Philip Rivera Abridge Portfolio

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  

 



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                                    




  



This library design creates a filter of vertical partitions that act as a transition from open bookshelves towards the quiet and intimate core


  



PUBLIC

FILTER

PRIVATE

FILTER

PUBL LIC

3/4” Dia Steel Bolt

1/2” Glass Plate

1/2” Metal Trim

DAMPERED SENSORY CONNECTION

This full scale model is of the library partitions. These wooden members serve programmatic needs of book shelving, seating or lightning.


  

 B

C

D

E

F

extend locker

extend w.c

A

r en ov a t i o n A

B

C

D

E

F

This is a proposal for a renovation of a bus depot in Brooklyn, New York. Additional space for offices and bathrooms are added within a structural bay


  

 unit

rail

form

“5.+&' +0”

“18'4 612”

“$#%- 61 $#%-”

“*#.( *#.(”

This theoretical pavilion is composed of 1500 metal clamps arranged parametrically. The structure creates various nooks for birds to construct nests in.


  



A retrofit of a post WWII granary mill into temporary housing for new immigrants in Rome, Italy. The design maintains the external masonry wall and fills in the shell.


ENGCT

)4''0 9#..

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

)4''0 9#..

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  

QRGP

FKXKFG

JCNHÄ UMKP

A proposal to reprogram, abandoned structures in EUR, Rome by Renzo Piano, The existing slabs would be converted into a mix use of apartments and high end retail with a vertical green wall out the outer edges


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