Jewels by Phillips de Pury & Co.

JE WEL S 2 1 APRIL 2 0 1 0 N E W Y O R K NY0 6 0 110

W W W. P H I L L I P S D E P U RY.C O M

JE WEL S

21 APRIL 2 010 NEW YORK

JE WEL S 21

APRIL

2 0 10

3pm

NE W YO RK

LOTS 1-16 5 The Mark Hotel 992 Madison Avenue at 77th Street New York NY 10075 Viewing Friday 16 April 10am – 6pm Saturday 17 April 10am – 6pm Sunday 18 April 12pm – 6pm Monday 19 April 10am – 6pm Tuesday 20 April 10am – 6pm Wednesday 21 April 10am – 1pm

Front Cover A Serpent Bracelet-Watch, Bulgari Vacheron Constantin, Lot 125 Back Cover A Pair of Multi-Gem and Diamond Brooches, Van Cleef & Arpels, Lot 162

A Sandalwood, Gold and Coral Brooch SEAMAN SCHEPPS Designed as a carved sandalwood starfish, accented by cabochon coral and gold studs, mounted in 18K yellow gold, length 2 1/2 inches. Signed ‘Seaman Schepps’, with maker’s mark, no. 3072

Estimate $2,0 0 0 -3,0 0 0

A Yellow Gold Cuff Bracelet Designed as a ridged gold cuff, mounted in 18K yellow gold, 2 1/4 inches diameter. Estimate $2,50 0 -3,50 0

A Yellow Gold ‘Parentesi’ Watch BULGARI Of quartz movement, the circlar gold tone dial, with gold hands, to the gold spring band bracelet, designed as a series of interlocking geometric links, mounted in 18K gold, adjustable. Signed ‘Bulgari’, no. c54680

Estimate $3,8 0 0 - 4,50 0

A Yellow Gold Ring HENRY DUNAY Of textured gold bombé design, mounted in 18K yellow gold, size 7. Signed ‘Dunay’ for Henry Dunay, no. E2633

Estimate $1,20 0 -1,8 0 0

A Yellow Gold Link Bracelet CARLO WEINGRILL Designed as a series of interlocking polished 18K two-tone yellow gold ‘U’ shaped links, length 8 3/4 inches. Signed ‘Weingrill’ for Carlo Weingrill

Estimate $3,50 0 - 4,50 0

A Pair of Yellow Gold Earrings Each designed as a series of faceted gold concentric hoops, mounted in 18K yellow gold, length 2 1/2 inches. Estimate $8 0 0 -1,0 0 0

A Pair of Coral and Gold Earclips TIFFANY & CO. Each designed as a carved coral poppy, enhanced by polished gold leaves, mounted in 18K yellow gold, 3/4 inch. With a Tiffany & Co. box

Estimate $2,0 0 0 -3,0 0 0

A Diamond and Yellow Gold Ring FRED LEIGHTON The polished gold bombé mount, centering upon a rectangular-cut diamond, weighing approximately 2.35 carats, flanked by baguette-cut diamonds, mounted in 18K yellow gold, size 9 3/4. Signed ‘Fred Leighton’

Estimate $8,0 0 0 -10,0 0 0

A Yellow Gold and Steel ‘Tubogas’ Ring BULGARI Of sprung coil design, mounted in yellow gold and steel, size 5 1/2. Signed ‘Bulgari’

Estimate $8 0 0 -1,20 0

8 7

A Tsavorite and Diamond Pendant Necklace Suspending a two-tiered pavé-set drop-shaped pendant, centering upon a pear-shaped tsavorite garnet, weighing approximately 1.73 carats, from a marquise-cut diamond surmount, to the spectacle-set diamond fine link chain, mounted in platinum, length 16 inches. Estimate $2,20 0 -3,0 0 0

A Diamond Pendant Necklace Designed as a pear-shaped rose-cut diamond, within a pavé-set diamond surround, from a triple collet-set diamond link, to the circular-cut rose-cut diamond surmount, within a pavéset diamond surround, mounted in 18K white gold, length 16 inches. Estimate $1,20 0 -2,0 0 0

A Pair of Diamond Earrings Each suspending a pear-shaped rose-cut diamond, within a pavé-set diamond surround, from a triple collet-set diamond link, to the circular rose-cut diamond surmount, within a pavé-set diamond surround, mounted in 18K white gold, length 1 inch. Estimate $1,40 0 -2,0 0 0

A Diamond Pendant Necklace Suspending a two-tiered pavé-set circular-shaped pendant, centering upon a circular rosecut diamond, accented by a marquise-cut diamond, to the circular-cut diamond surmount, from a fine link chain, mounted in 18K white gold, length 16 inches. Estimate $1,50 0 -2,50 0

An Antique Mother-of-Pearl and Gold Dress Set circa 1910 Comprising a pair of cufflinks, each double link designed as a carved mother-of-pearl plaque, within an engraved surround, and four vest studs and 3 shirt studs en suite, mounted in silver and yellow gold, cufflinks measure 3/4 inch, shirt studs measure 1/4 inch. Estimate $1,40 0 -2,0 0 0

A Pair of Cultured Pearl and Diamond Earrings Each set with a cultured pearl, measuring approximately 10.00 mm, within a circular-cut diamond foliate surround, mounted in white gold, 1/4 inch. Estimate $950 -1,20 0

10 11

A Pair of Multi-Colored Sapphire Long Chains

A Pair of White Enamel, Diamond and Gold Earclips

Each designed as an oval and circular-cut spectacle-set multi-colored

DAVID WEBB

sapphire longchain, mounted in 18K yellow gold, length 76 1/2 inches.

Each designed as a white enamel “U’ shaped plaque, accented by

Estimate $6,0 0 0 -9,0 0 0

circular-cut diamonds, mounted in 18K yellow gold, 1 inch. Signed ‘Webb’ for David Webb

Estimate $6,0 0 0 - 8,0 0 0

A Yellow Gold ‘Bamboo’ Ring GUCCI Designed as a tapering series of slightly articulated polished 18K yellow gold bamboo rods, size 7 1/2.

A White Enamel, Diamond and Gold Ring DAVID WEBB

Signed ‘Gucci’

Designed as a white enamel oval plaque of geometric design, accented

Estimate $1,10 0 -1,50 0

by circular-cut diamonds, to the hammered gold half-hoop, mounted in 18K yellow gold and platinum, size 7 1/2. Signed ‘Webb’ for David Webb

Estimate $4,20 0 - 6,0 0 0

A Pair of Gold ‘Vannerie’ Ear Clips TIFFANY & CO. Each designed as a bombé half hoop of openwork woven design, mounted in 18K yellow gold, length 1/2 inch. Signed ‘Tiffany & Co.’

Estimate $1,20 0 -1,6 0 0

A Sandalwood and Kocholong Cuff TRIANON Designed as a carved sandalwood cuff, set to the top with three pyramidal cabochon kocholong and gold studs, 2 1/4 inches diameter. Signed ‘Trianon’

A Golden South Sea Cultured Pearl Necklace Of thirty-three graduated golden South Sea cultured pearls, measuring from approximately 15.80 to 13.10 mm, joined by a pavé-set diamond sphere clasp, mounted in 18K white gold, length 19 inches. Estimate $10,0 0 0 -15,0 0 0

Estimate $2,8 0 0 -3,50 0

A Pair of Coral, Pink Sapphire, Diamond and Amethyst

A Peridot, Tourmaline, Scapolite and Diamond

Ear Pendants

Pendant Necklace

Each suspending a drop-shaped cabochon amethyst, within a pavé-

Suspending a fancy-cut yellow scapolite, pink tourmaline and peridot,

set diamond surround, from a pavé-set pink sapphire oval plaque, to

spaced by circular-cut diamonds, from a fine link chain, accented by

the cabochon coral surmount, within a pavé-set diamond surround,

spectacle-set diamonds, mounted in 18K rose and white gold, length

accented by circular-cut diamonds, mounted in 18K yellow rose and

adjustable.

white gold, length 2 1/2 inches.

Estimate $4,0 0 0 - 6,0 0 0

Estimate $3,50 0 -5,0 0 0

The designer Emanuela Burgener signs her creations in the name of

An Amethyst and Diamond Ring MARGHERITA BURGENER

Margherita, her eldest daughter, to whom her jewels are dedicated.

Set with a square-cut amethyst, weighing approximately 9.58 carats,

Her designs are strikingly modern and fashionable yet maintain the

within a pavé-set colored diamond and diamond mount, to the polished

noble traditions of classical Italian jewellery with the exceptional and

gold half hoop, mounted in 18K rose gold, size 7.

meticulous craftsmanship established by Margherita’s grandfather.

Signed ‘Margherita Burgener’, with a Margherita Burgener box

In 1966, he founded the Valenza workshop in northern Italy, where

Estimate $3,50 0 -5,0 0 0

the family continues to work exclusively. A passion and love for the lively colours of aquamarine and other coloured precious gemstones, selected for their highest quality from all over the world, underlie Margherita Burgener’s creations.

A Diamond and Black Spinel ‘Leone’ Pendant Necklace

A Black Diamond and Diamond ‘Janus’ Bracelet ENIGMA

ENIGMA

The reversible bracelet composed of nine rose gold cylindrical links,

Suspending a rectangular articulated polished gold and pavé-set

each side set with circular-cut diamond or black diamond lines, spaced

diamond brick work pendant, depicting a lion, accented by fancy-cut

by polished gold spheres, mounted in 18K rose gold, length 8 3/4

black spinel, from a fine link chain, mounted in 18K rose and white

inches.

gold, length adjustable.

Signed ‘Enigma’

Estimate $8,0 0 0 -10,0 0 0

Estimate $2,0 0 0 -3,0 0 0

A Pair of Rose Gold ‘Spider Web’ Ear Pendants ENIGMA

A Diamond and Rose Gold ‘Scacchi’ Ring ENIGMA

Each desiged as a polished gold openwork disk, mounted in 18K rose

Designed as a tapering band, enhanced by pavé-set diamond

gold, length 2 inches.

checkerboard design, to the polished gold half hoop, mounted

Signed ‘Enigma’

in 18K rose gold, size 6 1/4.

Estimate $1,20 0 -1,8 0 0

Signed ‘Enigma’

Estimate $1,50 0 -2,0 0 0

A Diamond and Black Spinel ‘Leone’ Pendant Necklace ENIGMA Suspending a square articulated polished gold and pavé-set diamond brick work pendant, depicting a lion, accented by fancy-cut black spinel, from a fine link chain, mounted in 18K rose and white gold, length adjustable. Signed ‘Enigma’

Estimate $5,0 0 0 -7,0 0 0

A Pair of Rose Gold ‘Deco’ Ear Pendants ENIGMA Each shield-shaped plaque accented by semi-circular motifs, mounted in 18K rose gold, length 2 1/2 inches. Signed ‘Enigma’

Estimate $8 0 0 -1,20 0

A Pair of Rose Gold ‘Leone’ Cufflinks ENIGMA Each designed as a circular plaque, accented by an openwork geometric lion, to the polished gold inscribed disc link, mounted in 18K rose gold, chain length 1/2 inch. Signed ‘Enigma by Gianni Bulgari’

Estimate $40 0 - 6 0 0

A Pair of Rose Gold ‘Deco’ Cufflinks ENIGMA Each designed as a square plaque, accented by an openwork geometric pattern, to the polished gold inscribed disc link, mounted in 18K rose gold, chain length 1/2 inch. Signed ‘Enigma by Gianni Bulgari’

Estimate $40 0 - 6 0 0

Established in 1989, originally as a Neuchatel-based watch manufacturing company, Enigma has distinguished itself by creating innovative timepieces such as a collection of unusual jumping hours, a unique mechanical watch that rewinds by turning the bezel, and by setting diamonds on steel cases as early as 1991. In 2003, Enigma introduced and launched a fine jewellery collection and currently has international retail stores in Rome, Geneva and Porto Cervo. Enigma jewels are recognizable for their strong, individual designs inspired by Gianni Bulgari, its founder and owner. Gianni Bulgari is the former Chairman and CEO of the eponymous family business, which he left in 1987.

A Diamond, Black Spinel, Ruby ‘New York’ Necklace ENIGMA Suspending a highly articulated geometric pendant, inspired by the pinnacle of the Empire State Building, set with pavé-set diamonds, black spinels and calibré-cut rubies, to the curved bar link chain, mounted in 18K white and rose gold, length 13 inches. Signed ‘Enigma’

Estimate $10,0 0 0 -15,0 0 0

A Jet and Diamond ‘Fontana’ Bracelet ENIGMA Designed as a carved jet cuff, centering upon pavé-set diamond fluted panels, with polished white gold terminals, mounted in 18K white gold, 2 1/2 inches diameter. Signed ‘Enigma’

Estimate $3,0 0 0 -5,0 0 0

A Pair of Diamond and White Gold Ear Pendants ENIGMA Each designed as a fan-shaped plaque, comprising semi-circular motifs, accented by pavéset diamonds, mounted in 18K white gold, length 2 inches. Signed ‘Enigma’

Estimate $5,0 0 0 - 8,0 0 0

36 35

41 (front view) (side view)

A Tahitian Cultured Pearl Necklace

A Multi-Gemstone and Gold ‘Coco’ Ring CHANEL

Of thirty graduated Tahitian silver cultured pearls, measuring from

Of bombé design, centering a square-cut citrine, within an oval-cut

approximately 14.00 to 13.00 mm, joined by a pavé-set diamond sphere

peridot and iolite surround, mounted in 18K yellow gold, size 5.

clasp, mounted in oxidized 18K white gold, length 17 inches.

With French assay mark and maker’s mark for Chanel

Estimate $7,0 0 0 -9,0 0 0

Estimate $4,0 0 0 - 6,0 0 0

An Amethyst, Diamond and Gold Ring circa 1950

A Pair of Multi-Gemstone and Gold Earclips

Set with a square-cut amethyst, accented by a circular-cut diamond

ANGELA CUMMINGS

gallery, to the squared hoop, mounted in 18K yellow gold, size 5 3/4.

Each designed as a bombé fan, decorated with a blue chalcedony,

Estimate $1,50 0 -2,0 0 0

hematite and mother-of-pearl irregular mosaic inlay, mounted in 18K yellow gold, 1 inch. Signed ‘Angela Cummings’

An Enamel, Diamond and Gold Ring DAVID WEBB Of domed design, accented by a black enamel striped pattern, further enhanced with three scrolling rows of circular-cut diamonds, mounted in 18K yellow gold and platinum, size 6 1/2. Signed ‘Webb’ for David Webb

Estimate $4,0 0 0 - 6,0 0 0

Estimate $2,0 0 0 -3,0 0 0

A White Gold and Diamond ‘Parentesi’ Necklace BULGARI

An Amethyst and Diamond Ring

Designed as a series of polished 18K white gold geometric links, the

Designed as a pavé-set diamond plaque, centering upon a square-cut

front enhanced by pavé-set diamonds, length 15 inches.

amethyst, weighing approximately 6.71 carats, to the polished gold

Signed ‘Bulgari’

hoop, mounted in 18K white gold, size 7.

Estimate $8,0 0 0 -10,0 0 0

Estimate $3,0 0 0 -5,0 0 0

A Gold and Diamond Wristwatch VAN CLEEF & ARPELS

A Pair of Amethyst and Diamond Ear Pendants

Of quartz movement, the rectangular white dial, with white gold baton

Each designed as a pavé-set diamond drop, suspending a circular-cut

numerals and hands, within a pavé-set diamond bezel, to the flexible

diamond collet, terminating in a pear-shaped amethyst, within a pavé-

polished hexagonal link band, accented by a pavé-set diamond clasp,

set diamond surround, mounted in 18K white gold, length 1 1/2 inches.

mounted in 18K white gold, length 6 1/2 inches.

The total weight of the amethysts is 19.26 carats.

Dial, case and bracelet signed ‘Van Cleef & Arpels’, case no. 144035, with French

Estimate $3,50 0 -5,0 0 0

assay marks and maker’s marks

Estimate $4,0 0 0 - 6,0 0 0

An Aquamarine, Rose Quartz and Diamond Ring MARGHERITA BURGENER Centering upon a rectangular-cut amethyst, weighing approximately 28.00 carats, to the inlaid rose quartz gallery, accented by circular-cut diamond trim, mounted in 18K white gold, size 7. Signed ‘Margherita Burgener’, with a Margherita Burgener box

Estimate $5,0 0 0 -7,0 0 0

A Pair of Interchangable Lavender Jade, Amethyst and Diamond Ear Pendants Designed as a scrolling pavé-set diamond foliate surmount, accented by circular-cut diamonds, suspending a lavender jade drop from a similarly designed cap, or an amethyst drop from a pavé-set diamond cap, mounted in 18K white gold, length 2 1/4 inches. Estimate $7,0 0 0 -9,0 0 0

An Aquamarine and Diamond Pendant Necklace MARGHERITA BURGENER Designed as a pear-shaped aquamarine pendant, weighing approxmately 20.56 carats, within a pavé-set diamond openwork surround, from a fine link chain, accented by spectacle-set diamonds, mounted in 18K white gold, length 19 inches, pendant 2 inches. Signed ‘Margherita Burgener’ with a Margherita Burgener box

Estimate $7,0 0 0 -9,0 0 0

A Topaz, Tourmaline, Rose Quartz and Diamond Necklace MARGHERITA BURGENER Designed as two rows of rose quartz beads, spaced by oval-cut pink tourmaline and blue topaz links, accented by circular-cut colored diamonds, joined by a bar clasp, mounted in 18K white gold, lengths 19 and 20 inches. Signed ‘Margherita Burgener’, with a Margherita Burgener box

Estimate $8,0 0 0 -10,0 0 0

A Pair of Pearl and Diamond Earrings Each designed as a pavé-set diamond half hoop, suspending a white cultured pearl, measuring approximately 15.30 to 15.40 mm, from a pavé-set diamond cap, mounted in 18K white gold, length 1 1/4 inches. Estimate $3,50 0 -5,0 0 0

An Aquamarine and Diamond Ring MARGHERITA BURGENER Set with an oval-cut aquamarine, weighing approximately 25.43 carats, within a sculpted pavé-set diamond foliate surround, to the polished hoop, mounted in 18K white gold, size 7. Signed ‘Margherita Burgener’, with a Margherita Burgener box

Estimate $8,0 0 0 -10,0 0 0

The jewelry designed during 1940 to 1950, also known as the ‘retro’ period, is recognizable by bold voluminous shapes and the heavy use of gold, in particular rose and yellow gold. The post WWII economic boom, the desire to revive prewar prosperity, along with the popularity of Hollywood glamour, inspired the use of precious stones, particularly diamonds and rubies and the use of sizable, colorful gemstones, such as citrine, set in expressive shapes of pleated, woven and knotted gold. Dress clips enhanced a dress’ square neckline, sculptural brooches adorned menswear inspired blazers, and bold bracelets and oversized cocktail rings further enhanced otherwise somber day wear.

A Retro Ruby, Diamond and Gold Brooch 1950 Designed as a flower, centering upon an oval-cut ruby and baguette-cut diamond cluster, extending sculpted polished gold petals, gathered by a pavé-set diamond ribbon, mounted in 18K rose gold and platinum, length 2 1/2 inches. Estimate $14,0 0 0 -16,0 0 0

A Retro Ruby Diamond and Gold Bracelet 1945 Designed as a series of polished gold spray links, accented by circular-cut diamond detail and circular-cut ruby clusters, each centering upon a circular-cut diamond floret, spaced by geometric links, accented by circular-cut diamonds, mounted in 14K rose gold, and platinum, length 7 inches. Estimate $7,0 0 0 -9,0 0 0

A Yellow Gold and Steel ‘Parentesi’ Bracelet BULGARI The polished gold spring band, of geometric interlocking design, mounted in 18K yellow gold and steel, length adjustable. Signed ‘Bulgari’

Estimate $1,40 0 -1,8 0 0

A Suite of Ruby, Diamond and Gold Jewelry CHARLES KRYPELL Comprising a necklace, designed as a series of alternating circular-cut diamond or ruby rondelles, spaced by polished gold tubular links, a bracelet and a ring en suite, necklace 17 inches, bracelet 7 inches, ring size 6. Ring signed ‘KRYPELL’ for Charles KRYPELL

Estimate $6,0 0 0 - 8,0 0 0

A Retro Ruby, Diamond and Gold Brooch VAN CLEEF & ARPELS 1945 Designed as a polished gold scroll, accented by star-set circular-cut diamonds, centering upon a circular-cut ruby and diamond cluster, extending circular-cut rubies, mounted in yellow gold. Signed ‘Van Cleef & Arpels’, no. NY1736

Estimate $3,50 0 -5,0 0 0

A Gold Dress Set DAVID WEBB Comprising a pair of cufflinks, each designed as a textured gold sea shell, to the similarly designed swivel link, and three shirt studs en suite, mounted in 18K yellow gold, cufflinks length 3/4 inch, shirt stud length 1/2 inch. Signed ‘Webb’ for David Webb

Estimate $2,0 0 0 -3,0 0 0

An Enamel, Diamond and Gold Brooch CARTIER Designed as a black and orange enamel hand, holding a sculpted gold flower, enhanced by an old European-cut diamond, with rose-cut diamond accents, mounted in 18K yellow gold, length 1 1/2. Signed ‘Cartier, Paris’, with French assay mark

Estimate $8,0 0 0 -10,0 0 0

A Pair of Enamel and Diamond Earclips VAN CLEEF & ARPELS Each designed as a pavé-set diamond and black enamel panda, mounted in 18K yellow gold, length 1/2 inch. Signed ‘VCA’ for Van Cleef & Arpels, no. NY3K598-75E

Estimate $6,0 0 0 - 8,0 0 0

A Gold Ring DAVID WEBB Of hammered bombé design, mounted in 18K yellow gold, size 7 1/2. Signed ‘Webb’ for David Webb

Estimate $2,50 0 -3,6 0 0

A Pair of Gold Earclips DAVID WEBB Each designed as a fluted and hammered 18K yellow gold half-hoop, length 1 3/4 inches. Signed ‘David Webb’

Estimate $2,0 0 0 -3,0 0 0

A Mother-of-Pearl and Yellow Gold Ring MAUBOUSSIN Set to the top with three rectangular mother-of-pearl plaques, to the polished gold hoop, mounted in 18K yellow gold, size 5 1/2. Signed ‘Mauboussin, Paris’, no C30 86 51

Estimate $70 0 -1,0 0 0

A Retro Gold Bracelet TIFFANY & CO. 1945 Designed as five gold rope chains to the similarly designed rectangular clasp, terminating in fluted gold beads, mounted in 14K yellow gold, length adjustable. Signed ‘Tiffany & Co. ‘

Estimate $4,0 0 0 - 6,0 0 0

A Porcelain, Citrine and Gold ‘Chandra’ Ring BULGARI Designed as a carved porcelain bombé ring, centering upon a cabochon citrine, mounted in 18K yellow gold, size 6 1/4. Signed ‘Bulgari’

Estimate $6 0 0 - 8 0 0

A Pair of White Enamel and Gold Ear Pendants DAVID WEBB Each pendant designed as a fluted white enamel hoop, from a similarly designed surmount, mounted in 18K yellow gold, length 2 inches, pendant is detachable. Signed ‘Webb’ for David Webb

Estimate $4,0 0 0 - 6,0 0 0

A Diamond and Yellow Gold Pendant Necklace LALAOUNIS The necklace of polished gold fret links, accented by circular-cut diamonds, suspending a hexagonal pendant of similar design, accented by circular-cut diamonds, mounted in 18K yellow gold, length 21 inches, pendant is detachable, may be worn as a brooch. Signed ‘Ilias Lalaounis’ with Greek assay marks and maker’s mark, with a Lalaounis box

Estimate $10,0 0 0 -12,0 0 0

A Multi-Gem and Diamond Bracelet DAVID WEBB Designed as a polished gold hinged cuff, set to the center with a cabochon emerald, ruby and sapphire, framed by circular-cut diamonds, mounted in 18K yellow gold and platinum, 2 inches diameter. Signed ‘Webb’ for David Webb

Estimate $8,0 0 0 -10,0 0 0

A Pair of Turquoise, Diamond and Yellow Gold Bracelets JEAN SCHLUMBERGER, TIFFANY & CO. Each designed as a series of brushed and braided oval-shaped links, joined by ‘X’ motif spacers, one set with cabochon turquoise and circular-cut diamonds, mounted in 18K yellow gold, each 7 inches. Each signed ‘Tiffany, Schlumberger, Made in France’

Estimate $7,0 0 0 -9,0 0 0

A Turquoise, Sapphire and Gold Bracelet TIFFANY & CO. Designed as an articulated polished gold foliate band, centering upon a series of alternating cabochon turquoise and circular-cut sapphire bombé clusters, mounted in 18K yellow gold, length 7 inches. Signed ‘Tiffany & Co.’

Estimate $5,0 0 0 -7,0 0 0

A Pair of Yellow Gold and Turquoise Earclips Each designed as a textured gold foliate spray, centering upon a marquise-shaped turquoise cluster, accented by circular-cut diamonds, mounted in 18K yellow gold, 1 1/4 inches. Stamped ‘Made in France’

Estimate $2,20 0 -2,8 0 0

A Pair of Gold ‘Hawaii’ Ear Pendants BUCCELLATI Each designed as a cascade of brushed circular gold links, mounted in 18K yellow gold, length 2 inches. Signed ‘Buccellati, Italy’, with a Buccellati box

Estimate $2,0 0 0 -3,0 0 0

An Emerald, Diamond and Gold Ring BUCCELLATI Designed as a pierced openwork foliate band, accented by single cut diamonds, centering upon a rectangular-cut emerald, with engraved gold borders and bezel, mounted in 18K yellow gold and silver, size 5 3/4. Signed ‘Buccellati, Italy’, with a blue leather Buccellati box

Estimate $12,0 0 0 -15,0 0 0

A Retro Gold and Diamond Bracelet 1945 Centering upon a rope chain, extending polished gold tear-shaped links, each centering upon a polished gold floret, enhanced by single cut diamonds, mounted in 18K yellow gold, length 7 inches. With French assay marks

Estimate $8,0 0 0 -10,0 0 0

A Sapphire, Diamond and Gold Ring BUCCELLATI Designed as a pierced openwork foliate band, accented by single cut diamonds, centering upon an oval-cut sapphire, with engraved gold boarders and bezel, mounted in 18K yellow and white gold, size 5 1/2. Signed ‘Buccellati, Italy’, with a blue leather Buccellati box

Estimate $4,50 0 - 6,0 0 0

A Pair of Gold and Diamond Earclips BUCCELLATI Each designed as a textured gold leaf, accented by circular-cut diamonds, mounted in 18K yellow gold and platinum, length 1 inch. Signed ‘Buccellati, Italy’, with a blue leather Buccellati box

Estimate $4,0 0 0 -5,0 0 0

A Rock Crystal, Emerald and Diamond ‘Frog’ Brooch SEAMAN SCHEPPS Designed as a carved rock crystal jumping frog, accented by cabochon emeralds and circular-cut diamonds, mounted in 18K yellow gold, length 3 inches. Signed ‘Seaman Schepps’, with maker’s mark, no. P4955

Estimate $6,0 0 0 - 8,0 0 0

73 72

A Rare 18K Rose Gold Skeletonized Automatic Wristwatch With Date RICHARD MILLE 2005 Of titanium lever movement, 24 jewels, rose gold rotor with micro-balls, semi-skeletonized dial, Arabic numerals, five minute luminescent dot accents, aperture for date at 6 o’clock, tonneau-shaped case, bezel secured by eight milled titanium screws, cone crown, sapphire crystal display back secured by four milled titanium screws, case, dial and movement signed, mounted in 18K rose gold and titanium, length adjustable. Dial, case and buckle signed ‘Richard Mille’, Case no, RM007, REF. RM007 AF PG/544, with Richard Mille presentation box and papers

Estimate $20,0 0 0 -3 0,0 0 0

A Blue Chalcedony and Gold Ring VHERNIER Designed as a carved blue chalcedony bombé dome, lined in 18K rose gold, size 5. Signed ‘Vhernier’, no. 15

Estimate $1,50 0 -2,50 0

A Retro Rose Gold and Diamond Buckle Bracelet 1945 Designed as a wide hexagonal link band, joined by an old European-cut diamond buckle clasp, mounted in 18K rose gold, length adjustable. Estimate $3,50 0 - 4,50 0

A Retro Gold and Diamond Bracelet Watch ROLEX 1945 Designed as a polished rose gold oval link bracelet, the top accented by single-cut diamond panels, opening to reveal a watch, of nickel finished lever movement, 17 jewels, the rectangular silvered dial, with black Arabic numerals and gold toned hands, mounted in 18K rose gold, length 7 1/2 inches. Dial, inside case and bracelet signed ‘Rolex’, inside case no. 9352, with Swiss assay marks

Estimate $5,8 0 0 -7,0 0 0

A Pair of Retro Rose Gold Clips CARTIER 1940 Each designed as a rectangular openwork plaque, accented by a polished gold spray, mounted in 14K rose and yellow gold, length 1 3/4 inches. Signed ‘Cartier’

Estimate $2,50 0 -3,0 0 0

78 79

A Triple Strand Cultured Pearl and Diamond Necklace RUSER Designed as three graduated strands of cultured pearls, measuring from approximately 10.00 to 8.00 mm, joined by a pavé-set diamond foliate clasp, accented by a circular-cut diamond, mounted in platinum, length 14 1/2 and 15 1/2 inches. Clasp signed ‘Ruser’

Estimate $4,50 0 - 6,0 0 0

An Antique Diamond, Emerald and Ruby Butterfly Brooch circa 1890 The vari-cut emerald and sapphire body, extending old-cut diamond wings, accented by circular-cut emeralds and rubies, set en tremblant, mounted silver and gold, length 3 inches. Estimate $7,0 0 0 -9,0 0 0

An Art Deco Diamond Bracelet 1930 Designed as a line of old European-cut diamonds, mounted in platinum and 14K white gold, length 6 3/4 inches. Estimate $3,50 0 -5,0 0 0

A Diamond and Ruby Art Deco Clip 1930 Designed as an old European-cut diamond shield, accented by baguette-cut diamonds, centering upon three old European-cut rubies, mounted in platinum, length 1 1/2 inches. Estimate $4,0 0 0 - 6,0 0 0

A Sapphire and Diamond Ring BUCCELLATI circa 1950s Set with an oval-cut sapphire, within a circular-cut diamond surround, with engraved foliate gallery and shoulders, mounted in platinum, size 5 1/2. Signed ‘Buccellati’

Estimate $10,0 0 0 -15,0 0 0

86 84

An Antique Seed Pearl and Diamond Sautoir circa 1910 Designed as a woven seed pearl mesh band, accented by circular-cut diamonds, suspending collet-set diamond tassels, mounted in platinum, length 21 inches. Estimate $10,0 0 0 -12,0 0 0

A Pair of Cultured Pearl and Diamond Earclips Each designed as a baguette and circular-cut diamond spray, extending cultured pearls, mounted in platinum and yellow gold, 1/2 inch. with French assay marks

Estimate $2,20 0 -3,0 0 0

A Pair of Diamond Earrings Each designed as a circular-cut diamond floret, within a pavĂŠ-set diamond frame, mounted in 18K white gold, 1/2 inch. Estimate $1,8 0 0 -2,20 0

A Pair of Rock Crystal and Diamond Ear Pendants Each suspending a frosted rock crystal hoop, accented by old European-cut diamonds, from a circular-cut diamond bail, to the frosted rock crystal disc surmount, centering upon an old European-cut diamond, mounted in platinum and rose gold, length 1 1/2 inches. with French assay marks

Estimate $1,50 0 -2,50 0

A Sapphire and Diamond Ring Centering upon a cushion-cut sapphire, weighing approximately 3.53 carats, flanked on either side by a rectangular-cut diamond, mounted in platinum, size 6 1/2. Estimate $8,0 0 0 -10,0 0 0

A Rubellite and Diamond Necklace The front designed as a series of rectangular-cut rubellites, within circular-cut diamond surrounds, spaced by collet-set marquise-cut diamond spacers, to the circular-cut diamond rectangular link back chain, mounted in platinum, length 16 inches.Â Estimate $6,0 0 0 - 8,0 0 0

A Sapphire and Diamond Ring Set with a pear-shaped Ceylon sapphire, weighing approximately 8.92 carats, to the baguette-cut diamond shoulders, mounted in platinum, size 6 1/2. With report no. 2115454011 dated 9 December 2009 from the Gemological Institute of America, stating that the sapphire is of Sri Lanka (Ceylon) origin, with indications of heating

Estimate $9,0 0 0 -11,0 0 0

A Pair of Diamond Brooches

A Pair of Diamond Earclips

Each designed as a tapered scrolling band, with graduated lines

Each designed as a marquise-cut diamond foliate spray, accented by a

of circular and baguette-cut diamonds, mounted in platinum,

scrolling baguette-cut diamond line, mounted in platinum, 1 1/4 inches.

length 3 inches.

Estimate $15,0 0 0 -18,0 0 0

Estimate $10,0 0 0 -12,0 0 0

A Diamond Brooch

A Diamond Eternity Band

Designed as a scrolling circular and baguette-cut diamond ribbon,

Designed as a series of square-cut channel-set diamonds, mounted

mounted in platinum, length 1 3/4 inches.

in platinum, size 5 3/4.

Estimate $5,0 0 0 -7,0 0 0

Estimate $3,0 0 0 -5,0 0 0

A Ruby and Diamond Line Bracelet Designed as a series of alternating square-cut ruby and circular-cut diamond lines mounted in platinum, length 7 inches. Estimate $6,0 0 0 - 8,0 0 0

100

101

102

A Pair of Amethyst and Diamond Ear Pendants Each suspending a pear-shaped amethyst, within a pavé-set diamond surround, from a curved pavé-set diamond line, to the pavé-set diamond leaf surmount, accented by circular-cut diamonds and polished gold wrapped vines, mounted in 18K white gold, length 2 inches, pendant is detachable. Estimate $5,50 0 -7,0 0 0

A Pair of Moonstone and Pink Sapphire Earclips Each centering upon a cabochon moonstone, within a briolette-cut pink sapphire surround, mounted in platinum, 1/2 inch.

103

A Tahitian Baroque Cultured Pearl Necklace Of fifty-two gray Tahitain baroque cultured pearls, measuring from

Estimate $2,50 0 -3,50 0

approximately 14.25 to 12.35 mm, joined by a polished 18K white gold bean-shaped clasp accented by circular-cut diamonds, length 35 1/2 inches. 100

A Diamond Eternity Band

Estimate $4,50 0 - 6,0 0 0

Of sixteen rectangular-cut diamonds, mounted in platinum, size 7 1/4. Total diamond weight is approximately 17.92 carats. Estimate $25,0 0 0 -3 0,0 0 0

104

A Diamond and White Gold Lady’s Wristwatch CHANEL Of quartz movement, the pavé-set diamond circular dial, within a thick polished gold bezel, enhanced by pavé-set diamond letters spelling

101

A Diamond Flower Brooch

‘CHANEL’, to the black fabric band, with deployant clasp, mounted in

Designed as two pavé-set diamond flowers, centering upon circular-

18K white gold, length adjustable.

cut diamond florets, extending baguette-cut diamond stems and pavé-

Dial, case and strap signed ‘Chanel’, with French assay marks, with a black

set diamond leaves, mounted in platinum, length 2 1/2 inches.

fabric Chanel box

Estimate $9,0 0 0 -11,0 0 0

Estimate $3,50 0 -5,0 0 0

103 104

105

106

105

A Spinel and Diamond Ring Set to the center with an oval-cut spinel, weighing approximately 5.65 carats, framed by a bombé brushed gold mount, enhanced with pavéset diamond pavé panels, mounted in 18K white gold, size 6 1/4. Estimate $5,0 0 0 -7,0 0 0

106

A Pair of Amethyst and White Gold Cufflinks Each ‘U’ shaped link set with calibré-cut amethyst, joined by a bar link, accented by sugarloaf amethyst terminals, mounted in white gold, length 1 inch. Estimate $1,20 0 -1,8 0 0

107

A Rare Antique Ruby and Diamond Bracelet CARTIER 1900 Designed as a flexible openwork band, enhanced by single-cut diamond star motifs, centering seven oval and circular-cut rubies, within old European cut diamond frames, mounted in platinum and 18K white gold, length 6 1/4. Signed ‘Cartier’, with French assay marks

Estimate $7,0 0 0 -9,0 0 0

108

An Art Deco Platinum, Diamond and Enamel Wristwatch 1920 Of nickel finished lever movement, 17 jewels, the white rectangular dial with black Arabic numerals and hands, within a pavé-set diamond bezel, accented by marquise and baguettecut diamonds, to the pavé-set diamond and black enamel link bracelet, mounted in platinum, length 6 1/2 inches. Estimate $3,50 0 - 4,50 0

109

A Diamond Eternity Ring TIFFANY & CO. Designed as a pavé-set diamond openwork braided band, mounted in platinum, size 6 1/4. Signed ‘Tiffany & Co.’, with a Tiffany & Co. box

Estimate $3,0 0 0 - 4,0 0 0

110

A Pair of Peridot and Diamond Ear Pendants Each suspending a pear-shaped peridot, within an old European-cut diamond surround, from a graduated collet-set old European-cut diamond line, mounted in platinum and 18K yellow gold, length 1 1/4 inches. Estimate $4,0 0 0 -5,0 0 0

111

A Pair of Peridot and White Gold Cufflinks Each ‘U’-shaped link set with calibré-cut peridots, joined by a bar link, accented by sugarloaf peridot terminals, mounted in white gold, length 1 inch. Estimate $1,20 0 -1,8 0 0

108

107

109

110

111

112

A Diamond Necklace Designed as a series of rose-cut diamond links, each within pavé-set diamond surrounds, spaced by marquise-cut diamonds, mounted in platinum, length 16 1/2 inches. Estimate $40,0 0 0 -50,0 0 0

113

A Pair of Sapphire and Diamond Earclips Each designed as a cabochon sapphire cluster, within a circular-cut diamond spray surround, mounted in platinum, length 1/2 inch. Estimate $2,6 0 0 -3,50 0

114

A Sapphire and Diamond Ring Set with a cushion-cut sapphire, weighing approximatey 6.16 carats, with a pavé-set diamond surround, scrolling gallery and shoulders, mounted in platinum, size 6 1/2. With report no. GRS2005-06045T, dated 1 July 2005 from the Gem Research Swiss Lab, stating that the sapphire is natural, no indications of thermal treatment

Estimate $16,0 0 0 -20,0 0 0

115

An Art Deco Diamond and Sapphire Bracelet J.E. CALDWELL 1920 Composed of a series of circular-cut diamond panels, spaced by baguette-cut diamonds and triangular-cut sapphire geometric links, mounted in platinum, length 7 1/4 inches. Signed ‘JEC & Co’ for JE Caldwell, with a J.E. Caldwell box

Estimate $14,0 0 0 -16,0 0 0

116

An Art Deco Diamond Brooch 1925 Designed as a pierced, openwork bow, decorated with old-cut diamonds, centrally enhanced by a larger circular-cut diamond, mounted in platinum, length 2 inches. Estimate $3,0 0 0 -5,0 0 0

112

115 113

114

116

117

A South Sea Cultured Pearl and Diamond Necklace Of twenty-nine graduated South Sea white cultured pearls, measuring from approximately 16.70 to 13.00 mm, joined by a pavé-set diamond sphere clasp, mounted in 18K white gold, length 18 inches. Estimate $20,0 0 0 -25,0 0 0

118

A Pair of Cultured Pearl and Diamond Ear Pendants Designed as two staggered collet-set diamond lines, each terminating in a white cultured pearl, measuring approximately 13.00 to 11.00 mm, mounted in 18K white gold, length 2 inches. Estimate $4,0 0 0 - 6,0 0 0

119

A Pink Tourmaline, Diamond, and Enamel Ring MARGHERITA BURGENER Set with an emerald-cut pink tourmaline, weighing approximately 6.61 carats, within a circular-cut diamond surround, and white and black spotted enamel bombé mount, to the polished gold half hoop, mounted in 18K yellow gold, size 6.5. Signed ‘Margherita Burgener’, with a Margherita Burgener box

Estimate $3,0 0 0 -5,0 0 0

120

A Pair of Black and White Enamel Cufflinks MARGHERITA BURGENER Each designed as a round bombé plaque of black with white spotted enamel, to the gold swivel link, mounted in 18K yellow gold, length 1/2 inch. Signed ‘Margherita Burgener’, with a Margherita Burgener box

Estimate $2,0 0 0 -3,0 0 0

117

119

118

120

121

An Impressive Diamond Necklace Suspending a three row old navette-shaped diamond swag, to the old-European-cut diamond floret links, from a similarly designed back chain, mounted in silver topped yellow gold, length 16 inches. Estimate $40,0 0 0 -50,0 0 0

122

A Pair of Rubellite and Diamond Earrings Each suspending a pear-shaped rubellite, within a pavĂŠ-set diamond frame, accented by a marquise-cut diamond, from a circular-cut diamond surmount, mounted in platinum, length 1 1/4 inches. Estimate $5,0 0 0 -7,0 0 0

123

An Emerald and Diamond Ring Set with a square-cut emerald, weighing approximately 14.90 carats, flanked on either side by a trapeze-cut diamond, mounted in platinum and 18K yellow gold, size 6 1/2. Estimate $10,0 0 0 -15,0 0 0

124

A Pair of South Sea Cultured Pearl and Diamond Earclips Each set with a South Sea white cultured pearl, measuring approximately 16.00 and 15.80 mm, within a circular-cut diamond surround, mounted in 18K white gold, 1/2 inch. Estimate $5,0 0 0 -7,0 0 0

121

122

124

123

125

A Rare Serpent Bracelet-Watch BULGARI 1970

126

A Unique Suite of Citrine and Diamond Jewelry circa 1940

The flexible bracelet designed as a coiled snake, the scales applied

Comprising a necklace, designed as a graduated line of oval-cut

with gold, orange and red enamel, accented by marquise-cut diamond

citrines, suspending a graduated marquise-cut citrine fringe, accented

eyes, the hinged head opening to reveal a watch, of mechanical

by old European-cut diamonds, mounted in rose gold and platinum,

movement, the circular cream dial, with gold tone baton numerals and

and a pair of ear pendants en suite, necklace length 18 1/2 inches,

hands.

ear pendant length 3 inches.

Signed ‘Bulgari’, dial signed ‘Vacheron Constantin’

Estimate $20,0 0 0 -25,0 0 0

A similar watch from this series is illustrated in Daniela Mascetti and Amanda Triossi, Bulgari, Abbeville Press, New York, 1996, page 219

Estimate $3 0,0 0 0 - 40,0 0 0

126

127

An Important Tanzanite and Diamond Ring Set to the center with a rectangular-cut tanzanite, weighing approximately 30.00 carats, framed by tapering pavé-set diamond prongs of foliate motif and similarly set shoulders, mounted in 18K white gold, size 6 1/4. Estimate $8,0 0 0 -12,0 0 0

128

A Three-Strand Black Tahitian Cultured Pearl and Diamond Necklace Designed as three graduated strands of black tahitian cultured pearls, measuring from approximately 12.50 to 9.40 mm, joined by a circular-cut diamond bar clasp, mounted in platinum, length 17 to 19 1/2 inches. Estimate $3 0,0 0 0 - 40,0 0 0

129

A Pair of Rock Crystal and Diamond Ear Pendants MARGHERITA BURGENER Each suspending a pair of graduated rock crystal circular plaques, from a pavé-set diamond disc, connected by pavé-set diamond bar link spacers, mounted in 18K white gold, length 2 3/4 inches. Signed ‘Margherita Burgener’, with a Margherita Burgener box and velvet pouch

Estimate $3,50 0 -5,0 0 0

130

A Pair of Black Diamond and Diamond Cufflinks Each designed as a pavé-set diamond bombé plaque, centrally set with a circular-cut black diamond, to the pavé-set diamond swivel link, mounted in 18K white gold, length 3/4 inch. Estimate $8,0 0 0 -10,0 0 0

127

128

129

130

131

A Pair of Blue Chalcedony and Sapphire Cufflinks MARGHERITA BURGENER Each designed as a square blue chalcedony plaque, centrally enhanced by a pavé-set sapphire bombé square, to the swivel link, mounted in 18K white gold, length 3/4 inch. Signed ‘Margherita Burgener’, with a Margherita Burgener box

Estimate $1,0 0 0 -1,50 0

132

A Pair of Sapphire, Blue Chalcedony and Diamond Ear Pendants Each pavé-set sapphire drop-shaped surmount, suspending a circular-cut diamond collet spacer, terminating in a cabochon chalcedony drop, mounted in 18K white gold, length 2 inches. Estimate $1,50 0 -2,0 0 0

133

A Diamond Long Chain Designed as a circular-cut spectacle-set diamond longchain, mounted in 18K white gold, length 73 inches. The total approximate weight of the diamonds in 75.60 carats. Estimate $6 0,0 0 0 -75,0 0 0

134

A Pair of Sapphire and Diamond Ear Pendants Each designed as five graduated cushion-cut sapphires, each within a pavé-set diamond foliate spray surround, mounted in oxidized platinum, length 3 1/4 inches. Estimate $5,0 0 0 -7,0 0 0

133

134

131

132

135

A Sapphire and Diamond Bracelet BUCCELLATI Designed as a brushed yellow gold hinged cuff, set with three oval-cut sapphires, within pierced openwork lozenge-shaped detail, mounted in 18k white and yellow gold, 2 1/4 inches diameter. Signed ‘M.Buccellati’

Estimate $18,0 0 0 -20,0 0 0

136

A Gold and Diamond Ring BUCCELLATI Designed as a braided openwork matte gold band, accented by circular-cut diamonds, mounted in 18K yellow and white gold, size 5 3/4. Signed ‘Buccellati’

Estimate $4,50 0 - 6,0 0 0

137

A Diamond and Yellow Gold Lady’s Wristwatch FRANK MULLER Of quartz movement, the rectangular blue dial, with gold Roman numerals and hands, with pavé-set diamond bezel and case and cabochon sapphire crown, to the blue leather band, joined by a gold buckle, mounted in 18k yellow gold length adjustable. Dial and case signed ‘Frank Muller GENEVE’, case No, 8, 2500 OZ D, with Frank Muller box and papers

Estimate $5,8 0 0 -7,0 0 0

138

A Sapphire and Diamond Wristwatch VACHERON CONSTANTIN Of mechanical movement, the pavé-set diamond dial of oval outline, within a circular-cut sapphire surround, to the circular-cut diamond and sapphire tapering oval link bracelet, mounted in 18K white gold, length 7 inches. Signed ‘Vacheron Constantin’, case no. 510209 P

Estimate $12,0 0 0 -15,0 0 0

139

A Pair of Diamond Brooches Each designed as a scrolling pavé-set diamond ribbon, accented by baguette-cut diamonds, mounted in platinum, length 2 1/2 inches. Estimate $12,0 0 0 -15,0 0 0

140

A Sapphire and Diamond Ring Set with an oval-cut sapphire weighing approximately 9.87 carats, within an old Europeancut diamond surround, mounted in platinum, size 7. With report no. 0127986 dated 28 February 2008 from The Gem Testing laboratory of Great Britain, stating that the sapphire is natural, no indications of heat treatment

Estimate $18,0 0 0 -22,0 0 0

141

A Sapphire, Moonstone and Rock Crystal Dress Set MARGHERITA BURGENER Comprising a pair of cufflinks, each double link set with a round cabochon rock crystal, backed by mother-of-pearl, within a circular-cut sapphire surround; and four dress shirts studs en suite, mounted in 18K white gold, cufflinks length 1/2 inch, shirt studs length 1/4 inch. Signed ‘Margherita Burgener’, with Margherita Burgener box

Estimate $4,50 0 - 6,0 0 0

135

137

136

138

139

140

141

142

A Diamond and Yellow Gold Brooch DAVID WEBB Designed as a pavé-set diamond flowerhead, accented by polished gold wirework, centering upon a pavé-set diamond sphere, mounted in 18K yellow gold and platinum, length 2 inches. Signed ‘Webb’ for David Webb

Estimate $10,0 0 0 -12,0 0 0

143

A Sapphire, Diamond and Ivory Ring Designed as an ivory bombé mount, centering upon an oval-cut sapphire, within a circularcut diamond surround, mounted in gold, size 8 1/2. Estimate $6,0 0 0 - 8,0 0 0

144

A Set of Yellow Sapphire and Diamond Jewelry VAN CLEEF & ARPELS Comprising a ring, set to the center with an oval-cut yellow sapphire, within a two-tiered circular-cut diamond surround, to the circular-cut diamond split shoulders, and a pair of ear pendants en suite, mounted in 18K yellow gold, ring size 6 1/2, ear pendant length 1 1/2 inches. Ring signed ‘VCA’ for Van Cleef & Arpels, and numbered, Ear Pendents signed “Van Cleef & Arpels’, no. N.Y. 42306

Estimate $3 0,0 0 0 - 40,0 0 0

142

144 143

145

An Impressive Ruby and Diamond Necklace Designed as a ruby bead torsade, accented by circular-cut diamond rondelles, joined by a pavĂŠ-set diamond barrel clasp, mounted in 18K white gold, length 20 inches. Total ruby weight is approximately 800 carats. Estimate $25,0 0 0 -3 0,0 0 0

146

148

147

149

150

146

An Important Unheated Burmese Ruby and Diamond Ring

149

An Art Deco Diamond and Ruby Ring circa 1920

Set with an oval-cut Burmese ruby, weighing approximately 4.40 carats,

The top set with a rectangular shaped baguette-cut diamond plaque,

within a circular-cut diamond surround, mounted in platinum, size 6.

within pierced openwork pavé-set diamond mount, accented by fancy-

With report no. CS 41192 dated 3 December 2009 from the American

cut ruby shoulders, to the engraved half hoop, size 5 1/4.

Gemological Laboratories, stating that the ruby is of Burma (Myanmar) Origin,

Estimate $3,0 0 0 -5,0 0 0

with no heat or clarity enhancements.

Estimate $32,0 0 0 - 40,0 0 0 150

An Important Pair of Diamond Ear Pendants Each designed as three articulated marquise-cut diamond lines,

147

A Rare Pair of Art Deco Ruby Cufflinks

mounted in 18K white gold, length 1 1/2 inches.

Each designed as a hinged baguette-cut ruby hoop, mounted in

Estimate $35,0 0 0 - 40,0 0 0

platinum, 1/2 inch. Signed ‘Van Cleef & Arpels’, no. N.Y. 46621, with a Van Cleef & Arpels box

Estimate $6,0 0 0 - 8,0 0 0

148

A Superb Art Deco Diamond Bracelet circa 1930 Designed as two pierced baguette and circular-cut diamond geometric plaques, spaced by pavé-set diamond oblong links, mounted in platinum, length 7 1/2 inches. Estimate $50,0 0 0 - 6 0,0 0 0

151

A Unique Moonstone, Diamond and Gold Necklace Designed as a collet-set old European-cut diamond line, suspending polished gold bars, each terminating in a round cabochon moonstone, accented by an old European-cut diamond, mounted in gold and platinum, length 15 3/4 inches. Estimate $20,0 0 0 -25,0 0 0

152

A Pair of Peridot and Diamond Earrings Each suspending a cushion-cut peridot, within a pavĂŠ-set diamond surround, accented by a half moon-cut diamond, from three collet-set diamonds, mounted in platinum, length 1 inch. Estimate $4,0 0 0 - 6,0 0 0

153

An Important Natural Fancy Yellow Diamond Ring Set with a radiant-cut Fancy Yellow diamond, weighing approximately 10.07 carats, flanked on either side by a trapeze-cut diamond, to the polished half hoop, mounted in platinum and yellow gold, size 5 3/4. With report no.176872602 dated 22 February 2008 from the Gemological Institute of America, stating that the diamond is Natural Fancy Yellow color, VS2 clarity

Estimate $145,0 0 0 -16 0,0 0 0

151

153

152

154

157

155

156

154

A Pair of Elegant Diamond Earclips

156

An Art Deco Natural Pearl and Diamond Necklace 1925

Each designed as a marquise-cut diamond cluster, mounted in 18K

Designed a collet-diamond set â&#x20AC;&#x2DC;Yâ&#x20AC;&#x2122; shaped drop, accented by two

white gold, 1/2 inch.

natural pearls, measuring approximately 13.57 x 13.35 and 12.39 mm to

Estimate $16,0 0 0 -20,0 0 0

the fine link chain, mounted in platinum, length 17 1/2 inches. With report no. 17432799 dated 24 June 2008 from the Gemological Institute of America stating that the pearls are Natural, Saltwater, no indication of treatment

155

Estimate $9,0 0 0 -12,0 0 0

An Unmounted Octagonal-Cut Yellow Sapphire Weighing approximately 8.28 carats. With report no. CDC 0907176 dated 15 August 2009 from C. Dunairge, stating that the yellow sapphire is natural Sri-Lanka (Ceylon) origin, no indications

157

A Pair of Peridot and Diamond Earrings

of heating

Each designed as pavĂŠ-set diamond drop-shaped openwork plaque,

Estimate $6,0 0 0 -9,0 0 0

suspending a pear-shaped peridot, weighing approximately 17.04 carats in total, from a circular-cut diamond surmount, length 1 3/4 inches, mounted in platinum. Estimate $5,0 0 0 -7,0 0 0

158

159

160

158

An Important Antique Diamond Bracelet 1910

160

An Important Pair of Diamond Ear Pendants

Designed as a series of collet-set old-cut diamonds, mounted in platinum,

Each designed as a bezel set old mine-cut diamond, weighing

length 7 inches.

approximately 5.20 and 5.62 carats, from a smaller old European-cut

Estimate $45,0 0 0 -55,0 0 0

diamond surmount, mounted in platinum and 18K white gold, length 1/2 inches. Estimate $58,0 0 0 -70,0 0 0

159

A Rare Edwardian Diamond Ring 1910 Set with an old-cut navette-shaped diamond, weighing approximately 4.41 carats, within a pierced openwork single-cut diamond gallery, to the engraved half hoop, mounted in platinum, size 6. With report no. 16331256 dated 12 October 2007 from the Gemological Institute of America, stating that the diamond is G color, VS1 clarity

Estimate $9 0,0 0 0 -120,0 0 0

161

162

161

An Important Diamond Ring Set with an emerald-cut diamond, weighing approximately 5.12 carats, flanked by trapezecut diamonds, to the baguette-cut diamond shoulders and polished half hoop, mounted in platinum, size 5. With report no. 17794877 dated 3 October 2008 from the Gemological Institute of America, stating that the diamond is G color, VS1 clarity

Estimate $125,0 0 0 -150,0 0 0

162

A Unique Pair of Multi-Gem and Diamond Brooches VAN CLEEF & ARPELS Each designed as a polished gold duck, with a circular-cut ruby eye, and circular-cut diamond details, extending square-cut sapphire feathers, mounted in 18K yellow gold, length 1 1/2 inches. Signed â&#x20AC;&#x2DC;Van Cleef & Arpelsâ&#x20AC;&#x2122;, no. NY 21939 and NY 25530

Estimate $10,50 0 -12,0 0 0

163

A Magnificent Diamond Necklace Designed as a circular-cut diamond line, the front suspending square-cut diamond fringe, accented by circular-cut diamond spacers, mounted in platinum, length 17 1/2 inches. The total diamond weight is approximately 52.54 carats. Accompanied by thirty-one reports, dated from 2 September 2009 to 11 September 2009 from the Gemological Institute of America stating the diamonds ranging from 3.04 to 1.00 carats are D-F color, IF-VS2 clarity

Estimate $185,0 0 0 -220,0 0 0

164

A Gold and Diamond Bracelet BUCCELLATI circa 1960 Designed as a woven gold openwork band, accented by circular-cut diamonds, mounted in 18K yellow gold, length 6 1/2 inches. Signed â&#x20AC;&#x2DC;Buccellatiâ&#x20AC;&#x2122;

Estimate $14,0 0 0 -16,0 0 0

165

A Magnificent Fancy Yellow Diamond Pendant Necklace Set with a heart-shaped natural fancy yellow diamond, weighing approximately 17.49 carats, within a pavĂŠ-set diamond surround, suspended from a filagree link chain, accented by circular-cut diamonds, mounted in 18K yellow gold, length 15 inches. With report no. 11568721 dated 19 June 2001, stating that the diamond is Natural Fancy Yellow color, Internally Flawless clarity

Estimate $3 0 0,0 0 0 -350,0 0 0

164

165

BIOGRAPHIES OF JEWELERS Buccellati

Margherita Burgener

In 1903, Mario Buccellati was hired as an errand-boy by the respected Milanese jewellers

The designer Emanuela Burgener signs her creations in the name of Margherita, her

Beltrami & Besnati. Sixteen years later at the age of 28, he bacame the owner of the firm.

eldest daughter, to whom her jewels are dedicated. Her designs are strikingly modern

He went on to open shops in Rome, Florence and New York, and in turn created the

and fashionable yet maintain the noble traditions of classical Italian jewellery with the

style of “texture-engraving” that has become the Buccellati trademark. Today the firm is

exceptional and meticulous craftsmanship established by Margherita’s grandfather. In

run by Mario’s grandson, Mario Buccellati II, who heads the United States operations in

1966, he founded the Valenza workshop, in northern Italy, where the family continues

New York City. Servicing a wide range of clients from royalty to movie stars, Buccellati

to work exclusively. A passion and love for the lively colours of aquamarine and other

continues to produce jewelry in the distinctive ‘Buccellati’ style throughout the world.

coloured precious gemstones, selected for their highest quality from all over the world, underlie Margherita Burgener’s creations.

Bulgari Bulgari was established by Sotirio Bulgari in 1879 in Rome on the Via Sistina. In 1905, they

Rolex

moved to Via dei Condotti. With his two sons, Constantino and Georgio, Bulgari created

The company Rolex was set up by M. H. Wilsdorf in London in 1905 in order to launch

the distinctive style which has become synonymous with Bulgari jewelry, inspired by

the new fashion of wristwatches in Britain. The trade name Rolex was devised as it was

classical and Renaissance art and mosaics. Favoring the use of color over diamonds with

short and easy to pronounce in most languages. In 1919, Wilsdorf relocated the company

unusual bold and striking combinations, Bulgari is famous for their unique combinations

to Geneva and in 1926 invented the waterproof “Oyster” model, made famous by Mercedes

of all types of gemstones. After World War II, Bulgari jewels became known for their

Gleitze who wore it when she swam the English Channel in record time. Rolex has won

cabochon-cut gemstones and antique coins set with yellow gold. Today Bulgari has

countless prizes for precision and records under hazardous conditions. Edmond Hillary

numerous boutiques throughout the world and is run by Paolo and Nicola Bulgari.

wore a Rolex on his great Everest expedition and Jacques Piccard also wore one when he explored the depths of the ocean bed. Rolex, still located in Geneva, remains today one of

Cartier

the largest and most popular Swiss watch manufacturers.

Cartier began its illustrious history in Paris in 1847 when Louis-François Cartier took over the workshop of Adolphe Picard on the rue Montorgueil. The firm immediately

Seaman Schepps

established a reputation for fine craftsmanship and a unique sense of style. His three

Seaman Schepps opened his first store in 1904 in Los Angeles, later moving to San

grandsons—Louis, Pierre and Jacques—soon joined the firm. Louis remained the director

Francisco in 1914. In 1921, he relocated to New York where he was successful until the

of the Paris operation and, in 1899, relocated to the rue de la Paix. Jacques was in

stock market crash of 1929. After regrouping, he opened another shop in 1934 on Madison

charge of London and moved the firm to its present location on New Bond Street. Pierre

Avenue where he began selling the innovative jewelry designs he is known for today.

opened the New York branch in 1909, and in 1917 moved to the present location at 653

Schepps’ intriguing combinations of textures and materials, such as seashells, diamonds,

Fifth Avenue. By combining the influences of Russia, the Far East, Egypt and India with

coral, precious and semi-precious stones, result in unique and beautiful jewelry. In 1956,

some of the greatest design talents of the period, such as Charles Jacqueau and Maurice

he moved to Park Avenue where the firm continues to attract a discriminating clientele.

Couet, Cartier was able to create a style that was immediately recognizable and attractive

Mr. Schepps passed away in 1972.

to the world’s finest clientele. By adhering to the principle of excellence in design and craftsmanship, the Cartier family maintained a reputation as one of the world’s finest

Tiffany & Co.

jewelers. In 1972, an investment group led by Joseph Kanoui and Robert Hocq took over

In 1837, Charles Louis Tiffany and John B. Young founded a small shop in New York City

the management of Cartier and was responsible for the creation of ‘Le Must de Cartier.’

that sold Chinese bric-a-brac, fans, pottery and stationary under the name of Tiffany

Today, Cartier continues to create some of the world’s finest jewelry.

& Young. By 1868, Charles Tiffany had gained complete control of the company and renamed it Tiffany & Co. Inc. Beginning in 1848, he had begun to emphasize what would

David Webb

eventually become their most important lines—silver and jewelry. By hiring some of the

David Webb began as an assistant in his uncle’s jewelry shop when he was 11 years old,

finest designers of the era, such as Paulding Farnum, and introducing such innovations

and at 16 moved to New York to learn more about the design of jewelry. It was there he

as the six-prong setting for a diamond solitaire, the company soon gained a worldwide

met his future business partner, Nina Silbertstein. Together they opened a shop on 47th

reputation for outstanding quality and design. Louis Comfort Tiffany joined his father and

Street and throughout the 1950s sold Webb’s designs to high-end shops such as Bergdorf

took over the direction of the workshops upon his father’s death in 1902. It was during that

Goodman and Bonwit Teller. Webb opened his own salon on East 57th Street in 1963. His

period that Tiffany cemented its position as a world leader in jewelry. Walter Hoving took

designs were often striking and bold, with innovative use of carved semi-precious and

control of the firm in 1955 and added such design luminaries as Jean Schlumberger and

precious stones, crystal and enamel. He was especially noted for his representation of

Donald Claflin. By 1974, Paloma Picasso and Elsa Peretti joined the firm, which continued

animal figures that were inspired by Jeanne Toussaint of Cartier. Webb died in 1975, and

the tradition of Tiffany’s commitment to innovative design.

today his designs are produced by the Silberstein family under his name. Vacheron et Constantin Enigma

Vacheron et Constantin was founded in 1755 in Geneva by Jean-Marc Vacheron. He was

Established in 1989, originally as a Neuchatel-based watch manufacturing company,

then joined in 1819 by François Constantin, who was mainly traveling through Europe to

Enigma has distinguished itself by creating innovative timepieces such as a collection

sell the watches. In 1839, Georges-Auguste Leschot, genius in the mechanics, joined the

of unusual jumping hours, a unique mechanical watch that rewinds by turning the bezel,

house and created the first machine for manufacturing watch pieces in series. This led

and by setting diamonds on steel cases as early as 1991. In 2003, Enigma introduced and

the company to a solid place in the watch business. Since 1996, Vacheron et Constantin

launched a fine jewellery collection and currently has international retail stores in Rome,

has been part of the Vendôme Luxury Group.

Geneva and Porto Cervo. Enigma jewels are recognizable for their strong, individual designs inspired by Gianni Bulgari, its founder and owner. Gianni Bulgari is the former

Van Cleef & Arpels

Chairman and CEO of the eponymous family business, which he left in 1987.

In 1898, the Parisian firm of Van Cleef & Arpels was founded by Alfred Van Cleef and his two brothers-in-law, Charles and Julian Arpels. By 1906 they had achieved substantial

Lalaounis

success and moved to the prestigious address of 22 place Vendôme. With continued

Ilias Lalaounis, descendant of a f mily of Greek goldsmith, became director of the

success the company decided to expand to the resort areas of France and several

family firm E. Zolotas in Athens in 1940. In 1957, he organized a jewelry pavillion at

locations abroad. Van Cleef & Arpels soon had a reputation for fine quality as well as

the Thessaloniki International Fair in cooperation with the Goldsmith’s Association

innovation. Among these innovations was the minaudière, a small evening case with fitted

of Athens, contributing designs based on ancient jewelry. He became internationally

accessories to meet the needs of society ladies, and employing the technique of ‘invisible

prominent after the Greek tycoon, Aristote Onassis, purchased wedding gifts for his

setting,’ which allowed precious stones to be set with no indication of the setting. When

future wife Jacqueline Bouvier Kennedy, from his salon. In the late 1960s and ‘70s, the firm

the second generation entered the business, they decided to develop a concept that would

expanded ouside of Greece to Geneva, Hong Kong, London, New York, Paris, Tokyo and

increase sales among the younger generation by appealing to its more casual lifestyle.

Zurich. Lalaounis’ four daughters are asscociated with the firm, each contributing their

Van Cleef & Arpels introduced ‘the boutique’ concept in Paris in 1954 and in New York

expertise to particular areas of the company. The inagurated a museum containing over

in 1957. Soon thereafter, many of the leading jewelry houses of the world soon adopted

4,000 of their creations at the foot of the Acropolis in 1994.

this concept. The firm continues in business today and remains one the world’s finest jewelers.

Mauboussin Mauboussin was first established in 1827 when a man named Mr. Rocher and his cousin, Baptiste Noury, opened a jewelry shop in Paris. By 1850, Noury had taken control of the firm and was joined by his nephew, Goerges Mauboussin. In 1896, Georges Mauboussin became the sole proprietor and the House of Mauboussin was created. In the following years they contributed to all of the major international exhibitions and, in 1925, were awarded the Grand Prix at the Exposition de Arts Decoratifs in Paris, where Georges was given the ‘Légion d’ Honneur’ for his contributions to the world of jewelry. The firm soon expanded to London, Buenos Aires and New York, but due tot he Great Depression, they sold their American stock to the Jeweler Trabert and Hoffer, along with the right to use their name. This association lasted until the 1950s, when the partner ship as dissolved. The firm continues to do busines today at 20 place Vendôme in Paris.

INDEX

Angela Cummings 41 Buccellati 71, 72, 74, 75, 86, 135, 136, 164 Bulgari 3, 9, 42, 54, 64, 125 Carlo Weingrill 5 Cartier 58, 81, 107 Chanel 104 Charles Krypel 55 David Webb 20, 21, 39, 57, 60, 61, 65, 67, 142 Enigma 26, 27, 29, 30, 31, 32, 33, 34, 35, 36 Frank Muller 137

Lalaounis 66

Fred Leighton 8 Margherita Burgener 24, 46, 48, 49, 51, Gucci 17

119, 120, 129, 130, 131, 132, 141 Mauboussin 62

Henry Dunay 4 Richard Mille 77 J.E. Caldwell 115

Rolex 80

Jean Schlumberger for Tiffany & Co. 68

Ruser 82 Seaman Schepps 1, 76 Tiffany & Co. 7, 18, 63, 109 Trianon 22 Vacheron Constantin 125, 138 Van Cleef & Arpels 43, 56, 59, 144, 147, 162 Vhernier 78

GUIDE FOR PROSPECTIVE BUYERS BUYING AT AUCTION

∆ Property In Which Phillips de Pury & Company Has An Ownership Interest

The following pages are designed to offer you information on how to buy at auction at Phillips

Lots with this symbol indicate that Phillips de Pury & Company owns the lot in whole or in part

de Pury & Company. Our staff will be happy to assist you.

or has an economic interest in the lot equivalent to an ownership interest.

CONDITIONS OF SALE

•

The Conditions of Sale and Authorship Warranty which appear later in this catalogue

No Reserve

Unless indicated by a

•

, all lots in this catalogue are offered subject to a reserve. A reserve

govern the auction. Bidders are strongly encouraged to read them as they outline the legal

is the confidential value established between Phillips de Pury & Company and the seller and

relationship among Phillips, the seller and the buyer and describe the terms upon which

below which a lot may not be sold. The reserve for each lot is generally set at a percentage of

property is bought at auction. Please be advised that Phillips de Pury & Company generally

the low estimate and will not exceed the low pre-sale estimate.

acts as agent for the seller. 2 BIDDING IN THE SALE BUYER’S PREMIUM Phillips de Pury & Company charges the successful bidder a commission, or buyer’s premium,

Bidding At Auction

on the hammer price of each lot sold. The buyer’s premium is payable by the buyer as part of

Bids may be executed during the auction in person by paddle or by telephone or prior to the

the total purchase price at the following rates: 25% of the hammer price up to and including

sale in writing by absentee bid.

$50,000, 20% of the portion of the hammer price above $50,000 up to and including $1,000,000 and 12% of the portion of the hammer price above $1,000,000.

BIDDING IN PERSON To bid in person, you will need to register for and collect a paddle before the auction begins.

1 PRIOR TO AUCTION

Proof of identity in the form of government issued identification will be required, as will an

Catalogue Subscriptions

original signature. We may also require that you furnish us with a bank reference. New clients

If you would like to purchase a catalogue for this auction or any other Phillips de Pury &

are encouraged to register at least 48 hours in advance of a sale to allow sufficient time for us

Company sale, please contact us at +1 212 940 1240 or +44 20 7318 4010.

to process your information. All lots sold will be invoiced to the name and address to which the paddle has been registered and invoices cannot be transferred to other names and addresses.

Pre-Sale Estimates

Please do not misplace your paddle. In the event you lose it, inform a Phillips de Pury &

Pre-Sale estimates are intended as a guide for prospective buyers. Any bid within the high

Company staff member immediately. At the end of the auction, please return your paddle to the

and low estimate range should, in our opinion, offer a chance of success. However, many lots

registration desk.

achieve prices below or above the pre-sale estimates. Where “Estimate on Request” appears, please contact the specialist department for further information. It is advisable to contact us

Bidding By Telephone

closer to the time of the auction as estimates can be subject to revision. Pre-sale estimates do

If you cannot attend the auction, you may bid live on the telephone with one of our multi-

not include the buyer’s premium or any applicable taxes.

lingual staff members. This service must be arranged at least 24 hours in advance of the sale and is available for lots whose low pre-sale estimate is at least $1000. Telephone bids may

Pre-Sale Estimates In Pounds Sterling And Euros

be recorded. By bidding on the telephone, you consent to the recording of your conversation.

Although the sale is conducted in US dollars, the pre-sale estimates in the auction catalogues

We suggest that you leave a maximum bid, excluding the buyer’s premium and any applicable

may also be printed in pounds sterling and/or euros. Since the exchange rate is that at the time

taxes, which we can execute on your behalf in the event we are unable to reach you by

of catalogue production and not at the date of auction, you should treat estimates in pounds

telephone.

sterling or euros as a guide only. Absentee Bids Catalogue Entries

If you are unable to attend the auction and cannot participate by telephone, Phillips de Pury

Phillips may print in the catalogue entry the history of ownership of a work of art, as well as

& Company will be happy to execute written bids on your behalf. A bidding form can be found

the exhibition history of the property and references to the work in art publications. While we

at the back of this catalogue. This service is free and confidential. Bids must be placed in the

are careful in the cataloguing process, provenance, exhibition and literature references may

currency of the sale. Our staff will attempt to execute an absentee bid at the lowest possible

not be exhaustive and in some cases we may intentionally refrain from disclosing the identity

price taking into account the reserve and other bidders. Always indicate a maximum bid,

of previous owners. Please note that all dimensions of the property set forth in the catalogue

excluding the buyer’s premium and any applicable taxes. Unlimited bids will not be accepted.

entry are approximate.

Any absentee bid must be received at least 24 hours in advance of the sale. In the event of identical bids, the earliest bid received will take precedence.

Condition Of Lots Our catalogues include references to condition only in the descriptions of multiple works (e.g.,

Employee Bidding

prints). Such references, though, do not amount to a full description of condition. The absence

Employees of Phillips de Pury & Company and our affiliated companies, including the

of reference to the condition of a lot in the catalogue entry does not imply that the lot is free

auctioneer, may bid at the auction by placing absentee bids so long as they do not know the

from faults or imperfections. Solely as a convenience to clients, Phillips de Pury & Company

reserve when submitting their absentee bids and otherwise comply with our employee bidding

may provide condition reports. In preparing such reports, our specialists assess the condition

procedures.

in a manner appropriate to the estimated value of the property and the nature of the auction in which it is included. While condition reports are prepared honestly and carefully, our staff

Bidding Increments

are not professional restorers or trained conservators. We therefore encourage all prospective

Bidding generally opens below the low estimate and advances in increments of up to 10%,

buyers to inspect the property at the pre-sale exhibitions and recommend, particularly in

subject to the auctioneer’s discretion. Absentee bids that do not conform to the increments

the case of any lot of significant value, that you retain your own restorer or professional

set below may be lowered to the next bidding increment.

advisor to report to you on the property’s condition prior to bidding. Any prospective buyer of photographs or prints should always request a condition report because all such property

$50 to $1,000

by $50s

is sold unframed, unless otherwise indicated in the condition report. If a lot is sold framed,

$1,000 to $2,000

by $100s

Phillips de Pury & Company accepts no liability for the condition of the frame. If we sell any lot

$2,000 to $3,000

by $200s

unframed, we will be pleased to refer the purchaser to a professional framer.

$3,000 to $5,000

by $200s, 500, 800

(i.e. $4,200, 4,500, 4,800)

Pre-Auction Viewing

$5,000 to $10,000

by $500s

Pre-auction viewings are open to the public and free of charge. Our specialists are available to

$10,000 to $20,000

by $1,000s

give advice and condition reports at viewings or by appointment.

$20,000 to $30,000

by $2,000s

$30,000 to $50,000

by $2,000s, 5,000, 8,000

Electrical And Mechanical Lots

$50,000 to $100,000

by $5,000s

All lots with electrical and/or mechanical features are sold on the basis of their decorative

$100,000 to $200,000

by $10,000s

value only and should not be assumed to be operative. It is essential that, prior to any intended

above $200,000

auctioneer’s discretion

use, the electrical system is verified and approved by a qualified electrician. The auctioneer may vary the increments during the course of the auction at his or her own Symbol Key

discretion.

The following key explains the symbols you may see inside this catalogue. 3 THE AUCTION O Guaranteed Property

The seller of lots with this symbol has been guaranteed a minimum price. The guarantee may

Conditions of Sale

be provided by Phillips de Pury & Company, by a third party or jointly by us and a third party.

As noted above, the auction is governed by the Conditions of Sale and Authorship Warranty.

Phillips de Pury & Company and third parties providing or participating in a guarantee may

All prospective bidders should read them carefully. They may be amended by saleroom

benefit financially if a guaranteed lot is sold successfully and may incur a loss if the sale is not

addendum or auctioneer’s announcement.

successful. A third party guarantor may also bid for the guaranteed lot and may be allowed to net the financial remuneration against the final purchase price if such party is the successful

Interested Parties Announcement

bidder.

In situations where a person allowed to bid on a lot has a direct or indirect interest in such lot, such as the beneficiary or executor of an estate selling the lot, a joint owner of the lot or

a party providing or participating in a guarantee on the lot, Phillips de Pury & Company will

reports is included in the catalogue description for a lot, and a copy of the report is available

make an announcement in the saleroom that interested parties may bid on the lot.

upon request. Reports from American gemological laboratories used by Phillips de Pury & Company will generally disclose heat enhancement or treatment of colored gemstones.

Consecutive and Responsive Bidding

European gemological laboratory reports will disclose heat enhancement only if specifically

The auctioneer may open the bidding on any lot by placing a bid on behalf of the seller. The

requested but will generally confirm when no heat enhancement or treatment has been made.

auctioneer may further bid on behalf of the seller up to the amount of the reserve by placing

Variations in approach and technology used by different gemological laboratories may result

consecutive bids or bids in response to other bidders.

in a lack of consensus among reports as to whether any particular gemstone has been treated, the extent of treatment and whether treatment is permanent.

4 AFTER THE AUCTION It is not feasible for Phillips de Pury & Company to obtain such reports for all gemstones Payment

offered at auction. Prospective buyers should, therefore, bear in mind that colored gemstones

Buyers are required to pay for purchases immediately following the auction unless other

offered for sale without a gemological report or a specific statement in the catalogue entry

arrangements are agreed with Phillips de Pury & Company in writing in advance of the

may have been treated to enhance color, transparency or clarity. Enhancement of colored

sale. Payments must be made in US dollars either by cash, check drawn on a US bank or

gemstones may affect market value, and our pre-sale estimates reflect the assumption that

wire transfer, as noted in Paragraph 6 of the Conditions of Sale. It is our corporate policy

any colored gemstone not described in the catalogue entry as natural may have been treated.

not to make or accept single or multiple payments in cash or cash equivalents in excess of US$10,000.

Country of Origin While Phillips de Pury & Company attempts to obtain accurate information on the country

Credit Cards

of origin of gemstones, we do not guarantee the correctness of the catalogue or other

As a courtesy to clients, Phillips de Pury & Company will accept American Express, Visa and

descriptions of gemstones including country of origin.

Mastercard to pay for invoices of $10,000 or less. Collection Collection

It is our policy to request proof of identity on collection of a lot. A lot will be released to the

buyer or the buyer’s authorized representative when Phillips de Pury & Company has received

full and cleared payment and we are not owed any other amount by the buyer. All purchased

full and cleared payment and we are not owed any other amount by the buyer. Promptly after

lots should be collected at our premises at 450 West 15th Street, New York, New York during

the auction, we will transfer all lots to our warehouse located at 29-09 37th Avenue in Long

our regular weekday business hours. We will levy interest, storage and handling charges on

Island City, Queens, New York. All purchased lots should be collected at this location during

uncollected lots.

our regular weekday business hours. As a courtesy to clients, we will upon request transfer purchased lots suitable for hand carry back to our premises at 450 West 15th Street, New York,

IMPORTANT NOTICE TO ALL PURCHASERS OF COLORED GEMSTONES

New York for collection within 30 days following the date of the auction. For each purchased lot

Clients are advised that many colored gemstones are treated to enhance their properties.

not collected from us at either our warehouse or our auction galleries by such date, Phillips

For example, heating is commonly used to improve the color or transparency of rubies and

de Pury & Company will levy an administrative fee of $35, a storage fee of $5 per day and a pro

sapphires; oiling is commonly used to enhance the clarity of emeralds. Such enhancement

rated Insurance charge of 0.1% of the purchase price per month.

procedures are widely accepted by the international jewelry profession. While heat enhancement of color is generally believed to be permanent, the process may impact the

Loss or Damage

durability of the gemstone and special care of the stone may be required over time. Gemstones

Buyers are reminded that Phillips de Pury & Company accepts liability for loss or damage to

which have been oiled may need to be re-oiled after a period of years to retain their maximum

lots for a maximum of five days following the auction.

clarity.

Transport and Shipping

IMPORTANT NOTICE TO ALL PURCHASERS OF WATCHES

As a free service for buyers, Phillips de Pury & Company will wrap purchased lots for hand

Phillips de Pury & Company makes no representation or warranty that any watch is in working

carry only. We will, at the buyer’s expense, either provide packing, handling and shipping

order, and no catalogue description of any lot should be construed as so stating. Prospective

services or coordinate with shipping agents instructed by the buyer in order to facilitate such

buyers are advised to have watches checked by a competent watchmaker before use. The

services for property purchased at Phillips de Pury & Company. Please refer to Paragraph 7 of

description of the condition of watches, including references to defects and repairs, in the

the Conditions of Sale for more information.

catalogue entry and any condition report is provided as a service to prospective buyers but is not necessarily complete and may not specify all mechanical replacements, restorations

Export and Import Licenses

or defects. Please note that Phillips de Pury & Company does not guarantee the authenticity

Before bidding for any property, prospective bidders are advised to make independent inquiries

of any individual component parts, such as wheels, hands, crowns, crystals, screws,

as to whether a license is required to export the property from the United States or to import

bracelets and leather bands, since prior repairs and restoration work may have resulted in

it into another country. It is the buyer’s sole responsibility to comply with all import and export

the replacement of original parts. Prospective buyers should inspect all watches prior to the

laws and to obtain any necessary licenses or permits. The denial of any required license or

auction to evaluate the condition or property offered for the sale.

permit or any delay in obtaining such documentation will not justify the cancellation of the sale or any delay in making full payment for the lot. Endangered Species Items made of or incorporating plant or animal material, such as coral, crocodile, ivory, whalebone, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value, may require a license or certificate prior to exportation and additional licenses or certificates upon importation to any foreign country. Please note that the ability to obtain an export license or certificate does not ensure the ability to obtain an import license or certificate in another country, and vice versa. We suggest that prospective bidders check with their own government regarding wildlife import requirements prior to placing a bid. It is the buyer’s sole responsibility to obtain any necessary export or import licenses or certificates as well as any other required documentation. The denial of any required license or certificate or any delay in obtaining such documentation will not justify the cancellation of the sale or any delay in making full payment for the lot.

ADDITIONAL INFORMATION FOR PROSPECTIVE BUYERS OF JEWELRY AND WATCHES Catalogue Entries Phillips may print in the catalogue entry the history of ownership of a work of art, as well as the exhibition history of the property and references to the work in art publications. While we are careful in the cataloguing process, provenance, exhibition and literature references may not be exhaustive and in some cases we may intentionally refrain from disclosing the identity of previous owners. Please note that all weights set forth in the catalogue entry are approximate, whether or not qualified by the terms “stated to be” or “approximately.” Catalogue illustrations are rarely actual size and cannot be used as precise indications of size or weight. Gemological Reports As a matter of policy, Phillips de Pury & Company will obtain gemological reports from officially recognized laboratories for certain gemstones offered for sale. A summary of these

CONDITIONS OF SALE The Conditions of Sale and Authorship Warranty set forth below govern the relationship

between bidders and buyers, on the one hand, and Phillips de Pury & Company and sellers, on

is printed in this catalogue or otherwise available from Phillips de Pury & Company. Telephone

the other hand. All prospective buyers should read these Conditions of Sale and Authorship

bidding is available for lots whose low pre-sale estimate is at least $1000. Phillips de Pury

Warranty carefully

& Company reserves the right to require written confirmation of a successful bid from a

before bidding.

telephone bidder by fax or otherwise immediately after such bid is accepted by the auctioneer. Telephone bids may be recorded and, by bidding on the telephone, a bidder consents to the

1 INTRODUCTION

recording of the conversation.

Each lot in this catalogue is offered for sale and sold subject to: (a) the Conditions of Sale and Authorship Warranty; (b) additional notices and terms printed in other places in this

(d) When making a bid, whether in person, by absentee bid or on the telephone, a bidder

catalogue, including the Guide for Prospective Buyers, and (c) supplements to this catalogue

accepts personal liability to pay the purchase price, as described more fully in Paragraph 6

or other written material posted by Phillips de Pury & Company in the saleroom, in each case

(a) below, plus all other applicable charges unless it has been explicitly agreed in writing with

as amended by any addendum or announcement by the auctioneer prior to the auction.

Phillips de Pury & Company before the commencement of the auction that the bidder is acting as agent on behalf of an identified third party acceptable to Phillips de Pury & Company and

By bidding at the auction, whether in person, through an agent, by written bid, by telephone

that we will only look to the principal for such payment.

bid or other means, bidders and buyers agree to be bound by these Conditions of Sale, as so changed or supplemented, and Authorship Warranty.

(e) Arranging absentee and telephone bids is a free service provided by Phillips de Pury & Company to prospective buyers. While we undertake to exercise reasonable care in

These Conditions of Sale, as so changed or supplemented, and Authorship Warranty contain

undertaking such activity, we cannot accept liability for failure to execute such bids except

all the terms on which Phillips de Pury & Company and the seller contract with the buyer.

where such failure is caused by our willful misconduct.

2 PHILLIPS de PURY & COMPANY AS AGENT

(f) Employees of Phillips de Pury & Company and our affiliated companies, including the

Phillips de Pury & Company acts as an agent for the seller, unless otherwise indicated in this

auctioneer, may bid at the auction by placing absentee bids so long as they do not know the

catalogue or at the time of auction. On occasion, Phillips de Pury & Company may own a lot, in

reserve when submitting their absentee bids and otherwise comply with our employee bidding

which case we will act in a principal capacity as a consignor, or may have a legal, beneficial or

procedures.

financial interest in a lot as a secured creditor or otherwise. 5 CONDUCT OF THE AUCTION

•

3 CATALOGUE DESCRIPTIONS AND CONDITION OF PROPERTY

(a) Unless otherwise indicated by the symbol

Lots are sold subject to the Authorship Warranty, as described in the catalogue (unless

is the confidential minimum selling price agreed by Phillips de Pury & Company with the

each lot is offered subject to a reserve, which

such description is changed or supplemented, as provided in Paragraph 1 above) and in the

seller. The reserve will not exceed the low pre-sale estimate at the time of the auction.

condition that they are in at the time of the sale on the following basis. (b)The auctioneer has discretion at any time to refuse any bid, withdraw any lot, re-offer a (a) The knowledge of Phillips de Pury & Company in relation to each lot is partially dependent

lot for sale (including after the fall of the hammer) if he or she believes there may be error or

on information provided to us by the seller, and Phillips de Pury & Company is not able to

dispute and take such other action as he or she deems reasonably appropriate.

and does not carry out exhaustive due diligence on each lot. Prospective buyers acknowledge this fact and accept responsibility for carrying out inspections and investigations to satisfy

themselves as to the lots in which they may be interested. Notwithstanding the foregoing,

she considers appropriate. In order to protect the reserve on any lot, the auctioneer may place

we shall exercise such reasonable care when making express statements in catalogue

one or more bids on behalf of the seller up to the reserve without indicating he or she is doing

descriptions or condition reports as is consistent with our role as auctioneer of lots in

so, either by placing consecutive bids or bids in response to other bidders.

this sale and in light of (i) the information provided to us by the seller, (ii) scholarship and technical knowledge and (iii) the generally accepted opinions of relevant experts, in each case

(d) The sale will be conducted in US dollars and payment is due in US dollars. For the

at the time any such express statement is made.

benefit of international clients, pre-sale estimates in the auction catalogue may be shown in pounds sterling and/or euros and, if so, will reflect approximate exchange rates. Accordingly,

(b) Each lot offered for sale at Phillips de Pury & Company is available for inspection by

estimates in pounds sterling or euros should be treated only as a guide.

prospective buyers prior to the auction. Phillips de Pury & Company accepts bids on lots on the basis that bidders (and independent experts on their behalf, to the extent appropriate given

(e) Subject to the auctioneer’s reasonable discretion, the highest bidder accepted by the

the nature and value of the lot and the bidder’s own expertise) have fully inspected the lot prior

auctioneer will be the buyer and the striking of the hammer marks the acceptance of the

to bidding and have satisfied themselves as to both the condition of the lot and the accuracy of

highest bid and the conclusion of a contract for sale between the seller and the buyer. Risk and

its description.

responsibility for the lot passes to the buyer as set forth in Paragraph 7 below.

(f) If a lot is not sold, the auctioneer will announce that it has been “passed,” “withdrawn,”

they are not in perfect condition. As a courtesy to clients, Phillips de Pury & Company may

“returned to owner” or “bought-in.”

prepare and provide condition reports to assist prospective buyers when they are inspecting lots. Catalogue descriptions and condition reports may make reference to particular

(g) Any post-auction sale of lots offered at auction shall incorporate these Conditions of Sale

imperfections of a lot, but bidders should note that lots may have other faults not expressly

and Authorship Warranty as if sold in the auction.

referred to in the catalogue or condition report. All dimensions are approximate. Illustrations are for identification purposes only and cannot be used as precise indications of size or to

6 PURCHASE PRICE AND PAYMENT

convey full information as to the actual condition of lots.

(a) The buyer agrees to pay us, in addition to the hammer price of the lot, the buyer’s premium and any applicable sales tax (the “Purchase Price”). The buyer’s premium is 25% of the hammer

(d) Information provided to prospective buyers in respect of any lot, including any pre-sale

price up to and including $50,000, 20% of the portion of the hammer price above $50,000 up to

estimate, whether written or oral, and information in any catalogue, condition or other report,

and including $1,000,000 and 12% of the portion of the hammer price above $1,000,000.

commentary or valuation, is not a representation of fact but rather a statement of opinion held by Phillips de Pury & Company. Any pre-sale estimate may not be relied on as a prediction of

(b) Sales tax, use tax and excise and other taxes are payable in accordance with applicable

the selling price or value of the lot and may be revised from time to time by Phillips de Pury

law. All prices, fees, charges and expenses set out in these Conditions of Sale are quoted

& Company in our absolute discretion. Neither Phillips de Pury & Company nor any of our

exclusive of applicable taxes. Phillips de Pury & Company will only accept valid resale

affiliated companies shall be liable for any difference between the pre-sale estimates for any

certificates from US dealers as proof of exemption from sales tax. All foreign buyers should

lot and the actual price achieved at auction or upon resale.

contact the Client Accounting Department about tax matters.

4 BIDDING AT AUCTION

(a) Phillips de Pury & Company has absolute discretion to refuse admission to the auction or

following the auction regardless of any intention to obtain an export or import license or other

participation in the sale. All bidders must register for a paddle prior to bidding, supplying such

permit for such lot. Payments must be made by the invoiced party in US dollars either by cash,

information and references as required by Phillips de Pury & Company.

check drawn on a US bank or wire transfer, as follows:

(b) As a convenience to bidders who cannot attend the auction in person, Phillips de Pury

(i) Phillips de Pury & Company will accept payment in cash provided that the total amount paid

& Company may, if so instructed by the bidder, execute written absentee bids on a bidder’s

in cash or cash equivalents does not exceed US$10,000. Buyers paying in cash should do so

behalf. Absentee bidders are required to submit bids on the “Absentee Bid Form,” a copy of

in person at our Client Accounting Desk at 450 West 15th Street, Third Floor, during regular

which is printed in this catalogue or otherwise available from Phillips de Pury & Company.

weekday business hours.

Bids must be placed in the currency of the sale. The bidder must clearly indicate the maximum amount he or she intends to bid, excluding the buyer’s premium and any applicable sales or

(ii) Personal checks and banker’s drafts are accepted if drawn on a US bank and the buyer

use taxes. The auctioneer will not accept an instruction to execute an absentee bid which does

provides to us acceptable government issued identification. Checks and banker’s drafts

not indicate such maximum bid. Our staff will attempt to execute an absentee bid at the lowest

should be made payable to “Phillips de Pury & Company LLC.” If payment is sent by mail,

possible price taking into account the reserve and other bidders. Any absentee bid must be

please send the check or banker’s draft to the attention of the Client Accounting Department

received at least 24 hours in advance of the sale. In the event of identical bids, the earliest bid

at 450 West 15th Street, New York, NY 10011 and make sure that the sale and lot number is

received will take precedence.

written on the check. Checks or banker’s drafts drawn by third parties will not be accepted.

BRIC CONTEMPORARY ART PHOTOGRAPHS DESIGN EDITIONS FROM BRAZIL, RUSSIA, INDIA & CHINA

VIEWING AND AUCTIONS PHILLIPS de PURY & COMPANY AT THE SAATCHI GALLERY, DUKE OF YORK’S HQ, KING’S ROAD LONDON SW3 4SQ Viewing 19 – 22 April 2010 EVENING SALE 23 APRIL 2010 5PM

CHINA SALE 24 APRIL 2010 11AM

INDIA SALE 24 APRIL 2010 1PM

RUSSIA SALE 24 APRIL 2010 3PM

ENQUIRIES +44 20 7318 4040 CATALOGUES +44 20 7318 4039 / +1 212 940 1240 WWW.PHILLIPSDEPURY.COM

BRAZIL SALE 24 APRIL 2010 5PM

(iii) Payment by wire transfer may be sent directly to Phillips de Pury & Company. Bank

shortfall together with all costs incurred in such resale; (vii) commence legal proceedings to

transfer details:

recover the hammer price and buyer’s premium for that lot, together with interest and the costs of such proceedings; or (viii) release the name and address of the buyer to the seller to enable

Citibank

the seller to commence legal proceedings to recover the amounts due and legal costs.

322 West 23rd Street, New York, NY 10011 SWIFT Code: CITIUS33

(b) As security to us for full payment by the buyer of all outstanding amounts due to Phillips

ABA Routing: 021 000 089

de Pury & Company and our affiliated companies, Phillips de Pury & Company retains, and

For the account of Phillips de Pury & Company LLC

the buyer grants to us, a security interest in each lot purchased at auction by the buyer and in

Account no.: 58347736

any other property or money of the buyer in, or coming into, our possession or the possession of one of our affiliated companies. We may apply such money or deal with such property as

Please reference the relevant sale and lot number.

the Uniform Commercial Code or other applicable law permits a secured creditor to do. In the event that we exercise a lien over property in our possession because the buyer is in default

(d) Title in a purchased lot will not pass until Phillips de Pury & Company has received the

to one of our affiliated companies, we will so notify the buyer. Our security interest in any

Purchase Price for that lot in cleared funds. Phillips de Pury & Company is not obliged to

individual lot will terminate upon actual delivery of the lot to the buyer or the buyer’s agent.

release a lot to the buyer until title in the lot has passed and appropriate identification has been provided, and any earlier release does not affect the passing of title or the buyer’s

unconditional obligation to pay the Purchase Price.

also irrevocably authorizes Phillips de Pury & Company to pledge the buyer’s property in our possession by actual or constructive delivery to our affiliated company as security for the

7 COLLECTION OF PROPERTY

payment of any outstanding amount due. Phillips de Pury & Company will notify the buyer if the

(a) Phillips de Pury & Company will not release a lot to the buyer until we have received

buyer’s property has been delivered to an affiliated company by way of pledge.

payment of its Purchase Price in full in cleared funds, the buyer has paid all outstanding amounts due to Phillips de Pury & Company or any of our affiliated companies, including

10 RESCISSION BY PHILLIPS de PURY & COMPANY

any charges payable pursuant to Paragraph 8 (a) below, and the buyer has satisfied such

Phillips de Pury & Company shall have the right, but not the obligation, to rescind a sale

other terms as we in our sole discretion shall require, including completing any anti-money

without notice to the buyer if we reasonably believe that there is a material breach of the

laundering or anti-terrorism financing checks. As soon as a buyer has satisfied all of the

seller’s representations and warranties or the Authorship Warranty or an adverse claim is

foregoing conditions, and no later than five days after the conclusion of the auction, he or she

made by a third party. Upon notice of Phillips de Pury & Company’s election to rescind the

should contact our Shipping Department at +1 212 940 1372 or +1 212 940 1373 to arrange for

sale, the buyer will promptly return the lot to Phillips de Pury & Company, and we will then

collection of purchased property.

refund the Purchase Price paid to us. As described more fully in Paragraph 13 below, the refund shall constitute the sole remedy and recourse of the buyer against Phillips de Pury &

(b) Promptly after the auction, we will transfer all lots to our warehouse located at 29-09 37th

Company and the seller with respect to such rescinded sale..

Avenue in Long Island City, Queens, New York. All purchased lots should be collected at this location during our regular weekday business hours. As a courtesy to clients, Phillips de Pury

11 EXPORT, IMPORT AND ENDANGERED SPECIES LICENSES AND PERMITS

& Company will upon request transfer on a bi-weekly basis purchased lots suitable for hand

Before bidding for any property, prospective buyers are advised to make their own inquiries

carry back to our premises at 450 West 15th Street, New York, New York for collection within

as to whether a license is required to export a lot from the United States or to import it into

30 days following the date of the auction. Purchased lots are at the buyer’s risk, including the

another country. Prospective buyers are advised that some countries prohibit the import

responsibility for insurance, from the earlier to occur of (i) the date of collection or (ii) five

of property made of or incorporating plant or animal material, such as coral, crocodile,

days after the auction. Until risk passes, Phillips de Pury & Company will compensate the

ivory, whalebone, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value.

buyer for any loss or damage to a purchased lot up to a maximum of the Purchase Price paid,

Accordingly, prior to bidding, prospective buyers considering export of purchased lots should

subject to our usual exclusions for loss or damage to property.

familiarize themselves with relevant export and import regulations of the countries concerned. It is solely the buyer’s responsibility to comply with these laws and to obtain any necessary

export, import and endangered species licenses or permits. Failure to obtain a license or

lots for hand carry only. We will, at the buyer’s expense, either provide packing, handling,

permit or delay in so doing will not justify the cancellation of the sale or any delay in making

insurance and shipping services or coordinate with shipping agents instructed by the buyer in

full payment for the lot.

order to facilitate such services for property bought at Phillips de Pury & Company. Any such instruction, whether or not made at our recommendation, is entirely at the buyer’s risk and

12 CLIENT INFORMATION

responsibility, and we will not be liable for acts or omissions of third party packers or shippers.

In connection with the management and operation of our business and the marketing and

Third party shippers should contact us by telephone at +1 212 940 1376 or by fax at +1 212 924

supply of auction related services, or as required by law, we may ask clients to provide

6477 at least 24 hours in advance of collection in order to schedule pickup.

personal information about themselves or obtain information about clients from third parties (e.g., credit information). If clients provide us with information that is defined by law as

(d) Phillips de Pury & Company will require presentation of government issued identification

“sensitive,” they agree that Phillips de Pury & Company and our affiliated companies may

prior to release of a lot to the buyer or the buyer’s authorized representative.

use it for the above purposes. Phillips de Pury & Company and our affiliated companies will not use or process sensitive information for any other purpose without the client’s express

8 FAILURE TO COLLECT PURCHASES

consent. If you would like further information on our policies on personal data or wish to make

(a) If the buyer pays the Purchase Price but fails to collect a purchased lot within 30 days of

corrections to your information, please contact us at +1 212 940 1228. If you would prefer not to

the auction, the buyer will incur a late collection fee of $35, storage charges of $5 per day and

receive details of future events please call the above number.

pro rated insurance charges of .1% of the Purchase Price per month on each uncollected lot. (b) If a purchased lot is paid for but not collected within six months of the auction, the buyer

13 LIMITATION OF LIABILITY

authorizes Phillips de Pury & Company, upon notice, to arrange a resale of the item by auction

(a) Subject to subparagraph (e) below, the total liability of Phillips de Pury & Company, our

or private sale, with estimates and a reserve set at Phillips de Pury & Company’s reasonable

affiliated companies and the seller to the buyer in connection with the sale of a lot shall be

discretion. The proceeds of such sale will be applied to pay for storage charges and any other

limited to the Purchase Price actually paid by the buyer for the lot.

outstanding costs and expenses owed by the buyer to Phillips de Pury & Company or our affiliated companies and the remainder will be forfeited unless collected by the buyer within

(b) Except as otherwise provided in this Paragraph 13, none of Phillips de Pury & Company, any

two years of the original auction.

of our affiliated companies or the seller (i) is liable for any errors or omissions, whether orally or in writing, in information provided to prospective buyers by Phillips de Pury & Company or

9 REMEDIES FOR NON-PAYMENT

any of our affiliated companies or (ii) accepts responsibility to any bidder in respect of acts

(a) Without prejudice to any rights the seller may have, if the buyer without prior agreement

or omissions, whether negligent or otherwise, by Phillips de Pury & Company or any of our

fails to make payment of the Purchase Price for a lot in cleared funds within five days of the

affiliated companies in connection with the conduct of the auction or for any other matter

auction, Phillips de Pury & Company may in our sole discretion exercise one or more of the

relating to the sale of any lot.

following remedies: (i) store the lot at Phillips de Pury & Company’s premises or elsewhere at the buyer’s sole risk and expense at the same rates as set forth in Paragraph 8 (a) above; (ii)

cancel the sale of the lot, retaining any partial payment of the Purchase Price as liquidated

warranty of satisfactory quality and fitness for purpose, are specifically excluded by Phillips de

damages; (iii) reject future bids from the buyer or render such bids subject to payment of a

Pury & Company, our affiliated companies and the seller to the fullest extent permitted by law.

deposit; (iv) charge interest at 12% per annum from the date payment became due until the date the Purchase Price is received in cleared funds; (v) subject to notification of the buyer,

(d) Subject to subparagraph (e) below, none of Phillips de Pury & Company, any of our

exercise a lien over any of the buyer’s property which is in the possession of Phillips de Pury

affiliated companies or the seller shall be liable to the buyer for any loss or damage beyond

& Company and instruct our affiliated companies to exercise a lien over any of the buyer’s

the refund of the Purchase Price referred to in subparagraph (a) above, whether such loss

property which is in their possession and, in each case, no earlier than 30 days from the date

or damage is characterized as direct, indirect, special, incidental or consequential, or for the

of such notice, arrange the sale of such property and apply the proceeds to the amount owed

payment of interest on the Purchase Price to the fullest extent permitted by law.

to Phillips de Pury & Company or any of our affiliated companies after the deduction from sale proceeds of our standard vendor’s commission and all sale-related expenses; (vi) resell the lot

(e) No provision in these Conditions of Sale shall be deemed to exclude or limit the liability of

by auction or private sale, with estimates and a reserve set at Phillips de Pury & Company’s

Phillips de Pury & Company or any of our affiliated companies to the buyer in respect of any

reasonable discretion, it being understood that in the event such resale is for less than the

fraud or fraudulent misrepresentation made by any of us or in respect of death or personal

original hammer price and buyer’s premium for that lot, the buyer will remain liable for the

injury caused by our negligent acts or omissions.

CONTEMPORARY ART AUCTIONS NEW YORK PART I 13 MAY 2010 7pm PART II Viewing 8 â&#x20AC;&#x201C; 13 May

14 MAY 2010 10am & 2pm

Phillips de Pury & Company 450 West 15 Street New York 10011 Enquiries +1 212 940 1260 contemporary@phillipsdepury.com Catalogues +1 212 940 1240 / +44 20 7318 4039 www.phillipsdepury.com

ANDY WARHOL Ads Painting (Rebel Without a Cause [James Dean]), 1985 Estimate $700,000-900,000

14 COPYRIGHT

Collection of Property

The copyright in all images, illustrations and written materials produced by or for Phillips de

The buyer must arrange for collection of a purchased lot within five days of the date of the

Pury & Company relating to a lot, including the contents of this catalogue, is and shall remain

auction. All purchased lots should be collected at our premises at 450 West 15th Street, New

at all times the property of Phillips de Pury & Company and such images and materials may

York, New York during our regular weekday business hours. Purchased lots are at the buyer’s

not be used by the buyer or any other party without our prior written consent. Phillips de Pury

risk, including the responsibility for insurance, from the earlier to occur of (i) the date of

& Company and the seller make no representations or warranties that the buyer of a lot will

collection or (ii) five days after the auction. Until risk passes, Phillips de Pury & Company

acquire any copyright or other reproduction rights in it.

will compensate the buyer for any loss or damage to a purchased lot up to a maximum of the Purchase Price paid, subject to our usual exclusions for loss or damage to property.

15 GENERAL (a) These Conditions of Sale, as changed or supplemented as provided in Paragraph 1 above, and Authorship Warranty set out the entire agreement between the parties with respect to the

AUTHORSHIP WARRANTY

transactions contemplated herein and supersede all prior and contemporaneous written, oral or implied understandings, representations and agreements.

Phillips de Pury & Company warrants the authorship of property in this auction catalogue for a period of five years from date of sale by Phillips de Pury & Company, subject to the exclusions

(b) Notices to Phillips de Pury & Company shall be in writing and addressed to the department

and limitations set forth below.

in charge of the sale, quoting the reference number specified at the beginning of the sale catalogue. Notices to clients shall be addressed to the last address notified by them in writing

(a) Phillips de Pury & Company gives this Authorship Warranty only to the original buyer of

to Phillips de Pury & Company.

record (i.e., the registered successful bidder) of any lot. This Authorship Warranty does not extend to (i) subsequent owners of the property, including purchasers or recipients by way of

gift from the original buyer, heirs, successors, beneficiaries and assigns; (ii) property created

but are binding on the buyer’s successors, assigns and representatives.

prior to 1870, unless the property is determined to be counterfeit (defined as a forgery made less than 50 years ago with an intent to deceive) and has a value at the date of the claim under

(d) Should any provision of these Conditions of Sale be held void, invalid or unenforceable

this warranty which is materially less than the Purchase Price paid; (iii) property where the

for any reason, the remaining provisions shall remain in full force and effect. No failure by any

description in the catalogue states that there is a conflict of opinion on the authorship of the

party to exercise, nor any delay in exercising, any right or remedy under these Conditions of

property; (iv) property where our attribution of authorship was on the date of sale consistent

Sale shall act as a waiver or release thereof in whole or in part.

with the generally accepted opinions of specialists, scholars or other experts; or (v) property whose description or dating is proved inaccurate by means of scientific methods or tests not

16 LAW AND JURISDICTION

generally accepted for use at the time of the publication of the catalogue or which were at

(a) ThThe rights and obligations of the parties with respect to these Conditions of Sale

such time deemed unreasonably expensive or impractical to use.

and Authorship Warranty, the conduct of the auction and any matters related to any of the foregoing shall be governed by and interpreted in accordance with laws of the State of New

(b) In any claim for breach of the Authorship Warranty, Phillips de Pury & Company reserves

York, excluding its conflicts of law rules.

the right, as a condition to rescinding any sale under this warranty, to require the buyer to provide to us at the buyer’s expense the written opinions of two recognized experts approved

(b) Phillips de Pury & Company, all bidders and all sellers agree to the exclusive jurisdiction

in advance by Phillips de Pury & Company. We shall not be bound by any expert report

of the (i) state courts of the State of New York located in New York City and (ii) the federal

produced by the buyer and reserve the right to consult our own experts at our expense. If

courts for the Southern and Eastern Districts of New York to settle all disputes arising in

Phillips de Pury & Company agrees to rescind a sale under the Authorship Warranty, we shall

connection with all aspects of all matters or transactions to which these Conditions of Sale

refund to the buyer the reasonable costs charged by the experts commissioned by the buyer

and Authorship Warranty relate or apply.

and approved in advance by us.

connection with proceedings in any court by facsimile transmission, personal service, delivery

for breach of the Authorship Warranty provided that (i) he or she has notified Phillips de Pury

by mail or in any other manner permitted by New York law or the law of the place of service, at

& Company in writing within three months of receiving any information which causes the

the last address of the bidder or seller known to Phillips de Pury & Company.

buyer to question the authorship of the lot, specifying the auction in which the property was included, the lot number in the auction catalogue and the reasons why the authorship of the

SPECIAL CONDITIONS OF SALE FOR PURCHASERS OF JEWELRY

lot is being questioned and (ii) the buyer returns the lot to Phillips de Pury & Company in the same condition as at the time of its auction and is able to transfer good and marketable title in the lot free from any third party claim arising after the date of the auction.

Catalogue Descriptions and Condition of Property

(d) The buyer understands and agrees that the exclusive remedy for any breach of the

(a) As a matter of policy, Phillips de Pury & Company will obtain gemological reports from

Authorship Warranty shall be rescission of the sale and refund of the original Purchase Price

officially recognized laboratories for certain gemstones offered for sale. A summary of these

paid. This remedy shall constitute the sole remedy and recourse of the buyer against Phillips

reports is included in the catalogue description for a lot, and a copy of the report is available

de Pury & Company, any of our affiliated companies and the seller and is in lieu of any other

upon request. Reports from American gemological laboratories used by Phillips de Pury

remedy available as a matter of law. This means that none of Phillips de Pury & Company, any

& Company will generally disclose heat enhancement or treatment of colored gemstones.

of our affiliated companies or the seller shall be liable for loss or damage beyond the remedy

European gemological laboratory reports will disclose heat enhancement only if specifically

expressly provided in this Authorship Warranty, whether such loss or damage is characterized

requested but will generally confirm when no heat enhancement or treatment has been made.

as direct, indirect, special, incidental or consequential, or for the payment of interest on the

Variations in approach and technology used by different gemological laboratories may result

original Purchase Price.

in a lack of consensus among reports as to whether any particular gemstone has been treated, the extent of treatment and whether treatment is permanent. It is not feasible for Phillips de Pury & Company to obtain such reports for all gemstones offered at auction. Prospective buyers should, therefore, bear in mind that colored gemstones offered for sale without a gemological report or a specific statement in the catalogue entry may have been treated to enhance color, transparency or clarity. Enhancement of colored gemstones may affect market value, and our pre-sale estimates reflect the assumption that any colored gemstone not described in the catalogue entry as natural may have been treated. (b) Prospective buyers acknowledge that many lots are of an age and type which means that they are not in perfect condition. As a courtesy to clients, Phillips de Pury & Company may prepare and provide condition reports to assist prospective buyers when they are inspecting lots. Catalogue descriptions and condition reports may make reference to particular imperfections of a lot, but bidders should note that lots may have other faults not expressly referred to in the catalogue or condition report. All weights are approximate, whether or not qualified by the terms “stated to be” or “approximate.” Illustrations are for identification purposes only and cannot be used as precise indications of size or weight or to convey full information as to the actual condition of lots. (c) While Phillips de Pury & Company attempts to obtain accurate information on the country of origin of the gemstones offered for sale, we do not guarantee the accuracy of the catalogue or other description of such information.

PHILLIPS de PURY & COMPANY

Chairman

Directors

Advisory Board

Simon de Pury

Aileen Agopian

Maria Bell

Sean Cleary

Janna Bullock

Finn Dombernowsky

Lisa Eisner

Patty Hambrecht

Lapo Elkann

Alexander Payne

Ben Elliot

Rodman Primack

Lady Elena Foster

Olivier Vrankenne

H.I.H. Francesca von Habsburg

Chief Executive Officer Bernd Runge

Marc Jacobs

Senior Directors

Malcolm McLaren

Michael McGinnis

Ernest Mourmans

Dr. Michaela de Pury

Aby Rosen Christiane zu Salm Juergen Teller Princess Gloria von Thurn und Taxis Jean Michel Wilmotte Anita Zabludowicz

INTERNATIONAL SPECIALISTS

Berlin Shirin Kranz, Specialist, Contemporary Art +49 30 880 018 42 Brussels Olivier Vrankenne, International Senior Specialist +32 486 43 43 44

Buenos Aires Brooke de Ocampo, International Specialist, Contemporary Art +44 777 551 7060

Geneva Katie Kennedy Perez, Specialist, Contemporary Art +41 22 906 8000

London Dr. Michaela de Pury, International Senior Director, Contemporary Art +49 17 289 73611 Los Angeles Maya McLaughlin, Contemporary Art +1 323 791 1771

Milan Laura Garbarino, International Specialist, Contemporary Art +39 339 478 9671

Moscow Svetlana Marich, Specialist, Contemporary Art +7 495 225 88 22 Shanghai/Beijing Jeremy Wingfield, International Specialist, Contemporary Art +852 6895 1805

Singapore Chin-Chin Yap, Specialist, Contemporary Art +1 347 784 6916 Zurich/Israel Fiona Biberstein, International Specialist, Contemporary Art +41 43 344 86 32

GENERAL COUNSEL

MANAGING DIRECTORS

Patty Hambrecht

Finn Dombernowsky, London/Europe Sean Cleary, New York (Interim)

WORLDWIDE OFFICES NEW YORK

PARIS

GENEVA

450 West 15 Street, New York, NY 10011, USA

15 rue de la Paix, 75002 Paris, France

23 quai des Bergues, 1201 Geneva, Switzerland

tel +1 212 940 1200 fax +1 212 924 5403

tel +33 1 42 78 67 77 fax +33 1 42 78 23 07

tel +41 22 906 80 00 fax +41 22 906 80 01

LONDON

BERLIN

Howick Place, London SW1P 1BB, United Kingdom

Auguststrasse 19, 10117 Berlin, Germany

tel +44 20 7318 4010 fax +44 20 7318 4011

tel +49 30 8800 1842 fax +49 30 8800 1843

SPECIALISTS AND DEPARTMENTS

CONTEMPORARY ART

Michael McGinnis, Senior Director +1 212 940 1254

and Worldwide Head, Contemporary Art

NEW YORK

Aileen Agopian, New York Director +1 212 940 1255

Sarah Mudge, Head of Part II +1 212 940 1259

Jeremy Goldsmith +1 212 940 1253

Timothy Malyk +1 212 940 1258

Jean-Michel Placent +1 212 940 1263

Rodman Primack +1 212 940 1256

Roxana Bruno +1 212 940 1229

Maria Bueno +1 212 940 1261

MODERN AND CONTEMPORARY EDITIONS NEW YORK

Cary Leibowitz, Worldwide Co-Director +1 212 940 1222

Kelly Troester, Worldwide Co-Director +1 212 940 1221

Jannah Greenblatt +1 212 940 1332

Joy Deibert +1 212 940 1333

PHOTOGRAPHS NEW YORK Vanessa Kramer, New York Director +1 212 940 1243

Shlomi Rabi +1 212 940 1246

Caroline Shea +1 212 940 1247

Sara Davidson +1 212 940 1262

Alexandra Leive +1 212 940 1252

Carol Ehlers, Consultant +1 212 940 1245

Peter Flores +1 212 940 1223

Sarah Krueger +1 212 940 1245

(Uli) Zhiheng Huang +1 212 940 1288 LONDON

Peter Sumner, Head of Sales, London +44 20 7318 4063

Henry Allsopp +44 20 7318 4060

Laetitia Catoir +44 20 7318 4064

LONDON

Lou Proud +44 20 7318 4018

Sebastien Montabonel +44 20 7318 4025

Alexandra Bibby +44 20 7318 4087

Rita Almeida Freitas +44 20 7318 4087

Helen Hayman +44 20 7318 4092

Emma Lewis +44 20 7318 4092

Judith Hess +44 20 7318 4075

Leonie Moschner +44 20 7318 4074

Ivgenia Naiman +44 20 7318 4071

Sarah Buchwald +44 20 7318 4085

Catherine Higgs +44 20 7318 4089

George O’Dell +44 20 7318 4093

JEWELRY Nazgol Jahan, Worldwide Director +1 212 940 1283

Raphael Lepine +44 20 7318 4078

Tanya Tikhnenko +44 20 7318 4065

NEW YORK

Phillippa Willison +44 20 7318 4070

Carmela Manoli +1 212 940 1302

Heather Zises +1 212 940 1290

Emily Bangert +1 212 940 1365

PARIS Edouard de Moussac + 33 1 42 78 67 77

DESIGN Alexander Payne, Worldwide Director +44 20 7318 4052 NEW YORK Alex Heminway, New York Director +1 212 940 1269

GENEVA

Carolin Bulgari +41 22 906 80 00

Veronica Lota +41 22 906 80 00

Tara DeWitt +1 212 940 1265

Meaghan Roddy +1 212 940 1266

Marcus Tremonto +1 212 940 1268

Alexandra Gilbert +1 212 940 1268 LONDON

LONDON Lane McLean +44 20 7318 4032

THEME SALES NEW YORK

Corey Barr, New York Manager +1 212 940 1234

Steve Agin, Consultant +1 908 475 1796

Anne Huntington +1 212 940 1210

Domenico Raimondo +44 20 7318 4016

Stephanie Max +1 212 940 1301

Ellen Stelter +44 20 7318 4021

Ben Williams +44 20 7318 4027

Marcus McDonald +44 20 7318 4014

Marine Hartogs +44 20 7318 4021

Henry Highley +44 20 7318 4061

Arianna Jacobs +44 20 7318 4054

Siobhan O’Connor +44 20 7318 4040

PARIS

LONDON Tobias Sirtl, London Manager +44 20 7318 4095

Johanna Frydman +33 1 42 78 67 77

ART AND PRODUCTION Fiona Hayes, Art Director NEW YORK Andrea Koronkiewicz, Studio Manager Kelly Sohngen, Graphic Designer Orlann Capazorio, US Production Manager LONDON Mark Hudson, Senior Designer Andrew Lindesay, Sub-Editor Tom Radcliffe, UK Production Manager

PRIVATE SALES NEW YORK Andrea Hill +1 212 940 1238

MARKETING NEW YORK Trish Walsh, Marketing Manager Gizelle Ferrer, Graphic Designer

SALE INFORMATION

AUCTION

CATALOGUES

Wednesday 21 April 2010 at 3pm

Leslie Pitts +1 212 940 1240 $60/£30 at the Gallery

VIEWING

catalogues@phillipsdepury.com

Friday 16 April 10am – 6pm Saturday 17 April 10am – 6pm

ABSENTEE AND TELEPHONE BIDS

Sunday 18 April 12pm – 6pm

Rebecca Lynn, Manager +1 212 940 1228 +1 212 924 1749 fax

Monday 19 April 10am – 6pm

Maureen Morrison, Bid Clerk +1 212 940 1228

Tuesday 20 April 10am – 6pm

bids@phillipsdepury.com

Wednesday 21 April 10am – 1pm CLIENT ACCOUNTING VIEWING & AUCTION LOCATION

Sylvia Leitao +1 212 940 1231

The Mark Hotel 992 Madison Avenue at 77th Street

Buyers Accounts

New York NY 10075

Nicole Rodriguez +1 212 940 1235 Seller Accounts

SALE DESIGNATION

Barbara Doupal +1 212 940 1232

In sending written bids or making enquiries please refer to this

Nadia Somwaru +1 212 940 1280

sale as NY060110 or Jewels. CLIENT SERVICES WORLDWIDE DIRECTOR

+1 212 940 1200

Nazgol Jahan +1 212 940 1283 SHIPPING JEWELS

Beth Petriello +1 212 940 1373

Carmela Manoli +1 212 940 1302

Jennifer Brennan +1 212 940 1372

Carolin Bulgari +41 22 906 80 00 Heather Zises +1 212 940 1290 Lane McLean +44 20 7318 4032 Emily Bangert +1 212 940 1365 PHOTOGRAPHY Lisa Charles Watson

Front Cover A Serpent Bracelet-Watch, Bulgari Vacheron Constantin, Lot 125 Back Cover A Pair of Multi-Gem and Diamond Brooches, Van Cleef & Arpels, Lot 162

JE WEL S 2 1 APRIL 2 0 1 0 N E W Y O R K NY0 6 0 110

W W W. P H I L L I P S D E P U RY.C O M

JE WEL S

21 APRIL 2 010 NEW YORK