Contemporary Art Day

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EmErgEncy charity SalE lotS 101-121

ADOPT A DrAWIng

Sold to bEnEfit thE EmErgEncy charitablE organiSation

Phillips de Pury & Company is proud to open the

‘Adopt a Drawing’ represents an important encounter of cultures and experiences to attract people’s attention to the suffering brought about by wars and poverty in every part of the world. International artists have been

Contemporary Art Day Sale with a collection of twenty-one

asked to reinterpret drawings by children; patients in several EmErgEnCy

works by internationally renowned artists, which will be

hospitals and, according to their sensibilities, to take inspiration from

sold to benefit the EmErgEnCy charitable organisation.

their images. By donating one of their works to EmErgEnCy, the artist

These works were inspired by and created in response to

has created an imaginary connection with these little artists. A travelling

drawings given to the artists by children affected by war and poverty. The artists’ donation to the ‘Adopt a Drawing’

exhibition, which included both the childrens’ drawings and the artists’ creations, was presented last year in several venues, including rome, Turin, genoa, Florence and Ferrara.

project, and the subsequent proceeds from the sale, will raise money for life support for civilian war victims. Phillips de Pury & Company is proud to be part of this

The drawings (by Souk, Ali, Kualid, Asuda, Federico…) have arrived from the refugee camps, the hospitals, and the places devastated by wars. Transcending different countries and cultures, these childrens’ drawings

project and wishes EmErgEnCy every success for their

have stimulated the creativity of well-known artists. All the artists have

worthwhile cause.

conceived, built and created something of their own for each one of these children.

EmErgEnCy Life Support for Civilian War Victims

For the children, art has a therapeutic value: through imagination, drawing helps them to free themselves from pain and fears, to overcome difficulties

EmErgEnCy is an independent and neutral humanitarian organization,

and recover a trace of light-heartedness. For the artists, on the other hand,

founded in Italy in 1994, that provides free-of-charge, high quality

it is an emotional journey into the depths of their creative aspirations, about

medical and surgical treatment to the victims of war, landmines

the recovery of art’s social meaning and a concrete engagement with

and poverty.

today’s problems.

EmErgEnCy has active programmes in Afghanistan, Cambodia,

Culture and art can and must be the most efficient means of educating

Central African republic, Iraq, Italy, Sierra Leone and Sudan.

and re-educating consciences and minds towards peace and rejection of

Since 1994, EmErgEnCy has worked in 14 countries, building 8

war in all shapes and forms. The artists’ personal involvement represents

Hospitals, 4 rehabilitation Centres, a maternity Centre and 55 First

the desire to participate and the opportunity to turn the suffering into a

Aid Posts and Primary Health Care Centres.

possibility of hope.

EmErgEnCy is currently building a Paediatric Centre in nyala, South

These works represent an understanding and construct a common

Darfur (Sudan).

language of signs to tell different stories, confirming that culture is, first of all, encounter and exchange.

EmErgEnCy has treated over 3 million patients so far. Sergio Casoli, Elena Geuna, Vauro Senesi EmErgEnCy works to implement Human rights based health projects,according to the principles of Equality, Quality and Social responsibility (EQS). In 2006 EmErgEnCy became a partner of the United nations

Special thanks to all the little and big artists, who have made this

Department of Public Information.

project possible.

EmErgEnCy UK is a British, independent, charitable organisation that

EmErgEnCy are very grateful to:

supports EmErgEnCy’s projects.

Sergio Casoli, Elena geuna, Stefano Senardi and Vauro Senesi; Luisa mensi, Ilaria Porotto, and Carola Serminato; Laura garbarino and Eugenia

www.emergency.it

Bertelè; Spedart S.r.l., massimo De rossi and Davide Papadia; regione

www.emergencyuk.org

Lazio, American Express and Fandango; Banca Popolare di milano

www.emergencyusa.org And for their precious support and collaboration: Archivio Fausto melotti, milan; Fondazione Lucio Fontana, milan; galleria Continua, San gimignano – Beijing; guido Costa Projects, Turin; galleria Emi Fontana, milan/West of rome, Los Angeles; galleria Franco noero, Turin; galeria Jérôme de noirmont, Paris; galleria Lia rumma, naples/milan

In memory of Teresa Sarti Strada, President of EmErgEnCy

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101

BEN VAUTIER b. 1935 Untitled, 2007 acrylic on paper. 50 x 70 cm. (19 5/8 x 27 1/2 in). Signed ‘ben’ lower right.

Estimate £1, 0 0 0 -1, 5 0 0

$1,70 0 - 2 , 5 0 0

€1,10 0 -1,70 0

Provenance acquired directly from the artist exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,

Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence, museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno

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102

Paul Fryer b. 1963 And There Shall Be No Death, 2008 egg, nest, kevlar thread in Plexiglas case on wooden base. overall: 126 x 26 x 26 cm. (49 5/8 x 10 1/4 x 10 1/4 in).

estimate £ 8 , 0 0 0 -12 , 0 0 0

$13 , 2 0 0 -19 , 8 0 0

€ 9,10 0 -13 ,70 0

Provenance acquired directly from the artist; guido costa Projects, turin exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,

Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence, museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno

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103

MONA HATOUM b. 1952 Untitled (Willow Cage), 2002 Willow. 152.5 x 28.5 x 26.5 cm. (60 x 11 1/4 x 10 1/2 in). this work is from an edition of six plus two artist’s proofs.

Estimate £15 , 0 0 0 - 2 0 , 0 0 0

$ 24 , 8 0 0 - 3 3 , 0 0 0

€17,10 0 - 2 2 , 8 0 0 ♠

Provenance acquired directly from the artist; galleria continua, San

gimignano/beijing exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,

Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence, museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno Literature Mona Hatoum, exhibition catalogue, centro de arte contemporanea

de Salamanca (caSa), curated by cristina Zelich, 10 July – 1 September 2002, p.54, in collaboration with il centro galego de arte contemporanea (cgac), Santiago de compostela, 3 october 2002 – 5 January 2003; Mona Hatoum, exhibition at darat al funun, the Kalid fondation, darat al funun, 11 october 2002 – 22 January 2003, n.p.

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104

Lara Favaretto b. 1973 Twistle, 2003 air compressed tank, nitrogen, pressure regulator, timer, electrovalve, trumpet, plastic cables. 187 x 22 cm. (73 5/8 x 8 5/8 in).

estimate £ 3 , 0 0 0 - 5 , 0 0 0

$5,0 0 0 -8,30 0

€ 3 ,4 0 0 - 5 ,70 0

Provenance acquired directly from the artist; galleria franco noero, turin exhibited turin, galleria franco noero, Lara Favaretto, 27 may, 2004 – 23 July,

Fig. 1

2004; new york, Swiss institute and grey art gallery, Ok/OKAY, 19 april, 2005 – 16 July, 2005; Paris, Palais de tokyo, Cinq Milliards d’Années/Une seconde une année, 14 September, 2006 – 14 January, 2007; rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa, Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence, museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno literature Swiss institute and grey art gallery, Ok/OKAY, new york, 2005, pp.

34-37; Palais de tokyo ed., Palais magazine, Cinq Milliards d’Années/Une seconde une année, Paris, fall – Winter 2006, p. 48-54

Fig. 2

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105

KEITH TYSON b. 1969 Little Fella, 2007 resin, acrylic and black lacquer base. Sculpture height: 39 cm. (15 1/4 in)., base: 22.7 x 17.6 x 3.7 cm. (9 x 7 x 1 in).

Estimate £ 8 , 0 0 0 -10 , 0 0 0

$13 , 2 0 0 -16 , 5 0 0

€ 9 ,10 0 -11,4 0 0

Provenance acquired directly from the artist exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,

Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1 – 18 november 2008; florence, museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno

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106

Lucio Fontana 1899-1968 Studi per Buchi, 1960-1961 ballpoint pen on paper. 31 x 21 cm. (12 1/4 x 8 1/8 in). this work is registered under archive number 844/58.

Estimate £ 4 , 0 0 0 - 6 , 0 0 0

$6,60 0 -9,9 0 0

€4,60 0 - 6,90 0

Provenance fondazione lucio fontana, milan exhibited milan, castello Sforzesco, Fontana Disegni, 19 may – 31 July, 1977;

milan, Padiglione d’arte contemporanea, Da Modigliani a Fontana Disegno italiano del XX secolo nelle Civiche Raccolte d’Arte di Milano, 3 october – 8 december, 1991; rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa, Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1 – 18 november 2008; florence, museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno Literature exhibition catalogue milan, castello Sforzesco, Fontana disegni, pl.

58 (illustrated); exhibition catalogue milan, Padiglione d’arte contemporanea, Da Modigliani a Fontana. Disegno italiano del XX secolo nelle Civiche Raccolte d’Arte di Milano, p. 163 (illustrated)

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107

FAUSTO MELOTTI 1901-1986 Leone, circa 1975 brass. 22 x 20 x 8 cm. (8 5/8 x 7 7/8 x 3 1/8 in).

Estimate £15 , 0 0 0 - 2 0 , 0 0 0

$ 24 , 8 0 0 - 3 3 , 0 0 0

€17,10 0 - 2 2 , 8 0 0

Provenance archivio fausto melotti, milan exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,

Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence, museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno

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108

Shay FriSch Peri b. 1963 Superficie Assemblata 1499 B., 2007 Plastic and electrical components. 134 x 140 cm. (52 3/4 x 55 1/8 in).

estimate £ 2 , 0 0 0 - 3 , 0 0 0

$3,30 0 -5,0 0 0

€ 2 , 3 0 0 - 3 ,4 0 0

Provenance acquired directly from the artist exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,

Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence, museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno

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109

Enrico castEllani b. 1930 Untitled, 2007 acrylic on shaped canvas, copper nails. 50 x 80 cm. (19 3/4 x 31 1/2 in). Signed, dedicated and dated ‘castellani Per emergency 2007’ on the overlap.

Estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0

$ 3 3 ,10 0 - 4 9 , 6 0 0

€22,80 0 -34,30 0

Provenance acquired directly from the artist exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,

Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence, museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno

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110

PASCALE MARTHINE TAYOU b. 1967 School of the Funny Ones, 2007 graphite on paper. 120 x 180 cm. (47 1/4 x 70 7/8 in).

Estimate £ 8 , 0 0 0 -12 , 0 0 0

$13 , 2 0 0 -19 , 8 0 0

€ 9,10 0 -13 ,70 0

Provenance acquired directly from the artist; galleria continua, San

gimignano/beijing exhibited boissy-le-chatel, france, galleria continua/le moulin, Ouverture,

21 october 2007 – 6 april 2008; rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa, Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence, museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno Literature n. bourriaud, P.l. tazzi, Pascale Marthine Tayou, Le grand sorcier de

l’utopie, ed. gli ori, 2009, p.121 (illustrated), p.260

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111

RUDOLF STINGEL b. 1956 Untitled, 2002 celotex tuff - r mounted on panel in aluminium frame. 65 x 48.3 cm. (25 1/2 x 19 in). Signed and dated ‘Stingel 2002’ on the reverse.

Estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0

$ 3 3 ,10 0 - 4 9 , 6 0 0

€22,80 0 -34,30 0

Provenance acquired directly from the artist exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,

Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence, museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno

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112

PIERRE ET GILLES b. 1950 & b. 1953 Les enfants du Laos, 1994 hand-painted c-print flush-mounted to aluminium in the artists’ frame. 60.5 x 34.5 cm. (23 3/4 x 13 5/8 in). Signed, titled and dated ‘les enfants du laos 1994 pierre gilles’ on the reverse. this work is unique.

Estimate £15 , 0 0 0 - 2 0 , 0 0 0

$ 24 , 8 0 0 - 3 3 , 0 0 0

€17,10 0 - 2 2 , 8 0 0

Provenance acquired directly from the artists; galerie Jérôme de

noirmont, Paris exhibited arles, chapelle du méjan, rencontres internationales de la

Photographie, Pierre et Gilles, 5 July – 15 august 1994; Paris, maison européenne de la Photographie, Pierre et Gilles – Vingt Ans 1976-1996, 26 november 1996 – 26 January 1997; Valencia, museo de bellas artes de Valéncia, Pierre et Gilles, 2 June – 29 July 1998; tokyo, Shiseido gallery ginza art Space, Pierre et Gilles Mémoire de Voyage, 16 September – 18 october 1998; Paris, galerie Jérôme de noirmont, fiac 2000, Pierre et Gilles 1977-1998, 24-30 october 2000; rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa, Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence, museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno Literature m. nuridsany, ‘Pierre et gilles – Un naturel confondant, par michel

nuridsany’, Actes Sud, arles, 1994, pl.8 (illustrated); b. marcadé & d. cameron, Pierre et Gilles, L’Oeuvre Complet 1976-1996, taschen, cologne, 1997, p.281 (illustrated); Pierre et Gilles Mémoire de voyage, Shiseido gallery ginza art Space, tokyo, 1998, p.17 (illustrated); J.m.g. cortes, e. mendicutti & S. leturcq, Pierre et Gilles, museo de bellas artes de Valéncia, Valéncia, 1998, p.123 (illustrated); b. marcadé, P. Park & J. Sans, Pierre et Gilles – Beautiful Dragon, Seoul museum of art, Seoul, 2004, p.62 (illustrated)

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113

FRANCESCO VEZZOLI b. 1971 Whatever happened to Baby Francesco?, 2007 laser print on canvas with metal embroidery. 16 x 12 cm. (6 1/4 x 4 3/4 in).

Estimate £12 , 0 0 0 -18 , 0 0 0

$19 , 8 0 0 - 2 9 , 8 0 0

€13 ,70 0 - 2 0 , 6 0 0

Provenance acquired directly from the artist exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,

Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence, museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno

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114

ANSELM KIEFER b. 1945 Die Ungeborenen, 2002 charcoal and lead on photographic paper. 60.5 x 88 cm. (23 3/4 x 34 5/8 in).

Estimate £ 3 0 , 0 0 0 - 4 0 , 0 0 0

$ 4 9 , 6 0 0 - 6 6 ,10 0

€ 3 4 , 3 0 0 - 4 5 ,70 0

Provenance acquired directly from the artist; galleria lia rumma,

naples/milan

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115

FABRICE HYBER b. 1961 Solitairies, 2007 oil, charcoal and collage on canvas. 150 x 150 cm. (59 x 59 in). inscribed ‘by m.Said’ lower right; signed, titled and dated ‘fabrice hyber 2007 “Solitaries”’ on the reverse.

Estimate £15 , 0 0 0 - 2 0 , 0 0 0

$ 24 , 8 0 0 - 3 3 , 0 0 0

€17,10 0 - 2 2 , 8 0 0

Provenance acquired directly from the artist; galerie Jérôme de noirmont, Paris exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,

Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence, museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno

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116

117

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Sold to benefit the emergency charitable organiSation

116

117

MASSIMILIANO FUKSAS b. 1944

KENDELL GEERS b. 1968

Tra le nuvole, 2007

Hiroshima, 2004

tempera and pencil on paper. 45 x 52 cm. (17 3/4 x 20 1/2 in).

indian ink on paper. 140 x 200 cm. (55 1/8 x 78 3/4 in). Signed and dated ‘Kendell

Estimate £1, 0 0 0 -1, 5 0 0

$1,70 0 - 2 , 5 0 0

€1,10 0 -1,70 0

geers 2004’ lower right.

Estimate £ 8 , 0 0 0 -12 , 0 0 0

$13 , 2 0 0 -19 , 8 0 0

€ 9 ,10 0 -13 ,70 0 ♠

Provenance acquired directly from the artist exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,

Provenance acquired directly from the artist; galleria continua, San

Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September

gimignano/beijing

– 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence,

exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,

museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno

Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence, museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno

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118

119

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118

MIKE KELLEY b. 1954

Sold to benefit the emergency charitable organiSation

119

Drawing, 2007

NAN GOLDIN b. 1953 Isabelle as a ghost, St. Remy de Provence, France, 2002

ink on paper. 50 x 70 cm. (19 3/4 x 27 1/2 in). Signed and dated ‘m. Kelley 2007’

cibachrome print. 76 x 103 cm. (30 x 40 1/2 in). this work is from an edition of

lower right.

fifteen plus one artist’s proof.

Estimate £ 6 , 0 0 0 - 8 , 0 0 0

$ 9 , 9 0 0 -13 , 2 0 0

€ 6 , 9 0 0 - 9,10 0

Provenance acquired directly from the artist; galleria emi fontana, milan/rome

Estimate £ 4 , 0 0 0 - 6 , 0 0 0

$6,60 0 -9,9 0 0

€4,60 0 - 6,90 0

Provenance acquired directly from the artist; guido costa projects, turin

exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,

exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,

Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September

Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September

– 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence,

– 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence,

museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno

museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno Literature nan goldin, The Devil’s Playgound, Phaidon Press, london, 2008,

p.464 (illustrated)

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120

Carla aCCardi b. 1924 Nero su Arancio, 2007 gouache on cardboard. 35 x 50 cm. (13 3/4 x 19 3/4 in).

Estimate £ 5 , 0 0 0 -7, 0 0 0

$ 8 , 3 0 0 -11, 6 0 0

€ 5 ,70 0 - 8 , 0 0 0

Provenance acquired directly from the artist exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,

Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence, museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno

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121

Daniel Buren b. 1938 Photo-Souvenir: Couleur et ombre portées N°11, travail situé, giugno 2006, 2006 Vinyl, Plexiglas and steel. 200 x 200 x 2.5 cm. (78 3/4 x 78 3/4 x 1 in).

estimate £ 3 0 , 0 0 0 - 4 0 , 0 0 0

$ 4 9 , 6 0 0 - 6 6 ,10 0

€ 3 4 , 3 0 0 - 4 5 ,70 0 ♠

Provenance acquired directly from the artist; galleria continua, San

gimignano/beijing exhibited rome, complesso del Vittoriano, 7 february – 2 march 2008; genoa,

Palazzo ducale, 19 march – 11 may 2008; ferrara, casa dell’ariosto, 27 September – 12 october 2008; turin, Palazzo della regione, 1-18 november 2008; florence, museo marino marini, 11 december 2008 – 5 January 2009, Adotta un disegno

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122

Jack Goldstein 1945-2003 Untitled, 1986 Acrylic on canvas. 183 x 213.4 cm. (72 x 84 in).

estimate £ 2 5 , 0 0 0 - 3 5 , 0 0 0

Provenance

$ 41, 3 0 0 - 57, 9 0 0

€28,60 0 - 40,0 0 0 ‡

Dart Gallery Inc., Chicago; The Stone Collection,

Chicago; The Fruit Market Gallery, Edinburgh; Musée de Grenoble, Grenoble

Looking at these images, we think of the Northern Lights, sunspots, mushroom clouds or volcanic explosions seen either from a great distance or in greatly magnified detail. These events are depicted to meticulous, if not obsessive, perfection through a procedure that involves a great deal of taping and stenciling, and that leaves very little indication of human involvement. Each color of the spectrum has its own separate physical layer. Both process and result suggest topographical maps, but - even though there’s an inclination to read the darkest colors as ocean depths and the brightest as mountain ranges -here it is the topography of light and hue that is being charted. (Roberta Smith, New York Times, 5/22/87)

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123

DAMIÁN ORTEGA b. 1967 Biombio (Green), 2002 Fibreglass and metal. 90.2 x 117 x 109.2 cm. (35 1/2 x 46 x 43 in). This work is accompanied by a certificate of authenticity.

Estimate £ 6 , 0 0 0 - 8 , 0 0 0

$ 9 , 9 0 0 -13 , 2 0 0

€ 6 , 9 0 0 - 9,10 0

Provenance Galeria Pepe Cobo, Madrid

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MARTIN CREED b. 1964 Work No. 294 A Sheet of A5 paper crumpled into a ball, 2003 Paper, wood and Perspex. Overall: 65.4 x 21.5 x 15.9 cm. (25 3/4 x 8 1/2 x 6 1/4 in).

Estimate £ 5 , 0 0 0 -7, 0 0 0

$ 8 , 3 0 0 -11, 6 0 0

€ 5 ,70 0 - 8 , 0 0 0 ♠ ‡

Provenance Analix Forever, Geneva

03_LON_OCT_CONT_v6.indd 137

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125

ImI Knoebel b. 1940 Under the Moon of Love, 1993 Acrylic on aluminium. 124.8 x 124.5 x 14 cm. (49 1/8 x 49 x 5 1/2 in). Initialed and dated ‘IM 93’ on the reverse.

estimate £ 3 0 , 0 0 0 - 4 0 , 0 0 0

$ 4 9 , 6 0 0 - 6 6 ,10 0

€ 3 4 , 3 0 0 - 4 5 ,70 0 ♠ ‡

Provenance Acquired directly from the artist

Like Beuys’ disciple Palermo, with whom he shared a studio in 1968, Knoebel devoted his attention in various analytical series to the relationship between space, carrier and colour. He was indebted to his second great master Kasimir Malevich for a certain reduction to the elementary coordinates of painting. (D. Zwirner, Imi Knoebel, in exhibition catalogue, German Art from Beckmann to Richter, Images of a Divided Country, Berlin 1997, p. 523).

03_LON_OCT_CONT_v6.indd 138

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03_LON_OCT_CONT_v6.indd 139

23/09/09 12:03


126

Louise LawLer b. 1947 Two Heads, 2004 Cibachrome on aluminium museum box. 103 x 133.5 cm. (40 1/2 x 52 1/2 in). Signed, dated and numbered of five ‘Louise A Lawler 2004’ on the reverse. This work is from an edition of five.

estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0

$ 3 3 ,10 0 - 4 9 , 6 0 0

€22,80 0 -34,30 0 ‡

Provenance Metro Pictures, New York exhibited New York, Metro Pictures, Louise Lawler, Looking Forward, 30 October

– 23 December, 2004

03_LON_OCT_CONT_v6.indd 140

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127

Wade Guyton b. 1972 Untitled, 2001 Fibreglass and tape. 122 x 90 x 90 cm. (48 x 35 1/2 x 35 1/2 in).

estimate £15 , 0 0 0 - 2 0 , 0 0 0

$ 24 , 8 0 0 - 3 3 , 0 0 0

€17,10 0 - 2 2 , 8 0 0

Provenance Private collection, Austria exhibited Vienna, Engholm Engelhorn Galerie, The Love of Look, 1 February,

2001 – 18 March, 2001

03_LON_OCT_CONT_v6.indd 141

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128

Katja Strunz b. 1970 Untitled, 2003 Oil on wood. 200 x 80 x 13.5 cm. (78 3/4 x 31 1/2 x 5 3/8 in).

Estimate £10 , 0 0 0 -15 , 0 0 0

$16 , 5 0 0 - 24 , 8 0 0

€11,4 0 0 -17,10 0 ♠

Provenance Galerie Giti Nourbakhsch, Berlin

03_LON_OCT_CONT_v6.indd 142

23/09/09 12:06


129

WIM DELVOYE b. 1965 Silvett Gomex, 1989 Enamel paint on steel saw blade. Diameter: 25 cm. (9 7/8 in). Signed, titled and dated ‘Wim Delvoye 1989 Silvett Gomex’ on the reverse.

Estimate £7, 0 0 0 - 9, 0 0 0

$11, 6 0 0 -14 , 9 0 0

€ 8 , 0 0 0 -10 , 3 0 0 ♠

Provenance Galleria Pontepietra, Verona

03_LON_OCT_CONT_v6.indd 143

23/09/09 12:06


130

John Armleder b. 1948 Furniture Sculpture, 1986 Two painted mahogany side tables. Red: diameter: 45.6 cm. (18 in); height: 66.6 cm (26 1/4 in). Blue: diameter: 46 cm. (18 1/8 in), height: 67 cm. (26 3/8 in). Each signed and dated ‘John Armleder 1986’ on the underside.

estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0

$ 3 3 ,10 0 - 4 9 , 6 0 0

€22,80 0 -34,30 0 ‡

Provenance John Gibson Gallery, New York exhibited Geneva, Mamco, John Armleder, Amor Vacui, Horror Vacui, 18 October,

2007 – 21 January, 2007

03_LON_OCT_CONT_v6.indd 144

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131

JIM LAMBIE b. 1964 Two works: (i) Sandhead (Blue); (ii) Sandhead (Sand), 2004 Hand-cut boxer shorts with gloss paint, tape and two cans of paint. Each: 31.8 x 25.4 x 9.5 cm. (12 1/2 x 10 x 3 3/4 in).

Estimate £12 , 0 0 0 -18 , 0 0 0

$19 , 8 0 0 - 2 9, 8 0 0

€13 ,70 0 - 2 0 , 6 0 0 ♠

Provenance Konrad Fischer Galerie, Düsseldorf

03_LON_OCT_CONT_v6.indd 145

23/09/09 12:08


132

JEFF GEYS b. 1934 Ten Model Paintings, 1965 Ten oil on canvas paintings in artist’s frames. Largest: 56.2 x 69.2 cm. (22 1/8 x 27 1/4 in). Smallest: 40.3 x 30.2 cm. (15 7/8 x 11 7/8 in). Six works signed ‘Jeff Geys’ on the reverse.

Estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0

$ 3 3 ,10 0 - 4 9 , 6 0 0

€22,80 0 -34,30 0 ♠‡

Provenance Galerie Micheline Szwajcer, Antwerp

03_LON_OCT_CONT_v6.indd 146

23/09/09 12:10


03_LON_OCT_CONT_v6.indd 147

23/09/09 12:10


133

Yves Klein 1928 - 1962 La Terre Bleue, 1957/1990 Dry blue pigment and synthetic resin on plaster cast. 41.5 x 29.5 x 29.5 cm. (16 1/4 x 11 1/2 x 11 1/2 in). Embossed with the star and numbered of 300 on a label attached to the underside. This work is from an edition of 300 plus 50 Hors Commerce copies, edited by Galerie Bonnier, Geneva. This work was conceived in 1957 and cast in 1990.

estimate £10 , 0 0 0 -15 , 0 0 0

$16 , 5 0 0 - 24 , 8 0 0

€11,4 0 0 -17,10 0

Provenance Private collection, Geneva Literature P. Wember, Yves Klein, Cologne, 1969, p. 137, no. RP7

(illustration of original cast); J.-P. Ledeur, Yves Klein, Catalogue Raisonné des Editions et Sculptures, Knokke-le-Zoute, 2000, p. 242, no. RP7 (illustration of another cast in colour)

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134

Rudolf Stingel b. 1956 Untitled, 1994 Pigmented cast polyurethane rubber compound. 34.3 x 25 cm. (13 1/2 x 9 7/8 in). Signed, inscribed and and dated ‘M-8 94 Stingel’ on the reverse.

estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0

$ 3 3 ,10 0 - 4 9 , 6 0 0

€22,80 0 -34,30 0 ♠‡

Provenance Paula Cooper Gallery, New York

03_LON_OCT_CONT_v6.indd 151

24/09/09 07:54


135

Louise Bourgeois b. 1911 Les Herbes Folles, 2002 Crayon, ink and pencil on paper. 22.5 x 29.8 cm (8 7/8 x 11 3/4 in). Initialed ‘LB’ lower right.

estimate £10 , 0 0 0 -15 , 0 0 0

$16 , 5 0 0 - 24 , 8 0 0

€11,4 0 0 -17,10 0 ‡

Provenance Galerie Karsten Greve AG, St. Moritz

03_LON_OCT_CONT_v6.indd 152

24/09/09 07:54


136

ANYA GALLACCIO b. 1963 Nevertheless, 2003 Bronze. 12 x 87 x 17.8 cm. (4 3/4 x 34 1/4 x 7 in).

Estimate £15 , 0 0 0 - 2 0 , 0 0 0

$ 24 , 8 0 0 - 3 3 , 0 0 0

€17,10 0 - 2 2 , 8 0 0 ♠

Provenance Blum & Poe, Los Angeles

03_LON_OCT_CONT_v6.indd 153

24/09/09 07:54


137

Steven Parrino 1958-2005 Untitled-Silver, 1995 Enamel and silicone on canvas. 43.2 x 45 cm. (17 x 17 3/4 in). Signed and dated ‘Steven Parrino 95’ on the stretcher.

estimate £ 3 0 , 0 0 0 - 5 0 , 0 0 0

$ 4 9 , 6 0 0 - 8 2 ,70 0

€ 3 4 , 3 0 0 - 57,10 0 ‡

provenance Acquired directly from the artist

03_LON_OCT_CONT_v6.indd 152

23/09/09 12:15


03_LON_OCT_CONT_v6.indd 153

23/09/09 12:15


138

Frank nitsche b. 1964 BDG-01, 2002 Oil on canvas. 300 x 250 cm. (118 1/8 x 98 3/8 in). Signed, titled and dated ‘BDG-01 -2002 Nitsche’ on the reverse.

estimate £15 , 0 0 0 - 2 0 , 0 0 0

$ 24 , 8 0 0 - 3 3 , 0 0 0

€17,10 0 - 2 2 , 8 0 0 ♠ ‡

Provenance Leo Koenig Inc., New York Literature G. Gohlke, Frank Nitsche, Buchhandlung, Walther König, Cologne,

2002, p. 5 (illustrated)

03_LON_OCT_CONT_v6.indd 154

23/09/09 12:15


139

FRANK NITSCHE b. 1964 BAB-02, 2002 Oil on canvas. 230 x 199 cm. (90 1/2 x 78 3/8 in). Signed, titled and dated ‘Nitsche BAB-02-2002’ on the reverse.

Estimate £15 , 0 0 0 - 2 0 , 0 0 0

$ 24 , 8 0 0 - 3 3 , 0 0 0

€17,10 0 - 2 2 , 8 0 0 ♠

provenance Leo Koenig Inc., New York

03_LON_OCT_CONT_v6.indd 155

23/09/09 12:16


140

GÜnther FÖrG b.1952 Untitled, 1991 Acrylic on lead. Each: 80 x 60.3 cm. (31 1/2 x 23 3/4 in). Each signed and dated ‘Förg 91’ on the reverse.

estimate £ 3 5 , 0 0 0 - 4 5 , 0 0 0

$ 57, 9 0 0 -74 ,4 0 0

€ 4 0 , 0 0 0 - 51,4 0 0 ♠ ‡

Provenance Acquired directly from the artist

03_LON_OCT_CONT_v6.indd 156

23/09/09 12:17


03_LON_OCT_CONT_v6.indd 157

23/09/09 12:17


141

GÜnther FÖrG b. 1952 Untitled, 1998 Acrylic on canvas. 200.4 x 165 cm. (78 7/8 x 65 in). Signed and dated ‘Förg 98’ on the reverse.

estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0

$ 3 3 ,10 0 - 4 9 , 6 0 0

€22,80 0 -34,30 0 ♠‡

Provenance Acquired directly from the artist

04_LON_OCT_CONT_v6.indd 158

23/09/09 13:58


142

Dan Walsh b. 1960 Reflector, 1995 Acrylic on canvas 178 x 177.8 cm. (70 1/8 x 70 in). Signed, titled and dated ‘Dan Walsh “Reflector” 1995’ on the stretcher bar.

Estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0

$ 3 3 ,10 0 - 4 9 , 6 0 0

€22,80 0 -34,30 0 ‡

Provenance Acquired directly from the artist

04_LON_OCT_CONT_v6.indd 159

23/09/09 13:58


04_LON_OCT_CONT_v6.indd 160

23/09/09 13:59


143

JOHN MCCRACKEN b. 1934 Visit, 1994 Polyester resin, fibreglass and plywood. 16 x 107.7 x 23.2 cm. (6 1/4 x 42 3/8 x 9 1/8 in). Signed, titled and dated ‘VISIT 1994 McCracken’ on the reverse.

Estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0

$ 3 3 ,10 0 - 4 9 , 6 0 0

€22,80 0 -34,30 0 ‡

Provenance Acquired directly from the artist

04_LON_OCT_CONT_v6.indd 161

23/09/09 13:59


144

JOHN MCCRACKEN b. 1934 Zing, 1994 Polyester resin, fibreglass and plywood 54 x 28.5 x 23.5 cm. (21 1/4 x 11 1/4 x 9 1/4 in). Signed, titled and dated ‘ZING 1994 McCracken’ on the underside.

Estimate £ 8 , 0 0 0 -12 , 0 0 0

$13 , 2 0 0 -19 , 8 0 0

€ 9,10 0 -13 ,70 0 ‡

Provenance Acquired directly from the artist

04_LON_OCT_CONT_v6.indd 164

24/09/09 07:59


145

RobeRt Mangold b. 1937 Two Squares within Two Triangles, 1976 Coloured pencil on paper. 58 x 79.7 cm. (22 7/8 x 31 3/8 in). Signed, titled and dated ‘Two Squares within Two Triangles R.Mangold 1976’ upper left.

estimate £15 , 0 0 0 - 2 0 , 0 0 0

$ 24 , 8 0 0 - 3 3 , 0 0 0

€17,10 0 - 2 2 , 8 0 0 ‡

Provenance Galerie Marcel Fleiss, Paris

04_LON_OCT_CONT_v6.indd 165

24/09/09 08:00


146

ROBERT MANGOLD b. 1937 One 72” square within 6 distorted rectangles, 1979 Graphite on six sheets of paper. 210 x 192.5 cm. (83 x 75 3/4 in).

Estimate £ 4 0 , 0 0 0 - 6 0 , 0 0 0

$ 6 6 ,10 0 - 9 9 , 2 0 0

€ 4 5 ,70 0 - 6 8 , 5 0 0 ‡

Provenance Paula Cooper Gallery, New York

Drawing for me is a process. It’s true that my paintings in a lot of ways are as much drawing as they are paintings. I think my involvement from the beginning has been very linear in terms of how I work, and I’ve never been involved in paint the way a lot of painters are. It’s been a way of coloring a surface or a step, but drawing is the starting point. It’ll start with little sketches where I get an idea about fitting one form within another or I’ll do some thumbnail sketches and then I’ll go through a process of picking and choosing or deciding if it’s a good idea or not a good idea, and making larger drawings and finally drawings with color so that basically I have a pretty strong idea of what I’m going to do. That’s pretty well established in the drawing state. Because I work in shaped canvas, I have to have the idea worked out so that I can build the stretchers, because there’s a cost commitment when you build a stretcher. You want to get it figured out ahead of time so you don’t waste too many stretchers, so there’s a sense in using the drawing in that way. Drawing is central to the work. (Robert Mangold in conversation with John Yau, The Brooklyn Rail, March 2009)

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23/09/09 14:07


147

HANNE DARBOVEN 1941-2009 Dostojewski, 12 months (May), 1990 Ink and collage on graph paper in sixteen parts. Overall: 90.5 x 130 cm. (35 5/8 x 51 1/8 in). Each: 22.5 x 31.1 cm. (8 7/8 x 11 7/8 in). Each dated ‘V 90’ on the reverse.

Estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0

$ 3 3 ,10 0 - 4 9 , 6 0 0

€22,80 0 -34,30 0 ♠

Provenance Galerie Crone, Berlin

04_LON_OCT_CONT_v6.indd 168

24/09/09 08:05


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24/09/09 08:05


148

MAREPE b. 1970 Untitled, 2003 Plastic. 83.8 x 67.9 x 58.4 cm. (33 x 26 3/4 x 23 in).

Estimate £ 5 , 0 0 0 -7, 0 0 0

$ 8 , 3 0 0 -11, 6 0 0

€ 5 ,70 0 - 8 , 0 0 0 ♠

Provenance Galeria Luisa Strina, Sao Paolo; Private collection, Paris

04_LON_OCT_CONT_v6.indd 170

24/09/09 08:05


149

Paul Mccarthy b. 1945 Brancusi Tree (Silver), 2007 Self-inflatable mylar fabric with integrated fan on plastic base with electrical fittings. Height: 203 cm. (80 in). Diameter: 101.6 cm. (40 in). Signed, numbered of 75 and dated ‘Paul McCarthy 2007’ on the base. This work is from an edition of 75.

Estimate £7, 0 0 0 - 9, 0 0 0

$11, 6 0 0 -14 , 9 0 0

€ 8 , 0 0 0 -10 , 3 0 0

Provenance Hauser & Wirth, London

04_LON_OCT_CONT_v6.indd 171

24/09/09 08:05


150

Julian Opie b. 1958 J, 1987 Glass, aluminium, stainless steel, foam, PVC, wood. 126.8 x 248.8 x 22 cm. (49 7/8 x 98 x 8 5/8 in). Signed ‘J. Opie’ on the reverse.

estimate £12 , 0 0 0 -18 , 0 0 0

$19 , 8 0 0 - 2 9 , 8 0 0

€13 ,70 0 - 2 0 , 6 0 0 ♠

PrOVenanCe Galleria Lia rumma, naples

04_LON_OCT_CONT_v6.indd 172

24/09/09 08:06


151

JULIAN OPIE b. 1958 Sara Walking Naked, 2003 Computer animation on LCD screen. 94.9 x 64.4 x 31.1 cm. (37 1/4 x 25 1/4 x 12 3/8 in). This work is from an edition of four.

Estimate £15 , 0 0 0 - 2 0 , 0 0 0

$ 24 , 8 0 0 - 3 3 , 0 0 0

€17,10 0 - 2 2 , 8 0 0 ♠

Provenance Patrick De Brock Gallery, Knokke

04_LON_OCT_CONT_v6.indd 173

24/09/09 08:06


152

ENRICO DAVID b. 1966 Dinnisblumen, 1999 Wool on dyed canvas. 300 x 220 cm. (118 1/8 x 86 5/8 in).

Estimate £ 8 , 0 0 0 -12 , 0 0 0

$13 , 2 0 0 -19 , 8 0 0

€ 9,10 0 -13 ,70 0 ♠ †

Provenance The Approach, London Literature M. Holbern & F. Huber, eds., The Triumph of Painting, London, 2005,

p. 271 (illustrated)

04_LON_OCT_CONT_v6.indd 174

24/09/09 08:06


04_LON_OCT_CONT_v6.indd 175

24/09/09 12:08


153

GeorGe Condo b. 1957 Outside the Hotel, 2005 Oil on canvas. 61 x 50.8 cm. (24 x 20 in). Signed, titled and dated ‘George Condo Outside the Hotel 05’ on the reverse.

estimate £ 2 5 , 0 0 0 - 3 5 , 0 0 0

$ 41, 3 0 0 - 57, 9 0 0

€28,60 0 - 40,0 0 0 ‡

Provenance Private collection, New York

04_LON_OCT_CONT_v6.indd 174

23/09/09 14:09


04_LON_OCT_CONT_v6.indd 175

23/09/09 14:09


154

GeorGe Condo b. 1957 Multi-coloured Figure IV, 1993 Oil on linen. 177.8 x 162.6 cm. (70 x 64 in). Signed and dated ‘Condo 93’ lower left.

estimate £ 6 0 , 0 0 0 - 8 0 , 0 0 0

$ 9 9 , 2 0 0 -13 2 , 0 0 0

€ 6 8 , 5 0 0 - 91,4 0 0 ‡

Provenance Baldwin Gallery, Aspen; Private collection, New York

04_LON_OCT_CONT_v6.indd 176

23/09/09 17:53


04_LON_OCT_CONT_v6.indd 177

23/09/09 17:53


155

GRAYSON PERRY b. 1960 Driven Man, 2000 Glazed earthenware. 39 x 31 x 31 cm. (15 3/8 x 12 1/4 x 12 1/4 in).

Estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0

$ 3 3 ,10 0 - 4 9 , 6 0 0

€22,80 0 -34,30 0

Provenance Laurent Delaye Gallery, London exhibited London, Tate Britain, Turner Prize, 29 October, 2002 - 18 January, 2003;

Amsterdam, Stedelijk Museum, Grayson Perry, 25 November - 31 December, 2003

04_LON_OCT_CONT_v6.indd 180

24/09/09 08:10


Alternative view

04_LON_OCT_CONT_v6.indd 181

24/09/09 08:11


156

Grayson Perry b. 1960 Print for a Politician, 2005 Etching on paper. 67 x 249.5 cm. (26 3/8 x 98 1/4 in). Signed ‘Grayson Perry’ and numbered of 59 on the reverse. This work is from an edition of 59.

estimate £15 , 0 0 0 - 2 0 , 0 0 0

$ 24 , 8 0 0 - 3 3 , 0 0 0

€17,10 0 - 2 2 , 8 0 0 ♠

provenance Acquired directly from the artist

04_LON_OCT_CONT_v6.indd 180

23/09/09 14:14


04_LON_OCT_CONT_v6.indd 181

23/09/09 14:14


04_LON_OCT_CONT_v6.indd 182

23/09/09 14:15


157

Markus Muntean & adi rosenbluM b. 1962 & b. 1962 Untitled (We look at each other…), 2002 Acrylic on canvas. 200 x 250 cm. (78 3/4 x 98 1/2 in).

estimate £18 , 0 0 0 - 2 2 , 0 0 0

$ 2 9 , 8 0 0 - 3 6 ,4 0 0

€ 2 0 , 6 0 0 - 2 5 ,10 0 ♠ †

Provenance Maureen Paley Interim Arts, London Literature M. Holborn & F. Huber, eds., The Triumph of Painting, London, 2005,

p. 164 (illustrated)

04_LON_OCT_CONT_v6.indd 183

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158

JULES DE BALINCOURT b. 1972 Two works: (i) Boxing Your Subconscious; (ii) Untitled, 2005 (i) Oil and enamel on panel; (ii) Mixed media. (i) 61 x 121.9 cm. (24 x 48 in). (ii) 61 x 101.6 x 40.7 cm. (24 x 40 x 16 in). (i) Signed and dated ‘Jules de Balincourt 2005’ on the reverse.

Estimate £15 , 0 0 0 - 2 0 , 0 0 0

$ 24 , 8 0 0 - 3 3 , 0 0 0

€17,10 0 - 2 2 , 8 0 0 ♠ †

Provenance Zach Feuer (LFL) Gallery, New York

04_LON_OCT_CONT_v6.indd 184

23/09/09 14:17


04_LON_OCT_CONT_v6.indd 185

23/09/09 14:18


(i)

(ii)

159

GAVIN TURK b. 1967 Four works: (i) Flag, (ii) Stretcher, (iii) Union Jack, (iv) Requiem, 1994 Oil on paper. Each: 21.5 x 28 cm. (8 1/2 x 11 in). Each signed and dated ‘Gavin Turk 1994’ lower right; each titled lower centre.

Estimate £10 , 0 0 0 -15 , 0 0 0

$16 , 5 0 0 - 24 , 8 0 0

€11,4 0 0 -17,10 0 ♠ ‡

Provenance Jay Jopling, London

04_LON_OCT_CONT_v6.indd 188

24/09/09 08:12


(iii)

(iv)

04_LON_OCT_CONT_v6.indd 189

24/09/09 08:13


160

Damien Hirst b. 1965 Orange Butterfly with Red Tips, 2008 Colour aquatint: 119.5 x 108 cm. (47 x 42 1/2 in). Signed and dated ‘Damien Hirst 2008’ lower margin. This work is unique and is registered in the Damien Hirst Archive under Archive number DHS10364.

estimate £15 , 0 0 0 - 2 0 , 0 0 0

$ 24 , 8 0 0 - 3 3 , 0 0 0

€17,10 0 - 2 2 , 8 0 0 ♠

provenance Private collection, London

04_LON_OCT_CONT_v6.indd 190

24/09/09 08:13


161

Damien Hirst b. 1965 The Souls on Jacob’s Ladder Take Their Flight, 2007 The complete set of six colour photogravure etchings. 119.6 x 108.4 cm. (47 1/8 x 42 5/8 in). Each signed ‘Damien Hirst’ and numbered of 72 on the reverse. This work is from an edition of 72.

estimate £ 3 5 , 0 0 0 - 4 5 , 0 0 0

$ 57, 9 0 0 -74 ,4 0 0

€ 4 0 , 0 0 0 - 51,4 0 0 ♠

provenance Private collection, London

04_LON_OCT_CONT_v6.indd 191

24/09/09 08:14


162

Marc Quinn b. 1964 Polar Bears of the Liro, 2008 Oil on canvas. 170 x 250 cm. (67 x 98 1/2 in). Signed, titled and dated ‘Polar Bears of the Liro Marc Quinn 2008’ on the reverse.

Estimate £ 8 0 , 0 0 0 -12 0 , 0 0 0

$13 2 , 0 0 0 -19 8 , 0 0 0

€ 91,4 0 0 -13 7, 0 0 0 ♠

Provenance White Cube, London

04_LON_OCT_CONT_v6.indd 192

24/09/09 12:09


04_LON_OCT_CONT_v6.indd 193

24/09/09 12:09


163

AXEL HÜTTE b. 1951 Caño Harol, 2002 C-print. 157 x 256.5 cm. (61 3/4 x 101 in). This work is from an edition of four.

Estimate £7, 0 0 0 - 9 , 0 0 0

$11, 6 0 0 -14 , 9 0 0

€ 8 , 0 0 0 -10 , 3 0 0 ♠ ‡

Provenance Galerie Wilma Tolksdorf, Frankfurt

04_LON_OCT_CONT_v6.indd 192

23/09/09 14:22


04_LON_OCT_CONT_v6.indd 193

23/09/09 14:22


(i)

(ii)

164

Roni HoRn b. 1955 Three works: (i) Untitled (To Nest) #2; (ii) Untitled (To Nest) #5; (iii) Untitled (To Nest) #6, 2001 Iris prints. Each: 60.3 x 91.4 cm. (23 3/4 x 36 in). Each signed ‘Roni Horn’ on a label adhered to the reverse. These works are from an edition of fifteen.

Estimate £10 , 0 0 0 -15 , 0 0 0

$16 , 5 0 0 - 24 , 8 0 0

€11,4 0 0 -17,10 0 ‡

Provenance i8, Reykjavik

04_LON_OCT_CONT_v6.indd 196

24/09/09 08:17


(iii)

04_LON_OCT_CONT_v6.indd 197

24/09/09 08:17


165

Florian Maier-aichen b. 1973 Untitled, 2005 C-print in artist’s wooden frame. 183 x 241 cm. (72 1/4 x 95 in). Signed, numbered of six and dated, ‘Florian Maier-Aichen 2005’ on a label adhered to the reverse. This work is from an edition of six plus two artist’s proofs.

estimate £ 4 0 , 0 0 0 - 6 0 , 0 0 0

$ 6 6 ,10 0 - 9 9 , 2 0 0

€ 4 5 ,70 0 - 6 8 , 5 0 0

PROVENANCE Blum & Poe, Los Angeles EXHIBITED Los Angeles, Blum & Poe, Florian Maier-Aichen, 21 January – 25

February, 2006 (another example exhibited); New York, 303 Gallery, Florian MaierAichen, 14 January – 25 February, 2006 (another example exhibited); London, Royal Academy of Arts, USA Today, 6 October – 4 November, 2006 (another example exhibited); New York, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, to:Night: Contemporary Representations of the Night, 12 September – 6 December, 2008 (another example exhibited); Madrid, Museo Thyssen-Bornemisza, Photo España 08, 3 June – 27 July, 2008 (another example exhibited)

04_LON_OCT_CONT_v6.indd 198

24/09/09 08:17


04_LON_OCT_CONT_v6.indd 199

24/09/09 08:17


166

FLORIAN MAIER-AICHEN b. 1973 Untitled, 2007 C-print. 78 x 103.5 cm. (30 3/4 x 40 3/4 in). Signed, numbered of six and dated ‘Florian Maier-Aichen, 2007’ on a label adhered to the reverse. This work is from an edition of six.

Estimate £10 , 0 0 0 -15 , 0 0 0

$16 , 5 0 0 - 24 , 8 0 0

€11,4 0 0 -17,10 0 ♠ ‡

Provenance Blum & Poe, Los Angeles Literature R. Morse, MOCA Focus, Florian Maier-Aichen, Ostfildern, Germany,

pl. 11 (illustrated)

04_LON_OCT_CONT_v6.indd 198

23/09/09 14:23


167

Florian Maier-aichen b. 1973 Untitled, 2003 C-print. 163.8 x 233.7 cm. (64 1/2 x 92 in). This work is from an edition of six.

estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0

$ 3 3 ,10 0 - 4 9 , 6 0 0

€22,80 0 -34,30 0 ♠

Provenance Blum & Poe, Los Angeles

04_LON_OCT_CONT_v6.indd 199

23/09/09 14:24


168

OLAFUR ELIASSON b. 1967 Trollakrokar series, 2004 Five c-prints in artist’s frames. Each: 30.5 x43 cm. (11 1/2 x 17 in.) Signed ‘Olafur Eliasson’ on a label adhered to the reverse of the fifth photograph; numbered of six on a label adhered to the reverse of each. This work is from an edition of six.

Estimate £ 2 5 , 0 0 0 - 3 5 , 0 0 0

$ 41, 3 0 0 - 57, 9 0 0

€28,60 0 - 40,0 0 0 ♠‡

Provenance neugeriemschneider, Berlin; Marc Jancou Contemporary, New York

04_LON_OCT_CONT_v6.indd 200

23/09/09 14:37


04_LON_OCT_CONT_v6.indd 201

23/09/09 14:38


169

CINDY SHERMAN b. 1954 Untitled #174, 1987 Cibachrome print. 186 x 126 cm. (71 x 47 1/2 in). This work is from an edition of six.

Estimate £12 , 0 0 0 -18 , 0 0 0

$19 , 8 0 0 - 2 9 , 8 0 0

€13 ,70 0 - 2 0 , 6 0 0 ‡

Provenance Metro Pictures, New York; Hoffman Borman Gallery, Santa

Monica; Lambert Art Collection, Switzerland Literature Whitney Museum of American Art, Cindy Sherman, New York, 1987

pl. 125 (illustrated)

04_LON_OCT_CONT_v6.indd 202

23/09/09 14:39


04_LON_OCT_CONT_v6.indd 203

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170

Thomas Ruff b. 1958 19h 38m/-60, 1992 C-print in artist’s wooden frame. 257.8 x 186 cm. (101 1/2 x 73 1/4 in). Signed, titled and dated ‘TC Ruff 1992 19h 38m/ -60˚’ on the reverse. This work is from an edition of two.

Estimate £ 4 0 , 0 0 0 - 6 0 , 0 0 0

$ 6 6 ,10 0 - 9 9 , 2 0 0

€ 4 5 ,70 0 - 6 8 , 5 0 0 ♠ ‡

provenance Acquired directly from the artist

04_LON_OCT_CONT_v6.indd 206

24/09/09 08:20


176

171

VIJA CELMINS b. 1938

172

MAT COLLISHAW b.1966

Two works: (i) Untitled, 1995; (ii) Untitled, c. 1995

Infectious Orchid 2, 2004

Mezzotints. (i) 40.6 x 35.2 cm. (16 x 13 7/8 in); (ii) Sheet: 45.7 x 37.5 cm. (18 x 14 3/4

Digital print. 49 x 39 cm. (19 1/4 x 15 1/4 in). This work is from an edition of three

in). (i) Signed and numbered of 25 ‘V. Celmins’ in lower margin. This work is from

and one artist’s proof.

an edition of 25. (ii) Signed and numbered of 50 ‘V. Celmins’ in lower margin. This

Estimate £ 2 , 0 0 0 - 3 , 0 0 0

work is from an edition of 50.

Estimate £ 3 , 0 0 0 - 5 , 0 0 0

$5,0 0 0 -8,30 0

€ 3 ,4 0 0 - 5 ,70 0 ♠

$3,30 0 -5,0 0 0

€ 2 , 3 0 0 - 3 ,4 0 0 ♠

Provenance Galerie Anne Faggionato, London; Private collection, Paris

Provenance McKee Gallery, New York; Private collection, Paris

172

04_LON_OCT_CONT_v6.indd 207

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173

Wolfgang Tillmans b. 1968 Eighteen works: (i) Sucking at Roxy, 1993, (ii) Macau/China border, 1993, (iii) Tristan on Rooftop, 1993, (iv) Tom, Gillian and Thiery doing makeup, 1994, (v) Four boots, 1992 (vi) Alex and Lutz am strand, 1992, (vii) Arse in fountain (repro), 1994, (viii) Lutz wanking, 1991, (ix) TV and Leatherman, 1993, (x) Sadie Frost, 1995, (xi) Palomino, piss, 1995, (xii) Travis with tree, 1994, (xiii) bück dich, 1992, (xiv) Far Rockaway, 1995, (xv) Lutz, Alex, Suzee and Christoph on beach, colour, (xvi) Paul, arm right angle, 1994, (xvii) Room after party, 1992, (xviii) Young woman, 1992 C-prints. Each: 40.5 x 30.5 cm. (16 x 12 in). Each signed, titled, inscribed, numbered of ten and dated on the reverse. These works are from an edition of ten plus one artist’s proof.

Estimate £ 4 0 , 0 0 0 - 6 0 , 0 0 0

$ 6 6 ,10 0 - 9 9 , 2 0 0

€4 5 ,70 0 - 6 8 , 5 0 0 ♠ ‡

provenance Ars Futura, Zurich

04_LON_OCT_CONT_v6.indd 206

23/09/09 14:41


04_LON_OCT_CONT_v6.indd 207

23/09/09 14:44


174

175

174

Carol Bove b. 1971

175

Joseph Kosuth b. 1945

Refugees from Affluence, 2000

Drawing for Discussion about a Lawn, 1965

Ink on paper. 114.5 x 152 cm. (45 1/8 x 59 7/8 in). Initialed and dated ‘CB00 lower

Graphite on paper. 29.2 x 38.6 cm. (11 1/2 x 15 1/4 in). Signed and dated ‘Joseph

left.

Kosuth 1965’ lower left; Initialed ‘JK’ on the reverse along with printed statement ‘A drawing only and not documentation for the construction of the work’.

estimate £ 6 , 0 0 0 - 8 , 0 0 0

$ 9 , 9 0 0 -13 , 2 0 0

€ 6 , 9 0 0 - 9,10 0 ‡ estimate £ 3 , 0 0 0 - 5 , 0 0 0

$5,0 0 0 -8,30 0

€ 3 ,4 0 0 - 5 ,70 0

Provenance Team Gallery, New York Provenance Galleria Primo Piano, Rome; Galeria Alfonso Artiaco, Naples

04_LON_OCT_CONT_v6.indd 208

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176

177

176

JOHN BOCK b. 1965

177

LEE UfaN b. 1936

Untitled, 2004

Untitled, 1994

Mixed media collage and felt-tip pen on paper. 150 x 214 cm. (59 1/8 x 84 1/4 in).

Ground pigment on paper. 62 x 90.8 cm. (24 5/8 x 35 3/4 in). Signed and dated ‘L Ufan 94’ lower right.

Estimate £ 5 , 0 0 0 -7, 0 0 0

$ 8 , 3 0 0 -11, 6 0 0

€ 5 ,70 0 - 8 , 0 0 0 ♠ Estimate £ 3 , 0 0 0 - 5 , 0 0 0

$5,0 0 0 -8,30 0

€ 3 ,4 0 0 - 5 ,70 0

Provenance Klosterfelde, Berlin; Galleria Fonti, Naples Provenance Private collection, Paris

04_LON_OCT_CONT_v6.indd 209

23/09/09 14:47


178

MATT GREENE b. 1971 This Contains Our Pleasure, 2005 Acrylic and graphite on canvas. 183 x 152 cm. (72 x 60 in).

Estimate £ 8 , 0 0 0 -12 , 0 0 0

$13 , 2 0 0 -19 , 8 0 0

€ 9,10 0 -13 ,70 0 ‡

Provenance Modern Art, London exhibited London, Modern Art Inc., We Are the Dead, 21 April – 22 May, 2005

05_LON_OCT_CONT_v6.indd 212

24/09/09 08:37


179

Johannes Kahrs b. 1965 Schmerzbild I, 1990 Oil and varnish on felted material. 169.5 x 129.8 cm. (66 3/4 x 51 1/8 in). Signed, titled and dated ‘Johannes Kahrs “Schmerzbild” 1990’ on the reverse.

estimate £10 , 0 0 0 -15 , 0 0 0

$16 , 5 0 0 - 24 , 8 0 0

€11,4 0 0 -17,10 0 ♠

Provenance Acquired directly from the artist

05_LON_OCT_CONT_v6.indd 213

24/09/09 08:37


180

Larry Poons b.1937 Minter, 1975 Acrylic on canvas. 256.5 x 163 cm. (101 x 64 3/8 in). Signed, titled and dated ‘LARRY POONS 1975 MINTER’ on the reverse.

Estimate £12 , 0 0 0 -18 , 0 0 0

$19 , 8 0 0 - 2 9 , 8 0 0

€13 ,70 0 - 2 0 , 6 0 0 ‡

provenance Acquired directly from the artist

05_LON_OCT_CONT_v6.indd 212

23/09/09 14:54


05_LON_OCT_CONT_v6.indd 213

23/09/09 14:54


181

Raymond Hains 1926-2005 Untitled, 1975 Lacerated posters on galvanised steel. 108 x 93.5 cm. (42 1/2 x 36 7/8 in). Signed and dated ‘Raymond Hains 1975’ on the reverse.

Estimate £15 , 0 0 0 - 2 0 , 0 0 0

$ 24 , 8 0 0 - 3 3 , 0 0 0

€17,10 0 - 2 2 , 8 0 0 ‡

Provenance Anon. sale, Catherine Charbonneaux, Paris

05_LON_OCT_CONT_v6.indd 214

23/09/09 14:56


182

Raymond Hains 1926-2005 Palissade, 1961 Lacerated posters on galvanised steel. 49.5 x 48.9 cm. (19 1/2 x 19 1/4 in). Signed and dated ‘R. Hains 1961’ lower right; Signed and dated ‘Raymond Hains 1961’ on the reverse.

Estimate £15 , 0 0 0 - 2 0 , 0 0 0

$ 24 , 8 0 0 - 3 3 , 0 0 0

€17,10 0 - 2 2 , 8 0 0 ‡

Provenance Galerie Beaubourg, Paris

05_LON_OCT_CONT_v6.indd 215

23/09/09 14:56


183

Gerhard richter b. 1932 Untitled (1.2.89), 1989 Oil on colour photograph. 15 x 10.2 cm. (5 7/8 x 4 in). Signed and dated ‘Richter 1.2.89’ lower right; signed and dated ‘1.2.89 Richter’ on the reverse of backing.

estimate £12 , 0 0 0 -18 , 0 0 0

$19 , 8 0 0 - 2 9 , 8 0 0

€13 ,70 0 - 2 0 , 6 0 0 ♠ ‡

Provenance Sperone Westwater, New York

05_LON_OCT_CONT_v6.indd 216

23/09/09 14:57


05_LON_OCT_CONT_v6.indd 217

23/09/09 14:57


184

Francis alÿs b. 1959 Sin Titulo (Paisaje con plastico y burro), 1996 Mixed media on canvas. 30 x 40.5 cm. (12 x 16 in).

Estimate £ 3 0 , 0 0 0 - 5 0 , 0 0 0

$ 4 9 , 6 0 0 - 8 2 ,70 0

€ 3 4 , 3 0 0 - 57,10 0 ♠

Provenance Kenneth L. Freed collection, Boston; Goff + Rosenthal, New York

05_LON_OCT_CONT_v6.indd 218

23/09/09 14:58


05_LON_OCT_CONT_v6.indd 219

23/09/09 14:58


185

Christo b. 1935 Running Fence (Project for Sonoma and Marin Counties, California), 1976 Pencil, pastel, charcoal and black and white photograph on paper in Plexiglas frame. 72 x 56.5 cm. (28 3/8 x 22 1/4 in). Signed, titled and dated ‘Christo 1976 RUNNING FENCE (Project for Sonoma and Marin Counties, CA)’ lower right.

Estimate £ 3 0 , 0 0 0 - 4 0 , 0 0 0

$ 4 9 , 6 0 0 - 6 6 ,10 0

€ 3 4 , 3 0 0 - 4 5 ,70 0

Provenance Verner Amell Gallery, London Literature This work will be included in the forthcoming Christo Catalogue

Raisonné being prepared by Daniel Varenne under n° 7602

05_LON_OCT_CONT_v6.indd 220

23/09/09 15:00


05_LON_OCT_CONT_v6.indd 221

23/09/09 15:00


186

FRANCIS ALŸS b. 1959 Estudio para el soplón, 1996-1997 Oil on canvas mounted on wooden panel. 29.5 x 24.4 cm. (11 5/8 x 9 5/8 in). Signed, titled and dated ‘F Alÿs studio para el soplón 96-7’ lower right. This work is accompanied by a certificate of authenticity.

Estimate £ 2 5 , 0 0 0 - 3 5 , 0 0 0

$ 41, 3 0 0 - 57, 9 0 0

€28,60 0 - 40,0 0 0 ♠

Provenance Galeria OMR, Mexico City

05_LON_OCT_CONT_v6.indd 222

23/09/09 15:06


187

Valerio adami b. 1935 Voyage en train, 1968-1970 Acrylic on canvas. 81 x 100 cm. (31 7/8 x 39 3/8 in). Signed and titled on the reverse.

estimate £ 2 5 , 0 0 0 - 3 5 , 0 0 0

$ 41, 3 0 0 - 57, 9 0 0

€28,60 0 - 40,0 0 0

Provenance Private collection, Italy

05_LON_OCT_CONT_v6.indd 223

23/09/09 15:06


188

ANDY WARHOL 1928-1987 Portrait of Man Ray, 1974 Colour screenprint. 35 x 35 cm. (13 3/4 x 13 3/4 in). Signed, numbered of 100 and dated ‘Andy Warhol 1974’ on the reverse. This work is from an edition of 100.

Estimate £ 3 , 0 0 0 - 5 , 0 0 0

$5,0 0 0 -8,30 0

€ 3 ,4 0 0 - 5 ,70 0

Provenance Galleria Il Centro, Naples; Galleria Lucio Amelio, Naples exhibited Naples, Maschio Angioino, Warhol – Viaggio in Italia, 20 July – 2

November, 1996; Modena, Padiglione d’Arte Moderna, Andy Warhol, 29 August – 23 September, 2002; Arona, Villa Ponti, Made in Warhol, 22 June – October, 2007 Literature Exhibition catalogue, Maschio Angioino, Warhol-Viaggio in Italia,

Naples, 1996, p. 112 (illustrated); Exhibition catalogue, Padiglione d’Arte Moderna, Andy Warhol, Modena, 2002, p. 94 (illustrated)

05_LON_OCT_CONT_v6.indd 226

24/09/09 08:40


189

Keith haring 1958-1990 Happiness (Parent Ship), c.1980-1984 Chalk on three sheets of paper. 204.5 x 101.7 cm. (80 1/2 x 40 in).

estimate ÂŁ 2 5 , 0 0 0 - 3 5 , 0 0 0

$ 41, 3 0 0 - 57, 9 0 0

â‚Ź28,60 0 - 40,0 0 0

provenance Angel Ortiz, Los Angeles; Private collection, Germany

05_LON_OCT_CONT_v6.indd 227

24/09/09 08:40


190

Sigmar Polke b. 1941 Untitled, 1983 Gouache and ink on paper. 68 x 47 cm. (26 3/4 x 18 1/2 in). Signed and dated ‘S. Polke 83 V’ on the reverse.

estimate £10 , 0 0 0 -15 , 0 0 0

$16 , 5 0 0 - 24 , 8 0 0

€11,4 0 0 -17,10 0 ♠ ‡

Provenance Patrick Painter Inc., Los Angeles

05_LON_OCT_CONT_v6.indd 226

23/09/09 15:07


191

Sigmar Polke b. 1941 Untitled, 1983 Gouache and ink on paper. 67.6 x 48 cm. (26 5/8 x 18 7/8 in). Signed ‘S Polke 83’ on the reverse.

estimate £10 , 0 0 0 -15 , 0 0 0 Provenance

05_LON_OCT_CONT_v6.indd 227

$16 , 5 0 0 - 24 , 8 0 0

€11,4 0 0 -17,10 0 ♠ ‡

Patrick Painter Inc., Los Angeles

23/09/09 15:08


192

192

Chiho AoshimA b. 1974 Ornamental Hairpin of the Rose; Golden Fish; Foot of the Squid, 1999 Three Inkjet prints. Each: 170 x 42.5 cm. (66 7/8 x 16 3/4 in). These works are from an edition of eight.

Estimate £ 6 , 0 0 0 - 8 , 0 0 0 Provenance

$ 9 , 9 0 0 -13 , 2 0 0

€ 6 , 9 0 0 - 9 ,10 0

Galerie Emmanuel Perrotin, Paris

193

193

Chiho AoshimA b. 1974 Hot Spring, 2002 Inkjet print, flush-mounted to aluminium. 100 x 100 cm. (39 3/8 x 39 3/8 in). This work is from an edition of eight plus one artists proof.

Estimate £ 3 , 0 0 0 - 5 , 0 0 0

$5,0 0 0 -8,30 0

€ 3 ,4 0 0 - 5 ,70 0

Provenance Blum & Poe, Los Angeles

05_LON_OCT_CONT_v6.indd 230

24/09/09 08:42


194

AyA TAkAno b. 1976 Infancy Snow, 2006 Acrylic on canvas. 61 x 72.5 cm. (24 x 28 1/2 in).

Estimate £15 , 0 0 0 - 2 0 , 0 0 0

$ 24 , 8 0 0 - 3 3 , 0 0 0

€17,10 0 - 2 2 , 8 0 0

Provenance Galerie Emmanuel Perrotin, Paris

05_LON_OCT_CONT_v6.indd 231

24/09/09 08:42


195

196

195

HIROSHI SugITO b. 1970 House and Tree, 1999 Acrylic, pigment and graphite on canvas. 169.5 x 200 cm. (66 3/4 x 78 3/4 in). Signed, titled and dated ‘HIROSHI SUGITO house and tree 1999’ on the reverse.

Estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0

$ 3 3 ,10 0 - 4 9 , 6 0 0

€22,80 0 -34,30 0

Provenance Arndt & Partner, Berlin

196

YOSHITOMO NARA b. 1959 Untitled, 2003 Coloured pencil on paper. 25.5 x 18.3 cm. (10 x 7 1/4 in).

Estimate £ 4 , 0 0 0 - 6 , 0 0 0

$6,60 0 -9,9 0 0

€4,60 0 - 6,90 0

Provenance Tomio Koyama Gallery, Tokyo

05_LON_OCT_CONT_v6.indd 230

23/09/09 15:09


197

Mr b. 1969 Tokyo Port Tunnel, 2004 Acrylic on fibreglass reinforced plastic. 68.5 x 56 x 73.7 cm. (27 x 22 x 29 in). Signed, numbered of five and dated ‘Mr 2004’ on the underside. This work is from an edition of five.

Estimate £15 , 0 0 0 - 2 0 , 0 0 0

$ 24 , 8 0 0 - 3 3 , 0 0 0

€17,10 0 - 2 2 , 8 0 0

Provenance Galerie Emmanuel Perrotin, Paris exhibited Naples, Castle St. Elmo, Cartoons, Comics and Contemporary Art, 26

April – 30 May, 2007

05_LON_OCT_CONT_v6.indd 231

23/09/09 15:09


198

199

198

ZHang Peng b. 1981

199

Wang XingWei b. 1969

Red No. 1, 2007

The Death of Ximen, 2002

C-print. 94 x 200 cm. (37 x 78 3/4 in). This work is from an edition of eight and is

Oil on canvas. 168.5 x 219 cm. (66 1/4 x 86 1/4 in).

accompanied by a certificate of authenticity.

estimate £ 8 , 0 0 0 -12 , 0 0 0 estimate £ 5 , 0 0 0 -7, 0 0 0

$ 8 , 3 0 0 -11, 6 0 0

$13 , 2 0 0 -19 , 8 0 0

€ 9 ,10 0 -13 ,70 0

€ 5 ,70 0 - 8 , 0 0 0 ‡ Provenance Primo Marella Gallery, Milan

Provenance Acquired directly from the artist

exhibited Milan, Spazio Oberdan, La Cina. Prospettive d’arte contemporanea,

28 June – 16 October, 2005; Naples, Museo Pan, La Cina è Vicina, 14 December, 2007 – 25 February, 2008 literature Damiani ed., China Contemporary Painting, Bologna, 2005, p. 149

05_LON_OCT_CONT_v6.indd 234

24/09/09 12:11


200

YANG QIAN b. 1959 Bath 13521300250, 2003 Oil on canvas. 110.2 x 150.2 cm. (43 3/8 x 59 1/8 in). Signed [in English and Pinyin] and dated ‘Yang Qian 2003’ upper left.

Estimate £ 8 , 0 0 0 -12 , 0 0 0

$13 , 2 0 0 -19 , 8 0 0

€ 9 ,10 0 -13 ,70 0

Provenance Primo Marella Gallery, Milan exhibited Naples, Museo Pan, La Cina è Vicina, 14 December, 2007 – 25

February, 2008

05_LON_OCT_CONT_v6.indd 233

23/09/09 15:11


201

Zhang huan b. 1965 Shanghai Family Tree, 2001 Nine c-prints flush-mounted to aluminium. Each: 50.8 x 76.2 cm (20 x 30 in). Signed, titled [in Pinyin], numbered of 25 and dated ‘Zhang Huan Shanghai Family Tree 2001’ on a label adhered to the reverse. This work is from an edition of 25.

Estimate £ 2 0 , 0 0 0 - 2 5 , 0 0 0

$ 3 3 ,10 0 - 41, 3 0 0

€22,80 0 -28,60 0 ‡

Provenance Galerie Volker Diehl, Berlin

05_LON_OCT_CONT_v6.indd 236

24/09/09 08:58


05_LON_OCT_CONT_v6.indd 237

24/09/09 08:58


202

203

202

Yan PEi MinG b. 1960

203

Cai-Guo-QianG b. 1957

Portrait II, 1999

Untitled, 2006

Charcoal on paper. 74.6 x 105.4 cm. (29 3/9 x 41 1/2 in). Signed and dated [in

Gunpowder on cardboard notebook. 13.2 x 13.2 cm. (5 1/4 x 5 1/4 in).

Pinyin] ‘Yan Pei-Ming 02.99’ lower right.

Estimate £ 2 , 0 0 0 - 3 , 0 0 0 Estimate £10 , 0 0 0 -15 , 0 0 0

$16 , 5 0 0 - 24 , 8 0 0

$3,30 0 -5,0 0 0

€ 2 , 3 0 0 - 3 ,4 0 0

€11,4 0 0 -17,10 0 ♠ ‡ Provenance Deutsche Guggenheim, Berlin

Provenance Acquired directly from the artist

exhibited Berlin, Sammlung Deutsche Bank, Cai Guo-Qiang, Head On, 28

August, 2006 – 15 October, 2006

05_LON_OCT_CONT_v6.indd 238

24/09/09 08:59


204

Yan Pei Ming b. 1960 Tête de M.T. Matricule 922335, 2003 Charcoal on paper. 200 x 123.8 cm. (78 3/4 x 48 3/4 in). Signed, titled and dated ‘Tête de M.T. Matricule 922335, 2003 Yan Pei-Ming’ lower right.

estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0

$ 3 3 ,10 0 - 4 9 , 6 0 0

€22,80 0 -34,30 0 ♠‡

Provenance Acquired directly from the artist

05_LON_OCT_CONT_v6.indd 239

24/09/09 08:59


205

Hong Hao b. 1965 Two works: (i) My Things No. 3, 2002-2003; (ii) My Things No. 7, 2004 C-prints. Each: 58.1 x 98.2 cm. (22 7/8 x 38 5/8 in). (i) Signed, titled, numbered of fifteen and dated ‘Hong Hao My Things No. 3 2002-2003’ on the reverse. (ii) Signed, titled, numbered of fifteen and dated ‘Hong Hao My Things No. 7 2004’ on the reverse. These works are from an edition of fifteen.

Estimate £ 4 , 0 0 0 - 5 , 0 0 0

$6,60 0 -8,30 0

€ 4 , 6 0 0 - 5 ,70 0 ‡

Provenance Private collection, USA

05_LON_OCT_CONT_v6.indd 240

24/09/09 08:59


206

Luo Brothers b. 1963, 1964 and 1972 World’s Famous Brand, 2004 Lacquer and enamel on wooden panel. 119 x 99 cm. (46 7/8 x 39 in).

estimate £ 8 , 0 0 0 -12 , 0 0 0

$13 , 2 0 0 -19 , 8 0 0

€ 9,10 0 -13 ,70 0

Provenance Changing Role –Move Over Gallery, Naples exhibited Naples, Museo PAN, La Cina è Vicina, 14 December, 2007 – 25

February, 2008

05_LON_OCT_CONT_v6.indd 241

24/09/09 08:59


207

Wang ZiWei b. 1963 Mao Wave Dance, 2003 Acrylic on canvas. 143.5 x 173.5 cm. (56.5 x 68.3 in). Signed, titled and dated ‘ZIWEI WANG MAO WAVE DANCE 2003’ on the reverse

estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0 Provenance

05_LON_OCT_CONT_v6.indd 242

$ 3 3 ,10 0 - 4 9 , 6 0 0

€22,80 0 -34,30 0

Acquired directly from the artist

24/09/09 12:12


208

Wang Du b. 1956 Tapis Volant (Flying Carpet)—Time, 2002-2003 Hand-woven wool. 400 x 346 cm. (157 1/2 x 136 1/4 in). This work is from an edition of six.

Estimate £ 4 0 , 0 0 0 - 6 0 , 0 0 0 Provenance

$ 6 6 ,10 0 - 9 9 , 2 0 0

€ 4 5 ,70 0 - 6 8 , 5 0 0 ♠ ‡

Galerie Laurent Godin, Paris

exhibited Vancouver Art Gallery, Wang Du, 28 May – 12 September, 2005

(another example exhibited)

05_LON_OCT_CONT_v6.indd 243

24/09/09 12:12


209

Chitra Ganesh b. 1975 Rose Of My Rose, 2006 Acrylic on canvas. 232 x 450 cm. (91 x 177 in).

estimate £12 , 0 0 0 -18 , 0 0 0 Provenance

05_LON_OCT_CONT_v6.indd 242

$19 , 8 0 0 - 2 9 , 8 0 0

€13 ,70 0 - 2 0 , 6 0 0 ‡

Galerie Haas & Fischer AG, Zurich

23/09/09 15:12


05_LON_OCT_CONT_v6.indd 243

23/09/09 15:12


210

Subodh Gupta b. 1964 Dialogue, 1991 Triptych. Acrylic on canvas. 152 x 76 cm. (60 x 30 in). Signed, titled and dated ‘SUBODH GUPTA DIALOGUE 1991’ on the reverse of the first panel.

Estimate £ 2 0 , 0 0 0 - 2 5 , 0 0 0 Provenance

05_LON_OCT_CONT_v6.indd 244

$ 3 3 ,10 0 - 41, 3 0 0

€22,80 0 -28,9 0 0 ‡

Saffronart, Mumbai/New York/London

23/09/09 15:13


05_LON_OCT_CONT_v6.indd 245

23/09/09 15:14


211

ROKNI HAERIZADEH b. 1978 Untitled, 2007 Mixed media on paper. 76 x 65.5 cm. (30 x 25 3/4 in). Signed [in Farsi and English] and dated ‘Rokni Haerizadeh 2007’ lower right.

Estimate £ 4 , 0 0 0 - 6 , 0 0 0 Provenance

05_LON_OCT_CONT_v6.indd 248

$6,60 0 -9,9 0 0

€4,60 0 - 6,90 0

Private collection, London

24/09/09 09:08


This lyrical depiction of Iranian street performers belongs to series of works from by Rokni Haerazideh entitled Busking. The series depicts buffoons, troubadours, Sufi mystics and other creatures from Iranian folk culture and as a whole celebrates the colour, drama and movement of street life. 212

Rokni HaeRizadeH b. 1978

In the present lot, a gypsy woman in a brilliant red dress creates

Busking, 2005

a frenzy of movement as she walks on her hands through a ring

Acrylic on canvas. 143 x 139 cm. (56 3/8 x 54 3/4 in). Signed [in English and Farsi]

of braided hair and oranges, the flounce of her dress aflutter

‘Rokni Haeri’ lower left.

estimate £12 , 0 0 0 -18 , 0 0 0

as she arcs her legs over her head. To accompany her dance, a $19 , 8 0 0 - 2 9 , 8 0 0

€13 ,70 0 - 2 0 , 6 0 0 ‡

mustachioed man in striped shirt and cap plays the Tombak, a traditional Persian drum. Entranced by the beat of his own drum

Provenance Private collection, Europe

and the flourishes of the dancer, he embodies the multi-sensory experience one might have as a by-stander on the street. By blending the themes of bohemian poverty, sensuality and emotional expression, the scene exemplifies Haerizadeh’s romantic view of folk culture.

05_LON_OCT_CONT_v6.indd 249

24/09/09 09:08


213

Farhad Moshiri b. 1963 Untitled, 2003 Oil and acrylic on canvas. 177 x 128 cm. (69 3/4 x 50 3/8 in). Signed, titled and dated ‘Untitled Farhad Moshiri 2003’ on the reverse.

Estimate £ 3 5 , 0 0 0 - 4 5 , 0 0 0

$ 57, 9 0 0 -74 ,4 0 0

€ 4 0 , 0 0 0 - 51,4 0 0 ‡

Provenance Kashya Hildebrand, Geneva

05_LON_OCT_CONT_v6.indd 248

23/09/09 15:15


05_LON_OCT_CONT_v6.indd 249

23/09/09 15:15


214

KHOSROW HASSANZADEH b. 1963 Ashura Series, 2001 Silkscreen, acrylic and collage on paper. 228 x 107 cm. (89 3/4 x 42 1/8 in). Signed [in Farsi] and dated ‘KHOSROW 1380 (2001)’ lower left.

Estimate £ 3 , 0 0 0 - 5 , 0 0 0

$5,0 0 0 -8,30 0

€ 3 ,4 0 0 - 5 ,70 0

Provenance Acquired directly from the artist by the present owner

05_LON_OCT_CONT_v6.indd 250

23/09/09 15:16


215

216

215

216

Shirin nEShaT b. 1957

Shadi Ghadirian b. 1974

Women of Allah series, 1995

Untitled, 2003

Gelatin silver print. 23.5 x 34 cm. (9 1/4 x 13 3/8 in). Signed, titled and dated ‘Shirin

C-print. 76 x 76 cm. (29 7/8 x 29 7/8 in). Signed [in Farsi] and numbered of ten on

Neshat 1995 “Women of Allah” series’ on the reverse. This work is unique and is

the reverse. This work is from an edition of ten.

accompanied by a certificate of authenticity signed by the artist.

Estimate £ 2 , 5 0 0 - 3 , 5 0 0 Estimate £ 5 , 0 0 0 -7, 0 0 0

$ 8 , 3 0 0 -11, 6 0 0

$ 4 ,10 0 - 5 , 8 0 0

€2,9 0 0 - 4,0 0 0

€ 5 ,70 0 - 8 , 0 0 0 Provenance Private collection, Switzerland

Provenance

05_LON_OCT_CONT_v6.indd 251

Private collection, London

23/09/09 15:17


217

TERENCE KOH b. 1977 Do Not Doubt the Dangerousness of My Butterfly Song, Black, 2004. Metal vitrine, speakers, iPod, song with artist singing in his own private language, paint, hair, male battus philenor butterfly and blackened ash from a gingko tree. 155 x 114 x 46cm. (61 x 44 7/8 x 18 1/8 in).

Estimate £10 , 0 0 0 -15 , 0 0 0

$16 , 5 0 0 - 24 , 8 0 0

€11,4 0 0 -17,10 0 †

Provenance Maureen Paley Interim Arts, London

05_LON_OCT_CONT_v6.indd 254

24/09/09 09:18


05_LON_OCT_CONT_v6.indd 255

24/09/09 09:18


218

ElmgrEEn & DragsEt b. 1961 & b. 1969 Tilted Wall from Powerless Structures, 2001 MDF, wood, acrylic, emergency sign. 245 x 390 x 138 cm. (96 1/2 x 153 1/2 x 54 3/8 in). This work is unique and is accompanied by a certificate of authenticity.

Estimate £10 , 0 0 0 -15 , 0 0 0 Provenance

05_LON_OCT_CONT_v6.indd 256

$16 , 5 0 0 - 24 , 8 0 0

€11,4 0 0 -17,10 0 ♠

Private collection, Germany

24/09/09 09:18


219

Anselm Reyle b. 1970 Untitled, 2005 Fluorescent paint on wooden cartwheel. Diameter: 100 cm. (39 3/8 in).

estimate £15 , 0 0 0 - 2 0 , 0 0 0 Provenance

05_LON_OCT_CONT_v6.indd 257

$ 24 , 8 0 0 - 3 3 , 0 0 0

€17,10 0 - 2 2 , 8 0 0 ♠

Private collection, Germany

24/09/09 09:18


05_LON_OCT_CONT_v6.indd 256

23/09/09 15:18


220

Martin Kippenberger 1953 – 1997 Travolta, 1989 Vacuum cleaner on Plexiglass stand. Overall: 96.5 x 127 x 96.5 cm. (38 x 50 x 38 in). Signed and dated ‘Kippenberger 89’ on a label adhered to the side of vacuum cleaner.

estimate £ 6 , 0 0 0 - 8 , 0 0 0 Provenance

05_LON_OCT_CONT_v6.indd 257

$ 9, 9 0 0 -13 , 2 0 0

€ 6 , 9 0 0 - 9 ,10 0 ‡

Acquired directly from the artist; Private collection, Geneva

23/09/09 15:18


221

GEORG HEROLD b. 1947 Heisdiel Painting, 1990 Oil, caviar and adhesive on canvas. 120 x 89.8 cm. (47 1/4 x 35 in). Titled ‘Heisdiel Painting’ on the stretcher bar.

Estimate £ 4 , 0 0 0 - 6 , 0 0 0

$6,60 0 -9,9 0 0

€4,60 0 - 6,90 0 ♠

Provenance Private collection, Germany

05_LON_OCT_CONT_v6.indd 258

23/09/09 15:22


222

Herbert brandl b. 1959 Untitled, 1998 Oil on canvas. 110 x 90 cm. (43 1/4 x 35 1/2 in). Signed and dated ‘Brandl 98’ on the reverse.

estimate £10 , 0 0 0 -15 , 0 0 0 Provenance

05_LON_OCT_CONT_v6.indd 259

$16 , 5 0 0 - 24 , 8 0 0

€11,4 0 0 -17,10 0 ♠

Galerie Nächst St. Stephan Rosemarie Schwarzwälder, Vienna

23/09/09 15:23


223

Sylvie Fleury b. 1961 Claudia, 1997 Synthetic fur on wood. 180 x 50 x 10 cm. (70 7/8 x 19 3/4 x 4 in).

estimate £ 3 , 0 0 0 - 5 , 0 0 0 Provenance

05_LON_OCT_CONT_v6.indd 262

$5,0 0 0 -8,30 0

€ 3 ,4 0 0 - 5 ,70 0

Galerie Mehdi Chouakri, Berlin

24/09/09 09:23


224

Stephen Conroy b. 1964 Study for Painting No 1, 1994-1995 Oil on canvas. 76.2 x 61 cm. (30 x 24 in). Signed and dated ‘Stephen Conroy 1994-5’ on the overlap.

estimate £12 , 0 0 0 -18 , 0 0 0 Provenance

05_LON_OCT_CONT_v6.indd 263

$19 , 8 0 0 - 2 9 , 8 0 0

€13 ,70 0 - 2 0 , 6 0 0 ♠

Marlborough Gallery, New York

24/09/09 09:23


225

226

225

226

GARTH WEISER b. 1979

PETER PERI b. 1971

Untitled (Brown), 2005

Cruciform 2, 2007

Oil on canvas. 240 x 207 cm. (94 1/2 x 81 1/2 in).

Oil, acrylic and varnish on canvas. 126.4 x 105.1 cm. (49 3/4 x 41 3/8 in). Signed,

Estimate £ 4 , 0 0 0 - 6 , 0 0 0

$6,60 0 -9,9 0 0

€4,60 0 - 6,90 0

titled and dated ‘CRUCIFORM 2 Peter Peri 8. 07’ on the reverse.

Estimate £ 5 , 0 0 0 -7, 0 0 0

$ 8 , 3 0 0 -11, 6 0 0

€ 5 ,70 0 - 8 , 0 0 0 ♠

Provenance Private collection, Paris Provenance Galerie Giti Nourbakhsch, Berlin

06_LON_OCT_CONT_v6.indd 262

23/09/09 15:36


227

OLAF HOLZAPFEL b. 1969 Element von (Haus), 2004 Oil on canvas. 190 x 150.5 cm. (74 3/4 x 59 1/4 in). Signed, titled and dated ‘Element von (Haus) Holzapfel 04 ‘ on the reverse.

Estimate £ 6 , 0 0 0 - 8 , 0 0 0

$ 9, 9 0 0 -13 , 2 0 0

€ 6 , 9 0 0 - 9 ,10 0 ♠

Provenance Patrick De Brock Gallery, Knokke

06_LON_OCT_CONT_v6.indd 263

23/09/09 15:36


228

OLAF HOLZAPFEL b. 1969 Archiv 4, 2007 Ultrachrome print on Aludibond. 235 x 178 cm. (92 1/2 x 70 1/8 in). Signed, titled, dated and numbered of three ‘Holzapfel Archiv 4 2007’ on the reverse. This work is from an edition of three.

Estimate £ 8 , 0 0 0 -12 , 0 0 0

$13 , 2 0 0 -19 , 8 0 0

€ 9,10 0 -13 ,70 0 ♠

Provenance Johnen Galerie, Berlin

06_LON_OCT_CONT_v6.indd 264

23/09/09 15:36


229

OLAF HOLZAPFEL b. 1969 Hot Spot, 2004 Oil on Canvas. 200 x 135 cm. (78 3/4 x 53 1/8 in). Signed, titled and dated ‘Olaf Holzapfel Hot Spot 04’ on the reverse.

Estimate £7, 0 0 0 - 9, 0 0 0

$11, 6 0 0 -14 , 9 0 0

€ 8 , 0 0 0 -10 , 3 0 0 ♠

Provenance Baronian Francey, Brussels

06_LON_OCT_CONT_v6.indd 265

23/09/09 15:36


230

NATHAN HYLDEN b. 1978 Untitled, 2007 Acrylic on linen. 171.5 x 119.5 cm. (67 1/2 x 47 in). Signed and dated ‘Nathan Hylden 08’ on the reverse.

Estimate £ 8 , 0 0 0 -10 , 0 0 0

$13 , 2 0 0 -16 , 5 0 0

€ 9,10 0 -11,4 0 0

Provenance Art:Concept, Paris

06_LON_OCT_CONT_v6.indd 266

23/09/09 15:41


231

NATHAN HYLDEN b. 1978 Untitled (1), 2008 Acrylic on linen. 171 x 119.5 cm. (67 1/2 x 47 in). Signed and dated ‘Nathan Hylden 08’ on the reverse.

Estimate £ 8 , 0 0 0 -10 , 0 0 0

$13 , 2 0 0 -16 , 5 0 0

€ 9 ,10 0 -11,4 0 0

Provenance Richard Telles Fine Art, Los Angeles; Johann König Gallery, Berlin

06_LON_OCT_CONT_v6.indd 267

23/09/09 15:41


232

Helmut Federle b. 1944 Corner Field Painting XV (Lot des Schattens II), 1994 Oil on canvas. 48 x 53 cm. (18 7/8 x 20 7/8 in). Signed, titled and dated ‘CORNER FIELD PAINTING XV FEDERLE 94’ on the reverse.

estimate £ 8 , 0 0 0 -12 , 0 0 0

$13 , 2 0 0 -19 , 8 0 0

€ 9,10 0 -13 ,70 0 ‡

Provenance Galerie Nächst St. Stephan, Rosemarie Schwartzwälder, Vienna exhibited Bonn, Kunstmuseum, Helmut Federle, 12 October, 1995 - 21 January, 1996

06_LON_OCT_CONT_v6.indd 268

23/09/09 15:51


233

Helmut Federle b. 1944 Corner Field Painting XVII, 1994 Oil on canvas. 50 x 55 cm. (19 3/4 x 21 5/8 in). Signed, titled and dated ‘CORNER FIELD PAINTING XVII FEDERLE 94’ on the reverse.

estimate £ 8 , 0 0 0 -12 , 0 0 0

$13 , 2 0 0 -19 , 8 0 0

€ 9 ,10 0 -13 ,70 0 ‡

Provenance Galerie Nächst St. Stephan, Rosemarie Schwartzwälder, Vienna exhibited Paris, Galerie Jeu de Paume, Helmut Federle, 3 May - 15 June, 1995 literature Exhibition catalogue, Galerie Jeu de Paume ed., Helmut Federle,

Paris, 1995, p. 55 (illustrated)

06_LON_OCT_CONT_v6.indd 269

23/09/09 15:51


234

Ian Wallace b. 1943 Untitled, 1989 Diptych: acrylic and photolaminate on canvas. Overall: 244.1 x 243.8 cm. (96 1/8 x 96 in). Stamped, signed and dated ‘Ian Wallace 89’ on the reverse of each panel.

estimate £ 8 , 0 0 0 -12 , 0 0 0

$13 , 2 0 0 -19 , 8 0 0

€ 9,10 0 -13 ,70 0 ♠ ‡

Provenance Galerie Meert Rihoux, Brussels

06_LON_OCT_CONT_v6.indd 270

23/09/09 16:04


235

GÜNTHER FÖRG b. 1952 Untitled, 1988 Acrylic on lead on wood. 240 x 160 cm. (94 1/2 x 63 in). Signed and dated ‘Förg 88’ on the reverse.

Estimate £ 3 0 , 0 0 0 - 4 0 , 0 0 0

$ 4 9 , 6 0 0 - 6 6 ,10 0

€ 3 4 , 3 0 0 - 4 5 ,70 0 ♠

Provenance Private collection, Belgium

06_LON_OCT_CONT_v6.indd 271

23/09/09 16:05


236

patrick caulfield 1936 – 2005 Night Sky, 1973 Acrylic on paper laid down on board. 20.6 x 15.7 cm. (8 1/4 x 6 1/4 in). Signed and titled ‘Night Sky Patrick Caulfield’ along the lower edge.

estimate £ 8 , 0 0 0 -12 , 0 0 0

$13 , 2 0 0 -19 , 8 0 0

€ 9,10 0 -13 ,70 0

Provenance Austin/Desmond Fine Art, London

06_LON_OCT_CONT_v6.indd 272

23/09/09 16:06


06_LON_OCT_CONT_v6.indd 273

23/09/09 16:06


237

SERGEJ JENSEN b. 1973 The Big Fire of Antwerp, 2004 Stitched hessian. 130.2 x 100.3 cm. (51 1/4 x 39 1/2 in). Signed, titled and dated ‘THE BIG FIRE OF ANTWERP Sergej Jensen 2004’ on the overlap.

Estimate £12 , 0 0 0 -18 , 0 0 0

$19 , 8 0 0 - 2 9 , 8 0 0

€13 ,70 0 - 2 0 , 6 0 0 ♠

Provenance Patrick De Brock Gallery, Knokke

06_LON_OCT_CONT_v6.indd 274

23/09/09 16:07


238

239

238

239

SErGEJ JENSEN b. 1973

Marcia Hafif b. 1929

Saturn, 2005

No. 119 Italian Series No. 4, 1966

Acrylic on linen. 40 x 50.2 cm. (15 3/4 x 19 3/4 in). Signed ‘Sergej Jensen 2005

Oil on canvas. 139.5 x 140 cm. (55 x 55 1/8 in). Signed and dated ‘HAFIF 1966’

SATURN’ on the overlap.

on the stretcher bar.

Estimate £ 3 , 0 0 0 - 5 , 0 0 0

$5,0 0 0 -8,30 0

Provenance Patrick de Brock Gallery, Knokke

06_LON_OCT_CONT_v6.indd 275

€ 3 ,4 0 0 - 5 ,70 0 ♠

Estimate £ 8 , 0 0 0 -12 , 0 0 0

$13 , 2 0 0 -19 , 8 0 0

€ 9 ,10 0 -13 ,70 0 ‡

Provenance Galleria Edieuropa, Rome

23/09/09 16:08


240

240

241

Wayne Gonzalez b. 1957

241

Wayne Gonzalez b. 1957

Face Painting, 1995

Face Painting, 1995

Acrylic on canvas. Diameter: 76.2 cm. (30 in.) Signed and dated ‘Wayne Gonzalez

Acrylic on canvas. Diameter: 76.2 cm. (30 in). Signed and dated ‘Wayne Gonzalez

1995’ on the reverse.

1995’ on the reverse.

estimate £7, 0 0 0 - 9 , 0 0 0

$11, 6 0 0 -14 , 9 0 0

Provenance Acquired directly from the artist

€ 8 , 0 0 0 -10 , 3 0 0 ‡

estimate £7, 0 0 0 - 9, 0 0 0

$11, 6 0 0 -14 , 9 0 0

€ 8 , 0 0 0 -10 , 3 0 0 ‡

Provenance Acquired directly from the artist

242

242

RosemaRie TRockel b. 1952 Kopf, 1985 Watercolour on paper. 50.5 x 39 cm. (19 7/8 x 15 3/8 in). Signed and dated ‘R Trockel 1985’ on the reverse.

estimate £ 8 , 0 0 0 -12 , 0 0 0

$13 , 2 0 0 -19 , 8 0 0

€ 9 ,10 0 -13 ,70 0 ♠ ‡

Provenance Galerie Karlheinz Meyer, Karlsruhe

06_LON_OCT_CONT_v6.indd 276

23/09/09 16:09


243

RosemaRie TRockel b. 1952 Untitled, 1994 Watercolour on paper. 33 x 23.8 cm. (13 x 9 3/8 in). Signed and dated ‘Trockel 94’ on the reverse.

estimate £ 8 , 0 0 0 -12 , 0 0 0

$13 , 2 0 0 -19 , 8 0 0

€ 9 ,10 0 -13 ,70 0 ♠ ‡

Provenance Skarstedt Gallery, New York; Monika Sprüth Galerie,

Cologne

06_LON_OCT_CONT_v6.indd 277

23/09/09 16:10


244

Thoralf Knobloch b. 1962 Teddy 2, 2005 Oil on canvas. 120 x 175 cm. (47 1/4 x 68 7/8 in). Signed, titled and dated ‘Teddy 2 Knobloch 2005’ on the reverse.

Estimate £7, 0 0 0 - 9 , 0 0 0

$11, 6 0 0 -14 , 9 0 0

€ 8 , 0 0 0 -10 , 3 0 0 ♠ ‡

Provenance Galerie Gebr. Lehmann, Dresden

06_LON_OCT_CONT_v6.indd 278

23/09/09 16:10


245

EbErhard havEkost b. 1967 Untitled, 1996 Oil on canvas. 40 x 30 cm. (15 3/4 x 11 7/8 in). Signed and dated ‘Havekost 96’ on the reverse.

Estimate £10 , 0 0 0 -15 , 0 0 0

$16 , 5 0 0 - 24 , 8 0 0

€11,4 0 0 -17,10 0 ♠ ‡

Provenance Galerie Gebr. Lehmann, Dresden

06_LON_OCT_CONT_v6.indd 279

23/09/09 16:10


246

247

246

Jonathan Meese b. 1970

247

Dana sChUtZ b. 1976

DER ERSTE EINSIEDLER ‘DELIOZ’, 2005

Untitled—Self Eater, 2005

Mixed media on canvas. 139.7 x 100.3 cm. (55 x 39 1/2 in). Initialed and dated

Wood cut and collage on paper. 96.5 x 83.5 cm. (38 x 32 7/8 in). Signed, titled,

‘JM 2005’ lower right; signed, titled and dated ‘J Meese 2005 DER ERSTE

dated and numbered of 48 ‘ Dana Schutz 2005’ lower right. This work is from

EINSIEDLER “DELIOZ”’ on the reverse.

an edition of 48.

estimate £15 , 0 0 0 - 2 0 , 0 0 0

$ 24 , 8 0 0 - 3 3 , 0 0 0

Provenance Contemporary Fine Arts, Berlin

06_LON_OCT_CONT_v6.indd 282

€17,10 0 - 2 2 , 8 0 0 ♠ ‡

estimate £1, 5 0 0 - 2 , 0 0 0

$2,50 0 -3,30 0

€1,70 0 - 2 , 3 0 0

Provenance Zach Feuer (LFL) Gallery, New York

24/09/09 09:34


248

Martin Kippenberger 1953-1997 Beton Landschaft, 1989 Collage on lithograph. 69.2 x 49.5 cm. (27 1/4 x 19 1/2 in). Initialed and dated ‘MK 89’ lower right.

estimate £10 , 0 0 0 -15 , 0 0 0

$16 , 5 0 0 - 24 , 8 0 0

€11,4 0 0 -17,10 0 ‡

Provenance Galerie Max Hetzler, Berlin

06_LON_OCT_CONT_v6.indd 283

24/09/09 09:34


249

249

PierPaolo CamPanini b. 1964 Untitled, 2002 Oil on canvas. 141 x 191 cm. (55 1/2 x 75 1/4 in). Signed ‘PIERPAOLO CAMPININI’ on the reverse.

estimate £10 , 0 0 0 -15 , 0 0 0

251

$16 , 5 0 0 - 24 , 8 0 0

€11,4 0 0 -17,10 0 ♠

Provenance Corvi-Mora, London

250

250

251

marTin KerSelS b. 1960

HUBerT SCHeiBl b. 1951

Cup Breaker, 2004

Untitled, 2006

Metal mesh, wood, ceramics and resin. Height: 88.2 cm. (34 3/4 in); diameter:

Print, oil and crayon on paper. 49.5 x 26 cm. (19 1/2 x 10 1/4 in). Signed

45.7 cm. (18 in).

and dedicated ‘Hubert’ on the reverse.

estimate £ 3 , 0 0 0 - 5 , 0 0 0

$5,0 0 0 -8,30 0

€ 3 ,4 0 0 - 5 ,70 0

Provenance Galerie GP & N Vallois, Paris

estimate £ 6 0 0 - 8 0 0

$1, 0 0 0 -1, 3 0 0

€ 70 0 - 9 0 0

Provenance Gifted by the artist to the present owner

exhibited Paris, Galerie GP & N Vallois, Orchestra for Idiots, 18 February –

2 April, 2007

06_LON_OCT_CONT_v6.indd 284

24/09/09 12:15


253

252

252

253

DonalD Baechler b. 1956

BernharD MarTin b. 1966

Red Line Drawings #2, 1991

Klubbo, 2003

Gesso, gouache and collage on paper. 68.5 x 53.3 cm. (27 x 21 in). Initialed and

Oil and acrylic on board. 65 x 55.2 cm. (25 5/8 x 21 3/4 in). Signed and dated

dated ‘DB91’ lower right.

‘B.Martin 2003’ on the reverse.

estimate £ 5 , 0 0 0 -7, 0 0 0

$ 8 , 3 0 0 -11, 6 0 0

€ 5 ,70 0 - 8 , 0 0 0

Provenance Luhring Augustine Hetzler, Santa Monica

estimate £ 4 , 0 0 0 - 6 , 0 0 0

$6,60 0 -9,9 0 0

€4,60 0 - 6,90 0 ♠

Provenance Unlimited Gallery, Athens; Private collection, Athens

254

254

Mike kelley b. 1954 Two works: (ii) Idol Worship Mostly; (ii) Pagan Indoctrination, 1995 Collage on paper. (i) 35 x 27,5 cm. (13 3/4 x 10 7/8 in). (ii) 34.5 x 28 cm. (13 5/8 x 11 in). Each signed and dated ‘Mike Kelley 1995’ on the reverse.

estimate £ 4 , 0 0 0 - 6 , 0 0 0

$6,60 0 -9,9 0 0

€4,60 0 - 6,90 0

Provenance Metro Pictures, New York

06_LON_OCT_CONT_v6.indd 285

24/09/09 12:16


255

256

255

RYAN MCGINNESS b. 1971 The Reason for Reason, 2005 Acrylic and enamel urethane on wood panel. 152.5 x 244 cm. (60 x 96 in). Signed, titled and dated ‘“The Reason for Reason” Ryan McGinness, 2005’ on the reverse.

Estimate £12 , 0 0 0 -18 , 0 0 0

$19 , 8 0 0 - 2 9 , 8 0 0

€13 ,70 0 - 2 0 , 6 0 0

Provenance Deitch Projects, New York

256

RYAN MCGINNESS b. 1971 They Came to See Who Came, 2004 Acrylic on canvas. 183 x 153 cm. (72 x 60 1/4 in). Signed, titled and dated ‘ Ryan McGinness THEY CAME to SEE WHO CAME 2004’ on the reverse.

Estimate £15 , 0 0 0 - 2 0 , 0 0 0

$ 24 , 8 0 0 - 3 3 , 0 0 0

€17,10 0 - 2 2 , 8 0 0

Provenance Acquired directly from the artist

06_LON_OCT_CONT_v6.indd 286

24/09/09 09:36


44941

257

KEITH TYSON b. 1969 Everything I Hate About art, 2000 Gouache and felt-tip pen on paper. 152 x 121 cm. (59 3/4 x 47 5/8 in). This work is accompanied by a certificate of authenticity.

Estimate £15 , 0 0 0 - 2 0 , 0 0 0

$ 24 , 8 0 0 - 3 3 , 0 0 0

€17,10 0 - 2 2 , 8 0 0 ♠

Provenance Galeria OMR, Mexico City

06_LON_OCT_CONT_v6.indd 287

24/09/09 09:36


258

TORBEN GIEHLER b. 1973 Stareadactyl (Blood Witch), 2007 Acrylic on canvas. 305 x 243.5 cm. (120 x 93 1/4 in). Signed twice, titled and dated ‘T Giehler STAREADACTYL (BLOOD WITCH)’ on the stretcher.

Estimate £7, 0 0 0 - 9 , 0 0 0

$11, 6 0 0 -14 , 9 0 0

€ 8 , 0 0 0 -10 , 3 0 0 ♠

Provenance Leo Koenig Inc., New York

06_LON_OCT_CONT_v6.indd 286

23/09/09 16:13


259

ANTON HENNING b. 1964 Interieur No. 237, 1999-2004 Oil on canvas. 220 x 251 cm. (86 5/8 x 251 7/8 in). Initialed, titled, and dated ‘AH Interieur No.237 2004-045’ on the reverse; initialed and dated ‘AH 2004’ upper and lower right, and lower left; initialed and dated ‘AH99’ upper and lower left.

Estimate £ 2 5 , 0 0 0 - 3 5 , 0 0 0

$ 41, 3 0 0 - 57, 9 0 0

€28,60 0 - 40,0 0 0 ♠

Provenance Arndt & Partner, Berlin

06_LON_OCT_CONT_v6.indd 287

23/09/09 16:13


260

AlexAnder roitburd b. 1961 Flight to Egypt, 2009 Oil on canvas. 200 x 150 cm. (78 3/4 x 59 in). Signed [in Cyrillic] and dated ‘Roitburd 2009’ on the reverse.

estimate £ 3 0 , 0 0 0 - 4 0 , 0 0 0

$ 4 9 , 6 0 0 - 6 6 ,10 0

€ 3 4 , 3 0 0 - 4 5 ,70 0 ‡

Provenance Collection Gallery, Kiev

06_LON_OCT_CONT_v6.indd 288

23/09/09 16:14


06_LON_OCT_CONT_v6.indd 289

23/09/09 16:14


261

Andriy Bludov b.1962 Railway Station II, 2009 Acrylic on canvas. 120 x 100 cm. (47 1/4 x 39 3/8 in). Signed [in Cyrillic] ‘Bludov’ lower right; signed, titled [in Cyrillic] and dated ‘Bludov A.V.; railway II, 2009’ on the reverse.

Estimate £ 5 , 0 0 0 -7, 0 0 0

$ 8 , 3 0 0 -11, 6 0 0

€ 5 ,70 0 - 8 , 0 0 0 ‡

Provenance Bottega Gallery, Kiev

06_LON_OCT_CONT_v6.indd 292

24/09/09 10:16


262

Oleg TisTOl b. 1960 Yalta—City of Happiness, 2009 Acrylic on canvas. 210 x 150 cm. (82 5/8 x 59 in). Signed, titled [in Cyrillic] and dated ‘O. Tistol 2009 Yalta—City of Happiness’ on the reverse.

estimate £10 , 0 0 0 -15 , 0 0 0

$16 , 5 0 0 - 24 , 8 0 0

€11,4 0 0 -17,10 0 ‡

Provenance Art—Agent Ukr Gallery, Kiev

06_LON_OCT_CONT_v6.indd 293

24/09/09 10:17


263

Igor NovIkov b. 1961 Diamond Grove, 2007-2009 Oil on canvas. 100 x 140 cm. (39 3/8 x 55 1/8 in). Signed ‘Igor Novikov’ on the reverse.

Estimate £15 , 0 0 0 - 2 0 , 0 0 0

$ 24 , 8 0 0 - 3 3 , 0 0 0

€17,10 0 - 2 2 , 8 0 0 ♠ ‡

Provenance Private collection, Zurich

06_LON_OCT_CONT_v6.indd 294

24/09/09 10:17


264

Victor Sydorenko b. 1953 The Direction of Contemplation, 2001 Oil and acrylic on canvas. 170 x 150 cm. (67 x 59 in). Signed ‘VICTOR’ upper left; signed and dated ‘Sydorenko V 2001’ on the reverse.

estimate £10 , 0 0 0 -15 , 0 0 0

$16 , 5 0 0 - 24 , 8 0 0

€11,4 0 0 -17,10 0 ‡

Provenance Acquired directly from the artist exhibited Kiev, Gallery L-ART, Amnesia, 25 December, 2003 - 10 January, 2004;

Kiev, Central Artsts’ Centre, Victor Sydorenko, 10 February - 27 February, 2007; Kiev, Russian Art Museum, Ukranian Art Today, Kiev-Paris, 25 October 20 November, 2008 Literature Oranta ed., Ukranian Art Today Kiev-Paris, Kiev, 2008, p. 291

(illustrated)

06_LON_OCT_CONT_v6.indd 295

24/09/09 10:17


265

AlexAnder roitburd b. 1961 Avignon Girls, 2009 Oil on canvas. 150 x 200 cm. (59 x 78 3/4 in). Signed [in Cyrillic] and dated ‘Roitburd 2009’ on the reverse.

estimate £ 2 5 , 0 0 0 - 3 5 , 0 0 0

$ 41, 3 0 0 - 57, 9 0 0

€28,60 0 - 40,0 0 0 ‡

Provenance Collection Gallery, Kiev

06_LON_OCT_CONT_v6.indd 294

23/09/09 16:16


06_LON_OCT_CONT_v6.indd 295

23/09/09 16:16


266

Illya ChIChkan b. 1967 Heavyweight Curator, 2009 C-print. 122.7 x 150 cm. (48 1/4 x 59 in). This work is from an edition of six and is accompanied by a certificate of authenticity signed by the artist.

Estimate £ 4 , 0 0 0 - 6 , 0 0 0

$6,60 0 -9,9 0 0

€4,60 0 - 6,90 0 ‡

Provenance Collection Gallery, Kiev Literature Lindauer Druckerei Eschbaumer GmbH & Co., Venice 53rd

Bienalle Ukranian Pavilion Catalogue, Steppes of Dreamers, Lindau, 2009, cover (illustrated); Art-Media ed., Artchronika magazine, Moscow, August 2009, cover (illustrated)

06_LON_OCT_CONT_v6.indd 298

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267

MaxiM MaMsikov b. 1968 The Ring, 2009 Oil on canvas. 110 x 150 cm. (43 3/8 x 59 in). Signed [in Cyrillic] and dated ‘Mamsikov ‘09’ on the reverse.

Estimate £10 , 0 0 0 -15 , 0 0 0

$16 , 5 0 0 - 24 , 8 0 0

€11,4 0 0 -17,10 0 ‡

Provenance Collection Gallery, Kiev exhibited Kiev Fine Art Gallery, Between the Earth and the Sky: New Ukranian

Landscape, 19 March – 17 May, 2009

06_LON_OCT_CONT_v6.indd 299

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268

ARSEN SAVADOV b. 1962 Prince, 2006 Acrylic on linen. 171 x 141 cm. (67 1/4 x 55 1/2 in). Signed and dated ‘ARSEN SAVADOV - 06’ on the reverse. This work is accompanied by a certificate of authenticity.

Estimate £10 , 0 0 0 -15 , 0 0 0

$16 , 5 0 0 - 24 , 8 0 0

€11,4 0 0 -17,10 0

Provenance Daneyal Mahmood Gallery, New York

06_LON_OCT_CONT_v6.indd 300

24/09/09 10:27


269

ARSEN SAVADOV b. 1962 Straw, 2006 Acrylic on linen. 200 x 295 cm. (78 3/4 x 116 1/8 in). Signed and dated ‘ARSEN Savadov’ on the reverse. This work is accompanied by a certificate of authenticity.

Estimate £15 , 0 0 0 - 2 0 , 0 0 0

$ 24 , 8 0 0 - 3 3 , 0 0 0

€17,10 0 - 2 2 , 8 0 0

Provenance Daneyal Mahmood Gallery, New York

06_LON_OCT_CONT_v6.indd 301

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270

271

270

271

Valeria troubina b. 1966

Ksenia HnylytsKa b. 1984

Gates—III, 1993

Untitled (Project Open Air), 2008

Oil on canvas. 150 x 200 cm. (59 x 78 3/4 in). Initialed ‘VT’ lower right; signed,

Oil on canvas. 136 x 202 cm. (53 1/2 x 79 1/2 in). Initialed [in Cyrillic] and dated

titled and dated ‘Valeria Troubina, Gates—III, London, 1993’ on the reverse.

‘KH2008’ on the reverse.

estimate £7, 0 0 0 - 9 , 0 0 0

estimate £ 4 , 0 0 0 - 6 , 0 0 0

$11, 6 0 0 -14 , 9 0 0

Provenance Bottega Gallery, Kiev

€ 8 , 0 0 0 -10 , 3 0 0 ‡

$6,60 0 -9,9 0 0

€4,60 0 - 6,90 0 ‡

Provenance Collection Gallery, Kiev exhibited Kiev, Collection Gallery, Project Open Air, 29 January – 26 February, 2009

06_LON_OCT_CONT_v6.indd 302

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272

AlexAnder KlymenKo b. 1963 A myriad of worlds directly overhead above us (Solar Hedonism from Goa series), 2009 Acrylic on canvas. Diameter: 120 cm. (47 1/4 in). Signed and dated ‘Klymenko 2009’ lower edge. Signed, titled [in Cyrillic] and dated ‘Alexander Klymenko “Solar Hedonism” 2009’ on the reverse.

estimate £10 , 0 0 0 -15 , 0 0 0

$16 , 5 0 0 - 24 , 8 0 0

€11,4 0 0 -17,10 0 ‡

Provenance Acquired directly from the artist exhibited Kiev, Modern Art Research Institute, Goa, 18 July - 1 August, 2009

06_LON_OCT_CONT_v6.indd 303

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273

Mykola Matsenko b. 1960 Culture, 2008 Oil and acrylic on canvas. 200 x 160 cm. (78 3/4 x 63 in). Initialed and dated ‘M 2008’ centre; Signed, titled [in Cyrillic] and dated ‘M. Matsenko 2008 Culture’ on the reverse.

estimate £ 6 , 0 0 0 - 8 , 0 0 0

$ 9 , 9 0 0 -13 , 2 0 0

€ 6 , 9 0 0 - 9,10 0 ‡

Provenance Art & Agent Ukr Gallery, Kiev exhibited Kiev, Pavel Gudimov Art Centre, Ya Gallery, Culture, 26 November -

15 December, 2008; Vilnius, Centre Lit Expo, Art Vilnius ‘09, 8 July - 12 July, 2009

06_LON_OCT_CONT_v6.indd 304

24/09/09 10:28


274

AlexAnder Gnilitsky b. 1961 Heater, 2008 Oil on canvas. 200 x 140 cm. (78 3/4 x 55 1/8 in). Signed and dated ‘Gnill 2008’ on the reverse.

estimate £15 , 0 0 0 - 2 0 , 0 0 0

$ 24 , 8 0 0 - 3 3 , 0 0 0

€17,10 0 - 2 2 , 8 0 0 ‡

Provenance Collection Gallery, Kiev exhibited Kiev, Collection Gallery, Alexander Gnilitsky, Modesty and Lard, 30

October – 11 November, 2009 Literature Exhibition catalogue, Collection Gallery, Modesty and Lard, Kiev,

2008, p. 35 (illustrated)

06_LON_OCT_CONT_v6.indd 305

24/09/09 10:29


275

Nikita kadaN b. 1980 Untitled (Project Place of Action), 2009 Oil on canvas. 145 x 145 cm. (57 1/8 x 57 1/8 in). Signed [in Cyrillic] and dated ‘Kadan 09’ on the reverse.

Estimate £ 4 , 0 0 0 - 6 , 0 0 0

$6,60 0 -9,9 0 0

€4,60 0 - 6,90 0 ‡

Provenance Collection Gallery, Kiev exhibited Kiev, Collection Gallery, Project Place of Action, 10 September – 10

October, 2009

06_LON_OCT_CONT_v6.indd 306

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276

illya isupov b. 1971 The Citizen, 2007 Oil, tracing paper and collage on cardboard. 101 x 71 cm. (39 3/4 x 28 in).

Estimate £ 4 , 0 0 0 - 6 , 0 0 0

$6,60 0 -9,9 0 0

€4,60 0 - 6,90 0 ‡

Provenance Collection Gallery, Kiev exhibited Kiev, Fine Art Gallery, Top 10, 20 December, 2007 - 31 January, 2008;

Kiev, Tseh Gallery, Millet, 6 February - 5 March, 2008

06_LON_OCT_CONT_v6.indd 307

24/09/09 10:29


277

Dmitry Dulfan b. 1971 Talk to Me, Earthman!, 2009 Cellophane, electrical components and mixed media. Height: 130 cm. (51 1/4 in).

Estimate £ 5 , 0 0 0 -7, 0 0 0

$ 8 , 3 0 0 -11, 6 0 0

€ 5 ,70 0 - 8 , 0 0 0 Ω

Provenance Collection Gallery, Kiev exhibited Kiev, Collection Gallery, The Perfect Age Project 2, 25 June – 30 July,

2009 Literature Exhibition catalogue, Collection Gallery, The Perfect Age Project 2 ,

Kiev, 2009 p. 33 (illustrated)

06_LON_OCT_CONT_v6.indd 306

23/09/09 16:25


06_LON_OCT_CONT_v6.indd 307

23/09/09 16:26


278

279

278

ALEXANDER KOSOLAPOV b. 1943

279

ALEXANDER KOSOLAPOV b. 1943

Mc Lenin’s, 1991

Malevich, 2001

Lightbox. 120.6 x 121 cm. (47 1/2 x 47 5/8 in). This work is accompanied by a

Lightbox. 90.8 x 120.7 cm. (35 3/4 x 47 1/2 in). This work is accompanied by

certificate of authenticity.

a certificate of authenticity.

Estimate £7, 0 0 0 - 9 , 0 0 0

$11, 6 0 0 -14 , 9 0 0

Provenance Galerie Hussenot, Paris

06_LON_OCT_CONT_v6.indd 308

€ 8 , 0 0 0 -10 , 3 0 0 ♠

Estimate £7, 0 0 0 - 9, 0 0 0

$11, 6 0 0 -14 , 9 0 0

€ 8 , 0 0 0 -10 , 3 0 0 ♠

Provenance Galerie Hussenot, Paris

23/09/09 16:27


280

281

280

281

BARRY MCGEE b. 1966

BARRY MCGEE b. 1966

Untitled (3 bottles), 2005

Untitled, 2004

Painted glass bottles in three parts. Overall: 35 x 26 cm. (13 3/4 x 10 1/4 in).

Acrylic on board in six parts. 100 x 137 cm. (39 3/8 x 53 7/8 in). This work is

This work is accompanied by a certificate of authenticity signed by the artist.

accompanied by a certificate of authenticity signed by the artist.

Estimate £ 3 , 0 0 0 - 5 , 0 0 0

Estimate £12 , 0 0 0 -18 , 0 0 0

$5,0 0 0 -8,30 0

€ 3 ,4 0 0 - 5 ,70 0 ‡

Provenance Modern Art Inc., London

$19 , 8 0 0 - 2 9 , 8 0 0

€13 ,70 0 - 2 0 , 6 0 0 ‡

Provenance Modern Art Inc., London

exhibited London, Modern Art Inc., Barry McGee, Easy Touto, 9 September –

30 October, 2005

06_LON_OCT_CONT_v6.indd 309

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282

282

Louise LawLer b. 1947 This Picture is the Same Size as the Painting I was Asked to Photograph, 1999 Cibachrome print flush-mounted to aluminium. 52.4 x 38.1 cm. (20 5/8 x 15 in). Signed, numbered of five and dated ‘Louise A. Lawler 1999’ on the reverse. This work is from an edition of five.

estimate £ 8 , 0 0 0 -12 , 0 0 0

$13 , 2 0 0 -19 , 8 0 0

€ 9 ,10 0 -13 ,70 0 ‡

Provenance Metro Pictures, New York

283

283

Mike keLLey b. 1954 Landscape Figure (from Monkey Island Series), 1982-3 Felt tip pen on paper. 101.7 x 76 cm. (40 x 29 7/8 in). Signed ‘M.Kelley’ on the label adhered to the reverse.

estimate £7, 0 0 0 - 9 , 0 0 0

$11, 6 0 0 -14 , 9 0 0

€ 8 , 0 0 0 -10 , 3 0 0 ‡

Provenance Patrick Painter Inc, Santa Monica

06_LON_OCT_CONT_v6.indd 312

24/09/09 10:42


284

284

fiona banner b. 1966

285

sarah lucas b. 1962

The Desert, 1995

Untitled, 1991

Screenprint mounted to linen. 211.5 x 553.7 cm. (83 1/4 x 218 in). .

Graphite on paper in five parts. Each: 22.5 x 17.8 cm. (8 7/8 x 7in). Signed and dated ‘Sarah Lucas 1991’ on an envelope accompanying the work.

estimate £10 , 0 0 0 -15 , 0 0 0

$16 , 5 0 0 - 24 , 8 0 0

€11,4 0 0 -17,10 0 ♠‡ estimate £ 4 , 0 0 0 - 6 , 0 0 0

$6,60 0 -9,9 0 0

€ 4 , 6 0 0 - 6 , 9 0 0 ♠‡

Provenance Acquired directly from the artist; Private collection, New York Provenance Acquired directly from the artist; Private collection, New York

285

06_LON_OCT_CONT_v6.indd 313

24/09/09 10:43


286

Bernd & Hilla BecHer b. 1931 b. 1934 Krefeldn Hafen, 1979 Gelatin silver print. 91.8 x 75.6 cm. (36 x 29 3/4 in). Signed, titled, dated and numbered of five ‘Krefeldn Hafen 1979 Bernd Becher Hilla Becher’ on the reverse. This work is from an edition of five.

estimate £ 8 , 0 0 0 -12 , 0 0 0

$13 , 2 0 0 -19 , 8 0 0

€ 9,10 0 -13 ,70 0 ♠ ‡

Provenance Sonnabend Gallery, New York; Zeit Photo Salon, Tokyo

06_LON_OCT_CONT_v6.indd 314

24/09/09 10:44


06_LON_OCT_CONT_v6.indd 315

24/09/09 10:44


287

Bernd & Hilla BecHer 1931-2007 & b. 1934 Nachkriegshäuser, Ruhrgebiet, Deutschland, 1988 Triptych: gelatin silver prints. Each: 39.7 x 30.5 cm. (15 5/8 x 12 in). Signed ‘Bernd Becher Hilla Becher’ on the reverse.

estimate £15 , 0 0 0 - 2 0 , 0 0 0

$ 24 , 8 0 0 - 3 3 , 0 0 0

€17,10 0 - 2 2 , 8 0 0 ♠ ‡

provenance Marc Jancou Contemporary, New York

06_LON_OCT_CONT_v6.indd 316

24/09/09 10:45


06_LON_OCT_CONT_v6.indd 317

24/09/09 10:45


288

Peter Fischli & DaviD Weiss b. 1952 & b. 1946 Siedlungen Agglomeration, 1992 Triptych: cibachrome prints flush-mounted to aluminium Each: 16 x 24 cm. (6 3/8 x 9 1/2 in). Signed and dated ‘1992 Fischli David Weiss’ on a label adhered to the reverse of each.

estimate £ 4 , 0 0 0 - 6 , 0 0 0

$6,60 0 -9,9 0 0

€4,60 0 - 6,90 0 ‡

Provenance Acquired directly from the artist

06_LON_OCT_CONT_v6.indd 318

24/09/09 10:46


06_LON_OCT_CONT_v6.indd 319

24/09/09 10:46


289

290

(i)

(ii)

289

Hynek martinec b. 1980

290

Hans Op de Beeck b. 1969

At the Same Time, 2009

Two works: (i) Exercising the Nowhere—Train Station, 2000; (ii) Exercising the

Triptych: oil and acrylic on canvas. 20 x 60 cm. (7 7/8 x 23 5/8 in). Signed and

Nowhere–Waiting Room 2, 2000

dated ‘HYNEK MARTINEC 2009’ on the reverse of each panel.

Digital prints Diasec mounted. (i) 80 x 170 cm. (31 1/2 x 67 in); (ii) 79.5 x 113 cm. (31 1/4 x 44 1/2 in). These works are from an edition of five.

estimate £ 2 , 0 0 0 - 3 , 0 0 0

$3,30 0 -5,0 0 0

€ 2 , 3 0 0 - 3 ,4 0 0 ♠ estimate £ 4 , 0 0 0 - 6 , 0 0 0

$6,60 0 -9,9 0 0

€4,60 0 - 6,90 0 ♠

provenance Private collection, London provenance Private collection, Netherlands

06_LON_OCT_CONT_v6.indd 320

24/09/09 10:46


291

292

291

292

KatE BriNKworth b. 1977

NaN GoldiN b. 1953

Two Fifties, 2009

Hafen Bar. Berlin, 1991

Oil on canvas. 135 x 89.5 (52 3/4 x 35 1/4 in). Signed, titled and dated

Cibachrome print. 66.6 x 97.5 cm. (26 1/4 x 38 3/8 in). Signed, titled, numbered

‘Kate Brinkworth Two Fifties Jan 2009’ on the reverse.

of 25 and dated ‘Nan Goldin Hafen Bar. Berlin. 1991’ on the reverse. This work is from an edition of 25.

Estimate £ 3 , 0 0 0 - 5 , 0 0 0

$5,0 0 0 -8,30 0

€ 3 ,4 0 0 - 5 ,70 0 ♠ Estimate £7, 0 0 0 - 9, 0 0 0

$11, 6 0 0 -14 , 9 0 0

€ 8 , 0 0 0 -10 , 3 0 0 ‡

Provenance Acquired directly from the artist Provenance Matthew Marks Gallery, New York

06_LON_OCT_CONT_v6.indd 321

24/09/09 10:47


293

Paul Mccarthy b. 1945 Mother PIG, Shushi Gallery, San Diego, CA Performance, 1983, 1995 Cibachrome. Each: 95.2 x 65.4 cm. (37 1/2 x 25 3/4 in). Each signed and dated ‘Paul Mccarthy 95’ on the reverse.

Estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0

$ 3 3 ,10 0 - 4 9 , 6 0 0

€22,80 0 -34,30 0 ‡

Provenance Acquired directly from the artist

06_LON_OCT_CONT_v6.indd 322

24/09/09 10:47


06_LON_OCT_CONT_v6.indd 323

24/09/09 10:48


294

sterling ruby b. 1972 Physicalism The Recombine 1, 2006 Lamda print. 157.5 x 124.5 cm. (62 x 49 in). This work is from an edition of three plus two artist’s proofs and is accompanied by a certificate of authenticity.

estimate £15 , 0 0 0 - 2 0 , 0 0 0

$ 24 , 8 0 0 - 3 3 , 0 0 0

€17,10 0 - 2 2 , 8 0 0

Provenance Galleria Emi Fontana, Milan exhibited Milan, Galleria Emi Fontana, Sterling Ruby, The Recombines, 25 May –

28 July, 2006

06_LON_OCT_CONT_v6.indd 324

24/09/09 10:48


06_LON_OCT_CONT_v6.indd 325

24/09/09 10:48


295

andy warhol 1928-1987 Torso, 1977 Screenprint on Lenox museum board. 152.4 x 102 cm. (60 x 40 1/8 in). Stamped with the Estate and Foundation seals and numbered ‘UP 56.47’ on the reverse.

Estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0

$ 3 3 ,10 0 - 4 9 , 6 0 0

€22,80 0 -34,30 0 ‡

provenance Acquired directly from the artist; the Andy Warhol Foundation,

New York; Paul Kasmin Gallery, New York; Private collection, New York

06_LON_OCT_CONT_v6.indd 324

23/09/09 16:39


296

Thomas Ruff b. 1958 Nudes wh14, 2001 C-print in artist’s wooden frame. 153 x 110.4 cm. (60 1/4 x 43 1/2 in). Signed, titled, dated and numbered of five ‘TC Ruff 2001 wh14’ on the reverse. This work is from an edition of five.

Estimate £15 , 0 0 0 - 2 0 , 0 0 0

$ 24 , 8 0 0 - 3 3 , 0 0 0

€17,10 0 - 2 2 , 8 0 0 ♠ ‡

Provenance Galerie Nelson, Paris

06_LON_OCT_CONT_v6.indd 325

23/09/09 16:39


297

michal rovner b. 1957 Human Seeds, 2004 Pigment on canvas. 76.5 x 93.5 cm. (30 1/8 x 36 7/8 in)

estimate £ 8 , 0 0 0 -12 , 0 0 0

$13 , 2 0 0 -19 , 8 0 0

€ 9,10 0 -13 ,70 0

Provenance Pace Wildenstein, New York

06_LON_OCT_CONT_v6.indd 328

24/09/09 10:58


298

VIK MUNIZ b. 1961 (Still Life): Bouquet, After Henri Matisse, from Pictures of magazine, 2004 C-print. 142 x 102 cm. (55 7/8 x 40 1/8 in). This work is one of four artist’s proofs aside from a numbered edition of six.

Estimate £15 , 0 0 0 - 2 0 , 0 0 0

$ 24 , 8 0 0 - 3 3 , 0 0 0

€17,10 0 - 2 2 , 8 0 0

Provenance Galeria Fortes Vilaça, Sao Paulo

06_LON_OCT_CONT_v6.indd 329

24/09/09 10:59


299

VIK MUNIZ b.1961 Kyber Pass, Self-Portrait as an Oriental (After Rembrandt), from Pictures of junk, 2005 Digital C-print. 213.5 x 183 cm. (84 x 72 in). Signed and dated ‘Vik Muniz 2005’ on the label adhered to the reverse. This work is from an edition of six.

Estimate £ 2 5 , 0 0 0 - 3 5 , 0 0 0

$ 41, 3 0 0 - 57, 9 0 0

€28,60 0 - 40,0 0 0

Provenance Galeria Fortes Vilaça, Sao Paulo

06_LON_OCT_CONT_v6.indd 330

24/09/09 10:59


300

VIK MUNIZ b.1961 Self-Portrait (Golden Boy), 2005 Digital c-print. 152.5 x 122 cm. (60 x 48 in). Signed and dated ‘Vik Muniz 2005’ on a label adhered to the reverse.

Estimate £18 , 0 0 0 - 2 2 , 0 0 0

$ 2 9 , 8 0 0 - 3 6 ,4 0 0

€ 2 0 , 6 0 0 - 2 5 ,10 0

Provenance Galeria Fortes Vilaça, Sao Paulo

06_LON_OCT_CONT_v6.indd 331

24/09/09 11:00


301

302

301

VIK MUNIZ b. 1961

302

VIK MUNIZ b. 1961

Self-Portrait, after Rembrandt, from Pictures of Chocolate Series , 2002

Brushstroke 3, After Roy Lichtenstein, from Pictures of Chocolate Series, 2002

Cibachrome print. 152.5 x 122 cm. (60 x 48 in). Signed and dated ‘Vik Muniz 2002’

C-print. 122 x 152.5 cm. (48 x 60 in). Signed and dated ‘Vik Muniz 2002’ on a label

on a label adhered to the reverse. This work is from an edition of three.

adhered to the reverse. This work is from and edtion of three.

Estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0

Estimate £12 , 0 0 0 -18 , 0 0 0

$ 3 3 ,10 0 - 4 9 , 6 0 0

Provenance Galeria Fortes Vilaça, Sao Paulo

07_LON_OCT_CONT_v6.indd 332

€22,80 0 -34,30 0

$19, 8 0 0 - 2 9 , 8 0 0

€13 ,70 0 - 2 0 , 6 0 0

Provenance Galeria Fortes Vilaça, Sao Paulo

24/09/09 11:16


303

304

303

VIK MUNIZ b. 1961

304

VIK MUNIZ b. 1961

Key (The Sarzedo Drawings), from Pictures of Earthworks Series, 2002

Three works: Untitled (from Pictures of Holes), 1997

Gelatin sepia toned silver print. 101.5 x 127 cm. (40 x 50 in). Signed and dated ‘Vik

Cibachrome prints. Each: 49 x 39 cm. (19 1/4 x 15 3/8 in). Signed, titled and dated

Muniz 2002’ on a label adhered to the reverse. This work is from an edition of ten.

‘”M” VIK MUNIZ 1997 Pictures of Holes’ on the reverse of one of the works. These works are from an edition of ten.

Estimate £10 , 0 0 0 -15 , 0 0 0

$16 , 5 0 0 - 24 , 8 0 0

€11,4 0 0 -17,10 0 Estimate £ 4 , 0 0 0 - 6 , 0 0 0

$6,60 0 -9,9 0 0

€4,60 0 - 6,90 0

Provenance Galeria Fortes Vilaça, Sao Paulo Provenance Acquired directly from the artist Literature C.A. Stainback & J. Crump, Vik Muniz: Seeing is Believing, Santa Fe,

1998, p. 99 (one work illustrated)

07_LON_OCT_CONT_v6.indd 333

24/09/09 11:16


305

306

305

307

nan goLdin b. 1953 Joanna Laughing, L’Hotel, Paris, 1999 Cibachrome. 122 x 183 cm. (48 x 72 in). Signed, titled, numbered of three and dated ‘Joanna Laughing, L’Hotel, Paris, 1999 Nan Goldin’ on a label adhered to the reverse. This work is from an edition of three.

Estimate £15 , 0 0 0 - 2 0 , 0 0 0

$ 24 , 8 0 0 - 3 3 , 0 0 0

€17,10 0 - 2 2 , 8 0 0 307

Provenance Guido Costa Projects, Turin

ugo rondinonE b. 1963

exhibited Naples, Museo d’Arte Contemporanea Donna Regina, People, Volti, corpi

I Don’t l Live Here Anymore, 2001

e segi Contemporanei dalla Collezione di Ernesto Esposito, 29 June – 28 August, 2006

C-print, flush-mounted to aluminium with Diasec face. 149.9 x 100 cm. (59 x 39 3/8 in). Signed ‘Ugo Rondinone’ on a label adhered to the reverse. This work is from an edition of two plus one artist’s proof.

306

thomas ruff b. 1958

Estimate £7, 0 0 0 - 9, 0 0 0

Portrait (Pia Fries), 1985

$11, 6 0 0 -14 , 9 0 0

€ 8 , 0 0 0 -10 , 3 0 0

C-print. 24 x 18 cm. (9 1/2 x 7 1/4 in). Signed and dated ‘Th. Ruff 1985’ on a label

Provenance Galerie Hauser & Wirth & Presenhuber, Zurich; Galerie Almine

adhered to the reverse. This work is form an edition of twelve.

Rech, Paris

Estimate £1, 5 0 0 - 2 , 0 0 0

Volti, corpi e segi Contemporanei dalla Collezione di Ernesto Esposito, 29 June –

$ 2 ,4 8 0 - 3 , 3 0 0

€1,710 - 2 , 2 8 0 ♠‡

exhibited Naples, Museo d’Arte Contemporanea Donna Regina, People,

28 August, 2006 Provenance 303 Gallery, New York

07_LON_OCT_CONT_v6.indd 332

23/09/09 16:48


308

Russell Young b. 1960 Hendrix, 2006 Screenprint on canvas. 159 x 115 cm. (62 1/2 x 14 1/4 in). Signed ‘Russell Young’ on the reverse.

estimate £ 5 , 0 0 0 -7, 0 0 0

$ 8 , 3 0 0 -11, 6 0 0

€ 5 ,70 0 - 8 , 0 0 0

Provenance Acquired directly from the artist

07_LON_OCT_CONT_v6.indd 335

24/09/09 12:18


309

310

309

RAFAL BUJNOWSKI b. 1974 Untitled, 2003 Oil on canvas. 35.3 x 44.7 cm. (13 7/8 x 17 5/8 in). Signed and dated ‘BUJNOWSKI/2003’ on the reverse.

Estimate £ 3 , 0 0 0 - 5 , 0 0 0

$5,0 0 0 -8,30 0

€ 3 ,4 0 0 - 5 ,70 0 ♠

Provenance Acquired directly from the artist

310

GEORGE cONdO b. 1957 Etruscan Study, 1993 Pastel on paper. 203 x 101.5 cm. (80 x 40 in). Signed ‘Condo’ lower right.

Estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0

$ 3 3 ,10 0 - 4 9 , 6 0 0

€22,80 0 -34,30 0

Provenance Galerie Daniel Templon, Paris; Private collection, Paris;

Galerie Bruno Bischofberger, Zurich

07_LON_OCT_CONT_v6.indd 334

23/09/09 17:10


311

Sophie von hellerman b. 1975 The Duellists, 2000 Acrylic on canvas. 243.5 x 182.8 cm. (95 7/8 x 72 in). Signed and dated ‘SOPHIE VON HELLERMANN 2000’ on the stretcher bar.

estimate £ 4 , 0 0 0 - 6 , 0 0 0

$6,60 0 -9,9 0 0

€4,60 0 - 6,90 0 ♠

Provenance Vilma Gold, London

07_LON_OCT_CONT_v6.indd 335

23/09/09 17:11


312

Markus Muntean & adi rosenbluM b. 1962 & b.1962 Untitled, 2005 Acrylic and graphite on canvas. 260 x 160.5 cm (102 3/8 x 63 1/4 in). Signed and dated ‘MUN/ROS 05’ on the reverse.

estimate £10 , 0 0 0 -15 , 0 0 0

$16 , 5 0 0 - 24 , 8 0 0

€11,4 0 0 -17,10 0 ♠

Provenance Sommer Contemporary Art, Tel Aviv

07_LON_OCT_CONT_v6.indd 336

23/09/09 17:12


313

314

313

Paul Morrison b. 1966

314

Ben Vautier b. 1935

Stem, 2002

Je fais quoi?

Acrylic on canvas 203 x 305 cm. (80 x 120 1/4 in). Signed, titled and dated ‘’STEM’

Oil on canvas. 24 x 33 cm. (9 1/2 x 13 in). Signed ‘Ben’ lower right.

2002 Paul Morrison’ on the reverse.

estimate £15 , 0 0 0 - 2 0 , 0 0 0

$ 24 , 8 0 0 - 3 3 , 0 0 0

estimate £ 2 , 5 0 0 - 3 , 5 0 0

$ 4 ,10 0 - 5 , 8 0 0

€2,9 0 0 - 4,0 0 0

€17,10 0 - 2 2 , 8 0 0 ♠ ‡ Provenance Private collection, Belgium

Provenance Acquired directly from the artist

07_LON_OCT_CONT_v6.indd 337

23/09/09 17:12


315

315

DAviD tremlett b. 1945 The first work on canvas in my life, 1993 Pastel and graphite on canvas. 90 x 140.5 cm. (35.5 x 57 1/8 in). Signed, titled and dated ‘David Tremlett The first work on canvas in my life 93’ on the reverse.

estimate £ 3 , 0 0 0 - 4 , 0 0 0

$5,0 0 0 - 6,60 0

€ 3 ,4 0 0 - 4 , 6 0 0 ♠

Provenance Alfonso Artiaco, Napoli

316

316

Anish KApoor b. 1954 Untitled from Twelve Etchings I/Red Oval Forms, 2007 Colour etching on Somerset paper. 78 x 91 cm. (30 3/4 x 35 7/8 in). Signed ‘Anish Kapoor’ lower right; signed and titled ‘Kapoor –Twelve Etchings I / Red Oval Forms’ on the reverse. This work is from an edition of 40.

estimate £ 2 , 0 0 0 - 3 , 0 0 0

$3,30 0 -5,0 0 0

€ 2 , 3 0 0 - 3 ,4 0 0 ♠

Provenance Private collection, Cologne

317

317

Antony Gormley b. 1950 Untitled, 1995 Gouache on paper. 27.5 x 38.5 cm .(10 3/4 x 15 1/4 in).

estimate £ 2 , 0 0 0 - 3 , 0 0 0

$3,30 0 -5,0 0 0

€ 2 , 3 0 0 - 3 ,4 0 0 ♠

Provenance Private collection, Los Angeles

07_LON_OCT_CONT_v6.indd 340

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(ii)

(i)

(iii)

(iv)

(v)

318

Raymond Pettibon b. 1957 Five Works: (i) Untitled (Here is to be noted), 1990; (ii) Untitled (In Looking Back), 1991; (iii) Untitled (As if Smoothed), 1998; (iv) Untitled (Neverland Honor Ranch), 1998; (v) Untitled (To Provoke us), 1994 Ink on paper. (i) 35.5 x 28 cm. (14 x 11 in); (ii) 50.8 x 66.9 cm. (20 x 26 1/4 in); (iii) 24.5 x 18.1 cm. (9 5/8 x 7 1/8 in); (iv) 56.5 x 38.3 cm. (22 1/4 x 15 1/8 in); (v) 55.8 x 54 cm. (22 x 21 1/4 in). Each signed and dated on the reverse.

estimate £ 2 0 , 0 0 0 - 3 0 , 0 0 0

$ 3 3 ,10 0 - 4 9 , 6 0 0

€22,80 0 -34,30 0 ‡

provenance (i) Regen Projects, Los Angeles; (ii) Feature Gallery, New York; (iii) (iv) (v)

Contemporary Fine Arts, Berlin

07_LON_OCT_CONT_v6.indd 341

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319

Gillian CarneGie b. 1971 Ponoka, 2003-2004 Portfolio of nine etchings. Largest: 69.5 x 57.5 cm. (27 1/8 x 22 5/8 in); smallest: 40.6 x 53.3 cm. (16 x 21 in). Each signed ‘Gillian Carnegie’ and numbered of 37 in lower margin. This work is from an edition of 37 plus eight artist’s proofs and one printer’s proof.

estimate £ 2 , 0 0 0 - 3 , 0 0 0

$3,30 0 -5,0 0 0

€ 2 , 3 0 0 - 3 ,4 0 0 ♠

Provenance The Paragon Press, London

07_LON_OCT_CONT_v6.indd 342

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320

320

SAM SALISBURY b. 1977 Untitled #7, 2005 Graphite on paper. 76.5 x 57.2 cm. (30 1/8 x 22 1/2 in).

Estimate £ 8 0 0 -1, 2 0 0

$1, 3 2 0 -1, 9 8 0

€ 914 -1, 3 70 ‡

Provenance Alison Jacques Gallery, London

321

KENDELL GEERS b. 1968 Two works: La Sainte Vierge, 2004 Ink on paper. 100.3 x 70.2 cm. (39 1/2 x 27 5/8 in). Each signed ‘Kendell Geers’ lower right.

Estimate £10 , 0 0 0 -15 , 0 0 0

$16 , 5 0 0 - 24 , 8 0 0

€11,4 0 0 -17,10 0 ♠

Provenance Private collection, Germany

321

07_LON_OCT_CONT_v6.indd 343

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322

DR LAKRA b. 1972 Untitled (Karloff Lagarde), 2007 Ink on vintage poster. 73 x 47.5 cm. (28 3/4 x 18 3/4 in). Signed ‘Dr Lakra’ lower right.

Estimate £ 5 , 0 0 0 -7, 0 0 0

$ 8 , 3 0 0 -11, 6 0 0

€ 5 ,70 0 - 8 , 0 0 0

Provenance Kurimanzutto, Mexico City

07_LON_OCT_CONT_v6.indd 344

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45947 tranny from clx

323

Dr laKra b. 1972 Black Gordman, 2003 Ink and paint on vintage magazine. 47.5 x 35 cm. (18 3/4 x 13 3/4 in). Signed and dated ‘Dr Lakra MM3’ lower left.

Estimate £ 2 , 0 0 0 - 3 , 0 0 0

$3,30 0 -5,0 0 0

€ 2 , 3 0 0 - 3 ,4 0 0 †

Provenance Kate MacGarry, London

07_LON_OCT_CONT_v6.indd 345

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324

325

324

Vanessa Beecroft b. 1969

325

Vanessa Beecroft b. 1969

Five works: VB08, VB16, VB35, VB39, VB39, 1999

Untitled (performance, detail, 1998, Solomon R. Guggenheim Museum, New York,

C-prints, Diasec mounted. Each: 49.5 x 69.5 cm. (19 1/2 x 27 3/8 in). These works

NY), VB35.079, 1998

are from an edition of 55.

Digital c-prints. 101.2 x 135.9 cm. (39 7/8 x 53 1/2 in). This work is from an edition of three.

estimate £1, 5 0 0 - 2 , 5 0 0

$ 2 , 5 0 0 - 4 ,10 0

€1,70 0 - 2 , 9 0 0 ♠ estimate £ 6 , 0 0 0 - 8 , 0 0 0

$ 9, 9 0 0 -13 , 2 0 0

€ 6 , 9 0 0 - 9 ,10 0 ♠ ‡

Provenance Marco Noire Gallery, Turin Provenance Deitch Projects, New York exhibited Rivoli-Turin, Castello Di Rivoli Museo D’arte Contemporanea, Vanessa

Beecroft Performances 1993-2003, 8 October 2003 – 25 January 2004 (another example exhibited); Bielefeld, Kunsthalle Bielefeld, Vanessa Beecroft Performances 1993-2003, 9 May 2004 – 29 August 2003 (another example exhibited) Literature ed. SKIRA, Vanessa Beecroft performances 1993-2003, Castello Di

Rivoli Museo D’arte Contemporanea, Rivoli-Turin, 2003, p. 222 (illustrated)

07_LON_OCT_CONT_v6.indd 344

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326

327

326

VANESSA BEECROFT b. 1969

327

SpENCER TuNiCk b. 1967

Untitled (performance, detail, 1998, Solomon R. Guggenheim Museum, New York,

Krystl 1, 1999

NY), VB35.330, 1998

C-print, Diasec face mounted. 180.5 x 227 cm. (71 x 89 1/2). Signed, dated and

Digital c-print. 101.6 x 123.2 cm. (40 x 48 1/2 in). This work is from an edition of

numbered of six ‘ Spencer Tunick 1999’. This work of from an edition of six.

three.

Estimate £ 4 , 0 0 0 - 6 , 0 0 0 Estimate £ 6 , 0 0 0 - 8 , 0 0 0

$ 9 , 9 0 0 -13 , 2 0 0

$6,60 0 -9,9 0 0

€4,60 0 - 6,90 0 ‡

€ 6 , 9 0 0 - 9,10 0 ♠ ‡ Provenance I-20 Gallery, New York

Provenance Deitch Projects, New York exhibited Rivoli-Turin, Castello Di Rivoli Museo D’arte Contemporanea, Vanessa

Beecroft Performances 1993-2003, 8 October 2003 – 25 January 2004 (another example exhibited); Bielefeld, Kunsthalle Bielefeld, Vanessa Beecroft Performances 1993-2003, 9 May 2004 – 29 August 2004 (another example exhibited)

07_LON_OCT_CONT_v6.indd 345

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328

PhiliP-lorca Dicorcia b. 1951 Eleven works: Hustlers (i) John Marcus Allen 31 years old, Georgia, $25, 1992; (ii) Jeff Doken, 25 years old, Seattle Washington, $25, 1992/3; (iii) Christopher Patterson, 17 years old San Jaun, Puerto Rico, $20, 1991; (iv) Alex T’Angelo, 28 years old, Los Angeles, CA, $25,1991; (v) Ike Cole, 38 years old, Los Angeles, California, $25, 1991; (vi) ‘Candy’ Robert Randall, 25 years old, Lynwood CA, $30, 1991; (vii) Billy Terry, 31 years old, Los Angeles, California, $25, 1992; (viii) Jerry Michael Jonson, 19 years old Dallas Texas (Hat), $20, 1991; (ix) Brian Scott, 24 years old, San Marco California, $25, 1992; (x) Mickey Jams, 29 years old, Minister, Indiana, $30, 1991; (xi) Mike, 26 years old, $30, 1990/92 C-prints. Each approximately 39 x 58 cm. (15 3/8 x 22 7/8 in). Each: signed, dated and numbered of twenty on the reverse. These works are from an edition of twenty.

Estimate £ 4 0 , 0 0 0 - 6 0 , 0 0 0

$ 6 6 ,10 0 - 9 9 , 2 0 0

€ 4 5 ,70 0 - 6 8 , 5 0 0 ‡

Provenance Acquired directly from the artist

07_LON_OCT_CONT_v6.indd 346

23/09/09 17:34


07_LON_OCT_CONT_v6.indd 347

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329

330

329

PhiliP-lorca dicorcia b. 1951

330

cathErinE Sullivan b. 1968

Todd M. Brooks; 22 Years Old; Denver, Colorado; $40, 1990/1992

Misfire #10, 2005

C-print. 60.6 x 90.2 cm. (23 7/8 x 35 1/2 in). Signed ‘Philip Lorca di Corcia’ on the

C-print. 49 x 98.5 cm. (19 1/4 x 38 3/4 in). This work is from an edition of six.

reverse. This work is from an edition of twenty.

Estimate £ 2 , 5 0 0 - 3 , 5 0 0 Estimate £ 4 , 0 0 0 - 6 , 0 0 0

$6,60 0 -9,9 0 0

$ 4 ,10 0 - 5 , 8 0 0

€2,9 0 0 - 4,0 0 0

€4,60 0 - 6,90 0 Provenance Gio Marconi, Milan; Supportico Lopez, Naples

Provenance Changing Role Gallery, Naples

07_LON_OCT_CONT_v6.indd 348

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331

332

331

332

markus schinwalD b. 1973

Jeremy Deller b. 1966

Contortionists (Daniela), 2005

Untitled, 2002

Lambda print flush-mounted to aluminium. 99.4 x 160 cm. (39 1/8 x 63 in). This

C-print. 27.3 x 41.6 cm. (10 3/4 x 16 3/8 in). Signed ‘Jeremy D’ on a label adhered to

work is from an edition of three.

the reverse. This work is from an edition of three.

estimate £ 5 , 0 0 0 -7, 0 0 0

$ 8 , 3 0 0 -11, 6 0 0

Provenance Max Wigram Gallery, London

07_LON_OCT_CONT_v6.indd 349

€ 5 ,70 0 - 8 , 0 0 0 ♠

estimate £1, 5 0 0 - 2 , 0 0 0

$2,50 0 -3,30 0

€1,70 0 - 2 , 3 0 0 ♠

Provenance Art: Concept, Paris

23/09/09 17:38


333

Wolfgang Tillmans b. 1968 Two works: (i) Arms & Chair, 2000; (ii) Hindemithstrasse, 1996, C-print. i) 30.5 x 40.6 cm. (12 x 16 in). ii) 40.6 x 30.5 cm. (16 x 12 in). (i) Signed, inscribed, titled, numbered of ten and dated ‘arms & chair ph 9 2000 print 2000 Wolfgang Tillmans’ on the reverse. (ii)Signed, inscribed, titled, numbered of ten and dated ‘Hindemithstrasse ph 4 96 print 96 Wolfgang Tillmans’ on the reverse. These works are from an edition of ten plus one artist’s proof.

Estimate £ 3 , 0 0 0 - 5 , 0 0 0

$5,0 0 0 -8,30 0

€ 3 ,4 0 0 - 5 ,70 0 ♠

Provenance Private collection, Italy

07_LON_OCT_CONT_v6.indd 350

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334

WOLFGANG TILLMANS b. 1968 Two works: (i) Faltenwurf, Shiny, 2001; (ii) Use, 2000, C-prints. (i) 40.7 x 30 cm. (16 x 12 in). (ii) 30 x 40.7 cm. (12 x 16 in). (i) Signed, inscribed, numbered of ten, titled and dated ‘Faltenwurf, Shiny ph 2001 WT01 Wolfgang Tillmans 01’ on the reverse; (ii) Signed, inscribed, numbered of ten and dated ‘Use ph 5 00 Pr WT 5 00 Wolfgang Tillmans 00’ on the reverse. These works are from an edition of ten plus one artist’s proof.

Estimate £ 3 , 0 0 0 - 5 , 0 0 0

$5,0 0 0 -8,30 0

€ 3 ,4 0 0 - 5 ,70 0 ♠

Provenance Andrea Rosen Gallery, New York

07_LON_OCT_CONT_v6.indd 351

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index

Accardi, C. 120 Adami, V. 187

Nitsch, H. 13

Alys, F. 37,184, 186

Nitsche, F. 138, 139

Aoshima, C. 192, 193 Armleder, J. 24, 35, 128 Baechler, D. 257 Banner, F. 284 Basquiat, J-M. 12 Becher, B. & H. 286, 287 Beecroft, V. 324, 325, 326 Bludov, A. 261 Bock, J. 176 Bourgeois, L. 135 Bove, C. 174 Brandl, H. 222 Brinkworth, K. 291 Bujnowski, R. 309 Buren, D. 121 Cai, G. Q. 203 Campinini, P. 254 Carnegie, G. 319 Castellani, E. 109 Caulfield, P. 236 Celmins, V. 171 Chapman, J & D. 14 Chichkan, I. 266 Christo 185 Colen, D. 26 Collishaw, M. 172 Condo, G. 153, 154, 310 Conroy, S. 224 Cragg, T. 38, 41 Creed, M. 124 Darboven, H. 147 David, E. 152 de Balincourt, J. 158 de Beeck, H. o. 290 Deller, J. 332 Delvoye, W. 36, 131 DiCorcia, P.-L. 328, 329 Dragset, I. & Elmgreen, M. 2, 218 Dulphan, D. 276 Eliasson, O. 23, 168 Elmgreen, M. & Dragset, I. 2, 218 Favaretto, L. 104 Federle, H. 232, 233 Fischli, P. & Weiss, D. 288 Fleury, S. 223 Fontana, L. 30, 106 Förg, G. 31,140, 141, 235 Frisch Peri, S. 108 Fryer, P. 102 Fuksas, M. 116 Gallaccio, A. 136 Ganesh, C. 209 Geers, K. 117, 321 Geys, J. 132 Ghadirian, S. 216 Giehler, T. 252 Gnilitsky, A. 275 Goldin, N. 119, 292, 305 Goldstein, J. 122 Gonzalez, W. 240, 241 Gormley, A. 317 Greene, M. 178 Gupta, S. 210 Gursky, A. 44

Hafif, M. 239 Hains, R. 181, 182 Haring, K. 189 Hassanzadeh, K. 214 Hatoum, M. 103 Havekost, E. 245 Henning, A. 253 Herold, G. 221 Hirst, D. 160, 161 Hnilitska, K. 271 Hodges, J. 3 Holzapfel, O. 227, 228, 229 Hong, H. 207 Horn, R. 164 Hutte, A. 163 Hybert, F. 115 Hylden, N. 230, 231 Isupov, I. 277 Jensen, S. 32, 237, 238 Kadan, N. 274 Kahrs, J. 179 Kallat, J. 42 Kapoor, A. 316 Kawara, O. 29 Kelley, M. 118, 259, 283 Kersels, M. 255 Kiefer, A. 114 Kippenberger, M. 5, 6, 7, 8, 25, 220, 248 Klein, Y. 133 Klymenko, A. 272 Knobloch, T. 244 Knoebel, I. 125 Koh, T. 217 Kosolapov, A. 278, 279 Kosuth, J. 175 Lakra, Dr. 322, 323 Lambie, J. 130 Lawler, L. 126, 282 Lee, U. 177 Lucas, S. 285 Luo Brothers 206 Maier-Aichen, F. 20, 165, 166, 167 Mamsikov, M. 267 Mangold, R. 145, 146 Manzelli, M. 15 Marepe 148 Martin, B. 258 Martinec, H. 289 McCarthy, P. 16, 149, 293 McCracken, J. 22, 143, 144 McGee, B. 280, 281 McGinnis, R. 249, 250 Meese, J. 9, 246 Melotti, F. 107 Morrison, P. 313 Moshiri, F. 213 Motsenko, M. 273 Mr 197 Muniz, V. 298, 299, 300, 301, 302, 303, 304 Muntean, M. & Rosenblum, A. 157, 312 Nara, Y. 196 Neshat, S. 215

Novikov, I. 263 Opie, J. 150, 151 Ortega, D. 123 Parrino, S. 11, 137 Peri, P. 226 Perry, G. 155, 156 Pettibon, R. 318 Pierre et Gilles 112 Polke, S. 190, 191 Poons, L. 43, 180 Quinn, M. 162 Raedecker, M. 19 Rauschenberg, R. 34 Reyle, A. 219 Richter, G. 183 Roitburd, A.

260, 265

Rondinone, U. 21, 307 Rosenblum, A. & Muntean, M. 157, 312 Rovner, M. 297 Ruby, S. 4, 294 Ruff, T. 17, 170, 296, 306 Salisbury, S. 320 Savadov, A. 268, 269 Scheibl, H. 256 Schutz, D. 247 Sherman, C. 10, 18, 169 Shinwald, M. 331 Stingel, R. 111, 134 Strunz, K. 129 Sugito, H. 195 Sullivan, C. 330 Sydorenko, V. 264 Takano, A. 194 Tayou, P. M. 110 Tillmans, W. 173, 333, 334 Tistol, O. 262 Tremlett, D. 315 Trockel, R. 39, 242, 243 Troubina, V. 270 Tunick, S. 327 Turk, G. 159 Tyson, K. 105, 251 Vautier, B. 101, 314 Vezzoli, F. 113 von Hellerman, S. 311 Wallace, I. 234 Walsh, D. 1, 142 Wang, D. 208 Wang, X. 199 Wang, Z. 205 Warhol, A. 28, 188, 295 Weiser, G. 225 Weiss, D. & Fischli, P. 288 West, F. 33, 40 Wool, C. 27 Yan, P. M. 202, 204 Yan, Q. 200 Young, R. 308 Zhang, H. 201 Zhang, P. 198

Guyton, W. 127 Haerizadeh, R. 211, 212

08_LON_OCT_CONT Backmatter.indd 354

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GUIDE FOR PROSPECTIVE BUYERS

prospective buyer of photographs or prints should always request a condition report because all such property is sold unframed, unless otherwise indicated in the condition report. If a lot is sold framed, Phillips de Pury & Company accepts no liability

BUYInG aT aUCTIOn

for the condition of the frame. If we sell any lot unframed, we will be pleased to refer

The following pages are designed to offer you information on how to buy at auction at

the purchaser to a professional framer.

Phillips de Pury & Company. Our staff will be happy to assist you. Pre-auction Viewing COnDITIOnS OF SalE

Pre-auction viewings are open to the public and free of charge. Our specialists are

The Conditions of Sale and Authorship Warranty which appear later in this catalogue

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Electrical and mechanical lots

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1 PRIOR TO aUCTIOn

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From 1,000 to 50,000

4%

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08_LON_OCT_CONT Backmatter.indd 355

24/09/09 11:44


2 Bidding in the Sale

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by UK£200s

enquiries as to whether a license is required to export the property from the United

UK£3,000 to UK£5,000

by UK£200s, 500, 800

Kingdom or to import it into another country. It is the buyer’s sole responsibility to

(i.e. UK£4,200, 4,500, 4,800)

comply with all import and export laws and to obtain any necessary licenses or

UK£5,000 to UK£10,000

by UK£500s

permits. The denial of any required license or permit or any delay in obtaining such

UK£10,000 to UK£20,000

by UK£1,000s

documentation will not justify the cancellation of the sale or any delay in making full

UK£20,000 to UK£30,000

by UK£2,000s

payment for the lot.

UK£30,000 to UK£50,000

by UK£2,000s, 5,000, 8,000

UK£50,000 to UK£100,000

by UK£5,000s

endangered Species

UK£100,000 to UK£200,000

by UK£10,000s

Items made of or incorporating plant or animal material, such as coral, crocodile, ivory,

above UK£200,000

auctioneer’s discretion

whalebone, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value, may require a license or certificate prior to exportation and additional licenses or

The auctioneer may vary the increments during the course of the auction at his or her

certificates upon importation to any country outside the European Union (EU). Please

own discretion.

note that the ability to obtain an export license or certificate does not ensure the ability to obtain an import license or certificate in another country, and vice versa. We suggest that prospective bidders check with their own government regarding wildlife

3 the auction

import requirements prior to placing a bid. It is the buyer’s sole responsibility to obtain

conditions of Sale

any necessary export or import licenses or certificates as well as any other required

As noted above, the auction is governed by the Conditions of Sale and Authorship

documentation. The denial of any required license or certificate or any delay in

Warranty. All prospective bidders should read them carefully. They may be amended

obtaining such documentation will not justify the cancellation of the sale or any delay

by saleroom addendum or auctioneer’s announcement.

in making full payment for the lot.

08_LON_OCT_CONT Backmatter.indd 356

24/09/09 11:45


the Bleich-Rossi collection An iMPoRtAnt collection oF woRks By MARtin kiPPenBeRGeR AnD his collABoRAtoRs oFFeReD FoR PRiVAte sAle

MARTIN KIppeNbeRgeR AlbeRT OehleN MIchAel KRebbeR JöRg SchlIcK eXhIbITION ON VIeW phIllIpS De pURY & cOMpANY gAlleRY AT SAATchI gAlleRY 7 – 24 OcTObeR 2009 Duke of York Headquarters London SW3 4SQ Enquiries: +44 20 7318 4010 Gallery opening hours: 10am-6pm, 7 days a week, last entry 5:30PM

FRee ADMission

www.phillipsdepury.com www.saatchigallery.com sale enquiries: silke taprogge staprogge@phillipsdepury.com +44 20 7318 4012

08_LON_OCT_CONT Backmatter.indd 357

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2 Bidding in the Sale

interested Parties announcement

Bidding at auction

In situations where a person allowed to bid on a lot has a direct or indirect interest in

Bids may be executed during the auction in person by paddle or by telephone or prior

such lot, such as the beneficiary or executor of an estate selling the lot, a joint owner

to the sale in writing by absentee bid. Proof of identity in the form of government

of the lot or a party providing or participating in a guarantee on the lot, Phillips de

issued identification will be required, as will an original signature. We may also

Pury & Company will make an announcement in the saleroom that interested parties

require that you furnish us with a bank reference.

may bid on the lot.

Bidding in Person

consecutive and Responsive Bidding

To bid in person, you will need to register for and collect a paddle before the auction

The auctioneer may open the bidding on any lot by placing a bid on behalf of the seller.

begins. New clients are encouraged to register at least 48 hours in advance of a sale to

The auctioneer may further bid on behalf of the seller up to the amount of the reserve

allow sufficient time for us to process your information. All lots sold will be invoiced to

by placing consecutive bids or bids in response to other bidders.

the name and address to which the paddle has been registered and invoices cannot be transferred to other names and addresses. Please do not misplace your paddle. In the event you lose it, inform a Phillips de Pury & Company

4 afteR the auction

staff member immediately. At the end of the auction, please return your paddle to the

Payment

registration desk.

Buyers are required to pay for purchases immediately following the auction unless other arrangements are agreed with Phillips de Pury & Company in writing in advance

Bidding by telephone

of the sale. Payments must be made in pounds sterling either by cash, cheque drawn

If you cannot attend the auction, you may bid live on the telephone with one of our

on a UK bank or wire transfer, as noted in Paragraph 6 of the Conditions of Sale. It is

multi-lingual staff members. This service must be arranged at least 24 hours in

our corporate policy not to make or accept single or multiple payments in cash or cash

advance of the sale and is available for lots whose low pre-sale estimate is at least

equivalents in excess of the local currency equivalent of US$10,000.

£500. Telephone bids may be recorded. By bidding on the telephone, you consent to the recording of your conversation. We suggest that you leave a maximum bid, excluding the buyer’s premium and VAT, which we can execute on your behalf in the event we are

credit cards

unable to reach you by telephone.

As a courtesy to clients, Phillips de Pury & Company will accept Visa, Mastercard and UK-issued debit cards to pay for invoices of £50,000 or less. A processing fee will apply.

absentee Bids If you are unable to attend the auction and cannot participate by telephone, Phillips de Pury & Company will be happy to execute written bids on your behalf. A bidding form

collection

can be found at the back of this catalogue. This service is free and confidential. Bids

It is our policy to request proof of identity on collection of a lot. A lot will be released

must be placed in the currency of the sale. Our staff will attempt to execute an

to the buyer or the buyer’s authorized representative when Phillips de Pury & Company

absentee bid at the lowest possible price taking into account the reserve and other

has received full and cleared payment and we are not owed any other amount by the

bidders. Always indicate a maximum bid, excluding the buyer’s premium and VAT.

buyer. Promptly after the auction, we will transfer all lots to a third party storage

Unlimited bids will not be accepted. Any absentee bid must be received at least 24

facility and will so advise all buyers. If you are in doubt about the location of your

hours in advance of the sale. In the event of identical bids, the earliest bid received will

purchase, please contact the Shipping Department prior to arranging collection. We

take precedence.

will levy removal, interest, storage and handling charges on uncollected lots.

employee Bidding

loss or damage

Employees of Phillips de Pury & Company and our affiliated companies, including the

Buyers are reminded that Phillips de Pury & Company accepts liability for loss or

auctioneer, may bid at the auction by placing absentee bids so long as they do not

damage to lots for a maximum of five days following the auction.

know the reserve when submitting their absentee bids and otherwise comply with our

transport and Shipping

employee bidding procedures.

As a free service for buyers, Phillips de Pury & Company will wrap purchased lots for hand carry only. We do not provide packing, handling or shipping services directly.

Bidding increments

However, we will coordinate with shipping agents instructed by you in order to

Bidding generally opens below the low estimate and advances in increments of up to

facilitate the packing, handling and shipping of property purchased at Phillips

10%, subject to the auctioneer’s discretion. Absentee bids that do not conform to the

de Pury & Company. Please refer to Paragraph 7 of the Conditions of Sale for

increments set below may be lowered to the next bidding increment.

more information.

UK£50 to UK£1,000

by UK£50s

export and import licenses

UK£1,000 to UK£2,000

by UK£100s

Before bidding for any property, prospective bidders are advised to make independent

UK£2,000 to UK£3,000

by UK£200s

enquiries as to whether a license is required to export the property from the United

UK£3,000 to UK£5,000

by UK£200s, 500, 800

Kingdom or to import it into another country. It is the buyer’s sole responsibility to

(i.e. UK£4,200, 4,500, 4,800)

comply with all import and export laws and to obtain any necessary licenses or

UK£5,000 to UK£10,000

by UK£500s

permits. The denial of any required license or permit or any delay in obtaining such

UK£10,000 to UK£20,000

by UK£1,000s

documentation will not justify the cancellation of the sale or any delay in making full

UK£20,000 to UK£30,000

by UK£2,000s

payment for the lot.

UK£30,000 to UK£50,000

by UK£2,000s, 5,000, 8,000

UK£50,000 to UK£100,000

by UK£5,000s

endangered Species

UK£100,000 to UK£200,000

by UK£10,000s

Items made of or incorporating plant or animal material, such as coral, crocodile, ivory,

above UK£200,000

auctioneer’s discretion

whalebone, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value, may require a license or certificate prior to exportation and additional licenses or

The auctioneer may vary the increments during the course of the auction at his or her

certificates upon importation to any country outside the European Union (EU). Please

own discretion.

note that the ability to obtain an export license or certificate does not ensure the ability to obtain an import license or certificate in another country, and vice versa. We suggest that prospective bidders check with their own government regarding wildlife

3 the auction

import requirements prior to placing a bid. It is the buyer’s sole responsibility to obtain

conditions of Sale

any necessary export or import licenses or certificates as well as any other required

As noted above, the auction is governed by the Conditions of Sale and Authorship

documentation. The denial of any required license or certificate or any delay in

Warranty. All prospective bidders should read them carefully. They may be amended

obtaining such documentation will not justify the cancellation of the sale or any delay

by saleroom addendum or auctioneer’s announcement.

in making full payment for the lot.

08_LON_OCT_CONT Backmatter.indd 358

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CONTEMPORARY ART AUCTIONS NEW YORK PART I 12 NOVEMBER 2009 7pm PART II Viewing 7 – 12 November

13 NOVEMBER 2009 10am & 2pm

Phillips de Pury & Company 450 West 15 Street New York 10011 Enquiries +1 212 940 1260 Catalogues +1 212 940 1240 / +44 20 7318 4039 www.phillipsdepury.com OLAFUR ELIASSON 1m3 light, 1999 Estimate $300,000-500,000

08_LON_OCT_CONT Backmatter.indd 359

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VAT And oTher TAx informATion for buyers

Where the buyer carries purchases from the EU personally or uses the services of a third party, Phillips de Pury & Company will charge the VAT amount due as a deposit and refund it if the lot has been exported within three months of the date of sale

The following paragraphs provide general information to buyers on the VAT and

and the following conditions are met:

certain other potential tax implications of purchasing property at Phillips de Pury & Company. This information is not intended to be complete. In all cases, the relevant tax

• For lots sold under the Auctioneer’s Margin Scheme or the normal VAT

legislation takes precedence, and the VAT rates in effect on the day of the auction will

rules, Phillips de Pury & Company is provided with appropriate

be the rates charged. It should be noted that, for VAT purposes only, Phillips de Pury &

documentary proof of export from the EU. Buyers carrying their own

Company is not usually treated as agent and most property is sold as if it is the

property should obtain hand-carry papers from the Shipping Department

property of Phillips de Pury & Company. In the following paragraphs, reference to VAT

to facilitate this process; or

symbols shall mean those symbols located beside the lot number or the pre-sale

• For lots sold under temporary importation, Phillips de Pury & Company is

estimates in the catalogue (or amending saleroom addendum).

provided with a copy of the correct paperwork duly completed and stamped by HM Revenue and Customs which shows the property has been exported

1 ProPerTy wiTh no VAT symbol

from the EU via the UK. It is essential for shippers acting on behalf of

Where there is no VAT symbol, Phillips de Pury & Company is able to use the

buyers to collect copies of original import papers from our Shipping

Auctioneer’s Margin Scheme, and VAT will not normally be charged on the

Department. HM Revenue and Customs insist that the correct customs

hammer price.

procedures are followed and Phillips de Pury & Company will not be able to issue any refunds where the export documents do not exactly comply with

Phillips de Pury & Company must bear VAT on the buyer’s premium. Therefore, we will

governmental regulations. Property subject to temporary importation must

charge an amount in lieu of VAT at 15% on the buyer’s premium. This amount will form

be transferred to another customs procedure immediately if any restoration

part of the buyer’s premium on our invoice and will not be separately identified.

or repair work is to be carried out.

2 ProPerTy wiTh A † symbol

Buyers carrying their own property must obtain hand-carry papers from the Shipping

These lots will be sold under the normal UK VAT rules, and VAT will be charged at 15%

Department, for which a charge of £20 will be made. The VAT refund will be processed

on both the hammer price and buyer’s premium.

once the appropriate paperwork has been returned to Phillips de Pury & Company. Phillips de Pury & Company is not able to cancel or refund any VAT charged on sales

3 ProPerTy wiTh A § symbol

made to UK or EU private residents unless the lot is subject to temporary importation

Lots sold to buyers whose registered address is in the EU will be assumed to be

and the property is exported from the EU within three months of the sale date. Any

remaining in the EU. The property will be invoiced as if it had no VAT symbol. However,

refund of VAT is subject to a minimum of £50 per shipment and a processing charge

if an EU buyer advises us that the property is to be exported from the EU, Phillips de

of £20.

Pury & Company will re-invoice the property under the normal VAT rules. Buyers intending to export, repair, restore or alter lots under temporary importation Lots sold to buyers whose address is outside the EU will be assumed to be exported

should notify the Shipping Department before collection. Failure to do so may result in

from the EU. The property will be invoiced under the normal VAT rules. Although the

the import VAT becoming payable immediately and Phillips de Pury & Company being

hammer price will be subject to VAT, the VAT will be canceled or refunded upon export.

unable to refund the VAT charged on deposit.

The buyer’s premium will always bear VAT. However, buyers who are not intending to export their property from the EU should notify our Client Accounting Department on

6 VAT refunds from hm reVenue And CusToms

the day of the sale, and the property will be re-invoiced showing no VAT on the

Where VAT charged cannot be cancelled or refunded by Phillips de Pury & Company,

hammer price.

it may be possible to seek repayment from HM Revenue and Customs. Repayments in this manner are limited to businesses located outside the UK and may be

4 ProPerTy sold wiTh A ‡ or Ω symbol

considered for:

These lots have been imported from outside the EU to be sold at auction under temporary importation. Property subject to temporary importation will be offered

• VAT charged on the buyer’s premium on property sold under the normal

under the Auctioneer’s Margin Scheme and will be subject to import VAT of either 5%

VAT rules.

or 15% on the hammer price and an amount in lieu of VAT at 15% on the buyer’s premium. Anyone who wishes to buy outside the Auctioneer’s Margin Scheme should

• Import VAT charged on the hammer price and buyer’s premium for lots

notify the Client Accounting Department before the sale.

sold under temporary importation.

‡ = 5%

Ω = 15%

Claim forms are available from: HM Revenue and Customs

5 exPorTs from The euroPeAn union

VAT Overseas Repayment Section

The following types of VAT may be cancelled or refunded by Phillips de Pury &

P.O. Box 34, Foyle House, Duncreggan Road, Londonderry

Company on exports made within three months of the sale date if strict conditions

Northern Ireland BT48 7AE

are met:

Tel +44 28 7130 5100 Fax +44 28 7130 5101 • The amount in lieu of VAT charged on the buyer’s premium for property sold under the Auctioneer’s Margin Scheme (i.e., without a VAT symbol).

7 sAles And use TAxes Buyers from outside the UK should note that local sales taxes or use taxes may

• The VAT on the hammer price for property sold under the normal VAT

become payable upon import of lots following purchase. Buyers should consult their

rules (i.e., with a † or a § symbol).

own tax advisors.

• The import VAT charged on the hammer price and buyer’s premium for property sold under temporary importation (i.e., with a ‡ or a Ω symbol).

CondiTions of sAle In each of the above examples, where the appropriate conditions are satisfied, no VAT will be charged if, at or before the time of invoicing, the buyer instructs Phillips de

The Conditions of Sale and Authorship Warranty set forth below govern the

Pury & Company to export the property from the EU. If such instruction is received

relationship between bidders and buyers, on the one hand, and Phillips de Pury &

after payment, a refund of the VAT amount will be made.

Company and sellers, on the other hand. All prospective buyers should read these Conditions of Sale and Authorship Warranty carefully before bidding.

08_LON_OCT_CONT Backmatter.indd 360

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PHOTOGRAPHS AUCTION 14 NOVEMBER 2009 10am & 1pm Viewing 7 – 13 November

NEW YORK

Phillips de Pury & Company 450 West 15 Street New York 10011 Enquiries +1 212 940 1245 Catalogues +1 212 940 1240 / +44 20 7318 4039 www.phillipsdepury.com

ALBERT WATSON Breaunna on Leopard Print, Las Vegas Hilton, 2001 Estimate $18,000-22,000

08_LON_OCT_CONT Backmatter.indd 361

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1 IntroductIon

bidding, supplying such information and references as required by Phillips de Pury

Each lot in this catalogue is offered for sale and sold subject to: (a) the Conditions of

& Company.

Sale and Authorship Warranty; (b) additional notices and terms printed in other places in this catalogue, including the Guide for Prospective Buyers, and (c) supplements to

(b) As a convenience to bidders who cannot attend the auction in person, Phillips de

this catalogue or other written material posted by Phillips de Pury & Company in the

Pury & Company may, if so instructed by the bidder, execute written absentee bids on

saleroom, in each case as amended by any addendum or announcement by the

a bidder’s behalf. Absentee bidders are required to submit bids on the “Absentee Bid

auctioneer prior to the auction.

Form,” a copy of which is printed in this catalogue or otherwise available from Phillips de Pury & Company. Bids must be placed in the currency of the sale. The bidder must

By bidding at the auction, whether in person, through an agent, by written bid, by

clearly indicate the maximum amount he or she intends to bid, excluding the buyer’s

telephone bid or other means, bidders and buyers agree to be bound by these

premium and value added tax (VAT). The auctioneer will not accept an instruction to

Conditions of Sale, as so changed or supplemented, and Authorship Warranty.

execute an absentee bid which does not indicate such maximum bid. Our staff will attempt to execute an absentee bid at the lowest possible price taking into account

These Conditions of Sale, as so changed or supplemented, and Authorship Warranty

the reserve and other bidders. Any absentee bid must be received at least 24 hours

contain all the terms on which Phillips de Pury & Company and the seller contract with

in advance of the sale. In the event of identical bids, the earliest bid received will

the buyer.

take precedence.

2 PhIllIPs de Pury & comPany as agent

(c) Telephone bidders are required to submit bids on the “Telephone Bid Form,” a copy

Phillips de Pury & Company acts as an agent for the seller, unless otherwise indicated

of which is printed in this catalogue or otherwise available from Phillips de Pury &

in this catalogue or at the time of auction. On occasion, Phillips de Pury & Company

Company. Telephone bidding is available for lots whose low pre-sale estimate is at

may own a lot, in which case we will act in a principal capacity as a consignor, or may

least £500. Phillips de Pury & Company reserves the right to require written

have a legal, beneficial or financial interest in a lot as a secured creditor or otherwise.

confirmation of a successful bid from a telephone bidder by fax or otherwise immediately after such bid is accepted by the auctioneer. Telephone bids may be

3 catalogue descrIPtIons and condItIon of ProPerty

recorded and, by bidding on the telephone, a bidder consents to the recording of

Lots are sold subject to the Authorship Warranty, as described in the catalogue

the conversation.

(unless such description is changed or supplemented, as provided in Paragraph 1 above) and in the condition that they are in at the time of the sale on the

(d) When making a bid, whether in person, by absentee bid or on the telephone, a

following basis.

bidder accepts personal liability to pay the purchase price, as described more fully in Paragraph 6 (a) below, plus all other applicable charges unless it has been explicitly

(a) The knowledge of Phillips de Pury & Company in relation to each lot is partially

agreed in writing with Phillips de Pury & Company before the commencement of the

dependent on information provided to us by the seller, and Phillips de Pury & Company

auction that the bidder is acting as agent on behalf of an identified third party

is not able to and does not carry out exhaustive due diligence on each lot. Prospective

acceptable to Phillips de Pury & Company and that we will only look to the principal for

buyers acknowledge this fact and accept responsibility for carrying out inspections

such payment.

and investigations to satisfy themselves as to the lots in which they may be interested. Notwithstanding the foregoing, we shall exercise such reasonable care when making

(e) Arranging absentee and telephone bids is a free service provided by Phillips de

express statements in catalogue descriptions or condition reports as is consistent

Pury & Company to prospective buyers. While we undertake to exercise reasonable

with our role as auctioneer of lots in this sale and in light of (i) the information

care in undertaking such activity, we cannot accept liability for failure to execute such

provided to us by the seller, (ii) scholarship and technical knowledge and (iii) the

bids except where such failure is caused by our willful misconduct.

generally accepted opinions of relevant experts, in each case at the time any such express statement is made.

(f) Employees of Phillips de Pury & Company and our affiliated companies, including the auctioneer, may bid at the auction by placing absentee bids so long as they do not

(b) Each lot offered for sale at Phillips de Pury & Company is available for inspection

know the reserve when submitting their absentee bids and otherwise comply with our

by prospective buyers prior to the auction. Phillips de Pury & Company accepts bids

employee bidding procedures.

on lots on the basis that bidders (and independent experts on their behalf, to the extent appropriate given the nature and value of the lot and the bidder’s own expertise)

5 conduct of the auction

have fully inspected the lot prior to bidding and have satisfied themselves as to both

(a) Unless otherwise indicated by the symbol • each lot is offered subject to a reserve,

the condition of the lot and the accuracy of its description.

which is the confidential minimum selling price agreed by Phillips de Pury & Company

(c) Prospective buyers acknowledge that many lots are of an age and type which means that they are not in perfect condition. As a courtesy to clients, Phillips de Pury & Company may prepare and provide condition reports to assist prospective buyers when they are inspecting lots. Catalogue descriptions and condition reports may make reference to particular imperfections of a lot, but bidders should note that lots may have other faults not expressly referred to in the catalogue or condition report. All dimensions are approximate. Illustrations are for identification purposes only and cannot be used as precise indications of size or to convey full information as to the actual condition of lots.

(d) Information provided to prospective buyers in respect of any lot, including any pre-sale estimate, whether written or oral, and information in any catalogue, condition or other report, commentary or valuation, is not a representation of fact but rather a statement of opinion held by Phillips de Pury & Company. Any pre-sale estimate may not be relied on as a prediction of the selling price or value of the lot and may be revised from time to time by Phillips de Pury & Company in our absolute discretion. Neither Phillips de Pury & Company nor any of our affiliated companies shall be liable for any difference between the pre-sale estimates for any lot and the actual price achieved at auction or upon resale.

4 BIddIng at auctIon (a) Phillips de Pury & Company has absolute discretion to refuse admission to the auction or participation in the sale. All bidders must register for a paddle prior to

08_LON_OCT_CONT Backmatter.indd 362

24/09/09 11:48


with the seller. The reserve will not exceed the low pre-sale estimate at the time of

Bank of Scotland

the auction.

Gordon Street, Glasgow G1 3RS. SWIFT BIC: BOFSGB21138

(b)The auctioneer has discretion at any time to refuse any bid, withdraw any lot,

Sort code: 80-54-01

re-offer a lot for sale (including after the fall of the hammer) if he or she believes

IBAN: GB36BOFS 8054 0100 4407 80

there may be error or dispute and take such other action as he or she deems

For the account of PDEPL LTD

reasonably appropriate.

Account no.: 00440780

(c) The auctioneer will commence and advance the bidding at levels and in increments

(e) As a courtesy to clients, Phillips de Pury & Company will accept Visa, Mastercard

he or she considers appropriate. In order to protect the reserve on any lot, the

and UK-issued debit cards to pay for invoices of £50,000 or less. A processing fee

auctioneer may place one or more bids on behalf of the seller up to the reserve without

will apply.

indicating he or she is doing so, either by placing consecutive bids or bids in response to other bidders.

(f) Title in a purchased lot will not pass until Phillips de Pury & Company has received the Purchase Price for that lot in cleared funds. Phillips de Pury & Company is not

(d) The sale will be conducted in pounds sterling and payment is due in pounds

obliged to release a lot to the buyer until title in the lot has passed and appropriate

sterling. For the benefit of international clients, pre-sale estimates in the auction

identification has been provided, and any earlier release does not affect the passing of

catalogue may be shown in US dollars and/or euros and, if so, will reflect approximate

title or the buyer’s unconditional obligation to pay the Purchase Price.

exchange rates. Accordingly, estimates in US dollars or euros should be treated only

7 collection of ProPerty

as a guide.

(a) Phillips de Pury & Company will not release a lot to the buyer until we have received payment of its Purchase Price in full in cleared funds, the buyer has paid all

(e) Subject to the auctioneer’s reasonable discretion, the highest bidder accepted by

outstanding amounts due to Phillips de Pury & Company or any of our affiliated

the auctioneer will be the buyer and the striking of the hammer marks the acceptance

companies, including any charges payable pursuant to Paragraph 8 (a) below, and the

of the highest bid and the conclusion of a contract for sale between the seller and the

buyer has satisfied such other terms as we in our sole discretion shall require,

buyer. Risk and responsibility for the lot passes to the buyer as set forth in Paragraph

including completing any anti-money laundering or anti-terrorism financing checks. As

7 below.

soon as a buyer has satisfied all of the foregoing conditions, he or she should contact

(f) If a lot is not sold, the auctioneer will announce that it has been “passed,”

property.

us at +44 (0) 207 318 4081 or +44 (0) 207 318 4082 to arrange for collection of purchased

“withdrawn,” “returned to owner” or “bought-in.” (b) The buyer must arrange for collection of a purchased lot within five days of the date (g) Any post-auction sale of lots offered at auction shall incorporate these Conditions

of the auction. Promptly after the auction, we will transfer the purchased lot to a third

of Sale and Authorship Warranty as if sold in the auction.

party storage facility and will so advise the buyer. Purchased lots are at the buyer’s risk, including the responsibility for insurance, from the earlier to occur of (i) the date

6 Purchase Price and Payment

of collection or (ii) five days after the auction. Until risk passes, Phillips de Pury &

(a) The buyer agrees to pay us, in addition to the hammer price of the lot, the buyer’s

Company will compensate the buyer for any loss or damage to a purchased lot up to a

premium, plus any applicable value added tax (VAT) and any applicable resale royalty

maximum of the Purchase Price paid, subject to our usual exclusions for loss or

(the “Purchase Price”). The buyer’s premium is 25% of the hammer price up to and

damage to property.

including £25,000, 20% of the portion of the hammer price above £25,000 up to and including £500,000 and 12% of the portion of the hammer price above £500,000.

(c) As a courtesy to clients, Phillips de Pury & Company will, without charge, wrap purchased lots for hand carry only. We do not provide packing, handling, insurance or

(b) VAT is payable in accordance with applicable law. All prices, fees, charges and

shipping services. We will coordinate with shipping agents instructed by the buyer,

expenses set out in these Conditions of Sale are quoted exclusive of VAT.

whether or not recommended by Phillips de Pury & Company, in order to facilitate the packing, handling, insurance and shipping of property bought at Phillips de Pury &

(c) If the Artist’s Resale Right Regulations 2006 apply to the lot, the buyer agrees to

Company. Any such instruction is entirely at the buyer’s risk and responsibility, and we

pay to us an amount equal to the resale royalty provided for in those regulations and

will not be liable for acts or omissions of third party packers or shippers.

we undertake to the buyer to pay such amount to the artist’s collection agent. Lots subject to the Artist’s Resale Right are identified with the symbol ♠ next to the lot

(d) Phillips de Pury & Company will require presentation of government issued

number.

identification prior to release of a lot to the buyer or the buyer’s authorized representative.

(d) Unless otherwise agreed, a buyer is required to pay for a purchased lot immediately following the auction regardless of any intention to obtain an export or

8 failure to collect Purchases

import license or other permit for such lot. Payments must be made by the

(a) If the buyer pays the Purchase Price but fails to collect a purchased lot within 30

invoiced party in pounds sterling either by cash, cheque drawn on a uK bank or

days of the auction, the buyer will incur a late collection fee of £25, storage charges of

wire transfer, as follows:

£3 per day and pro rated insurance charges of .1% of the Purchase Price per month on each uncollected lot.

(i) Phillips de Pury & Company will accept payment in cash provided that the total amount paid in cash or cash equivalents does not exceed the local

(b) If a purchased lot is paid for but not collected within six months of the auction, the

currency equivalent of US$10,000.

buyer authorizes Phillips de Pury & Company, upon notice, to arrange a resale of the item by auction or private sale, with estimates and a reserve set at Phillips de Pury &

(ii) Personal cheques and banker’s drafts are accepted if drawn on a UK

Company’s reasonable discretion. The proceeds of such sale will be applied to pay for

bank and the buyer provides to us acceptable government issued

storage charges and any other outstanding costs and expenses owed by the buyer to

identification. Cheques and banker’s drafts should be made payable to

Phillips de Pury & Company or our affiliated companies and the remainder will be

“PDEPL LTD.” If payment is sent by post, please send the cheque or

forfeited unless collected by the buyer within two years of the original auction.

banker’s draft to the attention of the Client Accounting Department at Howick Place, London SW1P 1BB and ensure that the sale number is

9 remedies for non-Payment

written on the cheque. Cheques or banker’s drafts drawn by third parties

(a) Without prejudice to any rights the seller may have, if the buyer without prior

will not be accepted.

agreement fails to make payment of the Purchase Price for a lot in cleared funds within five days of the auction, Phillips de Pury & Company may in our sole discretion

(iii) Payment by wire transfer may be sent directly to Phillips de Pury &

exercise one or more of the following remedies: (i) store the lot at Phillips de Pury &

Company. Bank transfer details:

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Company’s premises or elsewhere at the buyer’s sole risk and expense; (ii) cancel the

10 Rescission by PhilliPs de PuRy & comPany

sale of the lot, retaining any partial payment of the Purchase Price as liquidated

Phillips de Pury & Company shall have the right, but not the obligation, to rescind a

damages; (iii) reject future bids from the buyer or render such bids subject to payment

sale without notice to the buyer if we reasonably believe that there is a material breach

of a deposit; (iv) charge interest at 12% per annum from the date payment became due

of the seller’s representations and warranties or the Authorship Warranty or an

until the date the Purchase Price is received in cleared funds; (v) subject to

adverse claim is made by a third party. Upon notice of Phillips de Pury & Company’s

notification of the buyer, exercise a lien over any of the buyer’s property which is in the

election to rescind the sale, the buyer will promptly return the lot to Phillips de Pury &

possession of Phillips de Pury & Company and instruct our affiliated companies to

Company, and we will then refund the Purchase Price paid to us. As described more

exercise a lien over any of the buyer’s property which is in their possession and, in

fully in Paragraph 13 below, the refund shall constitute the sole remedy and recourse

each case, no earlier than 30 days from the date of such notice arrange the sale of

of the buyer against Phillips de Pury & Company and the seller with respect to such

such property and apply the proceeds to the amount owed to Phillips de Pury &

rescinded sale.

Company or any of our affiliated companies after the deduction from sale proceeds of our standard vendor’s commission, all sale-related expenses and any applicable taxes

11 exPoRt, imPoRt and endangeRed sPecies licenses

thereon; (vi) resell the lot by auction or private sale, with estimates and a reserve set

and PeRmits

at Phillips de Pury & Company’s reasonable discretion, it being understood that in the

Before bidding for any property, prospective buyers are advised to make their own

event such resale is for less than the original hammer price and buyer’s premium for

enquiries as to whether a license is required to export a lot from the United Kingdom

that lot, the buyer will remain liable for the shortfall together with all costs incurred in

or to import it into another country. Prospective buyers are advised that some

such resale; (vii) commence legal proceedings to recover the hammer price and

countries prohibit the import of property made of or incorporating plant or animal

buyer’s premium for that lot, together with interest and the costs of such proceedings;

material, such as coral, crocodile, ivory, whalebone, rhinoceros horn or tortoiseshell,

or (viii) release the name and address of the buyer to the seller to enable the seller to

irrespective of age, percentage or value. Accordingly, prior to bidding, prospective

commence legal proceedings to recover the amounts due and legal costs.

buyers considering export of purchased lots should familiarize themselves with relevant export and import regulations of the countries concerned. It is solely the

(b) The buyer irrevocably authorizes Phillips de Pury & Company to exercise a lien over

buyer’s responsibility to comply with these laws and to obtain any necessary export,

the buyer’s property which is in our possession upon notification by any of our

import and endangered species licenses or permits. Failure to obtain a license or

affiliated companies that the buyer is in default of payment. Phillips de Pury &

permit or delay in so doing will not justify the cancellation of the sale or any delay in

Company will notify the buyer of any such lien. The buyer also irrevocably authorizes

making full payment for the lot.

Phillips de Pury & Company, upon notification by any of our affiliated companies that the buyer is in default of payment, to pledge the buyer’s property in our possession by

12 data PRotection

actual or constructive delivery to our affiliated company as security for the payment of

(a) In connection with the management and operation of our business and the

any outstanding amount due. Phillips de Pury & Company will notify the buyer if the

marketing and supply of auction related services, or as required by law, we may ask

buyer’s property has been delivered to an affiliated company by way of pledge.

clients to provide personal information about themselves or obtain information about clients from third parties (e.g., credit information). If clients provide us with

(c) If the buyer is in default of payment, the buyer irrevocably authorizes Phillips de

information that is defined by law as “sensitive,” they agree that Phillips de Pury &

Pury & Company to instruct any of our affiliated companies in possession of the

Company and our affiliated companies may use it for the above purposes. Phillips de

buyer’s property to deliver the property by way of pledge as the buyer’s agent to a third

Pury & Company and our affiliated companies will not use or process sensitive

party instructed by Phillips de Pury & Company to hold the property on our behalf as

information for any other purpose without the client’s express consent. If you would

security for the payment of the Purchase Price and any other amount due and, no

like further information on our policies on personal data or wish to make corrections

earlier than 30 days from the date of written notice to the buyer, to sell the property in

to your information, please contact us at +44 (0)20 7318 4010. If you would prefer not to

such manner and for such consideration as can reasonably be obtained on a forced

receive details of future events please call the above number.

sale basis and to apply the proceeds to any amount owed to Phillips de Pury & Company or any of our affiliated companies after the deduction from sale proceeds

(b) In order to fulfill the services clients have requested, Phillips de Pury & Company

of our standard vendor’s commission, all sale-related expenses and any applicable

may disclose information to third parties such as shippers. Some countries do not

taxes thereon.

offer equivalent legal protection of personal information to that offered within the European Union (EU). It is Phillips de Pury & Company’s policy to require that any such third parties respect the privacy and confidentiality of our clients’ information and provide the same level of protection for client information as provided within the EU, whether or not they are located in a country that offers equivalent legal protection of personal information. By agreeing to these Conditions of Sale, clients agree to such disclosure.

13 limitation of liability (a) Subject to subparagraph (e) below, the total liability of Phillips de Pury & Company, our affiliated companies and the seller to the buyer in connection with the sale of a lot shall be limited to the Purchase Price actually paid by the buyer for the lot.

(b) Except as otherwise provided in this Paragraph 13, none of Phillips de Pury & Company, any of our affiliated companies or the seller (i) is liable for any errors or omissions, whether orally or in writing, in information provided to prospective buyers by Phillips de Pury & Company or any of our affiliated companies or (ii) accepts responsibility to any bidder in respect of acts or omissions, whether negligent or otherwise, by Phillips de Pury & Company or any of our affiliated companies in connection with the conduct of the auction or for any other matter relating to the sale of any lot.

(c) All warranties other than the Authorship Warranty, express or implied, including any warranty of satisfactory quality and fitness for purpose, are specifically excluded by Phillips de Pury & Company, our affiliated companies and the seller to the fullest extent permitted by law.

(d) Subject to subparagraph (e) below, none of Phillips de Pury & Company, any of our affiliated companies or the seller shall be liable to the buyer for any loss or damage

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phILLIpS de puRy & COmpany

Chairman

Senior partners

advisory Board

Simon de Pury

Michael McGinnis

Maria Bell

Dr. Michaela Neumeister

Janna Bullock

Chief Executive OfďŹ cer

Lisa Eisner

Bernd Runge

partners

Lapo Elkann

Aileen Agopian

Ben Elliot

Sean Cleary

Lady Elena Foster

Alexander Payne

H.I.H. Francesca von Habsburg

Rodman Primack

Marc Jacobs

Olivier Vrankenne

Malcolm McLaren

Tiffany Wood

Ernest Mourmans Aby Rosen Christiane zu Salm Princess Gloria vonThurn undTaxis Jean Michel Wilmotte Anita Zabludowicz

WORLDWIDE OFFICES NEW YORK

PARIS

BERLIN

450 West 15 Street NewYork NY 10011 USA

C/O Pro First 15 Rue de la Paix 75002 Paris France

Auguststrasse 19 10117 Berlin Germany

+1 212 940 1200 +1 212 924 5403 fax

+33 1 42 78 67 77 +33 1 42 78 23 07 fax

+49 30 880 018 42 +49 30 880 018 43 fax

LONDON

MUNICH

GENEVA

Howick Place London SW1P 1BB United Kingdom

Maximiliansplatz 12a 80333 Munich Germany

23, quai des Bergues 1201 Geneva Switzerland

+44 20 7318 4010 +44 20 7318 4011 fax

+49 89 238 88 48 0 +49 89 238 88 48 15 fax

+41 22 906 80 00 +41 22 906 80 01 fax

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SPECIALIST AND SERVICE DEPARTMENTS

CONTEMPORARY ART LONDON

MODERN AND CONTEMPORARY EDITIONS NEW YORK

Anthony McNerney, Head of Evening Sale, London

+44 20 7318 4067

Kelly Troester, Worldwide Co-Director

+1 212 940 1221

Peter Sumner, Head of Day Sale, London

+44 20 7318 4063

Cary Leibowitz, Worldwide Co-Director

+1 212 940 1222

Laetitia Catoir

+44 20 7318 4064

Jannah Greenblatt

+1 212 940 1332

Silke Taprogge

+44 20 7318 4012

Joy Deibert

+1 212 940 1333

Ivgenia Naiman

+44 20 7318 4071

Fiona Biberstein

+44 20 7318 4013

JEWELRY

Siobhan O’Connor

+44 20 7318 4093

NEW YORK

Catherine Higgs

+44 20 7318 4089

Nazgol Jahan, Worldwide Director

+1 212 940 1283

Raphael Lepine

+44 20 7318 4078

Carmela Manoli

+1 212 940 1302

Tanya Tikhnenko

+44 20 7318 4065

Heather Zises

+1 212 940 1290

Sarah Buchwald

+44 20 7318 4085

Phillippa Willison

+44 20 7318 4070

NEW YORK Michael McGinnis, Worldwide Director

+1 212 940 1254

Aileen Agopian, New York Director

+1 212 940 1255

Jean-Michel Placent

+1 212 940 1263

GENEVA Carolin Bulgari

+41 22 906 80 00

Veronica Lota

+41 22 906 80 05

LONDON Lane McLean

+44 20 7318 4032

Timothy Malyk

+1 212 940 1258

Chin-Chin Yap

+1 212 940 1250

Sarah Mudge, Head of Part II, New York

+1 212 940 1259

Roxana Bruno

+1 212 940 1229

Sara Davidson

+1 212 940 1262

Tobias Sirtl, London Manager

+44 20 7318 4095

Maria Bueno

+1 212 940 1261

Arianna Jacobs

+44 20 7318 4054

Peter Flores

+1 212 940 1223

George O’Dell

+44 20 7318 4040

(Uli) Zhiheng Huang

+1 212 940 1288

Eugenia Ballvé

+1 212 940 1303

DESIGN

THEME SALES Tiffany Wood, Worldwide Director

+49 30 880 018 42

LONDON

NEW YORK Corey Barr, New York Manager

+1 212 940 1234

Anne Huntington

+1 212 940 1210

Steve Agin, Consultant

+1 908 475 1796

LONDON Alexander Payne, Worldwide Director

+44 20 7318 4052

Ben Williams

+44 20 7318 4027

Domenico Raimondo

+44 20 7318 4016

Ellen Stelter

+44 20 7318 4021

Marcus McDonald

+44 20 7318 4014

NEW YORK Alex Heminway, New York Director

+1 212 940 1269

Marcus Tremonto

+1 212 940 1268

Tara DeWitt

+1 212 940 1265

Meaghan Roddy

+1 212 940 1266

Stephanie Abraitis

+1 212 940 1268

CHAIRMAN LONDON Rodman Primack

+44 20 7318 4017

MANAGING DIRECTORS Finn Dombernowsky, London Charlie Horne, New York

+44 20 7318 4034 +1 212 940 1292

PRIVATE SALES Christina Scheublein

+1 212 940 1248

PARIS Johanna Frydman

+33 1 42 78 67 77

PHOTOGRAPHS LONDON

Berlin & Munich Dr. Michaela Neumeister

+49 89 238 88 48 10

Lou Proud

+44 20 7318 4018

Brussels & Paris Olivier Vrankenne

+32 486 43 43 44

Sebastien Montabonel

+44 20 7318 4025

Paris Leonie Moschner

+33 6 85 53 92 03

Alexandra Bibby

+44 20 7318 4087

London Ivgenia Naiman

+44 20 7318 4071

Helen Hayman

+44 20 7318 4092

Brooke de Ocampo

+44 777 551 7060

NEW YORK Vanessa Kramer, New York Director Shlomi Rabi

+1 212 940 1243 + 1 212 940 1246

Los Angeles Mimi Won Techentin

+1 310 600 9192

Maya McLaughlin

+1 323 791 1771

Milan Laura Garbarino

+39 339 478 9671

Caroline Shea

+1 212 940 1247

Eugenia Bertelè

+39 02 3669 5895

Sarah Krueger

+1 212 940 1245

Moscow Svetlana Marich

+7 495 225 88 22

Charlie Scheips, International Consulting Director

08_LON_OCT_CONT Backmatter.indd 366

INTERNATIONAL SPECIALISTS AND REPRESENTATIVES

+ 1 212 940 1245

Shanghai/Beijing Jeremy Wingfield

+86 135 0118 2804

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SALe inFormAtion

Auction Day sale, Saturday 17 October 2009 at 3pm Evening sale, Saturday 17 October 2009 at 7pm

operAtionS mAnAgerS Ross Martin +44 20 7318 4057 Jeffrey Rausch, New York +1 212 940 1367

Viewing Saturday 10 October 10am – 6pm Sunday 11 October 12pm – 6pm Monday 12 October – Friday 16 October 10am – 6pm Saturday 17 October 10am – 12pm

Catalogues Allyson Melchor + 44 20 7318 4039 + 1 212 940 1240 Catalogues £30 at the Gallery/$60 catalogues@phillipsdepury.com

Viewing & Auction LocAtion Howick Place London SW1P 1BB

AbSentee AnD teLephone biDS Anna Ho +44 20 7318 4045 +44 20 7318 4035 fax bids@phillipsdepury.com

SALe DeSignAtion In sending in written bids or making enquiries please refer to these sales as UK010509 or Contemporary Art Evening Sale and UK010609 or Contemporary Art Day Sale.

buyerS AccountS Carolyn Whitehead +44 20 7318 4020

worLDwiDe Director Michael McGinnis New York +1 212 940 1254

cLient SerViceS Brette Kameny +44 20 7318 4010

Director Aileen Agopian New York +1 212 940 1255

photogrAphy Byron Slater, Peter Hepplewhite, Kent Pell

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ADminiStrAtorS Siobhan O’Connor +44 20 7318 4093 Sarah Buchwald +44 20 7318 4085 Phillippa Willison +44 20 7318 4070 VALuAtionS mAnAger Catherine Higgs +44 20 7318 4089

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Cataloguers Raphael Lepine +44 20 7318 4078 Tanya Tikhnenko +44 20 7318 4065 Henry Highley +44 20 7318 4065

GREEN PARK

aM .J st

SpeciALiStS Anthony McNerney, Head of Evening Sale, London +44 20 7318 4067 Peter Sumner, Head of Day Sale, London +44 20 7318 4063 Laetitia Catoir +44 20 7318 4064 Silke Taprogge +44 20 7318 4012 Ivgenia Naiman +44 20 7318 4071 Fiona Biberstein +44 20 7318 4013 Jean-Michel Placent +1 212 940 1263 Timothy Malyk +1 212 940 1258 Chin-Chin Yap +1 212 940 1250 Sarah Mudge, Head of Part II, New York +1 212 940 1259 Dr Micheala Neumeister +49 89 238 88 48 10 Olivier Vrankenne +32 486 43 43 44 Leonie Moschner +33 6 85 53 92 03 Brooke de Ocampo +44 777 551 7060 Mimi Won Techentin +1 310 660 9192 Maya McLaughlin +1 323 791 1771 Laura Garbarino +39 339 478 9671 Jeremy Wingfield +86 135 0118 2804

SeLLer AccountS Elliot Depree +44 20 7318 4072

Va uX

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Front cover Lucio Fontana, Concetto spaziale, 1958-1960, Lot 30 (detail) title page Jean-Michel Basquiat, Year of the Boar, 1983, Lot 12 (detail) Frontispiece Martin Kippenberger, Big Until Great Hunger, 1984, Lot 6 (detail) Back Cover Jim Hodges, The Good News (De Morgen), 2006, Lot 3 (detail)

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w w w. p h i l l i p s d e p u ry.c o m

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