Polished Magazine Fall 2011

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Fall 2011


Letter from the Editor This fall, POLISHED takes a turn for the dark side. We’ve embraced colder nights and shorter days, bidding adieu to the warmth of the summer sun. Explore our vision of Romantic Gothicism in our photo shoot “In the Shadows of Opulence” and editorials on designers Samuel Vartan and Daniel Hernandez. Darkness not your cup of tea? Lighten up with fresh face beauty tips, trends of S/S 2012, and answers to all of your style questions. We’ve got something for every POLISHED fashionista – so dim the lights, embrace change, and join POLISHED in our celebration of a new season, and a new you.

CONTRIBUTORS PUBLISHER Lasell College

EDITOR-IN-CHIEF Lynn Blake

Courtney Amberg Lindsay Feeney Mona Zecevic

BLOGGING DIRECTOR Courtney Amberg

FOUNDER Richard Bath

ADVERTISING DIRECTOR Brittany Turgeon

FACULTY ADVISOR Stephen Fischer

MANAGING EDITOR Holly Stephens

CREATIVE DIRECTOR Shawnda Shaffer

ART DIRECTOR Rachel Coelho

Holly Stephens Managing Editor

EDITORS

ASSISTANT ART DIRECTORS Sara Bamber Ana Shores Emily Carr

PHOTOGRAPHY DIRECTOR

ADVERTISING TEAM Julie Pomphrette Ashleigh Copeland Betsy Diacatos Alexa Frasco Cara Sylvia

STYLISTS

Shawnda Shaffer Megan Redkey Kara Laurent

ASSISTANT HAIR AND MAKEUP DIRECTOR Melissa Fraitag

AD GRAPHICS

Will Dempsey

Sara Bamber Adam Caporiccio

FACULTY EDITOR

MODELS

Becky Kennedy

Chelsea Pratt, Click Allie Farren, Click Christine Stripinis, Maggie Inc. Nicole Clancy, Dynasty

www.polishedfashion.com blog.polishedfashion.com On the Cover Photographer: Oliver Klink Model: Chelsea Pratt, Click Clothing: Samuel Vartan DesignsBlack velvet coat with floral detailing and gold lion face buttons Jewelry: G&G Creations- The “Living Room” ring- made of gold, oxidized silver, rubies, sapphires, and diamonds

1844 Commonwealth Avenue, Newton, MA 02466 | www.lasell.edu

POLISHED Magazine is produced with graphic design support from the Graphic Design League at Lasell College. Visit us at www.graphicdesignleague.com POLISHED Magazine is printed by Wing Press beau@wingpress.com


TABLE OF CONTENTS ART 3 From Lebanon to Massachusetts Writer: Marian Omidiji Graphic Designer: Kristen Fitzgerald

TRENDS 4 Sping/Summer Trends 2012

Writers: Amanda Ehrenreich, Emily Kochanek Graphic Designers: Dana McBean, Elise Cronlund

BOSTON FASHION 8 Daniel Hernandez

Writer: Julie Pomphrett Graphic Designer: Elise Cronlund

10 Fashion Unveiled

Writer: Mariana Frontera Graphic Designer: Brittney Williams

12 Samuel Vartan

Writer: Shawnda Shaffer Graphic Designer: Jasmine Hunter

ON THE COVER 14 In the Shadows of Opulence

Vendors: Samuel Vartan Designs & G&G Creations

CULTURE 20 Guapske Clothing

Writer: Sandra Brazinskaite Graphic Designer: Sara Bamber

COMMUNITY 22 More than Good

Writer: Angel Morales Graphic Designer: Renee Breau

BEAUTY 24 Style Q&A

Writer: Lindsay Feeney Graphic Designer: Emily Carr

26 Healthy Winter Skin

Writer: Ashleigh Copeland Graphic Designer: Sydnee Nelson

HOT SPOTS 29 Boloco

Writer: Danielle Cutillo Graphic Designer: Timesha Livingston

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61 NICHOLAS ROAD FRAMINGHAM, MA 01701

The Silver Woman Fine Sterling Silver Jewelry

Daisy Cabrera Owner

www.thesilverwoman.com silverwomanma@aol.com 617.969.9699 49 Union Street, Newton Centre, MA 02459


POLISHED™ Fall 2011 | ARTS

From Lebanon to Massachusetts “There is no room for prolonged contentment. I can be content today, but I must be prepared and prepped for the change of tomorrow,” said handbag designer Shaunt Sarian in an interview. Having this mentality certainly helped Mr. Sarian cope with the failures and successes he encountered in the fashion industry. Sarian Designs is new to Massachusetts and has received a respectable amount of attention since its grand opening on September 15, 2011. Prior to the birth of Sarian Designs, however, Sarian was involved with his family business in Lebanon in the 1950s, and his work there encouraged him to become a fashion entrepreneur himself. He began making samples for the fashion market of Paris. He always dreamed of living the European designer’s dream of having a studio and shop in the same building. It took Sarian multiple years and three career switches before his dream became a reality. Sarian came to Massachusetts thirty-five years ago. Upon his arrival, he realized that “Boston was not a fashion statement,” and immediately he knew he wanted to change that idea. Sarian tried to sell his handbags through various stores but was unsuccessful. He also ventured into the automotive and manufacturing industry, and then into real estate, but “none of them made me happy,” said Sarian. After nearly sixteen years, Sarian journeyed back into the handbag business, this time with much success.

Photos by Alissa Polillo

To get himself started, Sarian spent several years in Wayland, Massachusetts, working out of his home studio. He later decided that he wanted to expand his market and rented a retail space in

Newton Centre, Massachusetts. Sarian did not want his business to symbolize a brand; instead, he said, “My types of customers are women who do not need a brand to feel safe; they know themselves and are confident.” Sarian creates handbags for the individual and not “for the fashion season.” Each handbag is designed according to the personality of the owner. Before he creates his individualized pieces, Sarian “speaks with the customers, adds their names to the address book, and calls them frequently to get a feel for their personality.” That is why he uses exclusive materials like ostrich leather from the famous Klein Karoo in South Africa, Venezuelan alligator skin, python skin from Thailand, and lizard skin to create handbags for his customers. Not only does Sarian create visionary handbags, but he also repairs handbags, hoping that friendliness and service will motivate people to become his long-term customers. Even with his business on the rise, Sarian manages to influence young artistic minds by teaching at the Massachusetts College of Art and the School of Fashion Design, as well as serving on the Advisory Board of Lasell College. Soon to be classed with brands like Rebecca Minkoff, Chanel, and Kate Spade, Shaunt Sarian’s designs are ones to watch.

-Marian Omidiji 3


Spring/Summer From the Runways… Year after year, the spring aesthetic tends to be soft and floral. However, spring and summer 2012 runway trends transformed the season’s conventional feminine look, offering an unconventional and ultimately more conservative style. That is not to say you won’t see plunging necklines, but the overall essence of haute couture lines this spring is a sophisticated woman who has no need to bare excess skin. This season, designers noticeably leaned towards a relaxed silhouette. Brands such as Ferretti, Ralph Lauren, and Gucci designed many of their dresses with a dropped waist reminiscent of the flapper style. The dropped waist was complemented by a relaxed and boxy silhouette in many collections, utilizing garments that gave volume to the body instead of clinging to it. Although fabric choices appear sheer and lightweight, a subtle bulki-

ness in the clothes is prominent. There is no longer a need for form-fitting outfits to display femininity. Hemlines have also dropped to a conservative length, many appearing no shorter than knee length. Much of the Valentino collection consisted of floor-length dresses as well as kneelength A-line skirts, resulting in a traditional feminine shape. Calvin Klein designed multiple tea-length dresses, creating an elongated silhouette in a trend notable in many of this spring’s lines. Conversely, Alexander McQueen

the more ornate decorative features such as embroidery and fringe, which both debuted at this season’s shows. Many designers have sewn fringe on the ends of dresses or skirts, some even making full fringe dresses such as the Marchesa line. Designers appear to be moving away from animal and tribal patterns, many opting for nature-inspired prints instead. Chanel and Versace emphasized an under-the-sea theme using coral, water, and pearls as inspiration. Houndstooth check is still fashionable

“This season, designers noticeably leaned towards the relaxed silhouette.” had the highest hemlines, most knee length, and used an unconventional skirt style: the trumpet skirt. The fitand-flare trend that was popularized in fall 2011 is a newer trend that has infiltrated the runways. Stylistic elements aside, color appeared to be the most striking aspect of this spring’s fashion. Neutrals dominated the catwalks but were often offset by coral, sorbet, and light pink hues. The expected spring pastels made the runways again, but with a vibrant, neon flair. Unexpected for the season were the darker muted tones accompanied by black. Mauve and maroon paired with dark cobalt was prevalent, as seen in the Miu Miu line. Many other lines, like Oscar de la Renta, combined the hard edge of black leather and lace with pastel, bright colors, and sheer chiffon. Along with chiffon, lace and satin were standout fabrics on the runways this year, lace lasting for its third year in a row. Accompanying these fabrics were

and can be an asset to the working woman’s style. Floral prints are still seen but are fading out and are being replaced by geometrical designs like the art deco style. The Gucci line, in particular, revisited the early twentiethcentury art form that appeared subtly in the fall 2011 styles. The geometric style is cohesive with the color-blocking style, now on its second season. Although many of the silhouettes and shapes have become less form fitting and boxy, a feminine look still pervades for spring and summer 2012. Because of the many atypical trends for the season, the more conservative style is a fresh and chic look. Patterns, textures, and fabrics give life to otherwise dull shapes and turn a traditional spring style into an avant-garde season.

-Emily Kochanek


To create a relaxed silhouette, a basic, tailored tangerine blouse tucked into a brown high-waisted skirt will be a perfect pairing for the office. If you’re going out that night, bring accessories such as an evening bag and layered necklaces, to transform this look into after-office-hours attire. If you’re a fan of 1920s fashion, you’re in luck, because trends from this time period were prominent on the runways this season. Wearing either a dropped-waist dress or a garment with beading and fringe will emphasize the ‘20s-inspired look. To incorporate the look more subtly, add on hair accessories such as sparkly headbands with feathers or a statement piece of jewelry. For example, for the office, you could add soft accessories like a long pearl necklace and flats to a droppedwaist dress. For a more formal event, try adding heels and a clutch bag with a bold headpiece and your pearls. People will be complimenting you on your outfit all night long!

Photos by Bill Downey

Sheers and lightweights are the two fabric aesthetics of this season, so embrace them. One sheer fabric in particular that has been seen on the

runways is chiffon. This fabric is made from cotton, silk, or synthetic fibers and allows the garment to drape and pucker fashionably. Chiffon is soft and pretty, giving any garment made with this fabric a feminine, light feeling. Watch out, however, because this light fabric can be transparent. Therefore, make sure that you wear a slip of some sort underneath for coverage unless the garment has one built in. The trumpet skirt, for example, with a light sweater or blouse, a pair of flats, and statement bracelets, creates a chic look for a day out in Boston. Color blocking is still in style, which is good not only for your personal styles but also for your wallets, as your colorblocked pieces from last season can transition right into spring and summer. This color-combination technique allows you to incorporate the range of colors in this season’s palette in one garment. Color-blocked dresses are always a fun, flirty attire when attending a party or gathering and will make you stand out in the crowd.

er detailed look is fringe on any type of clothing, such as dresses, skirts, or even a shirt. This detail creates a hip, bohemian feel and would look great paired with boots and indie accessories, like headpieces and bold statement jewelry, to get the full effect.

Fall 2011 | TRENDS

To the Streets...

POLISHED™

Trends 2012 Patterns that agree with simple pieces of clothing include houndstooth check, art deco, and geometric styles. These three patterns and styles not only create a bold statement, but also make outfits stand out and look trendy. Pair these patterns with basic tees, flats, and simple jewelry like studs and one bangle for a fashionable look.

-Amanda Ehrenreich

Lace can be added to any type of outfit, whether it’s in the form of a vest, stockings, or sleeves; it’s still in! Anoth-

“Sheers and lightweights are the two fabric aesthetics of this season, so embrace them.”

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Daniel H


POLISHED™ Fall 2011 | BOSTON FASHION

Hernandez D

aniel Hernandez is a Colombian-born American fashion designer who grew up with a flair for the industry. “Since I was seven years old, I remember cutting the legs off a pair of jeans and making pillows out of them,” Hernandez said. “Lucky for me it runs in the family; my grandmother was a fashion designer and my grandfather made shoes for a living, so it was easy to learn the basics.” Hernandez attended the School of Fashion Design in Boston, where he competed with more experienced New England designers to win the Alfred Fiandaca Award of Excellence. After two years in Boston, he transferred to the Fashion Institute of Technology in New York. During his time at FIT, Hernandez studied in Paris, where he had the opportunity to learn more about fashion in its birthplace. “To get to where I am today took a lot of work, but I am proud to say today all I do is fashion, and I live off of it,” said Hernandez.

Photos Courtesy of Daniel Hernandez

Hernandez has been a part of Boston Fashion Week for sixteen years. He has produced four flourishing fashion shows with his own team, stylists, makeup artists, and models. Each year, Hernandez creates a unique collection, enhanced by the line’s theme, one-of-a-kind garments, and intriguing names. For example, Hernandez’s two past collections were named Androgynoux and Under-DE-Construction. The Androgynoux collection’s theme was the combining of masculine and feminine characteristics. This collection was designed to send a message to women that they can take control and be leaders, while the Under-DE- Construction collection was considered to be “the art of reinventing yourself.”

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This year, Hernandez showed off a collection titled Anomaly at Boston Fashion Week. “I wanted to do something opposite from what we see in the industry today, so I decided to combine textures and colors that are not very much used, and after doing some research I felt that the name Anomaly perfectly describes my collection this year,” said Hernandez. The definition of the word anomaly is something that deviates from what is normal or expected. Through Anomaly, Hernandez wants consumers to wear his clothes and feel confident and empowered when they put on his designs. The backdrop of Anomaly’s show was an on-screen makeover of a female model going through hair and makeup before hitting the runway, with background music and a robot voice repeatedly saying,

“Anomaly.” The end of the video showed the finished product: the model wearing a one-shoulder black dress, her look matted and her hair in a messy bun. At the last frame of the video, the same model appeared on the runway with a bang. Leather, rubber, and traditional fabrics were used constantly in the Anomaly collection. Garments ranged from work attire, to formal wear, to clothes for a night out on the town, all in a variety of blacks and vibrant colors such as orange and green. The color scheme and materials made each piece a hit, but what strengthened the one-of-a-kind quality was the exquisite, unique cut of the clothes. Some skirts were cut into a diamond at the hem, and shirts were cut sharply off the shoulders. “My favorite design was the finale dress: it was constructed out of recycled materials

and it took me over three months to finish. It weighs about fifteen pounds and the inside skeleton is made of metal. I was so happy with the way the model RED presented it on the runway,” said Hernandez. Hernandez’s designs are sold in various locations, including a boutique named Motley in Boston’s South End and a boutique out of Miami. In addition, Hernandez’s new Anomaly line is now being presented at the Wild Indigo Boutique in Boston’s Back Bay. His designs are stimulating, edgy, sophisticated, and unique. Hernandez’s main goal for the Anomaly collection was for consumers to gain confidence and feel comfortable in a new type of design. He has aced his goal and has a blossoming body of work to prove it.

-Julie Pomphrett


Photos Courtesy of Daniel Hernandez


FASHION

UNVEILED


ashion is not only an art but an international means of selfexpression. Visionary Jay Calderin decided to transmit his message and views by creating Boston’s very own fashion week. This week of events would cater to fashionistas all over the city and would also bring communities together. As a young adult, Calderin quickly recognized his appreciation for fashion. His learning commenced at the High School of Fashion Industries in New York City, the pulse of American fashion. This learning environment exposed Calderin to a variety of styles and trends that he could appreciate and conceptualize. “Once I began to learn how to bring my ideas to life with real skills, I was hooked on fashion,” said Calderin. The exposure and skills he gained from his earlier education trained him to see the world with different eyes, allowing him to take his visions and transfer them from a dream to a reality.

Fall 2011 | BOSTON FASHION

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POLISHED™

“The mark of a good fashion week in any city is whether or not it stimulates innovation and reflects that city’s aesthetic.” - Jay Calderin

Calderin’s inspirations come predominantly from Diana Vreeland, Madeline Vionnet, Cristóbal Balenciaga, and Christian Bérard. These iconic individuals paved the way for Calderin to go after his dreams and create a remarkable opportunity for his career, for his designers, and for the Boston community.

Photos by daniel gagnon photo

“I like to describe Boston fashion as smart. We have access to anything and everything here, but we won’t follow trends blindly,” said Calderin. As opposed to residents of New York, where Calderin began his fashion life, Bostonians are careful and intelligent about what they invest in. It could be said that Bostonians are less likely to be risk takers because of their reasoning and their “need to make sense for who we are and where we live.” It does not matter whether an item is an investment piece or a simple fast fashion; Bostonians will measure their losses. Although Boston could be considered a safe place for fashion connoisseurs to express their tastes, Calderin disagrees. “There is a great wealth of talent here,” said Calderin. He argues that talent can be represented in a diverse way, and Boston is the perfect place to do so. This talent, combined with Boston’s sense of community, is what inspired Calderin to create a fashion week in Boston. Whenever he creates a visual of a new project, Calderin is clear that no comparison to New York Fashion Week is required; it’s pure innovation. The fact that Calderin began his career in New York City invites a question: Should Boston’s Fashion Week resemble New York’s? Calderin made it very clear that the answer was a big no, stating, “The measure of a good fashion week in any city is whether or not it stimulates innovation and reflects that city’s aesthetic.” Calderin was determined to continue Boston Fashion Week, for he saw great potential in the city and its people.

Since the inception of Boston Fashion Week, Calderin’s vision has grown. An example of this growth can be seen in the addition of The Tent. “[The Tent] served as a home for a large series of runway shows throughout the week,” said Calderin. Calderin simply wants to keep each year fresh and relevant to the contemporary direction of the fashion industry. The future of Boston Fashion Week is unknown, but there is no doubt it will continue to grow and inspire those interested in learning. It will create a sense of pride among Bostonians and will educate them on the beauties of their city and the talent inside it. Jay Calderin inspired many to take risks and appreciate what they are given without blocking out the possibilities.

-Mariana Frontera

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S “I do what I do and I stay true to who I am.” The idea that consistency has a place in a world of constant evolution may seem foreign to many designers in today’s fashion industry. However, fashion designer Samuel Vartan has found a way to establish a successful brand without chasing trends. Samuel Vartan is a man of many cultures, with roots in Greece, Lebanon, Canada, and now Boston. Even with such vast cultural exposure, he still searches for inspirations in Europe. “There is enough inspiration in Europe to last me five lifetimes,” Vartan said. Add a lifetime of travel, cultural stimulation, and musical expression, and the result is a collection of rich velvets, sensual lace, sharp leather, and soft linens. From a rich velvet dress to a leather jacket, each design is constructed to make a statement of confidence and power. Vartan’s Dark City line is meant to express who he is in the fall and winter, while Mediterraneo represents Samuel Vartan in the spring and summer months. I sat down with Samuel to find out where it all began and where he plans to go. As a consumer and a stylist, I know that clothes are always deeper than the fabric. Every design starts with inspiration and a vision. In the end, a collection is left to tell the entire story.

amuel Vartan


A: I was born in Athens, Greece, and at

: Where do you find your greatest inspiration?

hood and where you are from.

an early age we settled in Beirut, Lebanon, while my father finished his studies. In 1968, we moved to Montreal, Canada, where I grew up. Traveling allowed me to experience all kinds of different beautiful cultures.

Q

: What was life like before you became a designer, and what led you to where you are now?

A

: It was about finishing school in film and communications while fronting a band in the ‘80s. I was quite actively involved in the art scene, and Montreal allowed for my artistic freedom. I never thought of myself as a fashion designer. I was still trying to decide whether I wanted to continue musically or in the film industry. A series of events must have happened that narrowed it down and led me to fashion, both creatively and financially.

Q

: What was the process in establishing your brand?

A

Photos Courtesy of samuel vartan

: My first design experience was creating outfits for our band’s last tour. Interestingly enough, I was designing to end something. My next experience was when a friend of mine at a café eatery asked me to dress his waitresses. When my designs got to the pattern maker, my talent was noticed and relayed. Next thing I knew my name was on the label. Friends of friends started making requests, and next thing I knew I was running a shop out of my mother’s kitchen- poor woman! I realized this business was taking on a life of its own, and the rest is pretty much history. In 2001, I started the company with my first name, Samuel, and my middle name: my grandfather’s last name, Vartan.

Q

: How do you want your consumer to feel when he or she wears your garments?

A

: I want them first to feel as though they are transported into a reflection of my thoughts, feelings, and inspirations. If a woman puts on one of my linen dresses, I want her to feel like she is on vacation. If they put on one of my velvet jackets I want them to feel like a rock star. I want

Q

A

: Travel is a big deal for me. There is never a shortage of information that comes to you. And film, ‘60s and ‘70s films, and the icons that came out of those eras are very inspiring. The ‘60s is when I grew up, and that world was influential to me. In my time, thick eyeliner, tight-fitting mini dresses, and cleavage were the norms. I was surrounded by bold women and men who clearly loved fashion. I find the most inspiration from my own experiences with other cultures, especially in Europe.

“There is enough inspiration in Europe to last me five lifetimes.” Q

: What is your least favorite part of the design process? What is your favorite part?

A

: I enjoy the whole process. There is no part that I hate. That is why I do it. Of course I enjoy turning my ideas into something tangible. The hardest part is waiting for the samples to arrive. I am still surprised when I show people the end product and they say they want to buy it and wear it. I am still excited, you know; I feel like a little kid.

Q

: Who do you admire most in this business?

A: Of course that would be Georgio Ar-

mani. He has such a love for fabric, and his story is amazing too. He was on his way to med school and was working as a window dresser with fabrics, and he simply fell in love with it. He was worried to tell his family he wanted to leave the medical field and pursue a career as a designer. I can relate to that feeling that if I don’t do this, I will die. He was the first guy I looked up to as a human being, designer, and business man. I was wearing Armani before I even knew who Georgio Armani was.

Q

: What is your biggest accomplishment thus far as a designer?

A

: As a person, of course I would say my son. But as a designer, I would have to say that my latest collection is my biggest accomplishment thus far. Every collection that I have done seems to be getting a better response. I want to do this to the end as a student. I have learned a lot from a lot of talented people in this industry and I would not be where I am without them. It is just so rewarding knowing that I can make a life out of doing something I love.

Q

: How do you like being a designer in a city such as Boston?

Fall 2011 | BOSTON FASHION

a woman to feel confident in herself, her career, and her body.

POLISHED™

Q: Tell me a little bit about your child-

A

: It is not a surprise that when you come from Montreal, which I consider to be a smaller version of New York, it is hard. There is so much talent out there. But it is hard when you come to Boston. I think the puritan stigma is still here. It is a sports city. Fashion and sports for me don’t go together. I think things will change. I think what has to happen is that Boston needs to expand its horizons. I have to search far and wide to find the European taste and an audience that I can appeal to. It’s a tight city; I think people are very uptight about spending money. However, Europeans would starve themselves to get a dress they want. But I am still here.

Q

: Where do you see yourself and your brand in the next five to ten years?

A

: That’s a hard one, because I always thought I would be back in Montreal or in New York City to give my business the chance that it deserves. But it is important, no matter where I am, that I get my daily dose of fashion.

Q

: As a wrap-up, are there any particular 2012 trends that you hope to capitalize on in the near future?

A

: Anyone who knows me is aware of the fact that I do not follow trends. I am not a forecaster; I stay true to myself. I do not want to be a trendsetter or trend chaser. I just do what I do. I want people to easily recognize a Samuel Vartan piece; then, I have done my job.

-Shawnda Shaffer 13


In the Shadows of Opulence Photography: Oliver Klink Apparel: Samuel Vartan Designs Jewelry: G&G Creations Hair and Makeup: Krystal B.


On Left: Long coat in black velvet & floral detailing w/gold lion face buttons Jewelry: Chandelier earring made of gold, silver, & rubies On Right: Black velvet hooded sleeveless dress w/ front tie neckline & mermaid hemline Jewelry: Medusa bracelet & Medusa ring made of oxidized silver, gold accents & white diamonds


On Right: Long backless back sequin dress. Jewelry: Natural emerald ring and chandelier earrings On Left/Top: Waist level black satin corset back long satin laces paired with a black faux chinchilla dress and a cotton butterscotch a-line skirt Jewelry: Stackable crown rings with oxidized silver, gold, & white diamonds, couture dome ring is yellow/blue/white diamonds w/ oxidized silver Bottom: Crushed wine velvet w/ plunging v-neckline and side slit Jewelry: The “Grand Entrance” ring made of gold, oxidized silver, rubies, diamonds, & sapphires & necklace made of gold, silver, & diamonds




On Right: Light green & gold floral design lace dress Jewelry: Yellow diamond dome ring made of yellow gold, oxidized silver & yellow/blue diamonds paired w/ stackable rings & chandelier ruby earrings On Left: Sheer metallic gold dress with thigh-high side slits Jewelry: Gold and white diamond swirl earrings & “Starry Night� ring made w/ oxidized silver, gold accents ,sapphires, & yellow diamonds


Skeing is believing.


Photos courtesy of mike lopez

The creator of this brand is Mike Lopez. Lopez discovered his passion for design in high school. Strong social values and creativity gave him the opportunity to express his ideas through design, as well as to develop his own brand. In this search for creativity, Lopez has overcome much adversity. Lopez lost his mom when he was very young. After this tragedy, he was handed over to the state. Throughout his youth, Lopez was a troubled young man but had a yearning to be creative. In high school, he had a breakthrough in identifying the kind of art he wanted to make. Lopez had an itch for creative design. Art was a way for him to release the anger and aggression he harbored inside himself. Before Lopez arrived at the idea of starting a T-shirt company, he held different jobs and worked on different projects. These were unrelated to fashion, and he did not enjoy them. Lopez’s interest in fashion and the energy and time he was willing to put into the field eventually led him to the fashion industry. In 2008, Lopez became a graphic designer and started to translate his ideas onto T-shirts. The name of his brand, Guapske, came from the word guap, meaning money. The term guapske was used by Lopez and his friends as a joke and a slang phrase.

Fall 2011 | CULTURE

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uapske creates clothing for individuals who are not afraid to make a fashion statement and showcase their personality through their own unique style. Guapske represents creativity, expression, independence, and individuality. The line consists of graphic tees, button ups, and v- necks for both men and women.

POLISHED™

GUAPSKE CLOTHING Lopez said, “Guapske is a brand which speaks for itself.” Lopez’s company has the motto “Skeing is believing.” It is his way of saying, “Seeing is believing” and of believing that nothing is impossible. Lopez tries to surround himself with people who share his vision. He believes that to be successful in the fashion industry, you have to stay up to date in fashion, know what is in style, and put your own vision into the style. According to Lopez, the most challenging part of his job is pulling inspiration, doing research online, and getting ideas from the outside world and society. For Lopez, the most rewarding part of being in the fashion industry is seeing people who support and buy his products. Lopez believes that to be a designer in the American fashion industry, a person needs to look for potential and discover his or her own creative twist. Lopez always does what he wants. He said, “People support your brand or not. To approach your own design or illustrations, you have to use certain phrases, expressions, and styles and change them to make the Guapske style.” For any aspiring logo designer, Lopez’s advice is to “do a lot of research and promote your ideas through the social media.” Currently, Lopez is working on next year’s spring and summer collections. The world can expect to see a lot of new trends emerging from Guapske Clothing.

-Sandra Brazinskaite

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or MthanE

good

Next time you are strolling downtown near the Hill, make sure to stop by and be inspired. You know you’ll be making a good purchase.

oston’s Beacon Hill offers allure, architecture, prestige, and history; it also offers a store that brings good inspiration to everyone. Good is a timeless and sophisticated home goods, accessories, and curiosities store. The store is located at 88 Charles Street, which is the epicenter for shopping at the foot of the Beacon Hill area. Good first opened eleven years ago, offering only home goods. Since then, the store has expanded its merchandise and has become a unique place to find gifts, accessories, or whimsy décor. Owner Paul Niski worked in New York’s fashion industry for many years, which trained a sophisticated eye that is readily apparent in good’s aesthetic. Niski realized his love for Boston and decided that Beacon Hill was the perfect location for his store and his vision. “It’s a real neighborhood, peaceful and intimate, a perfect environment for good,” said Niski. Though the store is very small in terms of square footage, it makes up for that in intimacy. The interior is bathed in light, with neutral colors that make the store seem spacious enough for the amount of merchandise that is on the selling floor. The arched windows not only are architecturally pleasing but also allow a great deal of natural light into the space, creating an inviting atmosphere.

With respect to community, good fits in seamlessly with the Beacon Hill crowd. Owner Paul Niski and Manager Katie Baillie strive to create a friendly, personal relationship with their customers. Whether they help a customer find gifting ideas or invite someone to try on a well-crafted piece of jewelry, Niski and Baillie aim to please every customer who walks through their door. The Goods The goal of good is to offer unique items to customers. To achieve this, the owner mainly works with New York-based designers who produce handmade products. Good’s merchandise is timeless and sophisticated, making each item a great buy that can be worn at different life stages. The store sells merchandise such as small decorative goods, vintage and antique objects, handbags and other leather goods, and jewelry for both men and women, at various price points. The owners try to bring new items into good on a monthly basis, offering customers consistent motivation to stop by and see what’s new.

-L. Angel Morales

Photos by L. angel Morales

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Who would have thought a scientific object would be great for decorating? These radiometers not only are made in Germany from beautiful mouth-blown glass but are also functional. The inside spins as light hits it, making this item a perfect desk object.

Fall 2011 | COMMUNITY

Rush, by Denis and Charles, makes these intertwined beauties. They are designed from leather and silver-plated clasps. The simplicity of the lines makes them a perfect everyday accessory.

POLISHED™

Since fall marks the start of the holiday season, here are five recommendations for outstanding gifts from good that won’t break the bank. Each is priced below $100.

These wonderfully small metal coins are a bit of playful fun and are handmade by designer Tamara Hensick. Why leave anything to fate anymore when you can just flip the coin and know the answer?

Try out your luck! Gift this wishbone keychain and bring good luck to your loved ones. This item is also handmade by Tamara Hensick and is created from zinc and stainless steel, to give it a sophisticated, whimsy appearance.

Wallin and Buerkle handcraft these initialed necklaces made from sterling silver and gold vermeil. They are a perfect gift for a woman of any age, and the personal touch of the initials will be greatly appreciated.

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STYLE Q&A Q: Are there fall/winter clothes that will still be in style for next spring?

Trends do change with the seasons, but luckily there are transition pieces that can be worked into an off-season wardrobe. Color is an integral element of fashion, and this fall was filled with neutrals. The neutral color palette is expected to carry over into the spring season, along with pops of pink and sea-foam green. Transparent chiffon blouses were prominent fashion staples during fall 2011, and we will be seeing even more of this trend in the upcoming spring months. Spring’s play with transparency will include the blouses we fell in love with last season but will also appear in feminine cutouts and netted garments. Nontraditional hemlines on skirts and dresses appeared at the end of fall 2011, which gives us reason to believe that more will be emerging in springtime fashions. If you were one of the few who rocked a high-low, mid-calf, or handkerchief hemline this fall, feel free to incorporate that piece into outfits during the spring and summer months.

Q: What do you think will be the perfect spring outfit?

If it’s a pleasant day in terms of weather, the perfect spring outfit consists of three crucial pieces: a top, a skirt, and a jacket. The top would be a basic, slightly cropped style in the vibrant sea-foam color that splashed across spring runways. This is a standout color for the spring season, so don’t drown it out with extraneous pattern detail. Pairing the shirt with a pleated tan, mid-calf skirt in a chiffon material will add interesting texture and


POLISHED™ Fall 2011 | BEAUTY

“The most important thing to remember when choosing your winter footwear, or any piece of your wardrobe, is to stay true to your personal style.”

movement to the ensemble. The icing on the outfit would be the jacket: a translucent raincoat. This unique item gives an edgy, futuristic look to any ensemble and protects your stylish outfit from any unexpected April showers. If your personal style is more masculine, swap the feminine skirt for a pair of simple white or black jeans. The crisp white will lighten the look, while the black will create a harder appearance. No matter which look caters more to your personal style, add some edge to your outfit via a gold chain necklace or studded cuff to fashionably offset spring’s typical feminine vibe.

Q: I love my UGG boots, but I feel they aren’t “in” anymore. What do you think? UGG boots are surrounded by controversy, as they have been named both the most comfortable and the most unattractive shoe on the market. When living through cold New England winters, to UGG or not to UGG is a very tough choice. Though the sheep-wool-lined boots insulate, the warmth may come at the cost of your fashionista nametag.

ILLUSTRATIONS BY MARYAH DUPLISSIE

If you’re unhappy with the aesthetic of your UGGs but love the comfort and warmth they provide, I suggest looking into brands like The North Face and Columbia. Boots from these designers are built to keep your toes toasty, but unlike the classic UGG, these brands offer a variety of styles. The most important thing to remember when choosing your winter footwear, or any piece of your wardrobe, is to stay true to your personal style. If the feeling of UGGs on your feet won you over despite their appearance, keep on wearing them. Keep in mind that it’s not what you’re wearing; it’s how you wear it.

-Lindsay Feeney

Submit your style questions at our POLISHED formspring account: http://www.formspring.me/polishedtm 25


Healthy Winter Skin 6 Tips & Tricks for Healthier Skin This Season

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s fall blows in, people seldom think about the care they give to their skin. In fact, the change in season affects people’s skin in a variety of ways. Marguerite Copeland-Dodson is a beauty consultant for ARBONNE International and has been consulting for eight years. Having worked closely with her, we have seen many clients with a range of skin issues. The fall and winter months are her busiest seasons for many reasons. The dry air leaves your skin craving moisture. Stress from a hectic work schedule or the start of a new school year causes breakouts and blemishes. Social calendars quickly fill; therefore, the likelihood of eating fast food and not getting enough sleep increases. In general, the everyday hustle and bustle of life in the fall and winter months has a negative impact on your health; however, there are ways to counteract the onslaught of the elements. Copeland-Dodson says, “Basic skin care on a daily basis is essential to all ages, regardless of race or gender.” For basic skin care, first determine your skin type, and then choose products that work best for you.

There are three general skin types: dry, oily, and combination. Each may require a different skin-care regimen and/or combination of products. Dry skin requires a cleanser that contains moisturizer without being soapy. The Hydrating Freshener + Cleanser from ARBONNE International is a facial moisturizing cleanser that leaves your face feeling clean, smooth, and revitalized without the drying effects of soap. This particular cleanser eliminates the need for a toner, as toners are often alcohol based, causing your skin to sting and become even drier.

However, using a toner can benefit those with oily skin. Toners help to bring skin back to a natural state of equilibrium, while stripping it of toxins, pollutants, and oils. If you experience constant oily skin, try washing your face multiple times a day: morning, midday, and evening. Copeland-Dodson recommends ARBONNE International’s Purifying Cleanser + Toner because it eliminates the need for a separate toner. Combining two separate products into one can save time and money. She says, “Having a skin-care regimen need not be complicated, nor should it require lots of time. Keep it simple.” ARBONNE’s Purifying Cleanser + Toner also contains fresh strawberry and kiwi extract, so it smells great.


POLISHED™ Fall 2011 | BEAUTY

When dealing with combination skin, many people have difficulty finding the right moisturizer. It is important to moisturize dry areas without adding excess oil to areas that don’t need it. To avoid a greasy feeling, wash your face at least twice a day. Pairing an all-natural cleanser with the Have a Nice Day moisturizing lotion by Origins is perfect for combination skin. The lotion has a grapefruit scent, contains soybean oil to nourish skin, and also includes SPF 15 protection from sun damage. A person’s environment plays a huge part in his or her skin health. Pollutants and toxins in the air may cause blemishes and breakouts, while healthy eating and proper hydration can counteract some imperfections. Though not all problems are caused by environment pollutants, Copeland-Dodson constantly reminds her clients that “daily maintenance assists in removing dead cells, rejuvenating new growth, and repairing damaged skin, depending on products used.” Along with daily cleansers and moisturizers, adding a facial scrub to your regimen can counteract those pollutants and toxins. Using a facial scrub like Burt’s Bees Peach and Willowbark Deep Pore Scrub will exfoliate the skin and remove dead skin cells. Facial scrubs clean more deeply into your pores than a regular cleanser, so more dirt and oil are removed from your skin. Excessive use of facial scrubs can dry your skin out and can cause redness on sensitive skin; therefore, less is more. For women, caring for your skin before and after applying makeup is crucial. Before you put on your makeup, use a primer to create a smooth canvas for application. Makeup primers don’t require as much foundation, allowing your pores to breathe throughout the day. ARBONNE International’s makeup primer is silky, vitamin-rich, and lightweight, feeling almost invisible under your makeup. After a long day, it is important to take off your makeup with a makeup remover. Removers without an alcohol base, such as Neutrogena’s cleansing towelettes, leave your face clean but will not sting or burn sensitive skin.

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Though all-natural products are better than those with heavy chemicals, be sure to read the ingredients. If you have allergies, stay away from products that use extracts from certain nuts and fruits. Your first time using a product should be the time you are most cautious, so apply a small amount to an inconspicuous area to test it out first. Products aside, the best thing you can do for your skin is get adequate sleep and eat a balanced diet. During sleep, your body grows new skin cells and repairs itself, so sleep is essential in creating radiant skin. Eating healthily and staying hydrated are just as important in achieving fresh and healthy skin. Although new seasons bring change, Copeland-Dodson believes your skin-care mantra should be “Make loving your skin part of your daily routine. The difference you make now will surely pay off for years to come.” For more information about ARBONNE International, visit arbonne. com, or email Margueriteville@comcast.net.

-Ashleigh Copeland

AIRBONNE

INTERNATIONAL

55 Union Street-Newton, MA 02459 p.617.796.9600-f.617.796.9601 carol@loptiqueboutique.com www.loptiqueboutique.com 349 Auburn St, Auburndale, MA 02466 Phone: 617-964-4004 Fax: 617-964-0490

newbreadsongcorner@verizon.net

Fresh baked good; European crusty breads; a large variety of tea breads

Hours: M-F 6:30-6:00, Sat. 7:00-3:00, Sun. CLOSED

Web: www.breadsongbakery.com

PURE SWISS SKIN CARE Formulated in Switzerland · Made in the USA

COLOR/NUTRITION/AROMATHERAPY

Marguerite Copeland-Dodson Independant Consultant, ID #16421727

508-963-3866 margueriteville@comcast.net Pure Swiss Skin Care-formulated in the U.S. Affordable solutions for every budget. Men, women and children. All skin types, all issues. Normal, dry and combination skin care for face and body. Includes solutions for acne, anti-aging and sun damaged skin. Making clients smile one face at a time. For a free consultation contact Margueriteville@comcast.net. www.Arbone.com


Fall 2011 | HOT SPOTS

A Burrito Like No Other

POLISHED™

Boloco BOLOCO

[...named Best Burrito by The Boston Globe’s blind taste test in 2008]

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oloco is a Boston-based burrito restaurant chain that strives to be different. Inspired by their customers, Boloco’s menu features a variety of burritos, wraps, and salads. If you do not see a flavor that you like, you are invited to put together your own! Smoothies and shakes are also served. Some of the side dishes offered are tortilla chips, guacamole, and chocolate chip cookies. Boloco prices are low, starting at $3.95 for burritos and $5.35 for wraps and salads. You can buy a mini burrito if you are not too hungry, a small burrito (regular size), or an original (the largest size).

Photos by danielle cutillo

Energizing music plays at each restaurant. Hanging on the walls are vibrant paintings created by artist Sean Boyce, the local artist for all New England Boloco restaurants. The oil paintings show some of Boston’s special sights and locations.

John Pepper is the founder and CEO of Boloco. Cofounder Jason Hutchinson is the creative force behind Boloco’s burritos, salads, and smoothies. He oversees culinary training to make sure the team produces a product Boloco can be proud of. In 1996, Pepper, Hutchinson, and their friend Gregg Harris were determined to start a burrito or wrap shop. In 1997, their first shop, Under Wraps, opened across the street from the Berklee College of Music. Their goal was to serve the traditional Mexican burrito, but with unexpected and bold flavors to attract customers. In 1998, the shop’s name was changed to The Wrap, and two more shops were opened in the Boston area. Harris left the business in 1999 to pursue his MBA at Columbia. In 2005, the name was changed to Boloco because of concerns about the word wrap, which suggested cold deli meats and pita bread. Boloco has won many awards over the years, including Best Burrito by The Boston Globe’s blind taste test in 2008, and it was named Best Fast Food by Barstool Sports in 2008. Boloco truly cares about its customers and about the local community. Boloco shops like to get involved, like to know their customers, and like to help out by being a donor to a local cause. If you are sponsoring events, the Boloco catering team is there for you. You only have to order twenty-four hours in advance, and their team will deliver on time, with plates, napkins, silverware, serving utensils, and tablecloths. There are seventeen locations altogether: fourteen in Massachusetts, two new shops in New Hampshire, and one in Vermont. The Boloco locations are not hard to find, and it is definitely worth taking a trip to experience the food firsthand. If you are a fan of Boloco, follow them on Twitter and Facebook for the latest updates.

-Danielle Cutillo 29



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