenheim, Berlin
Provenance Acquired directly from the artist
exhibited Berlin, Sammlung Deutsche Bank, Cai Guo-Qiang, Head On, 28
August, 2006 – 15 October, 2006
05_LON_OCT_CONT_v6.indd 238
24/09/09 08:59
204
Yan Pei Ming b. 1960 Tête de M.T. Matricule 922335, 2003 Charcoal on paper. 200 x 123.8 cm. (78 3/4 x 48 3/4 in). Signed, titled and dated ‘Tête de M.T. Matricule 922335, 2003 Yan Pei-Ming’ lower right.
estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0
$ 3 3 ,10 0 - 4 9 , 6 0 0
€22,80 0 -34,30 0 ♠‡
Provenance Acquired directly from the artist
05_LON_OCT_CONT_v6.indd 239
24/09/09 08:59
205
Hong Hao b. 1965 Two works: (i) My Things No. 3, 2002-2003; (ii) My Things No. 7, 2004 C-prints. Each: 58.1 x 98.2 cm. (22 7/8 x 38 5/8 in). (i) Signed, titled, numbered of fifteen and dated ‘Hong Hao My Things No. 3 2002-2003’ on the reverse. (ii) Signed, titled, numbered of fifteen and dated ‘Hong Hao My Things No. 7 2004’ on the reverse. These works are from an edition of fifteen.
Estimate £ 4 , 0 0 0 - 5 , 0 0 0
$6,60 0 -8,30 0
€ 4 , 6 0 0 - 5 ,70 0 ‡
Provenance Private collection, USA
05_LON_OCT_CONT_v6.indd 240
24/09/09 08:59
206
Luo Brothers b. 1963, 1964 and 1972 World’s Famous Brand, 2004 Lacquer and enamel on wooden panel. 119 x 99 cm. (46 7/8 x 39 in).
estimate £ 8 , 0 0 0 -12 , 0 0 0
$13 , 2 0 0 -19 , 8 0 0
€ 9,10 0 -13 ,70 0
Provenance Changing Role –Move Over Gallery, Naples exhibited Naples, Museo PAN, La Cina è Vicina, 14 December, 2007 – 25
February, 2008
05_LON_OCT_CONT_v6.indd 241
24/09/09 08:59
207
Wang ZiWei b. 1963 Mao Wave Dance, 2003 Acrylic on canvas. 143.5 x 173.5 cm. (56.5 x 68.3 in). Signed, titled and dated ‘ZIWEI WANG MAO WAVE DANCE 2003’ on the reverse
estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0 Provenance
05_LON_OCT_CONT_v6.indd 242
$ 3 3 ,10 0 - 4 9 , 6 0 0
€22,80 0 -34,30 0
Acquired directly from the artist
24/09/09 12:12
208
Wang Du b. 1956 Tapis Volant (Flying Carpet)—Time, 2002-2003 Hand-woven wool. 400 x 346 cm. (157 1/2 x 136 1/4 in). This work is from an edition of six.
Estimate £ 4 0 , 0 0 0 - 6 0 , 0 0 0 Provenance
$ 6 6 ,10 0 - 9 9 , 2 0 0
€ 4 5 ,70 0 - 6 8 , 5 0 0 ♠ ‡
Galerie Laurent Godin, Paris
exhibited Vancouver Art Gallery, Wang Du, 28 May – 12 September, 2005
(another example exhibited)
05_LON_OCT_CONT_v6.indd 243
24/09/09 12:12
209
Chitra Ganesh b. 1975 Rose Of My Rose, 2006 Acrylic on canvas. 232 x 450 cm. (91 x 177 in).
estimate £12 , 0 0 0 -18 , 0 0 0 Provenance
05_LON_OCT_CONT_v6.indd 242
$19 , 8 0 0 - 2 9 , 8 0 0
€13 ,70 0 - 2 0 , 6 0 0 ‡
Galerie Haas & Fischer AG, Zurich
23/09/09 15:12
05_LON_OCT_CONT_v6.indd 243
23/09/09 15:12
210
Subodh Gupta b. 1964 Dialogue, 1991 Triptych. Acrylic on canvas. 152 x 76 cm. (60 x 30 in). Signed, titled and dated ‘SUBODH GUPTA DIALOGUE 1991’ on the reverse of the first panel.
Estimate £ 2 0 , 0 0 0 - 2 5 , 0 0 0 Provenance
05_LON_OCT_CONT_v6.indd 244
$ 3 3 ,10 0 - 41, 3 0 0
€22,80 0 -28,9 0 0 ‡
Saffronart, Mumbai/New York/London
23/09/09 15:13
05_LON_OCT_CONT_v6.indd 245
23/09/09 15:14
211
ROKNI HAERIZADEH b. 1978 Untitled, 2007 Mixed media on paper. 76 x 65.5 cm. (30 x 25 3/4 in). Signed [in Farsi and English] and dated ‘Rokni Haerizadeh 2007’ lower right.
Estimate £ 4 , 0 0 0 - 6 , 0 0 0 Provenance
05_LON_OCT_CONT_v6.indd 248
$6,60 0 -9,9 0 0
€4,60 0 - 6,90 0
Private collection, London
24/09/09 09:08
This lyrical depiction of Iranian street performers belongs to series of works from by Rokni Haerazideh entitled Busking. The series depicts buffoons, troubadours, Sufi mystics and other creatures from Iranian folk culture and as a whole celebrates the colour, drama and movement of street life. 212
Rokni HaeRizadeH b. 1978
In the present lot, a gypsy woman in a brilliant red dress creates
Busking, 2005
a frenzy of movement as she walks on her hands through a ring
Acrylic on canvas. 143 x 139 cm. (56 3/8 x 54 3/4 in). Signed [in English and Farsi]
of braided hair and oranges, the flounce of her dress aflutter
‘Rokni Haeri’ lower left.
estimate £12 , 0 0 0 -18 , 0 0 0
as she arcs her legs over her head. To accompany her dance, a $19 , 8 0 0 - 2 9 , 8 0 0
€13 ,70 0 - 2 0 , 6 0 0 ‡
mustachioed man in striped shirt and cap plays the Tombak, a traditional Persian drum. Entranced by the beat of his own drum
Provenance Private collection, Europe
and the flourishes of the dancer, he embodies the multi-sensory experience one might have as a by-stander on the street. By blending the themes of bohemian poverty, sensuality and emotional expression, the scene exemplifies Haerizadeh’s romantic view of folk culture.
05_LON_OCT_CONT_v6.indd 249
24/09/09 09:08
213
Farhad Moshiri b. 1963 Untitled, 2003 Oil and acrylic on canvas. 177 x 128 cm. (69 3/4 x 50 3/8 in). Signed, titled and dated ‘Untitled Farhad Moshiri 2003’ on the reverse.
Estimate £ 3 5 , 0 0 0 - 4 5 , 0 0 0
$ 57, 9 0 0 -74 ,4 0 0
€ 4 0 , 0 0 0 - 51,4 0 0 ‡
Provenance Kashya Hildebrand, Geneva
05_LON_OCT_CONT_v6.indd 248
23/09/09 15:15
05_LON_OCT_CONT_v6.indd 249
23/09/09 15:15
214
KHOSROW HASSANZADEH b. 1963 Ashura Series, 2001 Silkscreen, acrylic and collage on paper. 228 x 107 cm. (89 3/4 x 42 1/8 in). Signed [in Farsi] and dated ‘KHOSROW 1380 (2001)’ lower left.
Estimate £ 3 , 0 0 0 - 5 , 0 0 0
$5,0 0 0 -8,30 0
€ 3 ,4 0 0 - 5 ,70 0
Provenance Acquired directly from the artist by the present owner
05_LON_OCT_CONT_v6.indd 250
23/09/09 15:16
215
216
215
216
Shirin nEShaT b. 1957
Shadi Ghadirian b. 1974
Women of Allah series, 1995
Untitled, 2003
Gelatin silver print. 23.5 x 34 cm. (9 1/4 x 13 3/8 in). Signed, titled and dated ‘Shirin
C-print. 76 x 76 cm. (29 7/8 x 29 7/8 in). Signed [in Farsi] and numbered of ten on
Neshat 1995 “Women of Allah” series’ on the reverse. This work is unique and is
the reverse. This work is from an edition of ten.
accompanied by a certificate of authenticity signed by the artist.
Estimate £ 2 , 5 0 0 - 3 , 5 0 0 Estimate £ 5 , 0 0 0 -7, 0 0 0
$ 8 , 3 0 0 -11, 6 0 0
$ 4 ,10 0 - 5 , 8 0 0
€2,9 0 0 - 4,0 0 0
€ 5 ,70 0 - 8 , 0 0 0 Provenance Private collection, Switzerland
Provenance
05_LON_OCT_CONT_v6.indd 251
Private collection, London
23/09/09 15:17
217
TERENCE KOH b. 1977 Do Not Doubt the Dangerousness of My Butterfly Song, Black, 2004. Metal vitrine, speakers, iPod, song with artist singing in his own private language, paint, hair, male battus philenor butterfly and blackened ash from a gingko tree. 155 x 114 x 46cm. (61 x 44 7/8 x 18 1/8 in).
Estimate £10 , 0 0 0 -15 , 0 0 0
$16 , 5 0 0 - 24 , 8 0 0
€11,4 0 0 -17,10 0 †
Provenance Maureen Paley Interim Arts, London
05_LON_OCT_CONT_v6.indd 254
24/09/09 09:18
05_LON_OCT_CONT_v6.indd 255
24/09/09 09:18
218
ElmgrEEn & DragsEt b. 1961 & b. 1969 Tilted Wall from Powerless Structures, 2001 MDF, wood, acrylic, emergency sign. 245 x 390 x 138 cm. (96 1/2 x 153 1/2 x 54 3/8 in). This work is unique and is accompanied by a certificate of authenticity.
Estimate £10 , 0 0 0 -15 , 0 0 0 Provenance
05_LON_OCT_CONT_v6.indd 256
$16 , 5 0 0 - 24 , 8 0 0
€11,4 0 0 -17,10 0 ♠
Private collection, Germany
24/09/09 09:18
219
Anselm Reyle b. 1970 Untitled, 2005 Fluorescent paint on wooden cartwheel. Diameter: 100 cm. (39 3/8 in).
estimate £15 , 0 0 0 - 2 0 , 0 0 0 Provenance
05_LON_OCT_CONT_v6.indd 257
$ 24 , 8 0 0 - 3 3 , 0 0 0
€17,10 0 - 2 2 , 8 0 0 ♠
Private collection, Germany
24/09/09 09:18
05_LON_OCT_CONT_v6.indd 256
23/09/09 15:18
220
Martin Kippenberger 1953 – 1997 Travolta, 1989 Vacuum cleaner on Plexiglass stand. Overall: 96.5 x 127 x 96.5 cm. (38 x 50 x 38 in). Signed and dated ‘Kippenberger 89’ on a label adhered to the side of vacuum cleaner.
estimate £ 6 , 0 0 0 - 8 , 0 0 0 Provenance
05_LON_OCT_CONT_v6.indd 257
$ 9, 9 0 0 -13 , 2 0 0
€ 6 , 9 0 0 - 9 ,10 0 ‡
Acquired directly from the artist; Private collection, Geneva
23/09/09 15:18
221
GEORG HEROLD b. 1947 Heisdiel Painting, 1990 Oil, caviar and adhesive on canvas. 120 x 89.8 cm. (47 1/4 x 35 in). Titled ‘Heisdiel Painting’ on the stretcher bar.
Estimate £ 4 , 0 0 0 - 6 , 0 0 0
$6,60 0 -9,9 0 0
€4,60 0 - 6,90 0 ♠
Provenance Private collection, Germany
05_LON_OCT_CONT_v6.indd 258
23/09/09 15:22
222
Herbert brandl b. 1959 Untitled, 1998 Oil on canvas. 110 x 90 cm. (43 1/4 x 35 1/2 in). Signed and dated ‘Brandl 98’ on the reverse.
estimate £10 , 0 0 0 -15 , 0 0 0 Provenance
05_LON_OCT_CONT_v6.indd 259
$16 , 5 0 0 - 24 , 8 0 0
€11,4 0 0 -17,10 0 ♠
Galerie Nächst St. Stephan Rosemarie Schwarzwälder, Vienna
23/09/09 15:23
223
Sylvie Fleury b. 1961 Claudia, 1997 Synthetic fur on wood. 180 x 50 x 10 cm. (70 7/8 x 19 3/4 x 4 in).
estimate £ 3 , 0 0 0 - 5 , 0 0 0 Provenance
05_LON_OCT_CONT_v6.indd 262
$5,0 0 0 -8,30 0
€ 3 ,4 0 0 - 5 ,70 0
Galerie Mehdi Chouakri, Berlin
24/09/09 09:23
224
Stephen Conroy b. 1964 Study for Painting No 1, 1994-1995 Oil on canvas. 76.2 x 61 cm. (30 x 24 in). Signed and dated ‘Stephen Conroy 1994-5’ on the overlap.
estimate £12 , 0 0 0 -18 , 0 0 0 Provenance
05_LON_OCT_CONT_v6.indd 263
$19 , 8 0 0 - 2 9 , 8 0 0
€13 ,70 0 - 2 0 , 6 0 0 ♠
Marlborough Gallery, New York
24/09/09 09:23
225
226
225
226
GARTH WEISER b. 1979
PETER PERI b. 1971
Untitled (Brown), 2005
Cruciform 2, 2007
Oil on canvas. 240 x 207 cm. (94 1/2 x 81 1/2 in).
Oil, acrylic and varnish on canvas. 126.4 x 105.1 cm. (49 3/4 x 41 3/8 in). Signed,
Estimate £ 4 , 0 0 0 - 6 , 0 0 0
$6,60 0 -9,9 0 0
€4,60 0 - 6,90 0
titled and dated ‘CRUCIFORM 2 Peter Peri 8. 07’ on the reverse.
Estimate £ 5 , 0 0 0 -7, 0 0 0
$ 8 , 3 0 0 -11, 6 0 0
€ 5 ,70 0 - 8 , 0 0 0 ♠
Provenance Private collection, Paris Provenance Galerie Giti Nourbakhsch, Berlin
06_LON_OCT_CONT_v6.indd 262
23/09/09 15:36
227
OLAF HOLZAPFEL b. 1969 Element von (Haus), 2004 Oil on canvas. 190 x 150.5 cm. (74 3/4 x 59 1/4 in). Signed, titled and dated ‘Element von (Haus) Holzapfel 04 ‘ on the reverse.
Estimate £ 6 , 0 0 0 - 8 , 0 0 0
$ 9, 9 0 0 -13 , 2 0 0
€ 6 , 9 0 0 - 9 ,10 0 ♠
Provenance Patrick De Brock Gallery, Knokke
06_LON_OCT_CONT_v6.indd 263
23/09/09 15:36
228
OLAF HOLZAPFEL b. 1969 Archiv 4, 2007 Ultrachrome print on Aludibond. 235 x 178 cm. (92 1/2 x 70 1/8 in). Signed, titled, dated and numbered of three ‘Holzapfel Archiv 4 2007’ on the reverse. This work is from an edition of three.
Estimate £ 8 , 0 0 0 -12 , 0 0 0
$13 , 2 0 0 -19 , 8 0 0
€ 9,10 0 -13 ,70 0 ♠
Provenance Johnen Galerie, Berlin
06_LON_OCT_CONT_v6.indd 264
23/09/09 15:36
229
OLAF HOLZAPFEL b. 1969 Hot Spot, 2004 Oil on Canvas. 200 x 135 cm. (78 3/4 x 53 1/8 in). Signed, titled and dated ‘Olaf Holzapfel Hot Spot 04’ on the reverse.
Estimate £7, 0 0 0 - 9, 0 0 0
$11, 6 0 0 -14 , 9 0 0
€ 8 , 0 0 0 -10 , 3 0 0 ♠
Provenance Baronian Francey, Brussels
06_LON_OCT_CONT_v6.indd 265
23/09/09 15:36
230
NATHAN HYLDEN b. 1978 Untitled, 2007 Acrylic on linen. 171.5 x 119.5 cm. (67 1/2 x 47 in). Signed and dated ‘Nathan Hylden 08’ on the reverse.
Estimate £ 8 , 0 0 0 -10 , 0 0 0
$13 , 2 0 0 -16 , 5 0 0
€ 9,10 0 -11,4 0 0
Provenance Art:Concept, Paris
06_LON_OCT_CONT_v6.indd 266
23/09/09 15:41
231
NATHAN HYLDEN b. 1978 Untitled (1), 2008 Acrylic on linen. 171 x 119.5 cm. (67 1/2 x 47 in). Signed and dated ‘Nathan Hylden 08’ on the reverse.
Estimate £ 8 , 0 0 0 -10 , 0 0 0
$13 , 2 0 0 -16 , 5 0 0
€ 9 ,10 0 -11,4 0 0
Provenance Richard Telles Fine Art, Los Angeles; Johann König Gallery, Berlin
06_LON_OCT_CONT_v6.indd 267
23/09/09 15:41
232
Helmut Federle b. 1944 Corner Field Painting XV (Lot des Schattens II), 1994 Oil on canvas. 48 x 53 cm. (18 7/8 x 20 7/8 in). Signed, titled and dated ‘CORNER FIELD PAINTING XV FEDERLE 94’ on the reverse.
estimate £ 8 , 0 0 0 -12 , 0 0 0
$13 , 2 0 0 -19 , 8 0 0
€ 9,10 0 -13 ,70 0 ‡
Provenance Galerie Nächst St. Stephan, Rosemarie Schwartzwälder, Vienna exhibited Bonn, Kunstmuseum, Helmut Federle, 12 October, 1995 - 21 January, 1996
06_LON_OCT_CONT_v6.indd 268
23/09/09 15:51
233
Helmut Federle b. 1944 Corner Field Painting XVII, 1994 Oil on canvas. 50 x 55 cm. (19 3/4 x 21 5/8 in). Signed, titled and dated ‘CORNER FIELD PAINTING XVII FEDERLE 94’ on the reverse.
estimate £ 8 , 0 0 0 -12 , 0 0 0
$13 , 2 0 0 -19 , 8 0 0
€ 9 ,10 0 -13 ,70 0 ‡
Provenance Galerie Nächst St. Stephan, Rosemarie Schwartzwälder, Vienna exhibited Paris, Galerie Jeu de Paume, Helmut Federle, 3 May - 15 June, 1995 literature Exhibition catalogue, Galerie Jeu de Paume ed., Helmut Federle,
Paris, 1995, p. 55 (illustrated)
06_LON_OCT_CONT_v6.indd 269
23/09/09 15:51
234
Ian Wallace b. 1943 Untitled, 1989 Diptych: acrylic and photolaminate on canvas. Overall: 244.1 x 243.8 cm. (96 1/8 x 96 in). Stamped, signed and dated ‘Ian Wallace 89’ on the reverse of each panel.
estimate £ 8 , 0 0 0 -12 , 0 0 0
$13 , 2 0 0 -19 , 8 0 0
€ 9,10 0 -13 ,70 0 ♠ ‡
Provenance Galerie Meert Rihoux, Brussels
06_LON_OCT_CONT_v6.indd 270
23/09/09 16:04
235
GÜNTHER FÖRG b. 1952 Untitled, 1988 Acrylic on lead on wood. 240 x 160 cm. (94 1/2 x 63 in). Signed and dated ‘Förg 88’ on the reverse.
Estimate £ 3 0 , 0 0 0 - 4 0 , 0 0 0
$ 4 9 , 6 0 0 - 6 6 ,10 0
€ 3 4 , 3 0 0 - 4 5 ,70 0 ♠
Provenance Private collection, Belgium
06_LON_OCT_CONT_v6.indd 271
23/09/09 16:05
236
patrick caulfield 1936 – 2005 Night Sky, 1973 Acrylic on paper laid down on board. 20.6 x 15.7 cm. (8 1/4 x 6 1/4 in). Signed and titled ‘Night Sky Patrick Caulfield’ along the lower edge.
estimate £ 8 , 0 0 0 -12 , 0 0 0
$13 , 2 0 0 -19 , 8 0 0
€ 9,10 0 -13 ,70 0
Provenance Austin/Desmond Fine Art, London
06_LON_OCT_CONT_v6.indd 272
23/09/09 16:06
06_LON_OCT_CONT_v6.indd 273
23/09/09 16:06
237
SERGEJ JENSEN b. 1973 The Big Fire of Antwerp, 2004 Stitched hessian. 130.2 x 100.3 cm. (51 1/4 x 39 1/2 in). Signed, titled and dated ‘THE BIG FIRE OF ANTWERP Sergej Jensen 2004’ on the overlap.
Estimate £12 , 0 0 0 -18 , 0 0 0
$19 , 8 0 0 - 2 9 , 8 0 0
€13 ,70 0 - 2 0 , 6 0 0 ♠
Provenance Patrick De Brock Gallery, Knokke
06_LON_OCT_CONT_v6.indd 274
23/09/09 16:07
238
239
238
239
SErGEJ JENSEN b. 1973
Marcia Hafif b. 1929
Saturn, 2005
No. 119 Italian Series No. 4, 1966
Acrylic on linen. 40 x 50.2 cm. (15 3/4 x 19 3/4 in). Signed ‘Sergej Jensen 2005
Oil on canvas. 139.5 x 140 cm. (55 x 55 1/8 in). Signed and dated ‘HAFIF 1966’
SATURN’ on the overlap.
on the stretcher bar.
Estimate £ 3 , 0 0 0 - 5 , 0 0 0
$5,0 0 0 -8,30 0
Provenance Patrick de Brock Gallery, Knokke
06_LON_OCT_CONT_v6.indd 275
€ 3 ,4 0 0 - 5 ,70 0 ♠
Estimate £ 8 , 0 0 0 -12 , 0 0 0
$13 , 2 0 0 -19 , 8 0 0
€ 9 ,10 0 -13 ,70 0 ‡
Provenance Galleria Edieuropa, Rome
23/09/09 16:08
240
240
241
Wayne Gonzalez b. 1957
241
Wayne Gonzalez b. 1957
Face Painting, 1995
Face Painting, 1995
Acrylic on canvas. Diameter: 76.2 cm. (30 in.) Signed and dated ‘Wayne Gonzalez
Acrylic on canvas. Diameter: 76.2 cm. (30 in). Signed and dated ‘Wayne Gonzalez
1995’ on the reverse.
1995’ on the reverse.
estimate £7, 0 0 0 - 9 , 0 0 0
$11, 6 0 0 -14 , 9 0 0
Provenance Acquired directly from the artist
€ 8 , 0 0 0 -10 , 3 0 0 ‡
estimate £7, 0 0 0 - 9, 0 0 0
$11, 6 0 0 -14 , 9 0 0
€ 8 , 0 0 0 -10 , 3 0 0 ‡
Provenance Acquired directly from the artist
242
242
RosemaRie TRockel b. 1952 Kopf, 1985 Watercolour on paper. 50.5 x 39 cm. (19 7/8 x 15 3/8 in). Signed and dated ‘R Trockel 1985’ on the reverse.
estimate £ 8 , 0 0 0 -12 , 0 0 0
$13 , 2 0 0 -19 , 8 0 0
€ 9 ,10 0 -13 ,70 0 ♠ ‡
Provenance Galerie Karlheinz Meyer, Karlsruhe
06_LON_OCT_CONT_v6.indd 276
23/09/09 16:09
243
RosemaRie TRockel b. 1952 Untitled, 1994 Watercolour on paper. 33 x 23.8 cm. (13 x 9 3/8 in). Signed and dated ‘Trockel 94’ on the reverse.
estimate £ 8 , 0 0 0 -12 , 0 0 0
$13 , 2 0 0 -19 , 8 0 0
€ 9 ,10 0 -13 ,70 0 ♠ ‡
Provenance Skarstedt Gallery, New York; Monika Sprüth Galerie,
Cologne
06_LON_OCT_CONT_v6.indd 277
23/09/09 16:10
244
Thoralf Knobloch b. 1962 Teddy 2, 2005 Oil on canvas. 120 x 175 cm. (47 1/4 x 68 7/8 in). Signed, titled and dated ‘Teddy 2 Knobloch 2005’ on the reverse.
Estimate £7, 0 0 0 - 9 , 0 0 0
$11, 6 0 0 -14 , 9 0 0
€ 8 , 0 0 0 -10 , 3 0 0 ♠ ‡
Provenance Galerie Gebr. Lehmann, Dresden
06_LON_OCT_CONT_v6.indd 278
23/09/09 16:10
245
EbErhard havEkost b. 1967 Untitled, 1996 Oil on canvas. 40 x 30 cm. (15 3/4 x 11 7/8 in). Signed and dated ‘Havekost 96’ on the reverse.
Estimate £10 , 0 0 0 -15 , 0 0 0
$16 , 5 0 0 - 24 , 8 0 0
€11,4 0 0 -17,10 0 ♠ ‡
Provenance Galerie Gebr. Lehmann, Dresden
06_LON_OCT_CONT_v6.indd 279
23/09/09 16:10
246
247
246
Jonathan Meese b. 1970
247
Dana sChUtZ b. 1976
DER ERSTE EINSIEDLER ‘DELIOZ’, 2005
Untitled—Self Eater, 2005
Mixed media on canvas. 139.7 x 100.3 cm. (55 x 39 1/2 in). Initialed and dated
Wood cut and collage on paper. 96.5 x 83.5 cm. (38 x 32 7/8 in). Signed, titled,
‘JM 2005’ lower right; signed, titled and dated ‘J Meese 2005 DER ERSTE
dated and numbered of 48 ‘ Dana Schutz 2005’ lower right. This work is from
EINSIEDLER “DELIOZ”’ on the reverse.
an edition of 48.
estimate £15 , 0 0 0 - 2 0 , 0 0 0
$ 24 , 8 0 0 - 3 3 , 0 0 0
Provenance Contemporary Fine Arts, Berlin
06_LON_OCT_CONT_v6.indd 282
€17,10 0 - 2 2 , 8 0 0 ♠ ‡
estimate £1, 5 0 0 - 2 , 0 0 0
$2,50 0 -3,30 0
€1,70 0 - 2 , 3 0 0
Provenance Zach Feuer (LFL) Gallery, New York
24/09/09 09:34
248
Martin Kippenberger 1953-1997 Beton Landschaft, 1989 Collage on lithograph. 69.2 x 49.5 cm. (27 1/4 x 19 1/2 in). Initialed and dated ‘MK 89’ lower right.
estimate £10 , 0 0 0 -15 , 0 0 0
$16 , 5 0 0 - 24 , 8 0 0
€11,4 0 0 -17,10 0 ‡
Provenance Galerie Max Hetzler, Berlin
06_LON_OCT_CONT_v6.indd 283
24/09/09 09:34
249
249
PierPaolo CamPanini b. 1964 Untitled, 2002 Oil on canvas. 141 x 191 cm. (55 1/2 x 75 1/4 in). Signed ‘PIERPAOLO CAMPININI’ on the reverse.
estimate £10 , 0 0 0 -15 , 0 0 0
251
$16 , 5 0 0 - 24 , 8 0 0
€11,4 0 0 -17,10 0 ♠
Provenance Corvi-Mora, London
250
250
251
marTin KerSelS b. 1960
HUBerT SCHeiBl b. 1951
Cup Breaker, 2004
Untitled, 2006
Metal mesh, wood, ceramics and resin. Height: 88.2 cm. (34 3/4 in); diameter:
Print, oil and crayon on paper. 49.5 x 26 cm. (19 1/2 x 10 1/4 in). Signed
45.7 cm. (18 in).
and dedicated ‘Hubert’ on the reverse.
estimate £ 3 , 0 0 0 - 5 , 0 0 0
$5,0 0 0 -8,30 0
€ 3 ,4 0 0 - 5 ,70 0
Provenance Galerie GP & N Vallois, Paris
estimate £ 6 0 0 - 8 0 0
$1, 0 0 0 -1, 3 0 0
€ 70 0 - 9 0 0
•
♠
Provenance Gifted by the artist to the present owner
exhibited Paris, Galerie GP & N Vallois, Orchestra for Idiots, 18 February –
2 April, 2007
06_LON_OCT_CONT_v6.indd 284
24/09/09 12:15
253
252
252
253
DonalD Baechler b. 1956
BernharD MarTin b. 1966
Red Line Drawings #2, 1991
Klubbo, 2003
Gesso, gouache and collage on paper. 68.5 x 53.3 cm. (27 x 21 in). Initialed and
Oil and acrylic on board. 65 x 55.2 cm. (25 5/8 x 21 3/4 in). Signed and dated
dated ‘DB91’ lower right.
‘B.Martin 2003’ on the reverse.
estimate £ 5 , 0 0 0 -7, 0 0 0
$ 8 , 3 0 0 -11, 6 0 0
€ 5 ,70 0 - 8 , 0 0 0
Provenance Luhring Augustine Hetzler, Santa Monica
estimate £ 4 , 0 0 0 - 6 , 0 0 0
$6,60 0 -9,9 0 0
€4,60 0 - 6,90 0 ♠
Provenance Unlimited Gallery, Athens; Private collection, Athens
254
254
Mike kelley b. 1954 Two works: (ii) Idol Worship Mostly; (ii) Pagan Indoctrination, 1995 Collage on paper. (i) 35 x 27,5 cm. (13 3/4 x 10 7/8 in). (ii) 34.5 x 28 cm. (13 5/8 x 11 in). Each signed and dated ‘Mike Kelley 1995’ on the reverse.
estimate £ 4 , 0 0 0 - 6 , 0 0 0
$6,60 0 -9,9 0 0
€4,60 0 - 6,90 0
Provenance Metro Pictures, New York
06_LON_OCT_CONT_v6.indd 285
24/09/09 12:16
255
256
255
RYAN MCGINNESS b. 1971 The Reason for Reason, 2005 Acrylic and enamel urethane on wood panel. 152.5 x 244 cm. (60 x 96 in). Signed, titled and dated ‘“The Reason for Reason” Ryan McGinness, 2005’ on the reverse.
Estimate £12 , 0 0 0 -18 , 0 0 0
$19 , 8 0 0 - 2 9 , 8 0 0
€13 ,70 0 - 2 0 , 6 0 0
Provenance Deitch Projects, New York
256
RYAN MCGINNESS b. 1971 They Came to See Who Came, 2004 Acrylic on canvas. 183 x 153 cm. (72 x 60 1/4 in). Signed, titled and dated ‘ Ryan McGinness THEY CAME to SEE WHO CAME 2004’ on the reverse.
Estimate £15 , 0 0 0 - 2 0 , 0 0 0
$ 24 , 8 0 0 - 3 3 , 0 0 0
€17,10 0 - 2 2 , 8 0 0
Provenance Acquired directly from the artist
06_LON_OCT_CONT_v6.indd 286
24/09/09 09:36
44941
257
KEITH TYSON b. 1969 Everything I Hate About art, 2000 Gouache and felt-tip pen on paper. 152 x 121 cm. (59 3/4 x 47 5/8 in). This work is accompanied by a certificate of authenticity.
Estimate £15 , 0 0 0 - 2 0 , 0 0 0
$ 24 , 8 0 0 - 3 3 , 0 0 0
€17,10 0 - 2 2 , 8 0 0 ♠
Provenance Galeria OMR, Mexico City
06_LON_OCT_CONT_v6.indd 287
24/09/09 09:36
258
TORBEN GIEHLER b. 1973 Stareadactyl (Blood Witch), 2007 Acrylic on canvas. 305 x 243.5 cm. (120 x 93 1/4 in). Signed twice, titled and dated ‘T Giehler STAREADACTYL (BLOOD WITCH)’ on the stretcher.
Estimate £7, 0 0 0 - 9 , 0 0 0
$11, 6 0 0 -14 , 9 0 0
€ 8 , 0 0 0 -10 , 3 0 0 ♠
Provenance Leo Koenig Inc., New York
06_LON_OCT_CONT_v6.indd 286
23/09/09 16:13
259
ANTON HENNING b. 1964 Interieur No. 237, 1999-2004 Oil on canvas. 220 x 251 cm. (86 5/8 x 251 7/8 in). Initialed, titled, and dated ‘AH Interieur No.237 2004-045’ on the reverse; initialed and dated ‘AH 2004’ upper and lower right, and lower left; initialed and dated ‘AH99’ upper and lower left.
Estimate £ 2 5 , 0 0 0 - 3 5 , 0 0 0
$ 41, 3 0 0 - 57, 9 0 0
€28,60 0 - 40,0 0 0 ♠
Provenance Arndt & Partner, Berlin
06_LON_OCT_CONT_v6.indd 287
23/09/09 16:13
260
AlexAnder roitburd b. 1961 Flight to Egypt, 2009 Oil on canvas. 200 x 150 cm. (78 3/4 x 59 in). Signed [in Cyrillic] and dated ‘Roitburd 2009’ on the reverse.
estimate £ 3 0 , 0 0 0 - 4 0 , 0 0 0
$ 4 9 , 6 0 0 - 6 6 ,10 0
€ 3 4 , 3 0 0 - 4 5 ,70 0 ‡
Provenance Collection Gallery, Kiev
06_LON_OCT_CONT_v6.indd 288
23/09/09 16:14
06_LON_OCT_CONT_v6.indd 289
23/09/09 16:14
261
Andriy Bludov b.1962 Railway Station II, 2009 Acrylic on canvas. 120 x 100 cm. (47 1/4 x 39 3/8 in). Signed [in Cyrillic] ‘Bludov’ lower right; signed, titled [in Cyrillic] and dated ‘Bludov A.V.; railway II, 2009’ on the reverse.
Estimate £ 5 , 0 0 0 -7, 0 0 0
$ 8 , 3 0 0 -11, 6 0 0
€ 5 ,70 0 - 8 , 0 0 0 ‡
Provenance Bottega Gallery, Kiev
06_LON_OCT_CONT_v6.indd 292
24/09/09 10:16
262
Oleg TisTOl b. 1960 Yalta—City of Happiness, 2009 Acrylic on canvas. 210 x 150 cm. (82 5/8 x 59 in). Signed, titled [in Cyrillic] and dated ‘O. Tistol 2009 Yalta—City of Happiness’ on the reverse.
estimate £10 , 0 0 0 -15 , 0 0 0
$16 , 5 0 0 - 24 , 8 0 0
€11,4 0 0 -17,10 0 ‡
Provenance Art—Agent Ukr Gallery, Kiev
06_LON_OCT_CONT_v6.indd 293
24/09/09 10:17
263
Igor NovIkov b. 1961 Diamond Grove, 2007-2009 Oil on canvas. 100 x 140 cm. (39 3/8 x 55 1/8 in). Signed ‘Igor Novikov’ on the reverse.
Estimate £15 , 0 0 0 - 2 0 , 0 0 0
$ 24 , 8 0 0 - 3 3 , 0 0 0
€17,10 0 - 2 2 , 8 0 0 ♠ ‡
Provenance Private collection, Zurich
06_LON_OCT_CONT_v6.indd 294
24/09/09 10:17
264
Victor Sydorenko b. 1953 The Direction of Contemplation, 2001 Oil and acrylic on canvas. 170 x 150 cm. (67 x 59 in). Signed ‘VICTOR’ upper left; signed and dated ‘Sydorenko V 2001’ on the reverse.
estimate £10 , 0 0 0 -15 , 0 0 0
$16 , 5 0 0 - 24 , 8 0 0
€11,4 0 0 -17,10 0 ‡
Provenance Acquired directly from the artist exhibited Kiev, Gallery L-ART, Amnesia, 25 December, 2003 - 10 January, 2004;
Kiev, Central Artsts’ Centre, Victor Sydorenko, 10 February - 27 February, 2007; Kiev, Russian Art Museum, Ukranian Art Today, Kiev-Paris, 25 October 20 November, 2008 Literature Oranta ed., Ukranian Art Today Kiev-Paris, Kiev, 2008, p. 291
(illustrated)
06_LON_OCT_CONT_v6.indd 295
24/09/09 10:17
265
AlexAnder roitburd b. 1961 Avignon Girls, 2009 Oil on canvas. 150 x 200 cm. (59 x 78 3/4 in). Signed [in Cyrillic] and dated ‘Roitburd 2009’ on the reverse.
estimate £ 2 5 , 0 0 0 - 3 5 , 0 0 0
$ 41, 3 0 0 - 57, 9 0 0
€28,60 0 - 40,0 0 0 ‡
Provenance Collection Gallery, Kiev
06_LON_OCT_CONT_v6.indd 294
23/09/09 16:16
06_LON_OCT_CONT_v6.indd 295
23/09/09 16:16
266
Illya ChIChkan b. 1967 Heavyweight Curator, 2009 C-print. 122.7 x 150 cm. (48 1/4 x 59 in). This work is from an edition of six and is accompanied by a certificate of authenticity signed by the artist.
Estimate £ 4 , 0 0 0 - 6 , 0 0 0
$6,60 0 -9,9 0 0
€4,60 0 - 6,90 0 ‡
Provenance Collection Gallery, Kiev Literature Lindauer Druckerei Eschbaumer GmbH & Co., Venice 53rd
Bienalle Ukranian Pavilion Catalogue, Steppes of Dreamers, Lindau, 2009, cover (illustrated); Art-Media ed., Artchronika magazine, Moscow, August 2009, cover (illustrated)
06_LON_OCT_CONT_v6.indd 298
24/09/09 10:26
267
MaxiM MaMsikov b. 1968 The Ring, 2009 Oil on canvas. 110 x 150 cm. (43 3/8 x 59 in). Signed [in Cyrillic] and dated ‘Mamsikov ‘09’ on the reverse.
Estimate £10 , 0 0 0 -15 , 0 0 0
$16 , 5 0 0 - 24 , 8 0 0
€11,4 0 0 -17,10 0 ‡
Provenance Collection Gallery, Kiev exhibited Kiev Fine Art Gallery, Between the Earth and the Sky: New Ukranian
Landscape, 19 March – 17 May, 2009
06_LON_OCT_CONT_v6.indd 299
24/09/09 10:26
268
ARSEN SAVADOV b. 1962 Prince, 2006 Acrylic on linen. 171 x 141 cm. (67 1/4 x 55 1/2 in). Signed and dated ‘ARSEN SAVADOV - 06’ on the reverse. This work is accompanied by a certificate of authenticity.
Estimate £10 , 0 0 0 -15 , 0 0 0
$16 , 5 0 0 - 24 , 8 0 0
€11,4 0 0 -17,10 0
Provenance Daneyal Mahmood Gallery, New York
06_LON_OCT_CONT_v6.indd 300
24/09/09 10:27
269
ARSEN SAVADOV b. 1962 Straw, 2006 Acrylic on linen. 200 x 295 cm. (78 3/4 x 116 1/8 in). Signed and dated ‘ARSEN Savadov’ on the reverse. This work is accompanied by a certificate of authenticity.
Estimate £15 , 0 0 0 - 2 0 , 0 0 0
$ 24 , 8 0 0 - 3 3 , 0 0 0
€17,10 0 - 2 2 , 8 0 0
Provenance Daneyal Mahmood Gallery, New York
06_LON_OCT_CONT_v6.indd 301
24/09/09 10:27
270
271
270
271
Valeria troubina b. 1966
Ksenia HnylytsKa b. 1984
Gates—III, 1993
Untitled (Project Open Air), 2008
Oil on canvas. 150 x 200 cm. (59 x 78 3/4 in). Initialed ‘VT’ lower right; signed,
Oil on canvas. 136 x 202 cm. (53 1/2 x 79 1/2 in). Initialed [in Cyrillic] and dated
titled and dated ‘Valeria Troubina, Gates—III, London, 1993’ on the reverse.
‘KH2008’ on the reverse.
estimate £7, 0 0 0 - 9 , 0 0 0
estimate £ 4 , 0 0 0 - 6 , 0 0 0
$11, 6 0 0 -14 , 9 0 0
Provenance Bottega Gallery, Kiev
€ 8 , 0 0 0 -10 , 3 0 0 ‡
$6,60 0 -9,9 0 0
€4,60 0 - 6,90 0 ‡
Provenance Collection Gallery, Kiev exhibited Kiev, Collection Gallery, Project Open Air, 29 January – 26 February, 2009
06_LON_OCT_CONT_v6.indd 302
24/09/09 10:28
272
AlexAnder KlymenKo b. 1963 A myriad of worlds directly overhead above us (Solar Hedonism from Goa series), 2009 Acrylic on canvas. Diameter: 120 cm. (47 1/4 in). Signed and dated ‘Klymenko 2009’ lower edge. Signed, titled [in Cyrillic] and dated ‘Alexander Klymenko “Solar Hedonism” 2009’ on the reverse.
estimate £10 , 0 0 0 -15 , 0 0 0
$16 , 5 0 0 - 24 , 8 0 0
€11,4 0 0 -17,10 0 ‡
Provenance Acquired directly from the artist exhibited Kiev, Modern Art Research Institute, Goa, 18 July - 1 August, 2009
06_LON_OCT_CONT_v6.indd 303
24/09/09 10:28
273
Mykola Matsenko b. 1960 Culture, 2008 Oil and acrylic on canvas. 200 x 160 cm. (78 3/4 x 63 in). Initialed and dated ‘M 2008’ centre; Signed, titled [in Cyrillic] and dated ‘M. Matsenko 2008 Culture’ on the reverse.
estimate £ 6 , 0 0 0 - 8 , 0 0 0
$ 9 , 9 0 0 -13 , 2 0 0
€ 6 , 9 0 0 - 9,10 0 ‡
Provenance Art & Agent Ukr Gallery, Kiev exhibited Kiev, Pavel Gudimov Art Centre, Ya Gallery, Culture, 26 November -
15 December, 2008; Vilnius, Centre Lit Expo, Art Vilnius ‘09, 8 July - 12 July, 2009
06_LON_OCT_CONT_v6.indd 304
24/09/09 10:28
274
AlexAnder Gnilitsky b. 1961 Heater, 2008 Oil on canvas. 200 x 140 cm. (78 3/4 x 55 1/8 in). Signed and dated ‘Gnill 2008’ on the reverse.
estimate £15 , 0 0 0 - 2 0 , 0 0 0
$ 24 , 8 0 0 - 3 3 , 0 0 0
€17,10 0 - 2 2 , 8 0 0 ‡
Provenance Collection Gallery, Kiev exhibited Kiev, Collection Gallery, Alexander Gnilitsky, Modesty and Lard, 30
October – 11 November, 2009 Literature Exhibition catalogue, Collection Gallery, Modesty and Lard, Kiev,
2008, p. 35 (illustrated)
06_LON_OCT_CONT_v6.indd 305
24/09/09 10:29
275
Nikita kadaN b. 1980 Untitled (Project Place of Action), 2009 Oil on canvas. 145 x 145 cm. (57 1/8 x 57 1/8 in). Signed [in Cyrillic] and dated ‘Kadan 09’ on the reverse.
Estimate £ 4 , 0 0 0 - 6 , 0 0 0
$6,60 0 -9,9 0 0
€4,60 0 - 6,90 0 ‡
Provenance Collection Gallery, Kiev exhibited Kiev, Collection Gallery, Project Place of Action, 10 September – 10
October, 2009
06_LON_OCT_CONT_v6.indd 306
24/09/09 10:29
276
illya isupov b. 1971 The Citizen, 2007 Oil, tracing paper and collage on cardboard. 101 x 71 cm. (39 3/4 x 28 in).
Estimate £ 4 , 0 0 0 - 6 , 0 0 0
$6,60 0 -9,9 0 0
€4,60 0 - 6,90 0 ‡
Provenance Collection Gallery, Kiev exhibited Kiev, Fine Art Gallery, Top 10, 20 December, 2007 - 31 January, 2008;
Kiev, Tseh Gallery, Millet, 6 February - 5 March, 2008
06_LON_OCT_CONT_v6.indd 307
24/09/09 10:29
277
Dmitry Dulfan b. 1971 Talk to Me, Earthman!, 2009 Cellophane, electrical components and mixed media. Height: 130 cm. (51 1/4 in).
Estimate £ 5 , 0 0 0 -7, 0 0 0
$ 8 , 3 0 0 -11, 6 0 0
€ 5 ,70 0 - 8 , 0 0 0 Ω
Provenance Collection Gallery, Kiev exhibited Kiev, Collection Gallery, The Perfect Age Project 2, 25 June – 30 July,
2009 Literature Exhibition catalogue, Collection Gallery, The Perfect Age Project 2 ,
Kiev, 2009 p. 33 (illustrated)
06_LON_OCT_CONT_v6.indd 306
23/09/09 16:25
06_LON_OCT_CONT_v6.indd 307
23/09/09 16:26
278
279
278
ALEXANDER KOSOLAPOV b. 1943
279
ALEXANDER KOSOLAPOV b. 1943
Mc Lenin’s, 1991
Malevich, 2001
Lightbox. 120.6 x 121 cm. (47 1/2 x 47 5/8 in). This work is accompanied by a
Lightbox. 90.8 x 120.7 cm. (35 3/4 x 47 1/2 in). This work is accompanied by
certificate of authenticity.
a certificate of authenticity.
Estimate £7, 0 0 0 - 9 , 0 0 0
$11, 6 0 0 -14 , 9 0 0
Provenance Galerie Hussenot, Paris
06_LON_OCT_CONT_v6.indd 308
€ 8 , 0 0 0 -10 , 3 0 0 ♠
Estimate £7, 0 0 0 - 9, 0 0 0
$11, 6 0 0 -14 , 9 0 0
€ 8 , 0 0 0 -10 , 3 0 0 ♠
Provenance Galerie Hussenot, Paris
23/09/09 16:27
280
281
280
281
BARRY MCGEE b. 1966
BARRY MCGEE b. 1966
Untitled (3 bottles), 2005
Untitled, 2004
Painted glass bottles in three parts. Overall: 35 x 26 cm. (13 3/4 x 10 1/4 in).
Acrylic on board in six parts. 100 x 137 cm. (39 3/8 x 53 7/8 in). This work is
This work is accompanied by a certificate of authenticity signed by the artist.
accompanied by a certificate of authenticity signed by the artist.
Estimate £ 3 , 0 0 0 - 5 , 0 0 0
Estimate £12 , 0 0 0 -18 , 0 0 0
$5,0 0 0 -8,30 0
€ 3 ,4 0 0 - 5 ,70 0 ‡
Provenance Modern Art Inc., London
$19 , 8 0 0 - 2 9 , 8 0 0
€13 ,70 0 - 2 0 , 6 0 0 ‡
Provenance Modern Art Inc., London
exhibited London, Modern Art Inc., Barry McGee, Easy Touto, 9 September –
30 October, 2005
06_LON_OCT_CONT_v6.indd 309
23/09/09 16:27
282
282
Louise LawLer b. 1947 This Picture is the Same Size as the Painting I was Asked to Photograph, 1999 Cibachrome print flush-mounted to aluminium. 52.4 x 38.1 cm. (20 5/8 x 15 in). Signed, numbered of five and dated ‘Louise A. Lawler 1999’ on the reverse. This work is from an edition of five.
estimate £ 8 , 0 0 0 -12 , 0 0 0
$13 , 2 0 0 -19 , 8 0 0
€ 9 ,10 0 -13 ,70 0 ‡
Provenance Metro Pictures, New York
283
283
Mike keLLey b. 1954 Landscape Figure (from Monkey Island Series), 1982-3 Felt tip pen on paper. 101.7 x 76 cm. (40 x 29 7/8 in). Signed ‘M.Kelley’ on the label adhered to the reverse.
estimate £7, 0 0 0 - 9 , 0 0 0
$11, 6 0 0 -14 , 9 0 0
€ 8 , 0 0 0 -10 , 3 0 0 ‡
Provenance Patrick Painter Inc, Santa Monica
06_LON_OCT_CONT_v6.indd 312
24/09/09 10:42
284
284
fiona banner b. 1966
285
sarah lucas b. 1962
The Desert, 1995
Untitled, 1991
Screenprint mounted to linen. 211.5 x 553.7 cm. (83 1/4 x 218 in). .
Graphite on paper in five parts. Each: 22.5 x 17.8 cm. (8 7/8 x 7in). Signed and dated ‘Sarah Lucas 1991’ on an envelope accompanying the work.
estimate £10 , 0 0 0 -15 , 0 0 0
$16 , 5 0 0 - 24 , 8 0 0
€11,4 0 0 -17,10 0 ♠‡ estimate £ 4 , 0 0 0 - 6 , 0 0 0
$6,60 0 -9,9 0 0
€ 4 , 6 0 0 - 6 , 9 0 0 ♠‡
Provenance Acquired directly from the artist; Private collection, New York Provenance Acquired directly from the artist; Private collection, New York
285
06_LON_OCT_CONT_v6.indd 313
24/09/09 10:43
286
Bernd & Hilla BecHer b. 1931 b. 1934 Krefeldn Hafen, 1979 Gelatin silver print. 91.8 x 75.6 cm. (36 x 29 3/4 in). Signed, titled, dated and numbered of five ‘Krefeldn Hafen 1979 Bernd Becher Hilla Becher’ on the reverse. This work is from an edition of five.
estimate £ 8 , 0 0 0 -12 , 0 0 0
$13 , 2 0 0 -19 , 8 0 0
€ 9,10 0 -13 ,70 0 ♠ ‡
Provenance Sonnabend Gallery, New York; Zeit Photo Salon, Tokyo
06_LON_OCT_CONT_v6.indd 314
24/09/09 10:44
06_LON_OCT_CONT_v6.indd 315
24/09/09 10:44
287
Bernd & Hilla BecHer 1931-2007 & b. 1934 Nachkriegshäuser, Ruhrgebiet, Deutschland, 1988 Triptych: gelatin silver prints. Each: 39.7 x 30.5 cm. (15 5/8 x 12 in). Signed ‘Bernd Becher Hilla Becher’ on the reverse.
estimate £15 , 0 0 0 - 2 0 , 0 0 0
$ 24 , 8 0 0 - 3 3 , 0 0 0
€17,10 0 - 2 2 , 8 0 0 ♠ ‡
provenance Marc Jancou Contemporary, New York
06_LON_OCT_CONT_v6.indd 316
24/09/09 10:45
06_LON_OCT_CONT_v6.indd 317
24/09/09 10:45
288
Peter Fischli & DaviD Weiss b. 1952 & b. 1946 Siedlungen Agglomeration, 1992 Triptych: cibachrome prints flush-mounted to aluminium Each: 16 x 24 cm. (6 3/8 x 9 1/2 in). Signed and dated ‘1992 Fischli David Weiss’ on a label adhered to the reverse of each.
estimate £ 4 , 0 0 0 - 6 , 0 0 0
$6,60 0 -9,9 0 0
€4,60 0 - 6,90 0 ‡
Provenance Acquired directly from the artist
06_LON_OCT_CONT_v6.indd 318
24/09/09 10:46
06_LON_OCT_CONT_v6.indd 319
24/09/09 10:46
289
290
(i)
(ii)
289
Hynek martinec b. 1980
290
Hans Op de Beeck b. 1969
At the Same Time, 2009
Two works: (i) Exercising the Nowhere—Train Station, 2000; (ii) Exercising the
Triptych: oil and acrylic on canvas. 20 x 60 cm. (7 7/8 x 23 5/8 in). Signed and
Nowhere–Waiting Room 2, 2000
dated ‘HYNEK MARTINEC 2009’ on the reverse of each panel.
Digital prints Diasec mounted. (i) 80 x 170 cm. (31 1/2 x 67 in); (ii) 79.5 x 113 cm. (31 1/4 x 44 1/2 in). These works are from an edition of five.
estimate £ 2 , 0 0 0 - 3 , 0 0 0
$3,30 0 -5,0 0 0
€ 2 , 3 0 0 - 3 ,4 0 0 ♠ estimate £ 4 , 0 0 0 - 6 , 0 0 0
$6,60 0 -9,9 0 0
€4,60 0 - 6,90 0 ♠
provenance Private collection, London provenance Private collection, Netherlands
06_LON_OCT_CONT_v6.indd 320
24/09/09 10:46
291
292
291
292
KatE BriNKworth b. 1977
NaN GoldiN b. 1953
Two Fifties, 2009
Hafen Bar. Berlin, 1991
Oil on canvas. 135 x 89.5 (52 3/4 x 35 1/4 in). Signed, titled and dated
Cibachrome print. 66.6 x 97.5 cm. (26 1/4 x 38 3/8 in). Signed, titled, numbered
‘Kate Brinkworth Two Fifties Jan 2009’ on the reverse.
of 25 and dated ‘Nan Goldin Hafen Bar. Berlin. 1991’ on the reverse. This work is from an edition of 25.
Estimate £ 3 , 0 0 0 - 5 , 0 0 0
$5,0 0 0 -8,30 0
€ 3 ,4 0 0 - 5 ,70 0 ♠ Estimate £7, 0 0 0 - 9, 0 0 0
$11, 6 0 0 -14 , 9 0 0
€ 8 , 0 0 0 -10 , 3 0 0 ‡
Provenance Acquired directly from the artist Provenance Matthew Marks Gallery, New York
06_LON_OCT_CONT_v6.indd 321
24/09/09 10:47
293
Paul Mccarthy b. 1945 Mother PIG, Shushi Gallery, San Diego, CA Performance, 1983, 1995 Cibachrome. Each: 95.2 x 65.4 cm. (37 1/2 x 25 3/4 in). Each signed and dated ‘Paul Mccarthy 95’ on the reverse.
Estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0
$ 3 3 ,10 0 - 4 9 , 6 0 0
€22,80 0 -34,30 0 ‡
Provenance Acquired directly from the artist
06_LON_OCT_CONT_v6.indd 322
24/09/09 10:47
06_LON_OCT_CONT_v6.indd 323
24/09/09 10:48
294
sterling ruby b. 1972 Physicalism The Recombine 1, 2006 Lamda print. 157.5 x 124.5 cm. (62 x 49 in). This work is from an edition of three plus two artist’s proofs and is accompanied by a certificate of authenticity.
estimate £15 , 0 0 0 - 2 0 , 0 0 0
$ 24 , 8 0 0 - 3 3 , 0 0 0
€17,10 0 - 2 2 , 8 0 0
Provenance Galleria Emi Fontana, Milan exhibited Milan, Galleria Emi Fontana, Sterling Ruby, The Recombines, 25 May –
28 July, 2006
06_LON_OCT_CONT_v6.indd 324
24/09/09 10:48
06_LON_OCT_CONT_v6.indd 325
24/09/09 10:48
295
andy warhol 1928-1987 Torso, 1977 Screenprint on Lenox museum board. 152.4 x 102 cm. (60 x 40 1/8 in). Stamped with the Estate and Foundation seals and numbered ‘UP 56.47’ on the reverse.
Estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0
$ 3 3 ,10 0 - 4 9 , 6 0 0
€22,80 0 -34,30 0 ‡
provenance Acquired directly from the artist; the Andy Warhol Foundation,
New York; Paul Kasmin Gallery, New York; Private collection, New York
06_LON_OCT_CONT_v6.indd 324
23/09/09 16:39
296
Thomas Ruff b. 1958 Nudes wh14, 2001 C-print in artist’s wooden frame. 153 x 110.4 cm. (60 1/4 x 43 1/2 in). Signed, titled, dated and numbered of five ‘TC Ruff 2001 wh14’ on the reverse. This work is from an edition of five.
Estimate £15 , 0 0 0 - 2 0 , 0 0 0
$ 24 , 8 0 0 - 3 3 , 0 0 0
€17,10 0 - 2 2 , 8 0 0 ♠ ‡
Provenance Galerie Nelson, Paris
06_LON_OCT_CONT_v6.indd 325
23/09/09 16:39
297
michal rovner b. 1957 Human Seeds, 2004 Pigment on canvas. 76.5 x 93.5 cm. (30 1/8 x 36 7/8 in)
estimate £ 8 , 0 0 0 -12 , 0 0 0
$13 , 2 0 0 -19 , 8 0 0
€ 9,10 0 -13 ,70 0
Provenance Pace Wildenstein, New York
06_LON_OCT_CONT_v6.indd 328
24/09/09 10:58
298
VIK MUNIZ b. 1961 (Still Life): Bouquet, After Henri Matisse, from Pictures of magazine, 2004 C-print. 142 x 102 cm. (55 7/8 x 40 1/8 in). This work is one of four artist’s proofs aside from a numbered edition of six.
Estimate £15 , 0 0 0 - 2 0 , 0 0 0
$ 24 , 8 0 0 - 3 3 , 0 0 0
€17,10 0 - 2 2 , 8 0 0
Provenance Galeria Fortes Vilaça, Sao Paulo
06_LON_OCT_CONT_v6.indd 329
24/09/09 10:59
299
VIK MUNIZ b.1961 Kyber Pass, Self-Portrait as an Oriental (After Rembrandt), from Pictures of junk, 2005 Digital C-print. 213.5 x 183 cm. (84 x 72 in). Signed and dated ‘Vik Muniz 2005’ on the label adhered to the reverse. This work is from an edition of six.
Estimate £ 2 5 , 0 0 0 - 3 5 , 0 0 0
$ 41, 3 0 0 - 57, 9 0 0
€28,60 0 - 40,0 0 0
Provenance Galeria Fortes Vilaça, Sao Paulo
06_LON_OCT_CONT_v6.indd 330
24/09/09 10:59
300
VIK MUNIZ b.1961 Self-Portrait (Golden Boy), 2005 Digital c-print. 152.5 x 122 cm. (60 x 48 in). Signed and dated ‘Vik Muniz 2005’ on a label adhered to the reverse.
Estimate £18 , 0 0 0 - 2 2 , 0 0 0
$ 2 9 , 8 0 0 - 3 6 ,4 0 0
€ 2 0 , 6 0 0 - 2 5 ,10 0
Provenance Galeria Fortes Vilaça, Sao Paulo
06_LON_OCT_CONT_v6.indd 331
24/09/09 11:00
301
302
301
VIK MUNIZ b. 1961
302
VIK MUNIZ b. 1961
Self-Portrait, after Rembrandt, from Pictures of Chocolate Series , 2002
Brushstroke 3, After Roy Lichtenstein, from Pictures of Chocolate Series, 2002
Cibachrome print. 152.5 x 122 cm. (60 x 48 in). Signed and dated ‘Vik Muniz 2002’
C-print. 122 x 152.5 cm. (48 x 60 in). Signed and dated ‘Vik Muniz 2002’ on a label
on a label adhered to the reverse. This work is from an edition of three.
adhered to the reverse. This work is from and edtion of three.
Estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0
Estimate £12 , 0 0 0 -18 , 0 0 0
$ 3 3 ,10 0 - 4 9 , 6 0 0
Provenance Galeria Fortes Vilaça, Sao Paulo
07_LON_OCT_CONT_v6.indd 332
€22,80 0 -34,30 0
$19, 8 0 0 - 2 9 , 8 0 0
€13 ,70 0 - 2 0 , 6 0 0
Provenance Galeria Fortes Vilaça, Sao Paulo
24/09/09 11:16
303
304
303
VIK MUNIZ b. 1961
304
VIK MUNIZ b. 1961
Key (The Sarzedo Drawings), from Pictures of Earthworks Series, 2002
Three works: Untitled (from Pictures of Holes), 1997
Gelatin sepia toned silver print. 101.5 x 127 cm. (40 x 50 in). Signed and dated ‘Vik
Cibachrome prints. Each: 49 x 39 cm. (19 1/4 x 15 3/8 in). Signed, titled and dated
Muniz 2002’ on a label adhered to the reverse. This work is from an edition of ten.
‘”M” VIK MUNIZ 1997 Pictures of Holes’ on the reverse of one of the works. These works are from an edition of ten.
Estimate £10 , 0 0 0 -15 , 0 0 0
$16 , 5 0 0 - 24 , 8 0 0
€11,4 0 0 -17,10 0 Estimate £ 4 , 0 0 0 - 6 , 0 0 0
$6,60 0 -9,9 0 0
€4,60 0 - 6,90 0
Provenance Galeria Fortes Vilaça, Sao Paulo Provenance Acquired directly from the artist Literature C.A. Stainback & J. Crump, Vik Muniz: Seeing is Believing, Santa Fe,
1998, p. 99 (one work illustrated)
07_LON_OCT_CONT_v6.indd 333
24/09/09 11:16
305
306
305
307
nan goLdin b. 1953 Joanna Laughing, L’Hotel, Paris, 1999 Cibachrome. 122 x 183 cm. (48 x 72 in). Signed, titled, numbered of three and dated ‘Joanna Laughing, L’Hotel, Paris, 1999 Nan Goldin’ on a label adhered to the reverse. This work is from an edition of three.
Estimate £15 , 0 0 0 - 2 0 , 0 0 0
$ 24 , 8 0 0 - 3 3 , 0 0 0
€17,10 0 - 2 2 , 8 0 0 307
Provenance Guido Costa Projects, Turin
ugo rondinonE b. 1963
exhibited Naples, Museo d’Arte Contemporanea Donna Regina, People, Volti, corpi
I Don’t l Live Here Anymore, 2001
e segi Contemporanei dalla Collezione di Ernesto Esposito, 29 June – 28 August, 2006
C-print, flush-mounted to aluminium with Diasec face. 149.9 x 100 cm. (59 x 39 3/8 in). Signed ‘Ugo Rondinone’ on a label adhered to the reverse. This work is from an edition of two plus one artist’s proof.
306
thomas ruff b. 1958
Estimate £7, 0 0 0 - 9, 0 0 0
Portrait (Pia Fries), 1985
$11, 6 0 0 -14 , 9 0 0
€ 8 , 0 0 0 -10 , 3 0 0
C-print. 24 x 18 cm. (9 1/2 x 7 1/4 in). Signed and dated ‘Th. Ruff 1985’ on a label
Provenance Galerie Hauser & Wirth & Presenhuber, Zurich; Galerie Almine
adhered to the reverse. This work is form an edition of twelve.
Rech, Paris
Estimate £1, 5 0 0 - 2 , 0 0 0
Volti, corpi e segi Contemporanei dalla Collezione di Ernesto Esposito, 29 June –
$ 2 ,4 8 0 - 3 , 3 0 0
€1,710 - 2 , 2 8 0 ♠‡
exhibited Naples, Museo d’Arte Contemporanea Donna Regina, People,
28 August, 2006 Provenance 303 Gallery, New York
07_LON_OCT_CONT_v6.indd 332
23/09/09 16:48
308
Russell Young b. 1960 Hendrix, 2006 Screenprint on canvas. 159 x 115 cm. (62 1/2 x 14 1/4 in). Signed ‘Russell Young’ on the reverse.
estimate £ 5 , 0 0 0 -7, 0 0 0
$ 8 , 3 0 0 -11, 6 0 0
€ 5 ,70 0 - 8 , 0 0 0
Provenance Acquired directly from the artist
07_LON_OCT_CONT_v6.indd 335
24/09/09 12:18
309
310
309
RAFAL BUJNOWSKI b. 1974 Untitled, 2003 Oil on canvas. 35.3 x 44.7 cm. (13 7/8 x 17 5/8 in). Signed and dated ‘BUJNOWSKI/2003’ on the reverse.
Estimate £ 3 , 0 0 0 - 5 , 0 0 0
$5,0 0 0 -8,30 0
€ 3 ,4 0 0 - 5 ,70 0 ♠
Provenance Acquired directly from the artist
310
GEORGE cONdO b. 1957 Etruscan Study, 1993 Pastel on paper. 203 x 101.5 cm. (80 x 40 in). Signed ‘Condo’ lower right.
Estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0
$ 3 3 ,10 0 - 4 9 , 6 0 0
€22,80 0 -34,30 0
Provenance Galerie Daniel Templon, Paris; Private collection, Paris;
Galerie Bruno Bischofberger, Zurich
07_LON_OCT_CONT_v6.indd 334
23/09/09 17:10
311
Sophie von hellerman b. 1975 The Duellists, 2000 Acrylic on canvas. 243.5 x 182.8 cm. (95 7/8 x 72 in). Signed and dated ‘SOPHIE VON HELLERMANN 2000’ on the stretcher bar.
estimate £ 4 , 0 0 0 - 6 , 0 0 0
$6,60 0 -9,9 0 0
€4,60 0 - 6,90 0 ♠
Provenance Vilma Gold, London
07_LON_OCT_CONT_v6.indd 335
23/09/09 17:11
312
Markus Muntean & adi rosenbluM b. 1962 & b.1962 Untitled, 2005 Acrylic and graphite on canvas. 260 x 160.5 cm (102 3/8 x 63 1/4 in). Signed and dated ‘MUN/ROS 05’ on the reverse.
estimate £10 , 0 0 0 -15 , 0 0 0
$16 , 5 0 0 - 24 , 8 0 0
€11,4 0 0 -17,10 0 ♠
Provenance Sommer Contemporary Art, Tel Aviv
07_LON_OCT_CONT_v6.indd 336
23/09/09 17:12
313
314
313
Paul Morrison b. 1966
314
Ben Vautier b. 1935
Stem, 2002
Je fais quoi?
Acrylic on canvas 203 x 305 cm. (80 x 120 1/4 in). Signed, titled and dated ‘’STEM’
Oil on canvas. 24 x 33 cm. (9 1/2 x 13 in). Signed ‘Ben’ lower right.
2002 Paul Morrison’ on the reverse.
estimate £15 , 0 0 0 - 2 0 , 0 0 0
$ 24 , 8 0 0 - 3 3 , 0 0 0
estimate £ 2 , 5 0 0 - 3 , 5 0 0
$ 4 ,10 0 - 5 , 8 0 0
€2,9 0 0 - 4,0 0 0
€17,10 0 - 2 2 , 8 0 0 ♠ ‡ Provenance Private collection, Belgium
Provenance Acquired directly from the artist
07_LON_OCT_CONT_v6.indd 337
23/09/09 17:12
315
315
DAviD tremlett b. 1945 The first work on canvas in my life, 1993 Pastel and graphite on canvas. 90 x 140.5 cm. (35.5 x 57 1/8 in). Signed, titled and dated ‘David Tremlett The first work on canvas in my life 93’ on the reverse.
estimate £ 3 , 0 0 0 - 4 , 0 0 0
$5,0 0 0 - 6,60 0
€ 3 ,4 0 0 - 4 , 6 0 0 ♠
Provenance Alfonso Artiaco, Napoli
316
316
Anish KApoor b. 1954 Untitled from Twelve Etchings I/Red Oval Forms, 2007 Colour etching on Somerset paper. 78 x 91 cm. (30 3/4 x 35 7/8 in). Signed ‘Anish Kapoor’ lower right; signed and titled ‘Kapoor –Twelve Etchings I / Red Oval Forms’ on the reverse. This work is from an edition of 40.
estimate £ 2 , 0 0 0 - 3 , 0 0 0
$3,30 0 -5,0 0 0
€ 2 , 3 0 0 - 3 ,4 0 0 ♠
Provenance Private collection, Cologne
317
317
Antony Gormley b. 1950 Untitled, 1995 Gouache on paper. 27.5 x 38.5 cm .(10 3/4 x 15 1/4 in).
estimate £ 2 , 0 0 0 - 3 , 0 0 0
$3,30 0 -5,0 0 0
€ 2 , 3 0 0 - 3 ,4 0 0 ♠
Provenance Private collection, Los Angeles
07_LON_OCT_CONT_v6.indd 340
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(ii)
(i)
(iii)
(iv)
(v)
318
Raymond Pettibon b. 1957 Five Works: (i) Untitled (Here is to be noted), 1990; (ii) Untitled (In Looking Back), 1991; (iii) Untitled (As if Smoothed), 1998; (iv) Untitled (Neverland Honor Ranch), 1998; (v) Untitled (To Provoke us), 1994 Ink on paper. (i) 35.5 x 28 cm. (14 x 11 in); (ii) 50.8 x 66.9 cm. (20 x 26 1/4 in); (iii) 24.5 x 18.1 cm. (9 5/8 x 7 1/8 in); (iv) 56.5 x 38.3 cm. (22 1/4 x 15 1/8 in); (v) 55.8 x 54 cm. (22 x 21 1/4 in). Each signed and dated on the reverse.
estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0
$ 3 3 ,10 0 - 4 9 , 6 0 0
€22,80 0 -34,30 0 ‡
provenance (i) Regen Projects, Los Angeles; (ii) Feature Gallery, New York; (iii) (iv) (v)
Contemporary Fine Arts, Berlin
07_LON_OCT_CONT_v6.indd 341
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319
Gillian CarneGie b. 1971 Ponoka, 2003-2004 Portfolio of nine etchings. Largest: 69.5 x 57.5 cm. (27 1/8 x 22 5/8 in); smallest: 40.6 x 53.3 cm. (16 x 21 in). Each signed ‘Gillian Carnegie’ and numbered of 37 in lower margin. This work is from an edition of 37 plus eight artist’s proofs and one printer’s proof.
estimate £ 2 , 0 0 0 - 3 , 0 0 0
$3,30 0 -5,0 0 0
€ 2 , 3 0 0 - 3 ,4 0 0 ♠
Provenance The Paragon Press, London
07_LON_OCT_CONT_v6.indd 342
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320
320
SAM SALISBURY b. 1977 Untitled #7, 2005 Graphite on paper. 76.5 x 57.2 cm. (30 1/8 x 22 1/2 in).
Estimate £ 8 0 0 -1, 2 0 0
$1, 3 2 0 -1, 9 8 0
€ 914 -1, 3 70 ‡
Provenance Alison Jacques Gallery, London
321
KENDELL GEERS b. 1968 Two works: La Sainte Vierge, 2004 Ink on paper. 100.3 x 70.2 cm. (39 1/2 x 27 5/8 in). Each signed ‘Kendell Geers’ lower right.
Estimate £10 , 0 0 0 -15 , 0 0 0
$16 , 5 0 0 - 24 , 8 0 0
€11,4 0 0 -17,10 0 ♠
Provenance Private collection, Germany
321
07_LON_OCT_CONT_v6.indd 343
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322
DR LAKRA b. 1972 Untitled (Karloff Lagarde), 2007 Ink on vintage poster. 73 x 47.5 cm. (28 3/4 x 18 3/4 in). Signed ‘Dr Lakra’ lower right.
Estimate £ 5 , 0 0 0 -7, 0 0 0
$ 8 , 3 0 0 -11, 6 0 0
€ 5 ,70 0 - 8 , 0 0 0
Provenance Kurimanzutto, Mexico City
07_LON_OCT_CONT_v6.indd 344
24/09/09 11:21
45947 tranny from clx
323
Dr laKra b. 1972 Black Gordman, 2003 Ink and paint on vintage magazine. 47.5 x 35 cm. (18 3/4 x 13 3/4 in). Signed and dated ‘Dr Lakra MM3’ lower left.
Estimate £ 2 , 0 0 0 - 3 , 0 0 0
$3,30 0 -5,0 0 0
€ 2 , 3 0 0 - 3 ,4 0 0 †
Provenance Kate MacGarry, London
07_LON_OCT_CONT_v6.indd 345
24/09/09 11:21
324
325
324
Vanessa Beecroft b. 1969
325
Vanessa Beecroft b. 1969
Five works: VB08, VB16, VB35, VB39, VB39, 1999
Untitled (performance, detail, 1998, Solomon R. Guggenheim Museum, New York,
C-prints, Diasec mounted. Each: 49.5 x 69.5 cm. (19 1/2 x 27 3/8 in). These works
NY), VB35.079, 1998
are from an edition of 55.
Digital c-prints. 101.2 x 135.9 cm. (39 7/8 x 53 1/2 in). This work is from an edition of three.
estimate £1, 5 0 0 - 2 , 5 0 0
$ 2 , 5 0 0 - 4 ,10 0
€1,70 0 - 2 , 9 0 0 ♠ estimate £ 6 , 0 0 0 - 8 , 0 0 0
$ 9, 9 0 0 -13 , 2 0 0
€ 6 , 9 0 0 - 9 ,10 0 ♠ ‡
Provenance Marco Noire Gallery, Turin Provenance Deitch Projects, New York exhibited Rivoli-Turin, Castello Di Rivoli Museo D’arte Contemporanea, Vanessa
Beecroft Performances 1993-2003, 8 October 2003 – 25 January 2004 (another example exhibited); Bielefeld, Kunsthalle Bielefeld, Vanessa Beecroft Performances 1993-2003, 9 May 2004 – 29 August 2003 (another example exhibited) Literature ed. SKIRA, Vanessa Beecroft performances 1993-2003, Castello Di
Rivoli Museo D’arte Contemporanea, Rivoli-Turin, 2003, p. 222 (illustrated)
07_LON_OCT_CONT_v6.indd 344
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326
327
326
VANESSA BEECROFT b. 1969
327
SpENCER TuNiCk b. 1967
Untitled (performance, detail, 1998, Solomon R. Guggenheim Museum, New York,
Krystl 1, 1999
NY), VB35.330, 1998
C-print, Diasec face mounted. 180.5 x 227 cm. (71 x 89 1/2). Signed, dated and
Digital c-print. 101.6 x 123.2 cm. (40 x 48 1/2 in). This work is from an edition of
numbered of six ‘ Spencer Tunick 1999’. This work of from an edition of six.
three.
Estimate £ 4 , 0 0 0 - 6 , 0 0 0 Estimate £ 6 , 0 0 0 - 8 , 0 0 0
$ 9 , 9 0 0 -13 , 2 0 0
$6,60 0 -9,9 0 0
€4,60 0 - 6,90 0 ‡
€ 6 , 9 0 0 - 9,10 0 ♠ ‡ Provenance I-20 Gallery, New York
Provenance Deitch Projects, New York exhibited Rivoli-Turin, Castello Di Rivoli Museo D’arte Contemporanea, Vanessa
Beecroft Performances 1993-2003, 8 October 2003 – 25 January 2004 (another example exhibited); Bielefeld, Kunsthalle Bielefeld, Vanessa Beecroft Performances 1993-2003, 9 May 2004 – 29 August 2004 (another example exhibited)
07_LON_OCT_CONT_v6.indd 345
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328
PhiliP-lorca Dicorcia b. 1951 Eleven works: Hustlers (i) John Marcus Allen 31 years old, Georgia, $25, 1992; (ii) Jeff Doken, 25 years old, Seattle Washington, $25, 1992/3; (iii) Christopher Patterson, 17 years old San Jaun, Puerto Rico, $20, 1991; (iv) Alex T’Angelo, 28 years old, Los Angeles, CA, $25,1991; (v) Ike Cole, 38 years old, Los Angeles, California, $25, 1991; (vi) ‘Candy’ Robert Randall, 25 years old, Lynwood CA, $30, 1991; (vii) Billy Terry, 31 years old, Los Angeles, California, $25, 1992; (viii) Jerry Michael Jonson, 19 years old Dallas Texas (Hat), $20, 1991; (ix) Brian Scott, 24 years old, San Marco California, $25, 1992; (x) Mickey Jams, 29 years old, Minister, Indiana, $30, 1991; (xi) Mike, 26 years old, $30, 1990/92 C-prints. Each approximately 39 x 58 cm. (15 3/8 x 22 7/8 in). Each: signed, dated and numbered of twenty on the reverse. These works are from an edition of twenty.
Estimate £ 4 0 , 0 0 0 - 6 0 , 0 0 0
$ 6 6 ,10 0 - 9 9 , 2 0 0
€ 4 5 ,70 0 - 6 8 , 5 0 0 ‡
Provenance Acquired directly from the artist
07_LON_OCT_CONT_v6.indd 346
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07_LON_OCT_CONT_v6.indd 347
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329
330
329
PhiliP-lorca dicorcia b. 1951
330
cathErinE Sullivan b. 1968
Todd M. Brooks; 22 Years Old; Denver, Colorado; $40, 1990/1992
Misfire #10, 2005
C-print. 60.6 x 90.2 cm. (23 7/8 x 35 1/2 in). Signed ‘Philip Lorca di Corcia’ on the
C-print. 49 x 98.5 cm. (19 1/4 x 38 3/4 in). This work is from an edition of six.
reverse. This work is from an edition of twenty.
Estimate £ 2 , 5 0 0 - 3 , 5 0 0 Estimate £ 4 , 0 0 0 - 6 , 0 0 0
$6,60 0 -9,9 0 0
$ 4 ,10 0 - 5 , 8 0 0
€2,9 0 0 - 4,0 0 0
€4,60 0 - 6,90 0 Provenance Gio Marconi, Milan; Supportico Lopez, Naples
Provenance Changing Role Gallery, Naples
07_LON_OCT_CONT_v6.indd 348
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331
332
331
332
markus schinwalD b. 1973
Jeremy Deller b. 1966
Contortionists (Daniela), 2005
Untitled, 2002
Lambda print flush-mounted to aluminium. 99.4 x 160 cm. (39 1/8 x 63 in). This
C-print. 27.3 x 41.6 cm. (10 3/4 x 16 3/8 in). Signed ‘Jeremy D’ on a label adhered to
work is from an edition of three.
the reverse. This work is from an edition of three.
estimate £ 5 , 0 0 0 -7, 0 0 0
$ 8 , 3 0 0 -11, 6 0 0
Provenance Max Wigram Gallery, London
07_LON_OCT_CONT_v6.indd 349
€ 5 ,70 0 - 8 , 0 0 0 ♠
estimate £1, 5 0 0 - 2 , 0 0 0
$2,50 0 -3,30 0
€1,70 0 - 2 , 3 0 0 ♠
Provenance Art: Concept, Paris
23/09/09 17:38
333
Wolfgang Tillmans b. 1968 Two works: (i) Arms & Chair, 2000; (ii) Hindemithstrasse, 1996, C-print. i) 30.5 x 40.6 cm. (12 x 16 in). ii) 40.6 x 30.5 cm. (16 x 12 in). (i) Signed, inscribed, titled, numbered of ten and dated ‘arms & chair ph 9 2000 print 2000 Wolfgang Tillmans’ on the reverse. (ii)Signed, inscribed, titled, numbered of ten and dated ‘Hindemithstrasse ph 4 96 print 96 Wolfgang Tillmans’ on the reverse. These works are from an edition of ten plus one artist’s proof.
Estimate £ 3 , 0 0 0 - 5 , 0 0 0
$5,0 0 0 -8,30 0
€ 3 ,4 0 0 - 5 ,70 0 ♠
Provenance Private collection, Italy
07_LON_OCT_CONT_v6.indd 350
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334
WOLFGANG TILLMANS b. 1968 Two works: (i) Faltenwurf, Shiny, 2001; (ii) Use, 2000, C-prints. (i) 40.7 x 30 cm. (16 x 12 in). (ii) 30 x 40.7 cm. (12 x 16 in). (i) Signed, inscribed, numbered of ten, titled and dated ‘Faltenwurf, Shiny ph 2001 WT01 Wolfgang Tillmans 01’ on the reverse; (ii) Signed, inscribed, numbered of ten and dated ‘Use ph 5 00 Pr WT 5 00 Wolfgang Tillmans 00’ on the reverse. These works are from an edition of ten plus one artist’s proof.
Estimate £ 3 , 0 0 0 - 5 , 0 0 0
$5,0 0 0 -8,30 0
€ 3 ,4 0 0 - 5 ,70 0 ♠
Provenance Andrea Rosen Gallery, New York
07_LON_OCT_CONT_v6.indd 351
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index
Accardi, C. 120 Adami, V. 187
Nitsch, H. 13
Alys, F. 37,184, 186
Nitsche, F. 138, 139
Aoshima, C. 192, 193 Armleder, J. 24, 35, 128 Baechler, D. 257 Banner, F. 284 Basquiat, J-M. 12 Becher, B. & H. 286, 287 Beecroft, V. 324, 325, 326 Bludov, A. 261 Bock, J. 176 Bourgeois, L. 135 Bove, C. 174 Brandl, H. 222 Brinkworth, K. 291 Bujnowski, R. 309 Buren, D. 121 Cai, G. Q. 203 Campinini, P. 254 Carnegie, G. 319 Castellani, E. 109 Caulfield, P. 236 Celmins, V. 171 Chapman, J & D. 14 Chichkan, I. 266 Christo 185 Colen, D. 26 Collishaw, M. 172 Condo, G. 153, 154, 310 Conroy, S. 224 Cragg, T. 38, 41 Creed, M. 124 Darboven, H. 147 David, E. 152 de Balincourt, J. 158 de Beeck, H. o. 290 Deller, J. 332 Delvoye, W. 36, 131 DiCorcia, P.-L. 328, 329 Dragset, I. & Elmgreen, M. 2, 218 Dulphan, D. 276 Eliasson, O. 23, 168 Elmgreen, M. & Dragset, I. 2, 218 Favaretto, L. 104 Federle, H. 232, 233 Fischli, P. & Weiss, D. 288 Fleury, S. 223 Fontana, L. 30, 106 Förg, G. 31,140, 141, 235 Frisch Peri, S. 108 Fryer, P. 102 Fuksas, M. 116 Gallaccio, A. 136 Ganesh, C. 209 Geers, K. 117, 321 Geys, J. 132 Ghadirian, S. 216 Giehler, T. 252 Gnilitsky, A. 275 Goldin, N. 119, 292, 305 Goldstein, J. 122 Gonzalez, W. 240, 241 Gormley, A. 317 Greene, M. 178 Gupta, S. 210 Gursky, A. 44
Hafif, M. 239 Hains, R. 181, 182 Haring, K. 189 Hassanzadeh, K. 214 Hatoum, M. 103 Havekost, E. 245 Henning, A. 253 Herold, G. 221 Hirst, D. 160, 161 Hnilitska, K. 271 Hodges, J. 3 Holzapfel, O. 227, 228, 229 Hong, H. 207 Horn, R. 164 Hutte, A. 163 Hybert, F. 115 Hylden, N. 230, 231 Isupov, I. 277 Jensen, S. 32, 237, 238 Kadan, N. 274 Kahrs, J. 179 Kallat, J. 42 Kapoor, A. 316 Kawara, O. 29 Kelley, M. 118, 259, 283 Kersels, M. 255 Kiefer, A. 114 Kippenberger, M. 5, 6, 7, 8, 25, 220, 248 Klein, Y. 133 Klymenko, A. 272 Knobloch, T. 244 Knoebel, I. 125 Koh, T. 217 Kosolapov, A. 278, 279 Kosuth, J. 175 Lakra, Dr. 322, 323 Lambie, J. 130 Lawler, L. 126, 282 Lee, U. 177 Lucas, S. 285 Luo Brothers 206 Maier-Aichen, F. 20, 165, 166, 167 Mamsikov, M. 267 Mangold, R. 145, 146 Manzelli, M. 15 Marepe 148 Martin, B. 258 Martinec, H. 289 McCarthy, P. 16, 149, 293 McCracken, J. 22, 143, 144 McGee, B. 280, 281 McGinnis, R. 249, 250 Meese, J. 9, 246 Melotti, F. 107 Morrison, P. 313 Moshiri, F. 213 Motsenko, M. 273 Mr 197 Muniz, V. 298, 299, 300, 301, 302, 303, 304 Muntean, M. & Rosenblum, A. 157, 312 Nara, Y. 196 Neshat, S. 215
Novikov, I. 263 Opie, J. 150, 151 Ortega, D. 123 Parrino, S. 11, 137 Peri, P. 226 Perry, G. 155, 156 Pettibon, R. 318 Pierre et Gilles 112 Polke, S. 190, 191 Poons, L. 43, 180 Quinn, M. 162 Raedecker, M. 19 Rauschenberg, R. 34 Reyle, A. 219 Richter, G. 183 Roitburd, A.
260, 265
Rondinone, U. 21, 307 Rosenblum, A. & Muntean, M. 157, 312 Rovner, M. 297 Ruby, S. 4, 294 Ruff, T. 17, 170, 296, 306 Salisbury, S. 320 Savadov, A. 268, 269 Scheibl, H. 256 Schutz, D. 247 Sherman, C. 10, 18, 169 Shinwald, M. 331 Stingel, R. 111, 134 Strunz, K. 129 Sugito, H. 195 Sullivan, C. 330 Sydorenko, V. 264 Takano, A. 194 Tayou, P. M. 110 Tillmans, W. 173, 333, 334 Tistol, O. 262 Tremlett, D. 315 Trockel, R. 39, 242, 243 Troubina, V. 270 Tunick, S. 327 Turk, G. 159 Tyson, K. 105, 251 Vautier, B. 101, 314 Vezzoli, F. 113 von Hellerman, S. 311 Wallace, I. 234 Walsh, D. 1, 142 Wang, D. 208 Wang, X. 199 Wang, Z. 205 Warhol, A. 28, 188, 295 Weiser, G. 225 Weiss, D. & Fischli, P. 288 West, F. 33, 40 Wool, C. 27 Yan, P. M. 202, 204 Yan, Q. 200 Young, R. 308 Zhang, H. 201 Zhang, P. 198
Guyton, W. 127 Haerizadeh, R. 211, 212
08_LON_OCT_CONT Backmatter.indd 354
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GUIDE FOR PROSPECTIVE BUYERS
prospective buyer of photographs or prints should always request a condition report because all such property is sold unframed, unless otherwise indicated in the condition report. If a lot is sold framed, Phillips de Pury & Company accepts no liability
BUYInG aT aUCTIOn
for the condition of the frame. If we sell any lot unframed, we will be pleased to refer
The following pages are designed to offer you information on how to buy at auction at
the purchaser to a professional framer.
Phillips de Pury & Company. Our staff will be happy to assist you. Pre-auction Viewing COnDITIOnS OF SalE
Pre-auction viewings are open to the public and free of charge. Our specialists are
The Conditions of Sale and Authorship Warranty which appear later in this catalogue
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1 PRIOR TO aUCTIOn
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From 1,000 to 50,000
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08_LON_OCT_CONT Backmatter.indd 355
24/09/09 11:44
2 Bidding in the Sale
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UK£1,000 to UK£2,000
by UK£100s
Before bidding for any property, prospective bidders are advised to make independent
UK£2,000 to UK£3,000
by UK£200s
enquiries as to whether a license is required to export the property from the United
UK£3,000 to UK£5,000
by UK£200s, 500, 800
Kingdom or to import it into another country. It is the buyer’s sole responsibility to
(i.e. UK£4,200, 4,500, 4,800)
comply with all import and export laws and to obtain any necessary licenses or
UK£5,000 to UK£10,000
by UK£500s
permits. The denial of any required license or permit or any delay in obtaining such
UK£10,000 to UK£20,000
by UK£1,000s
documentation will not justify the cancellation of the sale or any delay in making full
UK£20,000 to UK£30,000
by UK£2,000s
payment for the lot.
UK£30,000 to UK£50,000
by UK£2,000s, 5,000, 8,000
UK£50,000 to UK£100,000
by UK£5,000s
endangered Species
UK£100,000 to UK£200,000
by UK£10,000s
Items made of or incorporating plant or animal material, such as coral, crocodile, ivory,
above UK£200,000
auctioneer’s discretion
whalebone, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value, may require a license or certificate prior to exportation and additional licenses or
The auctioneer may vary the increments during the course of the auction at his or her
certificates upon importation to any country outside the European Union (EU). Please
own discretion.
note that the ability to obtain an export license or certificate does not ensure the ability to obtain an import license or certificate in another country, and vice versa. We suggest that prospective bidders check with their own government regarding wildlife
3 the auction
import requirements prior to placing a bid. It is the buyer’s sole responsibility to obtain
conditions of Sale
any necessary export or import licenses or certificates as well as any other required
As noted above, the auction is governed by the Conditions of Sale and Authorship
documentation. The denial of any required license or certificate or any delay in
Warranty. All prospective bidders should read them carefully. They may be amended
obtaining such documentation will not justify the cancellation of the sale or any delay
by saleroom addendum or auctioneer’s announcement.
in making full payment for the lot.
08_LON_OCT_CONT Backmatter.indd 356
24/09/09 11:45
the Bleich-Rossi collection An iMPoRtAnt collection oF woRks By MARtin kiPPenBeRGeR AnD his collABoRAtoRs oFFeReD FoR PRiVAte sAle
MARTIN KIppeNbeRgeR AlbeRT OehleN MIchAel KRebbeR JöRg SchlIcK eXhIbITION ON VIeW phIllIpS De pURY & cOMpANY gAlleRY AT SAATchI gAlleRY 7 – 24 OcTObeR 2009 Duke of York Headquarters London SW3 4SQ Enquiries: +44 20 7318 4010 Gallery opening hours: 10am-6pm, 7 days a week, last entry 5:30PM
FRee ADMission
www.phillipsdepury.com www.saatchigallery.com sale enquiries: silke taprogge staprogge@phillipsdepury.com +44 20 7318 4012
08_LON_OCT_CONT Backmatter.indd 357
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2 Bidding in the Sale
interested Parties announcement
Bidding at auction
In situations where a person allowed to bid on a lot has a direct or indirect interest in
Bids may be executed during the auction in person by paddle or by telephone or prior
such lot, such as the beneficiary or executor of an estate selling the lot, a joint owner
to the sale in writing by absentee bid. Proof of identity in the form of government
of the lot or a party providing or participating in a guarantee on the lot, Phillips de
issued identification will be required, as will an original signature. We may also
Pury & Company will make an announcement in the saleroom that interested parties
require that you furnish us with a bank reference.
may bid on the lot.
Bidding in Person
consecutive and Responsive Bidding
To bid in person, you will need to register for and collect a paddle before the auction
The auctioneer may open the bidding on any lot by placing a bid on behalf of the seller.
begins. New clients are encouraged to register at least 48 hours in advance of a sale to
The auctioneer may further bid on behalf of the seller up to the amount of the reserve
allow sufficient time for us to process your information. All lots sold will be invoiced to
by placing consecutive bids or bids in response to other bidders.
the name and address to which the paddle has been registered and invoices cannot be transferred to other names and addresses. Please do not misplace your paddle. In the event you lose it, inform a Phillips de Pury & Company
4 afteR the auction
staff member immediately. At the end of the auction, please return your paddle to the
Payment
registration desk.
Buyers are required to pay for purchases immediately following the auction unless other arrangements are agreed with Phillips de Pury & Company in writing in advance
Bidding by telephone
of the sale. Payments must be made in pounds sterling either by cash, cheque drawn
If you cannot attend the auction, you may bid live on the telephone with one of our
on a UK bank or wire transfer, as noted in Paragraph 6 of the Conditions of Sale. It is
multi-lingual staff members. This service must be arranged at least 24 hours in
our corporate policy not to make or accept single or multiple payments in cash or cash
advance of the sale and is available for lots whose low pre-sale estimate is at least
equivalents in excess of the local currency equivalent of US$10,000.
£500. Telephone bids may be recorded. By bidding on the telephone, you consent to the recording of your conversation. We suggest that you leave a maximum bid, excluding the buyer’s premium and VAT, which we can execute on your behalf in the event we are
credit cards
unable to reach you by telephone.
As a courtesy to clients, Phillips de Pury & Company will accept Visa, Mastercard and UK-issued debit cards to pay for invoices of £50,000 or less. A processing fee will apply.
absentee Bids If you are unable to attend the auction and cannot participate by telephone, Phillips de Pury & Company will be happy to execute written bids on your behalf. A bidding form
collection
can be found at the back of this catalogue. This service is free and confidential. Bids
It is our policy to request proof of identity on collection of a lot. A lot will be released
must be placed in the currency of the sale. Our staff will attempt to execute an
to the buyer or the buyer’s authorized representative when Phillips de Pury & Company
absentee bid at the lowest possible price taking into account the reserve and other
has received full and cleared payment and we are not owed any other amount by the
bidders. Always indicate a maximum bid, excluding the buyer’s premium and VAT.
buyer. Promptly after the auction, we will transfer all lots to a third party storage
Unlimited bids will not be accepted. Any absentee bid must be received at least 24
facility and will so advise all buyers. If you are in doubt about the location of your
hours in advance of the sale. In the event of identical bids, the earliest bid received will
purchase, please contact the Shipping Department prior to arranging collection. We
take precedence.
will levy removal, interest, storage and handling charges on uncollected lots.
employee Bidding
loss or damage
Employees of Phillips de Pury & Company and our affiliated companies, including the
Buyers are reminded that Phillips de Pury & Company accepts liability for loss or
auctioneer, may bid at the auction by placing absentee bids so long as they do not
damage to lots for a maximum of five days following the auction.
know the reserve when submitting their absentee bids and otherwise comply with our
transport and Shipping
employee bidding procedures.
As a free service for buyers, Phillips de Pury & Company will wrap purchased lots for hand carry only. We do not provide packing, handling or shipping services directly.
Bidding increments
However, we will coordinate with shipping agents instructed by you in order to
Bidding generally opens below the low estimate and advances in increments of up to
facilitate the packing, handling and shipping of property purchased at Phillips
10%, subject to the auctioneer’s discretion. Absentee bids that do not conform to the
de Pury & Company. Please refer to Paragraph 7 of the Conditions of Sale for
increments set below may be lowered to the next bidding increment.
more information.
UK£50 to UK£1,000
by UK£50s
export and import licenses
UK£1,000 to UK£2,000
by UK£100s
Before bidding for any property, prospective bidders are advised to make independent
UK£2,000 to UK£3,000
by UK£200s
enquiries as to whether a license is required to export the property from the United
UK£3,000 to UK£5,000
by UK£200s, 500, 800
Kingdom or to import it into another country. It is the buyer’s sole responsibility to
(i.e. UK£4,200, 4,500, 4,800)
comply with all import and export laws and to obtain any necessary licenses or
UK£5,000 to UK£10,000
by UK£500s
permits. The denial of any required license or permit or any delay in obtaining such
UK£10,000 to UK£20,000
by UK£1,000s
documentation will not justify the cancellation of the sale or any delay in making full
UK£20,000 to UK£30,000
by UK£2,000s
payment for the lot.
UK£30,000 to UK£50,000
by UK£2,000s, 5,000, 8,000
UK£50,000 to UK£100,000
by UK£5,000s
endangered Species
UK£100,000 to UK£200,000
by UK£10,000s
Items made of or incorporating plant or animal material, such as coral, crocodile, ivory,
above UK£200,000
auctioneer’s discretion
whalebone, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value, may require a license or certificate prior to exportation and additional licenses or
The auctioneer may vary the increments during the course of the auction at his or her
certificates upon importation to any country outside the European Union (EU). Please
own discretion.
note that the ability to obtain an export license or certificate does not ensure the ability to obtain an import license or certificate in another country, and vice versa. We suggest that prospective bidders check with their own government regarding wildlife
3 the auction
import requirements prior to placing a bid. It is the buyer’s sole responsibility to obtain
conditions of Sale
any necessary export or import licenses or certificates as well as any other required
As noted above, the auction is governed by the Conditions of Sale and Authorship
documentation. The denial of any required license or certificate or any delay in
Warranty. All prospective bidders should read them carefully. They may be amended
obtaining such documentation will not justify the cancellation of the sale or any delay
by saleroom addendum or auctioneer’s announcement.
in making full payment for the lot.
08_LON_OCT_CONT Backmatter.indd 358
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CONTEMPORARY ART AUCTIONS NEW YORK PART I 12 NOVEMBER 2009 7pm PART II Viewing 7 – 12 November
13 NOVEMBER 2009 10am & 2pm
Phillips de Pury & Company 450 West 15 Street New York 10011 Enquiries +1 212 940 1260 Catalogues +1 212 940 1240 / +44 20 7318 4039 www.phillipsdepury.com OLAFUR ELIASSON 1m3 light, 1999 Estimate $300,000-500,000
08_LON_OCT_CONT Backmatter.indd 359
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VAT And oTher TAx informATion for buyers
Where the buyer carries purchases from the EU personally or uses the services of a third party, Phillips de Pury & Company will charge the VAT amount due as a deposit and refund it if the lot has been exported within three months of the date of sale
The following paragraphs provide general information to buyers on the VAT and
and the following conditions are met:
certain other potential tax implications of purchasing property at Phillips de Pury & Company. This information is not intended to be complete. In all cases, the relevant tax
• For lots sold under the Auctioneer’s Margin Scheme or the normal VAT
legislation takes precedence, and the VAT rates in effect on the day of the auction will
rules, Phillips de Pury & Company is provided with appropriate
be the rates charged. It should be noted that, for VAT purposes only, Phillips de Pury &
documentary proof of export from the EU. Buyers carrying their own
Company is not usually treated as agent and most property is sold as if it is the
property should obtain hand-carry papers from the Shipping Department
property of Phillips de Pury & Company. In the following paragraphs, reference to VAT
to facilitate this process; or
symbols shall mean those symbols located beside the lot number or the pre-sale
• For lots sold under temporary importation, Phillips de Pury & Company is
estimates in the catalogue (or amending saleroom addendum).
provided with a copy of the correct paperwork duly completed and stamped by HM Revenue and Customs which shows the property has been exported
1 ProPerTy wiTh no VAT symbol
from the EU via the UK. It is essential for shippers acting on behalf of
Where there is no VAT symbol, Phillips de Pury & Company is able to use the
buyers to collect copies of original import papers from our Shipping
Auctioneer’s Margin Scheme, and VAT will not normally be charged on the
Department. HM Revenue and Customs insist that the correct customs
hammer price.
procedures are followed and Phillips de Pury & Company will not be able to issue any refunds where the export documents do not exactly comply with
Phillips de Pury & Company must bear VAT on the buyer’s premium. Therefore, we will
governmental regulations. Property subject to temporary importation must
charge an amount in lieu of VAT at 15% on the buyer’s premium. This amount will form
be transferred to another customs procedure immediately if any restoration
part of the buyer’s premium on our invoice and will not be separately identified.
or repair work is to be carried out.
2 ProPerTy wiTh A † symbol
Buyers carrying their own property must obtain hand-carry papers from the Shipping
These lots will be sold under the normal UK VAT rules, and VAT will be charged at 15%
Department, for which a charge of £20 will be made. The VAT refund will be processed
on both the hammer price and buyer’s premium.
once the appropriate paperwork has been returned to Phillips de Pury & Company. Phillips de Pury & Company is not able to cancel or refund any VAT charged on sales
3 ProPerTy wiTh A § symbol
made to UK or EU private residents unless the lot is subject to temporary importation
Lots sold to buyers whose registered address is in the EU will be assumed to be
and the property is exported from the EU within three months of the sale date. Any
remaining in the EU. The property will be invoiced as if it had no VAT symbol. However,
refund of VAT is subject to a minimum of £50 per shipment and a processing charge
if an EU buyer advises us that the property is to be exported from the EU, Phillips de
of £20.
Pury & Company will re-invoice the property under the normal VAT rules. Buyers intending to export, repair, restore or alter lots under temporary importation Lots sold to buyers whose address is outside the EU will be assumed to be exported
should notify the Shipping Department before collection. Failure to do so may result in
from the EU. The property will be invoiced under the normal VAT rules. Although the
the import VAT becoming payable immediately and Phillips de Pury & Company being
hammer price will be subject to VAT, the VAT will be canceled or refunded upon export.
unable to refund the VAT charged on deposit.
The buyer’s premium will always bear VAT. However, buyers who are not intending to export their property from the EU should notify our Client Accounting Department on
6 VAT refunds from hm reVenue And CusToms
the day of the sale, and the property will be re-invoiced showing no VAT on the
Where VAT charged cannot be cancelled or refunded by Phillips de Pury & Company,
hammer price.
it may be possible to seek repayment from HM Revenue and Customs. Repayments in this manner are limited to businesses located outside the UK and may be
4 ProPerTy sold wiTh A ‡ or Ω symbol
considered for:
These lots have been imported from outside the EU to be sold at auction under temporary importation. Property subject to temporary importation will be offered
• VAT charged on the buyer’s premium on property sold under the normal
under the Auctioneer’s Margin Scheme and will be subject to import VAT of either 5%
VAT rules.
or 15% on the hammer price and an amount in lieu of VAT at 15% on the buyer’s premium. Anyone who wishes to buy outside the Auctioneer’s Margin Scheme should
• Import VAT charged on the hammer price and buyer’s premium for lots
notify the Client Accounting Department before the sale.
sold under temporary importation.
‡ = 5%
Ω = 15%
Claim forms are available from: HM Revenue and Customs
5 exPorTs from The euroPeAn union
VAT Overseas Repayment Section
The following types of VAT may be cancelled or refunded by Phillips de Pury &
P.O. Box 34, Foyle House, Duncreggan Road, Londonderry
Company on exports made within three months of the sale date if strict conditions
Northern Ireland BT48 7AE
are met:
Tel +44 28 7130 5100 Fax +44 28 7130 5101 • The amount in lieu of VAT charged on the buyer’s premium for property sold under the Auctioneer’s Margin Scheme (i.e., without a VAT symbol).
7 sAles And use TAxes Buyers from outside the UK should note that local sales taxes or use taxes may
• The VAT on the hammer price for property sold under the normal VAT
become payable upon import of lots following purchase. Buyers should consult their
rules (i.e., with a † or a § symbol).
own tax advisors.
• The import VAT charged on the hammer price and buyer’s premium for property sold under temporary importation (i.e., with a ‡ or a Ω symbol).
CondiTions of sAle In each of the above examples, where the appropriate conditions are satisfied, no VAT will be charged if, at or before the time of invoicing, the buyer instructs Phillips de
The Conditions of Sale and Authorship Warranty set forth below govern the
Pury & Company to export the property from the EU. If such instruction is received
relationship between bidders and buyers, on the one hand, and Phillips de Pury &
after payment, a refund of the VAT amount will be made.
Company and sellers, on the other hand. All prospective buyers should read these Conditions of Sale and Authorship Warranty carefully before bidding.
08_LON_OCT_CONT Backmatter.indd 360
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PHOTOGRAPHS AUCTION 14 NOVEMBER 2009 10am & 1pm Viewing 7 – 13 November
NEW YORK
Phillips de Pury & Company 450 West 15 Street New York 10011 Enquiries +1 212 940 1245 Catalogues +1 212 940 1240 / +44 20 7318 4039 www.phillipsdepury.com
ALBERT WATSON Breaunna on Leopard Print, Las Vegas Hilton, 2001 Estimate $18,000-22,000
08_LON_OCT_CONT Backmatter.indd 361
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1 IntroductIon
bidding, supplying such information and references as required by Phillips de Pury
Each lot in this catalogue is offered for sale and sold subject to: (a) the Conditions of
& Company.
Sale and Authorship Warranty; (b) additional notices and terms printed in other places in this catalogue, including the Guide for Prospective Buyers, and (c) supplements to
(b) As a convenience to bidders who cannot attend the auction in person, Phillips de
this catalogue or other written material posted by Phillips de Pury & Company in the
Pury & Company may, if so instructed by the bidder, execute written absentee bids on
saleroom, in each case as amended by any addendum or announcement by the
a bidder’s behalf. Absentee bidders are required to submit bids on the “Absentee Bid
auctioneer prior to the auction.
Form,” a copy of which is printed in this catalogue or otherwise available from Phillips de Pury & Company. Bids must be placed in the currency of the sale. The bidder must
By bidding at the auction, whether in person, through an agent, by written bid, by
clearly indicate the maximum amount he or she intends to bid, excluding the buyer’s
telephone bid or other means, bidders and buyers agree to be bound by these
premium and value added tax (VAT). The auctioneer will not accept an instruction to
Conditions of Sale, as so changed or supplemented, and Authorship Warranty.
execute an absentee bid which does not indicate such maximum bid. Our staff will attempt to execute an absentee bid at the lowest possible price taking into account
These Conditions of Sale, as so changed or supplemented, and Authorship Warranty
the reserve and other bidders. Any absentee bid must be received at least 24 hours
contain all the terms on which Phillips de Pury & Company and the seller contract with
in advance of the sale. In the event of identical bids, the earliest bid received will
the buyer.
take precedence.
2 PhIllIPs de Pury & comPany as agent
(c) Telephone bidders are required to submit bids on the “Telephone Bid Form,” a copy
Phillips de Pury & Company acts as an agent for the seller, unless otherwise indicated
of which is printed in this catalogue or otherwise available from Phillips de Pury &
in this catalogue or at the time of auction. On occasion, Phillips de Pury & Company
Company. Telephone bidding is available for lots whose low pre-sale estimate is at
may own a lot, in which case we will act in a principal capacity as a consignor, or may
least £500. Phillips de Pury & Company reserves the right to require written
have a legal, beneficial or financial interest in a lot as a secured creditor or otherwise.
confirmation of a successful bid from a telephone bidder by fax or otherwise immediately after such bid is accepted by the auctioneer. Telephone bids may be
3 catalogue descrIPtIons and condItIon of ProPerty
recorded and, by bidding on the telephone, a bidder consents to the recording of
Lots are sold subject to the Authorship Warranty, as described in the catalogue
the conversation.
(unless such description is changed or supplemented, as provided in Paragraph 1 above) and in the condition that they are in at the time of the sale on the
(d) When making a bid, whether in person, by absentee bid or on the telephone, a
following basis.
bidder accepts personal liability to pay the purchase price, as described more fully in Paragraph 6 (a) below, plus all other applicable charges unless it has been explicitly
(a) The knowledge of Phillips de Pury & Company in relation to each lot is partially
agreed in writing with Phillips de Pury & Company before the commencement of the
dependent on information provided to us by the seller, and Phillips de Pury & Company
auction that the bidder is acting as agent on behalf of an identified third party
is not able to and does not carry out exhaustive due diligence on each lot. Prospective
acceptable to Phillips de Pury & Company and that we will only look to the principal for
buyers acknowledge this fact and accept responsibility for carrying out inspections
such payment.
and investigations to satisfy themselves as to the lots in which they may be interested. Notwithstanding the foregoing, we shall exercise such reasonable care when making
(e) Arranging absentee and telephone bids is a free service provided by Phillips de
express statements in catalogue descriptions or condition reports as is consistent
Pury & Company to prospective buyers. While we undertake to exercise reasonable
with our role as auctioneer of lots in this sale and in light of (i) the information
care in undertaking such activity, we cannot accept liability for failure to execute such
provided to us by the seller, (ii) scholarship and technical knowledge and (iii) the
bids except where such failure is caused by our willful misconduct.
generally accepted opinions of relevant experts, in each case at the time any such express statement is made.
(f) Employees of Phillips de Pury & Company and our affiliated companies, including the auctioneer, may bid at the auction by placing absentee bids so long as they do not
(b) Each lot offered for sale at Phillips de Pury & Company is available for inspection
know the reserve when submitting their absentee bids and otherwise comply with our
by prospective buyers prior to the auction. Phillips de Pury & Company accepts bids
employee bidding procedures.
on lots on the basis that bidders (and independent experts on their behalf, to the extent appropriate given the nature and value of the lot and the bidder’s own expertise)
5 conduct of the auction
have fully inspected the lot prior to bidding and have satisfied themselves as to both
(a) Unless otherwise indicated by the symbol • each lot is offered subject to a reserve,
the condition of the lot and the accuracy of its description.
which is the confidential minimum selling price agreed by Phillips de Pury & Company
(c) Prospective buyers acknowledge that many lots are of an age and type which means that they are not in perfect condition. As a courtesy to clients, Phillips de Pury & Company may prepare and provide condition reports to assist prospective buyers when they are inspecting lots. Catalogue descriptions and condition reports may make reference to particular imperfections of a lot, but bidders should note that lots may have other faults not expressly referred to in the catalogue or condition report. All dimensions are approximate. Illustrations are for identification purposes only and cannot be used as precise indications of size or to convey full information as to the actual condition of lots.
(d) Information provided to prospective buyers in respect of any lot, including any pre-sale estimate, whether written or oral, and information in any catalogue, condition or other report, commentary or valuation, is not a representation of fact but rather a statement of opinion held by Phillips de Pury & Company. Any pre-sale estimate may not be relied on as a prediction of the selling price or value of the lot and may be revised from time to time by Phillips de Pury & Company in our absolute discretion. Neither Phillips de Pury & Company nor any of our affiliated companies shall be liable for any difference between the pre-sale estimates for any lot and the actual price achieved at auction or upon resale.
4 BIddIng at auctIon (a) Phillips de Pury & Company has absolute discretion to refuse admission to the auction or participation in the sale. All bidders must register for a paddle prior to
08_LON_OCT_CONT Backmatter.indd 362
24/09/09 11:48
with the seller. The reserve will not exceed the low pre-sale estimate at the time of
Bank of Scotland
the auction.
Gordon Street, Glasgow G1 3RS. SWIFT BIC: BOFSGB21138
(b)The auctioneer has discretion at any time to refuse any bid, withdraw any lot,
Sort code: 80-54-01
re-offer a lot for sale (including after the fall of the hammer) if he or she believes
IBAN: GB36BOFS 8054 0100 4407 80
there may be error or dispute and take such other action as he or she deems
For the account of PDEPL LTD
reasonably appropriate.
Account no.: 00440780
(c) The auctioneer will commence and advance the bidding at levels and in increments
(e) As a courtesy to clients, Phillips de Pury & Company will accept Visa, Mastercard
he or she considers appropriate. In order to protect the reserve on any lot, the
and UK-issued debit cards to pay for invoices of £50,000 or less. A processing fee
auctioneer may place one or more bids on behalf of the seller up to the reserve without
will apply.
indicating he or she is doing so, either by placing consecutive bids or bids in response to other bidders.
(f) Title in a purchased lot will not pass until Phillips de Pury & Company has received the Purchase Price for that lot in cleared funds. Phillips de Pury & Company is not
(d) The sale will be conducted in pounds sterling and payment is due in pounds
obliged to release a lot to the buyer until title in the lot has passed and appropriate
sterling. For the benefit of international clients, pre-sale estimates in the auction
identification has been provided, and any earlier release does not affect the passing of
catalogue may be shown in US dollars and/or euros and, if so, will reflect approximate
title or the buyer’s unconditional obligation to pay the Purchase Price.
exchange rates. Accordingly, estimates in US dollars or euros should be treated only
7 collection of ProPerty
as a guide.
(a) Phillips de Pury & Company will not release a lot to the buyer until we have received payment of its Purchase Price in full in cleared funds, the buyer has paid all
(e) Subject to the auctioneer’s reasonable discretion, the highest bidder accepted by
outstanding amounts due to Phillips de Pury & Company or any of our affiliated
the auctioneer will be the buyer and the striking of the hammer marks the acceptance
companies, including any charges payable pursuant to Paragraph 8 (a) below, and the
of the highest bid and the conclusion of a contract for sale between the seller and the
buyer has satisfied such other terms as we in our sole discretion shall require,
buyer. Risk and responsibility for the lot passes to the buyer as set forth in Paragraph
including completing any anti-money laundering or anti-terrorism financing checks. As
7 below.
soon as a buyer has satisfied all of the foregoing conditions, he or she should contact
(f) If a lot is not sold, the auctioneer will announce that it has been “passed,”
property.
us at +44 (0) 207 318 4081 or +44 (0) 207 318 4082 to arrange for collection of purchased
“withdrawn,” “returned to owner” or “bought-in.” (b) The buyer must arrange for collection of a purchased lot within five days of the date (g) Any post-auction sale of lots offered at auction shall incorporate these Conditions
of the auction. Promptly after the auction, we will transfer the purchased lot to a third
of Sale and Authorship Warranty as if sold in the auction.
party storage facility and will so advise the buyer. Purchased lots are at the buyer’s risk, including the responsibility for insurance, from the earlier to occur of (i) the date
6 Purchase Price and Payment
of collection or (ii) five days after the auction. Until risk passes, Phillips de Pury &
(a) The buyer agrees to pay us, in addition to the hammer price of the lot, the buyer’s
Company will compensate the buyer for any loss or damage to a purchased lot up to a
premium, plus any applicable value added tax (VAT) and any applicable resale royalty
maximum of the Purchase Price paid, subject to our usual exclusions for loss or
(the “Purchase Price”). The buyer’s premium is 25% of the hammer price up to and
damage to property.
including £25,000, 20% of the portion of the hammer price above £25,000 up to and including £500,000 and 12% of the portion of the hammer price above £500,000.
(c) As a courtesy to clients, Phillips de Pury & Company will, without charge, wrap purchased lots for hand carry only. We do not provide packing, handling, insurance or
(b) VAT is payable in accordance with applicable law. All prices, fees, charges and
shipping services. We will coordinate with shipping agents instructed by the buyer,
expenses set out in these Conditions of Sale are quoted exclusive of VAT.
whether or not recommended by Phillips de Pury & Company, in order to facilitate the packing, handling, insurance and shipping of property bought at Phillips de Pury &
(c) If the Artist’s Resale Right Regulations 2006 apply to the lot, the buyer agrees to
Company. Any such instruction is entirely at the buyer’s risk and responsibility, and we
pay to us an amount equal to the resale royalty provided for in those regulations and
will not be liable for acts or omissions of third party packers or shippers.
we undertake to the buyer to pay such amount to the artist’s collection agent. Lots subject to the Artist’s Resale Right are identified with the symbol ♠ next to the lot
(d) Phillips de Pury & Company will require presentation of government issued
number.
identification prior to release of a lot to the buyer or the buyer’s authorized representative.
(d) Unless otherwise agreed, a buyer is required to pay for a purchased lot immediately following the auction regardless of any intention to obtain an export or
8 failure to collect Purchases
import license or other permit for such lot. Payments must be made by the
(a) If the buyer pays the Purchase Price but fails to collect a purchased lot within 30
invoiced party in pounds sterling either by cash, cheque drawn on a uK bank or
days of the auction, the buyer will incur a late collection fee of £25, storage charges of
wire transfer, as follows:
£3 per day and pro rated insurance charges of .1% of the Purchase Price per month on each uncollected lot.
(i) Phillips de Pury & Company will accept payment in cash provided that the total amount paid in cash or cash equivalents does not exceed the local
(b) If a purchased lot is paid for but not collected within six months of the auction, the
currency equivalent of US$10,000.
buyer authorizes Phillips de Pury & Company, upon notice, to arrange a resale of the item by auction or private sale, with estimates and a reserve set at Phillips de Pury &
(ii) Personal cheques and banker’s drafts are accepted if drawn on a UK
Company’s reasonable discretion. The proceeds of such sale will be applied to pay for
bank and the buyer provides to us acceptable government issued
storage charges and any other outstanding costs and expenses owed by the buyer to
identification. Cheques and banker’s drafts should be made payable to
Phillips de Pury & Company or our affiliated companies and the remainder will be
“PDEPL LTD.” If payment is sent by post, please send the cheque or
forfeited unless collected by the buyer within two years of the original auction.
banker’s draft to the attention of the Client Accounting Department at Howick Place, London SW1P 1BB and ensure that the sale number is
9 remedies for non-Payment
written on the cheque. Cheques or banker’s drafts drawn by third parties
(a) Without prejudice to any rights the seller may have, if the buyer without prior
will not be accepted.
agreement fails to make payment of the Purchase Price for a lot in cleared funds within five days of the auction, Phillips de Pury & Company may in our sole discretion
(iii) Payment by wire transfer may be sent directly to Phillips de Pury &
exercise one or more of the following remedies: (i) store the lot at Phillips de Pury &
Company. Bank transfer details:
08_LON_OCT_CONT Backmatter.indd 363
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Company’s premises or elsewhere at the buyer’s sole risk and expense; (ii) cancel the
10 Rescission by PhilliPs de PuRy & comPany
sale of the lot, retaining any partial payment of the Purchase Price as liquidated
Phillips de Pury & Company shall have the right, but not the obligation, to rescind a
damages; (iii) reject future bids from the buyer or render such bids subject to payment
sale without notice to the buyer if we reasonably believe that there is a material breach
of a deposit; (iv) charge interest at 12% per annum from the date payment became due
of the seller’s representations and warranties or the Authorship Warranty or an
until the date the Purchase Price is received in cleared funds; (v) subject to
adverse claim is made by a third party. Upon notice of Phillips de Pury & Company’s
notification of the buyer, exercise a lien over any of the buyer’s property which is in the
election to rescind the sale, the buyer will promptly return the lot to Phillips de Pury &
possession of Phillips de Pury & Company and instruct our affiliated companies to
Company, and we will then refund the Purchase Price paid to us. As described more
exercise a lien over any of the buyer’s property which is in their possession and, in
fully in Paragraph 13 below, the refund shall constitute the sole remedy and recourse
each case, no earlier than 30 days from the date of such notice arrange the sale of
of the buyer against Phillips de Pury & Company and the seller with respect to such
such property and apply the proceeds to the amount owed to Phillips de Pury &
rescinded sale.
Company or any of our affiliated companies after the deduction from sale proceeds of our standard vendor’s commission, all sale-related expenses and any applicable taxes
11 exPoRt, imPoRt and endangeRed sPecies licenses
thereon; (vi) resell the lot by auction or private sale, with estimates and a reserve set
and PeRmits
at Phillips de Pury & Company’s reasonable discretion, it being understood that in the
Before bidding for any property, prospective buyers are advised to make their own
event such resale is for less than the original hammer price and buyer’s premium for
enquiries as to whether a license is required to export a lot from the United Kingdom
that lot, the buyer will remain liable for the shortfall together with all costs incurred in
or to import it into another country. Prospective buyers are advised that some
such resale; (vii) commence legal proceedings to recover the hammer price and
countries prohibit the import of property made of or incorporating plant or animal
buyer’s premium for that lot, together with interest and the costs of such proceedings;
material, such as coral, crocodile, ivory, whalebone, rhinoceros horn or tortoiseshell,
or (viii) release the name and address of the buyer to the seller to enable the seller to
irrespective of age, percentage or value. Accordingly, prior to bidding, prospective
commence legal proceedings to recover the amounts due and legal costs.
buyers considering export of purchased lots should familiarize themselves with relevant export and import regulations of the countries concerned. It is solely the
(b) The buyer irrevocably authorizes Phillips de Pury & Company to exercise a lien over
buyer’s responsibility to comply with these laws and to obtain any necessary export,
the buyer’s property which is in our possession upon notification by any of our
import and endangered species licenses or permits. Failure to obtain a license or
affiliated companies that the buyer is in default of payment. Phillips de Pury &
permit or delay in so doing will not justify the cancellation of the sale or any delay in
Company will notify the buyer of any such lien. The buyer also irrevocably authorizes
making full payment for the lot.
Phillips de Pury & Company, upon notification by any of our affiliated companies that the buyer is in default of payment, to pledge the buyer’s property in our possession by
12 data PRotection
actual or constructive delivery to our affiliated company as security for the payment of
(a) In connection with the management and operation of our business and the
any outstanding amount due. Phillips de Pury & Company will notify the buyer if the
marketing and supply of auction related services, or as required by law, we may ask
buyer’s property has been delivered to an affiliated company by way of pledge.
clients to provide personal information about themselves or obtain information about clients from third parties (e.g., credit information). If clients provide us with
(c) If the buyer is in default of payment, the buyer irrevocably authorizes Phillips de
information that is defined by law as “sensitive,” they agree that Phillips de Pury &
Pury & Company to instruct any of our affiliated companies in possession of the
Company and our affiliated companies may use it for the above purposes. Phillips de
buyer’s property to deliver the property by way of pledge as the buyer’s agent to a third
Pury & Company and our affiliated companies will not use or process sensitive
party instructed by Phillips de Pury & Company to hold the property on our behalf as
information for any other purpose without the client’s express consent. If you would
security for the payment of the Purchase Price and any other amount due and, no
like further information on our policies on personal data or wish to make corrections
earlier than 30 days from the date of written notice to the buyer, to sell the property in
to your information, please contact us at +44 (0)20 7318 4010. If you would prefer not to
such manner and for such consideration as can reasonably be obtained on a forced
receive details of future events please call the above number.
sale basis and to apply the proceeds to any amount owed to Phillips de Pury & Company or any of our affiliated companies after the deduction from sale proceeds
(b) In order to fulfill the services clients have requested, Phillips de Pury & Company
of our standard vendor’s commission, all sale-related expenses and any applicable
may disclose information to third parties such as shippers. Some countries do not
taxes thereon.
offer equivalent legal protection of personal information to that offered within the European Union (EU). It is Phillips de Pury & Company’s policy to require that any such third parties respect the privacy and confidentiality of our clients’ information and provide the same level of protection for client information as provided within the EU, whether or not they are located in a country that offers equivalent legal protection of personal information. By agreeing to these Conditions of Sale, clients agree to such disclosure.
13 limitation of liability (a) Subject to subparagraph (e) below, the total liability of Phillips de Pury & Company, our affiliated companies and the seller to the buyer in connection with the sale of a lot shall be limited to the Purchase Price actually paid by the buyer for the lot.
(b) Except as otherwise provided in this Paragraph 13, none of Phillips de Pury & Company, any of our affiliated companies or the seller (i) is liable for any errors or omissions, whether orally or in writing, in information provided to prospective buyers by Phillips de Pury & Company or any of our affiliated companies or (ii) accepts responsibility to any bidder in respect of acts or omissions, whether negligent or otherwise, by Phillips de Pury & Company or any of our affiliated companies in connection with the conduct of the auction or for any other matter relating to the sale of any lot.
(c) All warranties other than the Authorship Warranty, express or implied, including any warranty of satisfactory quality and fitness for purpose, are specifically excluded by Phillips de Pury & Company, our affiliated companies and the seller to the fullest extent permitted by law.
(d) Subject to subparagraph (e) below, none of Phillips de Pury & Company, any of our affiliated companies or the seller shall be liable to the buyer for any loss or damage
08_LON_OCT_CONT Backmatter.indd 364
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phILLIpS de puRy & COmpany
Chairman
Senior partners
advisory Board
Simon de Pury
Michael McGinnis
Maria Bell
Dr. Michaela Neumeister
Janna Bullock
Chief Executive OfďŹ cer
Lisa Eisner
Bernd Runge
partners
Lapo Elkann
Aileen Agopian
Ben Elliot
Sean Cleary
Lady Elena Foster
Alexander Payne
H.I.H. Francesca von Habsburg
Rodman Primack
Marc Jacobs
Olivier Vrankenne
Malcolm McLaren
Tiffany Wood
Ernest Mourmans Aby Rosen Christiane zu Salm Princess Gloria vonThurn undTaxis Jean Michel Wilmotte Anita Zabludowicz
WORLDWIDE OFFICES NEW YORK
PARIS
BERLIN
450 West 15 Street NewYork NY 10011 USA
C/O Pro First 15 Rue de la Paix 75002 Paris France
Auguststrasse 19 10117 Berlin Germany
+1 212 940 1200 +1 212 924 5403 fax
+33 1 42 78 67 77 +33 1 42 78 23 07 fax
+49 30 880 018 42 +49 30 880 018 43 fax
LONDON
MUNICH
GENEVA
Howick Place London SW1P 1BB United Kingdom
Maximiliansplatz 12a 80333 Munich Germany
23, quai des Bergues 1201 Geneva Switzerland
+44 20 7318 4010 +44 20 7318 4011 fax
+49 89 238 88 48 0 +49 89 238 88 48 15 fax
+41 22 906 80 00 +41 22 906 80 01 fax
08_LON_OCT_CONT Backmatter.indd 365
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SPECIALIST AND SERVICE DEPARTMENTS
CONTEMPORARY ART LONDON
MODERN AND CONTEMPORARY EDITIONS NEW YORK
Anthony McNerney, Head of Evening Sale, London
+44 20 7318 4067
Kelly Troester, Worldwide Co-Director
+1 212 940 1221
Peter Sumner, Head of Day Sale, London
+44 20 7318 4063
Cary Leibowitz, Worldwide Co-Director
+1 212 940 1222
Laetitia Catoir
+44 20 7318 4064
Jannah Greenblatt
+1 212 940 1332
Silke Taprogge
+44 20 7318 4012
Joy Deibert
+1 212 940 1333
Ivgenia Naiman
+44 20 7318 4071
Fiona Biberstein
+44 20 7318 4013
JEWELRY
Siobhan O’Connor
+44 20 7318 4093
NEW YORK
Catherine Higgs
+44 20 7318 4089
Nazgol Jahan, Worldwide Director
+1 212 940 1283
Raphael Lepine
+44 20 7318 4078
Carmela Manoli
+1 212 940 1302
Tanya Tikhnenko
+44 20 7318 4065
Heather Zises
+1 212 940 1290
Sarah Buchwald
+44 20 7318 4085
Phillippa Willison
+44 20 7318 4070
NEW YORK Michael McGinnis, Worldwide Director
+1 212 940 1254
Aileen Agopian, New York Director
+1 212 940 1255
Jean-Michel Placent
+1 212 940 1263
GENEVA Carolin Bulgari
+41 22 906 80 00
Veronica Lota
+41 22 906 80 05
LONDON Lane McLean
+44 20 7318 4032
Timothy Malyk
+1 212 940 1258
Chin-Chin Yap
+1 212 940 1250
Sarah Mudge, Head of Part II, New York
+1 212 940 1259
Roxana Bruno
+1 212 940 1229
Sara Davidson
+1 212 940 1262
Tobias Sirtl, London Manager
+44 20 7318 4095
Maria Bueno
+1 212 940 1261
Arianna Jacobs
+44 20 7318 4054
Peter Flores
+1 212 940 1223
George O’Dell
+44 20 7318 4040
(Uli) Zhiheng Huang
+1 212 940 1288
Eugenia Ballvé
+1 212 940 1303
DESIGN
THEME SALES Tiffany Wood, Worldwide Director
+49 30 880 018 42
LONDON
NEW YORK Corey Barr, New York Manager
+1 212 940 1234
Anne Huntington
+1 212 940 1210
Steve Agin, Consultant
+1 908 475 1796
LONDON Alexander Payne, Worldwide Director
+44 20 7318 4052
Ben Williams
+44 20 7318 4027
Domenico Raimondo
+44 20 7318 4016
Ellen Stelter
+44 20 7318 4021
Marcus McDonald
+44 20 7318 4014
NEW YORK Alex Heminway, New York Director
+1 212 940 1269
Marcus Tremonto
+1 212 940 1268
Tara DeWitt
+1 212 940 1265
Meaghan Roddy
+1 212 940 1266
Stephanie Abraitis
+1 212 940 1268
CHAIRMAN LONDON Rodman Primack
+44 20 7318 4017
MANAGING DIRECTORS Finn Dombernowsky, London Charlie Horne, New York
+44 20 7318 4034 +1 212 940 1292
PRIVATE SALES Christina Scheublein
+1 212 940 1248
PARIS Johanna Frydman
+33 1 42 78 67 77
PHOTOGRAPHS LONDON
Berlin & Munich Dr. Michaela Neumeister
+49 89 238 88 48 10
Lou Proud
+44 20 7318 4018
Brussels & Paris Olivier Vrankenne
+32 486 43 43 44
Sebastien Montabonel
+44 20 7318 4025
Paris Leonie Moschner
+33 6 85 53 92 03
Alexandra Bibby
+44 20 7318 4087
London Ivgenia Naiman
+44 20 7318 4071
Helen Hayman
+44 20 7318 4092
Brooke de Ocampo
+44 777 551 7060
NEW YORK Vanessa Kramer, New York Director Shlomi Rabi
+1 212 940 1243 + 1 212 940 1246
Los Angeles Mimi Won Techentin
+1 310 600 9192
Maya McLaughlin
+1 323 791 1771
Milan Laura Garbarino
+39 339 478 9671
Caroline Shea
+1 212 940 1247
Eugenia Bertelè
+39 02 3669 5895
Sarah Krueger
+1 212 940 1245
Moscow Svetlana Marich
+7 495 225 88 22
Charlie Scheips, International Consulting Director
08_LON_OCT_CONT Backmatter.indd 366
INTERNATIONAL SPECIALISTS AND REPRESENTATIVES
+ 1 212 940 1245
Shanghai/Beijing Jeremy Wingfield
+86 135 0118 2804
24/09/09 11:49
SALe inFormAtion
Auction Day sale, Saturday 17 October 2009 at 3pm Evening sale, Saturday 17 October 2009 at 7pm
operAtionS mAnAgerS Ross Martin +44 20 7318 4057 Jeffrey Rausch, New York +1 212 940 1367
Viewing Saturday 10 October 10am – 6pm Sunday 11 October 12pm – 6pm Monday 12 October – Friday 16 October 10am – 6pm Saturday 17 October 10am – 12pm
Catalogues Allyson Melchor + 44 20 7318 4039 + 1 212 940 1240 Catalogues £30 at the Gallery/$60 catalogues@phillipsdepury.com
Viewing & Auction LocAtion Howick Place London SW1P 1BB
AbSentee AnD teLephone biDS Anna Ho +44 20 7318 4045 +44 20 7318 4035 fax bids@phillipsdepury.com
SALe DeSignAtion In sending in written bids or making enquiries please refer to these sales as UK010509 or Contemporary Art Evening Sale and UK010609 or Contemporary Art Day Sale.
buyerS AccountS Carolyn Whitehead +44 20 7318 4020
worLDwiDe Director Michael McGinnis New York +1 212 940 1254
cLient SerViceS Brette Kameny +44 20 7318 4010
Director Aileen Agopian New York +1 212 940 1255
photogrAphy Byron Slater, Peter Hepplewhite, Kent Pell
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Cataloguers Raphael Lepine +44 20 7318 4078 Tanya Tikhnenko +44 20 7318 4065 Henry Highley +44 20 7318 4065
GREEN PARK
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SpeciALiStS Anthony McNerney, Head of Evening Sale, London +44 20 7318 4067 Peter Sumner, Head of Day Sale, London +44 20 7318 4063 Laetitia Catoir +44 20 7318 4064 Silke Taprogge +44 20 7318 4012 Ivgenia Naiman +44 20 7318 4071 Fiona Biberstein +44 20 7318 4013 Jean-Michel Placent +1 212 940 1263 Timothy Malyk +1 212 940 1258 Chin-Chin Yap +1 212 940 1250 Sarah Mudge, Head of Part II, New York +1 212 940 1259 Dr Micheala Neumeister +49 89 238 88 48 10 Olivier Vrankenne +32 486 43 43 44 Leonie Moschner +33 6 85 53 92 03 Brooke de Ocampo +44 777 551 7060 Mimi Won Techentin +1 310 660 9192 Maya McLaughlin +1 323 791 1771 Laura Garbarino +39 339 478 9671 Jeremy Wingfield +86 135 0118 2804
SeLLer AccountS Elliot Depree +44 20 7318 4072
Va uX
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Front cover Lucio Fontana, Concetto spaziale, 1958-1960, Lot 30 (detail) title page Jean-Michel Basquiat, Year of the Boar, 1983, Lot 12 (detail) Frontispiece Martin Kippenberger, Big Until Great Hunger, 1984, Lot 6 (detail) Back Cover Jim Hodges, The Good News (De Morgen), 2006, Lot 3 (detail)
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w w w. p h i l l i p s d e p u ry.c o m
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