Pierre Ang portfolio — selected works 2017-2019

PACKAGING DESIGN

SELECTED WORK S 2 0 1 7 - 2 0 1 9

Graphic Design

Selected works

Portfolio ————

2017 ———— 2019 001

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Reflectio fundatur et Excogitatoris —

001 / 002

*** TOP S E C R E T * * *

C U R R IC ULUM VI TAE

Graphic Design

Selected works

1998 - 2019

Portfolio ————

2017 ———— 2019

SELECTED WORK S 2 0 1 7 - 2 0 1 9

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GENESIS 01:01

"In the beginning God created the heavens and the earth."

â€

004

PI E R R E A N G

PACKAGING DESIGN

Reflectio fundatur et Excogitatoris —

PIERREANG 17:19

"In the beginning Pierre opened Instagram and surf onto procrastination."

†

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Graphic Design

Selected works

Portfolio ————

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Reflectio fundatur et Excogitatoris —

INTRODUCTION ** PERSONAL DATA **

Hello, my name is Pierre Ang. I’m a graphic designer student based at Jakarta. Currently at 7th semester in Multimedia Nusantara University majoring graphic design. Passionate in minimalism & functional design that impactful for the society, with self interested focusing in branding, typography, editorial & UI/UX. — Pierre Ang

I know I can’t learn about the industry

I hope to enrich my knowledge,

by myself. That’s why I need guidance

explore new perspective, and improve

from your studio to help me learn.

my practical skills in graphic design.

SELECTED WORK S

2 0001 17

- 2019

Graphic Design

Selected works

Portfolio ————

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PACKAGING DESIGN

Reflectio fundatur et Excogitatoris —

* PERSONAL DATA *

NAME

Pierre Anggawijaya

BIRTH

Jakarta, March 15TH 1998

ADDRESS

Jl. Central Garden G15 № 35 Citra Gran, Cibubur, Bekasi West Java — 17435

CONTACT

EM

pierre.anggawijaya@ gmail.com

PH

+62 822 1375 9154

IG

@pierreang

BE

be.net/pierreang

SELECTED WORK S 2 0003 17 - 2019

Graphic Design

Selected works

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* EDUCATION *

2016

-

CURRENT

Multimedia Nusantara University → GD 2013

-

2016

PL Vanlith SHS, Muntilan

* VOLUNTARY & NON-PROFIT EXP. *

OCT

A weekend program by Indoestri that

2017

recruited volunteers to be a tour guide

Indoestri day #7

NOV

and visitor’s informant.

Tutoring participated design student

2018

about introduction of basic layout & grids

Tutoriart

within a session.

0010

PI E R R E A N G 004

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Reflectio fundatur et Excogitatoris —

* EXPERIENCES *

1.0

JAN

2019

-

CURRENT

Creative director - ULTIMAGZ * Independent media located at UMN B613

2.0

2019

Art Director - Imago 4.0 * Annual student final project exhibition by FSD UMN

3.0

MAY

-

SEP

2018

Museum Assistant - Museum MACAN * Artwork keeper, museum informant, visitor helper, tour guide

4.0

MAR

-

OCT

2018

Head of Festival - Ultigraph 2018 * Annual graphic design festival and awards for students

5.0

OCT

2016

-

CURRENT

Graphic Designer - ULTIMAGZ * as a layouter and graphic designer

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Graphic Design

Selected works

Portfolio ————

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* ACHIEVEMENTS & EXHIBITIONS *

1.0

OCTOBER

2018

—

ULTIGRAPH

1st winner - Self branding poster * curated by Ultigraph 2018 & Kamarupa design group

2.0

OCTOBER

2018

—

ULTIGRAPH

Nominee - Beluga typeface * Curated By DGI, ADGI, and Internal Lecturers.

3.0

MARCH

2018

-

GALERI

FSD

UMN

Selected works - Beluga typeface * Selected works from exam results in Ex-tion exhibition

4.0

JUNE

2017

-

ARTWEEK

Selected works - Painting * Selected painting in annual art exhibition, Artweek.

5.0

MAY

2017

-

LIBSTUD

Selected works - art postcard * selected art postcard exhibited at Libspace YK

0012

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* SKILLS *

SOFTWARE

PERSONAL

⚬

Adobe Illustrator

⚬

Willing to learn

⚬

Adobe Photoshop

⚬

Good listener

⚬

Adobe InDesign

⚬

Adaptive

⚬

Adobe XD

⚬

Introvert, but sociable

⚬

Adobe Premier Pro

⚬

Explorative person

⚬

Adobe After Effects

⚬

Detail-oriented

⚬

Fontlab Studio

LANGUANGE

⚬

Bahasa Indonesia

Native

⚬

English

Advance

⚬

Chinese

Basic conversational

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Graphic Design

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Portfolio ————

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PACKAGING DESIGN

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SELECTED WORK S 2 0 1 7 - 2 0 1 9

Graphic Design

Selected works

Portfolio ————

2017 ———— 2019 00 1 5

* T A B L E O F C O N T E N T S

CONTENTS

1.0

Packaging Design

consolio packaging

004

2.0

Brand Identity notam identitatem

014

3.0

Editorial Design

editorial consolio

032

4.0

Typeface Design

impressa font

040

5.0

Miscellaneous

vesalius

050

002

00 2 / 0 0 2

EPHESIANS 2:10

"For we are God’s handiwork, created in Christ Jesus to do good works, which God prepared in advance for us to do."

†

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SOOKOON: Premium Breadfruit Chips S CO PE

Packaging

CL I EN T

Jason

objective —

Design

Orlando

Brand naming and packaging design

for SOOKOON, premium breadfruit chips with three kinds of Indonesian’s cuisine flavors. The objective is to express each kind of SOOKOON’s flavor into various set of packaging. solution —

The identity logo is placed at the

centers of the bold and luxury logo, which reflects the luxury yet authentic Indonesian vibe.

Batik pattern used as an ornament to strengthen Indonesian’s nuance in the packaging.

004

PI E R R E A N G

PACKAGING DESIGN

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*

photography —

taken by Ivano Wijaya

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PIERRE ANG

PACKAGING DESIGN

behind the naming of “ SOOKOON”: The idea to make the word become “sookoon” is to universalize its pronounciation. So the syllable “soo-” will pronounce as “su-”. It is 4✗

✗

7✗

intended to avoid mispronounciation of the word when it say by tourist and foreigns. It also stands to keep the meaning of their main

figure

1.1­— Logotype form,

grid,

material of the commodity itself, sukun.

and measurement of SOOKOON.

figure

1.2— clear view of SOOKOON’s rendang

flavor, presented in front & back view.

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007

I / / XI S O O K O O N : P R E M I U M B R E A DTFERHU IGTO PCEHKI:P SA W E E K L Y T E A P A C K A G E II X

2018

Teh Gopek: Premium Edition S CO PE

Branding,

CL I EN T

College

objective —

Packaging

assigment

Creating new packaging concept

and design for iconic Teh Gopek (Golden Orange Pekoe).Teh Gopek established in 1942 by Kwee Pek Tjoe and his family. The problem is, their packaging didn’t change since 1942 until now. solution —

Creating a new logotype based on

the family culture and tradition, alongside with giving a new concept in the package. The shape of chinese treasure box, which contain 7 variants of tea flavor, to be served in a week.

0022 008

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PACKAGING DESIGN

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00 02 03 9

II / X

TEH GOPEK: A WEEKLY TEA PACKAGE

Teh Gopek secondary package was designed as treasure box, hide its tea bag in a rotatable inner box that can showed up when you pull the lever.

010

PIERRE ANG

PACKAGING DESIGN

Coming up with 7 unique flavours which packed and ready to be served for the whole week with a variety of flavor and experience each day.

SELECTED WORK S 2 0 1 7 - 2 0 1 9

011

II / X

figure

TEH GOPEK: A WEEKLY TEA PACKAGE

2.1— Teh Gopek: premium primary

packaging, front and back view.

Every teabag has its different flavour that shown in their packaging color.

Packed with doff-transparant safety food paper .

012

PIERRE ANG

PACKAGING DESIGN

SELECTED WORK S 2 0 1 7 - 2 0 1 9

013

III X I / / XI S O O K O O N : P R E M I U M B R E A DSFERLUFI TB RCAHNIDPISN G : P I E R R E A N G

2018 - 2019

Self Branding: pierreang S CO PE

Brand

CL I EN T

ULTIGRAPH

Identity, Poster 2018

Kamarupa Design Group AWAR DS

ULTIGRAPH 2018

⤷ 1ST place self branding poster competition objective —

As a competition in Ultigraph,

we were challenged to develop our personal branding through poster, including a logo, tagline, personal data & background story. In 2019, Pierre Ang focused on reflecting his true personality: minimalist, modest & calm person. solution —

Pierre Ang self branding poster

tried to reflect his past life story about failure & dedication to live like water. In 2019, Pierre tries to keep the philosophy with more mature concept, minimal, and darker color tones.

0028 014

PI E R R E A N G

PAC BK RAG NI DNG IDD EE NS TIG TN Y

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I / / III XI X S O O K O O N : P R E M I U M B R E A DSFERLUFI TB RCAHNIDPISN G : P I E R R E A N G

phase 1.0

phase 2.0

phase 3.0

figure

3.1— early sketch and concepting for

Pierre Ang self branding logotype & typeface.

016

figure

3.2— step-by-step of creating Pierre

Ang self branding logotype.

PIERRE ANG

BR A N D I D E N T I T Y

* PERSONA SANS : PROTOTYPE ALPHABETS *

"I may look calm on the surface, but

to reflect Pierre Ang's interest and

you don't know how deep my feeling

personality.

is". That phrase is the root idea for

Sanskrit, Latin, Bauhaus, and water

Persona sans that created in order

philosophy as the references.

SELECTED WORK S 2 0 1 7 - 2 0 1 9

Persona

sans

took

017

I / / III XI X S O O K O O N : P R E M I U M B R E A DSFERLUFI TB RCAHNIDPISN G : P I E R R E A N G

0032 018

PI E R R E A N G

BRAND IDENTITY

H U M I L I T Y, H A R M O N Y, OPENESS.

In 2018, I suffer rejections, failures, expectation bias, etc. Until one day, I unexpectedly watching TEDxTalks about living like water by Raymond Tang, which was changing my point of view about living a life as a creative person

SELECTED WORK S 2 0 1 7 - 2 0 1 9

019

I / / XI IV X S O O K O O N : P R E M I U M B R E A DKFIRWUAIRTI :C HGIRPASP H I C D E S I G N S T U D I O

2018

KIWARI: Graphic Design Studio S CO PE

Branding,

CL I EN T

College

TEA M

Editorial

team project

Andreas Victor Nathania Callista Theresia Maria Yogi P.P. Rukman Rezita Kusuma

objective —

Build a brand identity for KIWARI

design studio. KIWARI (sundanese: saat ini or now) believes that time is precious, and all of the works have to be done right now, no delay. solution —

KIWARI adapts the essence of

Scandinavian and Japan minimalism. With soft and natural color placement, wavy background, and humanist typeface.

0034 020

PI E R R E A N G

PAC BK RAG NI DNG IDD EE NS TIG TN Y

SELECTED WORK S 2 0 1 7 - 2 0 1 9

00 35 02 1

IV / X

022

KIWARI: GRAPHIC DESIGN STUDIO

PIERRE ANG

BRAND IDENTITY

Most people thought KIWARI was a Japanese adaptation naming, while in Sundanese, kiwari means "now", but in Japanese, "kiwari" well- known as "wood

SELECTED WORK S 2 0 1 7 - 2 0 1 9

split" (木割).

023

IV / X

024

KIWARI: GRAPHIC DESIGN STUDIO

PIERRE ANG

BRAND IDENTITY

SELECTED WORK S 2 0 1 7 - 2 0 1 9

025

I / X XI S O O K O O N : P R E M I U M B R E A DMFARWUAIRT SCAHRIIP SB A K E R Y : R E J U V E N A T E I D E N T I T Y V

2019

Mawar Sari Bakery: Rejuvenate Identity S CO PE

Branding,

CL I EN T

College

objective —

Identity

assigment

Mawar Sari bakery is a Tangerang

based homemade bakery & cakes that have more than 10 outlets in Tangerang also Jakarta. The objective is to design a different approach and positioning to differ Mawar Sari from others. solution —

The concept tries to analogize the

process of making bread as well as growing a flower. Started from the seeds, which are fertilized, treated with full attention, to harvest flowers that bloom beautifully and fragrant.

0040 026

PI E R R E A N G

PAC BK RAG NI DNG IDD EE NS TIG TN Y

SELECTED WORK S 2 0 1 7 - 2 0 1 9

00 41 02 7

I / X V XI S O O K O O N : P R E M I U M B R E A DMFARWUAIRT SCAHRIIP SB A K E R Y : R E J U V E N A T E I D E N T I T Y

0042 028

PI E R R E A N G

PAC BK RAG NI DNG IDD EE NS TIG TN Y

figure

5.1— Collaterals design from

rejuvenated Mawar Sari Bakery.

SELECTED WORK S 2 0 1 7 - 2 0 1 9

00 43 02 9

V / X

figure

MAWAR SARI BAKERY: REJUVENATE IDENTITY

5.2-5.4 — Packaging, tote bag and

t-shirt design for merchandise

030 0044

PIERRE ANG

PAC BK RAG NI DNG IDD EE NS TIG TN Y

SEQUENCE GIMM I C K P O S T E R S

CHARACTER GIM M I C K P O S T E R S

SELECTED WORK S 2 0 1 7 - 2 0 1 9

00 45 03 1

I / / XI S O O K O O N : P R E M I U M B R E A DGFRRAUPIHTI CC HDIEPSSI G N : H O R R O R P O C K E T B O O K VI X

2017

Graphic Design: Horror pocket book S CO PE

Editorial,

CL I EN T

College

objective —

Graphic

Layout

assigment

Design

Pocket

Book,

basically is a pocket book for middle age teenagers which came from various background and interest, to know more about what is graphic design. solution —

This book intended to give a new

experience of understanding the principles of

graphic

design

by

combining

strong

characteristic of horror & experimental layout inspired by Krystov Ivvanski & David Carson.

0046 032

PI E R R E A N G

PD E AI CT KO AR GIA NL G DESIGN

SELECTED WORK S 2 0 1 7 - 2 0 1 9

00 04 37 3

I / / XI VI X S O O K O O N : P R E M I U M B R E A DGFRRAUPIHTI CC HDIEPSSI G N : H O R R O R P O C K E T B O O K

0048 034

PI E R R E A N G

EDITORIAL DESIGN

SELECTED WORK S 2 0 1 7 - 2 0 1 9

035

VI / X

036

GRAPHIC DESIGN: HORROR POCKET BOOK

PIERRE ANG

EDITORIAL DESIGN

SELECTED WORK S 2 0 1 7 - 2 0 1 9

037

VII / X

❶

LOGOS COLLECTION

❷

❺ ❻

❾

038 0052

❶⓿

PIERRE ANG

CIRCA 2017-2019

❸

❹

Fishermans

❼

❽

❶

SOOKOON — 2017 food , snack

❷

Happinest — 2018 bird nest beverage

❸

Fishermans — 2018 food, seafood snacks

❺

Teh Gopek — 2017 tea, packaging

❻

Oppa crepes - 2018 crepes, food, snack

❼

Pierreang — 2018 self branding

Mawar Sari — 2019 bakery, branding

❶⓿

❾

❹

❽

KIWARI — 2018 graphic design studio

SEGARA

— 2019

short film

Angso Duo — 2019 food, snack

SELECTED WORK S 2 0 1 7 - 2 0 1 9

00 05 33 9

VIII / X I / XI S O O K O O N : P R E M I U M B R E A DBFERLUUIGTA CTHYIPPESF A C E

2017

Beluga Typeface S CO PE

Typeface,

CL I EN T

College

AWAR DS

Font design

assigment

2018 awards Ultigraph

⤷ Nominee Exam Exhibition ⤷ Selected works

objective —

Beluga typeface created not only to

enrich font variations based on animal persona, but also to increase the awareness of whales, which nowadays claimed as an endangered sea animals based on WWF. solution —

Beluga typeface inspired by the

flukes (whales’ tail) of cestaceans family. Its flukes become their boldest identity among other sea creatures. Therefore, designer tries to implify the essence into several type of alphabet.

040 0054

PI E R R E A N G

PACKAG TI YN PG E DESIGN

SELECTED WORK S 2 0 1 7 - 2 0 1 9

00 51 5 04

I / XI VIII / X S O O K O O N : P R E M I U M B R E A DBFERLUUIGTA CTHYIPPESF A C E

Beluga typeface inspired by the flukes of Whales family. It’s tails, its fluke has become their boldest ident ity among the other sea creatures.

figure

8.1­— Beluga Typeface early

sketches, shaping stroke and elements

0056 042

figure

8.2­— Beluga Typeface early

sketches for uppercase design.

PI E R R E A N G

TI YN PG E DESIGN PACKAG

UPPERCASE

A B C D E G H I J K M N O P Q S T U V W Y Z

LOWERCASE

F L R X

SYMBOLS & P U N C T U A T I O N S

! ? @ # $ % & ^ * ” ’ - _ () {} [];:,.<>/ SELECTED WORK S 2 0 1 7 - 2 0 1 9

a b c d e f g h i j k l mnopqr stuvwx yz NUMERALS

1 2 3 4 5 6 7 8 9 0

00 05 47 3

I / XI VIII / X S O O K O O N : P R E M I U M B R E A DBFERLUUIGTA CTHYIPPESF A C E

0058 044

PI E R R E A N G

TY P E D E S I G N

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045

IX X I / / XI S O O K O O N : P R E M I U M B R E A DIFMRAUGIOT 4C.H0I:P SI N D U S T R I U M T Y P E F A C E

2019

IMAGO 4.0: Industrium Typeface S CO PE

Typeface,

CL I EN T

IMAGO

TEA M

Pierre

Font design

4.0

Ang

Yohanes Adi A. objective —

IMAGO is an annual final project

exhibition that come up with different theme and visual appearance, especially type design.

This year, IMAGO 4.0 used Industrium as their official custom typeface. solution —

Industrium basic form is adapted

from first IMAGO official typeface, New Wave.

It formed from the combination between New Wave and industrial thematic that IMAGO 4.0 used as main theme “industry ready”.

046 0060

PI E R R E A N G

PACKAG TI YN PG E DESIGN

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00 67 1 04

I / XI VIII / X S O O K O O N : P R E M I U M B R E A DIFMRAUGIOT 4C.H0I:P SI N D U S T R I U M T Y P E F A C E

figure

9.1­— IMAGO 1.0 ‘new wave’

typeface; outline lowercase alphabet ‘a’

0062 048

figure

9.2­— IMAGO 4.0 ‘indutrium’

typeface; outline lowercase alphabet ‘a’

PI E R R E A N G

TI YN PG E DESIGN PACKAG

GLYPHS - L O W E R C A S E O N L Y

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00 06 43 9

I / X XI S O O K O O N : P R E M I U M B R E A DSFTRAURI TW ACRHSI:P SG A L A C T I C C A R D D E C K X

2018

STAR WARS: Galactic card deck S CO PE

Layout,

Graphic

CL I EN T

College

Assignment

objective â&#x20AC;&#x201D;

Created practical guide card deck

that has double function both as practical guide and bridge card to play. Chose Star Wars galactic universe as main concept, to educate players about Star Wars while they playing around. solution â&#x20AC;&#x201D;

The concept design is to make every

cards look galactic, with vivid gradient colors, scientific typeface. In this deck, the card divided into main characters, secondary characters, vehicles, troops, locations, fun facts & how-to.

0064 050

PI E R R E A N G

PACK MA IG SI CN EG LLD AE NS EI OG UN S

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00 06 55 1

X / X

052

STAR WARS: GALACTIC CARD DECK

PIERRE ANG

MISCELLANEOUS

SELECTED WORK S 2 0 1 7 - 2 0 1 9

053

X / X

056 054

STAR WARS: GALACTIC CARD DECK

P IERRE ANG PI

MISCELLANEOUS

SELECTED WORK S 2 0 1 7 - 2 0 1 9

055

X / X

STAR WARS: GALACTIC CARD DECK

Copyright © 2019 by Pierre Ang

All rights reserved. No part of this publication

Online publication available worldwide

may be reproduced or transmitted in any form or

Made in Indonesia

by any means, electronic or mechanical, including photocopy, or any storage and retrieval system,

Printed in Jakarta, Indonesia.

without permission in writing from the designer.

Font used : FS Brabo, SF Pro text, SF Pro Mono.

—Pierre Ang

Reflectio fundatur et Excogitatoris­— Reflection based on the designer­— 058

PIERRE ANG

MISCELLANEOUS

Thank you for viewing.

Wisi enim ad viewing.

Keep in touch, email me:

+62 822 1375 9154

@pierreang

pierre.anggawijaya@gmail.com

be.net/pierreang

Jakarta, ID.

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