architecture | complete works | 2013 - 2020 by Frank

FRANK FENG ARCHITECTURE PORTFOLIO complete collection of works academic and professional 2013 - 2020

frank feng frank feng

+351 910 46 6945 feng.frank.s@gmail.com rua tenente ferreira durĂŁo 63 1350-013 lisboa, portugal +351 910 46 6945 feng.frank.s@gmail.com rua tenente ferreira durĂŁo 63 1350-013 lisboa, portugal

institute for advanced architecture of catalonia (iaac) / master in advanced architecture (graduation date June 30, 2020)

institute for advanced architecture of catalonia (iaac)

university of new mexico,(graduation school of architecture and planning / the master in advanced architecture date June 30, 2020) education

/ bachelor of arts in architecture

education

/ bachelor of arts in architecture

the university of new mexico, school of architecture and planning

william duff architects (san francisco, ca) | architectural designer

oct 2019 - jun 2020 oct 2019 - jun 2020 aug 2011 - may 2016 aug 2011 - may 2016 may 2018 - jun 2018

/ produced 3d models, drawings, and permits for various residential, commercial, and restaurant projects may 2018 - jun 2018 william duff architects (san francisco, ca) | architectural designer octprojects 2016 - apr 2018 studio3d(san francisco, ca) and | architectural designer / y.a. produced models, drawings, permits for various residential, commercial, and restaurant / primarily focused on a 540-unit luxury apartment tower in san francisco oct 2016 -spaces apr 2018 (san3dfrancisco, ca)revit, | architectural / y.a. tasksstudio included modeling in coordinationdesigner with the structural engineer, the design of proposed for future tenants, and preparing permits // primarily focusedthe on majority a 540-unitofluxury in san francisco assisted through the cdapartment phase untiltower my reassignment to affordable and market rate housing and / tasks included 3d modeling in revit, coordination with the structural engineer, the design of proposed spaces for high-end residential homes tenants, and preparing / future produced 3d modeling in revitpermits for drawings, permits, and presentations for clients / assisted through the majority of the cd phase until my reassignment to affordable and market rate housing and high-end residential homes social3d media workgroup (albuquerque, nm) and | research assistant aug 2015 - may 2016 / the produced modeling in revit for drawings, permits, presentations for clients

experience experience

/ / / / / /

collaborated with a team of interdisciplinary students to design and develop a light installation aug 2015 - may 2016 produced promotional fliers and graphic design projects for events collaborated with a team of interdisciplinary students to design and develop a light installation led the design and fabrication of the installation produced promotional fliers and graphic design projects for events aias, unm chapter | chief of staff jan 2015 - may 2016

the social media workgroupof(albuquerque, led the design and fabrication the installation nm) | research assistant

/ maintained and inquired overall progress and performance of members unm | chiefplanning, of staff and implementation of events and fundraisers / aias, assisted withchapter organization,

jan 2015 - may 2016

/ maintained and inquired overall progress and performance of members unm | headplanning, of installation committee of events and fundraisers / aias, assisted withchapter organization, and implementation

jan 2015 - may 2016

affiliations

/ managed the proposal and installation of a public bench in the student union building

affiliations

/ managed the proposal and installation of a public bench in the student union building

aias, unm chapter | head of installation committee

jan 2015 - may 2016

design excellence award | unm school of architecture and planning

/ overall achievement of undergraduate work and progress awarded by unm sa+p

design excellence award | unm school of architecture and planning

kosonivich prize for design excellence first prize / the overall achievement of undergraduate work and| progress awarded by unm sa+p achievements

/ achieved best project of the fall semester in the undergraduate architecture program at unm saa+p

achievements

/ / / / / / /

skills & languages skills & languages

the kosonivich prize for design excellence | first prize

may 2016 may 2016 dec 2015 dec 2015

achieved best project of the fall semester in the undergraduate architecture program at unm saa+p english (native) / mandarin chinese (fluent) rhino / grasshopper / adobe / v-ray / python / qGIS / revit / sketchup / autoCAD model making / laser cutting / cnc / 3d printing / wood and metal machinery / KUKA 6-axis robot english (native) / mandarin chinese (fluent) rhino / grasshopper / adobe / v-ray / python / qGIS / revit / sketchup / autoCAD model making / laser cutting / cnc / 3d printing / wood and metal machinery / KUKA 6-axis robot

contents 1 21 35 39 57 69 75 81 85 89 97 99 107 115

academic the second landscape mutations privacy re-iconic surveillance building engine rps genetic optimization symbiote parametric skins digital geometry bar chair sanctum sanctorum fight club temporary professional

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The use and experience of space under the pivots is ever changing.

80 14

1049

01 lo catio n_

1151

Residents live in a space below a diverted river. This diversion brings water through a carefully balanced series of clay pivots. Like the natural landscape, they form a continuous surface which creates the opportunity for flexible program above and below. With the pivots, the second landscape emerges and shifts in tune with the rhythms of natural forces.

1637

1533

1110

14 90

02 lo catio n_

1066

Different configurations of pivots can create a continuity of water flow and occupiable surface, as well as complex light conditions. Within the pivot mechanism is a water source which feeds into the clay bed. The clay gains weight until it topples the balance. The water source does not humidify the clay bed again until it has returned to its original flat position.

1430

1108 1116

1107

1110

The Second Landscape is a self-sufficient architectural intervention that capitalizes on the forces that come from the environment. How can water and clay alter the spatial and environmental conditions of a commune, so that the experience of living is optimized to the rhythms of nature?

1422

1440

1211

academic / iaac, master in advanced architecture type / collaboration with hunter paine & lea garguet-duport location / córdoba, spain date / spring 2020 video / https://youtu.be/yqXybPYxN-k

1400 0 1380 6 13

40 13

THE SECOND LANDSCAPE

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( 42 .55, - 2.6

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parallels between the local environment and natural environments

axis axis axis

G4 G3 G2 G1

the cycles of clay

left / testing the properties of clay through heat and water, screenshot of video recording right / visual analysis of cracking, computational study (grasshopper)

Cracking reveals the points of greatest energy change in the material.

A simple device such as a pivot operates like a visual scale for understanding weight changes. Although the absolute change might be very small, the geometry of the pivot amplifies it visually. How can the intervention harness the power of a river source, and also be reactive to the amount of sun exposure, the ambient temperature, and the wind conditions?

13:00

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WATER

PIVOT AXIS

pivot relationship to human scale

7x 6x

4x 3x 2x

1x 2x

4x 5x 6x

center pivot axis

CLAY

06:00

50.00

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pivot proportions based on axis

10 mph / 16kph

01 LOCATION _ AXIS

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08 mph / 12kph

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20.00 35.38 4.62 30.14 89.86

110째F / 43째C

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LAMP _ AXIS

01 LOCATION _ AXIS

300 L

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DRAINAGE

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70째F / 20째C TEMPERATURE DECREASE

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TEMPERATURE INCREASE

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left / small scale intervention, plan right / small scale intervention, section

Placing the pivoting machine in a variety of small-scale environments with different characteristics, we can then extrapolate information on a larger scale. Even a simple residential environment has complex conditions of humidity, sun exposure, air flow, and water debit. Parallels can then be drawn between the local environments of our experiments to specific natural environments.

ION

ATI

3.84M

3.95M

4.15M

4.05M

4.25M

4.34M

4.55M

4.45M

4.76M

4.66M

4.96 M

4.86M

ON AXI S

AX I S

ON AXI S

ACCESS

22.8M

ROT

3.43M

ERS

3.63M

DIV

ATI

3.53M

ROT

3.74M

SECONDARY RIVER OUTLET

AXI S

5.1 7M

RIV ER

5.0 7M

MAI N

10 4

(42.51,-1.89)/ELEVATION: 1033M

10 35

1035 ACCESS

1055

Like the natural landscape, they form a continuous surface which creates the opportunity for flexible program above and below.

1060

With the pivots, the second landscape emerges and shifts in tune with the rhythms of natural forces. GA

1037.00M

1036.75M

1036.50M

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1035.75M

1035.50M

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0M 1035.0

1050

ACCESS

SECONDARY RIVER DISCHARGE: 41.1 M3/S

Residents live in a space below a diverted river. This diversion brings water through a carefully balanced series of clay pivots.

1034.7 5M

.50M 1034

1034 .25M

4.0 0 103

45 10

1037.75M

50M - LIVABLE SPACES (1.25M HEAD-HEIGHT)

1037.50M

0 104

1037.25M

1040.00M 1040.50M R VE RI

143M 63M - WALKABLE SPACES IN MA

IS AX

RIVER DISCHARGE: 164.3 M3/S

1039.50M 1040.75M

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5m 6.3M

1044.0 0M 1044 .25M 104 4.5 0M 10 44 .7 5M 10 45 .0 0M 10 45 .2 5M 10 4 10 5.5 0M 45 .7 5M

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0. 72 M

78 M

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1.25 M

1.34

1.43 M

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45 (42.51,-1.69)/ELEVATION: 1054M

2.18M

1038.

5M 1038.2

5M 1038.7 1039.75M

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IS AX

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2.37M

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2.55M

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0M 1038.0

GC 1041.00M

R VE RI

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28M - OUTDOOR SPACES

60 10

IN MA

ACCESS

GC G4 GD

0. 67

10m

OPENING

MAI N RIV ER

OPENING

SECONDARY RIVER INLET

1047M

AXI S

20m

site plan

4.45M

4.55M

4.66M

4.76M

4.86M

4.96M

LOWEST RIVER HEIGHT 1038.50M

SECONDARY RIVER OUTLET 1038.25M

SECONDARY RIVER INLET

3.23M

1038.00M

1037.75M

1037.50M

1037.25M

1037.00M

1036.75M

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1036.25M

1036.00M

1035.75M

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1035.25M

1035.00M

1034.75M

1034.50M

1034.25M

ACCESS

3.33M

3.43M

3.53M

3.63M

3.74M

3.84M

3.95M

4.05M

50M - LIVABLE SPACES (1.25M HEAD-HEIGHT) 4.15M

GB 4.25M

13 5.07M

5.17M

GA 4.34M

G1 1034.00M

(42.51,-1.89)/ELEVATION: 1033M

GA GC

28M - OUTD

0.67M

0.74M

0.72M

0.78M

0.89M

1.02M

1.11M

1.17M

10m 1.25M

1.34M

1.43M

1.53M

5m 1.64M

1.75M

0m 1.87M

1.98M

2.08M

2.18M

2.28M

2.37M

2.45M

2.55M

2.64M

2.74M

2.84M

2.95M

3.04M

3.14M

DOOR SPACES RIVER DISCHARGE: 164.3 M3/S

1045.75M

1045.50M

1045.25M

1045.00M

1044.75M

1044.50M

1044.25M

1044.00M

1043.75M

1043.50M

1043.25M

1043.00M

1042.75M

1042.50M

1042.25M

1042.00M

1041.75M

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1041.25M

1041.00M

1040.75M

1040.50M

1040.25M

1040.00M

1039.75M

1039.50M

1039.25M

1039.00M

1038.75M

SECONDARY RIVER INLET G3

143M 63M - WALKABLE SPACES

20m

south elevation

15 1.25m 5 5

1.25m

1m 3

3 1m

1.25m

2 1m

1.25m

1 1m

1 1m 0

NEW WATER AXIS

potential storage or playing spaces

resulting smaller spaces from slope

6 0

1 1m

1.25m

WATER AXIS

+1250m

+1053.4m

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0.20

0.34

ALTITUDE

0.27

3.05 4.36

+0250m

section looking west (+1053.4m)

1.25m

WATER AXIS

1.25m

+1250m

+1042.7m

1.15

ALTITUDE

2.93 4.56

0.25

0.44

1.40

extension of second landscape

1.25m

+0250m

section looking west (+1042.7m)

bathroom

5 1.5m 4 1.5m 3 1.5m 2 1.5m 1 1.5m

NEW WATER AXIS

water trough

1.5m

cracking permeates light

highest rotation

living

walkway

0 1.5m 1

1.5m

WATER AXIS

+1250m

+1030.2m

+0250m

0.65

meditation space

0.39

living

3.09

ALTITUDE

2.28

1.5m

3.33 5.29

section looking west (+1030.2m)

MUTATIONS academic / iaac, master in advanced architecture type / collaboration with taras kashko & sneha vivek location / barcelona, spain date / fall 2020 What if we could change the relationship with the citizen and the natural environment? What if we could change citiesâ&#x20AC;&#x2122; landmarks? By 2050, 70% of world population will be living in cities, what will the icons of a city be by then? Santa Caterina Market in Barcelona, designed by architects Enric Miralles and Benedetta Tagliabue in 2005 is still one of the most popular icons of the city. The food market is a host to many Catalans and tourists alike year-round. The essence of the market is the design of its notable cover. Our proposal is to transform the market into a living urban farm. This is a system that will evolve through time. Local produce from the area can be grown year-round from the solar energy that comes from the photovoltaic panels. The umbrella-shaped devices contain the panels that harvests the energy and is designed to fit above the roof. Each photovoltaic panel is able to track the motion of the sun, always following its movement, so that it can receive maximum sunlight.

santa caterina market in 2050

The roof of Santa Caterina has a surface area of 40,000 mÂ˛, which we propose to utilize for energy. The urban farm will grow local produce and each type of vegetable has a distinct growing condition. The urban farm will grow local produce from the area. Each type of vegetable has a distinct and unique growing condition. Produce can be grown year-round because the urban farm has enough energy to outsource. radiation analysis of the roof

santa caterina market as seen from above

0.6m2

1.2m2

1.5m2

1.8m2

mushrooms september to0.6m june2 partial to none sunlight mushrooms water well september june2 1.9 kg / to person 0.6m partial to5 plants none sunlight needed mushrooms water well september june 1.9 kg / to person partial to5 plants none sunlight needed water well 1.9 kg / person 5 plants needed

eggplant may to november 1.2m2 full sunlight watereggplant regularly may1.8tokgnovember / person 1.2m2 full sunlight 3 plants needed watereggplant regularly may1.8tokgnovember / person full sunlight 3 plants needed water regularly 1.8 kg / person 3 plants needed

radish year round 1.5m2 full sunlight radish water well year round 0.9 kg / person 1.5m2 full sunlight 15 plants needed radish water well year round 0.9 kg / person full sunlight 15 plants needed water well 0.9 kg / person 15 plants needed

artichoke december to1.8m may2 full to partial sunlight waterartichoke regularly december to1.8m may2 1.3 kg / person full to2partial sunlight plants needed waterartichoke regularly december to may 1.3 kg / person full to2partial plantssunlight needed water regularly 1.3 kg / person 2 plants needed

2.1m2

2.4m2

asparagus march to2.1m april2 full sunlight waterasparagus regularly march april2 0.9 kg / to person 2.1m full sunlight 5 plants needed waterasparagus regularly march april 0.9 kg / to person full sunlight 5 plants needed water regularly 0.9 kg / person 5 plants needed

brussel sprouts november to february 2.4m2 full to partial sunlight brussel sprouts water regularly november to /february 2.7 kg person 2.4m2 full to6partial sunlight plants needed brussel sprouts water regularly november to /february 2.7 kg person full to6partial plantssunlight needed water regularly 2.7 kg / person 6 plants needed

cauliflower october to march 2.4m2 full sunlight cauliflower water regularly october march 4.0 kgto / person 2.4m2 full sunlight 7 plants needed cauliflower water regularly october march 4.0 kgto / person full sunlight 7 plants needed water regularly 4.0 kg / person 7 plants needed

brocolli october to2.4m june2 full sunlight brocolli water regularly october june2 3.6 kg / to person 2.4m full sunlight 6 plants needed brocolli water regularly october june 3.6 kg / to person full sunlight 6 plants needed water regularly 3.6 kg / person 6 plants needed

2.8m2

3.0m2

3.1m2

potatoes march to2.8m may2 full sunlight potatoes water well march to2.8m may2 3.2 kg / person full sunlight 5 plants needed potatoes water well march to may 3.2 kg / person full sunlight 5 plants needed water well 3.2 kg / person 5 plants needed

green beans february to3.0m may2 full sunlight green beans water regularly february to3.0m may2 6.8 kg / person full sunlight 20 plants needed green beans water regularly february to may 6.8 kg / person full sunlight 20 plants needed water regularly 6.8 kg / person 20 plants needed

cabbage september to3.1m june2 full sunlight water cabbage regularly september june2 6.8 kg / to person 3.1m full sunlight 7 plants needed water cabbage regularly september june 6.8 kg / to person full sunlight 7 plants needed water regularly 6.8 kg / person 7 plants needed

carrots year round 3.1m2 full sunlight carrots water well year round 4.5 kg / person 3.1m2 full sunlight 12 plants needed carrots water well year round 4.5 kg / person full sunlight 12 plants needed water well 4.5 kg / person 12 plants needed

analysis of various produce local to barcelona

santa caterina farmers market in 2050

solar panels incubators existing roof

farm

exploded axon of the market

stage 1: cultivation area 15m2

stage 2: cultivation area 504m2

stage 3: cultivation area 3,552m2

stage 4: cultivation area 7,993m2

stage 5: cultivation area 14,211m2

stage 6: cultivation area 22,205m2

solar cells [2 volts] 3D printed servo-motor structure

arduino

AC to DC converter battery

LED strips

We have created a prototype for harvesting the solar energy. The prototype uses 9 (2 volts each) solar cells which are controlled through Arduino. Each cell is designed to fit seamlessly onto the 3D printed servo-motor modules. Within our Arduino code, we have designed it to track and follow the motion of the sun as it moves through the day. The energy that is generated from the cells are then converted to generate power.

solar tracking prototype

solar tracking protoype

Its vertical structure grows from the waste and compost that the farm produces. It is a symbiotic process in which the compost is the energy for the structure and for the produce. This aims to reduce the carbon footprint of conventional farming and product distribution. Within the vertical structures, there are artificial microclimates adapted to each produce, so they can grow year-round. As a result, the benefits of this cyclical system allow the market to be self-efficient. The community can harvest from the structures whilst replenishing it with waste that it produces.

PRIVACY academic / unm school of architecture and planning type / individual location / albuquerque, new mexico, usa date / fall 2015 award / the kosonivich prize for design excellence - first place How is privacy perceived by the public and to the NSA (National Security Agency). In a way, self-reflection is privacy. It is what we are and how we display ourselves. We tend to manipulate our image by blending in with society and change how others perceive us. We are hesitant to show our most intimate information to others and because of this we manipulate our image to fit the needs of society. The project allows society to perceive how privacy is displayed publicly and privately. It is located within the downtown area of Albuquerque, New Mexico across to the Civic Plaza. The architecture creates a thin barrier within the volumes defining public and NSA. The mirrored volumes manipulate our image of what is there and blends itself within the site. It is only in the interior of the space where the public is allowed to enter those volumes and essentially reach into the sock drawer of the NSA â&#x20AC;&#x201C; where the most private information is stored and is ultimately disclosed.

We have hidden things in our home to protect what is important to us. For example, we can hide our most private entities within the house, such as the sock drawer. What makes the sock drawer such a private condition? The banality of the socks hides what is really there allowing people to perceive what is on the outside, but not what is within it.

site analysis - layering of public information

site context

site activation

site interaction 39

fourth floor

third floor 41

second floor

first floor

a. b. c. d. e. f. g. h. i. j.

lobby foyer / auditorium shops NSA server room NSA admin offices classrooms NSA command center NSA offices research lab NSA tech labs 42

section looking south

RE-ICONIC SURVEILLANCE academic / iaac, master in advanced architecture type / collaboration with taras kashko & michelle rodriguez location / barcelona, spain date / spring 2020 Today, we have the potential to track movements of anyone at any given time. In the era of digital surveillance, tracking has been enhanced by the creation of stronger technologies from location-detecting smartphones to facial recognition cameras. During this time of pandemic uncertainty, data restrictions are being overshadowed by multiple governments in the name of public health. As a result, public spaces become restricted territory to all citizens. How can we reconnect the relationship of the locals to iconic spaces during this pandemic? Many popular places around the city has lost its functionality since COVID-19 lockdown. Tourism has halted because of the lockdown, and thus the remaining populous are citizens of Barcelona. The design intent is to create urban landscapes near iconic buildings spaces on data related to pedestrian movement. These urban landscapes can reconnect the citizens of Barcelona to the iconic spaces. The objective is to utilize image tracking technologies by mapping human activity in the city through computer vision and machine learning algorithms through Python. We want to re-iconicize the unnoticed.

computer vision and YOLOv3, santa caterina mercat

sagrada familia_location

sagrada familia_morning

sagrada familia_evening

santa caterina_location

santa caterina_morning

santa caterina_evening

sagrada familia_dotmap_am

sagrada familia_dotmap_pm

sagrada familia_dotmap_composite

sagrada familia_heatmap_am

sagrada familia_heatmap_pm

sagrada familia_heatmap_composite

santa caterina_dotmap_am

santa caterina_dotmap_pm

santa caterina_dotmap_composite

santa caterina_heatmap_am

santa caterina_heatmap_pm

santa caterina_heatmap_composite

sagrada famila_pedestrian location

sagrada famila_intervention

santa caterina_pedestrian location

santa caterina_intervention

public spaces designed to regulate social distancing

BUILDING ENGINE academic / iaac, master in advanced architecture type / collaboration with osmin josuĂŠ lĂłpez avalos & taras kashko date / spring 2020 Building Engine explores geometric/topological spatial systems through computation. This process is created through basic iterative logics of standard components through Grasshopper and the plug-in Anemone. The algorithm finds the most compatible connections for the components to which it creates a much more complex system. Based on the user defined parameters, the components aggregate to a much larger sequence and the connections become much more specific and meaningful. As a result, the iterative growth of the assemblies demonstrates a unique compositional spatial system. The design produces an architectural project at the urban scale. Through process of iteration, the production of components informs the geometry and topology across many diverse scales. Therefore, a coherent geometric assembly emerges from the growth process.

assembly with 50k iterations

component a

component b

component c

mesh geometry

handles

connection paths

Each component has a specific handle (sender/receiver) location. The location determines the relationship between the three components. As the assembly grows, the algorithm adherently places the components to a specific order. The combination is called the heuristics. The possibilities of the heuristics are reliant on the number of handles. The connection paths is a production of the end result. As the aggregation is finalized, the paths connect and thus forms a circulation path. This is created with the Shortest Walk component in Grasshopper. Ideally, the shortest path within the system can be determined and used to inform architectural qualities.

large scale assembly

medium scale assembly with shortest walk

vertical growth assembly with shortest walk

growth assembly within an urban context

medium scale assembly

RPS academic / iaac, master in advanced architecture type / collaboration with hunter paine, aditya ambare & taras kashko date / fall 2020 In this modern era, our lives are split between the physical and the digital. RPS (Responsive Panel System) aims to bridge the pair together by creating an interactive facade. With the use of Arduino, the system allows for the control of external reaction based on light and temperature. Through multiple sensors, the facade will react by initiating a simple dialogue between the environment and machine. RPS is a fully functional system that is modular and is controlled with Arduino. It aims to operate on data synchronicity and reacts to find the most optimal settings. Two outer modules will react according to a light sensor, while the inner module will react according to a temperature sensor. The sensors calculate the optimal conditions within its environment and will trigger the motor to adjust the panels. As the panels open, the system receives more light and releases air to adjust the temperature.

light sensor module

normal state

temperature sensor module

reactive state

normal state

reactive state

push connection

pull connection

nema - 17 motor

gears

arduino uno

light sensor temperature sensor

The body of RPS is laser cut 4mm plywood and the gear system is laser cut 4mm acrylic. RPS is controlled by light and temperature sensors which initiates the movement of the panels. They adjust accordingly to the optimal balance of light and temperature withing the body. The gear system is connected to the NEMA-17 motor. We wrote a code in Arduino that calibrated the start and end position of the motor. A single motor is able to control one module through a square rod. Two gears are attached to the square rod and they are then connected to a horizontal rail that will either push or pull the panels.

GENETIC OPTIMIZATION academic / iaac, master in advanced architecture type / collaboration with hunter paine, lea garguet-duport, & rani kamel location / barcelona, spain date / fall 2020 video / https://youtu.be/kThJrbAHbRE Genetic optimization explores and focuses on a heuristic process through an algorithm. The aim is to optimize the design so that the total area of sunlight is maximum. The amount of sunlight inside is controlled through the height of the roofs in the design. Using the Grasshopper plug-in, Ladybug, the environmental analysis defines the context and allows the sunlight to interact with the roofs. With the aid of an evolutionary solver such as the Grasshopper plug-in Galapagos, the fitness value of the roofs position and amount of sunlight is maximized. The iterative process begins to record all the data that the algorithm generates until the most optimized parameter is calculated.

genetic catalogue of all possible optimizations

Define the base geometry: roofs, slabs, and structure. This will be used in the environmental analysis in Ladybug to calculate sunlight exposure.

base geometry

Roof positions allow the sunlight to enter. Each position is adjustable in height reducing or increasing sunlight.

roof positions

All surfaces are used in Ladybug to calculate the radiation amount which determines the exposure of light. This will inform the position of the roofs. surface for analysis

Deconstruct the surface to a grid to visualize the sunlight exposure as another layer of information.

deconstruct to grid

The sunlight is translated into the grid to represent the exposure.

visualize data

SYMBIOTE academic / iaac, master in advanced architecture type / individual location / barcelona, spain date / spring 2020 video / https://www.youtube.com/watch?v=EUG4Ycy0Oj4 Symbiote explores live physics simulation through the Grasshopper plug-in, Kangaroo, as a main engine. The project is to build a simple geometry where the user can interact with the inputs such as attractors, sliders, functions and time to transform it to a more complicated object in space. With the aid of interactive physics simulations, the digital materiality and real-life behavior acts as a form finding protocol. It starts as a simple mesh geometry that is brought into a space where it can be easily modified. Then the set of behaviors are defined in the base geometry is deformed. The deformations can be analyzed based on data visualization. As a result, the forms are recorded based on the optimal structure.

form finding as a mesh geometry

form analysis - paneling comparision of original mesh to new mesh

PARAMETRIC SKINS academic / iaac, master in advanced architecture type / individual date / fall 2020 Parametric Skins is a project that aims to decode the logic of complex facade systems, analysing, and defining the computational processes behind them. This is a computational case study of the Multi-Story Car Park by CJCT Studio. This car park is located at the University of Leeds. The panels are able to change its shape based on parameters that are defined in Grasshopper. The angles of each corner can adjust to its environment by folding. Within the panels are perforations. The quantity can increase or decrease based on its functions. The panelised faรงade is essential to the environmental aspect of its context. With the perforations on the panels, the building strategizes to focus on maximum passive ventilation combing with natural lighting. Each panel is angled in a specific way preventing light pollution while generating a fluid and simple pattern.

geometry

triangulate

end points

folding

form

offset

perforate

thickness

facade assembly surface

u / v division

fully perforated facade

patternized facade

distance of perforations

quantity of perforations

radius of perforations

0 degrees

30 degrees

45 degrees

maximum folding facade

flat facade

DIGITAL GEOMETRY academic / iaac, master in advanced architecture type / collaboration with sneha vivek and robyn catherine-houghton location / barcelona, spain date / fall 2020 The project explores new fabrication techniques through the relation between the computer and the machine. Through the course, we design through the capabilities of three digital fabrication tools: laser cutter, CNC milling machine, and 3D printer. With these machines, our task is to develop modular components in various scales of architectural elements: a tile, a surface, and a panel. From digital to physical, we explore the possibilities and limitations of how we design and communicate the connections between the two systems. We begin with basic designs that we fabricate for prototyping. This informs us the necessary changes for the next prototype. Through the laser cutter, we design through quick prototyping. The performance by privacy for this project demands to develop a geometry that explores a variety of density, openings or elements that allow or prevent lines of sight. Using the CNC, we can design for a better acoustical environment. The project is an exploration of absorption, reflection and manipulation of sound through varying textures and designs. A lamp can be an extension of architecture that creates a direct relationship between a space and its inhabitants through light. The particular challenge is the creation of a complex pattern that incorporates light filtration through repetition and variation with the 3D printer. 89

kerfing detail

interlocking detail

0.5mm white polypropylene

Polypropylene is a very durable and flexible material. Through the techniques of scoring, kerfing, and interlocking (using tabs) we can create modular pods. Each pod varies in height to create a wave like surface on the top.

1.2mm black polypropylene

40cm x 40cm wood frame

The structure is made of a thicker polypropylene because it is more rigid. The waffle technique is implemented and strengthens the structure. Each component of the structure is fitted for the pods. They will intersect and connect as we insert them into the square pockets.

A wooden frames connects the whole structure together. Through careful wooden cuts with the japanese saw, we can slot the waffle structure in the frame and secure it.

cones - high density foam

base - EVA foam

horizontal roughing

parallel finishing (vertical)

parallel finishing (horizontal)

The cones are made from High Density Foam and they allow for the absorbtion of sound. Its hard surface and porous properties can deflect sound waves. The base is made from EVA Foam, which is a much softer material than the HDF and can absord sound waves. A combination of the two materials can be used to decrease sound levels while absorbing it. The sound waves reflect through the cones and delfects the waves to the soft base. The techniques used to CNC are a combination of horizontal roughing (for cutting away as much material as possible) to parallel finishing (a finishing that is smooth and clean). By using a 12mm flat mill bit, we reduce the timing of the mill in the horizontal roughing stage. The next stage is parallel finishing which we used a 6mm ball mill. The textures that are created on each material is a the result of its properties and the drill bit used. The cones have a ridge-like texture, while the foam has a rug-like texture.

major sound source

Major sound source - CNC

residual sound absorbtion

minor sound source

Minor sound source - diffused sound from ajacent pane

The particular challenge of this project is the creation of a complex aggregation patterning that incorporates light filtration through repetition and variation. To this aim, we explored computational tools that allow for parametric design of the elements. The geometrical pattern allows different penetrations of light. The undulation of the surface manipulates the light as it enters through the structure. The material is white transparent ABS filament. Light is manipulated as it enters through the patterned surface because of the materiality. A soft illuminancy is visible because of the properties of the filament.

BAR CHAIR academic / unm school of architecture and planning type / individual date / spring 2014 Bar chairs have a certain elegance in the way we interact with them, through their shape and height. This elegance is influenced through the design by having a smooth and curved form. The three foot rests below the seat allow users of different heights to rest their feet. This bar chair is constructed of 16 gauge cold rolled steel. It was designed in Rhino and then exported into the CNC Plasma Cutter for fabrication. All the pieces are hand bent and the perforations in the seat allows more control when bending the steel. In the end, the pieces are MIG welded. This was my first time working with metal and welding. Through this project I learned about various metal properties, connections, and techniques.

SANCTUM SANCTORUM academic / unm school of architecture and planning type / individual date / fall 2013 location / el morro, new mexico, usa This project is located on top of a natural rock formation called El Morro near the city of Grants, New Mexico. The program is a sanctum sanctorum – a very private or secret place. It is a place for contemplation and understanding. The project aimed to help our understanding of architectural fundamentals such as tectonic and stereotomic elements. We began by creating conceptual models demonstrating basic architectural elements through our concepts. Furthermore, we were tasked with a hand drawing of our concept with graphite on 72’’ x 24’’ stonehenge paper. For the final, the architectural drawings are hand drafted. The final model is constructed out of clear acrylic, basswood, and rockite. These materials are metaphors of the elements to my concept. The acrylic visualized the ethereal sky, rockite visualized the dominance of the earth, and basswood as a medium for what is in between.

100

101

conceptual drawing, grahite on 72â&#x20AC;? x 24â&#x20AC;? stonehenge

102

third floor

second floor

first floor

103

section looking east

north elevation

104

FIGHT CLUB academic / unm school of architecture and planning type / individual date / fall 2014 location / denver, colorado, usa The site is located within the proximity of the Pepsi Center (an arena for sports) in Denver, Colorado. The approach on the project examined the massive amounts of people that would wait in line to enter the arena. By examining their movements, this project creates a diversion to the groups of people there and attracts them towards the site. By creating danger based on the three rules of flocking (separation, cohesion, and alignment) the collective human instinct would guide them towards the site. The program is a fight club that engages in violent behavior, which in this case, attracts the bystanders near the site.

107

108

rule 1: cohesion

rule 2: alignment

rule 3: separation

109

nicky assmann of artscience. (november 12, 2008). proto-performance human swarm -art that breeds art [video file]. https://vimeo.com/4267076

Flocking behavior is a natural instinct exhibited by a group of birds. When birds sense danger they will react and alter their behavior. The project explores the same concept, but through humans. The premise of the project is based upon the collective behavior of humans. The architecture questions what it is like to experience a violent space and explores how we interact within it. I researched human flocking patterns and used that data set to generate the form of the building.

110

first floor plan

111

second floor plan

third floor plan

112

113

114

TEMPORARY academic / unm school of architecture and planning type / individual date / spring 2015 location / marfa, texas, usa The site for this project is located in an unlikely art mecca in a desert city called Marfa, Texas. Visitors are attracted to the unique vibe and ambiance that the city offers. The design of the building is influenced by the studies of tourism throughout the city. I began to research movements and patterns of people throughout the year based on popular locations. The creation of the density maps visualizes the dissipation and accumulation of visitors through each season. This led to the development of the concept: temporality. Human experience is temporal when you are in that moment; much like the temporal experience of the visitors. Through more analysis, I began to correlate temporality through the performing arts such as dance. I started to experiment with the movement of smoke because it is synonymous with the movement of dancing. Each motion is temporal and never stagnant nor static. Architecture can embody the same experience.

115

116

117

tourist density in the winter

tourist density in the summer

tourist density in the fall

tourist density in the spring

third floor plan

second floor plan

first floor plan 118

119

The performing arts center allows various experiences through the building itself. Occupants are able to access the ramp system (these steel members also function as the structure of the ramps) and experience what a performance arts center is like throughout the building. These ramps dictate movement through certain points of the building and offers different perspectives for the user.

120

17' - 0"

1500 MISSION professional / Y.A. Studio role / architectural designer location / 1500 mission street, san francisco, california, usa date / october 2016 - october 2017 owner / Related California (Related) lead design / Skidmore, Owings & Merrill LLP (SOM) executive architect / HKS Architects Inc. (HKS) associative executive architect / Y.A. Studio

PORTION OF (N) PENTHOUSE WALL TO MATCH (E) ADJA

PENTHOUSE BEYOND, SEE 5/RESTORE (E) DOWNSPOUTS TO (N) ROOF DRAINS, SEE ROOF PLAN

C2.2

C3.2

63' - 9"

Rising 39 stories, this mixed-income, mixed-use development will consist of a 540-unit luxury apartment tower adjacent to a 462,000 square foot office building that will be the new home of the San Francisco Planning, Building and Public Works Departments. The residential tower will include 55,000 square feet of neighborhood serving retail with twenty percent of the residential units for affordable and low-income households. In addition, the owners will salvage the front portion of a historic Coca Cola bottling plant on 11th Street and Mission Street and revitalize it into a retail space. I was brought on by Y.A. studio in October 2016 to assist on the 1500 Mission project. For the first few months, my scope of work was focused on the salvation and restoration of the historic Coca Cola building (historic significance included its art deco design and its importance to the city of San Francisco throughout the years). My work included accurate 3D modeling of the building, structural coordination with structural engineer firm Structus Inc, the design of the proposed spaces for future tenants, bike parking layout, and site demo permits. The building is currently under demolition based on these documents and permits. The project is currently in construction and it is estimated to be completed in May 2020.

121

63' - 11"

C1.1

C2.1

C3.1

C1.B.4

C1.B.5

C1.B.6

C2.B.4

C2.B.5

C2.B.6

C3.B.4

C3.B.5

C3.B.6

C1.B.1

C1.B.2

C1.B.3

C2.B.1

C2.B.2

C2.B.3

C3.B.1

C3.B.2

C3.B.3

RESTORE (E) TERRA COTTA BASE

24' - 0"

17' - 0"

16' - 6"

TOP TOWER ROOF 126' - 8 1/2"

17' - 8 3/8"

RESTORE (E) CLOCK, TYP

15' - 4 3/4"

TOWER FACADE 109' - 0"

TOC - CC TANK FLR 93' - 7"

20' - 9 5/8"

OFFICE BUILDING BEYOND, SEE PACKAGE 2, TYP

1' - 2 3/8"

7' - 1 1/4" 1' - 9 5/8"

TOP - CC PENT 72' - 9 1/2" TOR - CC PENT 71' - 0"

TOP - CC WEST 63' - 11" TOP - CC EAST 62' - 8 1/2"

2' - 9 1/4"

1' - 11 1/8"

REPLACE (E) EXTERIOR LIGHT FIXTURES ALONG MISSION AND 11TH STREET FACADES, TYP

TOR - CC WEST 60' - 9" TOR - CC EAST 58' - 0"

C5.1

C6.1

C7.1

22' - 0"

C4.1

C5.B.4

C5.B.5

C5.B.6

C6.B.4

C6.B.5

C6.B.6

C7.B.4

C7.B.5

C7.B.6

C5.B.1

C5.B.2

C5.B.3

C6.B.1

C6.B.2

C6.B.3

C7.B.1

C7.B.2

C7.B.3

LEVEL 1 - CC 36' - 0"

5' - 11"

ENTRY - CC 30' - 1"

RESTORE & REPAINT (E) WINDOWS, TYP

REPAIR (E) DAMAGED BASE, TYP. SEE A2.1 FOR BALANCE OF INFORMATION RESTORE (E) ENTRY DOORS & WINDOWS, TYP. SEE DOOR SCHEDULE FOR AUTO ACTUATOR RE-LAMP (E) ENTRY SOFFIT LIGHTS

coca cola building - elevations 122

1' - 9 5/8"

TOP - CC PENT 72' - 9 1/2"

7' - 1 1/4"

TOR - CC PENT 71' - 0"

1' - 2 3/8"

TOP - CC WEST 63' - 11"

A8.01/ 05

2' - 9 1/4" 51' - 9 5/8"

22' - 0"

4' - 7 1/4" 6' - 11"

12R @ < 7"

9' - 2 5/8"

16R @ < 7"

4' - 0 3/8"

TOR - CC EAST 58' - 0"

7R @ < 7"

8R @ < 7"

TOR - CC WEST 60' - 9"

1' - 11 1/8"

TOP - CC EAST 62' - 8 1/2"

ADJUST STAIR TO MEET CIVIL

5' - 11"

4' - 0 1/2"

A8.01/ 03

7R @ < 7"

LEVEL 1 - CC 36' - 0"

9' - 1"

19R @ < 7"

10' - 11 1/2"

ENTRY - CC 30' - 1"

A8.01/ 02 BASEMENT - CC 21' - 0"

coca cola building - stair section 123

04 A8.02

A6.10

. CC

2' - 9"

STAIR 2

E203

05 A8.02

A5.01/4

A7.04/08

B - SHELL SPACE (OFFICE)

201

04 A6.10

DN 17' - 8"

CUT LINE SEE DEMO PLAN

REFER TO VOLUME 2 (OFFICE) FOR SCOPE OF WORK

SEE SEPARATE PACKAGE, VOLUME 2 (OFFICE)

6 3/8"

1' - 8"

PROPERTY LINE

1' - 2 3/8"

A5.01/6

(N) STAIR AND LANDING

202

34' - 10"

(N) PERMANENT LADDER

4' - 0 1/4"

A5.01/3

4' - 7 1/4" 03

A6.10

A5.01/7

17' - 2"

A5.01/5

1 A6.01

(E) FLAGPOLE

PROPERTY LINE PROPERTY LINE

A5.01/1

01 A6.10

A6.01

A6.10

125' - 6" 17' - 0"

17' - 0"

24' - 0"

17' - 0"

16' - 6"

SEE 4 / COMPOSITE ROOF PLAN FOR ROOF INFO

coca cola building - second level TWO HOUR WALL

02 A8.02

2' - 9"

05 A8.02

STAIR 2

(E) ELEVATOR 1

PROPOSED PROPERTY LINE TO ALIGN W/ CUT LINE

6 A8.02

21 A7.03

3' - 8 1/4"

A6.01

34' - 10"

A5.01/3

17' - 2"

STAIR 1 ENTRY

E101

PROPERTY LINE PROPERTY LINE

A5.01/1

A6.10

A6.01 125' - 6"

17' - 0"

24' - 0"

17' - 0"

16' - 6"

coca cola building - first level 06

01 A8.02 0' - 7"

A6.10

F.O. E. COL. TO CL OF EXPANSION JOINT / PROPERTY LINE

A6.10

WALL OF ADJ OFFICE BUILDING SEE PACKAGE 2

REFER TO VOLUME 2 (OFFICE) FOR SCOPE OF WORK

SEE SEPARATE PACKAGE, VOLUME 2 (OFFICE) PROPERTY LINE

0' - 4"

. CC B002

B001

CUT LINE SEE DEMO PLAN

B - TI SPACE MODIFY (E) PIT AND HOISTWAY AS REQ'D

3' - 6" 5' - 6 1/2"

B006

21' - 0"

(E) ELEVATOR 1

1 A6.01

B004

(N) TELECOM

17' - 2"

A6.10

A5.01/3

B005

B003

34' - 10"

04 A6.10

17' - 8"

STAIR 2

A8.02

(E) ELEVATOR MACHINE ROOM CA A3

17' - 2"

17' - 8"

1' - 11 1/2"

B2 - TI SPACE

A6.10

0' - 2 1/2"

ELEVATOR WITHIN (E) HOISTWAY, ADD 2ND FLR STOP

F.O. BASEMENT COL

A7.05/04 A5.01/2

17' - 8"

04 A6.10

4 A8.4

1' - 1 1/2"

B6 B6

CUT LINE SEE DEMO PLAN

1' - 1 1/4"

0' - 5"

PROPERTY LINE

REFER TO VOLUME 2 (OFFICE) FOR SCOPE OF WORK

SEE SEPARATE PACKAGE, VOLUME 2 (OFFICE)

0' - 5"

0' - 8 3/8"

05 A6.10

1' - 0"

03 A7.04

06 A6.10

PROPERTY LINE PROPERTY LINE

A5.01/1

01 A6.10 125' - 6" 17' - 0" C1

17' - 0" C2

17' - 0" C3

3' - 5" 2

A6.01

A6.10

24' - 0" C4

17' - 0" C5

V.I.F.

17' - 0" C6

16' - 6" C7

coca cola building - basement level 124

The remaining months of work were on the residential portion with HKS Architects. From there, my scope of work was focused on basement levels, and the first level. My scope of work included the design of circulation for pedestrians and for the parking facility (basement level 1 and basement level 2 which included automobile parking and bike parking).

29 '-

21 '-

11 "

OPERATIONAL STORAGE X1

X2 X3

OFFICE

4' -

REFER TO VOLUME 2 (OFFICE) FOR SCOPE

IAL

22 '-

RESIDENT

VH.1

2' -

STORAGE

25 '-

CEILING HUNG GARAGE SUPPLY FAN (ABOVE)

23 '-

FEC

41 /4"

DOUBLE CAR STACKER, TYPICAL

SUMP PIT COVER

FEC

23 '-

CURB

26 '-

-31' - 4"

SUPER'S OFFICE

20% SLOPE

STORAGE

26 '-

B228

WORKSHOP

FEC 0"

ELEV B

13 '9"

ELEV PIT

ELEV A B203A

12 '-

FEC

FSAE LOBBY

PROVIDE WATERPROOFING IN ALL TANKS, TYP.

OPERATIONAL STORAGE

VEST.

FIRE SPRINKLER TANK

SV01B2

B201A

CORRIDOR

B203C

B205

B207

B203B

TREATMENT

B209

-28' - 1"

STAIR #1 STB201

STORAGE

FIRE PUMP

B251

PERIMETER CONCRETE WALLS, REFERENCE STRUCTURAL DWGS, TYP. BELOW GRADE WATERPROOFING

7' -

14 '-

V2.5

ELEV F PIT

A6.2.11 2"

V2.8

5' - 4 1/4" 26' - 0"

V3.5 1

125

20' - 7 3/4" 2

2.2

20' - 7 3/4" 2.5

5' - 4 1/4" 3.5

20' - 7 3/4" 4.2

15' - 4 1/4" 4.5

4.8

4' - 11" 6

6.2

13' - 3" 5

17' - 6"

10' - 4" 7

7.1

1' - 6"

28' - 0"

8.1

9.1

STORM WATER TANK FD

E OF WORK

13' - 5 5/8"

FIRE PUMP & FIRE PUMP SUBSTATION

28' - 7 3/8"

FEC MECHANICAL SVB205

STAIR #5

VEHICLE RAMP

3' - 7 1/2" 18' - 6 5/8"

UP DN

FIRE WATER STORAGE TANK

16' - 10"

C.8

C.7

VEHICLE RAMP

14' - 8"

20% SLOPE

REFER TO VOLUME 2 (OFFICE) FOR SCOPE OF WORK

8' - 4"

C.1

8% SLOPE

22' - 0"

VALET ACCESS ONLY

RESIDENTIAL

FEC

OFFICE

B.1

4' - 0" COCA COLA BUILDING SEE SEPERATE ALTERATION PERMIT

22' - 0"

B CB

A.1

BELOW GRADE WATERPROOFING

14' - 6"

27' - 0"

OFFICE

28' - 0"

RESIDENTIAL

28' - 0"

residential building - basement floor 2 126

7.1

17' - 6"

29 '-

8.1

7' - 0"

9.1

21' - 0"

VEST

21 '-

11 " GATE

GATE

STORE LOADING DOCK X1

-17' - 0" EL: 17' - 6"

X2 VJ

REFER TO VOLUME 2 (OFFICE) FOR S

OFFICE

22 '-

RESIDENT IAL

2' -

VH.1

25 '-

B149

BUILDING STORAGE CLEAN AIRCLEAN AIRCLEAN AIR VEHICLE VEHICLE VEHICLE

ECS

23 '-

ECS

CLEAN VEHIC

VALET

/4"

VALET

23 '-

26 '-

FEC

SHOWER AND LOCKERS

VALET

STORAGE

26 'VC

VALET

Concrete - 10"

BOH CORRIDOR

VAN ACCESSIBLE

VAN ACCESSIBLE ELEV B

13 '-

ELEV C

STORAGE TERMINAL TRASH ROOM

9" 12 '-

BREAK ROOM

GUEST/RESIDENT TO DRO

ELEV D

ELEV A ELEVATOR LOBBY

UP ELEV E

-17' - 10"

STAIR #1

VEST.

B103B

MAIN ELEC

CAR SHARE

B103A

CAR SHARE

VALET LOUNGE

MPOE

EMER SWITCHGEAR

GUEST/RESIDENT EXITIN

VALET KIOSK

FEC

BELOW GRADE WATERPROOFING

ELEV F

DOG

VALET OFFICE

RETAIL ELEV LOBBY

VALET OFFICE V2.5 V2.8

5' - 4 1/4"

V3.5

26' - 0" 1

5' - 4 1/4"

20' - 7 3/4" 2

2.2

20' - 7 3/4" 2.5

20' - 7 3/4" 3.5

4.2

4' - 11" 15' - 4 1/4" 4.5

4.8

17' - 6"

6.2

7.1

127

28' - 0"

8.1

9.1

28' - 0"

14' - 6"

27' - 0"

VEHICLE RAMP

ELEV PIT

SECURITY

ELEV PIT

ELEV MACH

12 KV MAIN SWITCHGEAR

12 KV FIRE PUMP SWITCHGEAR

VEHICLE RAMP

FASE/ HR

STAIR 1

FASE/ S

ELEV MACH

VEST

ELEC

FASE LOBBY

ELEV LOBBY

ELEC SUBSTATION

CORRIDOR

STOR AGE

EMERGENCY ELEC

MAIN TELEPHONE/ CATV/MPOE

SCOPE OF WORK

EL: 21' - 6"

STORAGE

ECS

VEST B1 GARAGE EXHUAST

STAIR 2

VALET

VEST

FEC

8% SLOPE

STAIR #5

UP DN

BICYCLE PARKING (141X2 =282

VEST

MALE LOCKERS (TOTAL 34)

FEMALE LOCKERS (TOTAL 42)

MALE SHOWERS

FIRE WATER STORAGE TANK

MEN

WOME N

FEMALE SHOWERS

VEHICLE RAMP

20% SLOPE

REFER TO VOLUME 2 (OFFICE) FOR SCOPE OF WORK FIRE WATER STORAGE TANK

7.5% SLOP

15%

RESIDENTIAL VEHICLE RAMP

TRENCH

C.7

STOR

7.5% SLOP

C.1

SEE VOL. 3 FOR LIGHTING & FIRE SPRINKLER

GUEST/RESIDENT EXITING

C.8

14' - 8"

45MIN RATED COILING DOOR ON RESIDENTIAL

FIRE WATER STORAGE TANK

BICYCLE RAMP

GUEST/RESIDENT TO DROP OFF

28' - 7 3/8"

VALET

3' - 7 1/2" 18' - 6 5/8"

ECS

16' - 10"

ECS

8' - 4"

ECS

13' - 5 5/8"

DOMESTIC WATER BOOSTER PUMP

22' - 0"

ECS

OP OFF

RESIDENTIAL OFFICE

HISTORICAL BUILDING

22' - 0"

SCOPE OF WORK UNDER SEPARATE ALTERATION PERMIT

4' - 0"

B.1

A.1

BICYCLE STG DOUBLE STACK 224 BICYCLES

PERIMETER CONCRETE WALLS, REFERENCE STRUCTURAL DWGS, TYP.

BELOW GRADE WATERPROOFING

28' - 0"

14' - 6"

27' - 0"

OFFICE

28' - 0"

RESIDENTIAL

-13' - 0"

TRAS H

XA N AIRCLEAN AIR CLEAN AIR CLEAN AIRCLEAN AIRCLEAN AIR CLE VEHICLE VEHICLE VEHICLE VEHICLE VEHICLE

PARKING GARAGE

(8 SPACES + 4 ADA)

OFFICE PARKIN G

residential building - basement floor 1 128

EXISTING FIRE HYDRANT

INE PR OP ER TY L

VA N

NE S

SA VE

NU E

I was also tasked with the detailing of stairs for all levels. The next assignment included the coordination of the elevator core layout and the coordination of the trash chute. My duration on the project lasted over a year and we completed 90% on construction documents phasing.

DIST. FROM ASSUMED P.L.: 10FT<X <15FT GLAZING %:45% CURRENT DESIGN: 15%

UT H

OFFICE IAL

ASSUM ED PROP

EXIT

RE SIDEN T

ERTY LIN E

FORUM

PROPER TY LINE

EX IT

FDC

RETAIL RETAIL

RETAIL

TRA CO RO

TOWER FOOTPRINT ABOVE

VALET

FSAE LOBBY

RETAIL/RESTAU

FCC MAILROOM

RETAIL

-5' - 2 1/4"

LOBBY -5' - 0"

N 0' - 0" E 0' - 0 3/32"

PROPERTY LINE EXIT

FDC

36' - 7" FDC

SEE VOL 1 FOR PROPERTY LINE INFORMATION

PLANTED AREA, SEE LANDSCAPE VOL 3

EXISTING FIRE HYDRANT

MISSION STREET 129

OFFICE AND RESIDENTIAL PARKING GARAGE ENTRY

REFER TO VOLUME 2 (OFFICE) FOR SCOPE OF WORK

DIST. FROM ASSUMED P.L.: 1OFT< X< 15FT GLAZING %: 45% CURRENT DESIGN: LESS THAN 40%

N 169' - 1 1/32" E 339' - 2 9/16"

PROPERTY LINE

EXIT

RETAIL

11TH STREET

11' - 3"

N 162' - 6" E 354' - 8 19/32"

ASH OMPACTOR OOM

FUEL PORT

PROPERTY LINE

EMERGENCY GENERATOR

ASSUMED PROPERTY LINE

13' - 1 1/4"

MID BLOCK ALLEY

SEE CIVIL AND LANDSCAPE (VOL 1) FOR BALANCE OF MID BLOCK ALLEY SURFACE INFORMATION

GARAGE ACCESS EASEMENT THRU OFFICE , SEE VOL. 2 N 43' - 8" E 480' - 8 27/32" GAS METER ALCOVE

URANT

RESIDENTIAL PARKING GARAGE EXIT

N 44' - 8" E 484' - 7 27/32"

OFFICE

DIST. FROM ASSUMED P.L.: 15FT<X <20FT GLAZING %: 75% CURRENT DESIGN: LESS THAN 75% DIST. FROM ASSUMED P.L.: 10FT<X <15FT GLAZING %:45% CURRENT DESIGN: 15% -5' - 0 5/8"

EXIT ASSUMED PROPERTY LINE

RESIDENTIAL

COCA-COLA BUILDING SCOPE OF WORK UNDER SEPARATE ALTERATION PERMIT

PROPERTY LINE

48" WIDE (MIN) ACCESSIBLE PATH BOLLARD SLEEVES GAS FEED TO BUILDING, SEE CIVIL - CONFIRM REQUIRED DEPTH FROM TO TOPPING SLAB TO TO STRUCT SLAB (30" MIN)

DEMOUNTABLE BOLLARDS, SEE CIVIL & LANDSCAPE, TYP

FDC (VIF)

EXISTING FIRE HYDRANT

residential building - first floor 130

2.2

2.5

14' - 4"

10 3/4"

DIM PT INSIDE FACE OF FINISH

DIM PT INSIDE FACE OF CONC.

DIM PT INSIDE FACE OF HOISTWAY

7' - 10"

DIM PT INSIDE FACE OF HOISTWAY

8' - 1"

7' - 10"

COOR

ELEVATOR HOISTWAY

FSAE LOBBY

A8.2.20/ 17 TYP

131

DIM PT INSIDE FACE OF HOISTWAY

ELEVATOR HOISTWAY

1/4" CONST TOLERANCE FOR TYPICAL PARTITION

4.2

2" 1/4"

STAIR DIM STAIR STRINGER TO STAIR STRINGER

A8.2.11/10

1" CONST TOLERANCE FOR CONC

CLR DIM (SEE PLAN) FINISH WALL TO FINISH WALL

3 1/2" CLR TYP UNLESS NOTED OTHERWISE

STRUCTURAL OPENING / EDGE OF SLAB

3.5

1' - 2"

DOWN

EQ UNO A8.2.11

EQ UNO

A8.2.11

@ GAP

6' - 11"

REFER TO A8.2.11/07 FOR RAILING ELEVATION

DIM PT INSIDE FACE OF CONC.

STRUCTURAL OPENING

DIM PT INSIDE FACE OF FINISH

@ CONC

REFER TO A8.2.11/11 FOR RAILING AT WALL

8' - 1"

24 A8.2.11

A8.2.11

4' - 6"

Level 3 26' - 6"

A8.2.11

A8.2.11/09

HANGER ROD SUPPORT BRACKET REF DETAIL A8.2.11/17

A8.2.11/10

CONC BEAM SSD

NOTE: REFER TO FLOOR PLANS FOR STAIR ORIENTATION.

residential building - elevator section

residential building - typical stair layout

132

DATA CENTRAL professional / Social Media Workgroup location / 1601 central ave, albuquerque, new mexico, usa dates / august 2015 - may 2016 This project is an interactive L.E.D. public artwork on the south and east facade of the Center for Advanced Research Computing (CARC) facility in Albuquerque, New Mexico. Data Central was in collaboration with the Social Media Workgroup (SMW) and the American Institute of Architect Students - University of New Mexico Installation Committee (AIAS - UNM). The design is based on the idea of movement from the nearby traffic. Because the facility is located on two very active streets near the university, the intent was to capture that movement through the placement of the L.E.D. strips. There are twenty strips on each glass plane that incrementally rises in slope to visually represent the movement of the streets. The installation of the project consists of multiple 3D printed modules that I designed for the attachment to the window sill and the L.E.D. strips. There are two types of modules: one module is designed to be a place holder at the end of the aluminum â&#x20AC;&#x153;Câ&#x20AC;? channels and the other module determines the angle of the L.E.D. strips.

133

134

[L] module LED strip

aluminum [C] channel [angled] module

interior window elevation

module configurations

135

136

frank feng feng.frank.s@gmail.com +351 910 46 6945 rua tenente ferreira durĂŁo, 63 1350-013 lisboa, portugal