CON T E N T S Housing & Office
Year 2 & 3 Studio projects
2014-2016
01 COPYCATS | P.1 Year 2 Semester 1
02 THE STYLES | P.5 Year 2 Semester 2
Cultures & Rituals
Year 3 Studio projects
2016-2017
04 SUPERNATURES | P.17 Year 3 Semester 2
Urban and Public space Year 4 Studio projects
2017-2018
05 URBAN MANUFACTURES 2.0 | P.21 Year 4 Semester 1
06 THE JOURNEY | P.29 Year 4 Semester 2
Architecture community & Ecology
Additional works
2016-2017
2014-2018
Workshops & Freelance works
Year 3 additional project
07 FLOADING GARDEN | P.37 Year 4 Semester 2
03 CHRONOSHOMES | P.11 Year 3 Semester 1
TECHINCAL SOFEWARES Adobe Photoshop Rhinoceros V-Ray render
COPYCATS
The Scarpa’s Office Ikebukuro, Tokyo
House for living whilst working In Carlo Scarpa’s characteristics.
The project propsed to explore the characterisrics and technique of Carlo Scarpa who is a well-known architect. Scarpa did not graduated from architecture school but from his talents and detail perciousing made him become the successful one. The predictable Scarpa’s house and office was locating at Japan. The reasons was we could see several Scarpa’s work had influenced from Japanese culture but he had no work in Japan. The specific site that I should is in Takumi no Sato Minakami. Takumi is a centre of Japanese handicrafts which are concentrated in details as Scarpa’s architectural language. There has 31 houses, in each houses are different in products and craftsman’s skill. So that he is able to
Instructure | Ajarn Pau Sarquella
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walk around this village to meet Japanese craftsman and learn from their knowledge and skills and also maybe work with the Japanese craftsman. The surrounding and Landscape which consisted of mountains, forests, river The last reason, he worked with the light a lot in his projects so that he needs to have an isolated building not in between buildings like shop house and in Takumi, all houses are not too tall, so there is 360 of natural light. There are 29 employee’s. This office has no punch clock but there has a deadline to finish the work or updating the process. There have services in this office and house such as maid and cooks because I am the one of several people who think that if we treated the employees well, they will
give good work as well. As It mentioned before, there is a house and office so the programs are generated in 2 usages of spaces which are working areas and residential areas. For the working area, the first program that I add is studio. As you can see, each tables in studio will divide by the Japanese frames for avoid disturbing but can walk to look around. The office is space for document works. Activities in workshop are cut the wood, mosaic, glass blowing and material testing by melting. Other programs are meeting room, storage, gallery, library and maid space. Traditional Japanese space is a specific zone. You can learn from the Japanese handicrafts collections in their details and there also has a zen garden too for relaxing.
Year 2 Semester 1 | COPYCATS
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Year 2 Semester 1 | COPYCATS
TECHINCAL SOFEWARES Adobe Photoshop Adobe Illustrator Rhinoceros V-Ray render
THE STYLES
ROCOCO LIGHTHOUSE Hampton Beach, New Hampshire, United States
Lighthouse which inspired by Rococo style and site context
The original style that use to be the base for my design is Rococo period which continue from the Baroque and in the final phase I would like to design the Lighthouse in Rococo style and its elements developed from the phase 1 and 2 in concave-convex, round edges, inside out, illusion and asymmetrical. The forms of lighthouse in this phase was developed from the compound columns from the phase 2. Like to used concave and convex under the rules to generated the form. Moreover, it is added more variations to have more dynamic concave and convex. For the example, between level 1 and 2. I offset the outline around 25 cm
Instructure | Ajarn Patrick Donbeck
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in every 33 cm high. However, the form was considered in the beauty of original lighthouse forms that the top is small and bottom or base is bigger. This lighthouse located in asdad,New hamshire under the continental climate with warm summer. From the diagram it can see that the range of the temperatures are very different in each seasons. On January is coldest around minus 9 and then the temperature will increased up to 27 degree in June. Then this lighthouse are divided to be 2 spaces for suitable for 2 seasons and also the merge space for both of them. The spaces are set to suit with the orientation. For the example, In the winter spaces, there should have the maximum win-
dows on the south-facing side of your home to take in the most light and warmth each day and windows on the north side should be minimal. These lighthouse also considered about inside and outside like Rococo usually did - has a extremely interior when it compared with its exterior. These rococo lighthouse was use the same language as rococo style always did through the architectures, concave and convex, asymmetrical, curve, round edge, illusion, inside out and playful.
Year 2 Semester 2 | THE STYLES
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Year 2 Semester 2 | THE STYLES
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Year 2 Semester 2 | THE STYLES
Rococo is relevant to an art and design movement during eighteenth-century in Europe which influencing architecture, interior decoration, painting, literature etc. The style represented its characteristic in term of elegant, enormous luxury, ornate ornamentation and extreme detail. Rococo architectural style was started in eight-
eenth-century between 1700s to 1790s. It was a period that continued from Baroque which started in 1580s to 1750s which occurred firstly in Paris, France and then expanded to Germany, British and Austria. Rococo came from the words ‘Rocaille’ which means stone and ‘Coquilles’ which means shells from its characteristic in decoration design that
used these things to be a motif. Rococo style looked like a GEODE Stone which the outside was plain but the inside was extreme. In the other word, Rococo had a quite simple exterior when it was compared with its interior which were elegant and ornate decoration.
TECHINCAL SOFEWARES Adobe Photoshop Adobe Illustrator Rhinoceros Maxwell render
CHRONOSHOMES
DREAMHACK Ikebukuro, Tokyo
Pro-gamers housing for living whilst working
SELECTIVE WORK FOR INDA EXHIBITION 2017
Pro-gamers are individuals professionally committed to gaming. The living pattern is framed for most of their time in front of computers to practise and improve their skills. The necessity to keep consistent attention to their screen whilst seated on a chair, imposes major challenges onto other domestic activities, This project offers an opportunity to propose a living condition which is entirely serviced from a single chair. In the other words, it is a fully serviced infrastructural system entirely centered around an inhabitable sphere. The sphere is both a living and working space which separates their world
Instructure | Ajarn Tijn van de Wijdeven
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from the city. In contrast to this notion of extreme interiority, Citizens located around the exterior of building are able to interact with their activities via LCD screen. The sphere contains 4 layers, each layer contains functions to incorporate the life of gamers under strategic conditions. Even if the building gives a sense of radical separation between pro-gamers and their neighbours, it blends into the context and lets others interact with pro-gamers’ activities. The building enhances a new atmospheric and experience, and defines patterns of behaviour on
the street. Closer to the final stage of the tournaments, this environment generates more extreme levels of experience. The sphere in which pro-gamers live is adaptable to any city due to the universal living conditions whilst the exterior structure changes according to the surrounding building perimeters. Pro-gamers mutually interact to the other groups of pro-gamers in other sites via internet for participation with activities. The home of pro-gamers is not like the normal housing, it contains all infrastructure and services to incorporate the life of pro-gamers to live whilst working.
Year 3, Semester 1 | CHRONOSHOMES
0 3 | D rea mh a c k
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0 3 | D rea mh a c k
Year 3 Semester 1 | CHRONOSHOMES
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Year 3 Semester 1 | CHRONOSHOMES
TECHINCAL SOFEWARES Adobe Photoshop Adobe Illustrator Adobe After Effect Rhinoceros Rhino Render
SUPERNATURES
SAWASDEE CARNIVAL Charoenkrung, Bangkok, Thailand
Temporary ephemeral architecture
The project framework is based on seclusion. From studying a carnival ritual, I purpose new specific carnival that related to specific context and urban. The theme of the new carnival is to celebrate Thai sub-culture and sub-tradition from various regions as North and south to Bangkok and integrate with the physical context . Starting from study the famous carnival events in different places and it is clearly that those specific ingredients reflect to the float designs and the way to active the route in different rhythm. The site is located at Charoenkrung which contains various culture and also
the different architectural fragments that related to the specific culture. Things that are going in the carnival occur in several scales such as the acting, urban environments and float which related to subculture on the specific context. Float is the incredible machine which is an important temporary ephemeral architecture build by the local community. It contains lot of complex layers and aspects as the culture and the physical context. Float made of the specific technique and materials done by specific community that people come together to construct it.
Instructure | Ajarn Alicia Lazzaroni
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Year 3 Semester 2 | SUPERNATURES
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Year 3 Semester 2 | SUPERNATURES
TECHINCAL SOFEWARES Adobe Photoshop Adobe Illustrator Rhinoceros
URBAN MANUFACTURERS 2.0
OVER THE CLOUDS Charuengchai Community, Yaowarat, Bangkok Productive city
According to today globalization is destroying the base of this ritual and make it becomes disappear, this project is proposing to bring this productive activity back by promote and evolve in term of physical product and also from urban environment in different scales. Moreover, the technology will be adapted to improve the quality and provide the better possibilities with engaging the city. However, the project realizes that if there already have the potential materials or existing systems, there are no reason to create the new one at all, yet the fascinating way is to push their potential quality as much as possible. The main idea come up with the word ‘sustainable and ecology’ while maintain Instructure | Ajarn Natalia Vera Vigaray
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the traditional characteristic on exterior. Such that in the near future, the community and the ritual could be maintained along with developing through time with a clean energy processes as the ‘circle process’. The project used the productive processes be a part of improving urban typology and quality of life while promote the economic of the community. The mapping shows the new connection to the city and also promote the different situation with unusual structure. For the network, it is divided as 3 steps including Collective, modified and new urban products and structures. This connection is not just give a temporal social impacts to provide the public spaces and improve life qual-
ity, yet it is also affect to the environments as reducing pollution. The project will not occur and affect in just a particular community area, yet it will be expand to the other spots in Bangkok or Country as the virus. The ultimate solution did not just aim to build the things that are aesthetic and elegant, yet the project proposed to generate and reorganize the productive processes. And published them to the public which people can engage and be a part of the processes. In the other words, the processes turn to be the enormous landscape that let people read and take a role on them as the fascinating journey to let people realizing the productive values in tangible way.
Year 4 Semester 1 | URBAN MANUFACTURES 2.0
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Year 4 Semester 1 | URBAN MANUFACTURES 2.0
According to CHAPTER II which providing the first step of solution to maintain the productive activity, bu it is not engaging the city and people strongly enough. Then, in CHAPTER III will be providing another path of solving. All productive processes are published to the public that people can engage and be a part of the processes.
In the other words, the processes turn to be the landscape that let people read them as the journey in tangible way. As we know, Bangkok is opening spaces which can be the advantages to used them to clean itself. The temporary urban structure are the waste storage and renewable manufacture which
used the advantages of crafting and folding paper from Joss Paper community. There are 4 main process including; collecting used-paper, transforming and folding in community’s working area, storage in forms of facade to provide shading and recycle processes. All this process is create the incredible landscape.
“This ultimate solution is not just proposing to clean up and reorganize the spaces, yet it also maintains the unique of community and promote their economic�.
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Year 4 Semester 1 | URBAN MANUFACTURES 2.0
On the Chapter IV, the landscape and urban structure will be considered as the network generated new atmospheric and experience to the city. The renewable paper manufacture system is engaging on the existing medias such as urban typology of shop-house and also infrastructure. It can be described that this network is the enormous contemporary landscape and public spaces that will be transformed by the people to create different scenarios. The project used the productive processes be a part of improving urban typology and quality of life while promote the economic of the community. The mapping shows the new connection to the city and also promote the different situation with unusual structure. For the network, it is divided as 3 steps including Collective, modified and new urban products and structures. This connection is not just give a temporal social impacts to provide the public spaces and improve life quality, yet it is also affect to the environments as reducing pollution.
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Year 4 Semester 1 | URBAN MANUFACTURES 2.0
TECHINCAL SOFEWARES Adobe Photoshop Adobe Illustrator Adobe Premiere Pro Rhinoceros Unreal Engine 4.0 VR headset - Oculus Lift
THE JOURNEY
LIMITS/ CONFORMITY Asok, Bangkok, Thailand Patterns of Human behaviour & Social realtions
The limit is a setting frame to create a point at which something stops being possible or existing. The limits are the existing rules, the commonness of the space, symbolic, sign and boundary. In contrast, inside the limits, there contain dynamic movements via social relations and behaviour so that the existing rules can be vibrated and change all time. This booklet are arranged to explain the relation between the rules/ forms to behaviour and social relation in conformity via the notions of time, density and positioning. When we are individuals, we have our own identities and
positions. However, when we lives as the group, it forced us to follow the majority avoiding to be rejected from the group. In the other word, it is conformity which is a dynamic movement. It is a act to adapt your attitudes and behaviour to group’s norms. While people want to maintain peace in their everyday life, they are struggling with the need to break the rule or finding the way to get more benefits. We can see that Conformity provides the choices for people to make in different moments and degrees. As we can see, the project purposed to exam the limits via the reflection of social relations as the ex-
Instructure | Ajarn Tijn van de Wijdeven
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periment more than solve the problem of society. In the conclusion, this project proposed to explore the term ‘Conformity’ based on the social relation in our daily life routine. The project had studied of behaviorology and the space design respond to the unique characteristics of the city and its surrounding in terms of physical and subjective. From the experiment and analyze, it could say that conformity was the action that people change their actions immediately which influenced by others but it still provides the choices for making decisions. Those actions were occurred in spe-
cific moments in everyday life under conform to social standard, obeying policy and integrate with tradition culture. Even if conformity is the dynamic subjective, it helped us to understand the conditions of Asok though conform of change and adaptation in transparent boundary/system. it elaborated intensive conditions of everyday life such as commute, intensity and the journey on daily routine. The project could state that the limits bounded those dynamic patterns and those social relations had ability to change the organization of the city while retain physical rules of Bangkok urban as
Year 4 Semester 2 | THE JOURNEY
Definations of Space - Limits become space
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Year 4 Semester 2 | THE JOURNEY
Photographs of Asok transitions - Direction, time, density, conformity levels on daily routine
The poster exploded the idea of limit which become the space itself. The frame of regulation dived the space between inside and outside. So that it provided 3 types of relative spaces; outside of frame, frame itself and inside the frame. The factor that contains us to get inside the space is ‘behavior’ which is occurred when we engage that rules and present them on our daily life. However, behavior also reflected those
rules and systems in reality. As we can see, the frame represented the systematic of the city in the different value and density The core idea of limit and rule from previous phase was developed to express the reflections critically. Based on the systematic of the city, the intersections or the connections is the limited space which guide the people to walk. In these common types of connections, they also
contain the specific elements, intensity and rules that affect human behavior. Then, the place of the journey is Asok which contains the different intersections in that area and those intersections are connecting together which can remind the frame from phase 1a in the notion of dynamic system of the city. The photograph contain the different common types of intersections. In the other words, these 8
photos come to be the city in different density and value of space. The arrangement of journey based on the density of limitation and intensity of social responding. Starting from the individual rule to public rule. And Each frames is the description of each limits and the photograph inside is the reality that happens and shows how human behavior reflects the frame and limits.
Set of Drawings including 4 stages ; physical characters of each trasits, time factors, conformity levels and future standards. Drawing shows the overall Asok characteristic and located the 5 connections refer to the film. On the diagrams it also show important elements represented the limits and the degrees of conformity based on time and intensity of people. The different intensity for each
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experiments can give different effects to experiments, some were success on the high intensity and some were inverse to success on the low intensity. We could see that here is focusing to conform other people as the actor.
Year 4 Semester 2 | THE JOURNEY
Film recorded my experiments providing self reflections After the observation method on the booklet, the film is pure experimental documentation which recorded my self reflections. In this state, the purpose is to clarify the different between conformity and resistance, also the levels of conformity. By concern in the value of success and unsuccessful in conform people via the relation between ‘Actor’ and ‘Reactor’. In the other word, the role for actor was to creating the potential conformity actions. The experiments provide the new public behaviour on 5
Scan for watch the film Original source : https://drive.google.com/ open?id=1kXT3rGadFMmABCwH-P6_v9FZiZ829cfo
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moments to lets people decide to join or not an see the way that they handle this change. From the different amounts of participants who engage to the experiment on both of success and failure experiments, we could see that some experiment had high potential to convince people and some were contrast which affected from intensity, time and normal and their own daily routine background . For the sequences of 5 moments arrangement as journey, It was order from the highest ground level to the lowest one.
Year 4 Semester 2 | THE JOURNEY Virtual Reality Transform to realtime interface to allow other to experiences and getting their own reflecions After the film, it’s occurred the question that is there able to measure for controlling social conformity?. Then this project explode this issue via VR simulate tools with the realtime interface. It provided ability to transforms subjective intensity and words to visible experience. The VR experiments were separated to be 3 maps including MRT, Escalator and Crosswalk. In this state, the project purposed to analyze and build conclusion sets that developed from the individual experiments. Simulation provided sets of formulate frames bound to
the rules, moments and degrees. In this point, we can measure value and degrees of conformity by experience on actual dimension, action and intensity of public movement patterns in different moments. The results used as the arguments to explode the notion of conformity. In order to responses to those ingredients and analyze ultimately toward this topic, the design of simulation space based on grid proximity support the social norms and reduced the insignificance elements in contrast to highlighted the keys.
TECHINCAL SOFEWARES Adobe Photoshop Adobe Illustrator Rhinoceros
ARCHITECTURE COMMUNITY& ECOLOGY
FLOADING GARDEN FOR FOOD PRODUCTION Chao Phraya River, Thailand
Mobility economical resources
Instructure | Ajarn Chon Supawongse
Floating garden was not just a place for produce food, yet it still concerned in ecological performative in both of natural self-sustaining of plants, biodiversity and environment according to Hellmund, Paul C, and Daniel S. Smith mentioned in Designing Greenways: Sustainable Landscapes for Nature and People that “the design method presupposes that every greenway project will begin at least with goals related to biodiversity, water, recreation, and social equity.”. This project purposed to create the quality food production for community with the self sustaining which no need to watering those plants. While it still maintained ecologically in the environment, concerned in biodiversity and preserved water quality. The structure and conditions of this project integrated with the studio project : carnival traditional
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float on water condition. This project statement would be demonstrated through the performative in ecological way in the physical structure, function and processes. The structure and materials of floating garden aimed to meet the economic goal to maintain the eco-cost and impact to environment in positive way. Thus, the majority of materials came from the local materials and be the reused-materials. The structural frame and Thai roof were integrated from the design of my studio project. It made of drying bamboo connected by manila rope and interlock joint. Buoy made of reused materials such as foam and fertilizer bag. Even if Water hyacinth have a potential to purify the water, yet sometime we could not control the amount of it with negative impacts. Floating garden used those water hyacinth
instead to decomposition them and transform to be the floating bed to hold the soil and create moisture. In conclusion, according to Richard Forman suggested that “..ecological integrity can appropriately be thought of as part of landscape integrity..pursuing near-natural conditions of plant productivity, biodiversity, and water quality and quantity.” , thus the project design realized the important of these relationship and also considered carefully in the natural ingredients to create the positive impacts without damage the biodiversity in environment. Therefore, the project could provide the benefits through ecological performative in the different scales as plant itself, biodiversity, water, environment, community food production and the green space for urban scale.
Year 4 Semester 2 | ARCH COMMUNITY & ECOLOGY
TECHINCAL SOFEWARES Adobe Photoshop Adobe Illustrator Rhinoceros V-Ray render Unity
ADDITIONAL WORKS
WORKSHOPS & FREELANCE WORKS The example of additional works apart from the studio projects.
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Year 1 - Current | ADDITIONAL WORKS
Restaurant & Terrace Kao Koh, Thailand Duration : 3 days
RENOVATE COFFEE SHOP Duration : 2 days
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Year 1 - Current | ADDITIONAL WORKS
WORKSHOP, Year 1/S2 Generate 3D city to creating poster background.
LOGO DESIGN
PITISUDA SUKUMALCHANTRA Portfolio 2018
+66814001117 | pitisuda.s@gmail.com