The PLC Armidale College Kaleidoscope
THEDREAM ISSUE
meet the team!
This publication is produced entirely by PLC Armidale students
EDITORS-IN-CHIEF
Anviti Sinha
Bella Waters
MAIN CONTRIBUTORS
Emily Adams
Kimberly Blake
Arlie Bragg
Nevada Guiance
Ella Jenkins
Khushi Aila
Huna Moghaddar
Kithmi Jayaratne
Andrea Brown
Alannah Williams
Aria Brauer
Soph Vanzella
Georgia Whibley
Mia Montgomery
Ellie Woods
Eileen Wicksteed
Anviti Sinha
Binudi Vithana
Bella Waters
SECTION EDITORS
Alannah Williams
Andrea Brown
Ellie Woods
Eileen Wicksteed
Huna Modgaddar
Readpreviousissueson thePLCArmidalewebsite
COVER ILLUSTRATOR
Bella Waters
ACCOMPANYING ILLUSTRATORS
Kalani Maduwage
Huna Moghaddar
Bella Waters
ADVISORS
Mr Mitchell Clendinning
Mrs Kate Clynch
Ms Julie Flanagan
letter from the editors
WRITTEN BY ANVITI SINHA AND BELLA WATERS
Welcome to the eighth edition of the College Kaleidoscope! Thank you to all of the amazing contributors who have worked hard to bring this edition together- we literally couldn’t have done it without all of you. We are so proud of the incredible work all of you have put into the DreamIssue.We never cease to be amazed by the amount of diverse creativity that you all possess to put some amazing pieces of work together.
This theme for this edition was inspired by the vast and enchanting dream world that we escape to every night, with pastel colours, cloud like and imaginative conventions inspiring the works featured, as well as some unique interpretations of the word. We wanted to have a theme that was approachable for all of our contributors, with a wide range of articles and creative pieces present. These include scientific articles about the process, insightful articles, inspiring stories and dream-like poetry. As always, there are a wide range of beautiful photographs being displayed, as well as fun quizzes and crossword puzzles. We hope you love this edition as much as we do, and enjoy delving into the world of dreams with us.
We would like to thank all of the incredible people involved in developing this edition of the Scope - all of the amazing contributors for giving up their time to produce some incredible works, to all of our editorial team for providing such an incredible support system to us, and the support staff, Mrs Clynch and Mr Clendinning, for guiding us through this incredible process. We also convey our thanks for the previous editors of the magazine: Hattie Gilpin, Seraphina Katta and Mackenzie Robertson for mentoring us through this process. It really has been a journey to remember!
The excitement surrounding new editions of the Scope featuring our very own talented college contributors is a never ending experience. The fact that everything in this magazine - from the articles, illustrations and editing process - is solely student run brings a different sense of accomplishment for all the girls and our editorial team. We hope this can continue for many other future editions of the College Kaleidoscope!
So now, it's time for all of you to enjoy the Dream Issue of the Scope!
Anviti and
Bella Editors - in - Chief
002 Acknowledgement of Country
003 Letter from the Editors
006
IN THE SCHOOL
006 Addie’s predictions
008 Year Seven’s ‘Do it for Dolly’
009 Charlie and The Chocolate Factory
010
THE ARTS
015 Wander
016 Rachel M Drawing
017 Daydreamer
018 Arlie story
020 Andrea photography
021 Locked
023 Arlie Drawing
024 Dreamlike Photography
025 What i’ve been dreaming of…
026 Dreaming of the Past
027 My Horse Dot
addie predicts: 2023/24 edition
In this edition of the College Kaleidoscope, we have decided to make Addie Astra’s predictions a new found tradition. He has graced the last issue with some interesting and entertaining fortune telling, so get ready for some more insightful words from our very own mascot. Presenting the highly awaited Addie Astra predictions for 2024!
WRITTEN
BY
ANVITI SINHA AND ILLUSTRATED BY HATTIE GILPIN
year 7
Addiecanseegoodenergyin the year 7 lockerbaypredicting deep friendships flourishing amongst the year
year 8
Addie closely monitored the 2023 year 7s, and can confidently say they are ready for the new journeyofyear8-Addiecansee artists, singers, athletes and academicsrising!
year 9
Year 9 students will be filled with anticipation of their unique ESJ adventure, and observes some new found independence and teamwork being developed that he predicts will continue throughout their high school experience!
year 11 year 12
Addie can see that year 11 2024 have been working hard on their senior years journey. He knows that they will all push through their struggles and be even better on the other side because of them!
hard work in line for them, guided by the incredible class of 2023! He wants everyone to remember: Do the work and the marks will follow!
do it for dolly : Dolly’s Dream
WRITTEN BY KITHMI JAYARATNE
Amy Jayne "Dolly" Everet was a 14-year-old Australian teenager who died by suicide after extensive cyberbullying. Dolly was born on the 1st of May 2003 and died on the 3rd of January 2018. After this incident, Dolly's parents Kate and Tick Everet decided to start a foundation called Dolly’s Dream.
Their goal was to prevent other families walking down the same road as parents as Kate and Tick did. They wanted to change the culture of bullying by addressing the impacts of bullying, depression, anxiety and youth suicide. By raising this dream, Kate and Tick wanted to spread the word about this trauma and how to handle it in the future. This message is so important in a generation filled with technology and screens. The impacts and powerful meaning of words on the internet or in person can hurt someone mentally and physically.
Kate and Tick’s foundation has helped many young grown ups and adults learn how to love themselves in a positive way. It has been over 5 years since Dolly’s death, but her story and effect on the public will always be there to share and send a message. Do It For Dolly Day is a day dedicated to bringing the community together, spreading kindness and helping break the silence around bullying. This day comes on the 12th of May and each year schools and communities build up fundraisers to raise money for Dolly which is sent to the foundation.
The Do It For Dolly Day brings us together to be kind and love one another the way you want to be loved. Dolly’s Dream is an open and caring community filled with collaborators and partners around the world who support this foundation and dream. The dream part of this foundation is the dream of one day the world will be kinder and share others talents and differences, the dream to accept one another for who they are and the dream to never judge a book by its cover.
Charlie and the chocolate factory
WRITTEN BY TEYA CATTERALL, INDIA SMITH AND ARLIE BRAGG
PHOTOS PROVIDED BY TEYA CATTERALL, INDIA SMITH AND ARLIE BRAGG
“It’seithersomethingoutofadream,or fromwhereIgrewup.Yoursarethefirst eyes ever to see it, a world made completely and entirely out of Candy. Whatdoyouthink?”
PLC Armidale’s ‘Charlie and the Chocolate Factory’ follows the tale of a poor young girl named Charlie Bucket who dreams of becomingamasterchocolatier.Sheismost obsessed over the work of renowned chocolate maker, extravagant and slightly insaneWillyWonka.Sheisthrilledwhenher dear Grandpa Joe announces that there is to be a grand contest in which five golden tickets will be hidden in inconspicuous chocolate bars that leave Wonka’s factory everyday.Theseticketsguaranteeadream trip to Willy Wonka’s Factory and a grand prize will be available to one of the lucky children: a lifetime supply of sweets. However, Charlie’s family is very poor; they canbarelyaffordcabbageforwaterysoup. Mrs Bucket tells Charlie that her chances of winning a golden ticket are almost zero. In amomentwherethedeserved,destinyand luck collide, Charlie wins a beautiful golden ticket. Among other contestants Veruca Salt, Augustus Gloop, Violet Beauregarde, MikeTeeveeandtheirparents,Charliegoes on the tour of a lifetime with her Grandpa Joe, experiencing the genius of Wonka’s colourful, crazy and sweet delights, unawarethatshewillbeleavingthefactory with far more than she ever would have expected.
My name is Arlie Bragg and I had the privilege of playing Charlie Bucket in ‘Charlie andTheChocolateFactory’.Ihavelovedthis musical on so many levels. The story takes the audience on such a rich journey of fantasy and wonder, with a well dosed shot of horror dispersed throughout the performance. I love the innocence, integrity and kindness that Charlie possesses in contrast to the attitudes of the other golden ticket winners who display greed, gluttony, prideandpoorhumannature.WillyWonkais such an incredible character as he awakens not only joy and wonder in the audience but alsoawakensthemoralcompass.
Our rendition of this musical was a great effort from all involved, particularly Mrs Jo Wysel:ourdirector,MrsClynch:ourproducer, Mr Jacometti: our musical director & of course, our wonderful wonderful cast! So, how was this musical put together? Come withme(inthenextfewhundredwords)and you’llbeinaworldofpureimagination…
TheRehearsalProcess-7thMay
And so the rehearsal process began… Every Sunday from 1:00-5:00, our cast was invited torehearseatschoolinourAstraArtsCentre and dining hall. Ensemble parts began to be learnt, dances began to be choreographed, the theatre-kid energy was nearly EXPLODING out of the Astra Arts Centre. The bootleg broadway recording of Charlie was displayed on projector screens as a goal towards which we were propelling ourselves. Read throughs and blocking took place, improvisations and trying things out. Characters were beginning to bloom and Wonka’s factory was beginning to come to life.
charlie and the chocolate factory
WRITTEN BY TEYA CATTERALL, INDIA SMITH AND ARLIE BRAGG
PHOTOS PROVIDED BY
TEYA CATTERALL, INDIA SMITH AND ARLIE BRAGG
CharlieCamp-15-17July
When I arrived at Charlie Camp, I was a day and a half late. Girls were wearing the grooviest black t-shirts with ‘CHARLIE AND THE CHOCOLATE FACTORY” printed on the back; I couldn’t wait to see how far we had all come. The girls had all improved in leaps and bounds, dances were becoming more and more polished, the ensemble suddenly knew ALL OF THE SONGS (?!) and I could feel the oompa loompas coming to life. The Charlie Camp also gave our cast a very warm feeling of connection and teamwork. The cast bonded together over the difficulty and enjoyment of putting our musical together. Young girls were talking with older girls they had never spoken to before and the feeling of cast connection was reallycementedinatalentshowthatencouragedallthe girlstogetupontothedininghallstageandperform.
Therehearsalprocesscontinued…18July-20October
After Charlie camp, Mrs Wysel, Mrs Clynch and Mr J worked incredibly hard with our cast to refine the show. We were expected to have our lines memorised, songs learnt and the musical was raised to a new standard. Weeks and weeks of rehearsals took us through the holidays and into Term 4. Sundays consisted of warming upourbodiesfordance,voicesforsingingandemotions for drama. Some girls were making feasts of props like cake dripping with icing, lollipops, sausages and roast pigs with Mrs Schaeffer and Mrs Robertson. Sundays also contained our ensemble sitting on the carpet stairs of the music room learning parts, running scenes in the AAC, cheering and supporting fellow cast members, studying for exams sidestage, concreting lines in the hallways and breaking with friends. Mrs Dunham helped principle cast members throughout the week with their songs and made sure we were as ready as we could be to perform - I even got to learn how to use my diaphragm! Principle cast members had the privilege of rehearsing every two weeks with the orchestra, consisting of strings, brass, wind, percussion and keys, conducted by Mr J. As we urged closer and closer to production week, our cast worked harder and harder to sharpen the musical into a piece of theatre that everyonewasexcitedtosee.
Production Week and The Town Hall - 20-28 October I remember sitting in the mezzanine of the town hall on an excursion with Bel Canto. The stage curtain was pulled back for a split second by the organisers of the event and we all caught a glimpse of the Candy Shop; the hushed elation of our Charlie cast in that moment was truly so exciting. A glorious team of bump in staff brought the town hall to life! Soon, on a bland raked stage, there stood the magical world of Charlie and The ChocolateFactory.
The town hall accommodated our girls so well and was truly an excellent substitute for the Arts Theatre. Our entire cast had the chance to meet the orchestra for the first time at Sitz Probe (sound check and light plotting) and became acquainted with the whole setup of the hall during rehearsals, soundchecks and previews. Productionweekstartedoffstrongwithanexcellentfirst show that only needed to be tweaked minutely. Our shows continued to flow well over the week; characters found new moments to interact with the story and script each night, the creativity and talent of our cast created limitless realms of wonder, whether that was in the Candyman’s Candy Shop, The Bucket Shack, Willy Wonka’s World of Pure Imagination, a dark green jungle or the Glass Elevator. Our shows were pulled together tightly and I have been amazed at the talent and professionalism of the girls I was lucky enough to perform with. Throughout this process I have seen girls become incredibly close to people they never thought they would. I have seen young girls who have laughed, cried, talked, vented and performed with older girls and established strong connections that will last throughout their years at the college. I have felt such a sense of belonging being part of this musical, a feeling that is shared by many of our cast members. If you came and saw our production of Charlie and the Chocolate Factory, we would like to thank you from the bottom of our hearts for creating an environment in which our girls canperformanddowhattheylove.
Thank you again to Mrs Wysel, Mrs Clynch, Mr Jacometti, Mr Cotterall, Mr Catterall, Mrs Schaeffer, Mrs Robertson, Mrs Dunham, Mrs Patterson, Mrs Alcorn, Miss Aisha and our orchestra for all your time and effort that hasmadetheproductionsuccessful. DramaatPLCistrulyunlikedramaanywhereelse.
“I can’t keep running my factory forever. I need to hand it over to someonenew;someonegoodandhonestandkind,wholovestomix
history and influence of pop culture
WRITTEN BY KHUSHI AILA
The term “pop culture”, first used in 1858, was first introduced in the 1850’s using the older phrase“popularculture”.Backintheday,itwas atermgenerallyusedbysociologiststoexplain the traditions and mindsets of the people, however it is now used to mean superficial entertainmentincontrasttomore“seriousart”.
Pop culture at any time is determined by the particular trends and characteristics of that periodoftime.
Popculturewasmadeevident inthe1920sinto the American lifestyle after the ending of the First World War. The ending of WWI brought the start of prosperity and a long awaited sense of freedom. The twenties introduced society to things such as the flapper (the flappertrendiswherewomenworeshortskirts - knee height was considered short during that period), bobbed their hair, listened to jazz, and flaunted their disdain for what was then considered acceptable behaviour), automobiles, jazz music, movies, and nightclubs.
The 1930s was the time of the Great Depression but yet saw its rise in music and freedom. Fashion settled down and people were going to the movies less but music was still very popular and uplifted many spirits during this time. The way of life in the 1960s was love and rock & roll. Many bands and singers rose to fame such as Elvis Presley, The Rolling Stones, The Supremes and The Beach Boy. The1970swasthetailendoftheCold Warandsopoliticalextremeswereof particular tension. Finally, the 80s brought along the beginning of MTV releasing in 1981. This caused a major spike in pop culture and now pop culture was more important to people thaneverbefore.
taylor swift’s dreamlike era’s tour
Taylor Swift's Enchanting Tour Through the Eras
WRITTEN BY BELLA WATERS
Taylor Swift has once again graced the music world with her enchanting and highly anticipated "Eras Tour." Known for her ability to evolve and transform with each album release, Swift's tour is a testament to her artistic journey through the years. Fans, generally referred to as Swifties, are being treated to a magical experience, spanning her incredible career.
The Eras Tour is taking the audience on a captivating journey through the various musical phases of Taylor Swift's career. Swift has navigated the music industry with exceptional grace, transitioning from country to pop and experimenting with alternative sounds. This tour is celebrating that evolution, showcasing how her music and style has evolved over time.
The tour holds a tribute to Swift's country roots, featuring acoustic renditions of her early hits like "Tim McGraw" and "Love Story." Swifties are transported back to the days of cowboy boots and twangy guitars, reminiscing about the young, aspiring artist who first stole their hearts.
As the show progresses, the Eras Tour seamlessly transitions to Swift's pop era, where glittering costumes, elaborate stage designs, and infectious dance beats take centre stage. The setlist includes chart-toppers like "Shake It Off," "Blank Space," and "Bad Blood," allowing fans to relive the pop anthems that defined a new era of Swift's career.
However, the true magic of the Eras Tour lies in its celebration of Taylor Swift's most recent evolution, her venture into alternative music. Fans are mesmerised by the melancholic melodies and introspective lyrics from albums like "Folklore" and "Evermore." Swift's intimate storytelling and connection with her audience during these segments left a lasting impression, proving that her artistry knows no bounds.
Throughout the tour, Taylor Swift also emphasises the importance of addressing one's past while embracing the future. She acknowledged her growth as an artist and as a person, imparting a valuable message of self-acceptance and authenticity to her audience.
The Eras Tour is more than just a musical performance; it is a heartfelt journey that encapsulates the essence of Taylor Swift's evolution. It serves as a reminder of the artist's remarkable ability to adapt and innovate while staying true to herself. Swift's connection with her fans, who have grown with her throughout the years, was palpable in every note and lyric.
With her unwavering dedication to her craft and her audience, Swift's journey through the eras is far from over, and the world eagerly awaits her next enchanting chapter.
the world of dreamworks cinema
WRITTEN BY ANVITI SINHA
Forming a huge part of so many of our childhoods, the nostalgic animated movies and franchises from the American film company Dreamworks, owned by Universal pictures, are forever iconic.
Here are some of my favourite classics to add to your must watch collection!
Shrek
Could this really be a proper film discussion without mentioning this evergreen masterpiece? Following the life story of the once misunderstood ogre Shrek, this movie explores the idea of self belief and teamwork, characters working together for a common goal. Differences are overcome, and everlasting friendships are made along the way. As a viewer, the clever script writing, tinges of comedy and unique characters all sum up to a remarkably entertaining watch.
Trolls
This musical sensation explores the nature of emotions and how having perspective and supportive loved ones make a frown turn upside down. Along with key demonstrations of persistence, loyalty and teamwork, this comedic adventure is a must watch! With the incredibly lovely Poppy leading us along the journey, the loveable and quirky characters make this movie unique.
A charming transformation of main character Po (also known as THE Kung Fu Panda), the once lazy and ungraceful panda has a dream of becoming a kung fu legend. Circumstances and some inspiring mentors nurture him into the best version of himself to save the friends he loves. Through comedic dialogue, and the incorporation of the art of Kung Fu, all viewers will be resisting the urge to practise some moves ourselves!
Kung Fu Panda
the world of dreamworks cinema
WRITTEN BY ANVITI SINHA
Madagascar
GET YOUR PARTY ON for the blockbuster madagascar series. Following the animal dream team from New York's Central Park Zoo on their adventures, get ready for oh so many laughs! The audience is taken on a journey of exploration, excitement and adventure as they navigate through the world and learn many lessons on the way.
Megamind
The Bee Movie
Barry the Bee faces one of the many struggles and challenges that most recently graduated college students face: deciding what to do for a career and finding a job he loves and finds rewarding. Navigating family pressures, and peer pressure, he stumbles across an unexpected friendship with a human who guides him, and Barry finally strives to put everything right in the bee world. This highly relatable and inspiring movie blends comedy and a memorable plot for a well rounded and wholesome movie experience.
Megamind is truly unique - based on the large blue headed super villain with an incredibly thought out name, Megamind, is not very successful in the villain industry. Through tinkering with the rivalries he faces, and his protogés backfiring on him, he must dig deep and do what’s right for his city. This iconic comedy is truly something audiences are not expecting - and the journeyittakesyouonisonetoremember!
How to Train Your Dragon
An inspiring movie of creating new traditions and perspectives, the friendship between dragon and viking carries the adventure of this movie franchise. From a oncedragon hunting civilisation to dragon and human living in harmony, toothless warms the hearts of many. Along with the other incredibly written characters, this is a heartwarming must watch!
WRITTEN BY EMILY ADAMS
Wander among the fog
Swirling, sifting, smoking. A picturesque scene That almost looks like home.
Watch them as they float
Among the evergreen hills, In and out, just long enough for you to see. Don’t even try to touch, The faces and thoughts, the smiles and tears; These things that have made you.
When they fall apart and are rearranged Into a whimsical caricature
Something grotesque, Something new,
Something fragile, A dream that fades. A distortion you can’t help but cling to.
And every night when that mist appears again And you don your trusty boots for a walk
Know that if you
Wander among the fog for too long You might fade too.
rachel drawing
ILLUSTRATED BY RACHEL MUNGALL
daydreamer
WRITTEN AND ILLUSTRATED BY HUNA MOGHADDAR
They’re out of focus, all distracted. But it’s blissful. The oblivion, and the foggy, hazy look in the dreamer’s eyes. You can tell. It’s just so obvious. Zoned out. Barely blinking. Either in utter bliss or sadness. You can’t tell. Oh, so much dismay. What is this world that we live in? Why be here when you can just dream it all away…
Arlie Short Story
WRITTEN BY ARLIE BRAGG
My eyes squeezed themselves into tiny little spectacles, looking straight ahead down a long, dirt road. The driver was quiet and hunched. “Hmmph!” “Bleck…” “Hmm”, he would mumble now and then. His hair was shaggy, he had big armsandabigheadandhekepthiseyesstuck to the reins of our cart, which a pair of solemn black steeds were pulling. “How long do you thinkitwillbe?”askedmyfriendBenny.Istayed quiet, looking as far as I could down the road in front of us. We were there by choice, of course. No nefarious kidnapping or imprisonment or anything of that sort; but with the sky so dark and our driver so dismissive - anyone would have guessed we were there against our will. Beside the road were grasses, some fresh and aliveandblooming,andothersdeadandblackIkeptmyheadtothefront.Aroundusdarktrees towered over us, hundreds of metres in height. I brushed my hands against my folded arms, it was deathly cold. Benny and I had been travelling for months, we had been everywhere, seen every sight, and had landed quite spontaneouslyinasmallvillagefarfareastfrom the desert. Advised by a woman running a market stall in the local village, we had paid a driver to take us to the ‘Opal Falls’, a sight that wassaidtobemagical:cascadingwatersovera smoothened and shimmering staircase of fully formed opal. The journey was long, the woman hadsaid,butworthitshewassure.
We had been slowly pedalling along the long dirt road for more than an hour, with nothingbutthesoundofthehorseshooves and the driver's occasional grunts. Benny and I sat with our backs against the dusty and corroded wood of the cart, our knees close to our chests and our eyes swimming in the small slivers of light breaking down through the trees that lined the dirt road. Again, I looked out to the grasses that swarmed the forest floor. The vivid green grass flopped in a torturously gleeful manner beside larger and larger clumps of dead, black grass. As I watched this dead grass, my eyes began to widen. Its thin dryingbladesweretwistingthemselvesinto large balls. Brambles and thorns and more and more dead, black grass began to weave themselves into great big creatures. The dead blades crawled like ants in dust andstuckthemselvesintoeachother.
I nudged Benny’s shoulder and pointed horrortothegrass.“Driver…?”Bennybegan in distress. My eyes slowly rang themselves around the side of the cart until I reached the path we had come from, and behind us rolled hundreds of tumbleweeds. Fast, stealthy and silent, they rolled over and over,closerandclosertothecartwitheach revolution, leaving dust and the dark forest intheirwake.‘Driver!”Bennyyelled.Hepaid nomindtoherantics.
Arlie Short Story
WRITTEN BY ARLIE BRAGG
“Driver,theweeds!”
Hisheadcockedtooneside,“Theweeds,Driver!”
His old and wrinkled face turned slowly to face the back of the cart, it was the first time he had takenhiseyesoffthereins.Hehadalargenose and a furry face, and as his eyes met with the rolling weeds, they opened wide, uncovering a pair of hazel pupils. He let out a thunderous scream and shot his body back to the front of the cart as he whipped the pair of black horses with the reins and causing them to take off at a rattling pace. The driver began to yell at the horses,“Go!Go!”.
My irises grew wider and wider, letting in the light from the roof of the forest: the weeds begantotumblefaster,faster,theirblackblades tumbling over and over, a whisper developing between them in the constant movement of their chasing. Benny’s breathing became faster. ‘They're just weeds…’ I thought to myself, ‘How could they hurt us?’ The driver continued to yell athishorses.Youcouldheartheslapofthereins against the horses backs, the rolling and snappingofthecartwheels,thesweepingofthe never ceasing weeds. The path of the dirt road ahead of us seemed to go on and on and on. Thelightattheendofthetunnelseemedasifit would never arrive and the tumbleweeds were approaching ever-faster, their blades sharp enough to draw blood. One weed out of the packbegantoacceleratefasterthantheothers, moving and gaining until it was only a metre behind us. The driver continued to yell and Benny’s breathing quickened. The weed’s whisperings had turned to a small, evil chatter that rattled through the forest. The tumbleweed continued to roll, faster, quicker, rolling and rolling and rolling until it was only a few centimetres away. Benny and I moved to the front of the cart, holding each other as the tumbleweed spat and shrieked and leaped out atuswithitslongblackblades.Justastheweed got close enough to place its brambles over the side of the cart, the driver swerved onto a small road; a dark and narrow track, leading off the longdirtroad.
Everything was a blur of a deep, dark forest green as the shrieks of the tumbleweeds grew softer and softer. BennyandIweretossedaboutintheback of the cart as the driver continued to yell and slap his horses. We soon became steadier and the driver’s commands ceased, the noises of the tumbleweeds’ were barely a hum. Everything was dark, everything was cold, everything was quiet and then… bursting through thick green armsofivy,wemadeittoabright,sunny clearing in which lay hundreds of people with colourful towels and drinks. Everyone’s hair was pinned in an elaborate fashion, and small children's laughter pierced our ears. You could hear the sounds of glasses clinking and people talkingandwaterrushing.The‘OpalFalls’. The tall steps of opal were polished from thecurrentofthewater.Childrensliddown the surface of the gemstone and it shimmeredinthesunabeautifulblue.
As we turned, out of breath, to thank our driver - he was gone. So were his steeds, the cart and as it seemed every piece of his existence. The falls cradled us with their enchanting azure light and concealedfromuseveryfear,everyworry and every thought of the tumbleweeds,
Andrea
PHOTOGRAPHED BY ANDREA BROWN
Locked
WRITTEN BY ALANNAH
WILLIAMS
Myfootstepsreverberateoffthemetalwalls,clanging solidly against the silver floor. My gait is awkward as I sidestep repeatedly around boxes strewn across the floor, most with their lids hanging ajar or no longer attached at all. Spare parts bulging from the containers, most of them metal. The walls are lined withcabinets,thesurfaceoncegleamingsilverbutnot beginning to rust. Those that are hanging open reveal yetmoretoolsandmachineryparts.
Silver is tinged blue by the fluorescent emergency lighting. The back of my neck itches. As I raise my hand to scratch it, I push aside the collar of my thick, insulation-thread-lined coat, and then tug it back around myself as the chill hits my pale skin. I tug a loose hair back underneath my beanie, and huddle inside my clothes, as though to protect myself from theuncertain.Theunknown.
The sleeves of my coat rub against my arms and I am aware of the goosebumps that have risen on my skin, despite the technically enhancedwarmth.Ihavethestrangesensation ofbeingwatched.
The room smells of old, stale cleaning products and dust. Moisture sticks in my throat uncomfortably and humidity prickles against my skin. That accounts for the rust, I realise. The only factors necessary are a certain metal alloy, oxygen, and water. But one more essentialfactor.Time.
How long has this place laid untouched, with the door sealed slightly shut, for this rust to form and the air to must and for layers of dust to settle across the room like icing sugar on a cake? For the regular lighting to fail, for the parts to become old and outdated, for humanity to forget about the existence of what was once,evidently,agreatfactory?
Now left to sink slowly into a derelict state. Eternally silent. Free from the creaking of hinges, until the door was opened, and carefully propped that way behind me. Free from the footsteps now echoing across the room. Free from the watchful eyes now roving the room’sobscurescenery,takingineverydetail.
In my peripheral vision, the edges of the room, at least a few hundred metres away, begin to reach towards me. The shadows lodged in the crevices cannot be chased away by the dull emergency lights, and they seem to spread continuously. And although I know that my brain is twisting my perception as a response to my fear, I can barely control my fight or flight instinct well enough to avoid fleeing. My eyes slip closed. I breathe slowly. When my lashesflutteropenagain,Icontinuewalking.
I am at the approximate centre of the room now, as massive as it is. Rows upon rows of work benches run parallel, each littered with tools and parts, some partially assembled into resemblancesofhumanarms,legsandfeet.
The sight makes me grimace. The first declaration of our new government, made on the 21st of May, 2183, was broadcast publicly throughtheholo-networkonlyhoursafterthey ascendedtopower.Thewholenationwatched.
I can still hear the words ringing in my ears: ‘Theeffortstocorrectlyassembleafunctioning mechanical human, independent from human control, are to cease immediately. The intelligence of such creatures has grown beyondcontrolorreasonabledemand,andthe dominance of robotical intellect over that of humanshasbecomearealthreat.Assuch,any companies,agenciesorauthoritygroupsfound assembling, or attempting to assemble, any devices of this nature will be immediately arrestedandjailed.’
Thatwasadecadeago,andintheyearssince, nobody has been arrested for robot support/assemblage. Nobody has tried. We scared ourselves, humankind did, with how advanced our technology became, and the reality of where it could lead. Robots, now, are nothingmorethanfeaturesofhorrorstories.
Howlongwouldittake,forthisrustingtooccur, for the air to must, for the lighting to fail? How long ago would it have been, when humans legally constructed mechanical parts such as these?Becauseweknowonethingforsure:the human race succeeded in creating artificial intelligence. Almost half a century ago, the most basic forms were fully operational and functioningalmostashumansinsociety.
We scared ourselves, humanity did, with our own greatness. How much we could create, could explore - but also with how wrong everything could turn, when things derailed. How one little glitch in programming created robot-generated death tolls. None with perniciousintent,tobeclear.Butdeathisdeath. Whilewemesmeriseourselveswiththoughtsof honour and glory, and sacrificing yourself for thegreatergood,deathisdeath.Andthecount wastoohigh.
A sound breaches the silence, slicing through the air like an arrow out of a bow. The distant clang of metal on metal. Followed swiftly by a sound like a neck being cracked, only at the volume of a whip breaking the sound barrier. Then a persistent rattle, like a twitch causing a looseparttooscillate.
I turn. Rotating slowly in a circle, eyes scanning desperately. I scan three-hundred-and-sixty degrees, and see nothing. Nothing but the shadowsgrowinglarger,andtherobotichands and arms and feet half-assembled on the workstations. Tools abandoned on the smooth surfaces. Expensive tools. Left without care, as though the inhabitants left hurriedly. And they lockedthedoorbehindthem.Butwhy?
Ihavetogetout.Now.
One small glitch, to achieve programmed insanity.
I spin back towards where I came, and sprint fortheexit.Iseethedoor.Itisclosed.
Illustration
Arlie drawing
ILLUSTRATED BY ARLIE BRAGG
dreamlike photography
PHOTOGRAPHED BY KIMBERLY BLAKE
what i’m dreaming of…
ILLUSTRATED BY ARIA BRAUER
dreaming of the past
“The Woman Behind the Wisdom”: a representation of the past
ILLUSTRATED BY BELLA WATERS
my horse dot
WRITTEN BY SOPH VANZELLA
There once was a horse named Dot, With a coat as dark as the night. She galloped so fast, In the fields, a true blast, With hooves that danced in the moonlight.
people’s strangest dreams
WRITTEN BY ELLA JENKINS
Ella - “Ican’tremembermuchof the dream but I do remember that I was camping near a river withRobertDowneyJr.Wewent swimming in the river, went walking and then we rode some horses up on top of a hill to watch the sunset over a cliff. It was pretty chill until a bolt of lightning came out of the clear sky, struck Robert Downey Jr and turned him into a talking watermelon.Hewastryingtoget metohelphimbutbeforeIcould pick him up, some random bush dude came out of the bushes and kicked him off the cliff, but as the bush dude was kicking Robert Downey Jr he obviously kicked too hard and fell off the cliffaswell.”
Emily Adams - “This is absolutely so random but I had a dream that my head was a taco and then my dog started eating it”
Binudi Vithana - “One time i dreamtthatIwasonthemoon with 2 book characters (Morrigan Crow and Jupiter North from the Nevermoor series)andwewereclimbingup somestairstotryandstagean earth landing to be the first people on earth but then flat mooners didn't believe us and wegotfiredtheend.”
the science of dreams
Everybody has the ability to dream… but why?
WRITTEN BY NEVADA GUIANCE
Dreams are an interesting phenomenonthey can incorporate events and characters bothrealandfictional,blurringourconscious and subconscious minds. They can seem frighteningly real, waking you up in a blend offearandreliefthatitwas‘onlyadream’,or bearidiculousturnofeventsthatmakefora hilarious story for your friends the next day. But how these intriguing films in our minds take place is a complicated process, starting withyourphaseofsleep.
Frequently,dreamingtakesplaceduringREM (Rapid Eye Movement) sleep. The interesting thing is, during REM sleep electrical impulses in the brain are nearly as active as when we are awake during the daytime. It is believed by experts that this phase of sleep is generated by the brainstem; and it is the forebrainthatgeneratesthedream.Itiseven thought that certain neurotransmitters may have an effect - dopamine may create the surreal quality of our dreams, and the suppressionofcertainneurotransmittersmay be caused by REM sleep - causing us to become somewhat unconscious of our surroundings.
A common query related to dreams is why we do or don’t remember them. Some scientistsbelievethatparticularcombinations of these neurotransmitters may result in us forgettingourdreams.
An increase in acetylcholine (WHAT IS THIS) meansthecortexisinasimilarstatetothatof being awake, and low levels of noradrenaline (WHAT IS THIS) means that our ability to recollect our dreams in this time is decreased according to a study in Behavioural Sciences in 2017. However, our more vivid or emotional dreamscanoftenbeeasiertoremember.
A professor of psychiatry Robert Stickgold says that ‘middle-of-the-night-awakenings are frequently accompanied by dream recall’ -thismeansthatifyouwakeupinthenightto use the bathroom, you may be more likely to rememberyourdream-thismaybeoneway toimprovedreamrecollectionbutisobviously not ideal as it means interrupted sleep. Another possibility, as some studies have suggested, is to go over your dream in your mind as you wake up so that the hippocampus is able to properly store the memory.
When it comes to dreaming, the possibilities are endless, unusual and alarming, and there is much yet to be uncovered in terms of the scienceofhowtheywork.Therearecountless studies being done to investigate the dreaming process, dream memory and dream content to try and piece together the complex and multi-pieced puzzle that is a dream.
Influences on Dreams
WRITTEN BY KHUSHI AILA
Biological variables account for a major amount of dream experiences. Rapideyemovement(REM)sleep,the type of sleep linked with vivid and unforgettable dreams, is one of the most well-known contributors. The brain becomes more active during REMsleep,andtheeyesmovequickly behind closed lids. Although the precise function of REM sleep and dreamingisstillunknown,itisobvious that this period is essential to our dreamworlds.
Personal experiences can have a considerable impact on dream content, particularlyiftheyareconnectedtotrauma or important life events. Traumatic events, such car crashes or the death of a loved one, can cause persistent nightmares or bothersome dream imagery. On the other hand, happy and fulfilling life events, like fallinginloveoraccomplishingalong-held goal, might result in dreams that are filled with these emotions. Dreams help people makesenseoftheiremotionsandtraverse their inner worlds because the brain uses them to process and integrate these experiences.
Our dreams' themes and content are greatly influenced by our waking thoughts, feelings, and experiences. For instance, your dreams can represent your worries if you had a hard day. In contrast, your dreams might be more optimistic if you've latelyfeltjoyandhappiness.
Dreams can also reveal unsolved psychological difficulties by providing a safe haven for the subconscious to workthroughandaddressunresolved concerns. According to renowned psychiatrist Sigmund Freud, psychological elements have a significant impact on dream content since dreams can reveal our latent desiresandunsolvedproblems.
Dreams are a curious place where reality and illusion collide, and the forces that shape dreams are also mysterious. Dream contentisshapedbyacomplexinteraction of biological, psychological, cultural, and individual elements. Comprehending these influencesleadstoadeeperunderstanding of the intricate tapestry of our nocturnal travels and provides an insight into the workingsofthehumanmind.Wegetcloser tosolvingthepuzzlesofthehumanpsyche asweinvestigatethisintriguingareamore.
dreamlike journey
WRITTEN BY ELLIE WOODS
Throughouthistory,poets,philosophers,andthinkers havecontemplatedthenotionthatlifemightbeakin toadream.Thismetaphoricalperspectivesuggests thatthenatureofourexistence,withallitsmysteries, challenges,andfleetingmoments,sharessimilarities withtheephemeralandsometimessurrealworldof dreams.Whilelifeanddreamsareundoubtedly distinctrealms,exploringtheconceptoflifeasa dreamcanofferusafreshlensthroughwhichto contemplateourexistence.
The Dreamlike Nature of Reality
FluidityofExperience: Dreamsoftenshiftseamlessly between different scenes, events, and emotions. Similarly, life presents us with a constantly changing andfluidexperience.Wetransitionfromonephaseto another, embracing moments of joy and sorrow, much like a dream's ever-shifting landscapes.
Subjective Perception: Dreams are highly personal experiences, shaped by our thoughts, emotions, and memories. Life, too, is subjective. How we perceive andinteractwiththeworldaroundusisinfluencedby our individual beliefs, values, and past experiences. Illusory Nature: Dreams can feel incredibly real while we're in them, even though they lack a tangible, lasting existence. In life, we often confront situations, achievements,andrelationshipsthatholdsignificance for us, yet they, too, are fleeting. Life's impermanence mirrorstheephemeralqualityofdreams.
The Journey of Self-Discovery
Searching for Meaning: Just as dreamers search for meaning and significance in their dreams, individuals often seek purpose and understanding in their lives. The quest for meaning is a common thread connecting our waking and dreaming states.
Symbolism and Metaphor: Dreams often feature symbolism and metaphor that convey deeper truths or unresolved emotions. In life, we encounter events and situations that may hold metaphorical significance, serving as mirrors to ourinnerworldandpotentialforgrowth.
Embracing the Surreal
Moments of Surreality: Dreams can transport us to surreal landscapes and situations that defy the laws of physics and reality. In life, we may encounter moments of transcendence, such as the beauty of nature, the wonder of art, or the depth of human connection, which can evoke feelings of surreal wonder.
Creativity and Imagination: Dreams are known fortheirimaginativeandcreativeelements.They often push the boundaries of what we consider possible. In life, creativity and imagination fuel innovation, art, and the exploration of uncharted territory. Lifeasadreamisnottobetakenliterally,butas ametaphoricalframeworkforunderstandingour existence.Whilelifemaysharedreamlike qualities,itisgroundedinrealityandthetangible experienceswesharewithoneanother.This metaphorinvitesustoembracethe impermanence,mystery,andwonderofour journey,inspiringustolivewithgreater mindfulnessandappreciationforthe extraordinaryworldweinhabit.
Aswenavigatethelandscapesofourown dreamsandreality,weareremindedthatlife's beautyliesnotjustinunderstanding,butinthe journeyofexploration,introspection,andthe momentswecreateandcherishalongtheway.
dream word search
CREATED BY KIMBERLY BLAKE
George has a dream
PHOTOGRAPHED
BY
MIA MONTGOMERY, FEATURING GEORGIA WHIBLEY
the dream search
What type of dream are you?
WRITTEN BY BINUDI VITHANA
What do you remember dreaming about the most?:
a) Super clear situations with everything in its place
b) Situations where you want to be
c) Anything unpleasant
d) Dreaming you are awake
e) Situations that you can control
You have a really close deadline and haven’t completed the task, so you:
a) Pull an all nighter and finish it!
b) Do as much as possible and get a perfect score!
c) Panic and end up getting nothing done
d) Come up with a ridiculous excuse
e) Procrastinate so much that you rush and get the task done an hour before the deadline
When your food is stuck in the vending machine, you:
a) Stick your arm in the slot and reach
b) Ask someone for help
c) Shake the vending machine and get frustrated
d) Dismantle the machine and reassemble it but forget to take your drink out and start over
e) All of the above, in that order
When your friend asks to copy your homework, you:
a) Let them
b) Offer to help with it instead
c) Do it for them
d) Forget to reply and realise your mistake 8 weeks after the task is due
e) Refuse
What character are you in a TV franchise?
a) The main character
b) The smart friend (best friends with the mentor)
c) The comedic relief character who always gets into the most irritating inconveniences
d) The antagonist who once jumped into a volcano and survived
e) The rando that busts out halfway through the series and is 99% of the team’s brain cells
What are you like when you eat cereal?
a) Cereal before milk
b) Milk before cereal
c) Only eats the cereal dry
d) Drinks straight milk for no reason
e) Eats it with as much sugar as humanly possible
Choose an emoji group:
a)
b)
c)
d)
e)
Choose a colour palette:
a) Primary and secondary colours
b) Pastel
c) Dark/horror
d) Glitchy/neon
e) Gradients/multi-colours
What movie type appeals to you most?
a) Action
b) Fantasy
c) Horror
d) Time travel/paradox
e) Success/independence/coming of age
Dreams:
Mostly As - Vivid dream - You’re a pretty typical person, but people admire your calmness and ability to take everything in your stride! You have clear principles and a great work ethic, although you sometimes get confused between dreams and reality and are a regular victim of deja vu. But that just gives your personality a humorous side.
Mostly Bs - Daydream - You’re a dreamer! Zoning out into your own world is a great escape for you and you have an awesome imagination! Daydreams sometimes leave you distracted, but the only people annoyed by that are the haters. You absolutely dominate artistic and creative tasks.
Mostly Cs - Nightmare - You’re pretty resilient! Despite whatever life throws at you, you always try your hardest to overcome it! You’re always able to relate to people’s experiences and know how to give them a reality check when necessary. You’re down to earth and quite sensible, often making up for the lack of common sense in others.
Mostly Ds - False awakening dream - You’re a mildly scatter brained individual and clumsiness is fused to your personality at this point. You lose things sometimes but always try your best to find them. But that’s okay, all of that just adds a little extra charm to your personality. Your cluelessness adds a touch of purity to you.
Mostly Es - Lucid dream - You’re a neat freak! Orderly things and tidiness are your life's objectives. You can come off as bossy or controlling, but we all know you’re only wanting the best for everyone you care about. Your organisational skills are phenomenal, and you’re a natural born leader, who never lets the team down.
QUIZ ON DREAMS
1)You dreamt about flying. What could it mean?
a)You have a fear of heights.
b)You ate too much before bed
c)You are feeling empowered and free in your waking life
d)You're experiencing a lack of control in your life.
2)Your dream involved losing your teeth. What might this symbolize?
a)You need to visit the dentist.
b)You are feeling insecure or anxious about your appearance.
c)You are craving sweets.
d)You have a fear of aging.
3)You dreamt about being chased. What could this represent?
a)You're feeling adventurous and seeking excitement.
b)You're avoiding confronting a problem or situation in your waking life.
c)You watched a scary movie before bed.
d)You're longing for a change in your career.
4) In your dream, you were naked in public. What might this symbolize?
a)You're feeling exposed or vulnerable in your waking life.
b)You're comfortable with yourself and your body.
c)You're overdue for doing laundry.
d)You have a fear of intimacy.
5)You dreamt about being late for an important event. What could this mean?
a)You're feeling overwhelmed with responsibilities.
b)You're excited about upcoming plans.
c)You forgot to set your alarm clock.
d)You're afraid of missing out on opportunities.
6)Your dream involved encountering a deceased loved one. What might this symbolize?
a)You're afraid of losing someone close to you.
b)You're seeking guidance or closure.
c)You miss them dearly.
d)You recently watched a movie about ghosts.
7)You dreamt about water, such as swimming or being in a flood. What could this represent?
a)You're feeling emotionally overwhelmed.
b)You're longing for a vacation by the beach.
c)You're thirsty and need to drink more water.
d)You're contemplating a major life change.
a)You're feeling emotionally overwhelmed.
b)You're seeking guidance or closure.
a)You're feeling overwhelmed with responsibilities.
a)You're feeling exposed or vulnerable in your waking life.
b)You're avoiding confronting a problem or situation in your waking life.
c)You are feeling empowered and free in your waking life. b)You are feeling insecure or anxious about your appearance.
Answers:
https://www.i mdb.com/title/ tt28814949/
https://facts.net/shrekcharacters/
https://keydifference s.com/difference-bet ween-fog-and-mist.h tml
https://thedirect.com/ar ticle/trolls-3-trolls-band -together-online-strea ming-release-date
https://www.in tofilm.org/reso urces/1663
https://thedirect .com/article/ma dagascar-4-rele ase-cancelled
https://www.imdb.co m/title/tt0389790/
https://www.dexerto. com/tv-movies/howto-train-your-dragon -live-action-movie-re lease-date-trailer-ca st-plot-2063071/
https://www.c br.com/why-m egamind-ahea d-of-time/
acknowledgement of country
We acknowledge that the land on which this magazine was created is the traditional land of the Anaiwan people. We wish to pay respect to the elders past, present, and emerging.
