PORTFOLIO POL DOMENECH 16 by poldomenechsimo

POL DOMENECH SIMĂ&#x201C;

Throughout the years I have evolved into a rather artistic side, I could say. Iâ&#x20AC;&#x2122;ve drawn since I have use of reason and is perhaps one of the best things I most like in this world. When I was young I started drawing over a sofa and the situations Iâ&#x20AC;&#x2122;ve encountered with the beauty of things, these have led me to consider what I am now studying and learning, design.

I am a person that I firmly believe, as how we do things and the way as we do, can determine the course of humanity. I think the key to it all is in how we design all

either a fork, a chair, or a system to make more efficient irrigation in infertile regions of the Sahara. Invent, develop, evolve and change, are some of the key elements in the design of things. Arguably am a dynamic person who believes in constant progress. I love sports. Maybe it is the second thing that fills me after creating and drawing. Along with nature and the cosmos, these factors are vital in my day to day. My fascination with the origin of things, and future development of humanity make me feel, never better say, a man.

about me

â&#x20AC;&#x153;everything in this world leads us to

this momentâ&#x20AC;?

GRAFIC

PRODUCT

Logo s an d bran di ng

Lu m i n a r i

Let i t sto r m

E co â&#x20AC;&#x2122; n e i l l

A ri da

Pa r a si t e m a s k

N ai v e w at e r bran d

Hi p e r t h e r m i a we a r a bl e

SPACE

INSTALATION

L un ch an d f un

L’h o r t de l a l l u m a t v i n ço n

R e d e sign of a spac e

Llu e r n i a 2 0 1 4 Ba t e c de l l u m a t l l u m BC N I n t e r a ct 2 Ús ba rce l o n a s a n t t o m a qu e t Ligh t u p by co l ·l e c

SKILLS

LOGO AND BRANDING Fruit shop logo created by some sketches

This logo is part of the subject “Drawing and Design” and it was created from a series of preliminary sketches drawing a real banana. By performing many sketches and searching some identificative elements of the fruit, we’ve first applied different points on the surface of some of my drawings in order to remove the drawing and just stay with. The inclination of the points creates the sensation of a 3D banana.

This logo has been vectorized and scanned. The chose typography is a different sketch of the many made and then vectorized. The three color proposals are black and white, gray scale and with yellow letters.

about me 7

Toni Bach Photo reriant aliquamusam ipsam nim alicitat re, adMi, temquam dolorumentem eatis rem landae sequi ut earcia cullupt atetur, volentia aut ditiaectibus aut am, ex explab ilita que vendant modi tem quae. Facia cus evelenimus eic tessunt ionsedio. Ossunt officip suscimaio. Nam aut molori atiosae voluptatus

Banana reriant aliquamusam ipsam nim alicitat re, adMi, temquam dolorumentem eatis rem landae sequi ut earcia cullupt atetur, volentia aut ditiaectibus aut am, ex explab ilita que vendant modi tem quae. Facia cus evelenimus eic tessunt ionsedio. Ossunt officip suscimaio. Nam aut molori atiosae voluptatus

75% alfa

7273B4

934A8C

398FCD

F5EF97

5D2A86

5DBDB3

night fest

day fest

Rol Fest reriant aliquamusam ipsam nim alicitat re, adMi, temquam dolorumentem eatis rem landae sequi ut earcia cullupt atetur, volentia aut ditiaectibus aut am, ex explab ilita que vendant modi tem quae. Facia cus evelenimus eic tessunt ionsedio. Ossunt officip suscimaio. Nam aut molori atiosae voluptatus

Esther Blanco reriant aliquamusam ipsam nim alicitat re, adMi, temquam dolorumentem eatis rem landae sequi ut earcia cullupt atetur, volentia aut ditiaectibus aut am, ex explab ilita que vendant

Natouch reriant aliquamusam ipsam nim alicitat re, adMi, temquam dolorumentem eatis rem landae sequi ut earcia cullupt atetur, volentia aut ditiaectibus aut am, ex explab ilita que vendant modi tem quae. Facia cus evelenimus eic tessunt ionsedio. Ossunt officip suscimaio. Nam aut molori atiosae voluptatus

MASSIVE POWDER

Massive Powder lorumentem eatis rem landae sequi ut earcia cullupt atetur, volentia aut ditiaectibus aut am, ex explab ilita que vendant modi tem quae. Facia cus evelenimus eic tessunt ionsedio. Ossunt officip suscimaio. Nam aut molori atiosae voluptatus Igendesedi te nosapid est, simi, quo offictecae ab imin consequis excessi nctemporenis same voluptae nonsequ odisti bla audisimus aut estrum vid min rem quunt, nus alibus dolut utem. Itatiberum es quam es delliquia sus untorep

LUMINARY Prototype luminary with water and fluorescent methacrylate

This work is to develop their own means one blaze. Various aspects of lighting, luminance, materials and light behavior are analyzed to create a lamp according own requirements. At first we wanted to create a light that could be used both in a study table to illuminate the work area, to illuminate the environmental spaced and relaxed manner. We opted for sketches in which a light that had two positions are illustrated. This was one of the main concepts. But finally we decided to opt for greater experimentation with materials and we chose water, plastic, wood and fluorescent methacrylate.

The lamp is intended to illuminate a space ambient way. He thought about how to put the lamp inside a bag of water and after

many ideas we decided to apply the light at one end of a cylinder and methacrylate this light transported outside of the bag inside. A system to remain attached to the bag room where was the LED and its anchoring system managed to ceiling. The materials according to their function are: Led, cable with plug transformer, aluminum tube to pass the cable through the casing, wood to protect the LED and hold the bag. Bag of clear polyurethane to enter the water and orange methacrylate fluorescent to transmit light into the water. The result was better than expected, the water movement caused a most curious effects of light on surfaces.

TUBO DE ALUMINIO DE 1.6 cm DIAMETRO

BRIDAS CON SILICONA CUBIERTA LED

SOPORTE INTERIOR

METRAQUILATO

AGUA

PLASTICO DE POLIURETANO TRANSPARENTE

ECOâ&#x20AC;&#x2122;NEILL PACKAGING Redesign a new, more ecological packaging for Oâ&#x20AC;&#x2122;neill

EcOneill packaging is a project of remodeling a box of shoes surf. Specifically about socks. The project had to choose one packaging footwear and redesign to make it more ecological. Our group was focused on sports shoes, focusing on the sport of surfing. During the development of packaging, we seek to define a typology for the student. In order to improve the sustainability of packaging of packaged. Improve usability and functionality and environmental image packaging.

We analyze the cardboard and its environmental impact, with an analysis of the life cycle, a study on the carbon footprint and VEA to compare with the previous packaging redesigned. During the work we saw that the cardboard box we had an impact of

1.6 g of CO2 per kg of packaging. The new redesign recycle used fishing nets to make a bag containing shoes inside. Thereby eliminating the carton and plastic bag for transport. In addition to reducing the impact, increase its functionality and extend the life of the packaging, we contribute to the project of protecting marine biosphere of Sea Odyssey, which participates Oneill. Sea Odyssey environmental marine ecosystems and beaches. The new packaging step of having a carbon footprint of 1.6 to 0.1 g per kg of Co2

dentro de la caja

CICLO DE VIDA CAJA Y BOLSA PRODUCCIÓN

11%

XTRACCIÓN MATERIA

8% 49%

TRANSPORTE RECICLAJE

29%

FIN DE VIDA

16% PRODUCCIÓN TRANSPORTE 82%

RECICLAJE

PACKAGING ACTUAL PACKAGING ECO’NEILL

TOTAL 0.1058

PARASITE MASK ACUMULATING Mask design for the Accumulating pice of dance for Aimar Pérez Galí Mask design and production for the choreographer and dancer Aimar Pérez Galí, for Sâlmon Festival from Barcelona. The piece named Accumulating is based on the sound, light, and movement accumulation starting on the contemporary ritual of clubbing culture and choreographic minimalism. The piece takes two historical moments of the, dance and music of 70’s start: paradigm change to a post-modern dance with Judson Dance Theatre collective, and techno begginings from Detroit.

Parasite tries to eliminate the facial physiognomy of the dancer, so the user can’t perceive his face. The concept comes from Aimar Pérez Galí, in giving importance to the choreography and not who is on stage. Our mask wants to get this effect from the apparent simplicity of the geometry. On the other hand, we have had techno music as reference, and therefore the digital age, virtualizing the human figure. We geometrized facial features, generating a virtual character. Elisava article and pictures: http://www.elisava.net/ca/el-centre/actualitat/agenda/elisava-collabora-amb-el-mercat-de-les-flors

Mercat de les flors: http://mercatflors.cat/es/espectacle/salmon-accumulating-2/

3 AR PEREZ GALĂ? A I2M

festival

salmon

La revista Viva Moda publico fotografias donde aparece la mascara parasite junto a la modelo Anna Jagodzinka

VIVA! MODA magazine H U2 5N T E R & G A T T Y

HIPERTHERMIA WETSUIT Prototipe on a new kind of surf wearable.

The MassivePowder brand was created with the idea of giving the snowboarding sport worldwice access. The intention was to make a snowboarding brand for all lovers of this sport. This project consists on a blog inspired on snowboarding and everything that surrounds it. The logo is represented with the letters “M” and “W”. In reality it´s the same figured but oppositely positioned. They symbolize the ridges and valleys of the mountains where it the sport is contextualized and practiced.

During the process of development I utilized a mapping program used to measure the lines and angles that make up the logo in order to perform a fully symmetrical shape. Once created, offset lines like diamond to create an effect in the outline of the silhouette. In this way, I played with the shadows in order to create a 3D effect.

Hipertermia Žs quelcom mŽs que un neoprŽ. Es una 2a pell que ens protegeix de les temperatures estremes i ens aporta comoditat a la vegada que flexivilitat. Termo-regula la nostra temperatura exterior per mantenir amb comoditat i seguretat la interior. Hipertermia nomŽs te 2mm de gruix a diferencia dels 5mm dels neoprens per a condicions extremes convencionals. Esta concevit per disfrutar i oblidar-se dels problemes i complicacions.

esquena MCU

termostat transistor

capa externior

neopré plastic film per protegir els components electronics capa interior amb forro E3

coneccions impermeables termostat

tratge “fullsuit”

2mm de grúix

plaques termiques

2:30 h de confort

recargable

alta flexibilita t

sistemes térmics integrat s

programat e intel·ligen t

Bateries i cargadors

LUNCH AND FUN beach picnic Playful public space and entertainment in district of Barceloneta in Barcelona

The objective of this project was to use a local Barceloneta beach in Barcelona to create a public space to eat, relax or do some playful activity. One of the most important elements was to create a publicly spaced. An area of the municipality, in which they can perform activities such as: eating, resting, drinking, washing dishes, storing, washing ...

The modules are 6.5m x 6.5m and can be used up to 3 modules In our case we use the three integral. During the process we

analyze the proposed context, performing a public barbecues and a picnic tables with installation of two public bathrooms at the ends of space. Before we analyze the environment, customs, people, flows, local, time, transport, to best accommodate our concept. During the Station building explanatory model sketches, drawings, renderings and planimetry were performed, were sought concerning. We apply furean materials useful for space, and place a system to maintain night shutters controlled overnight picnic.

132.00

100.00

165.00

100.00

40.00

165.00

353.88

183.00

70.00

PLANOS COTAS

50.00

110.00

98.49

280.96

290.00

15.00

55.00

132.00

70.00

184.96

To use the model integrates so cardboard mock-up. The scale of the model is 1:20 We only use material other carton pen to explain a little colored areas of the facility. The end result just forming a barbecue in the back of the room from one end to the other. By placing two bathrooms and areas of recycling bins at the lateral ends and a few tables in the front of the premises. The tables were the most difficult element to solve because we wanted to conceptu-

307.41

alize miss unify people without creating a table across the room. We got 4 tables creating 1.1 m by 3 m long and tilting towards the ends of the other tables. The redesigned space allows us Barcelona residents have a local where to eat out in expensive restaurants for foreigners in Barcelona and Barceloneta own. A place where everyone can have the comfort of a restaurant but in a 100% charge.

155.00

85.00

132.50

355.00

72.33 40.00

100.91

85.00

340.76

115.00

72.33

132.00

312.69

154.18

130.41

REDESIGN OF A SPACE Study of my kitchen and subsequent redesign of this one The interior design consists of three elements: structure, form and function. The structure of the space has a fixed and unvarying character, but the space structure has certain characteristics. It is important to know the location, shape and size.

arranged in three-dimensional patterns according to the directives functional, aesthetic and behavior. The relationships between the elements established by visual qualities determine these patterns, functional adequacy.

During this project have described the current state of the kitchen, specifying the plane bounded plan, elevations and sections. Then I analyzed the installations plumbing, electrical, lighting, gas and smoke extraction. Also what materials and finishes would be made in my kitchen.

In the redesign of my kitchen I chose to hide the materials that blend with the kitchen and dining room. I searched how to make the kitchen a living room. Apart from Cambo surfaces and finishes have demolished the wall facing the dining room to place a sliding door that opens the kitchen or close it. Thus expanding both the kitchen space such as the living room.

First I draw sketches with measurements and finally I put measures a program of surveying. The purpose of any design is to organize the parts into a coherent whole to achieve certain objectives. The elements are

All maps are on a scale of 1:20 and details at 1:50. During the development process all the changes while maintaining aspect ratio of form and function.

2 1

DETALLE

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EDE A

CO EDO

COCINA

DETALLE VENTANA DE LA COCINA 1

2 1

escala 1.50

L’HORT DE LA LLUM VINÇON lighting installation in la sala Vinçon, Barcelona The installation l’Hort de la llum, is a large lamp, simple structure and known that this time instead of bearing fruit gives light. The facility has two rows of 5 tomato plants each, built on wooden pales painted white. Each tomato plant built in the traditional way, has different incandescent bulbs attached to the rods with the cable itself, simulating as the plant grows by the tomato. All incandescent bulbs are variable and on-off performance in loops 1 min 30 sec upstream of peak, slope of 1 min and 30 sec minimum point. All controlled with two dimers.

Each loop intends to understand the growth of panta. A embolvente and organic experience. The High Point Lighting intends to

surround and visible installation, while the point of darkness gives birth every detail “tomato” while two points of intense light in the center of leftover produce a game that allow user interaction with the system.

La invisible lighting design: http://lainvisible.pro/web/?lang=ca/ Photograpy: http://rafaelvargas.com/v3/index.html La sala Vinçon: http://www.vincon.com/blog/index. php/2014/09/27/hort-de-la-llum-mariaguell-ordis/

la sala VINÇON Mari Güell l a3 9 i n v i s i b l e

sala VINÇON

LLUÈRNIA L’HORT DE LA LLUM Lluernia festival lighting installation.L’hort de la llum 2015. The Lluèrnia festival, which in 2014 celebrated its third edition, each year invites an artist to design a garden of light. The gardener chosen on this occasion was the lighting designer Maria Güell, founder of the study The Invisible and curator of the festival of urban light LlumBCN. A simple but highly visual installation force. Three rows of tomato plants strung on poles hung with lights instead of tomatoes. Light sources slowly mature view of visitors thanks to a light controller.

The facility conducted in collaboration with the Empordà artist Jordi Mitjà could be seen from the esplanade of the bullring, a terrace with a magnificent view over the town of Olot. The production together with part of the project management is performed by the study The Invisible lighting design. He studied in which part as a Fellow of September 2015 until the end of November. Where I helped install the Vinçon and Lluernia as producer.

L’hortelana 2015: http://lluernia.cat/2014/09/17/maria-guell-hortolana-2014/

fotografia: Alberto Ortiz

Luernia: http://lluernia.cat/

lluernia 2014

al莽at tomaqueres

zoom disposici贸 cables interiors

zoom

LLUM BCN 2015 BATEC DE LLUM Light installation for the 2015 festival LlumBCN at Palau Bru ELISAVA participates in the 4th edition of the Festival BCN LAMP project Batec de llum, â&#x20AC;&#x153;Heartbeat of Lightâ&#x20AC;?, an ephemeral intervention in the courtyard of the Palace Bru, a large house built towards the end of the sixteenth or early seventeenth century.

The Brown Palace is the headquarters of the General Society of Authors and Editors (SGAE) in Catalonia and the archive are recorded musical heritage of the country. Taking the concept of creation and registration as a soul project implicit in context, people become creative lighting space. Somewhere between the digital world and the natural world, the sound waves, light and water, together generating a single record: the human heartbeat light.

The project team makes ELISAVA space behaves like a box resonance where the presence of people is recorded and translated into light, beating the passage of visitors. The project is developed in two main schemes: the floor and ceiling. In space there are pools of different diameters, full of water illuminated with LEDs. Infrared cameras, located on the walls, detect the amount of people around a pond, the recording and transform this information in digital sound waves vibrate the speakers located beneath the ponds. The movement, like the beat of a heart generates waves and patterns in the water. These patterns are reflected on the walls and ceiling of the space, generating a light living space envelope.

festival llum bcn 2015

Teacher: Jordi Ballesta Project team: Teresa Baena, Miguel Barrio, Pol Domènech, Adrià Margall, Noa Massanet, Eva Molins, Patricia Parejo, Arnau Parés, Marta Pérez, Joan Recasens i Andrea Vallvé. Programing: Eduard Castany, Raul Nieves Sounds: Roman Daniel (mans-o) Production consulting: Josep Novell Coordination: Raffaella Perrone

Links of interest: Photos: https://www.flickr.com/photos/elisavabcn/sets/72157650428934152/ Elisava: http://www.elisava.net/ca/el-centre/actualitat/agenda/festival-llum-bcn-batec-de-llum

lightecture: http://www.lightecture.com/unrecorrido-por-el-festival-llum-bcn-2015/ 8TV: http://www.8tv.cat/8aldia/programes/8-aldia-8-de-febrer-del-2015/ (min 21:00)

INTERACT 2 Interaction and experimental festival

The Inter[Act] art and technology showcase returns to the Transforma coworking space. The space will host two interactive installations, Forme de LumiĂ¨re by Macla Project and Batec de Llum.

interact 2

ÚS BARCELONA 2015 Art festival and urban space

Conceptualization and production of the urban interactive installation ‘Sant tomàquet‘ (Saint tomato). Users recreated the activities carried out in the past in the same neighborhood which, years later, was called Poblenou. One of the activities constituted sun dried tomatoes, and the other was based on dry stained textiles, for the subsequent production of yarn . On this way we invite people to take part of this experience, and knowing a little more of the origin of the neighborhood.

2015 Ú s5 5 B a r c e l o n a

Ăşs barcelona 2015

LIGHT UP BY COL路LEC Lighting inslatalion and colaboration with Col路lec

Light Up! comes from the attempt to transform a natural space into a conceptual stage through light.

To carry out this activity we counted on 60 attendees and 6 interaction points in the woods, each one with a specific concept: weightlessness, homa-ritual, waterfall, speculation, block and expectations. Each of the 6 teams had lighting material in order to create an installation in sync with the concept of that space. The members of Col路lec were spread amongst the different groups to help direct the installations.

light up col路lec

light up 2015

NAIVE HP WATER BRAND Creation and speech about the new graphic design and packaging on HP

HP smart centre

ARIDA Art direction of a new woman perfume

The book explains the visual art direction of a perfume. First Iâ&#x20AC;&#x2122;ve found the different olfactory notes of the fragance. Then I have tried to define them with some words, concepts, etc. From the relationship of these Iâ&#x20AC;&#x2122;ve made a story, which is explained in the book using all senses of the reader to understand the world of the fragrance.

These are some of the many rendres that I made this year. Renders both space and the latest products such as Stabilo marker or Bauhaus chess.

Also make some interior design or spaces, and other objects like the Eames stools, or Paimio chair.

This composition was edited with Photoshop. I chosed a photograph of a white van in order to illustrate its surface and giving it a real effect. You can appreciate how the accumulation of illustrations suit the vehicleâ&#x20AC;&#x2122;s structure.