BNY Mellon Grand Classics: Emanuel Ax Plays Mozart (June 17-19, 2022) by Pittsburgh Symphony Orchestra

JUNE 17, 18 & 19, 2022 HEINZ HALL

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PROGRAM

June 17, 18 & 19 program..................................................................7 Celebrating Two Careers......................................................................8 June 17, 18 & 19 program notes......................................................10 Manfred Honeck biography..............................................................12 Collaboration with Carnegie Museum of Art....................................13 Emanuel Ax biography......................................................................14 Pittsburgh Symphony Orchestra biography......................................15 EVERY GIFT IS INSTRUMENTAL Individuals........................................................................................16 Corporate Partners ............................................................................24 Foundations & Public Agencies........................................................25 Legacy of Excellence..........................................................................26

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INDIVIDUALS & HEINZ HALL INFORMATION Pittsburgh Symphony Orchestra Musicians........................................2 Board of Directors ...............................................................................3 Jack Heinz Society...............................................................................4 New Leadership Council......................................................................4 Pittsburgh Symphony Association......................................................4 Administrative Staff.............................................................................5 Heinz Hall policies, accessibility and additional information...........28

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Celebrating Performance.

At BNY Mellon, we believe that the arts are part of every vibrant community. It is our great pleasure to support Pittsburgh Symphony Orchestra.

BNY MELLON GRAND CLASSICS | HEINZ HALL FRIDAY, JUNE 17, 2022 AT 8:00 P.M. SATURDAY, JUNE 18, 2022 AT 8:00 P.M. SUNDAY, JUNE 19, 2022 AT 2:30 P.M.

Manfred Honeck, conductor Emanuel Ax, piano Erwin Schulhoff arr. Manfred Honeck and Thomas Ille

Five Pieces I. Alla Valse Viennese: Allegro II. Alla Serenata: Allegro con moto III. Alla Czeca: Molto allegro IV. Alla Tango Milonga: Andante V. Alla Tarantella: Prestissimo con fuoco

Wolfgang Amadeus Mozart

Concerto No. 20 in D minor for Piano and Orchestra, K. 466 I. Allegro II. Romanza III. Rondo: Allegro assai Mr. Ax Intermission

Piotr Ilyich Tchaikovsky

Symphony No. 5 in E minor, Opus 64 I. Andante — Allegro con anima II. Andante cantabile, con alcuna licenza III. Allegro moderato IV. Finale: Andante maestoso — Allegro vivace

Justine Campagna, Guest Concertmaster

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PROGRAM 2021-2022 SEASON

Celebrating Two Careers: REBECCA CHERIAN & JOSEPH ROUNDS WITH GRATITUDE FOR YOUR TREMENDOUS CONTRIBUTIONS TO THE PITTSBURGH SYMPHONY ORCHESTRA REBECCA CHERIAN, CO-PRINCIPAL TROMBONE Rebecca Cherian was awarded the position of co-principal trombone of the Pittsburgh Symphony Orchestra by Lorin Maazel in 1989. She has been trombone instructor at Carnegie Mellon University since 1993. Cherian was a founding member of the International Women’s Brass Conference in 1994 and served as the IWBC Newsletter Editor for five years. A California native, Cherian began her professional career at the age of 16 as trombonist with the San Jose Symphony under the direction of George Cleve. At the age of 17, she appeared as a soloist with the San Francisco Symphony as a result of winning First Prize in their Young Musicians’ Awards. Cherian earned her Bachelor of Music Degree from the California Institute of the Arts, and her Master of Music Degree from the Yale School of Music. While in school she was awarded First Place in the Atwater Kent Brass Competition and Outstanding Chamber Music Performer at Yale. She studied with Miles Anderson, Robert Szabo and John Swallow. Before becoming a member of the Pittsburgh Symphony Orchestra, Cherian held positions of principal trombone with the Springfield Symphony in Massachusetts and the Rhode Island Philharmonic. She was trombone instructor at the University of Connecticut in Storrs, the Hartt School of Music and Wesleyan University. As a freelance artist, she toured with the Israel Philharmonic under the direction of Leonard Bernstein, and performed with the Boston Opera, New York City Ballet, Hartford, New Haven and Vermont Symphonies and Goodspeed Opera House. In September 1993, Cherian enjoyed the honor of performing at the White House in Washington, D.C. as part of a 15-woman ensemble of brass and percussion players for the opening reception of the Annual International Women’s Forum. The group performed the world premiere of Joan Tower’s fanfare, Celebration, which was dedicated to Hillary Clinton. Cherian appears regularly as a soloist and master class Clinician at the IWBC. Cherian released her second solo CD, L’Invitation au Voyage, in 2015. Both her first CD, Water Awakening, and L’Invitation au Voyage are available through cdbaby.com, amazon.com or rebeccabowercherian.com. She can also be heard on “From the Back Row,” a recording on Albany Records of the Low Brass Section of the Pittsburgh Symphony, and numerous recordings of the Pittsburgh Symphony Orchestra under the direction of Lorin Maazel, Mariss Jansons and Manfred Honeck. JOSEPH ROUNDS, HORN Horn player Joseph Rounds grew up in a musical family in a small town in Missouri where his father taught trumpet at Northwest Missouri State University and his mother taught piano. He earned a Bachelor of Music degree from the Eastman School of Music, his mother's alma mater, where he studied horn with Verne Reynolds. Studies continued with James Decker at the University of Southern California. Since 1987, Rounds has been a member of the Pittsburgh Symphony Orchestra serving as assistant principal, second and fourth Horn. Previously, he held positions with the Sacramento Symphony and the Sacramento Chamber Orchestra. He has attended many summer festivals including Bellingham Music Festival, Strings Festival in Steamboat Springs and Buzzard's Bay Festival in Massachusetts. He performed as soloist with the Pittsburgh Symphony Orchestra in Schumann's Konzerstück for Four Horns in 2004 and 2015. Rounds currently holds a third degree black belt from the Young Brothers Tae Kwon Do Institute under the guidance of Grand Master Young Bo Kong, and resides north of Pittsburgh with his wife.

Photo: Massery Photography

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ERWIN SCHULHOFF (1894-1942)

Five Pieces (1923)

Czech composer and pianist Erwin Schulhoff experienced profoundly the ancient Chinese curse/ blessing by living in interesting, and, for him, ultimately treacherous times. Born into a musical family in Prague on June 8, 1894, Schulhoff studied (on the advice of Dvořák) at the conservatory in his hometown from 1904 to 1906 before completing his formal education at music schools in Vienna (1906-1908), Leipzig (1908-1910, where he was a student of Max Reger) and Cologne (1911-1914); he also took some lessons with Debussy. After military service in World War I, Schulhoff returned to Prague, where he worked as a composer, teacher and concert and jazz pianist before settling again in Germany in 1919. He was an active propagandist for new music in both Czechoslovakia and Germany, organizing concerts and including works by members of the Second Viennese School and other avant-gardists in his own recitals, and espousing the aims of such artistic modernists as Grosz, Klee and the German Dadaists. Schulhoff was back in Prague in 1929, teaching piano and orchestration at the city’s conservatory and working for Czech Radio. He took up the cause of Marxism in the early 1930s as a reaction to the rise of Nazism, made a rousing musical setting of the Communist Manifesto in 1932 (not performed, however, until 1962, in Prague), and attended the International Congress of Revolutionary Musicians in Moscow the following year. He joined the Communist Party and wrote a half-dozen symphonies in the optimistic, easily accessible style dictated by Stalin in the 1930s. He was granted the supposed protection of Soviet citizenship when the Nazis overran Czechoslovakia in 1939, but it did not work. Schulhoff, outspoken in his political views and of Jewish origins, was imprisoned before he could flee from Prague to Russia and interned in a concentration camp at Wülzburg, in Bavaria, where he died of tuberculosis on August 18, 1942. Schulhoff’s eclectic music ranges across the amazing variety of styles jostling each other during the time between the two world wars: jazz, neo-classicism, impressionism, expressionism, quartertone and serial experiments, Bartókian folklorism, socialist realism. He established his most characteristic idiom with his works of the 1920s, marked by the rhythmic impetuousness of hot jazz and the brazen, boisterous iconoclasm that made that decade one of the most fertile in the entire history of music. His creative output includes an opera, three ballets, six symphonies (his last, the Symphony of Freedom, was composed just before he was imprisoned by the Nazis), four concertos, two string quartets and a variety of other chamber scores (among them the Hot Sonata for Alto Saxophone and Piano), songs and choral pieces (notably the “jazz oratorio” H.M.S. Royal Oak), and piano compositions (several of which reflect Schulhoff’s work as a jazz performer). Though Weimar Germany of the 1920s was a place of seared memory, turbulent present and uncertain future, it was a cauldron of musical creativity. Some, including Weill and Hindemith, the country’s best young composers, responded with caustic satire and mutations of the day’s most fashionable musical styles, and the influence of these Dadaist tendencies on Schulhoff is reflected in the Five Pieces for String Quartet that he wrote in December 1923 and dedicated to the French composer Darius Milhaud, who had premiered his jazz-driven ballet La Création du Monde just two months before in Paris; the Five Pieces were introduced on August 8, 1924 by the Czechoslovak Quartet at the Festival of the International Society for Contemporary Music in Salzburg. Each of the Five Pieces is Schulhoff’s commentary on a popular or traditional dance style, the sort of attitude and technique that the American composer and critic Eric Salzman cogently identified in the music of Igor Stravinsky as “Art about Art.” The first is Alla [in the manner of a] Valse 10

Viennese, though the music is notated not in the genre’s quintessential three-quarter time but in a duple meter whose grating cross-accents constantly unsettle the expected rhythmic patterns and Gemütlichkeit sentiments. The limping five-beat meter, obsessive accompaniment, stunted melodies and sometimes harsh, sometimes cloying harmonies of the Alla Serenata make it seem more furtive than romantic. Alla Czeca [Czech Dance], with its short repeating phrases, metric regularity and simple textures, is the most conventional of the Five Pieces, perhaps a mark of Schulhoff’s respect for the musical traditions of his homeland. Alla Tango Milonga is based on the Argentinean dance that was wildly popular in Europe during the 1920s, but Schulhoff’s version has been filtered through the prism of Viennese Expressionism, perhaps a song for Schoenberg’s demented Pierrot Lunaire rather than for a sultry Buenos Aires couple. Schulhoff originally sketched an Alla Marcia Militaristica in Modo Europaia as the last of the Five Pieces, but he ultimately decided on a less memory-laden Alla Tarantella whose whirling themes and non-stop motion provide an exciting close for the work.

WOLFGANG AMADEUS MOZART (1756-1791)

Concerto No. 20 in D minor for Piano and Orchestra, K. 466 (1785)

The year 1785 marked an important turning point in Mozart’s attitude toward his work and his public, a change in which this D minor Concerto was central. When he tossed over his secure but hated position as composer and concertmaster to the Archbishop Colloredo in his native Salzburg, he determined that, at age 25, he would go to Vienna to seek his fame and fortune as a piano virtuoso. He found both, at least for the first few years, during which he gave a large number of “Academies,” instrumental and vocal concerts that were popular during the Lenten season, when regular theatrical and operatic activities were proscribed by the Church. His concertos for those Academies winningly satisfied the Viennese requirement for pleasantly diverting entertainment, and they were among the most eagerly awaited of his new music. There was something for everyone in them, he told his father in a letter of 1782, the time of the first Viennese concertos (K. 413, 414, 415): “The concertos straddle the line between that which is too difficult and too easy; they are brilliant and pleasant for the ears, of course without being empty. Now and then connoisseurs too can receive satisfaction, but so that those who are not will be content without knowing why.” His success in 1784 may be gauged by the length of the subscription list for his concerts, which included more than 150 names representing the cream of the local nobility: eight princes, one duke, two counts, one countess, one baroness, and many others of similar pedigree. The D minor Concerto must have puzzled the concert habitués of Vienna. This new and disturbing work, from a composer who had previously offered such ingratiating pieces, did not conform to their standard for a pleasant evening’s diversion. Instead, it demanded greater attention and a deeper emotional involvement than they were prepared to expend. Mozart’s tendency in his later years toward a more subtle and more profound expression was gained at the expense of alienating his listeners. One bemused musical amateur, for example, returned to the publisher his set of parts for the new quartets dedicated to Haydn because he was convinced such wide-ranging harmony as they contained was the result of engraver’s error rather than composer’s choice. Another customer simply tore up his copy and sent a scornful letter to the publisher demanding his money back. Emperor Joseph II lamented that Mozart’s works contained “too many notes,” and that there was simply no reason to write music with such complex textures and harmonies. Even Karl Ditters von PROGRAM NOTES 2021-2022 SEASON

Dittersdorf, a distinguished composer of the time who undoubtedly envied Mozart’s melodic gift, grumbled about “the amazing wealth of ideas — I could almost wish he were not so lavish in using them. He leaves his hearer out of breath, for hardly has he grasped one beautiful thought than another of greater fascination dispels the first, and this goes on throughout, so that in the end it is impossible to retain any one of these beautiful melodies.” Harmony, texture, melody: by 1785, Mozart was using these elements to produce music that would satisfy his artistic vision rather than cater to the whims of the Viennese audiences. The concept of a composition as the expression of a musician’s inner feelings rather than as an agreeable adornment to a specific concert, church service or public ceremony, which was to gain overwhelming importance during the Romantic age, arose with Mozart. Before him, virtually all music had been written on commission — made to order for a particular occasion. Mozart, and, of course, Beethoven, riding the waves of change in all areas of social and cultural thought that swept Europe in the late 18th century, altered forever the way in which the artist perceives and is perceived. Mozart’s aristocratic patrons were not quite ready for such revolutionary ideas, and it is little surprise that when he circulated a subscription list for his 1789 Academies, it was returned with only one signature. It is little thanks to Vienna that Mozart’s most sublime masterworks — Don Giovanni, the G minor Quintet, the Requiem, the G minor Symphony, this D minor Concerto — were created. It is fortunate for modern listeners that Mozart was courageous enough to write music that transcended the undemanding taste of his contemporaries. The very qualities that baffled them have enabled his works not only to survive but to flourish long after most 18th-century music has been forgotten. The D minor Concerto looks forward to the richly expressive, emotionally volatile music of the Romantic Age, and, because of this quality, it was the most often performed of his concertos during the 19th century. Cuthbert Girdlestone summarized the mood of the work in his study of Mozart’s concertos: “[The key] of D minor is associated in Mozart with a dusky, foreboding, inward, unlyrical emotion, a passion of struggle rather than laments and cries, expressive of threatening fate. It speaks of danger, physical and moral.” This great Concerto is a work not only of pianistic brilliance and technical perfection, but one that also explores deepseated sentiments — music to stir both heart and mind. The first movement of the D minor Concerto “begins with a shudder and is full of unhappy commotion,” according to Mozart authority Eric Blom. It follows the concerto-sonata form that Mozart had perfected in his earlier works for piano and orchestra, and is filled with conflict between soloist and tutti which is heightened by enormous harmonic, dynamic, and rhythmic tensions. The second movement, titled “Romanza,” moves to the brighter key of B-flat major to provide a contrast to the stormy opening Allegro, but even this lovely music summons a dark, minor-mode intensity for one of its episodes. The finale is a complex sonata-rondo form with developmental episodes. The D major coda that ends the work provides less a light-hearted, happy conclusion than a sense of catharsis capping the magnificent cumulative drama of this noble masterwork. Girdlestone wrote of this work, simply, “The D minor may claim to represent Mozart at his highest point of creative power.”

PETER ILYICH TCHAIKOVSKY (1840-1893)

Symphony No. 5 in E minor, Opus 64 (1888)

Tchaikovsky was never able to maintain his self-confidence for long, and his opinion of a new work frequently fluctuated between the extremes of satisfaction and denigration. The unjustly neglected Manfred Symphony of 1885, for example, left his pen as “the best I have ever written,” but the work failed to make a good impression at its premiere, and Tchaikovsky’s estimation of it tumbled. The lack of success of Manfred was particularly painful because he had not produced a major orchestral work since the Violin Concerto of 1878, and the score’s failure left him with the gnawing worry that he might be “written out.” The three years after Manfred were devoid of creative work. It was not until May 1888 that Tchaikovsky again took up the challenge of the blank page. On May 27th he wrote to his brother Modeste, “To speak frankly, I feel as yet no impulse for creative work. What does this mean? Have I written myself out? No ideas, no inclination! Still, I am hoping to collect, little by little, material for a symphony.” Though he was unusually secretive about the progress of this new piece, he must have begun it as soon as this letter was written, since the sketch of the complete score was finished just six weeks later. “I am exceedingly anxious to prove to myself, as to others,” he wrote to his benefactress, Nazedha von Meck, “that I am not played out as a composer.” He worked doggedly on the symphony, ignoring illness, the premature encroachment of old age (he was only 48, but suffered from continual exhaustion and loss of vision), and his troubling self-doubts, and when it was completed, by the end of August, he allowed, “I have not blundered; it has turned out well.” Tchaikovsky’s satisfaction was soon mitigated, however, by the work’s premiere in St. Petersburg on November 17, 1888. Though the Fifth Symphony was applauded by the public, he felt that it was a failure, that the ovation was for his earlier pieces rather than for this new one, and that the whole affair was cause for “a deep dissatisfaction with myself.” Modeste was convinced that any negative reaction to the Fifth Symphony — and the critics had some — could be traced to an inadequate performance, but Tchaikovsky could not be persuaded of the work’s value until a performance in Hamburg early in 1889, when musicians, critics and audience alike received it enthusiastically. Even the venerable Johannes Brahms, who was not strongly drawn to the music of his Russian colleague, made a special effort to attend the performance on a visit to his hometown. Tchaikovsky was buoyed by his reception in Hamburg, and his estimation of the Fifth Symphony (and of himself) shot up once again. The work has remained among the staples of the concert repertory. Tchaikovsky never gave any indication that the Symphony No. 5, unlike the Fourth Symphony, had a program, though he may well have had one in mind. Years after its composition, some rough sketches that apparently refer to the Symphony No. 5 were discovered in his notebooks: “Introduction. Complete resignation before Fate, or, which is the same, before the inscrutable predestination of Providence. Allegro (1) Murmurs, doubts, plaints against XXX. (2) Shall I throw myself into the embrace of faith???” The “XXX” probably referred to Tchaikovsky’s homosexuality, the only matter he concealed behind secret signs in his notes and diary. If that is so, the Fifth Symphony represents Tchaikovsky’s resignation to his fate in the way he could best command — music. The workings of fate were an obsessive theme with him, and the program of the earlier Fourth Symphony portrays man’s happiness crushed by that intractable power at every turn. In their biography of the composer, Lawrence and Elisabeth Hanson reckoned Tchaikovsky’s view of PROGRAM NOTES 2021-2022 SEASON

fate as the motivating force in the Symphony No. 5, though they distinguished its interpretation from that in the Fourth Symphony. “In the Fourth Symphony,” the Hansons wrote, “the Fate theme is earthy and militant, as if the composer visualizes the implacable enemy in the form, say, of a Greek god. In the Fifth, the majestic Fate theme has been elevated far above earth, and man is seen, not as fighting a force that thinks on its own terms, of revenge, hate or spite, but as a wholly spiritual power which subjects him to checks and agonies for the betterment of his soul.” The structure of the Fifth Symphony reflects this process of “betterment.” It progresses from minor to major, from darkness to light, from melancholy to joy — or at least to acceptance and stoic resignation. It is the same path Beethoven blazed in his Fifth Symphony, and the power of such a musico-philosophical construction was not lost on Tchaikovsky, or on any other 19th-century musician. The sense of a perilous obstacle surmounted through struggle energizes both works, and is the substance of any “message” that Tchaikovsky may have embedded in this Symphony. The Symphony’s four movements are linked together through the use of a recurring “Fate” motto theme, given immediately at the beginning by unison clarinets as the brooding introduction to the first movement. The sonata form proper starts with a melancholy melody intoned by bassoon and clarinet over a stark string accompaniment. The woodwinds enter with wave-form scale patterns followed by a stentorian passage for the brass that leads to a climax. Several themes are presented to round out the exposition: a romantic tune, filled with emotional swells, for the strings; an aggressive strain given as a dialogue between winds and strings; and a languorous, sighing string melody. Again, the brasses are brought forth to climax this section. All of the themes are treated in the development section. The solo bassoon ushers in the recapitulation, and the themes from the exposition are heard again, though with changes of key and instrumentation. After a final climax in the coda, the movement fades, softer and slower, and sinks, finally, into the lowest reaches of the orchestra. At the head of the manuscript of the second movement Tchaikovsky is said to have written, “Oh, how I love ... if you love me …,” a sentiment that calls to mind an operatic love scene. (Tchaikovsky, it should be remembered, was a master of the musical stage who composed more operas than he did symphonies.) The expressiveness of the opening theme, hauntingly played by the solo horn, is heightened as the movement proceeds through enriched contrapuntal lines and instrumental sonorities. Twice, the imperious Fate motto intrudes upon the starlit mood of this romanza. If the second movement derives from opera, the third grows from ballet. A flowing waltz melody (inspired by a street song Tchaikovsky had heard in Italy a decade earlier) dominates much of the movement. The central trio section exhibits a scurrying figure in the strings which shows the influence of Léo Delibes, the French master of ballet music whom Tchaikovsky deeply admired. Quietly and briefly, the Fate motto returns in the movement’s closing pages. The finale begins with a long introduction based on the Fate theme cast in a heroic rather than a sinister or melancholy mood. A vigorous exposition, a concentrated development and an intense recapitulation follow. The long coda uses the motto theme in a major-key, victory-won setting. This stirring work ends with a final statement from the trumpets and horns, and closing chords from the full orchestra. The Hansons characterized Tchaikovsky’s Fifth Symphony in the following manner: “The Fifth Symphony is splendid music, grand and dignified, and its form expresses the content more satisfactorily than in any other of Tchaikovsky’s large works for orchestra. But the final thought must be, as with so many of this composer’s works, a thought transcending the obvious pleasure of tunefulness, superb orchestration, and passionate self-questioning; it is from first note to last noble. Never querulous, never playing to the gallery, it exposes the soul of a man which all must feel the better for knowing." 14

PROGRAM NOTES BY DR. RICHARD E. RODDA

MANFRED HONECK MUSIC DIRECTOR

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Scan to explore the 2022-2023 season or visit www.pittsburghsymphony.org/subscribe PROGRAM NOTES 2021-2022 SEASON 15

MANFRED HONECK Manfred Honeck has firmly established himself as one of the world’s leading conductors, whose unmistakable, distinctive and revelatory interpretations receive great international acclaim. He is currently in his 14th season as Music Director of the Pittsburgh Symphony Orchestra. Celebrated both at home and abroad, Manfred Honeck and the Pittsburgh Symphony Orchestra, one of the most frequently toured North American orchestras, serve as cultural ambassadors for the city of Pittsburgh. Guest appearances regularly include Carnegie Hall and Lincoln Center in New York, as well as the major venues of Europe and festivals such as the BBC Proms, Salzburg Festival, Musikfest Berlin, Lucerne Festival, Rheingau Music Festival, Beethovenfest Bonn, and Grafenegg Festival. Manfred Honeck’s successful work in Pittsburgh is extensively documented by recordings on the Reference Recordings label. All SACDs, these recordings feature works by Strauss, Beethoven, Bruckner, Tchaikovsky and others, and have received a multitude of outstanding reviews and awards, including a number of GRAMMY® nominations. The recording of Shostakovich’s Symphony No. 5/Barber Adagio won the GRAMMY® for “Best Orchestral Performance” in 2018. In February of 2021, Manfred Honeck and the Pittsburgh Symphony released a new recording of Beethoven Symphony No. 9 in celebration of the orchestra’s 125th anniversary season. Their most recent release is a recording of Brahms No. 4/MacMillan Larghetto for Orchestra. Born in Austria, Manfred Honeck completed his musical training at the University of Music in Vienna. His many years of experience as a member of the viola section in the Vienna Philharmonic and Vienna State Opera Orchestra have had a lasting influence on his work as a conductor. His art of interpretation is based on his determination to venture deep beneath the surface of the music. He began his conducting career as assistant to Claudio Abbado and as director of the Vienna Jeunesse Orchestra. Subsequently, he was engaged by the Zurich Opera House, where he was awarded the European Conducting Prize in 1993. He has since served as one of three 16

Photo credit: George Lange

principal conductors of the MDR Symphony Orchestra Leipzig, as Music Director of the Norwegian National Opera, Principal Guest Conductor of the Oslo Philharmonic Orchestra and Czech Philharmonic Orchestra, and Chief Conductor of the Swedish Radio Symphony Orchestra in Stockholm. From 2007 to 2011, Manfred Honeck was Music Director of the Staatsoper Stuttgart, where he led premieres of Berlioz’s Les Troyens, Mozart’s Idomeneo, Verdi’s Aida, Richard Strauss’s Rosenkavalier, Poulenc’s Dialogues des Carmélites and Wagner’s Lohengrin and Parsifal. Guest performances in opera led him to Semperoper Dresden, Komische Oper Berlin, Théâtre de la Monnaie in Brussels, Royal Opera of Copenhagen, the White Nights Festival in St. Petersburg and the Salzburg Festival. In Beethoven’s anniversary year of 2020, he conducted a new staging of Fidelio (1806 version) at the Theater an der Wien. Beyond the podium, Manfred Honeck has designed a series of symphonic suites, including Janáček’s Jenůfa, Strauss’s Elektra and Dvořák’s Rusalka. He recorded all of these arrangements with the Pittsburgh Symphony Orchestra, and regularly performs them with orchestras around the globe.

As a guest conductor, Manfred Honeck has been at the podium of all leading international orchestras including the Bavarian Radio Symphony Orchestra, Berlin Philharmonic Orchestra, Gewandhausorchester Leipzig, Staatskapelle Dresden, Tonhalle-Orchester Zürich, Royal Concertgebouw Orchestra, London Symphony Orchestra, Orchestre de Paris, Accademia di Santa Cecilia Rome and the Vienna Philharmonic. In the United States, he has conducted all major US orchestras, including New York Philharmonic, The Cleveland Orchestra, Chicago Symphony

Orchestra, Los Angeles Philharmonic, Philadelphia Orchestra, Boston Symphony Orchestra and San Francisco Symphony. He has also been Artistic Director of the International Concerts Wolfegg in Germany for more than twenty-five years. Manfred Honeck holds honorary doctorates from several universities in the United States and also was awarded the honorary title of Professor by the Austrian Federal President. In 2018, the jury of the International Classical Music Awards declared him “Artist of the Year.”

Carnegie Museum of Art is delighted to bring you this artwork from our collection that connects to the sounds of the Pittsburgh Symphony that you will hear today, through a partnership born from our shared 125th anniversaries in 2020. “Art evokes the mystery without which the world would not exist.” -René Magritte An evolution of early 20th century artistic movements impacted by the upheaval of WWI connects composer Erwin Schulhoff and artist René Magritte. Schulhoff became inspired by Dada artists in Germany who sought to reject artistic conventions through purposeful and irrational acts. Poetry, music, visual art, and performance reflected the absurdities of life that followed the chaos of war. From Dada grew Surrealism which also condemned reason and rational thought but through the mysteries of the mind. Subconscious thoughts, dreams, and imagination inspired artists including Magritte who became a leading figure in the movement. Magritte’s paintings challenge us to leave the search for meaning behind and embrace the mysterious that is before us. Come visit Carnegie Museum of Art this season to connect with artworks like this and many others. Learn more at cmoa.org/PSO

RENÉ MAGRITTE (BELGIAN, 1898–1967) L’ESPRIT DE FAMILLE, 1963 CARNEGIE MUSEUM OF ART GIFT OF MR. AND MRS. RICHARD M. SCAIFE, 78.12

BIOGRAPHY 2021-2022 SEASON

EMANUEL AX Born in modern day Lvov, Poland, Emanuel Ax moved to Winnipeg, Canada, with his family when he was a young boy. Mr. Ax made his New York debut in the Young Concert Artists Series, and in 1974 won the first Arthur Rubinstein International Piano Competition in Tel Aviv. In 1975 he won the Michaels Award of Young Concert Artists, followed four years later by the Avery Fisher Prize. Highlights of the 2019/20 season included a European summer festivals tour with the Vienna Philharmonic and long-time collaborative partner Bernard Haitink, an Asian tour with the London Symphony and Sir Simon Rattle and three concerts with regular partners Leonidas Kavakos and Yo-Yo Ma at Carnegie Hall in March 2020. Additional recitals and orchestral appearances last spring were postponed due to Covid-19 and like many artists around the world, Mr. Ax responded to these unprecedented circumstances creatively. He hosted “The Legacy of Great Pianists,” part of the online Live with Carnegie Hall highlighting legendary pianists who have performed at Carnegie Hall. Last September, he joined cellist Yo-Yo Ma in a series of surprise pop-up concerts for essential workers in multiple venues throughout the Berkshires community. With the resumption of concert activity this summer he will appear in the reopening weekend of Tanglewood both with the Boston Symphony and in a Beethoven trio program with partners Leonidas Kavakos and Yo-Yo Ma. Concerts with the Colorado, Pacific, Cincinnati and Houston symphonies as well as Minnesota, Los Angeles, New York, Philadelphia and Cleveland orchestras follow throughout the 21/22 season.

Photo credit: Lisa Marie Mazzucco

for the second and third volumes of his cycle of Haydn’s piano sonatas. He has also made a series of GRAMMY®-winning recordings with cellist Yo-Yo Ma of the Beethoven and Brahms sonatas for cello and piano. In the 2004/05 season Mr. Ax contributed to an International EMMY® Award-Winning BBC documentary commemorating the Holocaust that aired on the 60th anniversary of the liberation of Auschwitz. In 2013, Mr. Ax’s recording Variations received the Echo Klassik Award for Solo Recording of the Year (19th Century Music/Piano). Mr. Ax is a Fellow of the American Academy of Arts and Sciences and holds honorary doctorates of music from Skidmore College, New England Conservatory of Music, Yale University, and Columbia University. For more information about Mr. Ax’s career, please visit www.EmanuelAx.com.

Mr. Ax has been a Sony Classical exclusive Emanuel Ax last performed with the Pittsburgh recording artist since 1987, his most recent being Symphony in February 2019. Brahms Trios with Yo-Yo Ma and Leonidas Kavakos. He has received GRAMMY® Awards

THE PITTSBURGH SYMPHONY ORCHESTRA Now in its 126th season, the Pittsburgh Symphony Orchestra is credited with a rich history of engaging the world’s finest conductors and musicians and demonstrates a genuine commitment to the Pittsburgh region and its citizens. Known for its artistic excellence for more than a century, the Pittsburgh Symphony has been led by its worldwide acclaimed Music Director Manfred Honeck since 2008; past music directors have included Fritz Reiner (1938-1948), William Steinberg (1952-1976), André Previn (1976-1984), Lorin Maazel (1984-1996) and Mariss Jansons (1997-2004).

broadcasts. Manfred Honeck and the Pittsburgh Symphony Orchestra have received multiple GRAMMY® nominations for Best Orchestral Performance, taking home the award in 2018 for their recording of Shostakovich: Symphony No. 5; Barber: Adagio. As early as 1936, the Pittsburgh Symphony has been broadcast on the radio. The orchestra has received increased attention since 1982 through national network radio broadcasts on Public Radio International, produced by Classical WQED-FM 89.3, made possible by the musicians of the Pittsburgh Symphony Orchestra.

The Pittsburgh Symphony is continually at the forefront of championing new American works. The Orchestra premiered Leonard Bernstein’s Symphony No. 1 “Jeremiah” in 1944, John Adams’ Short Ride in a Fast Machine in 1986, and Mason Bates’ Resurrexit in 2018 to celebrate Manfred Honeck’s 60th birthday.

Lauded as the Pittsburgh region’s international cultural ambassador, the orchestra began regular touring in 1896 and has embarked on scores of domestic and international tours. In 2019, Music Director Manfred Honeck led the orchestra on an extensive tour of Europe, the 25th in orchestra history.

The two-time 2018 GRAMMY® Award- In the 2021-2022 season, the Pittsburgh winning orchestra has a long and illustrious Symphony will celebrate the 50th anniversary history in the areas of recordings and live radio of Heinz Hall as the home of the orchestra.

BIOGRAPHY 2021-2022 SEASON

PROVIDING GREAT MUSIC IN EVERY LIFE We thank our entire donor family for supporting our vision of Great Music in Every Life. As we celebrate the 50th anniversary of Heinz Hall this season, we are thrilled to experience the power of music together again. A complete list of donors, as well as a list of associated benefits can be found on our website. As a special thank you during the month of June, donors in the Concerto Club level and above ($300+) are listed below. We are happy to recognize donors at the Symphony Club level for our full year program books. Those who have made a new gift or increased over their previous gift are listed in italics. Every effort has been made to ensure accuracy; however, if you are not listed correctly, please call 412.392.4880 or email us at pso_development@pittsburghsymphony.org. Listing as of March 22, 2022. MAESTRO’S CIRCLE

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Dr. Mary Beth Adams Andrea & David Aloe Jane C. Arkus in memory of James V. Callomon Matthew & Anne Atwood Philip & Melinda* Beard David & JoAnn Beaudreau Mr. & Mrs. G. Nicholas Beckwith III Martha L. Berg Diane L. Berman Lawson Bernstein, MD Robert S. Bernstein & Ellie K. Bernstein Fund Bozzone Family Foundation Sue & Mark Breedlove Lawrence R. Breletic & Donald C. Wobb Mr. & Mrs. Howard Bruschi The Burkholder Foundation Nicholas Butera Mr.* & Mrs. Joseph L. Calihan Dr. Bernadette G. Callery* & Dr. Joseph M. Newcomer Susan Campbell & Patrick Curry Sue Challinor & Matt Teplitz Kenneth & Celia Christman Cynthia & Bill Cooley

Basil & Jayne Adair Cox Rose & Vincent A. Crisanti S. A. Cunningham Joan & Jim Darby George & Ada Davidson Alison H. & Patrick D. Deem Richard P. Dum & Donna S. Hoffman Mr. Frank R. Dziama George D. Ehringer Marie S. Emanuel Dr. Edward L. Foley Chauncey & Magdaline Frazier Janet M. Frissora The Dorothy M. Froelich Charitable Trust Normandie Fulson Dr. & Mrs. J. William Futrell Dr. Kent Galey & Dr. Karen Roche Dr. Virgil D. Gligor & Alicia M. Avery Laurie Graham Ms. Julie Gulick In memory of Joseph Hinchliffe Mr. & Mrs. C. Talbott Hiteshew, Jr. Karen & Thomas Hoffman Clare & Jim Hoke Philo Holcomb Walker P. Holloway Mr. & Mrs. Robert A. Izzo Dr. & Mrs. Jeffrey B. Jackson Blair & Lynne Jacobson Gail G. Jenkins Diane & Howard Jernigan Barbara Johnstone Carolyn J. Jones Jackie Jones Mr. & Mrs. Robert W. Kampmeinert Mr. & Mrs. Jayant Kapadia Ms. Danielle Katz & Mr. James Snyder Mr. Arthur J. Kerr, Jr. James Knox Karl Krieger & Family John & Mary Adele Krolikowski In memory of Magdalene Kuczynski Lewis & Alice Kuller Susan Oberg Lane Judith Lave Cele & Mike Levine

Dr. Michael Lewis & Dr. Katia Sycara Elsa Limbach Pat & Don MacDonald Neil & Ruth MacKay Mrs. Kate Watson MacVean Mr. & Mrs. Robert P. Malnati Dr. Harry K. Williams Jr. & Dr. Sheri A. Mancini Mrs. John Marous Jennifer & James Martin Dr. Richard H. Martin In Memory of Mrs. Lori Martin Donna & Stephen Maxwell Alan & Marilyn McIvor Bill R. Maurer & Carol J. McKenzie Mark & Amy Mendicino Donald & Nancy Middleton Drs. Paolo Montemaggi & Patrizia Guerrieri Daniel Murariu Foundation Dr. Eugene & Mrs. Barbara L. Myers Harry & Kathleen Nagel Fritz Okie Dr. Karl Olsen & Dr. Martha E. Hildebrandt Sandy & Gene O’Sullivan Dr. Paul M. Palevsky & Dr. Sharon R. Roseman Robert & Lillian Panagulias Pam & Seth Pearlman Richard E. Rauh Mr. Gene Reiness in memory of Diane Mary A. Reynolds Mr. & Mrs.* Frank Brooks Robinson Janice G. Rosenberg Drs. Guy & Mary Beth Salama Jolie Schroeder Preston & Annette Shimer Dr. Stanley Shostak & Dr. Marcia Landy Dr. Ralph T. Shuey & Ms. Rebecca L. Carlin Dennis & Susan Slevin Dr. Carol Slomski & Dr. Keith Apelgren Alice Snyder Dr. & Mrs. Edward M. Sorr Mr. & Mrs. Alexander C. Speyer III Barbara & Lou Steiner Linda & Jeff Stengel Dick & Thea Stover

PROVIDING GREAT MUSIC IN EVERY LIFE 2021-2022 SEASON

Neil & Bronya Strosnider Dr. Sharon Taylor & Dr. Philip Rabinowitz Janie & Harry Thompson Anthony & Jan Tomasello Eric & Barbara Udren Dr. Ronald J. & Patricia J. Wasilak Frank & Heidemarie Wenzel Carolyn & Richard Westerhoff Robert Wickesberg & Susan Noffke Barbara & Bruce Wiegand Miriam L. Young Dr. & Mrs. P. Alvin Zamba ENCORE CLUB $1,750 - $2,499 Anonymous (5) Kathryn Albers & Brian Davis J.R. Ambrose & Eliza Swann Rev. Drs. A. Gary & Judy Angleberger Ms. Elaine Armstrong Brian Ashton Mr. Francis A. Balog & Dr. Paula Bonino Richard C. Barney Robert & Loretta Barone Mr. and Ms. Jonathan Berdyck Joan & Keith Bernard Dr. Michael & Barbara Bianco Michael E. Bielski Mr. & Mrs. James H. Bregenser Mr. & Mrs. Paul R. Bridges Jill & Chuck Brodbeck Ms. Mary Patricia Brown Gary & Judy Bruce Mr. Milton W. Burkart* & Dr. Patricia K. Burkart Linda B. Burke Mr. & Mrs. Frank V. Cahouet* Dr. Marco Cavagna and Dr. Christine Garnett Christine & Howard Cohen Mr. and Mrs. Eugene Colleran Dr. & Mrs. Richard H. Daffner Jamini Vincent Davies James Delligatti Amil & MaryAnn DiPadova Mr. & Mrs. James R. Drake

Ms. Lori Dunham & Mr. Connie MacDonald Linda & Robert Ellison Dan & Nancy Fales Tibey Falk Judith & Donald Feigert Janet Fesq Mr. & Mrs. Anthony Fonseca Michael & Nina Gaffney Mrs. Lauren Gailey Keith Garver Matthew & Deborah Garvic Revs. Gaylord & Catherine Gillis William & Victoria Guy Dale & Susanne* Hershey Dr. Benjamin E. Hicks Douglas & Antionette Hill Micki F. Huff Hyman Family Foundation Mary Lee & Joe* Irwin Edward W. Jew Jr. MD Gloria Kleiman Ms. Kathy J. Krause Dr. & Mrs. Howard N. Lang Anne Lewis John & Cathy Mary Barbara & Mark Matera Mary A. McDonough Kenton* & Florence McElhattan Alice & Bob Moore Amy & Ira* M. Morgan Dr. Harvey M. Morris Dr. & Mrs. Etsuro K. Motoyama Dr. & Mrs. Donald D. Naragon David & June Nimick Linda & Jim Northrop Suzanne & Richard Paul Dr. Gail Pesyna & Dr. John Hooper David & Marilyn Posner Mrs. Mildred M. Posvar Wesley Posvar Lois A. Pruitt Mr. & Mrs. W. John Rackley Drs. David & Catherine Ravella Daniel & Lauren Resnick Mr. & Mrs. Robert W. Riordan Mr. & Mrs. Philip R. Roberts Bette & Howard* Rom Ms. Mary E. Russell Mrs. John M. Sadler

Dr. James R. Sahovey Mr. & Mrs. Dan D. Sandman Molly & Ferd Sauereisen Esther Schreiber George & Marcia Seeley Shiv Sethi Rev. Terry Shaffer & Rev. Beth Nelson Lee & Myrna Silverman John Sonnenday & Kristine Haig Amy & Mark Stabingas Marguerite O. Standish Jayne & Tom Sterling Mr. and Mrs. Jordan L. Strassburger Mr. & Mrs. William H. Taylor, Jr. Mandy Ticknor Mr. & Mrs. Walter W. Turner John & Irene Wall Dr. & Mrs. W. Bruce Watkins James & Ramona Wingate Mary Jo Winokur Sidney & Tucky Wolfson Yurij Wowczuk Ellie* & Joe* Wymard Haakan Younes & Genevieve Hower Mr. & Mrs. Charles Zellefrow Rachael Zierden CADENZA CLUB

$1,000 - $1,749

Anonymous (8) Alan L. & Barbara B. Ackerman Deborah L. Acklin David & Barbara Allen Ms. Lois Appel Myron Arnowitt & Nancy Niemczyk Dr. and Mrs. Egil Aukrust Marion & Bob Auray Dr. & Mrs. Alan Axelson Mr. Richard L. Baird The Bardack Family Foundation Ann Bart John & Betsy Baun Nancy H. Bergey Georgia Berner Don & Sue Bialostosky Rob & Hongwei Bittner Franklin & Bonnie Blackstone

Michael & Carol Bleier Donald & Mary Block Phil & Bernice Bollman W. Dennis & Penny Bossick Stephanie Bozic Myles & Joan Bradley Mary & Jeff Bragdon Matthew & Leslie Braksick Gerda & Abe Bretton Mary & Russell Brignano Mr. Michael Broniszewski Barbara A. Brooks Anna C. Brophy Lisa Brown James Bruce Dr. Lisa Brush Michael F. Butler Dr. Raymond Capone Jr. & Dr. M. Clarke Stephen & Helen Hanna Casey Dr. & Mrs. Charles D. Cashdollar Carlo & Poma Caso Deborah & David Chapman Ms. Mary Lou Christie Jo-Ann M. Churchill Ron & Dorothy Chutz Nancy & Stan Cieslak Judy Clough Stuart & Cathryn Coblin Kevin & Janis Colbert Alan & Lynne Colker Estelle Comay & Bruce Rabin Lin & Anne Cook Susan & George Craig Mary Ann Craig, D.M.E. John Oliver & Sylvia Dallas Marion S. Damick Mr. G. Douglas Davidson & Ms. Sharee Stout Mr. Deicke The Steven Della Rocca Memorial Fund/Courtenay A. Hardy George & Eileen* Dorman Michel & Christine Douglas Ms. Christine L. Dvonch Barbara & Bob* Egan Albert E. Eckert Rhoda S. Eligator Jack & Mary Jo Elliott Eugene & Katrin* Engels

In memory of Ruth & Emil Feldman by Joan Feldman & family Mr. & Mrs. Gregory S. Finerty Lawrence Frolik & Ellen Doyle Elaine & John Frombach Mr. Frank B. Fuhrer III Jennifer & Richard Gallo Kathleen Gavigan & William B. Dixon* Mike & Cordy* Glenn Richard A. Gloyer & Michelle M. Rossi Dr. Maya GoldinPerschbacher & Mark Manetti Christine Hartung Emily E. Heidish Dr. & Mrs. John B. Hill David G. & Carolyn S. Hills Dr. Leslie A. Hoffmann Mr. Jeff Hollinger Katherine Holter Dr. & Mrs. Elmer J. Holzinger Judy Horgan & Steve Pavsner Catherine C. Hornstein Charitable Fund of The Pittsburgh Foundation Sara H. Horsman Dr. Chris & Mrs. Barbara Howard Jennifer Howe Mr. & Mrs. Keith A. Impink Dr. Jerome M. Itzkoff & Dr. Barbara Zawadski Kate Jackson Kathryn Jackson Stacey L. Jarrell Linda Kaib Daniel G. & Carole L. Kamin Brett & Sarah Keisel Maura & John Kelly Laura Kieras Mr. Milton B. Kimura Laura & Michael Kingsley Mr. & Mrs. Richard Kleiser Ms. Marilyn Koch Karen F. Krenitsky Walter & Kathleen Labys Mr. William Lawrence, III Mr. & Mrs. Kenneth Lehn Harry & Lisa Levinson Mrs. William E. Lewellen, III Sandi & Jim Linaberger Ken & Hope Linge

Mr. Daniel Lloyd Mr. David A. Lynch & Ms. Dorothy A. Davis Ted N. & Mary Lou Magee Dr. & Mrs. George J. Magovern, Jr. Ms. Caroline S. Markfield Ms. Melissa R. Marshall William K. Martz Mr. Edward A. Massarsky & Ms. Sylvia Slavkin Thomas & Elizabeth Massella Dale & Dr. Marlene* McCall Mrs. Jon W. McCarter Dr. Patrick McCulloch Mrs. Samuel K. McCune Mrs. Ann McGuinn Mr. & Mrs. William J. Mehaffey Mr. and Mrs. Mark Mendlow Karen Merry Robert D. Mierley Family Foundation II Joan Miles & Clifford Bob Mr. Robert Milner Amy Minter Robert & Christine Misback Mrs. Huma Mohiuddin Bernard Moncla & Sharon Hillier Eileen & Albert Muse Dr. Cora E. Musial Mildred S. Myers Pradeep & Priya Narayan Dr. Nancy Z. Nelson Patricia K. Nichols Heather O’Brien John Oehrle Mr. & Mrs. James O’Neill Dr. & Mrs. Richard A. Orr John A. Osuch Nancy* & John Oyler Dr. & Mrs. Arthur Palmer Irina & Daniel Peris Kears & Karen Pollock Dr. Margaret Ragni & Dr. Frederick Porkolab Barbara Powers Mrs. Michelle Rabb Bryan Rall James Rebel Patricia A. Richards & William K. Nichols Rick & Kim Roadarmel Shereen & Paul Rosenberg Mr. & Mrs. Byron W. Rosener

Harvey & Lynn Rubin Richard & Linda Ruffalo Mr. & Mrs. Edmund S. Ruffin III Shirley & Murray Rust Drs. Michael F. Scheier & Karen Matthews Ann & Bill Scherlis Joseph Schewe, Jr. Steven Schlossman & Stephanie Wallach Jonathan & Veronica Schmerling Shirley G. Schneirov Patricia S. Schroder Carl Schultz Robert J. & Sharon E. Sclabassi Dr. Charles H. Shultz Rhoda & Seymour* Sikov Paul & Linda Silver Marjorie K. Silverman Theresa V. Snavely Bill & Patty Snodgrass Marjorie A. Snyder J. Soffietti David Solosko & Sandra Kniess Fund Henry Spinelli Mr. & Mrs. Thomas St. Clair Mr. and Mrs. John A Staley IV Gary & Charlene Stanich Dr. & Mrs. Terence Starz Mark & Tammy Steele Mr. and Mrs. John Stenson Dr. Ron & Nancy Stoller Mona & E.J. Strassburger Mrs. and Mr. Beth Svendsen Stu & Liz Symonds in Memory of Roger Sherman Mary Anne Talotta Drs. Margaret Tarpey & Bruce Freeman Gordon & Catherine Telfer Mary Lloyd Thompson Mr. & Mrs. William T. Tobin Judge David B. Torrey Mr. & Mrs. Clifton C. Trees Lois & Nigel Treloar Judy Vaglia Suzan M. Vandertie Bob & Denise Ventura Cate & Jerry Vockley Wagner Family Charitable Trust Suzanne & Richard Wagner

Tony & Pat Waterman Betsy & Charles Watkins Phillips Wedemeyer & Jeanne Hanchett Yuling Wei Patricia Weiss Mr. & Mrs. Fred C. Wellinger Mr. & Mrs. Ronald D. West Arthur & Barbara Westerberg Ron Wetzel Harton Wolf Sheryl K. & Bruce M. Wolf Family Foundation Drs. Barry & Iris Wu Naomi Yoran Maureen Young Anne & Sam Zacharias Dr. & Mrs. Victor Zakowski SYMPHONY CLUB $600 - $999

Anonymous (6) Barbara K. Abraham Jerry Agin & Terri Denmon Mr. Jorge Alba The Albert Family Mr. Francisco Alvarez John Atkinson Donna L. Balewick MD Bob & Martha Ball Robert W. & Janet W. Baum Judith Bell Betty Belle Mrs. Phyllis L. Bertok & Mr. Richard Lopretto Henry & Charlotte Beukema Dr. Mary K. Biagini & Mr. Thomas Dubis Paul E. Block Nathaniel Blume & Megan McGarry Eric & Betsy Boughner Debbie & Jim Boughner Jim & Mary Bouwkamp Mary & Montgomery Brown Mr. Nicholas Brozack James L. Bryant Drs. Clare & James Budd Roger & Cynthia Bush Rosaria Capezzuto Dr. Brad Carmichael Dr. & Mrs. Daniel R. Casper Stephen C. Cenedella Janet E. Chadwick Susan B. Clancy Clifton & Nicole Clark

PROVIDING GREAT MUSIC IN EVERY LIFE 2021-2022 SEASON

Gail D. Coates Laurence P. Comden Tom & Stephanie Conroy J. Kent & Merle Culley Cynthia Custer Norina H. Daubner Joan Clark Davis Dr. Richard S. DeLuca Edward U. De Persis Lucy & John Douglas Mr. Roger Dubois Leslie Oden Dunn Francis & Joan Fereday Ms. Ann P. Flaherty Ms. Suzanne Flood Mr.* & Mrs. K. H. Fraelich, Jr. Jennifer & Robert* Freeman Mr. & Ms. Frick Lorie Fuller Eric & Patricia Fulmer Jen & Bart Gabler Mr. & Mrs. John & Dawn Gallagher Ms. Nola Garrett Mr. & Mrs. Wayne Gerhold Mr. & Mrs. William D. Ghrist III Mr. & Mrs. Scott Gorham Ken & Laura Gormley The Graf Family Lori Greene & Chris Decker Margaret L. Groninger Mark Gudalis Wendy Roehrich Hall Mrs. Kathy B. Harenski Dr. & Mrs. Fred P. Heidenreich Ms. Jean Herrity Ms. Madeleine Hombosky Anne Houck Derek & Nan Hought Mr. Lyndall Huggler & Dr. Elizabeth Seiders Mrs. Elwood T. Hughes Rob & Linda Indovina David L. Johnson Tom & Cathie Johnson Joshua Jun & Chloe Chung David & Nora Kemp Peggy C. Knott Marilyn & Brett Kranich Mr. Nicholas Kyriazi Amy Jo Labi-Carando & Peter M. Carando James & Julie Lewis

Dr. Jinghong Liang in Memory of Professor Richard Green George & Roxanne Libby Eddie Lowy & Ricardo Cortés Henry J. Mader Giulio & Barbara Magrini Dr. Bernard Mallinger Virginia M. Mance Drs. Ellen Mandel & Lawrence Weber Mr. Kenneth L. Manders & Mrs. Weia Boelema Dr. & Mrs. George J. Maruschock Eleanor Mayfield & Robert Pego Dr. & Mrs. Charles E. McChesney Mr. William Merchant Mr. & Mrs. Thomas E. Merriman Elizabeth R. Mertz Marian G. Michaels Jeffrey Mishler Signe Mitchell William & Jane Morgan Sheila & John Murtagh Mr. & Mrs. Frank Namisnak Rev. Robert* & Suzanne Newpher Dr. Paula Novelli and Mr. Paul Lee Mrs. Penny Page Sang C. Park Camilla Brent Pearce Daniel Perlongo & Susan Wheatley Ms. Alice J. Pescuric Frances & Bert Pickard Mr. & Mrs. Jon R. Piersol David F. Pressau Mr. & Mrs. Mark & Frances Prus Mr. Pavel Puchkarev Maureen Puskar & Angelo Baiocchi Fran Quinlan Dr. Jane Raymond Mr. Robert Richard Charles & Hilary Richards Burton Roberts Bert & Susan Rockman Sharon Roxbury & Joseph McEwen Ms. Elizabeth Russell & Ms. Linda Natho Bruce D. & Treasure Sachnoff Charitable Family Foundation

Jose Sahel Dr. & Mrs. Harold Z. Scheinman Mr. Chester B. Scholl, Jr. Bernie & Cookie Soldo Schultz Mrs. Mary J. Seghi Mr. & Mrs. John M. Seifarth Richard F. Shaw & Linda W. Shaw Bob & Lori Shure Martin Siefering Steven Silberman Jenny & George Siple Michele & Brian Skwirut Nellie Lou Slagle Mr. & Mrs. Charles L. Smithers Ronald F. Smutny Janet H. Staab Jim & Judy Stark Mr. & Mrs. William H. Stone Jr. Peter Su & Karen Van Dusen Richard A. Sundra, in Loving Memory of Patricia Sundra Charles J. Sylak, Jr. Kevin & Elisa Taffe Carol L. Tasillo Miss Elora Tighe Father James Torquato Dr. & Mrs. James E. Vaux Janet Verone Marilyn & Joseph Vettorazzi Mr. & Mrs. Charles E. Vogel Edward L. & Margaret Vogel Dr. Michael & Clare Vranesevic Nancy J. Vuckovich Lucile Weingartner Arlene & Richard Weisman Mr. & Mrs. Robert Wild Mark Wilson & Kathleen Cook Lynn & Robert Wix Toby Wolfe Dr. Audrey Zelkovic Mr. & Mrs. David M. Zimba CONCERTO CLUB $300-$599 Anonymous (30) Dr. & Mrs. Jon S. Adler R. Bruce and Lee W. Albro Ms. Lori Andersen Dr. & Mrs. Theodore Andersen Bonnie Anderson

Anne B. Angerman John H. Ashton Mary Lynch Bailey John & Carol Ballance Barry & Diane Balliet Sylvia J. Barksdale Lynne & Roger Barna Vitasta Bazaz & Sheen Sehgal Fund in Memory of Dr. Kuldeep Sehgal Barbara Nickel Beisel Jeanne & Dick Berdik Richard & Susan Bloom Bronwell Berg Bond Ms. Barbara Bott & Mr. Robert Jennings Jr. Mr. E. Thomas Arnn & Ms. Mary H. Boyle Mr. & Mrs. G. Edward Bradley Mary L. Briscoe Barbara M. Brock P. Douglas & Lesley Andy Brock Stephen & Marcia Broughton Mr.* & Mrs. Fitzhugh Lee Brown Mr. Ian M. Brown & Ms. Jodie Minor Pamela & Anthony Bryan Clareann H. Bunker & William Lundgren Mr. & Mrs. A. H. Burchfield Mr. and Mrs. Robert Byer Mark J. Caldone & Dr. Paul J. Lebovitz Serena Campedelli Ms. Maryellen Candek Alvin & Sheila Catz Barbara & Jerry Chait Michael Abesamis and Beatrice Chen The Chew Family Mary Ann Chorpenning Dr. Franklyn Cladis Walter Clark Tom, Liz & Shannon Cloherty Don & Connie Coffelt Mr. Andrew Cohen Jared L. & Maureen B. Cohon Amanda Cole Mr. Neil Como The David Conover Family Patricia J. Cover Hanley B. Cox Mr. & Mrs. Peter J. Crescimanno

Mr. & Mrs. William D. Crise Mr. Ryan Croyle Frederick & Joy Cullen Brian Cunningham Judy & Bob Cunningham William Curtin Sabah Daniel Mr. Robert L. Davidson Mr. Gregory P. DeCesare Dr. & Mrs. Robert C. Dell Jr. David & Diane Denis Drs. Joan Devine & Mark Miller Katie DiCola Megan Donnelly Linda D. Donovan Mr. John T. Doughty Amy & Gary Dubin Susan Duncan Patricia Dunnington Jess Durham Joan & Steven Dytman Richard & Roseanne Easler Robert & Marilyn Egan Ms. Mary Lou Einloth Dr. Peggy H. Elkus Susan A. Engelmeier David & Sharon Esposito Dr. Anna Estop & Dr. James J. Garver Burt & Jane Etherington Dr. & Mrs. Terry Evans Richard A. Falk & Dr. Elaine Geris Anne & George Fattman Thomas Feist Jules J. Feldman DDS John & Madelyn Fernstrom Moses and Laryn Finder Virginia & Nick S. Fisfis Dr.* & Mrs. George M. Fitting Robert Frazzini & Anne Zacharias David Fuller Mrs. Diana M. Galbraith Roberta Gallick & Robert Marefka Joan & Stuart Gaul M.T. Geraci Kristina & Peter Gerszten Mr. & Mrs. William P. Getty Elliot Gill Mr. & Mrs. Andrew J. Glaid Bob & Judy Goehring Dr. Michael Goodhart & Dr. Susan Hoppe

Mrs. Elizabeth Goreham Mr. Mark Gorman Marcus Graham Rev. Scott Graham & Mrs. Kristina Woodson-Graham Dr. Cyndy F. Graves Claudette & Joe Gray Marjorie C. Greenberger Barbara & David* Grover Hanna Gruen Marsha Haley Haider Ala Hamoudi & Sara Burhan Abdullah Mrs. Jennifer Hanko Wilfred & Susan Hansen Mr. & Mrs. Michael Harkins Ms. Janice Harrison Mary O. Harrison Dr. & Mrs. Marvis Hartman Roger & Lou Haskett Mr. James Hathaway and Ms. Laura Quinn Mr. & Mrs. James C. Hays Martha S. Helmreich Ms. Gail Henry Thelma & Andrew Herlich Ms. Elizabeth Herzberg Betsy S. Heston Elias & Lisa Hilal Dorothy & Bill Hill Alan & Betsy Hohlfelder Ms. Shirley Horner Joe Hostetler & Tom Spanedda Drs. John & Mary Hotchkiss Mr. Charles Hunnell Alicia and Matthew Hunt W. James & Marjorie Hunter Ms. Laurel Hutchins H. Vaughn & Dr. Eleanor C. Irwin Beth Anne Jackson & Peter C. Balash Byron & Diane Jackson Micah & Beth Jacobs Mr. & Mrs. Robert T. Jarsulic Bob & Selina Johnson Ellen & Nick Johnson Graham & Marilyn Johnstone Amanda Jones Christine E. Jordanoff Mrs. Eleanor Kamin Irene & Kevin Kane Erika Kar Elise E. Keely

Mr. & Mrs. C. Robert Keenan III Tom & Suzanne Kendig Ms. Maureen Kerr Mr. & Mrs. Charles T. King Mary Ellen Kirby Sue & Peter Koehler Christa & Johann Kolling Mr. & Mrs. Robert Y. Kopf III Joel Kranich Alison Kresh Mr. & Mrs. Thomas R. Kudes Alexandra Kusic Michael Labos Jane M. Lagrotteria Betty Lamb Dawn Lamburn Greg Larson Earl* & Marilyn Latterman Meryl K. Lazar Guy & Denise Leonard Dr. & Mrs. Irv Liberman Mr. & Mrs. Kurt L. Limbach Barbara Livingston Ms. Megan Lloyd Wenso & Grace Lo Mr. and Mrs. Mark H. Loevner Paul & Janet Long Victoria LoSchiavo William Lovas Mrs. Howard M. Love Mr. and Mrs. James Lueers Louise B. Lytle Mr. & Mrs. Dean Mackin Ms. Ruth Macklin Rita A. Madak Betsy Bechtolt Magley Mr. & Mrs. Terrence Magrath Lauren & Hampton Mallory Jim & Laurie Mann Mr. & Mrs. Lawrence Marcello Mrs. and Mr. Janet Marlan Ms. Donna Marrone Christine Martin Marita Mathews Mr. John May Katherine K. McCormick Susan B. McIntosh Kevin & Sybil McKeegan Mr. John McKelvey Mr. & Mrs. Edward McKenna Ms. Janet L. McQuaid Mr.* & Mrs. John E. Mehl Mr. & Mrs. Robert Mialki

David & Chris Michelmore Dr.* & Mrs. Charles J. Miller Mr. & Mrs. Kenneth R. Miller Scott Miller Dr. & Mrs. Paul A. Moore Mr. & Mrs. Jeffrey Morrow Carol J. Mueller in honor Richard P Simmonsa Ms. Tina Musahl James & Marlee Myers Dr. Peter S. Naman Anne & Robert New Deborah L. Nichols Lee & Debra Nott Miss Nancy Noyes Carolyn Ann Oberle Maureen S. O’Brien Mr. John Orndorff, Jr. Bill & Elena O’Rourke Chris Palmer Ms. Cassandra Pan Ms. Sandra Pappa Rev. Dr. & Mrs. Eric S. Park Pavlik Family Neil & Anne Paylor Mr. and Ms. Jay Peacock Ms. Antoinette Petrucci Dr. & Mrs. Joseph M. Pilewski Bob & Ellen Piper Edward & Olga Platt The Pollon Family Mr. & Mrs.* Carlos Prado Rick & Vera Purcell Allie & Tom Quick Suzanne Quinn Barbara M. Rankin Keith Recker & James Mohn Laurie & Henry Reich Marnie Menser Repasky Mr. & Mrs. Ralph K. Reubi Stephen G. Robinson Mrs. Margaret E. Rock Mrs. Denice Rodaniche in memory of Arcadio F. Rodaniche Ms. Patricia Rodella Violeta F. Rodriguez Mrs. and Mr. Patrick Rooney Al Rosenfeld Bill & Sue Rossetti G. Fred Roth & Sherry S. Bloom Jesse Rothschild Stephen Ruben Mr. Matthew Rutkowski

PROVIDING GREAT MUSIC IN EVERY LIFE 2021-2022 SEASON

Ms. Elizabeth Ryan Ms. Lisa-Jo Rygelski Dr. Yoel Sadovsky Mr. Louis A. Salvador Mr. David Sandborg Mr. & Mrs. Harold Sanders Kathleen A. Sandoe & Daniel H. Ready Louis & Dianne Scansaroli Philip T. & Diane T. Schavone Dr. & Mrs. Edward G. Scheid Mr. & Mrs.* John C. Schlotterer Ms. Barbara Schock Lynn & Brian Schreiber Urban Schuster Mr. & Ms. Samuel D. Scott Cathy Sellers In memory of Rita Seltman Dr. & Mrs. Pushpendra Senan Eric & Jessica Setzler Kevin & Victoria Shaw Gregory & Susan Silvestri Mr. & Mrs. Virgil Simplaceanu

Laurie & Paul Singer Ms. Ruth Sinsheimer Jackie Slaugenhaupt Daniel Sleator Ms. Ann Slonaker Ms. Kathleen Smith Margaret Cary Smith* Dr. Susan M. Smith Ms. Susan M. Spano Drs. James and Judy Squires Mrs. Mary Ellen Staab Ms. Shyrl Stange Dr. James Staples Lewis M. Steele & Ann Labounsky Steele John & Jocelyn Stickle Karen & Don Stump Mrs. Reggi Sunseri Dr. & Mrs. Stephen Tannenbaum Mary Ann StuartTempleton Mr.* & Mrs. Richard Thompson Mr. & Mrs. Robert R. Thompson

Michael Thomson & Joyce Milberg Sarah Thorne-Thomsen & Daniel Mosser Helen R. Thorton Daniel Tiedge Michael & Linda Travis Mr. Jacob Troxell Mr. Matthew Turpin & Aarika Turpin Mary & Gerald Unger Ryan & Carrie Vaccaro James & Dorothy Valimont Ms. Kellee Van Aken & Mr. Saul Straussman Reeve & Jane Vanneman Mr. Bruce Vermeychuk Drs. Joan Vondra & Thomas Chang Jan Wagner Mr. Stephen Wagner The Waller Family Robert S. & Linda F. Walters Mr. & Mrs. Robert Wehner Ms. Cynthia & Dr. Michael Weisfield Mrs. Jaime West

Ms. Katie Wiggin Dr. Philip M. Wildenhain & Dr. Sarah L. Wildenhain Dr. Jen Wildpret Evelyn & Morton Wilson J. Dennis Wilson Mary E. Lipinski Mr. David Witter Mr. & Mrs. Milton Wolf Mr. Reid Wolfe Teresa Wolken Dr. & Mrs. Michael R. Wollman Mr. & Mrs. David Wright Lynn Wright Mr. John W. Wyllie, MD Pam & Karl Yagle Marlene & John Yokim Alice L. Young Dr. Huijuan Yuan and Dr. Ye Jin Mick Zaharoff Mr. & Mrs. Walter Ziatek Dr. & Mrs. Basil J. Zitelli Dr. & Mrs. Thomas G. Zullo *Deceased

CORPORATE SPOTLIGHT Fairmont Pittsburgh is proud to support the Pittsburgh Symphony Orchestra. Since opening in 2010, Fairmont Pittsburgh has been the official hotel sponsor of the PSO, providing accommodations, event space and dining options for countless artists, donors and performance-goers. Our colleagues and guests enjoy incredible experiences at Heinz Hall, and we are lucky to have a world-class symphony as both our partner and neighbor. On behalf of the entire Fairmont Pittsburgh team, Bravo! David Sher General Manager of Fairmont Pittsburgh 26

C LA S S I C A L

F O U R W AY S T O L I S T E N 89.3 FM WQEDFM.ORG CLASSICAL QED APP SMART SPEAKER

www.wqed.org WQED is member supported. wqed.org/donate

Garden & Patio Tour Shadyside and Squirrel Hill

Sunday, June 26 11am-4pm TICKETS: pittsburghsymphonyassociation.org 412.392.3303

PROVIDING GREAT MUSIC IN EVERY LIFE 2021-2022 SEASON

CORPORATE PARTNERS $100,000 AND ABOVE ERIC BOUGHNER Chairman, BNY Mellon Pennsylvania

LOUIS R. CESTELLO Executive Vice President, Head of Regional Markets and Regional President for Pittsburgh, PNC Bank

SALLY McCRADY Executive Vice President & Director, Community Affairs, PNC Bank Chair & President, The PNC Foundation

DANIEL A. ONORATO Executive Vice President, Corporate Affairs, Highmark Health

KENYA BOSWELL Senior Vice President, Community Affairs, Highmark Health

JOHN CICCOLELLA President, Bank of America Pittsburgh, Market Manager, Global Commercial Banking

HELENE CONWAY-LONG Senior Vice President, Market Executive, Bank of America 28

$40,000-$99,999 Federated Hermes, Inc. FedEx Ground Hefren-Tillotson, Inc. UPMC Health Plan

Elite Coach Transportation, Inc. Federal Home Loan Bank of Pittsburgh Fl. 2 Jennison Associates LLC Kerr Engineered Sales $20,000-$39,999 Company Bognar and Company, Inc. Lighthouse Electric Company, Inc. Deloitte USA LLP Lucas Systems Delta Air Lines, Inc. Dentons Cohen & Grigsby Macedonia Family and Community Enrichment Dollar Bank Foundation Center, Inc. Duquesne Light Company Marsh USA, Inc. EQT Foundation Meyer, Unkovic & Scott LLP Equitrans Midstream Mozart Management Foundation Port Authority of Allegheny Fairmont Pittsburgh County Giant Eagle Foundation Robinson Fans MSA Worldwide, LLC Schneider Downs & Pittsburgh Steelers Sports, Company, Inc. Inc. Silhol Builders Supply PPG Industries Foundation Company Vallozzi’s Pittsburgh $10,000-$19,999 Carnegie Mellon School $1,000-$2,499 of Music Armada Supply Chain Comcast Solutions Ernst & Young Austrian American Cultural Society, Inc. First National Bank of Pennsylvania General Wire Spring Company J. P. Morgan Private Bank George Jackson Mascaro Construction Promotions Company, LP German American Spang and Company Chamber Of Commerce, Charitable Trust Pittsburgh Chapter University of Pittsburgh HB Reynolds Inc. HICO America $5,000-$9,999 MCF architecture Audia Group LLC McKamish, Inc. Flaherty & O’Hara PC Mitsubishi Electric Power Management Science Products, Inc. Associates, Inc. (MSA) Nocito Enterprises NexTier Bank P.J. Dick, Trumbull & Lindy Streams Elementary School PTA Paving TriState Capital Bank Peoples Natural Gas United Safety Services, Inc. Pirates Charities The Reschini Group $250-$999 Trebuchet Consulting ABARTA Coca-Cola Wabtec Corporation Beverages BMH Transport $2,500-$4,999 Chemistry Communications Angelo, Gordon & Co., L.P. Berner International Corp ComForCare Senior Services Duquesne University

Community College of Allegheny County Crawford Ellenbogen LLC E.G. Conley, P.C. Eastern Minority Supplier Development Council Eat’n Park Hospitality Group, Inc. Fort Pitt Capital Group, Inc. GRB Law Hamill Manufacturing Company Hertz Gateway Center, L.P. Joy Cone Co. K&I Sheet Metal Modany-Falcone Inc. Nemacolin Woodlands Resort and Spa PGT Trucking Inc. Pittsburgh Wool Company Inc. Pzena Investment Management, LLC Saint Vincent Archabbey Saint Vincent College Sarris Candies Inc. Vibrant Pittsburgh VisitPITTSBURGH W. J. Beitler Co. Warren Associates Current as of May 24, 2022 We would like to thank all corporations who contribute to the Pittsburgh Symphony Orchestra & Heinz Hall. Please see our website at pittsburghsymphony.org for a complete listing.

Is your company missing from this list? Call Becky Rickard at 412.392.2207 to become a Corporate Partner!

FOUNDATIONS & PUBLIC AGENCIES Allegheny County Economic Development Allegheny Foundation Allegheny Regional Asset District Ampco-Pittsburgh Charitable Foundation Bessie F. Anathan Fund of The Pittsburgh Foundation Anonymous (2) Benjamin and Fannie Applestein Charitable Trust Arts, Equity, & Education Fund Baronner-Chatfield Family Foundation Claude Worthington Benedum Foundation The Benter Foundation Allen H. Berkman and Selma W. Berkman Charitable Trust Allen H. Berkman and Selma W. Berkman Family Fund of The Pittsburgh Foundation H.M. Bitner Charitable Trust Maxine and William Block Fund of The Pittsburgh Foundation Paul and Dina Block Foundation Henry C. Frick Educational Fund of The Buhl Foundation Jack Buncher Foundation Carnegie Corporation of New York James C. Chaplin, IV and Carol C. Chaplin Charitable Fund of The Pittsburgh Foundation Anne L. and George H. Clapp Charitable and Educational Trust Edwin and Kathryn Clarke Family Foundation Compton Family Foundation The Rose Y. and J. Samuel Cox Charitable Fund Jean Hartley Davis and Nancy Lane Davis Fund of The Pittsburgh Foundation Dietrich Foundation Peter C. Dozzi Family Foundation Eden Hall Foundation Eichleay Foundation

Jane M. Epstine Charitable Fund of The Pittsburgh Foundation The Fine Foundation Audrey Hillman Fisher Foundation Irving and Aaronel deRoy Gruber Foundation Benjamin Harris Memorial Fund of The Pittsburgh Foundation The Heinz Endowments Drue Heinz and HJ Heinz Charitable Trust Teresa & H. John Heinz III Fund of the Heinz Family Foundation Henry L. Hillman Foundation Emma Clyde Hodge Memorial Fund Honkus-Zollinger Charitable Foundation Milton G. Hulme Charitable Foundation Roy A. Hunt Foundation George and Jeanne Illig Fund of The Pittsburgh Foundation S. Clarke and Marie McClure Johnston Memorial Fund of The Pittsburgh Foundation Anisa Kanbour Trust Fund of The Pittsburgh Foundation James T. and Hetty E. Knox Fund of The Pittsburgh Foundation John Keith Maitland Fund of The Pittsburgh Foundation Thomas Marshall Foundation Massey Charitable Trust McKinney Charitable Foundation Richard King Mellon Foundation Howard and Nell E. Miller Foundation Phyllis and Victor Mizel Charitable Fund of The Pittsburgh Foundation Eugene F. and Margaret Moltrup Jannuzi Foundation The Lesa B. Morrison Endowment Fund of the Jewish Community Foundation of Greater Pittsburgh National Endowment for the Arts A.J. and Sigismunda Palumbo Charitable Trust Lewis A. and Donna M. Patterson Charitable Foundation

W. I. Patterson Charitable Foundation Pennsylvania Council on the Arts, a state agency Pennsylvania Department of Community & Economic Development Anna L. & Benjamin Perlow Fund of The Pittsburgh Foundation Pauline Pickens Fund of The Pittsburgh Foundation The Pittsburgh Foundation Pittsburgh Symphony Association RMK Fund of The Pittsburgh Foundation The Donald & Sylvia Robinson Family Foundation The William Christopher & Mary Laughlin Robinson Fund of The Pittsburgh Foundation Rossin Foundation Ryan Memorial Foundation Salvitti Family Foundation James M. & Lucy K. Schoonmaker Foundation Scott Fund of The Pittsburgh Foundation The Mrs. William R. Scott Fund of The Pittsburgh Foundation The Seth Sprague Educational and Charitable Foundation Tippins Foundation The Edith L. Trees Charitable Trust Rachel Mellon Walton Fund of The Pittsburgh Foundation Samuel and Carrie Weinhaus Memorial Fund of The Pittsburgh Foundation Robert and Mary Weisbrod Foundation Current as of June 10, 2022

PROVIDING GREAT MUSIC IN EVERY LIFE 2021-2022 SEASON

LEGACY OF EXCELLENCE

In addition to income from the Annual Fund, the Pittsburgh Symphony Orchestra is dependent on a robust endowment to assure its long-term financial stability. Gifts from Legacy of Excellence programs are directed to the endowment to provide for the Pittsburgh Symphony Orchestra’s future. The Steinberg Society honors donors who have advised the Pittsburgh Symphony in writing that they have made a provision for the orchestra in their will. Endowed naming opportunities for guest artists, musicians’ chairs, concert series, educational programs or designated spaces allow donors to specify a name or tribute for 10 years, 20 years or in perpetuity. For additional information, please call 412.392.4880. STEINBERG SOCIETY Anonymous (27) Mary Beth Adams Siamak* & Joan Adibi Rev. Drs. A. Gary & Judy Angleberger The Joan & Jerome Apt* Families Estate of Dorothy Avins Estate of Ruth Z. & James B. Bachman Ronald Bachowski* in Memory of Lois Bachowski Francis A. Balog Lorraine E. Balun Estate of Barbara A. Bane Robert & Loretta Barone Robert W. & Janet W. Baum Dr. Elaine H. Berkowitz Keith E. Bernard Benno* & Constance Bernt Drs. Barbara & Albert Biglan Jim & Alison Bischoff Thomas G. Black Dr.* & Mrs. Bennett P. Boffardi Estate of Joseph Bookmyer Barbara M. Brock Lois R. Brozenick* Michael F. Butler Tom & Jackie Cain Margaret Calder Estate of Cynthia Calhoun Mr. & Mrs. James Callomon* Estate of Rebecca J. Caserio M.D. Sondra Chester Judy & Michael Cheteyan Educational/Charitable Foundation Mr. & Mrs. David W. Christopher* Mr.* & Mrs. Edward S. Churchill Estate of Mr. & Mrs. Eugene S. Cohen Basil & Jayne Adair Cox Mary Ann Craig L. Van V. Dauler, Jr.* 30

& Randi Dauler Alan Derthick* In Memory of Stuart William Discount Mr. & Mrs. Thomas J. Donnelly* Mary A. Duggan* Dr. James H. Duggan Frank R. Dziama Estate of Robert B. Egan Steven G. & Beverlynn Elliott Estate of Doris Ely Katrin* & Eugene Engels Anthony Fabio* Dr. John H. Feist* Emil & Ruth Feldman* Joan Feldman & William Adams Estate of Ruth K. Fischer Mrs. Loti Gaffney* Keith Garver Alice V. Gelormino Estate of Arlyn Gilboa Ken* & Lillian Goldsmith Mr. & Mrs. Ira H. Gordon* Estate of Anna R. Greenberg Estate of Lorraine M. Gross Estate of Elizabeth A. Gundelfinger Maureen Guroff Kristine Haig & John Sonnenday Marnie & Jim Haines Elizabeth Anne Hardie Charles & Angela Hardwick Estate of John P. Harman Edward J. Harris Carolyn Heil Eric & Lizz Helmsen William & Jacqueline Herbein Monica & Adam Hertzman Ms. Judith Hess Estate of Mr. John H. Hill Tom & Dona Hotopp Susan Candace Hunt Estate of Mr. & Mrs. William C. Hurtt Philo & Erika* Holcomb

Mr. & Mrs. Blair Jacobson Patricia Prattis Jennings Barbara Johnstone Mr. & Mrs. Robert S. Kahn* Estate of Calliope H. Kamaras Daniel G. & Carole L. Kamin Leo* & Marge Kane Lois S. Kaufman Stephen & Kimberly Keen Estate of Patricia M. Kelley Mr. Arthur J. Kerr, Jr. Ms. Bernadette Kersting Dr. Laibe A. & Sydelle Kessler* Estate of Elizabeth Krotec Howard & Carol Lang Stanley & Margaret Leonard Frances F. Levin* Doris L. Litman Estate of Edward D. Loughney Estate of John Keith Maitland Lauren & Hampton Mallory Mr. & Mrs. Robert P. Malnati Elizabeth-Ann Manchio* Dr. Richard Martin in Memory of Mrs. Lori Martin* Dale & Dr. Marlene* McCall Stephen McClure & Debra Gift John W. McDonald, Jr.* George E. Meanor Estate of Mary Michaely Ms. Barbara W. Miller Mary Ellen Miller Ms. Jean L. Misner* Catherine Missenda* Dr. Mercedes C. Monjian Mr. & Mrs. Paul J. Mooney Alice & Bob Moore Perry* & BeeJee Morrison Mildred S. Myers & William C. Frederick* Estate of Katherine L. Nash Donn & Peggy* Neal Rhoda & Bill Neal Dr. Nancy Z. Nelson Rhonda & Dennis Norman Katherine O’Brien

Elliott S. Oshry Thaddeus A. Osial, Jr. M.D. Estate of Irene G. Otte Estate of Mark Perrott Estate of Richard Petrovich Judy Petty Estate of Deloris V. Pohelia Estate of Dorothy R. Rairigh Barbara M. Rankin Richard E. Rauh Cheryl & James Redmond Mr. Gene Reiness Dr. & Mrs. William E. Rinehart* Donald & Sylvia Robinson* Mr.* & Mrs. David M. Roderick Charlotta Klein Ross Harvey & Lynn Rubin Mr. & Mrs. Gary L. Ryan Estate of Sylvia Sachs Beth Fabiani Scaggs Virginia Schatz* Nancy Schepis Bernie & Cookie Soldo Schultz Dr. & Mrs. Harry E. Serene Michael Shefler Estate of Marjorie F. Shipe Dr. Stanley Shostak & Dr. Marcia Landy Dr. Charles H. Shultz Estate of Stuart W. Siegel Mr. & Mrs. Richard P. Simmons Estate of Janice G. Singer Estate of Evelyn B. Snyder Dr. & Mrs. Leonard A.*Stept Estate of Dr. Raymond & Karla Stept Theodore Stern Andrew & Gale Stevenson Mrs. Margaret Stouffer in Memory of Miss Jean Alexander Moore Dick & Thea Stover Estate of Robert J. Stringert Charles J. Sylak, Jr.

Francesca Tan Estate of Nancy B.Thompson Carol H. Tillotson Tom & Jamee Todd Myra L. Toomey Mrs. Jane Treherne-Thomas* Mr. & Mrs. Millard K. Underwood Gerald & Mary Unger David & Carol Van Hoesen* Eva J. & Walter J. Vogel* Mr. & Mrs. George L. Vosburgh Jon & Carol Walton Estate of John & Betty Weiland Lucile Weingartner Estate of Carrie Weinhaus In memory of Isaac Serrins from Mr. & Mrs. Ira Weiss Brian Weller Mr. & Mrs. Fred C. Wellinger Seldon Whitaker Jr.* Mr. & Mrs. Raymond B. White Charles L.* & Katherine A. Wiley James* & Susanne Wilkinson Robert E. Williams* Mr. & Mrs.* Thomas Witmer Sidney & Tucky Wolfson Patricia L. Wurster Estate of Rufus J. Wysor Naomi Yoran Estate of Alice Carroll Young Miriam L. Young Estate of Ruth Yount Estate of Florence H. Zeve Estate of Simone J. Ziegler Current as of May 20, 2022

ENDOWED CHAIRS Principal Horn Chair, given by an Anonymous Donor

Lois R. Brozenick Memorial First Violin Chair Jane & Rae Burton Cello Chair Cynthia S. Calhoun Principal Viola Chair Virginia Campbell Principal Harp Chair

Principal Pops Conductor Chair Endowed by Henry & Elsie Hillman Milton G. Hulme, Jr. Guest Conductor Chair given by Mine Safety Appliances Company Susan Candace Hunt Cello Chair

Jackman Pfouts Principal Flute Chair, given in memory of Mr. & Mrs. Arthur Jackman by Barbara Jackman Pfouts Pittsburgh Symphony Association Principal Cello Chair

Reed Smith Chair honoring Tom Todd Mr. & Mrs. Benjamin F. Jones III Horn Chair Guest Keyboard Chair Snapp Family Randi & L. Van V. Dauler, Jr. Virginia Kaufman First Violin Chair President & CEO Chair Resident Conductor Chair Dr. & Mrs. William E. George & Eileen Dorman Rinehart* Assistant Principal Cello Chair Stephen & Kimberly Keen Bass Chair Oboe Chair Albert H. Eckert G. Christian Lantzsch & Donald & Sylvia Robinson Associate Principal Duquesne Light Company Family Foundation Percussion Chair Principal Second Violin Guest Conductor Chair Chair Beverlynn & Steven Elliott Martha Brooks Robinson Associate Concertmaster Mr. & Mrs. William Genge Principal Trumpet Chair Chair and Mr. & Mrs. James E. Lee Mr. & Mrs. Aaron Silberman Principal Bassoon Chair Jean & Sigo Falk Principal Clarinet Chair Principal Librarian Chair Nancy & Jeffery* Leininger Sidney Stark, Jr. Memorial First Violin Chair HaleyFesq Cello Chair Clarinet Chair Endowed by Janet Haley Edward D. Loughney Fesq Co-Principal Trumpet Chair Mr.* and Mrs. Willard J. Tillotson, Jr. Endowed Principal Piccolo Principal Bass Clarinet Chair Chair, given to honor Frank Fiddlesticks Family Concert Series Endowed by Gerald & and Loti Gaffney Audrey McGinnis Honoring Tom & Jamee Todd Principal Trombone Chair The Center for Young William & Sarah Galbraith Musicians Second Violin Chair United States Steel Corporation Ann McGuinn Alice Victoria Gelormino Assistant Principal Bass Chair Trombone Chair Second Violin Chair Dr. Mary Ann Craig Principal Tuba Chair

Arlyn Gilboa Second Violin Chair Ira & Nanette Gordon The Gracky Fund for Education & Community Engagement

First Violin Chair, given by Allen H. Berkman in memory of his beloved wife, Susan S. Greer Memorial Selma Wiener Berkman Trumpet Chair, given by Peter Greer Michael & Carol Bleier Bass Chair given in memory William Randolph Hearst of our parents, Tina & Endowed Fund for Charles Bleier and Ruth & Education Shelley Stein Vira I. Heinz William Block Memorial Music Director Chair Section Cello Chair William & Jacqueline Herbein Dr. Alan & Marsha Bramowitz Principal Bass Trombone First Violin Chair, Endowed Chair in memory of Bach pianist Rosalyn Tureck

Mr. and Mrs. Martin G. McGuinn Viola Chair

Jon & Carol Walton Associate Principal Viola Chair

Dr. William Larimer Mellon, Jr. Rachel Mellon Walton Principal Oboe Chair, given Concertmaster Chair, given by Rachel Mellon Walton by Mr. & Mrs. Richard Mellon Scaife Messiah Concerts Endowed by the Howard and Nell E. Barbara Weldon Miller Chair Principal Timpani Chair Donald I. & Janet Moritz and Hilda M. Willis Foundation Equitable Resources, Inc. Flute Chair Associate Principal Cello Current as of May 24, 2022 Chair The Perry & BeeJee Morrison String Instrument Loan Fund

*deceased

The Morrison Family Associate Principal Second Violin Chair

PROVIDING GREAT MUSIC IN EVERY LIFE 2021-2022 SEASON

DAULER HEARING LOOP: A system to provide better sound to hearing aid and cochlear implant users.

If you use a hearing aid or have a cochlear implant, you can have an improved listening experience at Heinz Hall concerts and events! The Dauler Hearing Loop runs throughout the auditorium, with the exception of the Orchestra pit, first four Orchestra level rows and Grand Box left. The hearing loop system also is installed at the Heinz Hall Box Office windows, allowing you to hear the amplified voice of Box Office personnel directly through t-coil enabled hearing aids. VISIT OR CALL THE HEINZ HALL BOX OFFICE AT 412.392.4900 WITH ANY QUESTIONS. The Dauler Hearing Loop is named for late Pittsburgh Symphony Orchestra trustee L. Van V. Dauler, Jr and was made possible through a gift from Randi & L. Van V. Dauler, Jr. and the Emma Clyde Hodge Memorial Foundation.

TO USE THE DAULER HEARING LOOP: If you have a hearing aid or cochlear implant with a telecoil (t-coil) you need to make sure the t-coil is activated and properly set by your audiologist. You can then activate the setting once in Heinz Hall. If you are not sure if your hearing aid has a t-coil or if you experience difficulty and require assistance, please contact your audiologist. Sound heard through telecoils can vary from hearing aid to hearing aid and according to position in the theater. Generally, the best signal is found when you sit in the center of a row and facing toward the stage. If you need further assistance in selecting the best seats, please contact the Heinz Hall box office.

HEINZ HALL POLICIES

Heinz Hall, owned and operated by Pittsburgh Symphony Inc., is committed to the safety and well-being of all guests and patrons, and aims to provide a safe, comfortable and enjoyable entertainment experience.

ENTRANCE SECURITY POLICY All audience members are required to enter through state-of-the-art “free-flow” scanning equipment, designed both to enhance security and convenience. Patrons using wheelchairs and mobility devices will enter via a door adjacent to the screening equipment for alternative screening. Patrons with children in strollers may enter through the screening equipment.

of this policy. Violators of this policy may be subject to ejection from Heinz Hall and/or civil or criminal penalties. The only exception to this policy is sworn law enforcement personnel and private security officers employed and/or contracted by Pittsburgh Symphony Inc.

BAG POLICY Heinz Hall reserves the right to search any bags entering the facility. Oversized bags must fit comfortably under a seat to ensure the safety of WEAPONS POLICY patrons entering or exiting seats and Weapons are not permitted in the aisles. Bags failing to meet these venue and/or public spaces owned requirements must be checked and or operated by Pittsburgh Symphony pass a security search, or you must Inc., including Heinz Hall. Any item remove the bags from the Hall. that could endanger public safety is SMOKING POLICY considered a weapon for purposes Heinz Hall is a smoke/vapor free

facility. (Smoking is permitted in the Heinz Hall Garden Plaza)

FOOD AND BEVERAGE POLICY Outside food or alcoholic beverages are prohibited. Patrons are permitted to bring in one sealed clear plastic water bottle which may only be consumed in designated areas and may not be consumed in the auditorium. COSTUME POLICY Heinz Hall does not permit costume masks of any kind or facsimiles of weapons that would make other guests feel uncomfortable or detract from the concert experience. Guests are welcome to attend certain programs, (e.g. The Music of Harry Potter or The Music of Star Wars) in costume.

HEINZ HALL INFORMATION

ACCESSIBLE SEATS are available with companion seats. There is a level entrance and route to the main floor of the auditorium. Contact the box office for the location of the companion seats. HEINZ HALL BOX OFFICE HOURS are Monday through Friday, from 9 a.m. to 6 p.m; Saturday from noon to 4 p.m. Weekend hours vary based on performance times. Tickets may be purchased by calling 412.392.4900 and are also available at the Theater Square Box Office. BRAILLE AND LARGE PRINT PROGRAMS are available at the concierge desk for all BNY Mellon Grand Classics, PNC Pops, Fiddlesticks Family Series and Sensory-Friendly performances.

CHILDREN are encouraged to attend our youth concerts and Fiddlesticks Family Concerts. Children age six and over, are welcome at all performances with a purchased ticket. The Latecomer’s Gallery and lobby video monitors are always options for restless children. CONCIERGE SERVICE is available in the Entrance Lobby to assist with your questions and to help with dining, hotel, entertainment and transportation concerns. [Penny Vennare, Event Supervisor; Barbara Smorul, Concierge.]

DAULER HEARING LOOP to be used with hearing aid telecoil settings, portable assistive listening devices are available. Please see the ushers for assistance or contact the box office for the best locations for using the hearing loop. DRESS CODE for all concerts is at your personal discretion and ranges from dress and business attire to casual wear. ELEVATOR is located next to the Grand Staircase.

EMERGENCY CALLS can be referred to the concierge desk at 412.392.2880.

FIRE EXITS are to be used ONLY in case of an emergency. If the fire alarm is activated, follow the direction of Heinz Hall ushers and staff to safely evacuate the theater.

LOST AND FOUND items can be retrieved by calling 412.392.4844 on weekdays from 10 a.m. to 5 p.m. MOBILE DEVICES should be turned off and put away upon entering the theater.

PHOTOGRAPHY, video, or audio recording of the performance is prohibited at all times, unless otherwise noted.

PRE-PAID PARKING is available to all ticketholders in the Sixth & Penn garage across from Heinz Hall. Ask about prepaid parking when you order your tickets.

MEN’S AND WOMEN’S RESTROOMS are located on the Lower, Grand Tier and Gallery levels. Additional women’s restrooms are located off the Garden and Overlook rooms. Accessible restrooms are located on the Grand Tier level and a family/accessible restroom is available on the Main Floor.

GROUPS can receive discounted tickets, priority seats, personalized service and free reception space. For more information, call 412.392.4819 or visit our website at SMOKING is not permitted pittsburghsymphony.org/groups for in Heinz Hall. The garden is information. accessible during performances for this purpose. LATECOMER’S GALLERY is located behind the Main Floor SUPPORTING THE PSO to enjoy the performance until you AND HEINZ HALL can be seated. Latecomers will be is critical to the financial future of the seated at suitable intervals during Pittsburgh Symphony. Ticket sales the program, at the discretion of only cover a portion of our operating the conductor. The gallery is also costs. To make a tax-deductible gift, available for parents with please contact our Development restless children. department at 412.392.4880 or visit us online at pittsburghsymphony.org LOCKERS are located on the Lower and Gallery levels.

PITTSBURGHSYMPHONY.ORG 2021-2022 SEASON