A Reading

Albers, Josef and Francois Bucher. Despite Straight Lines. Cambridge, Massachusetts: The MIT Press, 1977. 52.

Butler, Cornelia H., ed. Afterimage: Drawing Through Process. Cambridge, Massachusetts: The MIT Press, 1999. 59.

Yates, Frances A. Giordano Bruno and the Hermetic Tradition. Chicago: The University of Chicago Press, 1964. 307.

Donald Sultan. New York: BlumHelman, 1985. cover.

Alli, Antero. “Alternating Currents, Ceremonial Magick and Performance Ritual.” The Act. 2.1. 1990. 95.

Butler, Cornelia H., ed. Afterimage: Drawing Through Process. Cambridge, Massachusetts: The MIT Press, 1999. 67.

Mishlove, Jeffrey. The Roots of Consciousness. New York: Random House, Inc., 1975. 281.

Daumal, René. Mount Analogue: A Tale of Non-Euclidian and Symbolically Authentic Mountaineering Adventures. San Francisco: City Lights, 1968. cover.

Denes, Agnes. Evolution II - Paradox and Essence. India ink on orange graph paper. 1976. <http://www.agnesdenesstudio.com/ Phil_3.jpg> Vicuna, Cecilia. “The Melody of Structures.” 3 X Abstraction. de Zegher, Catherine and Hendel Teicher, Eds. New York: Drawing Center Publications, 2005. 123.

Ettinger, Bracha L. “The Art-and-Healing Oeuvre: Metramorphic Relinquishment of the Soul-Spirit to the Spirit of the Cosmos.” 3 X Abstraction. de Zegher, Catherine and Hendel Teicher, Eds. New York: Drawing Center Publications, 2005. 199. de Zegher, Catherine and Hendel Teicher, eds. 3 X Abstraction. New York: Drawing Center Publications, 2005. 119.

Mishlove, Jeffrey. The Roots of Consciousness. New York: Random House, Inc., 1975. Plate 14.

Serres, Michel. The Five Senses: A Philosophy of Mingled Bodies. Sankey, Magaret and Peter Cowley, Trans. London: Continuum International Publishing Group, 2008. 57.

Serres, Michel. The Five Senses: A Philosophy of Mingled Bodies. Sankey, Magaret and Peter Cowley, Trans. London: Continuum International Publishing Group, 2008. Cover.

Clark, Lygia. Lygia Clark. Barcelona: Fundació Antoni Tàpies. 1997. 207.

Summerbell, Dierdre. Rhetorical Image. New York: The New Museum of Contemporary Art, 1990. 52.

Summerbell, Dierdre. Rhetorical Image. New York: The New Museum of Contemporary Art, 1990. 80.

Lippard, Lucy. Overlay, Contemporary Art and the Art of Prehistory. New York: Pantheon Books, 1983. Cover.

Material Identity, Sculpture Between Nature and Culture. Portland, Oregon: Portland Art Museum, 1993. 10.

Yates, Frances in Quiviger, François. Frances Yates an Mnemonic Works of Giordano Bruno. London: The Warburg Institute. n.d. <http://warburg.sas.ac.uk/fileadmin/images/library/digital_collections/bruno/memory_wheel.pdf> Crowley, Nancy and Brian Wallis, Eds. Searchlight: Consciousness at the Millennium. New York: Thames & Hudson, 1999. 107.

Yates, Frances. The Art of Memory. Chicago: The University of Chicago Press, 1966. 209.

Yates, Frances. The Art of Memory. Chicago: The University of Chicago Press, 1966. Front matter.

Butler, Cornelia H., ed. Afterimage: Drawing Through Process. Cambridge, Massachusetts: The MIT Press, 1999. 42.

Yates, Frances. The Art of Memory. Chicago: The University of Chicago Press, 1966. 216.

Willats, Stephen. The Artist as an Instigator of Changes in Social Cognition and Behaviour. London: Occasional Papers, 2010. 24.

Bing, Xu. A Book from the Sky and Classroom Calligraphy. Prague: The National Gallery, 2000. 9.

Hoptman, Laura, ed. Brion Gysin, Dream Machine. London: Merrell Publishers, 2010, 60.

Gerber, Alison. Artists’ Work Classification. Innsbruck, Austria: Künstlerhaus Büchsenhausen, 2006.70.

Atkinson, Terry. “Beuys’ Voice and the Coyote’s Spirit.” Collapse #2. The Verbal and the Visual. Mastai, Judith, Hanif Jan Mohamed, John O’Brian, eds. Vancouver, BC: Vancouver Art Forum Society, 1996. 147.

Lippard, Lucy R. From the Center, Feminist Essays on Women’s Art. New York: E.P. Dutton & Co., Inc. 188-189.

Shlain, Leonard. Art & Physics: Parallel Visions in Space, Time & Light. New York: Quill, William Morrow, 1991. 277.

Denes, Agnes. The Human Argument, The Writings of Agnes Denes. Klaus Ottmann, Ed. Putnam, Conn.: Spring Publications, 2008.

206.

Bremner, Ann, ed. Roni Horn: Earths Grow Thick. Columbus, Ohio: Wexner Center for the Arts, 1996. 68.

Humbert, Nicolas and Werner Penzel. Three Windows: Hommage a Robert Lax. Zurich: Berhnard Moosbrugger, 1999. Front matter.

Fuss, Adam. “In Resonance.” 3 X Abstraction. de Zegher, Catherine and Hendel Teicher, Eds. New York: Drawing Center Publications, 2005. 108.

Mark, Lisa Gabrielle, Ed. WACK! Art and the Feminist Revolution. Cambridge, Mass.: The MIT Press, 2007. 62. de Zegher, Catherine and Hendel Teicher, Eds. 3 X Abstraction. New York: Drawing Center Publications, 2005. 108.

Butler, Cornelia H., ed. Afterimage: Drawing Through Process. Cambridge, Massachusetts: The MIT Press, 1999. 92.

Borges, Jorge Luis. Labyrinths, Selected Stories & Other Writings. Yates, Donald A. and James E. Irby, Eds. New York: New Directions, 1962. 189.

Borges, Jorge Luis. Labyrinths, Selected Stories & Other Writings. Yates, Donald A. and James E. Irby, Eds. New York: New Directions, 1962. 190.

Butler, Cornelia H., ed. Afterimage: Drawing Through Process. Cambridge, Massachusetts: The MIT Press, 1999. 80.

Clark, Lygia. Lygia Clark. Barcelona: Fundació Antoni Tàpies. 1997. 105.

Stallings, Tyler, ed. Veered Science. Huntington Beach, California: Huntington Beach Art Center, 1995. 14.

Bey, Hakim. T.A.Z. The Temporary Autonomous Zone, Ontological Anarchy, Poetic Terrorism. New York: Autonomedia, 1991. 70-71.

Crowley, Nancy and Brian Wallis, Eds. Searchlight: Consciousness at the Millennium. New York: Thames & Hudson, 1999. 151.

Crowley, Nancy and Brian Wallis, Eds. Searchlight: Consciousness at the Millennium. New York: Thames & Hudson, 1999. 195.

Highwater, Jamake. The Language of Vision: Meditations on Myth and Metaphor. New York: Grove Press, 1994. 142.

Highwater, Jamake. The Language of Vision: Meditations on Myth and Metaphor. New York: Grove Press, 1994. 143.

Butterfield, Jan. The Art of Light + Space. New York: Abbeville Publishing Group. 1993. 15.

Shlain, Leonard. Art & Physics: Parallel Visions in Space, Time & Light. New York: Quill, William Morrow, 1991. 361.

Shlain, Leonard. Art & Physics: Parallel Visions in Space, Time & Light. New York: Quill, William Morrow, 1991. 292.

George, Anne. Site Readings. Rosendale, NY: Mid Atlantic Arts Foundation & Women’s Studio Workshop. 1993.

Bing, Xu. A Book from the Sky and Classroom Calligraphy. Prague: The National Gallery, 2000. 10.

Hendricks, Jon, ed. FLUXUS etc., ADDENDA 1, The Gilbert and Lila Silverman Collection. New York: Ink &, 1983. 75.

A Reading

A READING WHITE MOUNTAIN, Lisa Radon Portland Institute for Contemporary Art Resource Room Residency Portland, Oregon 2012 Designer: David Knowles

Hendricks, Jon, ed. FLUXUS etc., ADDENDA 1, The Gilbert and Lila Silverman Collection. New York: Ink &, 1983. 75.

Calvino, Italo. If on a winter’s night a traveler. Weaver, William, trans. New York: Harcourt. 1979. 161.

Calvino, Italo. If on a winter’s night a traveler. Weaver, William, trans. New York: Harcourt. 1979. 166.

The Big Nothing. Philadelphia, PA: Institute of Contemporary Art, University of Pennsylvania, 2004. 24.

Graham, Rodney. “A Path of Association Not Followed in Freud’s Analysis of His Own ‘Dream of the Botanical Monograph.’ Collapse #2. The Verbal and the Visual. Mastai, Judith, Hanif Jan Mohamed, John O’Brian, eds. Vancouver, BC: Vancouver Art Forum Society, 1996. 68.

Amoroso, Richard L. “A Brief Introduction to Noetic Field Theory: The Quantization of Mind.” Orinda, CA: The International Noetic University. 1997. http://www.infotimeart.org/planetary/Theories_Studies/Consciousness/Amoroso12.pdf Daumal, René. Mount Analogue: A Tale of Non-Euclidian and Symbolically Authentic Mountaineering Adventures. San Francisco: City Lights, 1968. 81.

Bok, Christian. Crystallography. Ontario: Coach House Books. 12.

Clark, Lygia. Lygia Clark. Barcelona: Fundació Antoni Tàpies. 1997. 152.

Clark, Lygia. Lygia Clark. Barcelona: Fundació Antoni Tàpies. 1997. 148.

Hendricks, Jon, ed. FLUXUS etc., ADDENDA 1, The Gilbert and Lila Silverman Collection. New York: Ink &, 1983. 103.

Shlain, Leonard. Art & Physics: Parallel Visions in Space, Time & Light. New York: Quill, William Morrow, 1991. 382.

Kawara, On. Pure Consciousness. Toronto: Ossington Old Orchard Public School, 2006. 3.

Shlain, Leonard. Art & Physics: Parallel Visions in Space, Time & Light. New York: Quill, William Morrow, 1991. 383.

Shubun, Tensho. <http://zh.wikipedia.org/wiki/File:Oxherding_pictures,_No._8.jpg> Clark, Lygia. Lygia Clark. Barcelona: Fundació Antoni Tàpies. 1997. 111.

Spring, Abi. White. 2007. 10.

Crowley, Nancy and Brian Wallis, Eds. Searchlight: Consciousness at the Millennium. New York: Thames & Hudson, 1999. 27.

Crowley, Nancy and Brian Wallis, Eds. Searchlight: Consciousness at the Millennium. New York: Thames & Hudson, 1999. 36.

Crowley, Nancy and Brian Wallis, Eds. Searchlight: Consciousness at the Millennium. New York: Thames & Hudson, 1999. 29.

Daumal, René. Mount Analogue: A Tale of Non-Euclidian and Symbolically Authentic Mountaineering Adventures. San Francisco: City Lights, 1968. 85.

Hendricks, Jon, ed. FLUXUS etc., ADDENDA 1, The Gilbert and Lila Silverman Collection. New York: Ink &, 1983. 259.

Mishlove, Jeffrey. The Roots of Consciousness. New York: Random House, Inc., 1975. 50.

Mishlove, Jeffrey. The Roots of Consciousness. New York: Random House, Inc., 1975. 51.

Mishlove, Jeffrey. The Roots of Consciousness. New York: Random House, Inc., 1975. 50.

Daumal, René. Mount Analogue: A Tale of Non-Euclidian and Symbolically Authentic Mountaineering Adventures. San Francisco: City Lights, 1968. 48.

Bey, Hakim. T.A.Z. The Temporary Autonomous Zone, Ontological Anarchy, Poetic Terrorism. New York: Autonomedia, 1991. 98-99.

Bulloch, Angela. Rule Book. Stefan Kalmar, ed. London: Book Works, 2001. 23.

The Big Nothing. Philadelphia, PA: Institute of Contemporary Art, University of Pennsylvania, 2004. 52.

Butler, Cornelia H., ed. Afterimage: Drawing Through Process. Cambridge, Massachusetts: The MIT Press, 1999. 81.

Humbert, Nicolas and Werner Penzel. Three Windows: Hommage a Robert Lax. Zurich: Berhnard Moosbrugger, 1999. 25.

Deliss, Clementine and Oscar Tuazon. Metronome No. 10 (Oregon) Future Academy. Paris: Metronome Press. 2006.

Cullen, Paul. r/p/m. Auckland: Split/Fountain Publishing, 2011. 9.

A Guide for Rock Polishers. Auburn, WA: Tru-Square Metal Products, 1973. 14-15.

Bergman, Torbern. 1775 Dissertation Elective. <http://commons.wikimedia.org/wiki/File:Alchemical-symbols-1775.jpg> Gerber, Alison. Artists’ Work Classification. Innsbruck, Austria: Künstlerhaus Büchsenhausen, 2006.76.

Assembly Instructions for Thumbler’s Tumbler No. 140 - Model B. Auburn, WA: Tru-Square MEtal Products, 1985.

Bremner, Ann, ed. Roni Horn: Earths Grow Thick. Columbus, Ohio: Wexner Center for the Arts, 1996. 67.

Cullen, Paul. r/p/m. Auckland: Split/Fountain Publishing, 2011. 103.

Cullen, Paul. r/p/m. Auckland: Split/Fountain Publishing, 2011. 104.

Rosenthal, Stephanie, ed. Move. Choreographing You. Art and Dance Since the 1960s. London: Hayward Publishing, 2010. 13.

Bernstein, Charles. “Robin on His Own.” Collapse #2. The Verbal and the Visual. Mastai, Judith, Hanif Jan Mohamed, John O’Brian, eds. Vancouver, BC: Vancouver Art Forum Society, 1996. 42.

Summerbell, Dierdre. Rhetorical Image. New York: The New Museum of Contemporary Art, 1990. 47.

Summerbell, Dierdre. Rhetorical Image. New York: The New Museum of Contemporary Art, 1990. 74.

Bulloch, Angela. Rule Book. Stefan Kalmar, ed. London: Book Works, 2001. 43.

Adorno, Theodor, Walter Benjamin, Ernst Bloch, Bertolt Brecht, Georg Lukacs. Aesthetics and Politics. London: Verso, 1977. 134.

Ono, Yoko. Grapefruit, Works and drawings by Yoko Ono. New York: Simon and Schuster, 1970. n.p.

Carr, Rachel E. Japanese Floral Art: Ikebana : Symbolism, Cult, and Practice. Princeton, NJ: D. Van Nostrand, 1961. 70.

Carr, Rachel E. Japanese Floral Art: Ikebana : Symbolism, Cult, and Practice. Princeton, NJ: D. Van Nostrand, 1961. 69.

Crowley, Nancy and Brian Wallis, Eds. Searchlight: Consciousness at the Millennium. New York: Thames & Hudson, 1999. 75.

Denes, Agnes. The System. India and colored ink on graph paper. 1970. <http://www.agnesdenesstudio.com/Phil_6.html> Barnes, Richard and Kim Tingley. “New Rock City.” The New York Times Magazine. 5 August 2012. 31.

A Guide for Rock Polishers. Auburn, WA: Tru-Square Metal Products, 1973. 4-5.

Bok, Christian. Crystallography. Ontario: Coach House Books. 60-61.

Lippard, Lucy. Overlay. Contemporary Art and the Art of Prehistory. New York: Pantheon Books, 1983. 114.

Albers, Josef and Francois Bucher. Despite Straight Lines. Cambridge, Massachusetts: The MIT Press, 1977. 49.

Albers, Josef and Francois Bucher. Despite Straight Lines. Cambridge, Massachusetts: The MIT Press, 1977. 51.

Dowling, William C. Latin by the Dowling Method. <http://www.rci.rutgers.edu/~wcd/Latin.htm> n.d. 6.

Clark, Lygia. Lygia Clark. Barcelona: Fundació Antoni Tàpies. 1997. 304.

Miller, Arja and Jari-Pekka Vanhala. Drawn in the Clouds, Asian Contemporary Art. Museum of Contemporary Art, Kiasma. 2008.

94-95.