PACKAGING DESIGN
SELECTED WORK S 2 0 1 7 - 2 0 1 9
Graphic Design
Selected works
Portfolio ————
2017 ———— 2019 001
I / XI
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SOOKOON : PREMIUM BREADFRUIT CHIPS
PI E R R E A N G
PACKAGING DESIGN
Reflectio fundatur et Excogitatoris —
001 / 002
*** TOP S E C R E T * * *
C U R R IC ULUM VI TAE
Graphic Design
Selected works
1998 - 2019
Portfolio ————
2017 ———— 2019
SELECTED WORK S 2 0 1 7 - 2 0 1 9
003
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SOOKOON : PREMIUM BREADFRUIT CHIPS
GENESIS 01:01
"In the beginning God created the heavens and the earth."
â€
004
PI E R R E A N G
PACKAGING DESIGN
Reflectio fundatur et Excogitatoris —
PIERREANG 17:19
"In the beginning Pierre opened Instagram and surf onto procrastination."
†
SELECTED WORK S 2 0 1 7 - 2 0 1 9
Graphic Design
Selected works
Portfolio ————
2017 ———— 2019 005
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PACKAGING DESIGN
Reflectio fundatur et Excogitatoris —
INTRODUCTION ** PERSONAL DATA **
Hello, my name is Pierre Ang. I’m a graphic designer student based at Jakarta. Currently at 7th semester in Multimedia Nusantara University majoring graphic design. Passionate in minimalism & functional design that impactful for the society, with self interested focusing in branding, typography, editorial & UI/UX. — Pierre Ang
I know I can’t learn about the industry
I hope to enrich my knowledge,
by myself. That’s why I need guidance
explore new perspective, and improve
from your studio to help me learn.
my practical skills in graphic design.
SELECTED WORK S
2 0001 17
- 2019
Graphic Design
Selected works
Portfolio ————
2017 ———— 2019 007
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PACKAGING DESIGN
Reflectio fundatur et Excogitatoris —
* PERSONAL DATA *
NAME
Pierre Anggawijaya
BIRTH
Jakarta, March 15TH 1998
ADDRESS
Jl. Central Garden G15 № 35 Citra Gran, Cibubur, Bekasi West Java — 17435
CONTACT
EM
pierre.anggawijaya@ gmail.com
PH
+62 822 1375 9154
IG
@pierreang
BE
be.net/pierreang
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Graphic Design
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Portfolio ————
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* EDUCATION *
2016
-
CURRENT
Multimedia Nusantara University → GD 2013
-
2016
PL Vanlith SHS, Muntilan
* VOLUNTARY & NON-PROFIT EXP. *
OCT
A weekend program by Indoestri that
2017
recruited volunteers to be a tour guide
Indoestri day #7
NOV
and visitor’s informant.
Tutoring participated design student
2018
about introduction of basic layout & grids
Tutoriart
within a session.
0010
PI E R R E A N G 004
PACKAGING DESIGN
Reflectio fundatur et Excogitatoris —
* EXPERIENCES *
1.0
JAN
2019
-
CURRENT
Creative director - ULTIMAGZ * Independent media located at UMN B613
2.0
2019
Art Director - Imago 4.0 * Annual student final project exhibition by FSD UMN
3.0
MAY
-
SEP
2018
Museum Assistant - Museum MACAN * Artwork keeper, museum informant, visitor helper, tour guide
4.0
MAR
-
OCT
2018
Head of Festival - Ultigraph 2018 * Annual graphic design festival and awards for students
5.0
OCT
2016
-
CURRENT
Graphic Designer - ULTIMAGZ * as a layouter and graphic designer
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Graphic Design
Selected works
Portfolio ————
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* ACHIEVEMENTS & EXHIBITIONS *
1.0
OCTOBER
2018
—
ULTIGRAPH
1st winner - Self branding poster * curated by Ultigraph 2018 & Kamarupa design group
2.0
OCTOBER
2018
—
ULTIGRAPH
Nominee - Beluga typeface * Curated By DGI, ADGI, and Internal Lecturers.
3.0
MARCH
2018
-
GALERI
FSD
UMN
Selected works - Beluga typeface * Selected works from exam results in Ex-tion exhibition
4.0
JUNE
2017
-
ARTWEEK
Selected works - Painting * Selected painting in annual art exhibition, Artweek.
5.0
MAY
2017
-
LIBSTUD
Selected works - art postcard * selected art postcard exhibited at Libspace YK
0012
PI E R R E A N G 006
PACKAGING DESIGN
Reflectio fundatur et Excogitatoris —
* SKILLS *
SOFTWARE
PERSONAL
⚬
Adobe Illustrator
⚬
Willing to learn
⚬
Adobe Photoshop
⚬
Good listener
⚬
Adobe InDesign
⚬
Adaptive
⚬
Adobe XD
⚬
Introvert, but sociable
⚬
Adobe Premier Pro
⚬
Explorative person
⚬
Adobe After Effects
⚬
Detail-oriented
⚬
Fontlab Studio
LANGUANGE
⚬
Bahasa Indonesia
Native
⚬
English
Advance
⚬
Chinese
Basic conversational
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Graphic Design
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SOOKOON : PREMIUM BREADFRUIT CHIPS
PI E R R E A N G
PACKAGING DESIGN
Reflectio fundatur et Excogitatoris —
SELECTED WORK S 2 0 1 7 - 2 0 1 9
Graphic Design
Selected works
Portfolio ————
2017 ———— 2019 00 1 5
* T A B L E O F C O N T E N T S
CONTENTS
1.0
Packaging Design
consolio packaging
004
2.0
Brand Identity notam identitatem
014
3.0
Editorial Design
editorial consolio
032
4.0
Typeface Design
impressa font
040
5.0
Miscellaneous
vesalius
050
002
00 2 / 0 0 2
EPHESIANS 2:10
"For we are God’s handiwork, created in Christ Jesus to do good works, which God prepared in advance for us to do."
†
00 3
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2017
SOOKOON: Premium Breadfruit Chips S CO PE
Packaging
CL I EN T
Jason
objective —
Design
Orlando
Brand naming and packaging design
for SOOKOON, premium breadfruit chips with three kinds of Indonesian’s cuisine flavors. The objective is to express each kind of SOOKOON’s flavor into various set of packaging. solution —
The identity logo is placed at the
centers of the bold and luxury logo, which reflects the luxury yet authentic Indonesian vibe. Batik pattern used as an ornament to strengthen Indonesian’s nuance in the packaging.
004
PI E R R E A N G
PACKAGING DESIGN
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SOOKOON : PREMIUM BREADFRUIT CHIPS
*
photography —
taken by Ivano Wijaya
I / X
006
PIERRE ANG
PACKAGING DESIGN
behind the naming of “ SOOKOON”: The idea to make the word become “sookoon” is to universalize its pronounciation. So the syllable “soo-” will pronounce as “su-”. It is 4✗
✗
7✗
intended to avoid mispronounciation of the word when it say by tourist and foreigns. It also stands to keep the meaning of their main
figure
1.1— Logotype form,
grid,
material of the commodity itself, sukun.
and measurement of SOOKOON.
figure
1.2— clear view of SOOKOON’s rendang
flavor, presented in front & back view.
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007
I / / XI S O O K O O N : P R E M I U M B R E A DTFERHU IGTO PCEHKI:P SA W E E K L Y T E A P A C K A G E II X
2018
Teh Gopek: Premium Edition S CO PE
Branding,
CL I EN T
College
objective —
Packaging
assigment
Creating new packaging concept
and design for iconic Teh Gopek (Golden Orange Pekoe).Teh Gopek established in 1942 by Kwee Pek Tjoe and his family. The problem is, their packaging didn’t change since 1942 until now. solution —
Creating a new logotype based on
the family culture and tradition, alongside with giving a new concept in the package. The shape of chinese treasure box, which contain 7 variants of tea flavor, to be served in a week.
0022 008
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PACKAGING DESIGN
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00 02 03 9
II / X
TEH GOPEK: A WEEKLY TEA PACKAGE
Teh Gopek secondary package was designed as treasure box, hide its tea bag in a rotatable inner box that can showed up when you pull the lever.
010
PIERRE ANG
PACKAGING DESIGN
Coming up with 7 unique flavours which packed and ready to be served for the whole week with a variety of flavor and experience each day.
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011
II / X
figure
TEH GOPEK: A WEEKLY TEA PACKAGE
2.1— Teh Gopek: premium primary
packaging, front and back view.
Every teabag has its different flavour that shown in their packaging color. Packed with doff-transparant safety food paper .
012
PIERRE ANG
PACKAGING DESIGN
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013
III X I / / XI S O O K O O N : P R E M I U M B R E A DSFERLUFI TB RCAHNIDPISN G : P I E R R E A N G
2018 - 2019
Self Branding: pierreang S CO PE
Brand
CL I EN T
ULTIGRAPH
Identity, Poster 2018
Kamarupa Design Group AWAR DS
ULTIGRAPH 2018
⤷ 1ST place self branding poster competition objective —
As a competition in Ultigraph,
we were challenged to develop our personal branding through poster, including a logo, tagline, personal data & background story. In 2019, Pierre Ang focused on reflecting his true personality: minimalist, modest & calm person. solution —
Pierre Ang self branding poster
tried to reflect his past life story about failure & dedication to live like water. In 2019, Pierre tries to keep the philosophy with more mature concept, minimal, and darker color tones.
0028 014
PI E R R E A N G
PAC BK RAG NI DNG IDD EE NS TIG TN Y
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I / / III XI X S O O K O O N : P R E M I U M B R E A DSFERLUFI TB RCAHNIDPISN G : P I E R R E A N G
phase 1.0
phase 2.0
phase 3.0
figure
3.1— early sketch and concepting for
Pierre Ang self branding logotype & typeface.
016
figure
3.2— step-by-step of creating Pierre
Ang self branding logotype.
PIERRE ANG
BR A N D I D E N T I T Y
* PERSONA SANS : PROTOTYPE ALPHABETS *
"I may look calm on the surface, but
to reflect Pierre Ang's interest and
you don't know how deep my feeling
personality.
is". That phrase is the root idea for
Sanskrit, Latin, Bauhaus, and water
Persona sans that created in order
philosophy as the references.
SELECTED WORK S 2 0 1 7 - 2 0 1 9
Persona
sans
took
017
I / / III XI X S O O K O O N : P R E M I U M B R E A DSFERLUFI TB RCAHNIDPISN G : P I E R R E A N G
0032 018
PI E R R E A N G
BRAND IDENTITY
H U M I L I T Y, H A R M O N Y, OPENESS.
In 2018, I suffer rejections, failures, expectation bias, etc. Until one day, I unexpectedly watching TEDxTalks about living like water by Raymond Tang, which was changing my point of view about living a life as a creative person
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019
I / / XI IV X S O O K O O N : P R E M I U M B R E A DKFIRWUAIRTI :C HGIRPASP H I C D E S I G N S T U D I O
2018
KIWARI: Graphic Design Studio S CO PE
Branding,
CL I EN T
College
TEA M
Editorial
team project
Andreas Victor Nathania Callista Theresia Maria Yogi P.P. Rukman Rezita Kusuma
objective —
Build a brand identity for KIWARI
design studio. KIWARI (sundanese: saat ini or now) believes that time is precious, and all of the works have to be done right now, no delay. solution —
KIWARI adapts the essence of
Scandinavian and Japan minimalism. With soft and natural color placement, wavy background, and humanist typeface.
0034 020
PI E R R E A N G
PAC BK RAG NI DNG IDD EE NS TIG TN Y
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00 35 02 1
IV / X
022
KIWARI: GRAPHIC DESIGN STUDIO
PIERRE ANG
BRAND IDENTITY
Most people thought KIWARI was a Japanese adaptation naming, while in Sundanese, kiwari means "now", but in Japanese, "kiwari" well- known as "wood
SELECTED WORK S 2 0 1 7 - 2 0 1 9
split" (木割).
023
IV / X
024
KIWARI: GRAPHIC DESIGN STUDIO
PIERRE ANG
BRAND IDENTITY
SELECTED WORK S 2 0 1 7 - 2 0 1 9
025
I / X XI S O O K O O N : P R E M I U M B R E A DMFARWUAIRT SCAHRIIP SB A K E R Y : R E J U V E N A T E I D E N T I T Y V
2019
Mawar Sari Bakery: Rejuvenate Identity S CO PE
Branding,
CL I EN T
College
objective —
Identity
assigment
Mawar Sari bakery is a Tangerang
based homemade bakery & cakes that have more than 10 outlets in Tangerang also Jakarta. The objective is to design a different approach and positioning to differ Mawar Sari from others. solution —
The concept tries to analogize the
process of making bread as well as growing a flower. Started from the seeds, which are fertilized, treated with full attention, to harvest flowers that bloom beautifully and fragrant.
0040 026
PI E R R E A N G
PAC BK RAG NI DNG IDD EE NS TIG TN Y
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I / X V XI S O O K O O N : P R E M I U M B R E A DMFARWUAIRT SCAHRIIP SB A K E R Y : R E J U V E N A T E I D E N T I T Y
0042 028
PI E R R E A N G
PAC BK RAG NI DNG IDD EE NS TIG TN Y
figure
5.1— Collaterals design from
rejuvenated Mawar Sari Bakery.
SELECTED WORK S 2 0 1 7 - 2 0 1 9
00 43 02 9
V / X
figure
MAWAR SARI BAKERY: REJUVENATE IDENTITY
5.2-5.4 — Packaging, tote bag and
t-shirt design for merchandise
030 0044
PIERRE ANG
PAC BK RAG NI DNG IDD EE NS TIG TN Y
SEQUENCE GIMM I C K P O S T E R S
CHARACTER GIM M I C K P O S T E R S
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00 45 03 1
I / / XI S O O K O O N : P R E M I U M B R E A DGFRRAUPIHTI CC HDIEPSSI G N : H O R R O R P O C K E T B O O K VI X
2017
Graphic Design: Horror pocket book S CO PE
Editorial,
CL I EN T
College
objective —
Graphic
Layout
assigment
Design
Book,
basically is a pocket book for middle age teenagers which came from various background and interest, to know more about what is graphic design. solution —
This book intended to give a new
experience of understanding the principles of
graphic
design
by
combining
strong
characteristic of horror & experimental layout inspired by Krystov Ivvanski & David Carson.
0046 032
PI E R R E A N G
PD E AI CT KO AR GIA NL G DESIGN
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00 04 37 3
I / / XI VI X S O O K O O N : P R E M I U M B R E A DGFRRAUPIHTI CC HDIEPSSI G N : H O R R O R P O C K E T B O O K
0048 034
PI E R R E A N G
EDITORIAL DESIGN
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035
VI / X
036
GRAPHIC DESIGN: HORROR POCKET BOOK
PIERRE ANG
EDITORIAL DESIGN
SELECTED WORK S 2 0 1 7 - 2 0 1 9
037
VII / X
❶
LOGOS COLLECTION
❷
❺ ❻
❾
038 0052
❶⓿
PIERRE ANG
CIRCA 2017-2019
❸
❹
Fishermans
❼
❽
❶
SOOKOON — 2017 food , snack
❷
Happinest — 2018 bird nest beverage
❸
Fishermans — 2018 food, seafood snacks
❺
Teh Gopek — 2017 tea, packaging
❻
Oppa crepes - 2018 crepes, food, snack
❼
Pierreang — 2018 self branding
Mawar Sari — 2019 bakery, branding
❶⓿
❾
❹
❽
KIWARI — 2018 graphic design studio
SEGARA
— 2019
short film
Angso Duo — 2019 food, snack
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00 05 33 9
VIII / X I / XI S O O K O O N : P R E M I U M B R E A DBFERLUUIGTA CTHYIPPESF A C E
2017
Beluga Typeface S CO PE
Typeface,
CL I EN T
College
AWAR DS
Font design
assigment
2018 awards Ultigraph
⤷ Nominee Exam Exhibition ⤷ Selected works
objective —
Beluga typeface created not only to
enrich font variations based on animal persona, but also to increase the awareness of whales, which nowadays claimed as an endangered sea animals based on WWF. solution —
Beluga typeface inspired by the
flukes (whales’ tail) of cestaceans family. Its flukes become their boldest identity among other sea creatures. Therefore, designer tries to implify the essence into several type of alphabet.
040 0054
PI E R R E A N G
PACKAG TI YN PG E DESIGN
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00 51 5 04
I / XI VIII / X S O O K O O N : P R E M I U M B R E A DBFERLUUIGTA CTHYIPPESF A C E
Beluga typeface inspired by the flukes of Whales family. It’s tails, its fluke has become their boldest ident ity among the other sea creatures.
figure
8.1— Beluga Typeface early
sketches, shaping stroke and elements
0056 042
figure
8.2— Beluga Typeface early
sketches for uppercase design.
PI E R R E A N G
TI YN PG E DESIGN PACKAG
UPPERCASE
A B C D E G H I J K M N O P Q S T U V W Y Z
LOWERCASE
F L R X
SYMBOLS & P U N C T U A T I O N S
! ? @ # $ % & ^ * ” ’ - _ () {} [];:,.<>/ SELECTED WORK S 2 0 1 7 - 2 0 1 9
a b c d e f g h i j k l mnopqr stuvwx yz NUMERALS
1 2 3 4 5 6 7 8 9 0
00 05 47 3
I / XI VIII / X S O O K O O N : P R E M I U M B R E A DBFERLUUIGTA CTHYIPPESF A C E
0058 044
PI E R R E A N G
TY P E D E S I G N
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045
IX X I / / XI S O O K O O N : P R E M I U M B R E A DIFMRAUGIOT 4C.H0I:P SI N D U S T R I U M T Y P E F A C E
2019
IMAGO 4.0: Industrium Typeface S CO PE
Typeface,
CL I EN T
IMAGO
TEA M
Pierre
Font design
4.0
Ang
Yohanes Adi A. objective —
IMAGO is an annual final project
exhibition that come up with different theme and visual appearance, especially type design. This year, IMAGO 4.0 used Industrium as their official custom typeface. solution —
Industrium basic form is adapted
from first IMAGO official typeface, New Wave. It formed from the combination between New Wave and industrial thematic that IMAGO 4.0 used as main theme “industry ready”.
046 0060
PI E R R E A N G
PACKAG TI YN PG E DESIGN
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I / XI VIII / X S O O K O O N : P R E M I U M B R E A DIFMRAUGIOT 4C.H0I:P SI N D U S T R I U M T Y P E F A C E
figure
9.1— IMAGO 1.0 ‘new wave’
typeface; outline lowercase alphabet ‘a’
0062 048
figure
9.2— IMAGO 4.0 ‘indutrium’
typeface; outline lowercase alphabet ‘a’
PI E R R E A N G
TI YN PG E DESIGN PACKAG
GLYPHS - L O W E R C A S E O N L Y
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00 06 43 9
I / X XI S O O K O O N : P R E M I U M B R E A DSFTRAURI TW ACRHSI:P SG A L A C T I C C A R D D E C K X
2018
STAR WARS: Galactic card deck S CO PE
Layout,
Graphic
CL I EN T
College
Assignment
objective â&#x20AC;&#x201D;
Created practical guide card deck
that has double function both as practical guide and bridge card to play. Chose Star Wars galactic universe as main concept, to educate players about Star Wars while they playing around. solution â&#x20AC;&#x201D;
The concept design is to make every
cards look galactic, with vivid gradient colors, scientific typeface. In this deck, the card divided into main characters, secondary characters, vehicles, troops, locations, fun facts & how-to.
0064 050
PI E R R E A N G
PACK MA IG SI CN EG LLD AE NS EI OG UN S
SELECTED WORK S 2 0 1 7 - 2 0 1 9
00 06 55 1
X / X
052
STAR WARS: GALACTIC CARD DECK
PIERRE ANG
MISCELLANEOUS
SELECTED WORK S 2 0 1 7 - 2 0 1 9
053
X / X
056 054
STAR WARS: GALACTIC CARD DECK
P IERRE ANG PI
MISCELLANEOUS
SELECTED WORK S 2 0 1 7 - 2 0 1 9
055
X / X
STAR WARS: GALACTIC CARD DECK
Copyright © 2019 by Pierre Ang
All rights reserved. No part of this publication
Online publication available worldwide
may be reproduced or transmitted in any form or
Made in Indonesia
by any means, electronic or mechanical, including photocopy, or any storage and retrieval system,
Printed in Jakarta, Indonesia.
without permission in writing from the designer.
Font used : FS Brabo, SF Pro text, SF Pro Mono.
—Pierre Ang
Reflectio fundatur et Excogitatoris— Reflection based on the designer— 058
PIERRE ANG
MISCELLANEOUS
Thank you for viewing.
Wisi enim ad viewing.
Keep in touch, email me:
+62 822 1375 9154
@pierreang
pierre.anggawijaya@gmail.com
be.net/pierreang
Jakarta, ID.
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PI E R R E A N G