Brookhart Jonquil
Paul Myoda
Camino a Izcua 1543 2 Pueblo Garz贸n | Uruguay Italy +39 3275550791 United States +1 9178582985 Uruguay +598 95646696 info@pieroatchugarry.com www.pieroatchugarry.com Brookhart Jonquil / Paul Myoda First print run of 2000 catalogues October 2015 Milan, Italy Texts by Brookhart Jonquil and Paul Myoda Graphic design: Arch. Pietro Dormia Photographs by: Brookhart Jonquil and Paul Myoda Printed by: Pixartprinting
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Index 7
Brookhart Jonquil
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Light objects
10 Plates 25 Biography 27 Biografia 28 CV 31
Paul Myoda
33 Nimbuses 34 Plates 47 Biography 49 Biografia 50 CV 55
Piero Atchugarry Gallery
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Galleria Piero Atchugarry
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Brookhart Jonquil
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Paul Myoda
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Brookhart Jonquil
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“Con i “Light objects” stavo cercando di usare la minor quantità di materia possibile, creando così un oggetto più di luce che di materia, e realizzandolo con la minor presenza fisica possibile. Quindi gli specchi polimerici non hanno telaio, sono solo dipinti, con una resa molto minimalista. Con la serie di “in a perfect
world” stavo cercando di cogliere l’equilibrio tra l’etero ed una presenza materica importante. Così dopo, quando ho realizzato “Bright Looper” ho avuto questo pensiero ancora in mente, così ho concretizzato l’opera in modo molto più materico di quanto non lo siano i “Light objects”, l’ho rinforzato con compensato e alluminio, rendendolo più oggetto che luce.“ Brookhart jonquil
Light objects
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“With the light objects I was trying to use as little material as possible, to make the object more out of light than matter, to physically exist as little as possible, so the plexi mirrors are unbacked, just painted, very minimal. With the In a Perfect World series I was trying more to strike a balance between not-existing and having a very material presence, so afterward when I made Bright Looper I had this still in mind, so its much more substantial than the light objects, backed with plywood and aluminum,
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more of an object.
Brookhart jonquil
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Concentric Pentagons, 2014. Acrylic mirror, fluorescent lights with ballasts, plywood, aluminum 152 x 61 x 23 cm
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Bright Looper, 2014 Acrylic mirror, fluorescent lights with ballasts, plywood, aluminum 152 x 61 x 23 cm
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Momentorum, 2015 One way mirror, fluorescent light, cable 61 x 116 x 30 cm
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Gravity’s Arrow #4, 2015 One way mirror, cement, cable, hardware 61 x 61 x 61 cm
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Gravity’s Arrow #2, Detail
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Gravity’s Arrow #2, 2015 Mirror, concrete, brass, steel 50 x 50 x 30 cm
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installation view of the exibition, “Never Odd or Even, Emerson Dorsch, Miami” 2011.
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In a Perfect World (III), 2013 Mirror, fiberglass, plywood, steel, 233.5 x 233.5 x 61 cm, edition 1/3
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Andromed’s Kiss, 2014 Meteorites, steel wire, aluminum, chewing gum, plaster, nylon, acrylic, resin, cypress wood, foam, tripods 152 x 152 x 152 cm
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Parts of Equal Moment Stand, 2015. Mirror, cement, fluorescent lights, cable 101 x 101 x 63 cm
TwoTriangles, 2014 Acrylic mirror, fluorescent lights with ballasts, plywood, aluminum 130 x 61 x 23 cm
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Nonfold, 2015 Cement on linen 81 x 50 x 2.5 cm, edition 1/30
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lumber icosahedron, 2011 acrylic mirror, paint, lumber, custom hardware 228 x 244 x 122 cm
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Biography
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Brookhart Jonquil was born in Santa Cruz, CA in
mi Beach, the De la Cruz Collection in Miami, the
1984. Raised in Portland, OR and Tucson, AZ, he
Museum of Contemporary Art in Tucson, the Or-
received a BA in Art History and a BFA in Studio
lando Museum of Art, Fondazione Giorgio Cini in
Art from the University of Arizona, and went on to
Venice, and Fundación Pablo Atchugarry in Uru-
earn his Master’s Degree from the School of the
guay. He is a 2015 recipient of the South Florida
Art Institute of Chicago, where he was awarded a
Cultural Consortium Fellowship.
graduate fellowship. Jonquil has exhibited widely throughout the US
Jonquil is rapresented by Emerson Dorsh in
and abroad. His work has been shown at Eyebe-
Miami , and Piero Athcugarry gallery in Uruguay
am in New York, the Bass Museum of Art in Mia-
and in Italy.
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BIOGRAFIA Brookhart Jonquil è nato a Santa Cruz, CA nel 1984. Cresciuto a Portland, OR e Tucson, AZ, ha conseguito una laurea in Storia dell’Arte e un BFA in Studio Art presso la University of Arizona, e ha proseguito la formazione con un Master nell’ istituto d’Arte di Chicago, dove è stato premiato con una borsa di studio di laurea. Jonquil ha esposto in molte sedi sia negli Stati Uniti che all’estero. le sue opere sono state esposte presso Eyebeam a New
York, il Bass Museum of Art di Miami Beach, la De la Cruz Collection di Miami, il Museo di Arte Contemporanea di Tucson, l’Orlando Museum of Art, la Fondazione Giorgio Cini di Venezia, e la Fundación Pablo Atchugarry in Uruguay. E’ stato premiato dal Consorzio Culturale del sud della Florida . Jonquil viene è rappresentato dalla Emerson Dorsh a Miami, e dalla galleria Piero Atchugarry in Uruguay in Italia.
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CV Education 2010 2007 2007 2005
MFA- School of the Art Institute of Chicago BFA- University of Arizona BA in Art History- University of Arizona Leipzig Academy of Art (guest student)
Solo Exhibitions 2015 Art Wynwood, Emerson Dorsch, Miami 2013 YYYYYY, Bass Museum of Art, Miami Beach In a Perfect World, Emerson Dorsch, Miami 2012 Orpheus and Eurydice, Art Live Fair, Miami Inverted Night De la Cruz Collection Project Room Miami Volume, 323 Projects, Los Angeles 2011 PULSE Miami, Emerson Dorsch, Miami Never Odd or Even, Emerson Dorsch, Miami Physical Spectrum, Los Caminos, St. Louis 2009 Still Breathing, Gallery X, Chicago 2006 space.ing, Lionel Rombach Gallery, Tucson
Group Exhibitions 2015 Map of the New Art, Fondazione Giorgio Cini, Vence, New Art, Florida Atlantic University, Boca Raton 7th Biennial, Art and Culture Center of Hollywood, Hollywood Florida Spaces of the Soul, Fundación Pablo Atchugarry, Uruguay Ideal Perfection, LVL3, Chicago Coworker, Swampspace, Miami Locally Grown, American University Museum,
Washington DC Alternative Contemporaneity: TAZ, MoCA North Miami Vienna for Art’s Sake, Winterpalais of the Belvedere, Vienna 2014 Vizcaya-fy or Bust, Vizcaya Museum and Gardens, Miami More Than One and Less Than Two, Gordilloscud der, Brooklyn The New Romantics, Eyebeam, New York Index, Museum of Modern Art, Santo Domingo, Dominican Republic The Florida Prize in Contemporary Art, Orlando Museum of Art, Orlando All Florida, Boca Raton Museum of Art, Boca Raton Miami Performance International Festival, Edge Zones, Miami 2013 Better Than Universe, Daegu Art Factory, Daegu, South Korea It’s About Time, Miami International Airport Gallery, Miami Extra, Academia de San Carlos, Mexico City Back of Beyond, Deering Estate, Miami DWNTWN Art Days, Miami Back by Popular Demand, The Collabo Show, Miami Turn On, Kunsthalle Beacon, Beacon NY Sharper Image, Ethan Cohen Fine Art, New York Sharper Image II, artSTRAND, Provincetown MA Tibetans Have a Word for That, Jaqueline Falcone, Miami 2012 PULSE Miami, Emerson Dorsch, Miami The Silent Treatment, Art Live Fair, Miami Size Scale Repetition, General Practice, Miami Collage Pottage, Swampspace, Miami Young Curators, New Ideas IV, Meulensteen, New York The Air Show, Museum of Contemporary Art, Tucson Let’s Begin with a Line, Emerson Dorsch, Miami Arte No Es Fácil, Links Hall, Chicago
SoBay, Deering Estate, Miami 2011 Four Minutes, Thirty-Three Seconds, Cannonball, Miami ROY G BIV, Waterhouse and Dodd, New York Displacement, Zhou B Art Center, Chicago 2010 Bubble Raft, Emerson Dorsch, Miami 7.06052010, MVSEVM, Chicago Alphabetization, Noble and Superior Projects, Chicago Transformations and Reflections, MFA Thesis Exhibition, Sullivan Gallery, Chicago Usefulness, Boomerang Project Space, Chicago Inaugural Exhibition, Museum of Contemporary Art, Tucson 2009 LiveBox Lab, Around the Coyote, Chicago Sugar, Around the Coyote, Chicago Third Arm, SUGS at Art Chicago 2008 ECHO, Chicago Dollar Store, Kunsthalle Chicago, Chicago 2007 The Most Curatorial Biennial of the Universe, Ape xArts, New York Salon de Refusés, Dinnerware Contemporary Arts, Tucson PerformIt, Plugged Video Collective, Tucson Web Biennial 2007, Istanbul Contemporary Art Museum, Istanbul Human Presence, Gallery Centella, Tucson Athens Video Art Festival, Technopolis, Athens 2006 BFA Exhibition, Union Gallery, Tucson Sculpture, Lionel Rombach Gallery, Tucson Heart Rock, Solar Culture Gallery, Tucson Marin Varbanov International Art Festival, Oriahovo City Gallery of Art, Bulgaria Facts and Figures, ShaneHouse Gallery, Tucson
Public Collections
Fountainhead Collection, Miami Museum of Contemporary Art, Tucson University of Arizona Museum of Art Oriahovo City Gallery of Art, Bulgaria Fundación Pablo Atchugarry, Manantiales, Uruguay
Honors, Awards and Grants 2015 South Florida Cultural Consortium Fellowship 2015 Tigertail Artist Access Grant 2013 1st place Artist Project Award Bass Museum of Art / Locust Projects 2010 James Nelson Raymond Fellowship (Art Institute of Chicago Graduate Fellowship) 2007-10 School of the Art Institute of Chicago Grant 2007 Tucson Pima Arts Council Individual Artist Grant 2006 University of Arizona School of Art Creative Achievement Award 2006 Dean’s Fund for Excellence Grant 2007 Samuel Kingan Scholarship for Art 2002-06 Dorrance Merit Scholarship 2002-06 UA Achievement Scholarship 2002-06 UA Spirit of Discovery Scholarship 2006-07 UA University Grant
Residencies 2014 BRIClab, Brooklyn 2014 ACRE, Steuben, WI / Chicago 2012 Museum of Contemporary Art, Tucson 2011 Cannonball, Miami 2006 Marin Varbanov International Art Festival, Oriahovo, Bulgaria
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Tribute In Light Over the Brooklyn Bridge, 2002 Digital Illustration by Paul Myoda and Julian LaVerdiere
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Paul Myoda
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“Paul Myoda è uno scultore con sede a Rhode Island che crea sculture di luce interattive. Per questa nuova serie “nimbuses” (aureole), Myoda utilizza rappresentazioni storiche di aureole in arte religiosa - greca, buddista, induista, islamica, cristiana e altre - come trampolini per contribuire a definire nuove composizioni dinamiche di luce. Diverse aureole geometriche si presentano atravverso questi momenti storico-artistici (a forma di cerchio, quadrato, esagono e mandorla), ma con grandi differenze in vigore, date le diverse modalità di rappresentazione prospettica, vale a dire, proiettiva, obliqua o inversa. Ogni sistema prospettico pone tematiche e le rispettive aureole in diverse relazioni spaziali, e offre quindi un atteggiamento di-
verso per lo spettatore, dalle emozioni coinvolgenti e corporee a quelle di distacco e ultraterrene. Myoda fonde questi sistemi e geometrie insieme, per individuare allineamenti o disallineamenti, e per esplorare i risultati di ciò che è disorientamento o trascendenza. Le sculture di Myoda cominciano come schizzi e si sviluppano in vari schemi 2D e 3D e applicazioni di progettazione basate su algoritmi e sono quindi fabbricati utilizzando sia tecniche assistite da computer che dagli gli strumenti tradizionali a mano. I circuiti interattivi comprendono microprocessori e sensori infrarossi, che vengono programmati per rispondere alla presenza di spettatori con diversi effetti di luce, ritmi e intensità. “ Paul Myoda
Nimbuses
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“Paul Myoda is a sculptor based in Rhode Island who creates interactive illuminating sculptures. For this new series “Nimbuses”, Myoda uses historic representations of nimbuses in religious art — Greek, Buddhist, Hindu, Islamic, Christian and others — as springboards to help shape new dynamic compositions of light. Several geometric nimbuses occur throughout these histories (circle, square, hexagon and almond shape), but with great differences in effect due to the different modes of perspectival representation, i.e., the projective, oblique or reverse. Each perspectival system places subjects and their nimbuses in different spatial relationships, and therefore provides a different attitude of spectatorship, from the immersive and corporeal to the detached and otherworldly. Myoda patches these systems and geometries together, to locate alignments or misalignments, and to explore what disorientation, or transcendence, results. Myoda’s sculptures begin as loose sketches, are developed in various 2D, 3D and algorithmically based design applications, and are then fabricated using both computer-aided technologies and traditional hand tools. The interactive circuits include microprocessors and infrared sensors, which are programmed
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to respond to the presence of viewers with different light effects, rhythms and intensities.
Paul Myoda
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Almond Nimbus, 2015 Acrylic, reflective acrylic, aluminum, LEDs, infrared sensor, microprocessor 95 x 45.5x 28.5 cm
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Circular Nimbus, 2015 Acrylic, reflective acrylic, aluminum, LEDs, infrared sensor, microprocessor 42 x 41 x 28.5 cm
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Hexagonal Nimbus, 2015 Acrylic, reflective acrylic, aluminum, LEDs, infrared sensor, microprocessor 45 x 40.5 x 28 cm
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Square Nimbus, 2015 Acrylic, reflective acrylic, aluminum, LEDs, infrared sensor, microprocessor 44.5 x 42 x 26 cm
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Square Nimbus, alternative view
John_bonham; triplets, 2014. Acrylic, aluminum, reflective acrylic, LEDs, microprocessor. 60 x 61 x 30 cm, edition 1/3
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John Bonhams Trapset, 2014. Acrylic, reflective acrylic 45 x 38 x 35 cm, Edition of 1/3
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Spines #2, 2012 Aluminum, thermoplastic, high power LEDs 40 x 25x 45 cm, Edition 1/3
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Recursion #2, 2012 Aluminum, thermoplastic, high power LEDs 40 x 25 x 45 cm, Edition 2/3
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Borderline Personality Disorder #3, 2013 Aluminum, thermoplastic, reflective mylar, high power LEDs, motor, microprocessor, circuit 17.8 x 17.8 x 30.5 cm, Edition 1/3
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Biography
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Paul Myoda is a sculptor based in the woods of
Cultural Council’s World Views Program and had
Chepachet, Rhode Island. Regularly exhibited
a studio on the 91st floor of WTC I. In March of
both nationally and internationally, his sculptures
2002 he co-created the Tribute in Light in memo-
and installations are known for their elegance and
ry of the tragic events of September 11th, 2001,
their expression of organic forces through artiicial
which has since become an annual installation.
materials and systems.
He was an adjunct professor at The City College of New York and has been an assistant professor
A graduate of the Rhode Island School of Design
in Brown University’s Visual Art Department since
and Yale University, Myoda is recognized as an
2006.
artist, designer, critic and educator. Based in NYC from 1990-2006, Myoda was represented by the
Myoda’s works are part of the collections of the
Friedrich Petzel Gallery, and was co-founder of
Queens Museum of Art, Museum of Contempo-
Big Room, an art production and design collective
rary Art, San Diego, the Museum of Contemporary
in New York City. He was also a contributor to Art
Art, Miami and the Library of Congress. Recently
in America, Flash Art and Frieze. He is a recipient
he has had solo exhibitions at the Dorsch Gallery
of grants from the National Endowment for the
in Miami, the Project 4 Gallery in Washington DC,
Arts, Warhol Foundation and Howard Foundation,
and at the Yellow Peril Gallery in Providence, RI.
among others.
He is represented in Uruguay and Italy by the
In 2001 he participated in the Lower Manhattan
Piero Atchugarry gallery.
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BIOGRAFIA Paul Myoda è uno scultore con base nei boschi di Chepachet, Rhode Island. Regolarmente esposto sia a livello nazionale che internazionale, le sue sculture e le installazioni sono note per la loro eleganza e la loro espressione di forze organiche attraverso materiali e sistemi artificiali. Laureato alla Rhode Island School of Design e Yale University, Myoda è riconosciuto come un artista, designer, critico e maesto. Quando viveva a NYC nel periodo 1990-2006, Myoda era rappresentato dalla Friedrich Petzel Gallery, ed è stato co-fondatore di Big Room, una produzione artistica e di design collettivo a New York City. Era anche un collaboratore di Art in America, Flash Art e Frieze. Ha ricevuto una borsa di studio dal National Endowment for the Arts, Warhol Foundation e Fondazione Howard.Nel 2001
ha partecipato al view mondial del Lower Manhattan Cultural Council e avevaun atelier al 91esimo piano della WTC I . Nel marzo del 2002, ha co-creato il Tribute in Light in ricordo dei tragici eventi dell’11 settembre 2001, che da allora è diventata un’installazione pubblica annuale. E ‘stato professore a contratto presso il City College di New York, ed è stato un assitente nel dipartimento di arti visive della Brown University dal 2006. Le opere di Myoda fanno parte delle collezioni del Queens Museum of Art, NY, del Museum of Contemporary Art, San Diego, del Museum of Contemporary Art, Miami e della Biblioteca del Congresso, Washington D.C.. Recentemente ha avuto mostre personali presso la Galleria Dorsch a Miami, il Project 4 Gallery di Washington DC, e al Yellow Peril Gallery di Providence, RI. E ‘ rappresentato in Uruguay e in Italia dalla galleria Piero Atchugarry.
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CV Education 1992–94 MFA. Yale University, New Haven, CT 1989-90 MFA track. California Art Institute, Valencia, CA 1985–89 MFA. Rhode Island School of Design, Providence, RI
Solo Exibition 2015 <synesthesia> University of Maine Museum of Art, Bangor, Maine 2014 <synesthesia> Plug-In, Istanbul, Turkey 2013 Glittering Machines III, Yellow Peril Gallery, Provi dence, RI 2012 Glittering Machines II, Project 4 Gallery, Washington, D.C. 2011 Glittering Machines, Dorsch Gallery, Miami, FL 2000 Dust, Friedrich Petzel Gallery, NY, NY 1997 Clouds, Friedrich Petzel Gallery, NY, NY 1995 Gargoyles II, Bard College, Annandale-on- Hudson, NY Gargoyles, Friedrich Petzel Gallery, NY, NY 1993 Strawman II, Jason Rubell Gallery, Miami, FL Strawman, Friedrich Petzel Gallery, NY, NY
Group Exibition 2015 2014
Spaces of the Soul, Fundacion Pablo Atchugarry, Manantiales Uruguay Cutlog, New York, NY Scope NYC, New York, NY Blueprint 2.0, curated by Sebastian Bremer, Florian Idenburg and Jing Liu of SO_IL, Museum of Contemporary Art, Tuscon, Arizona
WBlueprint 2.0, curated by Sebastian Bremer, Florian Idenburg and Jing Liu of SO_IL, Kunsthal KAdE, Amersfoort, Netherlands Articulated Structures: Paul Myoda, Jacqueline Ott, Jane South, Dedee Shattuck Gallery, Westport, MA 2013 Untitled, Miami art fair, presented by Emerson-Dorsch Gallery, Miami, FL PVD: TLA, curated by Maya Allison, Studio 1504, Abu Dhabi Small Works, Dedee Shattuck Gallery, Westport, MA Locally Made: One Room, RISD Museum, Providence, RI Bushwick Open Studios, Yellow Peril at LightSpace, Brooklyn, NY Work Harder: Installations from Yellow Peril at LightSpace, curated by Robert P. Stack. Brooklyn, NY 2012 Interaction/Immersion, curated by R.K. Projects and Allison Paschke, Pawtucket, RI Firstworks; Pixilerations [v.9], Sol Koffler Gallery, RISD, Providence, RI Because Dreaming is Best Done in Public, Laurie M Tisch Illumination Fund, NY, NY Illuminations: Paul Myoda & Stephanie Pender, Chazan Gallery, Providence, RI 2011 Firstworks; Pixilerations [v.8], Granoff Center, Providence, RI Beyond 9/11, Milk Gallery, NY, NY Big Screen Plaza, curated by Stephanie Dodes, projections in NY, NY Home: Dream Home, Praxis International Art, curated by Grela Orihuela, Miami, FL 2010 Faculty Triennial 2010, David Winton Bell Gallery, Brown University, Providence, RI 2009 Firstworks; Pixilerations [v.6], 5 Traverse Gallery, Providence, RI Art Basel Miami Beach, presented by Creative Time and D.A.P./Distributed Art Publishers, Miami, FL
2008 Scene/Seen: Recent Acquisitions from the Luckman Fine Arts Complex Permanent Collection, 1979-2006. Luckman Fine Arts Complex, California State University, Los Angeles, CA The Downtown Dinner, Lower Manhattan Cultural Council Exhibit/Benefit, NY, NY 2007 Ruy Klein Architects. Exhibition at the Bayard Ewing Building, RISD Department of Architecture and Landscape Architecture, Providence, RI Firstworks; Pixilerations [v.4]: Stories +/-Ornament. Sol Koffler Gallery, Providence, RI Faculty Exhibition: 2007, List Art Gallery, Brown University, Providence, RI, 2005 The Gift, Queens Museum of Art, Queens, NY Dark Places, Santa Monica Museum of Art, curated by Joshua Decter, Santa Monica, CA Digital Urbanisms, Pace University, Digital Salon, curated by Annette Weintraub,NY, NY 2004 Popular Science, C.A.R.E. Packages for the 21st Century. Urban Lodestar, NY, NY 2004 Tribute In Light, temporary model in the NYC Pano rama, Queens Museum, Queens, NY 2003 Designing the High Line, Grand Central Station, NY, NY 2002 New York after New York, Musee de d’Elysee, Lau sanne, Switzerland A New World Trade Center, Venice Biennale of Ar chitecture, Venice, Italy 2001 A New World Trade Center, Max Protetch Gallery, NY, NY I Love New York, Friedrich Petzel Gallery, NY, NY 2000 Pleasure Treasure: Recent Acquisitions from the Collection of Eileen and Peter Norton. Harriet & Charles Luckman Fine Arts Gallery, Los Angeles, CA 1999 Memes, Andrew Kreps Gallery, NY, NY Blueprint, Gallery Spark, (curated by Sebastiaan
Bremer & Pieter Woudt. Catalogue pp. 13, 15), NY, NY 1998 Free Coke, GreeneNaftali Gallery, NY, NY 1997 KolnSkulptur 1, sculpture park, Koln, Germany Here and There, Friedrich Petzel Gallery, NY, NY Landscape: The Pastoral to the Urban, Bard College, curated by Vasif Kortun, Annadale-on Hudson, NY 1996 Video Sans Titre, Galerie Froment-Putman, Paris, France 1995 Works on Paper: Paul Myoda & Nicola Tyson, Frie drich Petzel Gallery, NY, NY La Belle et la Bete, Musee d’Art Moderne de la Ville de Paris, (curated by Lynn Gumpert), Paris, France The Monster Show, curated by Bonnie Clearwater, Center of Contemporary Art, Miami, FL Komix, Brooke Alexander Editions, NY, NY 1994 Bring Your Own Space, W 139, Amsterdam, Holland Oh Boy, It’s a Girl, Kunstverein München, Germany Untitled Groupshow, Metro Pictures, NY Museum auf Zeit, slide projections at Museum Fridericianum, Kassel, Germany Don’t Look Now, curated by Joshua Decter, Thread Waxing Space, NY, NY 1993 Frauenkunst/Maennerkuns
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Public Art 2002-13 Tribute In Light, annual memorial illuminated in memory of September 11th, 2001, NY, NY
Public Collections Library of Congress Queens Museum of Art, NY Museum of Contemporary Art, San Diego, CA Museum of Contemporary Art, Miami, FL The Harriet and Charles Luckman Fine Arts Complex at California State University, Los Angeles, CA Rubell Family Collection, Miami, FL Fundación Pablo Atchugarry, Manantiales, Uruguay
Awards and Grants 2013 Humanities Research Grant, Brown University Richard B. Salomon Faculty Research Award Undergraduate Teaching and Research Awards: 2 students, Brown University Humanities Initiatives Funded Project: Design and the Civic Space. With Erik Ehn, Theatre Arts and Performance Studies; Dietrich Neumann, History of Art & Architecture; and Roger Nozaki, Swearer Center Creative Arts Council Curriculum Development Grant for 3D Printing 2012 Creative Arts Council Curriculum Development Grant for Kinetic Sculpture Studio. Humanities Research Grant, Brown University Dean of the Faculty Grant, Brown University 2011 Undergraduate Teaching and Research Awards:
3 students, Brown University Humanities Research Grant, Brown University 2010 Undergraduate Teaching and Research Awards: 2 students, Brown University Creative Arts Council Curriculum Development Grant for Experimental Musical Instrument Design with Joseph Rovan (Dept. of Music) Humanities Research Grant, Brown University 2009 Research Experiences for Undergraduate (REU) grant, Engineering LEDs to Illuminate Public Art, National Science Foundation (NSF), with Prof. R. Zia (Dept. Engineering) Creative Arts Council Curriculum Development Grant for The Art and Science of Light with Prof. R. Zia (Dept. Engineering) Humanities Research Grant, Brown University Grant from Brown University’s Instructional Technology Group 2008 Undergraduate Teaching and Research Awards: 4 students, Brown University, with Prof. R. Zia (Dept. Engineering) Humanities Research Grant, Brown University 2007 Howard Foundation Fellowship: 21st Century Architectural Ornamentation Wayland Curricular Development Grant, Brown University: The Art + Science of Light 2004 Popular Science, C.A.R.E. Packages for the 21st Century. 2nd Prize, Urban Lodestar 2003 Friends of the Highline, Designing the High Line, Jury Selection, 2003 The Sixteenth Annual Brendan Gill Prize, Award for the Tribute in Light, Awarded for the work of art that best captures the spirit of New York 2002 International Association of Art Critics, Award for Best Public Art Show Awarded to the creative team, of the Tribute in Light Memorial NY Society of Architects: 96th annual Distingui shed Service Award, Awarded to the creative team, of the Tribute in Light Memorial Society for Publication Design: Gold Medal,
2001 2000
Magazine Cover of the Year Awarded to the New York Times Sunday Magazine, Septem ber 23, 2001, For the Image of “The Phantom Towers” by Laverdiere & Myoda LEF Foundation, Public Art Grant Granted to Crea tive Time for development of the Tribute in Light Memorial Aber D. Unger Foundation, Public Art Grant Gran ted to Creative Time, for development of the Tribute in Light Memorial New York Times Company Foundation, Arts Grant, Granted to Creative Time, for the development Tribute in Light Memorial National Endowment for the Arts, Creativity and Presentation Grant Granted to Creative Time’s DNAid initiative 2000 Warhol Foundation, Public Art Grant Jerome Foundation, Emerging Artist Grant Titus Foundation, Public Art Grant Greenwall Foundation, Artist Grant
Residencies 2001 1998
World Views, Lower Manhattan Cultural Council’s residency, WTC I, NY, NY American Museum of Natural History, Genetics Lab, Invertebrate Wing, NY, NY Zementwurke Loeb, Salzburg, Austria
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Piero Atchugarry gallery Located in Pueblo Garzón, Uruguay, the Piero Atchugarry is a contemporary art gallery effective on primary and secondary market. The gallery was founded in September 2013 with an exhibition comprised of Post-War Italian art, showing works by Bruno Munari, Piero Dorazio, Getulio Alviani, Agostino Bonalumi and Turi Simeti. On January 5, 2014 the gallery moved to a larger space in Garzón, occupying an old converted stable. This location represents an interesting challenge in displaying contemporary art due to the architecture of the gallery. In December 2013 the gallery began a program of residences. Artists from all over the world are invited to regenerate and create specific artworks inspired by the calm and beauty of the Uruguayan landscape and nature. As of today the following artists have participated in this program: Raffaele Rossi (Italy, b. 1958), Daniel Papaleo (Argentina, b. 1968) and Humberto Cazorla (Venezuela, b. 1953), Octavio Podesta (Uruguay, b. 1929), Diego Santurio (Uruguay, b. 1977), Luca Benites (Brazil, b. 1981) and Veronica Vazquez (Uruguay, b. 1970). The program aims to educate the public on artistic processes by converting the gallery into an artist studio. Visitors are welcome to come and explore artistic practices in situ, as well as to meet and exchange ideas with the artists. Each visiting artist develops a body of work in Garzón and creates a site-specific installation for the sculpture park of 22 hectares (54 acres) surrounding the gallery, leaving a permanent memory of his or her passage. In December 2016 the gallery will open a second location, expanding in the United States and occupying a warehouse of 1000 square meters on NE 55th Street NE 4th Avenue in the heart of Little Haiti, Miami. This upcoming artistic area will be an exciting location to promote international contemporary art and foster careers of emerging and established artists.
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Galleria Piero Atchugarry Con sede a Pueblo Garzón, in Uruguay, la Piero Atchugarry è una galleria d’arte contemporanea che agisce sul mercato primario e secondario. E’ stata fondata nel settembre del 2013, con una mostra composta da opere del dopoguerra italiano, che ha vantato opere di Bruno Munari, Piero Dorazio, Getulio Alviani, Agostino Bonalumi e Turi Simeti. Il 5 gennaio 2014 la galleria si trasferisce in uno spazio più grande a Garzón, che occupa una vecchio stabile agreste ristutturato. Questo spazio rappresenta una sfida interessante nel mostrare arte contemporanea grazie al contasto dell’architettura della galleria.
sta (Uruguay, b 1929 ), Diego Santurio (Uruguay, b. 1977), Luca Benites (Brasile, b. 1981) e Veronica Vazquez (Uruguay, b. 1970). Il programma si propone di educare il pubblico sui processi artistici convertendo la galleria in uno studio dell’artista. I visitatori sono invitati a venire ed esplorare pratiche artistiche in situ, come pure ad incontrare e scambiare idee con gli artisti stessi. Ogni artista in visita a Garzón sviluppa una serie di opere e crea un’installazione site-specific per il parco di sculture di 22 ettari che circonda la galleria, lasciando un ricordo permanente del loro passaggio.
Nel dicembre 2013 la galleria ha iniziato un programma di residenze. Artisti provenienti da tutto il mondo sono invitati a rigenerarsi e creare opere d’arte specifiche, ispirate dalla calma e alla bellezza del paesaggio e della natura uruguaiano. Addoggi i seguenti artisti hanno partecipato a questo programma:. Raffaele Rossi (. Italia, b 1958), Daniel Papaleo (. Argentina, b 1968) e Humberto Cazorla (. Venezuela, b 1953), Octavio Pode-
Nel dicembre 2016 la galleria aprirà una seconda sede, espandendosi negli Stati Uniti e occupando uno stabile di 1000 metri quadrati su NE 55th Street NE 4th Avenue, nel cuore di Little Haiti, Miami. Questa area artistica in divenire sarà un luogo stimolante per promuovere l’arte contemporanea internazionale e supportare le carriere di artisti sia emergenti che già affermati.