Jewels

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JE WEL S 8 DECEMBER 2009 N E W YO R K NY0 6 0 2 0 9

W W W. P H I L L I P S D E P U RY.C O M

DECEMBER

2009

NEW YORK

Front & Back Covers An Art Deco Diamond Bracelet, S. Founès, Lot 181 (detail) Title Page A Unique Rubellite, Pink Sapphires, Pearl and Diamond ‘Proust’ Necklace, Boucheron, Lot 174 (detail)and A Superb Pink Sapphire, Diamond and Titanium ‘Camelia’ Brooch, Michele Della Valle, Lot 173

8

DECEMB ER

2009

3pm

NE W YO RK

The Mark Hotel 992 M Madison Avenue at 77th Street New York NY 10075 Viewing Friday 4 December 10am m – 6pm Saturday 5 December 100am – 6pm Sunday 6 December 12p pm – 6pm Monday 7 December 100am – 6pm Tuesday 8 December 110am – 3pm

PROPERTY OF A GENTLEMAN

1

A Pair of White Enamel, Diamond and Gold Earclips DAVID WEBB Each designed as a white enamel bombé plaque, accented by collet-set diamonds and polished gold trim, mounted in 18K yellow gold, length 3/4 inches.

Signed ‘Webb’ for David Webb

Estimate $5,50 0 - 6,50 0

PROPERTY OF A GENTLEMAN

2

A White Enamel and Gold Ring DAVID WEBB Designed as a hammered gold and white enamel oval open work plaque of geometric design, mounted in 18K yellow gold, size 7.

Signed ‘Webb’ for David Webb

Estimate $3,0 0 0 -5,0 0 0

PROPERTY OF A LADY

3

A Coral Necklace Designed as a series of woven coral bead oval links, length 34 inches.

Estimate $8 0 0 -1,50 0

4

A Pair of Enamel and Gold Cufflinks DAVID WEBB Each designed as a green enamel and gold spotted frog, with red enamel eyes and gold spots, to the textured gold swivel link, mounted in 18K yellow gold, length 2 cm.

Signed ‘Webb’ for David Webb

Estimate $1,50 0 -2,50 0

PROPERTY OF A GENTLEMAN

5

A Gold Ring DAVID WEBB Designed as a fluted and hammered gold bombè dome, mounted in 18K yellow gold, size 6 1/2.

Signed ‘Webb’ for David Webb

Estimate $2,6 0 0 -3,6 0 0

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4

5

3

6

A Gold Bracelet Watch VAN CLEEF & ARPELS Of cross-over design, the coiled bangle of tubular gold links, terminating in a circular white dial within a gold sphere, the other tipped by a gold polished ball, mounted in 18K yellow gold, length adjustable.

Signed ‘Van Cleef & Arpels’, with French assay marks and maker’s marks, no. 141643

Estimate $2,20 0 -3,20 0

7

A Gold and Diamond ‘Lips’ Cuff ENIGMA Designed as a lip-shaped 18K yellow gold cuff, the front enhanced by a circular-cut diamond lips outline, 2 1/4 inches diameter.

Signed ‘Enigma’, with original Enigma blue suede pouch

Estimate $2,0 0 0 -3,0 0 0

8

A Set of Citrine and Diamond Jewelry MARGHERITA BURGENER Comprising a pair of earclips, centering upon a circular cabochon citrine, weighing approximately 25.65 carats total, within a circular-cut diamond surround; and a ring en suite, cabochon citrine weighing approximately 18.10 carats, mounted in 18K yellow gold, ring size 6 3/4, earclips length 1/2 inch.

Signed ‘MB’ for Margherita Burgener

Estimate $3,50 0 -5,0 0 0

9

A Citrine and Diamond Pendant MARGHERITA BURGENER Suspending a pear-shaped cabochon citrine, weighing approximately 54.30 carats, from a circular-cut diamond spacer, to the lozenge-shaped cabochon citrine surmount, within a circular-cut diamond surround, mounted in 18K yellow gold, from a 18K rose gold double fine link chain, length adjustable.

Signed ‘MB’ for Margherita Burgener

Estimate $3,0 0 0 - 4,0 0 0

10

A Citrine, Colored Diamond and Diamond Ring MARGHERITA BURGENER Set with a square-cut citrine, weighing approximately 13.90 carats, within a pavé-set brown diamond and diamond mount, to the polished gold half hoop, mounted in 18K rose gold, size 6.

Signed ‘Margherita Burgener’

Estimate $4,0 0 0 - 6,0 0 0

11

A Pair of Diamond and Yellow Gold ‘Doppio Cuore’ Earclips BULGARI Each designed as a pavé-set diamond bombé heart, from a polished gold heart-shaped link surmount, mounted in 18K yellow gold, length 3/4 inch.

Signed ‘Bulgari’

Estimate $4,0 0 0 - 6,0 0 0

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9

10 11

PROPERTY OF A LADY

12

A Pink Diamond and Diamond ‘Happy Sport’ Wristwatch CHOPARD Of quartz movement, the circular cream dial with Roman numeral quarters and floating pink and white diamond collets, within a pavé-set pink and white diamond bezel, with inverted diamond lugs and crown, to the pink leather strap and pink diamond buckle, mounted in 18K white and yellow gold.

Dial and case signed ‘Chopard’, case no. 27/6243-29 385714 4142

Estimate $4,0 0 0 - 6,0 0 0

PROPERTY OF A GENTLEMAN

13

A Gold and Gem-Set Blackamoor Brooch NARDI Designed as a blackamoor with a carved ebony head, wearing a textured gold turban with star motif, topped by a faceted garnet, with collet-set pink sapphire ear pendants, to the shield-shaped tunic, decorated with circular-cut pink sapphires and seed pearls, mounted in 18K gold, length 2 inches.

Signed ‘Nardi’, no. M008.22 with original box

Estimate $8,0 0 0 -10,0 0 0

PROPERTY OF A LADY

14

A Diamond Ring Designed as multiple overlapping pavé-set diamond bands, mounted in 18K rose gold, size 6 1/2.

Estimate $8,0 0 0 -10,0 0 0

15

A Colored Diamond and Diamond Flower Brooch Centering upon a circular-cut pink and white diamond cluster, extending curved pavé-set white and pink diamond petals, mounted in 18K white and yellow gold, length 1 3/4 inches.

Estimate $10,0 0 0 -12,0 0 0

PROPERTY OF A GENTLEMAN

16

A Rose Gold and Diamond Bracelet Designed as a series of polished gold scalloped links with circular-cut diamond trim, mounted in 18K rose gold, length 7 1/2 inches.

With French assay marks

Estimate $8,0 0 0 -10,0 0 0

PROPERTY OF A GENTLEMAN

17

A White Gold and Diamond Bracelet Designed as a series of polished gold scalloped links, accented by circular-cut diamond trim, mounted in 18K white gold, length 7 1/2 inches.

With French assay marks

Estimate $8,0 0 0 -10,0 0 0

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12

14

17

16

15

PROPERTY OF A LADY

18

An Emerald, Ruby and Diamond Ring MARCHAK Centering upon a circular cabochon emerald, within a circular-cut diamond surround, to the three graduated rows of circular cut rubies, enhanced by marquise-cut diamonds, to the sculpted gold rope work detail and hoop, mounted in 18K gold and platinum, size 6.

With French assay marks and maker’s marks Signed ‘Marchak Paris’, no. 4418

Estimate $12,0 0 0 -15,0 0 0

19

A Gold and Diamond Bird Brooch BOUCHERON Designed as a textured gold bird, perched on a branch, enhanced by a pavé-set diamond head and a cabochon sapphire eye, mounted in 18K yellow gold, length 2 inches.

Signed ‘Boucheron Paris’, with French assay marks and maker’s marks

Estimate $1,8 0 0 -2,50 0

20

A Gold Necklace M. GERARD Designed as a polished gold hexagonal-link band of crossover design, mounted in 18K yellow gold, length 18 inches.

Signed ‘M. Gerard’ (indistinct) no. 086 4707/01, with French assay marks and maker’s mark

Estimate $5,0 0 0 -7,0 0 0

21

An 18K Gold and Diamond Wristwatch VAN CLEEF & ARPELS Of quartz movement, the rectangular mother-of-pearl dial, with gold baton numerals, within a pavé-set diamond bezel, to the flexible polished hexagonal link band, accented by a pavéset diamond clasp, mounted in 18K yellow gold, length 6 1/2 inches.

Signed ‘Van Cleef & Arpels’, with French assay marks and maker’s marks, no. 143786, 138984, with original Van Cleef & Arpels box and papers

Estimate $4,0 0 0 - 6,0 0 0

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19

20

21

PROPERTY OF A LADY

22

A Ruby, Diamond and Gold Necklace Designed as a series of graduated polished gold knot-shaped links, accented by either calibré-cut rubies or diamonds, mounted in 18K yellow gold, length 14 inches.

Estimate $1,50 0 -2,0 0 0

23

A Pair of Gold and Diamond Earclips DAVID WEBB Designed as a textured gold knot, accented by circular-cut diamonds, mounted in 18K yellow gold, size 3/4 inch.

Signed ‘Webb’ for David Webb

Estimate $5,0 0 0 -7,0 0 0

24

A Pair of Gold Cufflinks TIFFANY & CO., SCHLUMBERGER Each double link designed as a textured gold shell, mounted in 18K yellow gold, length 1/4 inch.

Signed ‘Tiffany & Co., Schlumberger’

Estimate $50 0 - 8 0 0

PROPERTY OF A LADY

25

A Diamond and Ruby Brooch Designed as a calibré-cut ruby and circular-cut diamond ribbon bow, mounted in 18K yellow gold, length 2 1/4 inches.

Estimate $1,8 0 0 -2,8 0 0

26

A Gold and Diamond ‘Panthère’ Lady’s Wristwatch CARTIER Of quartz movement, the square cream dial, with Roman numerals and blued-steel hands, secret signiature at ten, within a single-cut diamond bezel, to the brick-link bracelet joined by a double deployant buckle, mounted in 18K yellow gold, 6 inches.

Signed ‘Cartier’ no. 1280 2 M203576

Estimate $6,0 0 0 - 8,0 0 0

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26

24

25

27

A Diamond, Enamel and Gold Bow Brooch CARTIER Designed as a textured and sculpted gold bow, embellished with blue and green enamel, centering upon a circular-cut diamond cluster, mounted in 18K yellow gold, length 2 inches.

Signed ‘Cartier Inc., Made in France’, no. 58437

Estimate $7,0 0 0 -9,0 0 0

28

A Gold and Gem-Set Butterfly Brooch CARTIER Designed as a polished gold butterfly, extending articulated gold mesh wings, accented by circular-cut diamonds, rubies, sapphires and emeralds, mounted in 18K yellow gold, length 1 3/4 inches.

Signed ‘Cartier’

Estimate $2,50 0 -3,50 0

29

An 18K Yellow Gold Lady’s Wristwatch JAEGER LE COULTRE Of mechanical movement, the rectangular cream dial, with applied baton numerals, extending rectangular openwork gold links, mounted in 18K yellow gold, length 7 inches.

Dial signed ‘Jaeger Le Coultre,’ case back no. 1670 21 1369363

Estimate $2,0 0 0 -3,0 0 0

30

A Gold and Hematite Dress Set TIFFANY & CO., SCHLUMBERGER Comprising a pair of cufflinks, each double link designed as a textured gold acorn, set with a hematite bead; and three shirt studs en suite, cufflink length 1 inch, shirt stud length 1/4 inch.

Signed ‘Tiffany & Co., Schlumberger’

Estimate $1,50 0 -2,0 0 0

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28

30

31

A Retro Gold, Ruby and Diamond ‘Reflection’ Brooch TRABERT & HOEFFER for MAUBOUSSIN 1940 Designed as a polished gold scrolling and stylized spray, enhanced by oval-cut rubies and circular-cut diamonds, mounted in 14K rose and white gold.

Signed ‘Trabert & Hoeffer, Mauboussin’ and ‘Reflection’

Estimate $8,0 0 0 -10,0 0 0

32

A Retro Gold Bracelet 1945 Designed as two rows of arched polished white and rose gold links, spaced by polished gold curved links, length 7 1/2 inches.

Estimate $2,50 0 -3,20 0

33

A Retro Gold Bracelet 1945 Designed as a brushed gold band, accented by polished gold scrolling links, mounted in 18K rose gold, length 7 inches.

Estimate $2,50 0 -3,20 0

34

A Retro Diamond and Gold Ring 1940 Of geometric design, the front set with an old European-cut diamond and a pavé-set diamond terminal, mounted in 18K yellow gold, size 8.

Estimate $6,0 0 0 - 8,0 0 0

35

A Retro Gold and Diamond Clip SUZANNE BELPERON 1945 Designed as a polished gold tiered swirl, decorated with circular and baguette-cut diamonds, mounted in 18K gold, length 1 inch.

With French assay marks and maker’s marks

Estimate $4,0 0 0 - 6,0 0 0

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34

35

36

37

36

A Diamond, Ruby and Gold Necklace BUCCELLATI

38

A Diamond Ring

Designed as a series of textured gold openwork navette-

Set with a circular-cut diamond, gauged to weigh

shaped links, accented by circular-cut diamonds and rubies,

approximately 3.50 carats, flanked on either side by a tapered

mounted in 18K yellow gold, length 17 inches.

baguette-cut diamond, mounted in platinum, size 6.

Signed ‘M. Buccellati’

Estimate $11,0 0 0 -16,0 0 0

Estimate $12,0 0 0 -18,0 0 0

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38

A Gold Dress Set TIFFANY & CO., SCHLUMBERGER Comprising a pair of cufflinks, each double link set with a textured gold knot; and three shirt studs en suite, mounted in 18K yellow gold, cufflinks length 1 inch, shirt studs 1/4 inch.

Signed ‘Tiffany & Co., Schlumberger’

Estimate $1,50 0 -2,0 0 0

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39

41

42

PROPERTY OF A LADY

39

40

A Pair of Sapphire, Diamond and Gold Earclips

41

A Set of Retro Gold Jewelry 1940

VAN CLEEF & ARPELS

Comprising a brooch, designed as a polished gold scrolling

Each designed as a gold spray, centering upon a circular-cut

fan, accented by circular-cut diamonds; and a pair of earclips

sapphire and diamond floret, mounted in 18K yellow gold,

en suite, mounted in 18K yellow gold and platinum, brooch

length 3/4 inch.

length 2.5 cm, earclips length 2 cm.

Signed ‘Van Cleef & Arpels’, no. CV 232-7

With French assay marks

Estimate $2,50 0 -3,50 0

Estimate $1,50 0 -2,50 0

A Gold and Enamel Vanity Case CARTIER circa 1925

42

A Pair of Retro Gold, Ruby and Diamond Earclips

Designed as an 18K gold rectangular compact, decorated with

BOUCHERON 1945

a black and white enamel foliate border, centering upon a multi-

Each of flowerhead design, centering upon a cabochon ruby,

colored enamel Indian motif plaque depicting an exotic bird,

extending gold wire petals, with circular-cut diamond accents,

within a rose-cut diamond surround, with a calibré-cut onyx and

mounted in 18K yellow gold, length 1 inch.

rose-cut diamond thumb piece, opening to a covered powder

Signed ‘Boucheron, Paris’, with French assay marks and maker’s marks

and lipstick compartment, suspended by a gold and black

Estimate $4,0 0 0 - 6,0 0 0

enamel chain to the gold ring; ring size 7 1/2, length 6 inches.

Signed ‘Cartier’

Estimate $4,0 0 0 - 6,0 0 0

43

A Gold Bracelet BUCCELLATI Designed as four sculpted and textured gold leaves, mounted in 18K yellow gold, length 7 inches.

Signed ‘M. Buccellati’

Estimate $6,0 0 0 - 8,0 0 0

44

A Yellow Gold and Diamond Bangle BUCCELLATI Designed as a textured gold cuff, enhanced by circular-cut diamonds and engraved white gold diamond-shaped motifs, mounted in 18K white and yellow gold, 2 1/4 inches diameter.

Signed ‘M. Buccellati’

Estimate $18,0 0 0 -22,0 0 0

45

A Gold and Enamel Bracelet BUCCELLATI Designed as a textured gold cuff, accented by blue and green plique-á-jour enamel of diamond-shaped motif, mounted in 18K yellow gold, 2 1/2 inches, 6 cm diameter.

Signed ‘Buccellati’

Estimate $10,0 0 0 -15,0 0 0

46

A Pair of Gold and Diamond Earclips BUCCELLATI Each designed as a textured gold leaf, accented by a circular-cut diamond stem, mounted in 18K yellow gold, length 3/4 inch.

Signed ‘M. Buccellati’

Estimate $2,20 0 -3,20 0

47

A Gold and Silver ‘Rose’ Brooch BUCCELLATI Designed as two polished gold roses, extending textured gold leaves from a textured silver stem, mounted in 18K yellow gold and silver, length 2 1/2 inches.

Signed ‘M. Buccellati’

Estimate $2,0 0 0 -3,0 0 0

48

A Sapphire and Diamond Ring BUCCELLATI Set with a cushion-cut sapphire, within a pierced circular-cut diamond surround, to the brushed gold band, mounted in 18K yellow and white gold, size 5 1/2.

Signed ‘Buccellati’

Estimate $7,0 0 0 -9,0 0 0

49

A Gold and Diamond Ring BUCCELLATI The wide textured gold band, enhanced with applied circular-cut diamond white gold navette motifs, mounted in 18K yellow and white gold, size 5 1/2.

Signed ‘M. Buccellati’

Estimate $3,0 0 0 -5,0 0 0

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46

48 47

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50

A Peridot and Diamond Necklace Designed as a series of oval-cut peridots, each within a circular-cut diamond surround, spaced by diamond collets and similarly-set rose-cut diamond links, mounted in 18K white gold, length 15 1/2 inches.

Estimate $5,0 0 0 - 6,0 0 0

51

A Pair of Peridot and Diamond Earrings Each suspending an oval-cut peridot, from a rose-cut diamond surmount, within a pavĂŠ-set diamond surround, mounted in 18K white gold, length 1 1/2 inches.

Estimate $5,0 0 0 - 6,0 0 0

52

An Unheated Yellow Sapphire and Diamond Ring Set with an unheated cushion-cut yellow sapphire, weighing approximately 16.53 carats to the baguette and circular-cut diamond tapered shoulders, mounted in platinum, size 6.

With report no. GRS2008-041141 dated 5 April 2008 from the Gem Research Swiss lab, stating that the sapphire is natural, of (Ceylon) Sri Lanka origin, with no indication of heat treatment

Estimate $20,0 0 0 -25,0 0 0

53

A Pair of Diamond Ear Pendants Each suspending a pear-shaped rose-cut diamond, within a two-tiered circular-cut diamond surround, from an oval rose-cut diamond surmount, mounted in platinum, length 1 1/2 inches.

Estimate $10,0 0 0 -12,0 0 0

50

51

53

52

54

A Set of Turquoise, Diamond, Enamel and Gold Jewelry MELLERIO Comprising a brooch, designed as a flower, centering upon a cabochon turquoise and circular-cut diamond cluster extending highly articulated green and blue enamel textured gold petals and stylized leaves; and a pair of earclips en suite, mounted in 18K yellow gold, brooch length 1 1/2 inches, earclips length 1 inch.

Signed ‘Mellerio’, brooch no. 3526B, earclips no. 552, with French assay marks and maker’s marks

Estimate $8,50 0 -10,0 0 0

55

A Pair of Pearl, Diamond and Gold Earclips Each set with a mabé pearl, measuring approximately 14.05 mm, within a circular-cut diamond surround, mounted in 18K yellow gold, length 1/2 inch.

Estimate $1,20 0 -1,8 0 0

56

A Pair of Emerald and Diamond Flower Earclips DAVID WEBB Each designed as a cabochon emerald and circular-cut diamond floret, extending circularcut diamond petals, mounted in 18K yellow gold and platinum, length 1 inch.

Signed ‘Webb’ for David Webb, with a black suede David Webb box

Estimate $15,0 0 0 -20,0 0 0

57

A Diamond and Gold Brooch OSCAR HEYMAN Designed as a circular-cut diamond rose, extending a baguette-cut diamond stem and circular-cut diamond leaves, mounted in 18K yellow gold, length 2 inches.

With maker’s mark for Oscar Heyman, 13901

Estimate $5,0 0 0 -7,0 0 0

PROPERTY OF A LADY

58

A Diamond ‘Panthére’ Ring CARTIER Designed as an openwork pavé-set diamond brick-link band, mounted in 18K yellow gold, size 5.

Signed ‘Cartier’, no. 708195, with French assay marks and maker’s marks

Estimate $2,0 0 0 -3,0 0 0

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60

61

(side view)

59

(front view)

A Gold Cuff

61

An Amethyst, Pink Opal and Diamond Ring

Designed as an 18K yellow gold wide tapered bombé hinged

MARGHARITA BURGENER

bangle, 2 1/2 inches diameter.

Centering upon a square-cut amethyst, weighing approximately

With Italian assay marks

40.68 carats, to the inlaid pink opal gallery, accented by circular-

Estimate $4,50 0 - 6,0 0 0

cut diamond trim, mounted in 18K yellow gold, size 7.

Signed ‘Margherita Burgener’

Estimate $5,0 0 0 -7,0 0 0 PROPERTY OF A GENTLEMAN

60

An Important 18K Gold Self-Winding Double Retrograde Perpetual Calendar Wristwatch with Phases of the Moon HARRY WINSTON Of nickel-finished lever movement, 35 jewels, the cream dial with baton numerals, two arched sectors for day and date, two U-shaped sectors at 12 and 6 for month combined with leap year indication and phases of the moon, within a circular case with U-shaped lugs, joined by an 18K gold buckle, dial diameter 38 mm.

Estimate $20,0 0 0 -3 0,0 0 0

62

An Amethyst and Diamond Brooch MARGHERITA BURGENER Designed as an oval-cut amethyst cluster, accented by circular-cut diamonds and amethyst beads, mounted in 18K white gold, length 1 1/2 inches.

Signed ‘MB’ for Margherita Burgener

Estimate $3,50 0 -5,0 0 0

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64

65

66

63

A Pair of Amethyst, Jade and Diamond

65

A Gold and Diamond Watch VAN CLEEF & ARPELS

Ear Pendants MARGHERITA BURGENER

Of quartz movement, the rectangular mother-of-pearl dial,

Each suspending a drop-shaped lavender jade plaque, from a

with silver baton numerals, within a pavé-set diamond bezel,

circular-cut diamond, from the cabochon amethyst surmount,

to the flexible polished hexagonal link band, accented by a

within a circular-cut diamond surround, mounted in 18K white

pavé-set diamond clasp, mounted in 18K white gold, length

gold, length 2 inches, pendant detachable.

6 1/2 inches.

Estimate $5,0 0 0 -7,0 0 0

Signed ‘Van Cleef & Arpels’ no. 144102, with original Van Cleef & Arpels box and papers

Estimate $4,50 0 - 6,0 0 0 64

An Amethyst and Diamond Bracelet Designed as seven rows of amethyst beads, spaced by circular-cut diamond bar links, enhanced by circular-cut

66

A Multi-Gem and Diamond Ring MICHELE DELLA VALLE

diamond accents, to the pavé-set diamond lobster claw clasp,

Centering upon an oval-cut amethyst, blue topaz, citrine and

mounted in 18K white gold, length 16 1/2 inches.

peridot cluster, accented by pavé-set diamonds, mounted in

Estimate $3,50 0 - 4,50 0

18K white gold, size 6 1/2.

Signed ‘MdV’ for Michele della Valle, no. 10733

Estimate $3,0 0 0 -5,0 0 0

PROPERTY OF A LADY

67

A Diamond Pendant Necklace Desiged as a spectacle-set diamond chain, suspending a graduated series of oval-cut diamonds, interspersed with circular-cut diamonds, mounted in 18K white gold, length 16 1/2 inches.

Estimate $4,0 0 0 - 6,0 0 0

68

A Diamond and Ruby ‘Mosaico Cuore’ Pendant Necklace ENIGMA Suspending a square pavé-set ruby and diamond mosaic heart, from a fine link chain, mounted in 18K rose and white gold, length adjustable.

Signed ‘Enigma’, with an Enigma blue suede pouch

Estimate $1,8 0 0 -2,8 0 0

PROPERTY OF A GENTLEMAN

69

A Diamond Pendant Necklace Suspending 2 pear-shaped diamonds, weighing approximately 1.01 and 1.09 carats, from a fine link chain, mounted in 18K white gold, length 15 1/2 inches.

With report no. 8570410 dated 13 March 1995 from the Gemological Institute of America stating that the diamond weighing 1.01 carats is D color, Internally Flawless clarity With report no. 8689856 dated 4 December 1995 Gemological Institute of America stating that the diamond weighing 1.09 carats is D color, Internally Flawless clarity

Estimate $14,0 0 0 -16,0 0 0

70

A Diamond and Ruby ‘Mosaico Cuore’ Bracelet ENIGMA Designed as a series of alternating pavé-set diamond and ruby mosaic heart links, mounted in 18K rose and white gold, length 6 3/4 inches.

Signed ‘Enigma’, with an Enigma blue suede pouch

Estimate $14,0 0 0 -16,0 0 0

71

A Pair of Ruby and Diamond Earclips MICHELE DELLA VALLE Each designed as an openwork drop enhanced by oval-cut rubies and circular-cut diamonds within a pavé-set diamond border, mounted in 18K white gold, length 2 inches.

Signed ‘MdV’ for Michele della Valle, no. 10841 with a Michele della Valle red suede pouch and orange silk box

Estimate $10,0 0 0 -15,0 0 0

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72

A Cultured Pearl and Diamond Necklace Of thirty-five cultured pearls, measuring from approximately 10.60 to 12.48 mm, joined by a pavé-set diamond sphere clasp, mounted in 18K white gold, length 17 inches.

Estimate $7,0 0 0 -9,0 0 0

PROPERTY OF A GENTLEMAN

73

An Enamel, Ruby, Diamond and Gold ‘Panda’ Brooch DAVID WEBB Designed as a black and white enamel panda with cabochon ruby eyes and diamond accents, mounted in 18K gold and platinum, length 2 inches.

Signed ‘Webb’ for David Webb

Estimate $5,8 0 0 -7,0 0 0

PROPERTY OF A GENTLEMAN

74

A Pair of Black Enamel and Gold ‘Bull’ Cufflinks DAVID WEBB Each double-link designed as a black enamel bull with red enamel eyes and gold horns, feet and tail, joined to a polished black and white enamel toggle link, mounted in 18K gold, length 1 inch.

Signed ‘Webb’ for David Webb

Estimate $2,0 0 0 -3,0 0 0

75

An Enamel, Diamond and Emerald Tiger Bracelet DAVID WEBB Designed as a tiger’s head, with an articulated body terminating in a looped tail, decorated with black and cream enamel stripes, enhanced by a pavé-set diamond head and collar and cabochon emerald eyes, mounted in 18K yellow gold and platinum, 2 inches diameter.

Signed ‘David Webb’, no. 4th, 2 1 6.5

Estimate $14,0 0 0 -16,0 0 0

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73

75

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76

An Elegant Pair of Moonstone and Diamond Ear Pendants Each of chandelier design, set with pear-shaped, oval and circular cabochon moonstones, within pavé-set diamond surrounds, accented by rose-cut diamond spacers, mounted in 18K white gold, length 9 cm.

Estimate $6,0 0 0 - 8,0 0 0

77

A Baroque Cultured Pearl Necklace Of twenty-five baroque cultured pearls measuring from approximately 14.20 to 11.70 mm, joined by a polished 18K white gold clasp with circular-cut diamond accents, length 17 inches.

Estimate $15,0 0 0 -18,0 0 0

78

A Kunzite and Diamond Ring MARGHERITA BURGENER Set with an oval-cut kunzite, weighing approximately 23.70 carats, within a two-tiered circular-cut diamond surround, mounted in 18K white gold, size 7 3/4.

Signed ‘Margherita Burgener’

Estimate $5,0 0 0 -7,0 0 0

79

A Pair of Amethyst and Diamond Ear Pendants Each suspending a pear-shaped amethyst, weighing approximately 40.12 carats in total, to the circular-cut diamond collet spacers and pavé-set diamond navette-shaped surmount, mounted in 18K white gold, length 1 1/2 inches, pendants are detachable.

Estimate $3,8 0 0 -5,0 0 0

76

77

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79

80

A Pair of Diamond Ear Pendants Each circular-cut diamond surmount, weighing approximately 0.70 carats, suspending an oval-cut diamond, weighing approximately 1.80 and 2.01 carats, from a ‘Y’ shaped circularcut diamond collet, mounted in platinum, length 1 inch.

With report no. 16868991 dated 4 March 2008 from the Gemological Institute of America, stating that the oval-cut diamond weighing 1.80 carats is H color, Internally Flawless clarity With report no. 17221808 dated 30 May 2008 from the Gemological Institute of America, stating that the oval-cut diamond weighing 2.01 carats is I color, VS1 clarity With report no. 17453678 dated 10 July 2008 from the Gemological Institute of America, stating that the circular-cut diamond weighing 0.70 carats is H color, VVS2 clarity With report no. 17223860 dated 30 May 2008 from the Gemological Institute of America, stating that the diamond weighing 0.70 carats is G color, VS2 clarity

Estimate $20,0 0 0 -25,0 0 0

81

A Diamond Bracelet Designed as a line of circular-cut diamond collets interspersed with five square-shaped diamonds, ranging from 0.86 to 0.90 carats, mounted in platinum, length 7 inches.

With five reports from the Gemological Institute of America, stating that the square emerald-cut diamonds are G color, ranging from Internally Flawless to VS1 clarity

Estimate $16,0 0 0 -18,0 0 0

82

A Diamond Eternity Band Designed as a series of fourteen oval-cut diamonds, mounted in platinum, size 5 1/2.

The total diamond weight is approximately 5.89 carats

Estimate $8,0 0 0 -12,0 0 0

83

A Sapphire, Diamond and Gold Bracelet BOUCHERON Designed as a line of alternating square and circular-cut sapphires, accented by square and circular-cut shaped pavé-set sapphire openwork surrounds, mounted in 18K white gold, length 6 1/2 inches.

Signed ‘Boucheron’, no. PO 6250, with original Boucheron box

Estimate $8,0 0 0 -10,0 0 0

84

A Pair of White Agate and Sapphire Cufflinks MARGHERITA BURGENER Each designed as a square white agate plaque, centrally enhanced by a pavé-set sapphire dome, to the swivel link, mounted in 18K white gold, length 3/4 inch.

Signed ‘Margherita Burgener’

Estimate $1,0 0 0 -1,50 0

80

81

83

82

84

PROPERTY OF A LADY

85

An Aquamarine and Diamond Ring Set with a rectangular-cut aquamarine, weighing approximately 33.66 carats, to the tapering baquette-cut diamond shoulders, accented by circular-cut diamonds, mounted in 18K white gold, size 7 1/4.

Estimate $3,50 0 -5,0 0 0

86

A Sapphire and Diamond Long Chain Necklace Designed as a series of alternating spectacle-set circular-cut sapphires and diamonds, to the pavé-set diamond claw clasp, mounted in 18K white gold, length 40 1/2 inches.

Estimate $18,0 0 0 -22,0 0 0

87

A Pair of Mother-of-Pearl and Sapphire Cufflinks MARGHERITA BURGENER Each double link set with a square mother-of-pearl plaque, within a circular-cut sapphire surround, mounted in 18K white gold, length 1/2 inch.

Signed ‘MB’ for Margherita Burgener

Estimate $1,6 0 0 -2,20 0

88

An Art Deco Sapphire and Diamond Bracelet 1925 Designed as a series of circular-cut diamond and calibré-cut sapphire rectangular links, joined by pave-set diamond oval-shaped links, mounted in platinum, length 7 1/2 inches.

Estimate $5,0 0 0 -7,0 0 0

89

A Pair of Sapphire and Diamond Earclips ALETTO BROTHERS Each designed as a circular-cut diamond scroll accented by three cabochon sapphires, mounted in platinum, length 1 1/4 inches.

Signed ‘Aletto Bros’

Estimate $8,0 0 0 -10,0 0 0

85 86

88

87

89

90

An Impressive Sapphire, Kyanite and Diamond Brooch MICHELE DELLA VALLE Designed as a pavé-set sapphire and diamond fan, embellished with seven oval-cut kyanite, mounted in 18K white gold, length 3 inches.

Signed ‘MdV’ for Michele della Valle, no. 10825, with a Michele della Valle black suede pouch and olive silk box

Estimate $5,0 0 0 -7,0 0 0

91

A Pair of Tanzanite, Sapphire and Diamond Earclips MICHELE DELLA VALLE Each set with a cushion-cut tanzanite, weighing approximately 7.47 and 7.83 carats, within a pavé-set diamond and sapphire surround, mounted in 18K white gold, length 1 3/4 inches.

Signed ‘MdV’ for Michele della Valle, no. 10806, with a Michele della Valle cream suede pouch

Estimate $15,0 0 0 -18,0 0 0

92

A Diamond Bracelet KWIAT Designed as three rows of pavé-set diamond openwork circular links, interspersed with similarly set bar links, mounted in 18K white gold, length 7 inches.

Signed ‘Kwiat’, no. 79700

Estimate $15,0 0 0 -18,0 0 0

93

A Pair of White Coral, Cultured Pearl and Diamond Ear Pendants MICHELE DELLA VALLE Each white coral button surmount, suspending a white cultured pearl measuring approximately 6.80 and 6.50 mm, and circular-cut diamond spacers, to the diamond cap terminating in a white coral cabochon drop, mounted in 18K white gold, length 3 inches.

Signed ‘MdV’ for Michele della Valle

Estimate $8,0 0 0 -10,0 0 0

94

A Sapphire and Diamond Ring Of crossover design, set with two oval-cut sapphires, weighing approximately 11.65 carats in total, enhanced by pavé-set diamond shoulders, mounted in platinum, size 6.

Estimate $8,0 0 0 -10,0 0 0

90

91

92

94

93

95

A Jet, Jade and Diamond ‘Freccia’ Cuff Bracelet ENIGMA Designed as a carved jet cuff, centering upon two carved jade arrows, to the pavé-set diamond surround, with polished white gold ends, mounted in 18K white gold, 6 1/2 cm diameter.

Signed ‘Enigma’, with an Enigma blue suede pouch

Estimate $4,0 0 0 - 6,0 0 0

96

A Diamond Long Chain Necklace Designed as a series of spectacle-set circular-cut diamonds, mounted in 18K white gold, length 65 inches.

Total approximate diamond weight is 51.05 carats

Estimate $40,0 0 0 - 6 0,0 0 0

97

A Pair of Black Diamond and Diamond Earclips DE GRISOGONO Each designed as a pavé-set diamond bombé half hoop, centrally set with a circular-cut black diamond, mounted in 18K white gold, length 3/4 inch.

Signed ‘De Grisogono’, no. B411

Estimate $3,0 0 0 -5,0 0 0

98

A Pair of Jet, Jade and Diamond ‘Freccia’ Ear Pendants ENIGMA Each designed as an elongated oval jet plaque, centering upon a carved jade arrow, within a pavé-set diamond surround, to the pavé-set diamond half hoop accented by a black enamel line, mounted in 18K white gold, length 2 1/2 inches, pendant is detachable.

Signed ‘Enigma’, with an Enigma blue suede pouch

Estimate $5,0 0 0 -7,0 0 0

96

95

98

97

99

A Pair of Black and White Cultured Pearl and Diamond Bracelets Each centering upon five white cultured pearls, measuring approximately 14.00 to 12.90 mm, or five black cultured pearls, measuring approximately 12.90 to 12.10 mm, interspersed with twin diamond rondelles, to the polished gold tubular bracelet, mounted in 18K white gold, each 2 1/2 inches diameter.

Estimate $14,0 0 0 -16,0 0 0

100

A Pair of Cultured Pearl and Diamond Ear Pendants Each designed as a pavĂŠ-set diamond chandelier, suspending four black cultured pearl drops, to the cultured pearl surmount, mounted in platinum length 2 inches.

Estimate $6,0 0 0 - 8,0 0 0

101

A Pair of Cultured Pearl and Gold Cufflinks Each bar link set with a black cultured pearl, measuring approximately 13.0 and 12.0 mm, terminating in a polished gold bead, mounted in 18K white gold, length 1 inch.

Estimate $1,50 0 -2,0 0 0

102

A Rock Crystal and Diamond Link Bracelet Designed as a series of alternating pavĂŠ-set diamond and rock crystal curb links, mounted in white gold, length 7 1/2 inches.

Estimate $18,0 0 0 -22,0 0 0

99

100

102

101

103

A Pair of Art Deco Diamond and Sapphire Ear Pendants 1920 Each designed as an old-cut diamond drop-shaped plaque, centering upon a cabochon sapphire, mounted in white gold and platinum, length 1 3/4 inches.

Estimate $12,0 0 0 -15,0 0 0

104

An Art Deco Diamond and Natural Pearl Bracelet 1925 Designed as a tapered circular-cut diamond band, centering upon three natural pearls, measuring approximately 6.04, 7.08 and 5.98 mm, mounted in platinum, length 7 inches.

With French assay marks With report no. 2115128234 dated 14 September 2009 from the Gemological Institute of America stating that the pearls are natural, saltwater, no indication of treatment

Estimate $10,0 0 0 -15,0 0 0

105

An Antique Diamond, Sapphire and Pearl Pendant Watch TIFFANY & CO. 1920 Suspending a pendant watch, of mechanical movement, the white circular dial with black Arabic numerals and blued steel hands, within a calibré-cut sapphire and circular-cut sapphire surround, with a cabochon sapphire crown, from a circular-cut diamond foliate bail to the seed pearl and spectacle-set diamond chain, mounted in platinum and yellow gold, length 17 1/2 inches, 44 cm.

Signed ‘Tiffany & Co.’

Estimate $5,0 0 0 -7,0 0 0

106

An Art Deco Diamond Bow Brooch 1925 Designed as a circular-cut diamond bow, accented by baguette-cut diamond trim, mounted in platinum, length 1 inch.

With French assay marks

Estimate $3,50 0 -5,0 0 0

107

An Art Deco Diamond Watch BREGUET Of mechanical movement, the white rectangular dial, with black Arabic numerals and blued steel hands, within a single-cut diamond surround, to the old European-cut diamond shoulders, joined by a mesh band, mounted in platinum and white gold, length adjustable.

Signed ‘Breguet’

Estimate $8,0 0 0 -10,0 0 0

108

An Art Deco Onyx and Pearl Dress Set 1920 Comprising a pair of cufflinks, each double link designed as a circular onyx plaque, centering a seed pearl, within a textured platinum surround; and 6 shirt studs en suite, mounted in 18K gold and platinum, cufflinks length 1 inch.

Estimate $2,0 0 0 -3,0 0 0

106

103

107

104

105

108

109

A Cultured Pearl Necklace Of thirty-five graduated white cultured pearls, measuring from approximately 10.00 to 13.00 mm, joined by a polished 18K white gold sphere clasp with circular-cut diamond accents, length 17 inches.

Estimate $3,50 0 -5,0 0 0

110

A Diamond Bracelet Designed as a series of openwork pavé-set diamond scrolling plaques, spaced by baguettecut diamond lines, each centering upon an old European-cut diamond, mounted in platinum, length 7 inches.

Estimate $18,0 0 0 -22,0 0 0

111

A Pair of Rubellite, Diamond and Cultured Pearl Ear Pendants MARGHERITA BURGENER Each designed as a fancy link pavé-set diamond chandelier, suspending pear-shaped cabochon rubellite tourmaline, accented by circular-cut diamonds, from a white cultured pearl and pavé-set diamond surmount, mounted in 18K white gold, length 6 1/2 inches.

Signed ‘MB’ for Margherita Burgener

Estimate $9,0 0 0 -11,0 0 0

109

110

111

112

A Pair of Diamond Ear Pendants Of chandelier design, the articulated pavé-set diamond scrolling links, accented by marquise and circular-cut diamonds, suspending three rectangular-cut diamonds, from a rectangular-cut diamond surmount, mounted in platinum, length 2 inches.

With eight certificates from the Gemological Institute of America from 2003-2008, stating that the rectangular-cut diamonds range from 1.00 to 1.53 carats, E-F color, VVS1-VS2 clarity

Estimate $40,0 0 0 - 6 0,0 0 0

113

An Aquamarine and Diamond Bracelet Designed as five rows of rectangular-cut aquamarines, interspersed with circular-cut diamonds, to the pavé-set diamond bar clasp, mounted in 18K white gold, length 7 inches.

Estimate $10,0 0 0 -12,0 0 0

114

A Sapphire and Diamond Dress Set Comprising a pair of cufflinks, each double link designed as a calibré-cut sapphire square plaque, centering upon a princess-cut diamond, mounted in white gold, and four dress studs en suite, mounted in 18K white gold.

Estimate $3,0 0 0 -5,0 0 0

PROPERTY OF A GENTLEMAN

115

An Unheated Ceylon Sapphire and Diamond Ring Set with an unheated Ceylon oval-cut sapphire, weighing approximately 6.43 carats, flanked on either side by a trilliant-cut diamond, mounted in platinum, size 7 1/4.

With report no. 9903056 dated 12 March 1999 from the Gübelin Gem Lab, stating that the sapphire is of Sri Lanka (Ceylon) origin, no indications of heating

Estimate $32,0 0 0 - 45,0 0 0

116

A Diamond Eternity Band Designed as a series of 16 asscher-cut diamonds, mounted in platinum, size 6.

The total diamond weight is approximately 7.73 carats

Estimate $14,0 0 0 -16,0 0 0

112

113

114

115

116

117

An Art Deco Aquamarine and Diamond Brooch TIFFANY & CO. circa 1920 Designed as a pierced, openwork pave-set diamond plaque, centering upon a rectangularcut aquamarine, mounted in platinum, length 3 inches.

Signed ‘Tiffany & Co.’

Estimate $12,0 0 0 -16,0 0 0

118

A Pair of Diamond Ear Pendants Of chandelier design, each circular-cut diamond collet surmount suspending the pavé-set diamond fancy links accented by marquise-cut diamonds, to the three pear-shaped rose-cut diamonds, mounted in platinum, length 1 3/4 inches.

Estimate $18,0 0 0 -22,0 0 0

119

A Peridot and Diamond Ring Set with a square-cut peridot weighing approximately 13.38 carats, within a pavé-set diamond surround, flanked by half-moon-cut diamonds, to the scrolling pavé-set diamond shoulders and gallery, mounted in platinum, size 6 1/4.

Estimate $6,0 0 0 - 8,0 0 0

120

A Rock Crystal and Diamond Bracelet ALETTO BROTHERS Designed as a line of faceted cylindrical shaped rock crystal links, centrally enhanced by circular-cut diamonds, mounted in 18K white gold, length 7 inches.

Signed ‘Aletto Bros’, no. 91809

Estimate $12,0 0 0 -15,0 0 0

121

An Onyx and Diamond Dress Set MARGHERITA BURGENER Comprising a pair of cufflinks, each set with a square onyx bombé plaque, within a circularcut diamond surround, to the swivel link; and four dress shirts en suite, mounted in 18K white gold, cufflinks length 1/2 inch, shirt studs 1/4 inch.

Signed ‘Margherita Burgener’

Estimate $5,0 0 0 - 6,0 0 0

117

120 118

119 121

122

A Belle Epoque Diamond and Natural Pearl Choker 1915 Designed as 12 rows of natural pearls, joined by an openwork foliate scrolling plaque of rectangular design, set with rose and old European-cut diamonds, mounted in platinum, length 14 inches.

With report no. 2115127887 dated 11 September 2009 from the Gemological Institute of America stating that the pearls are natural, freshwater (one cultured)

Estimate $23,0 0 0 -32,0 0 0

PROPERTY OF A LADY

123

An Antique Diamond ‘Almas’ Ring 1890 Set with a rose-cut diamond, within a pierced scrolling openwork mount, accented by rosecut diamonds, mounted in yellow gold, size 6.

Estimate $7,0 0 0 -10,0 0 0

PROPERTY OF A LADY

124

A Pair of Antique Diamond Ear Pendants 1890 Each suspending an old-mine-cut diamond weighing approximately 3.03 and 3.59 carats, from an old European-cut diamond surmount, mounted in platinum and rose gold, length 1/2 inch.

Estimate $25,0 0 0 -3 0,0 0 0

125

An Antique Diamond Bow Brooch 1890 Designed as an articulated old-cut diamond bow, centering upon an old European-cut diamond, terminating in two old European-cut diamond tassels, mounted in silver topped gold, length 3 inches.

With Russian assay marks

Estimate $4,50 0 -5,50 0

126

An Antique Diamond Brooch 1890 Designed as an old European-cut diamond sunburst, mounted in silver and gold, length 1 1/2 inches.

Estimate $5,0 0 0 -7,0 0 0

122

126

125

124

123

127

An Edwardian Platinum and Diamond Brooch-Pendant 1910 Designed as a pierced openwork old-cut diamond bow, centering upon a larger old-cut diamond, mounted in platinum, length 3 inches.

Estimate $7,0 0 0 -10,0 0 0

128

A Pair of Diamond Earrings Each set with a cushion-cut diamond, weighing approximately 5.07 and 5.65 carats, suspended from an old-European-cut diamond surmount, within a pavé-set diamond surround, mounted in platinum (illustrated unmounted).

Estimate $6 0,0 0 0 - 8 0,0 0 0

129

A Pair of Antique Diamond Ear Pendants 1875 Of articulated tassel design, decorated with old-cut diamonds, mounted in silver-topped gold, length 3 1/2 inches.

Estimate $8,0 0 0 -10,0 0 0

130

An Art Deco Mother of Pearl, Diamond and Platinum Dress Set TIFFANY & CO. Comprising a pair of cufflinks, each double link designed as an circular mother-of-pearl plaque, centering a seed pearl, within a textured platinum surround; and 6 shirt studs en suite, mounted in 14K gold and platinum, cufflinks length 1 inch.

Signed ‘Tiffany & Co.’, with original fitted box

Estimate $6,0 0 0 - 8,0 0 0

131

A Set of Four Gem-Set, Gold and Silver Charms FABERGÉ Comprising a hammered gold egg accented by a circular-cut sapphire, a gun metal egg accented by a circular-cut emerald and diamond, a hammered silver egg set with a circularcut sapphire, ruby and diamond clover motif, and a gold egg decorated with cabochon turquoise set within star motifs.

One charm signed ‘Faberge’, all stamped with Russian assay marks and maker’s marks

Estimate $3,0 0 0 -5,0 0 0

127

128

129

130

131

132

An Art Deco ‘Tutti Frutti’ Bracelet circa 1925 Designed as a series of pavé-set and baguette-cut diamond geometric links, accented by rectangular-cut sapphires and carved rubies and emeralds, centering upon a sugarloaf ruby weighing approximately 7.45 carats, mounted in platinum and white gold, length 7 inches.

With report no. CS 34579 dated 8 February 2001 from the American Gemological Laboratories, stating that the ruby is of Burma origin, heated

Estimate $40,0 0 0 - 6 0,0 0 0

133

A Diamond and Emerald Bow Brooch Designed as an old-cut diamond bow, suspending 2 cabochon emerald drops, mounted in platinum and white gold, length 2 1/4 inches.

Estimate $18,0 0 0 -22,0 0 0

134

An Art Deco Diamond, Ruby and Emerald Watch Bracelet OSCAR HEYMAN 1920 Designed as a tapered pavé-set diamond openwork band of garland design, accented by carved rubies and calibré-cut emeralds, centering upon a watch, of mechanical movement, the white dial with black Arabic numerals, within a pierced and openwork vari-cut diamond cover, set to the center with a marquise-cut diamond, mounted in platinum, length 7 inches.

Estimate $35,0 0 0 - 45,0 0 0

135

A Pair of Antique Diamond Brooches 1920 Each designed as a circular-cut diamond bow, mounted in platinum and white gold, length 1 1/2 inches, 3.75 cm.

With French assay marks

Estimate $7,50 0 -10,0 0 0

136

A Diamond Ring Set with a cushion-cut diamond, weighing approximately 2.02 carats, within a pavé-set diamond gallery and shoulders, mounted in platinum, size 6.

With report no. 16764112 dated 28 December 2007 from the Gemological Institute of America, stating that the diamond is D color, VS1 clarity

Estimate $18,0 0 0 -22,0 0 0

Original drawing from Oscar Heyman for Lot 134

132

133

134

136

135

PROPERTY OF A LADY

137

A Pearl, Diamond and Gold Necklace and Bracelet Suite VAN CLEEF & ARPELS Comprising a necklace, designed as an eleven strand cultured pearl torsade, joined by pavé-set diamond lions head and circular link and cap, accented by pear-shaped emerald eyes; and a bracelet en suite, mounted in 18K yellow gold, necklace length 17 inches, bracelet length 8 inches.

Necklace signed VCA no. 28972, bracelet signed VCA 28973, with French assay marks and maker’s marks

Estimate $3 0,0 0 0 - 40,0 0 0

138

A Gold and Diamond Brooch CARTIER Designed as a polished openwork gold leaf, to the gold floret border, enhanced with circular-cut diamonds, mounted in 18K yellow gold, length 2 1/2 inches.

Signed ‘Cartier, made in France’

Estimate $4,0 0 0 - 6,0 0 0

139

A Sapphire and Diamond Ring Set with an oval-cut sapphire, weighing approximately 10.87 carats, within a pavé-set diamond bombé mount, mounted in platinum and 18K gold and platinum, size 4.

Estimate $15,0 0 0 -18,0 0 0

137

138

137

139

140

141

140

A Pair of Cultured Pearl and Diamond Earclips

142

An Art Deco Diamond Lady’s Wristwatch OMEGA

Each set with a black cultured pearl, measuring approximately

Of mechanical movement, the circular white dial, with

13.00 mm, the bottom enhanced by a circular and baguette-

applied silver baton numerals, within a two-tiered circular-

cut diamond border, mounted in 18K white gold, length 1/2

cut diamond surround, to the mesh bracelet, mounted in 18K

inch.

white gold, length 6 1/2 inches.

Estimate $3,50 0 -5,0 0 0

Signed ‘Omega’

Estimate $2,50 0 - 4,0 0 0

141

A Pair of Amethyst and Diamond Ear Pendants Each suspending an oval-cut amethyst, within a circularcut diamond surround, from a rose-cut diamond surmount, mounted in 18K white gold, length 7 inches.

Estimate $2,50 0 -3,0 0 0

PROPERTY OF A GENTLEMAN

143

A Suite of Ruby, Sapphire and Diamond Jewelry CARTIER Comprising a ring, designed as a cluster of circular-cut sapphire, ruby and diamond florets, set en-tramblant, accented by singlecut diamond set leaves; and a pair of earclips en suite, mounted in 18K white gold, ring size 8, earclip length 1 inch.

Signed ‘Cartier’, earclips no. 2347, with French assay marks and maker’s marks

Estimate $20,0 0 0 -3 0,0 0 0

142 143

144

145

144

An Elegant Pair of Diamond Earrings Each suspending a marquise-cut diamond, weighing approximately 6.03 and 6.02 carats, mounted in 18K white gold, length 1 inch.

Estimate $75,0 0 0 -10 0,0 0 0

145

A Diamond and Cultured Pearl Brooch Designed as a circular-cut diamond flower, accented by a baguette-cut diamond stem, centering upon a white cultured pearl, measuring approximately 13.45 mm, mounted in 18K white gold, length 1 3/4 inches.

With French assay marks

Estimate $12,0 0 0 -15,0 0 0

146

A Three-Stone Emerald Ring Set with three square-cut emeralds, weighing approximately 5.75, 1.95 and 1.72 carats, to the polished gold twin band, mounted in 18K yellow gold, size 5 1/2.

With report no. 0904325 dated 1 May 2009 from the Gübelin Gem Lab stating that the emerald weighing approximately 5.75 carats is of Columbian origin, with indications of minor clarity enhancement

Estimate $25,0 0 0 -3 0,0 0 0

147

A Jade and Diamond Bracelet MICHELE DELLA VALLE Designed as four strands of alternating jade bead and pavé-set diamond spheres, joined by spectacle-set diamond links, to the pavé-set diamond bombé clasp, mounted in 18K white gold, length 7 inches.

Signed ‘MdV’ for Michele della Valle, no. 10740

Estimate $8,0 0 0 -10,0 0 0

148

A Pair of Diamond Ear Pendants Each designed as a pavé-set diamond clover, centering upon a square emerald-cut diamond, weighing approximately 0.84 and 0.85 carats, from a pavé-set diamond line, mounted in platinum, length 1 inch.

With report no. 14302046 dated 4 April 2005 from the Gemological Institute of America, stating that the diamond weighing 0.84 carats is F color, VS2 clarity With report no. 14302043 dated 24 March 2005 from the Gemological Institute of America, stating that the diamond weighing 0.85 carats is F color, VVS1 clarity

Estimate $6,50 0 - 8,0 0 0

146

147

148

149

150

PROPERTY OF A LADY

149

A Pair of Cultured Pearl and Diamond Cuffs BULGARI Each of spring band design, the bombé front embellished with cultured pearls bordered by circular-cut diamonds mounted in 18K yellow gold, each 2 1/2 inches diameter, adjustable.

Signed ‘Bulgari’, with Italian assay marks

Estimate $35,0 0 0 -50,0 0 0

PROPERTY OF A LADY

150

A Pair of Cultured Pearl and Diamond Ear Pendants FRED Each suspending a white cultured pearl drop, measuring approximately 13.70 to 14.00 mm, within a scrolling pear and circular-cut diamond scrolling two-tiered surround, from a similarly designed surmount, mounted in 18K yellow gold, length 6 cm, pendant is detachable.

Estimate $33,0 0 0 - 45,0 0 0

151

PROPERTY OF A LADY

151

An Impressive Diamond and Gold Necklace M. GERARD The front designed as two graduating rows of oval-shaped polished gold links, accented by a circular-cut diamond garland, extending to the single row back chain, mounted in 18K yellow gold, length 15 1/2 inches.

Signed ‘M. Gerard’, no 1312

Estimate $25,0 0 0 -3 0,0 0 0

152

A Diamond Double Clip Brooch Each designed as a circular-cut diamond stylized ribbon, accented by circular and baguette-cut diamond scrolling terminals, mounted in platinum, length 3 inches.

Estimate $12,0 0 0 -15,0 0 0

153

An Ebony, Diamond and Mother-of-Pearl Pendant Watch VAN CLEEF & ARPELS Of quartz movement with reverse pin setting, the rectangular mother-of-pearl dial with applied central IX and III numerals, within a rectangular ebony case with white gold, reverse secured by screws, the front decorated with three circular-cut diamond lines, from a white gold snake chain, mounted in 18K white gold, length 26 inches.

Signed ‘Van Cleef & Arpels’, with French assay marks and maker’s marks, no. 141869, with original Van Cleef & Arpels box and papers

Estimate $4,0 0 0 - 6,0 0 0

154

A Diamond Bracelet KWIAT Designed as a circular-cut diamond central line, within baguette-cut diamond borders, mounted in platinum, length 6 3/4 inches.

Signed ‘Kwiat’, no. 26042

Estimate $8,0 0 0 -10,0 0 0

155

A Pair of Onyx and Diamond Cufflinks Each double link designed as a square onyx plaque, centering upon a circular-cut diamond, mounted in 18K white gold, length 1/2 inch.

Estimate $1,6 0 0 -2,20 0

156

A Fancy Intense Yellow Diamond Ring Set with a circular-cut Fancy Intense Yellow diamond, weighing approximately 3.81 carats, within a pavé-set diamond surround and hoop, mounted in platinum and yellow gold, size 6.

With report no. 16932683 dated 3 April 2008 from the Gemological Institute of America, stating that the diamond is Fancy Intense Yellow color, VS1 clarity

Estimate $50,0 0 0 -70,0 0 0

157

A Diamond Eternity Band Designed as a series of fifteen circular-cut diamonds, mounted in platinum, size 6 1/2.

The total diamond weight is approximately 5.90 carats

Estimate $7,0 0 0 -10,0 0 0

152

153

154

156

155

157

158

An Important Three-Stone Diamond and Colored Diamond Pendant Necklace Suspending a pear-shaped diamond, weighing approximately 1.13 carats, a fancy deep orangy yellow marquise-cut diamond, weighing approximately 1.47 carats, and a heartshaped diamond, weighing approximtely 2.64 carats, from a fine link chain, mounted in platinum and 18K yellow gold, length 19 1/2 inches.

With report no. 16260322 dated 2 September 2009 from the Gemological Institute of America, stating that the pear-shape diamond is E color, VS1 clarity With report no. 2101271677 dated 22 October 2008 from the Gemological Institute of America, stating that the marquise-cut diamond is Natural Fancy Deep Orangy Yellow color, SI1 clarity With report no. 14893675 dated 18 April 2006 from the Gemological Institute of America, stating that the heart-shape diamond is D color, Internally Flawless clarity

Estimate $55,0 0 0 -70,0 0 0

159

A ‘Cuore’ Bracelet ENIGMA Designed as a series of pavé-set diamond hearts, mounted in 18K white gold, length 7 inches.

Signed ‘Enigma’, with an Enigma blue suede pouch

Estimate $7,0 0 0 -9,0 0 0

160

A Pair of ‘Cuore’ Ear Pendants ENIGMA Each designed as a line of pavé-set diamond hearts, mounted in 18K white gold, length 2 inches.

Signed ‘Enigma’, with an Enigma blue suede pouch

Estimate $4,0 0 0 - 6,0 0 0

161

A Pair of ‘Doppio Cuore’ Diamond and Gold Earclips BULGARI Each suspending a pavé-set diamond heart, from a polished gold heart surmount, mounted in 18K white gold, length 3/4 inch.

Signed ‘Bulgari’, with original black leather Bulgari box

Estimate $4,0 0 0 - 6,0 0 0

158

159

160

161

164

163

162

PROPERTY OF A LADY

162

A Pair of Black Cultured Pearl and Yellow Gold

164

A Pair of ‘Ava’ Diamond and Gold Ear Pendants

Cufflinks

BOUCHERON

Each bar link set with a black cultured pearl, measuring

Each designed as a circular-cut diamond, within an

approximately 11.10 and 10.60 mm, terminating in a polished

independent circular-cut diamond surround, suspending

gold bead, mounted in 18K yellow gold, length 1 inch.

a detachable gold tassel, accented by collet-set diamonds,

Estimate $1,0 0 0 -1,50 0

mounted in 18K yellow gold, length 3 1/2 inches.

Signed ‘Boucheron’, with a brown leather Boucheron box

Estimate $5,0 0 0 - 8,0 0 0 PROPERTY OF A LADY

163

A Gold and Diamond ‘Reflet’ Wristwatch BOUCHERON Of quartz movement, the silver rectangular dial within a gold godron bezel, both accented by circular-cut diamond borders, to the the black alligator strap, with sliding lug strap fastening, mounted in 18K yellow gold, length 6 1/2 inches.

Signed ‘Boucheron’, no. 090-964, with maker’s marks, with a brown leather Boucheron box

Estimate $4,0 0 0 - 6,0 0 0

165

A Suite of Colored Diamond and Diamond ‘Etoile Du Berger’ Jewelry BOUCHERON Comprising a necklace, designed as two rows of pyramidshaped brown diamonds, spaced by circular-cut diamonds, suspending a similarly set geometric drop; a pair of ear pendants and a bracelet en suite, necklace 15 1/2 inches, ear pendants 2 1/2 inches, bracelet 7 inches.

Signed ‘Boucheron’, necklace no. P56487, ear pendants no. P3728, bracelet no. P06278

Estimate $125,0 0 0 -150,0 0 0

When mined, diamonds are normally found of no particular shape, or eroded by time. It is very rare to find diamonds that have preserved their natural octahedron shape without being destroyed or damaged in nature. The diamonds in this suite are very pure, with a shade of color that ranges from cognac to brown.

165

PROPERTY OF A LADY

166

An Elegant Diamond Necklace Designed as a line of alternating marquise and circular-cut diamonds, suspending a graduated marquise- and circular-cut diamond foliate fringe, mounted in 18K white gold, length 16 inches.

Estimate $50,0 0 0 -70,0 0 0

167

An Important Pair of Unheated Sapphire and Diamond Ear Pendants Each oval-cut unheated Ceylon sapphire, weighing approximately 4.95 and 4.55 carats, to the pavĂŠ-set diamond french wire surmount and marquise-cut diamond spacer, suspending a larger unheated sapphire weighing approximately 7.69 and 7.28 carats, mounted in 18K white gold, length 1 1/2 inches.

With reports GRS2008-091333L and GRS2008-091332L, dated 7 September 2008 from the Gem Research Swiss Lab, stating that the sapphires weighing 4.55 and 4.95 carats are of Sri Lanka Origin, no indication of thermal treatment With reports GRS2008-091331L and GRS2008-091330L, dated 7 September 2008 from the Gem Research Swiss Lab, stating that the sapphires weighing 7.28 and 7.69 carats have no indications of thermal treatment

Estimate $120,0 0 0 -150,0 0 0

166

167

168

An Antique Diamond Necklace 1875 Designed as a row of graduated old-cut diamond collets suspending graduated old-cut diamond swags, mounted in silver topped gold, length 15 inches.

Estimate $50,0 0 0 -70,0 0 0

169

An Antique Diamond Floral Brooch 1890 Designed as a sculpted flower entirely decorated in old-cut diamonds, the stem gathered by a similarly set ribbon bow, enhanced by two pear-shaped old-cut diamonds, mounted in silver topped yellow gold, length 2 inches.

Estimate $12,0 0 0 -15,0 0 0

170

An Impressive Pair of Antique Diamond Earrings 1910 Each suspending a claw-set old mine-cut diamond weighing approximately 6.51 and 7.30 carats, from an old European-cut diamond surmount, mounted in silver and yellow gold, length 3/4 inch.

Estimate $10 0,0 0 0 -120,0 0 0

168

169

170

171

An Important Cultured Pearl and Diamond Necklace Of twenty-five silver cultured pearls, measuring from approximately 16.30 to 15.00 mm, joined by a pavé-set diamond spherical clasp, mounted in 18K white gold, length 16 inches.

Estimate $25,0 0 0 -35,0 0 0

172

An Impressive Diamond Ring Set with two rectangular-cut diamonds, weighing approximately 5.10 and 5.39 carats, within a twin polished platinum bombé band, size 5 1/2.

With report no. 1102109850 dated 28 August 2008 from the Gemological Institute of America, stating that the diamond is M color, VVS2 clarity With report no. 5101109857 dated 19 August 2008 from the Gemological Institute of America, stating that the diamond is L color, VS2 clarity

Estimate $85,0 0 0 -10 0,0 0 0

173

A Superb Pink Sapphire, Diamond and Titanium ‘Camelia’ Brooch MICHELE DELLA VALLE Designed as a pavé-set pink sapphire camelia flower, accented by pavé-set diamond trim, mounted in titanium, length 2 1/2 inches.

Signed ‘MdV’ for Michele della Valle, no. 07072, with a Michele della Valle black suede box

Estimate $3 0,0 0 0 -50,0 0 0

171

173 172

174

A Unique Rubellite, Pink Sapphire, Pearl and Diamond ‘Proust’ Necklace BOUCHERON Designed as a pavé-set pink sapphire bombé collar, suspending a circular-cut diamond fringe and seed pearl garland, accented by rubellite drops and white cultured pearls, mounted in oxidized 18K gold, length 14 inches.

Signed ‘Boucheron’, with French assay marks, with original Boucheron box

Estimate $6 0,0 0 0 -75,0 0 0

175

A Rubellite and Diamond Ring Set with an oval-cut rubellite, weighing approximately 12.69 carats, within a pavé-set diamond surround, flanked by half-moon-cut diamonds, to the scrolling pavé-set diamond shoulders and gallery, mounted in platinum, size 6 1/2.

Estimate $6,0 0 0 - 8,0 0 0

176

A Diamond Eternity Band Designed as a series of fifteen oval-cut diamonds, mounted in platinum, size 5 1/2.

The total diamond weight is approximately 8.38 carats

Estimate $15,0 0 0 -20,0 0 0

174

175

176

178

177

(in daylight)

(color change in incandescent light)

179

177

A Unique Alexandrite and Diamond Ring

178

An Important Unheated Burma Sapphire

Set with an oval-cut color-changing alexandrite, weighing

and Diamond Ring

approximately 4.08 carats, within a pav辿-set diamond gallery

Set with a cushion-cut Burma sapphire, weighing

and hoops, mounted in platinum, size 6.

approximately 17.12 carats, flanked on either side by

With report no. 17261673, dated 12 June 2008 from the Gemological

hexagonal-shaped diamonds, to the pave-set diamond

Institute of America, stating the alexandrite is a natural chrysoberyl,

shoulders, mounted in platinum, size 6 3/4.

with greenish blue color, changing to purple

With report no. 0909505 dated 25 September 2009 from the G端belin

Estimate $6 0,0 0 0 - 8 0,0 0 0

Gem Lab, stating that the sapphire is of Burma Origin, no indications of heating With report no. 54502 dated 29 September 2009 from the SSEF, Swiss

The alexandrite is a rare gemstone named after the Russian

Gemological Institute, stating that the sapphire is of Burma origin, no

tsar Alexander II (1818-1881), the very first crystals having

indications of heating

been discovered in April 1834 in the emerald mines near the

Estimate $110,0 0 0 -140,0 0 0

Tokovaya River in the Urals. The discovery was made on the day the future tsar came of age. Although alexandrite is a relatively young gemstone, it certainly has a noble history.

Since it shows both red and green, the principal colors of old Imperial Russia, it inevitably became the national stone of tsarist Russia.

The most sensational feature about this stone, is its surprising ability to change its color. Green or bluish-green in daylight, alexandrite turns a soft shade of red, purplish-red or raspberry red in incandescent light.

179

An Exceptional Pair of Unheated Burma Sapphire and Diamond Earrings Each set with an oval-cut sapphire, weighing approximately 6.02 and 6.65 carats, within a circular and pear-shaped diamond surround, from a pear and circular-cut diamond cluster link, to the pear-shaped diamond cluster surmount, mounted in platinum and 18K white gold, length 2 inches.

With report no. 0508631 dated 22 August 2005 from the G端belin Gem Lab, stating that the sapphire weighing approximately 6.02 carats is of Burma origin, no indications of heating With report no. 0212611 dated 29 December 2002 from the G端belin Gem Lab, stating that the sapphire weighing approximately 6.65 carats is of Burma origin, no indications of heating

Estimate $10 0,0 0 0 -13 0,0 0 0

181

180

182

180

An Important Diamond Ring

A Pair of Cultured Pearl and Diamond Ear Pendants

Set with an old-cut navette-shaped diamond, weighing

Each pavé-set diamond wire surmount suspending a circular-

approximately 5.05 carats, flanked on either side by a

cut diamond within a pavé-set diamond surround, to the

baguette-cut diamond, mounted in platinum, size 6 1/2.

circular-cut diamond spacer, terminating in a cultured pearl

With report no. 10621701 dated 28 December 2007 from the

measuring approximately 13.70 x 14.00 mm, mounted in 18K

Gemological Institute of America stating that the diamond is D color,

white gold, length 3.5 mm.

VS2 clarity

Estimate $4,0 0 0 - 6,0 0 0

Estimate $16 0,0 0 0 -18 0,0 0 0

181

182

An Elegant Art Deco Diamond Bracelet S. FOUNÈS 1930 Designed as two pavé-set diamond rectangular plaques, each centering upon three old-European-cut diamonds, joined by pavè-set diamond oval links, mounted in platinum, length 7 1/2 inches.

With maker’s mark and French assay marks, with original red leather Founès box

Estimate $40,0 0 0 -50,0 0 0

PROPERTY OF A LADY

183

An Elegant Diamond Necklace Designed as a series of circular-cut diamond openwork geometric links, interspersed with circular-cut diamond spacers, mounted in 18K white gold, length 16 inches.

Estimate $25,0 0 0 -35,0 0 0

184

An Impressive Diamond Cuff Bracelet Designed as seven circular-cut diamond rows, mounted in 18K white gold, 2 1/4 inches diameter.

Total diamond weight is approximately 23.35 carats

Estimate $16,0 0 0 -18,0 0 0

PROPERTY OF A LADY

185

A Turquoise and Diamond Ring Set with an oval cabocon turquoise, within a circular-cut diamond surround, mounted in 14K white gold, size 6 3/4.

Estimate $1,20 0 -1,8 0 0

PROPERTY OF A LADY

186

A Superb Pair of Diamond Ear Pendants Each circular-cut diamond cluster surmount suspending a graduated triple tier circular-cut diamond swing hoop, mounted in 18K white gold, length 2 3/4 inches.

Estimate $3 0,0 0 0 - 40,0 0 0

184

183

185

186

187

188

189

187

A Pair of Diamond Bangles

As a child, Cindy Chao grew up in an environment where her

Each hinged bangle decorated with a single row of circular-cut

father, a renowned Taiwanese art sculptor, mentored her to

diamonds, mounted in 18K white or yellow gold, diameter 2 1/2

develop an impeccable eye for details and masterful sculpting

inches.

talent at an early age, which in turn helped define the jewel

Estimate $8,0 0 0 -10,0 0 0

artist she is today.

The signature trademark of Cindy’s art jewelry is her ability to go beyond the confinement of traditional jewelry design and

PROPERTY OF A LADY

188

create three-dimensional artworks that can be admired from

A Unique Fancy Greenish Yellow ‘Chameleon’

all angles. Her compelling aesthetic is perfectly juxtaposed

Diamond, Colored Diamond and Diamond Ring

by the intricacy of her craft.

CINDY CHAO Designed as a flower, centering upon a pear-shaped Fancy Greenish Yellow ‘Chameleon’ diamond, weighing approximately 2.47 carats, extending pavé-set diamond petals, enhanced by vari-cut colored diamond and diamond leaves, to the pavé-set diamond branch twin band, mounted in 18K yellow gold and platinum.

With report no. 15143542 dated 16 May 2006 from the Gemological Institute of America, stating that the pear shaped diamond is Fancy Greenish Yellow ‘Chameleon’ color According to the GIA Laboratory, this diamond is rare for its ability to change color. The color of this stone changes temporarily when heated, or when left in darkness for a period of time and is known in the trade as ‘Chameleon’. The ‘Chameleon’ is a yellow diamond, but after coming into contact with light, it begins to gradually change its color to dark green. If the gem is carefully heated, it becomes yellow again, but more intense

Estimate $16,0 0 0 -22,0 0 0

189

An Important Pair of Diamond Ear Studs Each set with a square emerald-cut diamond, weighing approximately 3.77 and 3.77 carats, mounted in platinum.

With report no. 10285139 dated 27 January 1998 from the Gemological Institute of America, stating that the diamond is F color, VS2 clarity With report no. 10285142 dated 3 February 1998 from the Gemological Institute of America, stating that the diamond is G color, VVS1 clarity

Estimate $10 0,0 0 0 -120,0 0 0

190

191

190

A Fancy Yellow Diamond and Diamond Necklace Designed as an alternating pear and circular-cut diamond chain, suspending a pear-shaped fancy yellow diamond pendant, weighing approximately 3.51 carats, mounted in platinum, length 17 inches, pendant is detachabe.

With report no. 17449746 dated July 9 2008 from the Gemological Institute of America, stating that the pear-shape diamond is natural fancy yellow color, VS2 clarity

Estimate $50,0 0 0 -70,0 0 0

PROPERTY OF A LADY

191

An Important Diamond Ring VAN CLEEF & ARPELS Set with a circular-cut diamond, weighing approximately 3.67 carats, to the tapered baguette-cut diamond shoulders, mounted in 18K yellow gold, size 6.

Signed ‘VCA’ for Van Cleef & Arples, no. 134370 With report no. 1112156855 dated 8 October 2009 from the Gemological Institute of America, stating that the diamond is E color, Internally Flawless clarity

Estimate $10 0,0 0 0 -150,0 0 0

192

An Important Diamond Necklace Designed as a tapered openwork marquise- and pear-cut diamond band, mounted in platinum, length 15 inches.

Total diamond weight is approximately 75.38 carats

Estimate $150,0 0 0 -20 0,0 0 0

193

An Important Unheated Burmese Sapphire and Diamond Ring CARVIN FRENCH Set with a cushion-cut Burmese sapphire, weighing approximately 20.59 carats, within pavé-set diamond prongs, gallery and shank, mounted in platinum, size 6 1/4.

With maker’s mark for Carvin French With report no. 0411504 dated 14 December 2004 from the Gübelin Gem Lab, stating that the sapphire is of Burma origin, no indications of heating

Estimate $13 0,0 0 0 -150,0 0 0

194

An Impressive Pair of Unheated Ceylon Sapphire and Diamond Ear Pendants Each set with an oval-cut sapphire, weighing approximately 14.35 and 14.30 carats, within a vari-cut diamond cluster surround, to the marquise- and circular-cut diamond cluster surmount, mounted in 18K gold, length 5 1/2 cm, pendant is detachable.

With report nos. 49064 and 49065 dated 17 July 2007 from the Swiss Gemological Institute, stating that the sapphires are of Ceylon origin, no indications of heating

Estimate $20 0,0 0 0 -225,0 0 0

192

193

194

195

A Ruby and Diamond Necklace The front designed as a line of vari-cut rubies and diamond flower heads, to the circular-cut diamond line back chain, mounted in 18K white gold, length 16 inches.

Estimate $6 0,0 0 0 - 8 0,0 0 0

PROPERTY OF A LADY

196

A Pair of Diamond Earclips Each designed as a marquise-cut diamond cluster, mounted in 18K white gold, 1/2 inch.

Estimate $20,0 0 0 -3 0,0 0 0

197

A Burmese Ruby and Diamond Ring BULGARI Centering upon an oval-cut ruby, weighing approximately 5.02 carats, within a marquise-cut and pear-shaped diamond surround, mounted in platinum and 18K yellow gold, size 5.

Signed ‘Bulgari’ With report no. 0010085 dated 17 October 2000 from Gübelin Gem Lab, stating that the ruby is of Burma origin, with indications of thermal enhancement

Estimate $50,0 0 0 -70,0 0 0

195

196

197

198

199

PROPERTY OF A LADY

198

An Elegant Pair of Diamond Ear Pendants Each designed as three articulated marquise-cut diamond lines, mounted in 18K white gold, length 1 1/2 inches.

Estimate $32,0 0 0 - 40,0 0 0

PROPERTY OF A LADY

199

A Magnificent Unheated Burma Sapphire and Diamond Necklace Set with an unheated Burmese pear-shaped cabochon sapphire, weighing approximately 42.63 carats, within a marquise-cut diamond cluster surround, from a marquise-cut diamond chain, mounted in 18K white gold, length 17 inches, pendant is detachable.

With report no. 0909039 dated 3 September 2009 from the G端belin Gem Lab, stating that the sapphire is natural, Burma origin, no indications of heating

Estimate $275,0 0 0 -350,0 0 0

PROPERTY OF A LADY

200

An Important Suite of Diamond Jewelry WOLFERS BRUXELLES Comprising a necklace, designed as two flexible rows of circular-cut diamonds, and a bracelet, designed as a similarly set flexible three-row band of circular-cut diamonds, mounted in platinum; necklace length 15 1/2 inches, bracelet length 6 1/2 inches.

With French assay marks and maker’s mark

Estimate $55,0 0 0 -70,0 0 0

201

A Diamond Ring Centering upon three asscher-cut yellow diamonds, weighing approximately 2.37, 1.21 and 1.20 carats, within a pavĂŠ-set diamond surround and shoulders, mounted in platinum and 18K yellow gold, size 7.

Estimate $18,0 0 0 -22,0 0 0

PROPERTY OF A LADY

202

An Exceptional Pair of Turquoise and Diamond Ear Pendants Each designed as a circular-cut diamond swag, accented by pear and oval cabochon turquoise, mounted in 18K white gold, length 2 1/2 inches.

Estimate $12,0 0 0 -15,0 0 0

200

201

200

202

205 204

203

203

An Important Fancy Yellow Diamond

204

An Impressive Fancy Colored Diamond Ring

and Diamond Ring

Set with a heart-shaped fancy grayish yellowish green

Set with a radiant-cut fancy yellow diamond, weighing

diamond, weighing approximately 5.49 carats, within a

approximately 10.19 carats, within a pavĂŠ-set diamond

circular-cut pink diamond surround, to the circular pink

surround, to the pavĂŠ-set diamond shoulders, mounted in

diamond gallery and shoulders, mounted in 18K rose gold,

platinum, size 6 (illustrated unmounted).

size 6 1/4.

With report no. 16930201 dated 21 March 21 2008 from the Gemological

With report no. 2105819965 dated 15 June 2009 from the Gemological

Institute of America, stating that the diamond is natural fancy yellow

Institute of America stating that the diamond is natural Fancy Grayish

color, VVS2 clarity

Green color, SI1 clarity

Estimate $18 0,0 0 0 -20 0,0 0 0

Estimate $70,0 0 0 -9 0,0 0 0

205

A Unique Multi-Colored Diamond and Platinum Bracelet Designed as a circular-cut diamond lattice work band, accented by vari-cut, fancy-colored diamonds, mounted in platinum, length 7 1/2 inches.

Estimate $75,0 0 0 -10 0,0 0 0

206

206

An Elegant Diamond Long Chain Necklace Designed a a vari-cut spectacle-set diamond long chain, each diamond enhanced by pavĂŠ-set diamond borders, mounted in 18K yellow gold, length 55 inches. divides into a longchain 48 inches, and a bracelet, 7 inches.

Total weight for the vari-cut diamonds is approximately 54.46 carats Total weight for the pavĂŠ-set diamonds is approximately 7.68 carats

Estimate $10 0,0 0 0 -120,0 0 0

207

A Suite of Cultured Pearl Jewelry Comprising a necklace, of twenty-nine cultured pearls, measuring from approximately 14.00 to 17.00 mm, joined by a pavĂŠ-set diamond spherical clasp; and a pair of cultured pearl earrings, measuring approximately 14.35 and 14.40 mm, necklace mounted in 18K white gold; length 46 cm, earrings mounted in 14K white gold.

Estimate $17,0 0 0 -20,0 0 0

208

A Diamond Eternity Band Designed as a series of sixteen circular-cut diamonds, mounted in 18K white gold, size 6 1/2.

Total diamond weight is approximately 4.40 carats

Estimate $4,0 0 0 - 6,0 0 0

209

A Pair of Diamond Earclips Each designed as a pavĂŠ-set diamond flower, centering upon a rectangular-cut diamond, weighing approximately 1.10 and 1.12 carats, mounted in 18K white gold, length 1 inch.

With report no. 16932113 dated 24 March 2008 from the Gemological Institute of America, stating that the diamond weighing 1.10 carats is D color, VS2 clarity With report no. 16768400 dated 28 December 2007 from the Gemological Institute of America, stating that the diamond weighing 1.12 carats is D color, VVS2 clairity

Estimate $10,0 0 0 -15,0 0 0

207

208

209

210

210

A Magnificent Pair of Columbian Emerald and

211

An Important Pair of Fancy Intense Yellow Diamond

Diamond Ear Pendants

and Diamond Ear Pendants

Each suspending a pear-shaped emerald, weighing

Each suspending a radiant-cut fancy intense yellow diamond,

approximately 18.44 and 16.06 carats, from a marquise-

weighing approximately 3.44 and 4.02 carts, from a cushion-

cut diamond cluster surmount, mounted in platinum and

cut diamond surmount, weighing approximately 1.06 and

18K yellow gold, length 1 3/4 inches, emerald drops are

1.12 carats, within pavĂŠ-set diamond surrounds, mounted in

detachable.

platinum and 18K yellow gold, length 1 inch.

With report no. CS 37228 dated 24 August 2004 from the American

With report no. 15844297 dated 14 May 2007 from the Gemological

Gemological Laboratories, stating that the emerald weighing 18.44

Institute of America, stating that the radiant-cut diamond weighing

carats is of Classic Columbian origin, faint to moderate clarity

3.44 carats is Fancy Intense Yellow color, VS2 clarity

enhancement

With report no. 15870498 dated 24 May 2007 from the Gemological

With report no. CS 37227 dated 24 August 2004 from the American

Institute of America, stating that the radiant-cut diamond weighing

Gemological Laboratories, stating that the emerald weighing 16.06

4.02 carats is Fancy Intense Yellow color, VS1 clarity

carats is of Classic Columbian origin, faint to moderate clarity

With report no. 16227021 dated 16 August 2007 from the Gemological

enhancement

Institute of America, stating that the cushion-cut diamond weighing

Estimate $150,0 0 0 -20 0,0 0 0

1.06 carats is E color, VS1 clarity With report no. 16226928 dated 9 August 2007 from the Gemological Institute of America, stating that the cushion-cut diamond weighing 1.12 carats is D color, VS1 clarity

Estimate $8 0,0 0 0 -10 0,0 0 0

211

212

214

213

212

An Art Deco Diamond and Emerald Bracelet

An Emerald and Diamond Ring

Designed as three pierced openwork circular- and baguette-

Set with a square-cut emerald, weighing approximately

cut diamond plaques, each centering upon an old European-

15.32 carats, flanked on either side by a fancy-cut diamond,

cut diamond, enhanced by two cushion-cut emeralds,

mounted in platinum and 18K yellow gold, size, 6 1/2.

mounted in platinum, length 7 inches.

Estimate $22,0 0 0 -3 0,0 0 0

Estimate $15,0 0 0 -20,0 0 0

213

214

A Diamond Watch-Bracelet OMEGA Designed as a baguette, marquise and circular-cut diamond openwork band, centering upon a scrolling pavĂŠ-set and baguette-cut diamond cluster, accented by two pearshaped diamonds, opening to reveal a watch of mechanical movement, the circular white dial, with white gold dot numerals and hands, mounted in platinum, length 6 1/2 inches.

Signed ‘Omega’

Estimate $9,0 0 0 -11,0 0 0

215

215

A Magnificent Pair of Diamond Ear Pendants Each suspending four graduated square- and rectangular-cut diamonds, ranging in weight from 1.29 to 3.07carats, accented by marquise-cut diamonds, mounted in platinum, length 2 1/2 inches.

With eight reports from the Gemological Institute of America, stating that the diamonds range from F-H color and Internally Flawless to SI clarity

Estimate $220,0 0 0 -250,0 0 0

216

An Exceptional Diamond Necklace BOUCHERON Designed as a series of pavé-set diamond geometric links, each centering upon three circular-cut diamonds, to the circular-cut diamond back chain, mounted in 18K white gold, length 14 1/2 inches.

Signed ‘Boucheron’, no. P56519, with a Boucheron box

Estimate $8 0,0 0 0 -10 0,0 0 0

217

A Pair of Diamond Ear Pendants Each suspending a circular-cut diamond, weighing approximately 5.34 and 5.03 carats, from a tapered baguette-cut diamond surmount, mounted in platinum and 18K white gold, length 1 inch.

With report no. 13027024 dated 6 August 2007 from the Gemological Institute of America, stating that the diamond weighing 5.34 carats is H color, VS2 clarity With report no. 14774900 dated 7 April 2007 from the Gemological Institute of America, stating that the diamond weighing 5.03 carats is G color, VS2 clarity

Estimate $18 0,0 0 0 -220,0 0 0

218

A Pair of Diamond and Ruby Clips CARTIER Each designed as a pavé-set diamond geometric dragon, accented by an oval-cut ruby eye, mounted in 18K white gold, length 3/4 inch.

Signed ‘Cartier’, no. 286 55A and 254 08A, with original Cartier red leather box

Estimate $5,0 0 0 -7,0 0 0

216

217

218

219

An Important Fancy Yellow Diamond and Diamond Necklace Designed as a circular-cut diamond line, suspending a graduated series of twenty radiantcut fancy yellow diamonds, ranging from 0.59 to 3.02 carats, from circular-cut diamond surmounts, joined by a radiant-cut fancy yellow diamond clasp, mounted in platinum and 18K yellow gold, length 16 inches.

Total diamond weight of fancy yellow diamonds is approximately 27.82 carats Total weight of the colorless diamonds is approximately 27.85 carats With twenty reports from the Gemological Institute of America dated from 2007 and 2008, stating that the radiant-cut diamonds are Natural, Fancy Yellow color, ranging from Internally Flawless to SI1 clarity (one stone weighing 0.59 carats is Fancy Intense Yellow)

Estimate $150,0 0 0 -18 0,0 0 0

220

An Important Fancy Yellow Diamond and Diamond Bracelet Designed as a graduated series of eighteen radiant-cut fancy yellow diamonds, ranging from 0.78 to 1.63 carats, spaced by circular-cut diamonds, mounted in platinum and 18K yellow gold, length 7 inches.

Total weight of the fancy yellow diamonds is approximately 21.63 carats Total weight of the colorless diamonds is approximately 5.10 carats With eighteen reports from the Gemological Institute of America from 2008, stating that the radiant-cut diamonds are Natural Fancy Yellow color, ranging from Internally Flawless to VS2 clarity

Estimate $75,0 0 0 -10 0,0 0 0

219

220

BIOGRAPHIES OF JEWELERS

Boucheron The Parisian house of Boucheron was founded by Frédéric Boucheron in 1858.

Cindy Chao

It began as a small shop in the Palais Royal and quickly gained recognition when

As a child, Cindy Chao grew up in an environment where her father, a renowned

it was awarded the gold medal at the Paris International Exhibition of 1867. This

Taiwanese art sculptor, mentored her to develop an impeccable eye for details

was the first of many prizes the firm would garner in the following years. In 1893,

and masterful sculpting talent at an early age, which in turn helped define the

their successes led them to a new location in the former mansion of Comtesse de

jewel artist she is today. The signature trademark of Cindy’s art jewelry is her

Castiglione at 26 place Vendôme. Boucheron became the first jeweler to set up

ability to go beyond the confinement of traditional jewelry design and create

a shop in what is now the premier location of haute joaillerie in the world. It was

three-dimensional artworks that can be admired from all angles. Her compelling

from this elegant location that they continued to serve as the jeweler of choice to

aesthetic is perfectly juxtaposed by the intricacy of her craft

the social elite as well as to the royal families of Europe and the Middle East. After the death of Frédéric Boucheron in 1902, his son, Louis, assumed control of the company and opened branches in London, New York, Japan and the Middle East.

David Webb

Today, under the direction of Alain Boucheron, the great-grandson of Frédéric

David Webb began as an assistant in his uncle’s jewelry shop when he was 11

Boucheron, the firm remains one of the premier jewelers of the world.

years old, and at 16 moved to New York to learn more about the design of jewelry.

It was there he met his future business partner, Nina Silbertstein. Together they opened a shop on 47th Street and throughout the 1950s sold Webb’s designs to

Buccellati

high-end shops such as Bergdorf Goodman and Bonwit Teller. Webb opened his

In 1903, Mario Buccellati was hired as an errand-boy by the respected Milanese

own salon on East 57th Street in 1963. His designs were often striking and bold,

jewellers Beltrami & Besnati. Sixteen years later at the age of 28, he bacame the

with innovative use of carved semi-precious and precious stones, crystal and

owner of the firm. He went on to open shops in Rome, Florence and New York, and

enamel. He was especially noted for his representation of animal figures that were

in turn created the style of “texture-engraving” that has become the Buccellati

inspired by Jeanne Toussaint of Cartier. Webb died in 1975, and today his designs

trademark. Today the firm is run by Mario’s grandson, Mario Buccellati II, who

are produced by the Silberstein family under his name.

heads the United States operations in New York City. Servicing a wide range of clients from royalty to movie stars, Buccellati continues to produce jewelry in the distinctive ‘Buccellati’ style throughout the world.

Enigma Established in 1989, originally as a Neuchatel-based watch manufacturing company, Enigma has distinguished itself by creating innovative timepieces such

Bulgari

as a collection of unusual jumping hours, a unique mechanical watch that rewinds

Bulgari was established by Sotirio Bulgari in 1879 in Rome on the Via Sistina.

by turning the bezel, and by setting diamonds on steel cases as early as 1991. In

In 1905, they moved to Via dei Condotti. With his two sons, Constantino and

2003, Enigma introduced and launched a fine jewellery collection and currently

Georgio, Bulgari created the distinctive style which has become synonymous with

has international retail stores in Rome, Geneva and Porto Cervo. Enigma jewels

Bulgari jewelry, inspired by classical and Renaissance art and mosaics. Favoring

are recognizable for their strong, individual designs inspired by Gianni Bulgari,

the use of color over diamonds with unusual bold and striking combinations,

its founder and owner. Gianni Bulgari is the former Chairman and CEO of the

Bulgari is famous for their unique combinations of all types of gemstones. After

eponymous family business, which he left in 1987.

World War II, Bulgari jewels became known for their cabochon-cut gemstones and antique coins set with yellow gold. Today Bulgari has numerous boutiques throughout the world and is run by Paolo and Nicola Bulgari.

Fred Fred was founded in Paris in 1936 at the trendy rue Royale by Fred Samuel. From a young age, Samuel always had a fascination with the sea and pearls. Upon

Cartier

opening his boutique, he became the first jeweler to bring cultured pearls to

Cartier began its illustrious history in Paris in 1847 when Louis-François Cartier

France and distinguished himself by introducing innovative artistic designs. By

took over the workshop of Adolphe Picard on the rue Montorgueil. The firm

doing so, Samuel became the jeweler of choice among the international jet set and

immediately established a reputation for fine craftsmanship and a unique sense

Hollywood celebrities of his time. His success prompted him to expand all over

of style. His three grandsons—Louis, Pierre and Jacques—soon joined the

Europe and in 1977 to North America. In 1995, the LVMH group aquired Fred. The

firm. Louis remained the director of the Paris operation and, in 1899, relocated

main boutique has since moved to Place Vendôme, joining the other important

to the rue de la Paix. Jacques was in charge of London and moved the firm to

names in high jewelry.

its present location on New Bond Street. Pierre opened the New York branch in 1909, and in 1917 moved to the present location at 653 Fifth Avenue. By combining the influences of Russia, the Far East, Egypt and India with some of the greatest

Gérard

design talents of the period, such as Charles Jacqueau and Maurice Couet,

M. Gérard was founded in 1968 by Louis Gérard, who was formerly with Van Cleef

Cartier was able to create a style that was immediately recognizable and attractive

& Arpels. The firm was originally located at 8 avenue Montaigne in Paris and

to the world’s finest clientele. By adhering to the principle of excellence in design

within nine years became the largest French exported of fine jewelry. The company

and craftsmanship, the Cartier family maintained a reputation as one of the

was purchased by a group of American investors in 1985 but remained under the

world’s finest jewelers. In 1972, an investment group led by Joseph Kanoui and

direction of Louis Gérard until he retired. After a brief hiatus he re-opened at 16

Robert Hocq took over the management of Cartier and was responsible for the

avenue Montaigne, calling the firm Louis Gérard, Joaillier International.

creation of ‘Le Must de Cartier.’ Today, Cartier continues to create some of the world’s finest jewelry.

Harry Winston Harry Winston began his legendary career in the jewelry business at the age Carvin French

of 24 when he opened the Premier Diamond Company. He found that by buying

Born in a family of jewelers, schooled and apprenticed in Paris, André Chervin

unwanted or out-of-date jewels from a select clientele he could create new pieces

emigrated to the U.S. in 1951 and with a friend, founded Carvin French Jewelers in

and make a substantial profit. After 12 years, he established a new firm and began

1954. Understanding that the creation of a very fine piece of jewelry necessitated

to manufacture jewels under the Winston name. In the following years he became

many different talents with strong supervisions, both technical and esthetic, he

known as the ‘King of Diamonds’ and was associated with such improtant stones

united his staff under the same roof. He did work for the houses of Cartier, Van

as the Jonker, the Hope, the Star of Sierra Leone and the Taylor-Burton. He gained

Cleef and Arpels, Verdura, R.C. Yard, R. Esmerian, and for Tiffany collaborated

further notoriety when he donated three important stones to the Smithsonian—

with Donald Clafin and Angela Cummings to create new collections. Trained in

the Portuguese, the Hope and the Oppenheimer. In 1962, the company moved to

Paris, his nephew Sylvain joined the firm in 1984. In 1987, Carvin French moved its

their present location on New York’s prestiguous Fifth Avenue. After his death in

operations to larger premises on Madison Avenue.

1978, Winston was succeeded by his son Ronald, who carried on the tradition of supplying ‘Rare Jewels of the World’ to an elite clientele. Today, with branches in Tokyo, Beverly Hills, Geneva, Paris and Monte Carlo, Winston still lives up to the name, ‘The Ultimate Jeweler.’

Jaeger-LeCoultre

Tiffany & Co.

In 1833, Antoine LeCoultre founded his watch company in Switzerland. After

In 1837, Charles Louis Tiffany and John B. Young founded a small shop in New

inventing a machine for measuring the thousandth part of a millimeter, the

York City that sold Chinese bric-a-brac, fans, pottery and stationary under the

company was established as a leader in micromechanics. In 1903 they invented the

name of Tiffany & Young. By 1868, Charles Tiffany had gained complete control of

thinnest movement in the world, and in 1917, Edmond Jaeger joined the company

the company and renamed it Tiffany & Co. Inc. Beginning in 1848, he had begun

and the name changed to Jaeger-LeCoultre. In 1929, they invented the smallest

to emphasize what would eventually become their most important lines—silver

mechanical movement in the world, measuring 14.00 x 4.85 mm. One of their most

and jewelry. By hiring some of the finest designers of the era, such as Paulding

famous designs, the “Reverso,” was produced in 1931 and is still being sold today.

Farnum, and introducing such innovations as the six-prong setting for a diamond solitaire, the company soon gained a worldwide reputation for outstanding quality and design. Louis Comfort Tiffany joined his father and took over the

Mauboussin

direction of the workshops upon his father’s death in 1902. It was during that

Mauboussin was first established in 1827 when a man named Mr. Rocher and

period that Tiffany cemented its position as a world leader in jewelry. Walter

his cousin, Baptiste Noury, opened a jewelry shop in Paris. By 1850, Noury had

Hoving took control of the firm in 1955 and added such design luminaries as Jean

taken control of the firm and was joined by his nephew, Goerges Mauboussin.

Schlumberger and Donald Claflin. By 1974, Paloma Picasso and Elsa Peretti joined

In 1896, Georges Mauboussin became the sole proprietor and the House of

the firm, which continued the tradition of Tiffany’s commitment to innovative

Mauboussin was created. In the following years they contributed to all of the

design.

major international exhibitions and, in 1925, were awarded the Grand Prix at the Exposition de Arts Decoratifs in Paris, where Georges was given the ‘Légion d’ Honneur’ for his contributions to the world of jewelry. The firm soon expanded to

Van Cleef & Arpels

London, Buenos Aires and New York, but due tot he Great Depression, they sold

In 1898, the Parisian firm of Van Cleef & Arpels was founded by Alfred Van Cleef

their American stock to the Jeweler Trabert and Hoffer, along with the right to

and his two brothers-in-law, Charles and Julian Arpels. By 1906 they had achieved

use their name. This association lasted until the 1950s, when the partner ship as

substantial success and moved to the prestigious address of 22 place Vendôme.

dissolved. The firm continues to do busines today at 20 place Vendôme in Paris.

With continued success the company decided to expand to the resort areas of France and several locations abroad. Van Cleef & Arpels soon had a reputation for fine quality as well as innovation. Among these innovations was the minaudière, a

Margherita Burgener

small evening case with fitted accessories to meet the needs of society ladies, and

The designer Emanuela Burgener signs her creations in the name of Margherita,

employing the technique of ‘invisible setting,’ which allowed precious stones to

her eldest daughter, to whom her jewels are dedicated. Her designs are strikingly

be set with no indication of the setting. When the second generation entered the

modern and fashionable yet maintain the noble traditions of classical Italian

business, they decided to develop a concept that would increase sales among the

jewellery with the exceptional and meticulous craftsmanship established by

younger generation by appealing to its more casual lifestyle. Van Cleef & Arpels

Margherita’s grandfather. In 1966, he founded the Valenza workshop, in northern

introduced ‘the boutique’ concept in Paris in 1954 and in New York in 1957. Soon

Italy, where the family continues to work exclusively. A passion and love for the

thereafter, many of the leading jewelry houses of the world soon adopted this

lively colours of aquamarine and other coloured precious gemstones, selected

concept. The firm continues in business today and remains one the world’s finest

for their highest quality from all over the world, underlie Margherita Burgener’s

jewelers.

creations.

Michele Della Valle Michele della Valle, who was born in Rome in 1947, began designing costume jewelry at the age of 16. During a trip to Burma in 1976, della Valle purchased his first stone, and on the advice of friends, he showed it to Roger Varenne, the legendary stone dealer, who suggested that he take the gem to Christie’s. His meeting with Hans Nadelhoffer, who was running the jewelry department at the time, was the motivating factor that contributed to the significant development of della Valle’s career as a precious stone dealer and jewelry designer. In 1976, he worked for a year at Fürst Jewellers in Via Veneto, Rome, which was then the representative of Harry Winston. In 1978, della Valle opened his own workshop in Rome’s Plaza di Spagna and began traveling regularly to Asia in search of precious stones. This was the beginning of a collaboration with Bulgari on special orders, and his recognition as a new designer by a clientele of film stars and opera singers throughout Italy. In 1987, he moved to Geneva and developed a line of jewelry which now bears his name.

Suzanne Belperron Suzanne Belperron (1900-1983) began her career in jewellery in 1921 when she was hired by Jeanne Boivin as a salesperson. During her 10-year stay at Boivin she developed a bold and innovative style that would later propel her to the top of the fashion world. Using the influence of ancient Egyptian art and the marriage of fine stones with non-precious materials she was able to create a look that was uniquely hers. Upon leaving Boivin in 1933 she joined with the pearl merchant Bernard Herz and here enjoyed an artistic freedom that allowed her to fully explore her innovative designs. The personal nature of her jewellery attracted a large list of prominent clients such as Elsa Schiaparelli, Collete and Fred Astaire. In 1945 she entered into a partnership with Herz’s son, Jean. This collaboration, which became Herz-Belperron continued until her retirement in 1974.

INDEX

Aletto Brothers 89, 120 Boucheron 19, 42, 83, 163, 164, 165, 174, 216 Breguet 107 Buccellati 36, 43, 44, 45, 46, 47, 48, 49 Bulgari 11, 161, 197 Cartier 26, 27, 28, 40, 58, 138, 143, 218 Carvin French 193 Chopard 12 Cindy Chao 188 David Webb 1, 2, 4, 5, 23, 56, 73, 74, 75 De Grisogono 97

M. Gerard 20, 151 Marchak 18

Enigma 7, 68, 70, 95, 98, 159, 160

Margherita Burgener 8, 9, 10, 61, 62, 63, 78, 84, 87,

Faberge 131

Mellerio 54

Fred 150

Michele Della Valle 66, 71, 90, 91, 93, 147, 173, 195

Harry Winston 60

Nardi 13

Jaeger Le Coultre 29

Omega 142, 213

111, 121

Oscar Heyman 57, 134 Kwiat 92, 154 S. Founès 181 Suzanne Belperon 35 Tiffany & Co. 105, 117, 130 “Tiffany & Co., Schlumberger” 24, 30, 37 Trabert & Hoeffer for Maboussin 31 Van Cleef & Arpels 6, 21, 39, 65, 137, 153, 191 Wolfers Bruxelles 200

MUSIC 129(0%(5 129(0%(5 /21'21

NEWYORK NEW YORK NEWYORK '(&(0%(5 '(&(0%(5 1(: <25.

1(: <25.

NOW SEX 0$5&+ 0$5&+ 1(: <25.

1(: <25.

0$5&+ 0$5&+ /21'21

AFRICA BRIC FILM ITALIA 0$5&+ 1(: <25.

80s -81( -81( 1(: <25.

1(: <25.

$35,/ $35,/ /21'21

NO RESERVE -8/< -8/< / /21'21

JAPAN MUSIC 129(0%(5 129(0%(5 /21'21

129(0%(5 129(0%(5 1(: <25.

1(: <25.

$35,/ 1(: <25.

NOW 6(37(0%(5 6(37(0%(5 /21'21

-81( -81( /21'21

LATIN AMERICA ERICA 2&72%(5 2&72%(5 1(: <25.

1(: <25.

BLACK NO & RESERVE WHITE '(&(0%(5 '(&(0%(5 /21'21

'(&(0%(5 '(&(0%(5 1(: <25.

1(: <25.

A Turquoise and Gold ‘Button’ Bracelet SEAMAN SCHEPPS

A Multi-Gem t G and Gold G ‘Eva’ Ring TITO PEDRINI

Estimate $5,000-7,000

Estimate $3,500-5,000

Highlight s from our upcoming auction

NEW YORK NEW YORK CONTEMPORARY ART PHOTOGRAPHS DESIGN EDITIONS JEWELRY On view 4 - 8 December 2009 The Mark Hotel 992 Madison Avenue at 77th Street New York 8 -12 December 2009 Phillips de Pury & Company 450 West 15 Street New York

AUCTION 12 DECEMBER 2009 2pm NEW YORK Viewing 5 - 12 December Phillips de Pury & Company 450 West 15 Street New York 10011 Enquiries +1 212 940 1210 Catalogues +1 212 940 1240 / +44 20 7318 4039 www.phillipsdepury.com

A Pair of Cultured Pearl, Diamond, Platinum and Steel Ear Pendants TAFFIN

An ART DECO Platinum and White Gold Watch TIFFANY & CO

A Gold, Diamond and Emerald Lion Bracelet DAVID WEBB

Estimate $9,000-12,000

Estimate $1,200-1,800

Estimate $8,000-10,000

A Pair of Cultured Pearl and Gold Cufflinks TIFFANY & CO., SCHLUMBERGER

An Art Deco Ruby and Diamond Ring RAYMOND YARD

A Pair of Amber and Gold ‘Cage’ Earclips SEAMAN SCHEPPS

Estimate $800-1,200

Estimate $17,500-19,000

Estimate $2,500-3,000

GUIDE FOR PROSPECTIVE BUYERS BUYING AT AUCTION The following pages are designed to offer you information on how to buy at auction at Phillips de Pury & Company. Our staff will be happy to assist you.

CONDITIONS OF SALE The Conditions of Sale and Authorship Warranty which appear later in this catalogue govern the auction. Bidders are strongly encouraged to read them as they outline the legal relationship among Phillips, the seller and the buyer and describe the terms upon which property is bought at auction. Please be advised that Phillips de Pury & Company generally acts as agent for the seller.

BUYER’S PREMIUM Phillips de Pury & Company charges the successful bidder a commission, or buyer’s premium, on the hammer price of each lot sold. The buyer’s premium is payable by the buyer as part of the total purchase price at the following rates: 25% of the hammer price up to and including $50,000, 20% of the portion of the hammer price above $50,000 up to and including $1,000,000 and 12% of the portion of the hammer price above $1,000,000.

1 PRIOR TO AUCTION Catalogue Subscriptions If you would like to purchase a catalogue for this auction or any other Phillips de Pury & Company sale, please contact us at +1 212 940 1240 or +44 20 7318 4010.

Pre-Sale Estimates Pre-Sale estimates are intended as a guide for prospective buyers. Any bid within the high and low estimate range should, in our opinion, offer a chance of success.

However, many lots achieve prices below or above the pre-sale estimates. Where “Estimate on Request” appears, please contact the specialist department for further information. It is advisable to contact us closer to the time of the auction as estimates can be subject to revision. Pre-sale estimates do not include the buyer’s premium or any applicable taxes.

Pre-Sale Estimates In Pounds Sterling And Euros Although the sale is conducted in US dollars, the pre-sale estimates in the auction catalogues may also be printed in pounds sterling and/or euros. Since the exchange rate is that at the time of catalogue production and not at the date of auction, you should treat estimates in pounds sterling or euros as a guide only.

Catalogue Entries Phillips may print in the catalogue entry the history of ownership of a work of art, as well as the exhibition history of the property and references to the work in art publications. While we are careful in the cataloguing process, provenance, exhibition and literature references may not be exhaustive and in some cases we may intentionally refrain from disclosing the identity of previous owners. Please note that all weights set forth in the catalogue entry are approximate, whether or not qualified by the terms “stated to be” or “approximately.” Catalogue illustrations are rarely actual size and cannot be used as precise indications of size or weight.

Gemological Reports As a matter of policy, Phillips de Pury & Company will obtain gemological reports from officially recognized laboratories for certain gemstones offered for sale. A summary of these reports is included in the catalogue description for a lot, and a copy of the report is available upon request. Reports from American gemological laboratories used by Phillips de Pury & Company will generally disclose heat enhancement or treatment of colored gemstones. European gemological laboratory reports will disclose heat enhancement only if specifically requested but will generally confirm when no heat enhancement or treatment has been made.

Variations in approach and technology used by different gemological laboratories may result in a lack of consensus among reports as to whether any particular gemstone has been treated, the extent of treatment and whether treatment is permanent.

It is not feasible for Phillips de Pury & Company to obtain such reports for all gemstones offered at auction. Prospective buyers should, therefore, bear in mind that colored gemstones offered for sale without a gemological report or a specific statement in the catalogue entry may have been treated to enhance color, transparency or clarity. Enhancement of colored gemstones may affect market value, and our pre-sale estimates reflect the assumption that any colored gemstone not described in the catalogue entry as natural may have been treated.

Pre-Auction Viewing Pre-auction viewings are open to the public and free of charge. Our specialists are available to give advice and condition reports at viewings or by appointment.

Symbol Key The following key explains the symbols you may see inside this catalogue.

O Guaranteed Property The seller of lots with this symbol has been guaranteed a minimum price. The guarantee may be provided by Phillips de Pury & Company, by a third party or jointly by us and a third party. Phillips de Pury & Company and third parties providing or participating in a guarantee may benefit financially if a guaranteed lot is sold successfully and may incur a loss if the sale is not successful.

∆ Property In Which Phillips De Pury & Company Has An Ownership Interest Lots with this symbol indicate that Phillips de Pury & Company owns the lot in whole or in part or has an economic interest in the lot equivalent to an ownership interest.

•

No Reserve Unless indicated by a , all lots in this catalogue are offered subject to a reserve. A reserve is the confidential value established between Phillips de Pury & Company and the seller and below which a lot may not be sold. The reserve for each lot is generally set at a percentage of the low estimate and will not exceed the low pre-sale estimate.

•

2 BIDDING IN THE SALE Bidding At Auction Bids may be executed during the auction in person by paddle or by telephone or prior to the sale in writing by absentee bid. Proof of identity in the form of government issued identification will be required, as will an original signature.

We may also require that you furnish us with a bank reference.

Bidding In Person To bid in person, you will need to register for and collect a paddle before the auction begins. New clients are encouraged to register at least 48 hours in advance of a sale to allow sufficient time for us to process your information. All lots sold will be invoiced to the name and address to which the paddle has been registered and invoices cannot be transferred to other names and addresses. Please do not misplace your paddle. In the event you lose it, inform a Phillips de Pury & Company staff member immediately. At the end of the auction, please return your paddle to the registration desk.

Bidding By Telephone If you cannot attend the auction, you may bid live on the telephone with one of our multi-lingual staff members. This service must be arranged at least 24 hours in advance of the sale and is available for lots whose low pre-sale estimate is at least $1000. Telephone bids may be recorded. By bidding on the telephone, you consent to the recording of your conversation. We suggest that you leave a maximum bid, excluding the buyer’s premium and any applicable taxes, which we can execute on your behalf in the event we are unable to reach you by telephone.

Absentee Bids If you are unable to attend the auction and cannot participate by telephone, Phillips de Pury & Company will be happy to execute written bids on your behalf.

A bidding form can be found at the back of this catalogue. This service is free and confidential. Bids must be placed in the currency of the sale. Our staff will attempt to execute an absentee bid at the lowest possible price taking into account the reserve and other bidders. Always indicate a maximum bid, excluding the buyer’s premium and any applicable taxes. Unlimited bids will not be accepted. Any absentee bid must be received at least 24 hours in advance of the sale. In the event of identical bids, the earliest bid received will take precedence.

Employee Bidding Employees of Phillips de Pury & Company and our affiliated companies, including the auctioneer, may bid at the auction by placing absentee bids so long as they do not know the reserve when submitting their absentee bids and otherwise comply with our employee bidding procedures.

Bidding Increments Bidding generally opens below the low estimate and advances in increments of up to 10%, subject to the auctioneer’s discretion. Absentee bids that do not conform to the increments set below may be lowered to the next bidding increment.

Country of Origin While Phillips de Pury & Company attempts to obtain accurate information on the country of origin of gemstones, we do not guarantee the correctness of the catalogue or other descriptions of gemstones including country of origin.

$50 to $1,000 $1,000 to $2,000 $2,000 to $3,000 $3,000 to $5,000

Condition Of Lots Our catalogues include references to condition only in the descriptions of multiple works (e.g., g prints). Such references, though, do not amount to a full description of condition. The absence of reference to the condition of a lot in the catalogue entry does not imply that the lot is free from faults or imperfections. Solely as a convenience to clients, Phillips de Pury & Company may provide condition reports.

In preparing such reports, our specialists assess the condition in a manner appropriate to the estimated value of the property and the nature of the auction in which it is included. While condition reports are prepared honestly and carefully, our staff are not professional gemologists or trained conservators. We therefore encourage all prospective buyers to inspect the property at the pre-sale exhibitions and to review the gemological report if one is available. We also recommend, particularly in the case of any lot of significant value, that you retain your own professional advisor to report to you on the property’s condition prior to bidding.

$5,000 to $10,000 $10,000 to $20,000 $20,000 to $30,000 $30,000 to $50,000 $50,000 to $100,000 $100,000 to $200,000 above $200,000

by $50s by $100s by $200s by $200s, 500, 800 (i.e. $4,200, 4,500, 4,800) by $500s by $1,000s by $2,000s by $2,000s, 5,000, 8,000 by $5,000s by $10,000s auctioneer’s discretion

The auctioneer may vary the increments during the course of the auction at his or her own discretion.

3 THE AUCTION Conditions of Sale As noted above, the auction is governed by the Conditions of Sale and Authorship Warranty. All prospective bidders should read them carefully. They may be amended by saleroom addendum or auctioneer’s announcement.

Interested Parties Announcement In situations where a person allowed to bid on a lot has a direct or indirect interest in such lot, such as the beneficiary or executor of an estate selling the lot, a joint owner of the lot or a party providing or participating in a guarantee on the lot, Phillips de Pury & Company will make an announcement in the saleroom that interested parties may bid on the lot.

Consecutive and Responsive Bidding The auctioneer may open the bidding on any lot by placing a bid on behalf of the seller. The auctioneer may further bid on behalf of the seller up to the amount of the reserve by placing consecutive bids or bids in response to other bidders.

4 AFTER THE AUCTION Payment Buyers are required to pay for purchases immediately following the auction unless other arrangements are agreed with Phillips de Pury & Company in writing in advance of the sale. Payments must be made in US dollars either by cash, check drawn on a US bank or wire transfer, as noted in Paragraph 6 of the Conditions of Sale. It is our corporate policy not to make or accept single or multiple payments in cash or cash equivalents in excess of US$10,000.

Credit Cards As a courtesy to clients, Phillips de Pury & Company will accept American Express, Visa and Mastercard to pay for invoices of $10,000 or less.

Collection It is our policy to request proof of identity on collection of a lot. A lot will be released to the buyer or the buyer’s authorized representative when Phillips de Pury & Company has received full and cleared payment and we are not owed any other amount by the buyer. All purchased lots should be collected at our premises at 450 West 15th Street, New York, New York during our regular weekday business hours. We will levy interest, storage and handling charges on uncollected lots.

Loss or Damage Buyers are reminded that Phillips de Pury & Company accepts liability for loss or damage to lots for a maximum of five days following the auction.

Transport and Shipping As a free service for buyers, Phillips de Pury & Company will wrap purchased lots for hand carry only. We will, at the buyer’s expense, either provide packing, handling and shipping services or coordinate with shipping agents instructed by the buyer in order to facilitate such services for property purchased at Phillips de Pury & Company. Please refer to Paragraph 7 of the Conditions of Sale for more information.

Export and Import Licenses Before bidding for any property, prospective bidders are advised to make independent inquiries as to whether a license is required to export the property from the United States or to import it into another country. It is the buyer’s sole responsibility to comply with all import and export laws and to obtain any necessary licenses or permits. The denial of any required license or permit or any delay in obtaining such documentation will not justify the cancellation of the sale or any delay in making full payment for the lot.

Endangered Species Items made of or incorporating plant or animal material, such as coral, crocodile, ivory, whalebone, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value, may require a license or certificate prior to exportation and additional licenses or certificates upon importation to any foreign country. Please note that the ability to obtain an export license or certificate does not ensure the ability to obtain an import license or certificate in another country, and vice versa. We suggest that prospective bidders check with their own government regarding wildlife import requirements prior to placing a bid. It is the buyer’s sole responsibility to obtain any necessary export or import licenses or certificates as well as any other required documentation. The denial of any required license or certificate or any delay in obtaining such documentation will not justify the cancellation of the sale or any delay in making full payment for the lot.

IMPORTANT NOTICE TO ALL PURCHASERS OF COLORED GEMSTONES Clients are advised that many colored gemstones are treated to enhance their properties. For example, heating is commonly used to improve the color or transparency of rubies and sapphires; oiling is commonly used to enhance the clarity of emeralds. Such enhancement procedures are widely accepted by the international jewelry profession. While heat enhancement of color is generally believed to be permanent, the process may impact the durability of the gemstone and special care of the stone may be required over time. Gemstones which have been oiled may need to be re-oiled after a period of years to retain their maximum clarity.

IMPORTANT NOTICE TO ALL PURCHASERS OF WATCHES Phillips de Pury & Company makes no representation or warranty that any watch is in working order, and no catalogue description of any lot should be construed as so stating. Prospective buyers are advised to have watches checked by a competent watchmaker before use. The description of the condition of watches, including

references to defects and repairs, in the catalogue entry and any condition report is provided as a service to prospective buyers but is not necessarily complete and may not specify all mechanical replacements, restorations or defects. Please note that Phillips de Pury & Company does not guarantee the authenticity of any individual component parts, such as wheels, hands, crowns, crystals, screws, bracelets and leather bands, since prior repairs and restoration work may have resulted in the replacement of original parts. Prospective buyers should inspect all watches prior to the auction to evaluate the condition or property offered for the sale.

Please refer to the Symbol Key above for information about Rolex, Piaget, Franck Muller and Corum watches that we are offering for sale.

CONDITIONS OF SALE The Conditions of Sale and Authorship Warranty set forth below govern the relationship between bidders and buyers, on the one hand, and Phillips de Pury & Company and sellers, on the other hand. All prospective buyers should read these Conditions of Sale and Authorship Warranty carefully before bidding.

1 INTRODUCTION Each lot in this catalogue is offered for sale and sold subject to: (a) the Conditions of Sale and Authorship Warranty; (b) additional notices and terms printed in other places in this catalogue, including the Guide for Prospective Buyers, and (c) supplements to this catalogue or other written material posted by Phillips de Pury & Company in the saleroom, in each case as amended by any addendum or announcement by the auctioneer prior to the auction.

By bidding at the auction, whether in person, through an agent, by written bid, by telephone bid or other means, bidders and buyers agree to be bound by these Conditions of Sale, as so changed or supplemented, and Authorship Warranty.

These Conditions of Sale, as so changed or supplemented, and Authorship Warranty contain all the terms on which Phillips de Pury & Company and the seller contract with the buyer.

2 PHILLIPS de PURY & COMPANY AS AGENT Phillips de Pury & Company acts as an agent for the seller, unless otherwise indicated in this catalogue or at the time of auction. On occasion, Phillips de Pury & Company may own a lot, in which case we will act in a principal capacity as a consignor, or may have a legal, beneficial or financial interest in a lot as a secured creditor or otherwise.

3 CATALOGUE DESCRIPTIONS AND CONDITION OF PROPERTY Lots are sold subject to the Authorship Warranty, as described in the catalogue (unless such description is changed or supplemented, as provided in Paragraph 1 above) and in the condition that they are in at the time of the sale on the following basis. (a) The knowledge of Phillips de Pury & Company in relation to each lot is partially dependent on information provided to us by the seller, and Phillips de Pury & Company is not able to and does not carry out exhaustive due diligence on each lot. Prospective buyers acknowledge this fact and accept responsibility for carrying out inspections and investigations to satisfy themselves as to the lots in which they may be interested. Notwithstanding the foregoing, we shall exercise such reasonable care when making express statements in catalogue descriptions or condition reports as is consistent with our role as auctioneer of lots in this sale and in light of (i) the information provided to us by the seller, (ii) scholarship and technical knowledge and (iii) the generally accepted opinions of relevant experts, in each case at the time any such express statement is made. (b) Each lot offered for sale at Phillips de Pury & Company is available for inspection by prospective buyers prior to the auction. Phillips de Pury & Company accepts bids on lots on the basis that bidders (and independent experts on their behalf, to the extent appropriate given the nature and value of the lot and the bidder’s own expertise) have fully inspected the lot prior to bidding and have satisfied themselves as to both the condition of the lot and the accuracy of its description. (c) As a matter of policy, Phillips de Pury & Company will obtain gemological reports from officially recognized laboratories for certain gemstones offered for sale. A summary of these reports is included in the catalogue description for a lot, and a copy of the report is available upon request. Reports from American gemological laboratories used by Phillips de Pury & Company will generally disclose heat enhancement or treatment of colored gemstones. European gemological laboratory reports will disclose heat enhancement only if specifically requested but will generally confirm when no heat enhancement or treatment has been made. Variations in approach and technology used by different gemological laboratories may result in a lack of consensus among reports as to whether any particular gemstone has been treated, the extent of treatment and whether treatment is permanent.

It is not feasible for Phillips de Pury & Company to obtain such reports for all gemstones offered at auction. Prospective buyers should, therefore, bear in mind that colored gemstones offered for sale without a gemological report or a specific statement in the catalogue entry may have been treated to enhance color, transparency or clarity. Enhancement of colored gemstones may affect market value, and our pre-sale estimates reflect the assumption that any colored gemstone not described in the catalogue entry as natural may have been treated. (d) Prospective buyers acknowledge that many lots are of an age and type which means that they are not in perfect condition. As a courtesy to clients, Phillips de Pury & Company may prepare and provide condition reports to assist prospective buyers when they are inspecting lots. Catalogue descriptions and condition reports may make reference to particular imperfections of a lot, but bidders should note that lots may have other faults not expressly referred to in the catalogue or condition report. All weights are approximate, whether or not qualified by the terms “stated to be” or “approximate.” Illustrations are for identification purposes only and cannot be used as precise indications of size or weight or to convey full information as to the actual condition of lots. (e) While Phillips de Pury & Company attempts to obtain accurate information on the country of origin of the gemstones offered for sale, we do not guarantee the accuracy of the catalogue or other description of such information.

(f) Information provided to prospective buyers in respect of any lot, including any pre-sale estimate, whether written or oral, and information in any catalogue, condition or other report, commentary or valuation, is not a representation of fact but rather a statement of opinion held by Phillips de Pury & Company. Any presale estimate may not be relied on as a prediction of the selling price or value of the lot and may be revised from time to time by Phillips de Pury & Company in our absolute discretion. Neither Phillips de Pury & Company nor any of our affiliated companies shall be liable for any difference between the pre-sale estimates for any lot and the actual price achieved at auction or upon resale.

4 BIDDING AT AUCTION (a) Phillips de Pury & Company has absolute discretion to refuse admission to the auction or participation in the sale. All bidders must register for a paddle prior to bidding, supplying such information and references as required by Phillips de Pury & Company. (b) As a convenience to bidders who cannot attend the auction in person, Phillips de Pury & Company may, if so instructed by the bidder, execute written absentee bids on a bidder’s behalf. Absentee bidders are required to submit bids on the “Absentee Bid Form,” a copy of which is printed in this catalogue or otherwise available from Phillips de Pury & Company. Bids must be placed in the currency of the sale. The bidder must clearly indicate the maximum amount he or she intends to bid, excluding the buyer’s premium and any applicable sales or use taxes. The auctioneer will not accept an instruction to execute an absentee bid which does not indicate such maximum bid. Our staff will attempt to execute an absentee bid at the lowest possible price taking into account the reserve and other bidders. Any absentee bid must be received at least 24 hours in advance of the sale. In the event of identical bids, the earliest bid received will take precedence. (c) Telephone bidders are required to submit bids on the “Telephone Bid Form,” a copy of which is printed in this catalogue or otherwise available from Phillips de Pury & Company. Telephone bidding is available for lots whose low pre-sale estimate is at least $1000. Phillips de Pury & Company reserves the right to require written confirmation of a successful bid from a telephone bidder by fax or otherwise immediately after such bid is accepted by the auctioneer. Telephone bids may be recorded and, by bidding on the telephone, a bidder consents to the recording of the conversation. (d) When making a bid, whether in person, by absentee bid or on the telephone, a bidder accepts personal liability to pay the purchase price, as described more fully in Paragraph 6 (a) below, plus all other applicable charges unless it has been explicitly agreed in writing with Phillips de Pury & Company before the commencement of the auction that the bidder is acting as agent on behalf of an identified third party acceptable to Phillips de Pury & Company and that we will only look to the principal for such payment. (e) Arranging absentee and telephone bids is a free service provided by Phillips de Pury & Company to prospective buyers. While we undertake to exercise reasonable care in undertaking such activity, we cannot accept liability for failure to execute such bids except where such failure is caused by our willful misconduct. (f) Employees of Phillips de Pury & Company and our affiliated companies, including the auctioneer, may bid at the auction by placing absentee bids so long as they do not know the reserve when submitting their absentee bids and otherwise comply with our employee bidding procedures.

5 CONDUCT OF THE AUCTION each lot is offered subject to a (a) Unless otherwise indicated by the symbol reserve, which is the confidential minimum selling price agreed by Phillips de Pury & Company with the seller. The reserve will not exceed the low pre-sale estimate at the time of the auction.

•

(b)The auctioneer has discretion at any time to refuse any bid, withdraw any lot, re-offer a lot for sale (including after the fall of the hammer) if he or she believes there may be error or dispute and take such other action as he or she deems reasonably appropriate. (c) The auctioneer will commence and advance the bidding at levels and in increments he or she considers appropriate. In order to protect the reserve on any lot, the auctioneer may place one or more bids on behalf of the seller up to the reserve without indicating he or she is doing so, either by placing consecutive bids or bids in response to other bidders. (d) The sale will be conducted in US dollars and payment is due in US dollars.

For the benefit of international clients, pre-sale estimates in the auction catalogue may be shown in pounds sterling and/or euros and, if so, will reflect approximate exchange rates. Accordingly, estimates in pounds sterling or euros should be treated only as a guide. A currency converter may be used during the auction as a convenience for bidders. Errors may occur in the currency conversion process, and Phillips de Pury & Company shall accept no responsibility for any such mistakes. (e) Subject to the auctioneer’s reasonable discretion, the highest bidder accepted by the auctioneer will be the buyer and the striking of the hammer marks the acceptance of the highest bid and the conclusion of a contract for sale between the seller and the buyer. Risk and responsibility for the lot passes to the buyer as set forth in Paragraph 7 below. (f) If a lot is not sold, the auctioneer will announce that it has been “passed,” “withdrawn,” “returned to owner” or “bought-in.” (g) Any post-auction sale of lots offered at auction shall incorporate these Conditions of Sale and Authorship Warranty as if sold in the auction.

6 PURCHASE PRICE AND PAYMENT (a) The buyer agrees to pay us, in addition to the hammer price of the lot, the buyer’s premium and any applicable sales tax (the “Purchase Price”). The buyer’s premium is 25% of the hammer price up to and including $50,000, 20% of the portion of the hammer price above $50,000 up to and including $1,000,000 and 12% of the portion of the hammer price above $1,000,000. (b) Sales tax, use tax and excise and other taxes are payable in accordance with applicable law. All prices, fees, charges and expenses set out in these Conditions of Sale are quoted exclusive of applicable taxes. Phillips de Pury & Company will only accept valid resale certificates from US dealers as proof of exemption from sales tax. All foreign buyers should contact the Client Accounting Department about tax matters. (c) Unless otherwise agreed, a buyer is required to pay for a purchased lot immediately following the auction regardless of any intention to obtain an export or import license or other permit for such lot. Payments must be made by the invoiced party in US dollars either by cash, check drawn on a US bank or wire transfer, as follows: (i) Phillips de Pury & Company will accept payment in cash provided that the total amount paid in cash or cash equivalents does not exceed US$10,000. Buyers paying in cash should do so in person at our Client Accounting Desk at 450 West 15th Street, Third Floor, during regular weekday business hours. (ii) Personal checks and banker’s drafts are accepted if drawn on a US bank and the buyer provides to us acceptable government issued identification. Checks and banker’s drafts should be made payable to “Phillips de Pury & Company LLC.” If payment is sent by mail, please send the check or banker’s draft to the attention of the Client Accounting Department at 450 West 15th Street, New York, NY 10011 and make sure that the sale and lot number is written on the check. Checks or banker’s drafts drawn by third parties will not be accepted. (iii) Payment by wire transfer may be sent directly to Phillips de Pury & Company.

Bank transfer details: Citibank 322 West 23rd Street, New York, NY 10011 SWIFT Code: CITIUS33 ABA Routing: 021 000 089 For the account of Phillips de Pury & Company LLC Account no.: 58347736 Please reference the relevant sale and lot number. (d) Title in a purchased lot will not pass until Phillips de Pury & Company has received the Purchase Price for that lot in cleared funds. Phillips de Pury & Company is not obliged to release a lot to the buyer until title in the lot has passed and appropriate identification has been provided, and any earlier release does not affect the passing of title or the buyer’s unconditional obligation to pay the Purchase Price.

7 COLLECTION OF PROPERTY (a) Phillips de Pury & Company will not release a lot to the buyer until we have received payment of its Purchase Price in full in cleared funds, the buyer has paid all outstanding amounts due to Phillips de Pury & Company or any of our affiliated companies, including any charges payable pursuant to Paragraph 8 (a) below, and the buyer has satisfied such other terms as we in our sole discretion shall require, including completing any anti-money laundering or anti-terrorism financing checks.

As soon as a buyer has satisfied all of the foregoing conditions, he or she should contact our Shipping Department at +1 212 940 1372 or +1 212 940 1373 to arrange for collection of purchased property. (b) The buyer must arrange for collection of a purchased lot within five days of the date of the auction. All purchased lots should be collected at our premises at 450 West 15th Street, New York, New York during our regular weekday business hours.

Purchased lots are at the buyer’s risk, including the responsibility for insurance, from the earlier to occur of (i) the date of collection or (ii) five days after the auction. Until risk passes, Phillips de Pury & Company will compensate the buyer for any loss or damage to a purchased lot up to a maximum of the Purchase Price paid, subject to our usual exclusions for loss or damage to property. (c) As a courtesy to clients, Phillips de Pury & Company will, without charge, wrap purchased lots for hand carry only. We will, at the buyer’s expense, either provide packing, handling, insurance and shipping services or coordinate with shipping agents instructed by the buyer in order to facilitate such services for property bought at Phillips de Pury & Company. Any such instruction, whether or not made at our recommendation, is entirely at the buyer’s risk and responsibility, and we will not be liable for acts or omissions of third party packers or shippers. Third party shippers should contact us by telephone at +1 212 940 1376 or by fax at +1 212 924 6477 at least 24 hours in advance of collection in order to schedule pickup. (d) Phillips de Pury & Company will require presentation of government issued identification prior to release of a lot to the buyer or the buyer’s authorized representative.

8 FAILURE TO COLLECT PURCHASES (a) If the buyer pays the Purchase Price but fails to collect a purchased lot within 30 days of the auction, the buyer will incur a late collection fee of $35, storage charges of $5 per day and pro rated insurance charges of .1% of the Purchase Price per month on each uncollected lot.

(b) If a purchased lot is paid for but not collected within six months of the auction, the buyer authorizes Phillips de Pury & Company, upon notice, to arrange a resale of the item by auction or private sale, with estimates and a reserve set at Phillips de Pury & Company’s reasonable discretion. The proceeds of such sale will be applied to pay for storage charges and any other outstanding costs and expenses owed by the buyer to Phillips de Pury & Company or our affiliated companies and the remainder will be forfeited unless collected by the buyer within two years of the original auction.

9 REMEDIES FOR NON-PAYMENT (a) Without prejudice to any rights the seller may have, if the buyer without prior agreement fails to make payment of the Purchase Price for a lot in cleared funds within five days of the auction, Phillips de Pury & Company may in our sole discretion exercise one or more of the following remedies: (i) store the lot at Phillips de Pury & Company’s premises or elsewhere at the buyer’s sole risk and expense at the same rates as set forth in Paragraph 8 (a) above; (ii) cancel the sale of the lot, retaining any partial payment of the Purchase Price as liquidated damages; (iii) reject future bids from the buyer or render such bids subject to payment of a deposit; (iv) charge interest at 12% per annum from the date payment became due until the date the Purchase Price is received in cleared funds; (v) subject to notification of the buyer, exercise a lien over any of the buyer’s property which is in the possession of Phillips de Pury & Company and instruct our affiliated companies to exercise a lien over any of the buyer’s property which is in their possession and, in each case, no earlier than 30 days from the date of such notice, arrange the sale of such property and apply the proceeds to the amount owed to Phillips de Pury & Company or any of our affiliated companies after the deduction from sale proceeds of our standard vendor’s commission and all sale-related expenses; (vi) resell the lot by auction or private sale, with estimates and a reserve set at Phillips de Pury & Company’s reasonable discretion, it being understood that in the event such resale is for less than the original hammer price and buyer’s premium for that lot, the buyer will remain liable for the shortfall together with all costs incurred in such resale; (vii) commence legal proceedings to recover the hammer price and buyer’s premium for that lot, together with interest and the costs of such proceedings; or (viii) release the name and address of the buyer to the seller to enable the seller to commence legal proceedings to recover the amounts due and legal costs. (b) As security to us for full payment by the buyer of all outstanding amounts due to Phillips de Pury & Company and our affiliated companies, Phillips de Pury & Company retains, and the buyer grants to us, a security interest in each lot purchased at auction by the buyer and in any other property or money of the buyer in, or coming into, our possession or the possession of one of our affiliated companies. We may apply such money or deal with such property as the Uniform Commercial Code or other applicable law permits a secured creditor to do. In the event that we exercise a lien over property in our possession because the buyer is in default to one of our affiliated companies, we will so notify the buyer. Our security interest in any individual lot will terminate upon actual delivery of the lot to the buyer or the buyer’s agent. (c) In the event the buyer is in default of payment to any of our affiliated companies, the buyer also irrevocably authorizes Phillips de Pury & Company to pledge the buyer’s property in our possession by actual or constructive delivery to our affiliated company as security for the payment of any outstanding amount due. Phillips de Pury & Company will notify the buyer if the buyer’s property has been delivered to an affiliated company by way of pledge.

10 RESCISSION BY PHILLIPS de PURY & COMPANY Phillips de Pury & Company shall have the right, but not the obligation, to rescind a sale without notice to the buyer if we reasonably believe that there is a material breach of the seller’s representations and warranties or the Authorship Warranty or an adverse claim is made by a third party. Upon notice of Phillips de Pury & Company’s election to rescind the sale, the buyer will promptly return the lot to Phillips de Pury & Company, and we will then refund the Purchase Price paid to us. As described more fully in Paragraph 13 below, the refund shall constitute the sole remedy and recourse of the buyer against Phillips de Pury & Company and the seller with respect to such rescinded sale.

11 EXPORT, IMPORT AND ENDANGERED SPECIES LICENSES AND PERMITS Before bidding for any property, prospective buyers are advised to make their own inquiries as to whether a license is required to export a lot from the United States or to import it into another country. Prospective buyers are advised that some countries prohibit the import of property made of or incorporating plant or animal material, such as coral, crocodile, ivory, whalebone, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value. Accordingly, prior to bidding, prospective buyers considering export of purchased lots should familiarize themselves with relevant export and import regulations of the countries concerned. It is solely the buyer’s responsibility to comply with these laws and to obtain any necessary export, import and endangered species licenses or permits. Failure to obtain a license or permit or delay in so doing will not justify the cancellation of the sale or any delay in making full payment for the lot.

12 CLIENT INFORMATION In connection with the management and operation of our business and the marketing and supply of auction related services, or as required by law, we may ask clients to provide personal information about themselves or obtain information about clients from third parties (e.g., g credit information). If clients provide us with information that is defined by law as “sensitive,” they agree that Phillips de Pury & Company and our affiliated companies may use it for the above purposes. Phillips de Pury & Company and our affiliated companies will not use or process sensitive information for any other purpose without the client’s express consent. If you would like further information on our policies on personal data or wish to make corrections to your information, please

contact us at +1 212 940 1228. If you would prefer not to receive details of future events please call the above number.

13 LIMITATION OF LIABILITY (a) Subject to subparagraph (e) below, the total liability of Phillips de Pury & Company, our affiliated companies and the seller to the buyer in connection with the sale of a lot shall be limited to the Purchase Price actually paid by the buyer for the lot. (b) Except as otherwise provided in this Paragraph 13, none of Phillips de Pury & Company, any of our affiliated companies or the seller (i) is liable for any errors or omissions, whether orally or in writing, in information provided to prospective buyers by Phillips de Pury & Company or any of our affiliated companies or (ii) accepts responsibility to any bidder in respect of acts or omissions, whether negligent or otherwise, by Phillips de Pury & Company or any of our affiliated companies in connection with the conduct of the auction or for any other matter relating to the sale of any lot. (c) All warranties other than the Authorship Warranty, express or implied, including any warranty of satisfactory quality and fitness for purpose, are specifically excluded by Phillips de Pury & Company, our affiliated companies and the seller to the fullest extent permitted by law. (d) Subject to subparagraph (e) below, none of Phillips de Pury & Company, any of our affiliated companies or the seller shall be liable to the buyer for any loss or damage beyond the refund of the Purchase Price referred to in subparagraph (a) above, whether such loss or damage is characterized as direct, indirect, special, incidental or consequential, or for the payment of interest on the Purchase Price to the fullest extent permitted by law. (e) No provision in these Conditions of Sale shall be deemed to exclude or limit the liability of Phillips de Pury & Company or any of our affiliated companies to the buyer in respect of any fraud or fraudulent misrepresentation made by any of us or in respect of death or personal injury caused by our negligent acts or omissions.

14 COPYRIGHT The copyright in all images, illustrations and written materials produced by or for Phillips de Pury & Company relating to a lot, including the contents of this catalogue, is and shall remain at all times the property of Phillips de Pury & Company and such images and materials may not be used by the buyer or any other party without our prior written consent. Phillips de Pury & Company and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights in it.

15 GENERAL (a) These Conditions of Sale, as changed or supplemented as provided in Paragraph 1 above, and Authorship Warranty set out the entire agreement between the parties with respect to the transactions contemplated herein and supersede all prior and contemporaneous written, oral or implied understandings, representations and agreements. (b) Notices to Phillips de Pury & Company shall be in writing and addressed to the department in charge of the sale, quoting the reference number specified at the beginning of the sale catalogue. Notices to clients shall be addressed to the last address notified by them in writing to Phillips de Pury & Company. (c) These Conditions of Sale are not assignable by any buyer without our prior written consent but are binding on the buyerâ&#x20AC;&#x2122;s successors, assigns and representatives. (d) Should any provision of these Conditions of Sale be held void, invalid or unenforceable for any reason, the remaining provisions shall remain in full force and effect. No failure by any party to exercise, nor any delay in exercising, any right or remedy under these Conditions of Sale shall act as a waiver or release thereof in whole or in part.

16 LAW AND JURISDICTION (a) The rights and obligations of the parties with respect to these Conditions of Sale and Authorship Warranty, the conduct of the auction and any matters related to any of the foregoing shall be governed by and interpreted in accordance with laws of the State of New York, excluding its conflicts of law rules. (b) Phillips de Pury & Company, all bidders and all sellers agree to the exclusive jurisdiction of the (i) state courts of the State of New York located in New York City and (ii) the federal courts for the Southern and Eastern Districts of New York to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale and Authorship Warranty relate or apply. (c) All bidders and sellers irrevocably consent to service of process or any other documents in connection with proceedings in any court by facsimile transmission, personal service, delivery by mail or in any other manner permitted by New York law or the law of the place of service, at the last address of the bidder or seller known to Phillips de Pury & Company.

AUTHORSHIP WARRANTY Phillips de Pury & Company warrants the authorship of property in this auction catalogue for a period of five years from date of sale by Phillips de Pury & Company, subject to the exclusions and limitations set forth below. (a) Phillips de Pury & Company gives this Authorship Warranty only to the original buyer of record (i.e., the registered successful bidder) of any lot. This Authorship Warranty does not extend to (i) subsequent owners of the property, including purchasers or recipients by way of gift from the original buyer, heirs, successors, beneficiaries and assigns; (ii) property created prior to 1870, unless the property is determined to be counterfeit (defined as a forgery made less than 50 years ago with an intent to deceive) and has a value at the date of the claim under this warranty which is materially less than the Purchase Price paid; (iii) property where the description in the catalogue states that there is a conflict of opinion on the authorship of the property; (iv) property where our attribution of authorship was on the date of sale consistent with the generally accepted opinions of specialists, scholars or other experts; or (v) property whose description or dating is proved inaccurate by means of scientific methods or tests not generally accepted for use at the time of the publication of the catalogue or which were at such time deemed unreasonably expensive or impractical to use. (b) In any claim for breach of the Authorship Warranty, Phillips de Pury & Company reserves the right, as a condition to rescinding any sale under this warranty, to require the buyer to provide to us at the buyerâ&#x20AC;&#x2122;s expense the written opinions of two recognized experts approved in advance by Phillips de Pury & Company. We shall not be bound by any expert report produced by the buyer and reserve the right to consult our own experts at our expense. If Phillips de Pury & Company agrees to rescind a sale under the Authorship Warranty, we shall refund to the buyer the reasonable costs charged by the experts commissioned by the buyer and approved in advance by us. (c) Subject to the exclusions set forth in subparagraph (a) above, the buyer may bring a claim for breach of the Authorship Warranty provided that (i) he or she has notified Phillips de Pury & Company in writing within three months of receiving any information which causes the buyer to question the authorship of the lot, specifying the auction in which the property was included, the lot number in the auction catalogue and the reasons why the authorship of the lot is being questioned and (ii) the buyer returns the lot to Phillips de Pury & Company in the same condition as at the time of its auction and is able to transfer good and marketable title in the lot free from any third party claim arising after the date of the auction. (d) The buyer understands and agrees that the exclusive remedy for any breach of the Authorship Warranty shall be rescission of the sale and refund of the original Purchase Price paid. This remedy shall constitute the sole remedy and recourse of the buyer against Phillips de Pury & Company, any of our affiliated companies and the seller and is in lieu of any other remedy available as a matter of law. This means that none of Phillips de Pury & Company, any of our affiliated companies or the seller shall be liable for loss or damage beyond the remedy expressly provided in this Authorship Warranty, whether such loss or damage is characterized as direct, indirect, special, incidental or consequential, or for the payment of interest on the original Purchase Price.

PHILLIPS de PURY & COMPANY

Chairman

Senior Partners

Advisory Board

Simon de Pury

Michael McGinnis

Maria Bell

Dr. Michaela Neumeister

Janna Bullock

Chief Executive Officer

Lisa Eisner

Bernd Runge

Partners

Lapo Elkann

Aileen Agopian

Ben Elliot

Senior Vice President

Sean Cleary

Lady Elena Foster

Thierry Nataf

Alexander Payne

H.I.H. Francesca von Habsburg

Rodman Primack

Marc Jacobs

Olivier Vrankenne

Malcolm McLaren

Tiffany Wood

Ernest Mourmans Aby Rosen Christiane zu Salm Princess Gloria vonThurn undTaxis Jean Michel Wilmotte Anita Zabludowicz

WORLDWIDE OFFICES NEW YORK

PARIS

BERLIN

450 West 15 Street NewYork NY 10011 USA

C/O Pro First 15 Rue de la Paix 75002 Paris France

Auguststrasse 19 10117 Berlin Germany

+1 212 940 1200 +1 212 924 5403 fax

+33 1 42 78 67 77 +33 1 42 78 23 07 fax

+49 30 880 018 42 +49 30 880 018 43 fax

LONDON

MUNICH

GENEVA

Howick Place London SW1P 1BB United Kingdom

Maximiliansplatz 12a 80333 Munich Germany

23, quai des Bergues 1201 Geneva Switzerland

+44 20 7318 4010 +44 20 7318 4011 fax

+49 89 238 88 48 0 +49 89 238 88 48 15 fax

+41 22 906 80 00 +41 22 906 80 01 fax

SPECIALIST AND SERVICE DEPARTMENTS

CONTEMPORARY ART NEW YORK

MODERN AND CONTEMPORARY EDITIONS NEW YORK

+1 212 940 1254

Kelly Troester, Worldwide Co-Director

+1 212 940 1221

Aileen Agopian, New York Director

+1 212 940 1255

Cary Leibowitz, Worldwide Co-Director

+1 212 940 1222

Jean-Michel Placent

+1 212 940 1263

Jannah Greenblatt

+1 212 940 1332

Timothy Malyk

+1 212 940 1258

Joy Deibert

+1 212 940 1333

Sarah Mudge, Head of Part II, New York

+1 212 940 1259

Michael McGinnis, Worldwide Director

JEWELRY

Roxana Bruno

+1 212 940 1229

Sara Davidson

+1 212 940 1262

Maria Bueno

+1 212 940 1261

Nazgol Jahan, Worldwide Director

+1 212 940 1283

+1 212 940 1223

Carmela Manoli

+1 212 940 1302

(Uli) Zhiheng Huang

+1 212 940 1288

Heather Zises

+1 212 940 1290

Eugenia Ballvé

+1 212 940 1303

Peter Flores

LONDON Anthony McNerney, Head of Evening Sale, London

+44 20 7318 4067

Peter Sumner, Head of Day Sale, London

+44 20 7318 4063

Laetitia Catoir

+44 20 7318 4064

Silke Taprogge

+44 20 7318 4012

Ivgenia Naiman

+44 20 7318 4071

Fiona Biberstein

+44 20 7318 4013

Siobhan O’Connor

+44 20 7318 4093

Catherine Higgs

+44 20 7318 4089

Raphael Lepine

+44 20 7318 4078

Tanya Tikhnenko

+44 20 7318 4065

Sarah Buchwald

+44 20 7318 4085

Phillippa Willison

+44 20 7318 4070

DESIGN NEW YORK Marcus Tremonto, Consultant

+1 212 940 1268

Alex Heminway, New York Director

+1 212 940 1269

Tara DeWitt

+1 212 940 1265

Meaghan Roddy

+1 212 940 1266

Stephanie Abraitis

+1 212 940 1268

LONDON Alexander Payne, Worldwide Director

+44 20 7318 4052

Ben Williams

+44 20 7318 4027

Domenico Raimondo

+44 20 7318 4016

Ellen Stelter

+44 20 7318 4021

Marcus McDonald

+44 20 7318 4014

NEW YORK

GENEVA Carolin Bulgari

+41 22 906 80 00

Veronica Lota

+41 22 906 80 00

LONDON Lane McLean

+44 20 7318 4032

THEME SALES Tiffany Wood, Worldwide Director NEW Corey Barr, New York Manager Anne Huntington Stephanie Max Steve Agin, Consultant

+49 30 880 018 42 YORK +1 212 940 1234 +1 212 940 1210 +1 212 940 1301 +1 908 475 1796

LONDON Tobias Sirtl, London Manager

+44 20 7318 4095

Arianna Jacobs

+44 20 7318 4054

George O’Dell

+44 20 7318 4040

CHAIRMAN LONDON Rodman Primack +44 20 7318 4017 MANAGING DIRECTORS Finn Dombernowsky, London +44 20 7318 4034 Charlie Horne, NewYork +1 212 940 1292 PRIVATE V SALES Christina Scheublein +1 212 940 1248

PARIS Johanna Frydman

+33 1 42 78 67 77

INTERNATIONAL SPECIALISTS AND REPRESENTATIVES Berlin & Munich Dr. Michaela Neumeister PHOTOGRAPHS NEW YORK

Belgium Katherine VanThillo, Consultant

+32 475 68 70 11

Brussels & Paris Olivier Vrankenne

+32 486 43 43 44 +33 6 85 53 92 03

Vanessa Kramer, New York Director

+ 1 212 940 1243

Paris Leonie Moschner

Shlomi Rabi

+ 1 212 940 1246

Tamara Corm, Consultant

Caroline Shea

+ 1 212 940 1247

London Ivgenia Naiman

Sarah Krueger

+ 1 212 940 1245

Brooke de Ocampo

Charlie Scheips, International Consulting Director

+ 1 212 940 1245

Los Angeles Mimi WonTechentin, Consultant

Carol Ehlers, Consultant

+ 1 212 940 1245

LONDON

+49 89 238 88 48 10

Maya McLaughlin

+33 6 78 54 32 348 +44 20 7318 4071 +44 777 551 7060 +1 310 600 9192 +1 323 791 1771

Milan Laura Garbarino

+39 339 478 9671 +39 02 3669 5895

Lou Proud

+44 20 7318 4018

Eugenia Bertelè

Sebastien Montabonel

+44 20 7318 4025

Moscow Svetlana Marich

Alexandra Bibby

+44 20 7318 4087

Shanghai/Beijing Jeremy Wingfield, Consultant

Helen Hayman

+44 20 7318 4092

Singapore Chin-Chin Yap

+7 495 225 88 22 +86 135 0118 2804 +1 212 940 1250

SALE INFORMATION

AUCTION Tuesday 8 December 2009 at 3pm

CLIENT SERVICES +1 212 940 1200

VIEWING Friday 4 December 10am – 6pm Saturday 5 December 10am – 6pm Sunday 6 December 12pm – 6pm Monday 7 December 10am – 6pm Tuesday 8 December 10am – 3pm

SHIPPING Beth Petriello +1 212 940 1373 Jennifer Brennan +1 212 940 1372

VIEWING & AUCTION LOCATION The Mark Hotel 992 Madison Avenue at 77th Street New York NY 10075 SALE DESIGNATION In sending written bids or making inquiries please refer to this sale as NY060209 or Jewels.

WORLDWIDE DIRECTOR Nazgol Jahan +1 212 940 1283 JEWELRY Carmela Manoli +1 212 940 1302 Carolin Bulgari +41 22 906 80 00 Heather Zises +1 212 940 1290 Veronica Lota +44 22 906 80 00 PHOTOGRAPHY Lisa Charles Watson

PRINCIPAL AUCTIONEER Simon de Pury 0874341 AUCTIONEERS Aileen Agopian 1199037 Sarah Mudge 1301805 Alexander Gilkes 1308958 Ellen Stelter UK Rodman Primack UK E-MAIL ADDRESSES All Phillips de Pury & Company e-mails are first initial and last name @phillipsdepury.com (e.g., njahan@phillipsdepury.com) www.phillipsdepury.com Please note that all lots are offered and sold subject to (i) the Standard Terms and Conditions, and (ii) Special Terms and Conditions applicable to this sale as described within this sale catalogue. The Standard Terms and Conditions and Special Terms and Conditions should be fully read and understood prior to bidding at the auction. All lots are sold “AS-IS.” All lots are offered subject to a reserve unless otherwise indicated.

CATALOGUES Allyson Melchor +44 20 7318 4039 +1 212 940 1240 Catalogues $60 at the Gallery/£30 catalogues@phillipsdepury.com ABSENTEE AND TELEPHONE BIDS Rebecca Lynn +1 212 940 1228 +1 212 924 1749 fax bids@phillipsdepury.com CLIENT ACCOUNTING Sylvia Leitao +1 212 940 1231 Buyers Accounts Nicole Rodriguez +1 212 940 1235 Seller Accounts Barbara Doupal +1 212 940 1232 Nadia Somwaru +1 212 940 1280

Front & Back Covers An Art Deco Diamond Bracelet, S. Founès, Lot 181 (detail) Title Page A Unique Rubellite, Pink Sapphires, Pearl and Diamond ‘Proust’ Necklace, Boucheron, Lot 174 (detail) and A Superb Pink Sapphire, Diamond and Titanium ‘Camelia’ Brooch, Michele Della Valle, Lot 173

Front & Back Covers An Art Deco Diamond Bracelet, S. Founès, Lot 181 (detail) Title Page A Unique Rubellite, Pink Sapphires, Pearl and Diamond ‘Proust’ Necklace, Boucheron, Lot 174 (detail)and A Superb Pink Sapphire, Diamond and Titanium ‘Camelia’ Brooch, Michele Della Valle, Lot 173

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JE WEL S 8 DECEMBER 2009 N E W YO R K NY0 6 0 2 0 9

W W W. P H I L L I P S D E P U RY.C O M

DECEMBER

2009

NEW YORK