Pooya AleDavood Architecture Portfolio 2018

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POOYA ALEDAVOOD

ARCHITECTURE PORTFOLIO



pooya aledavood ARCHITECTURAL DESIGNER B.Sc., M.A., M.Arch., OAA Intern

00

ADDRESS East York , Toronto, Ontario EMAIL p.aledavood@mail.utoronto.ca INASTAGRAM @p.aledavood URL linkedin.com/in/aledavood

+ PERSONAL INFO: CANADIAN, 1987, ENGLISH - FARSI

PROFESSIONAL EXPERIENCE Moriyama & Teshima Architects, Toronto, Canada, OAA Intern, 2019 - Present Lebel & Bouliane Architects Inc., Toronto, Canada, Design Intern, 2018 Strasman Architects Inc.,Toronto, Canada, Architectural Designer, 2016 - 2017 Attis Co. ,Tehran, Iran, Landscape Designer, 2009 - 2014 Avam Architectural Group, Tehran, Iran, Part-Time Landscape Architect, 2012 Rhythm co. Tehran, Iran, Architectural Assistant, 2011 Kerug architectural group, Tehran, Iran, Landscape Designer, 2010 - 2011 Match Co. , Tehran, Iran, Interior Designer, 2010

ADDITIONAL EXPERIENCE University of Toronto, Teaching Assistant and Guest Critique, 2017-2020 Safdieh Architects, Lebel and Bouliane, SAI, Architectural Photographer, Since 2018 University of Tehran, CEAT, Teaching Assistant for UAE Field Trip, 2013

EDUCATION Master of Architecture Professional Degree, The University of Toronto, Canada, 2018 IPLAN Bridge Training, Architecture, Ryerson University, Canada, 2015 Master of Architectural Engineering, Azad University Tehran Central Branch, Iran, 2012 Bachelor of Landscape Engineering, The University of Tehran, Iran 2009

EXHIBITION Beneath the City: Rivers, Seoul Biennale 2021 Resilient TO, Daniels Faculty of Architecture, Toronto, 2019 Specimen and Fragment, Daniels Faculty of Architecture, Toronto, 2018 Here and There, Areej Art Gallery, Toronto, 2017

AWARDS AND HONOURS Winning Scheme, Dubai Expo 2020 Canada Pavilion, MT Architect, Ottawa, 2019 CA, AZ, WAN Awards, Guelph Honeybee Centre, MT Architect, Guelph, 2019 - 2020 Most Creative Award The Stop Community Food Center, Toronto, 2016 Token of Gratitude for Teaching in Festival of Sketch and Design Methods , Tehran 2011 Competition for a Dialogue Space, University of Tehran, 2011

SKILLS Rhinoceros 3D SketchUp Revit AutoCAD 2D & 3D V-Ray Processing - GAN Photography

Illustrator Photoshop InDesign Flash MX Corona LASER cutting Woodshop

Sketch Book Pro MS Office 3ds Max Grasshopper Lumion - Enscape CNC Hand Sketching

INTERESTS Lamborghini Countach LP400, Hot Chocolate, Slavoj Zizek, Pulp Fiction, Crystal Planet, Manhattan NYC, S,M,L,XL ,Calligraphy, Arial Photography


Access Interconnectivity REINCARNATION OF TORONTO PATH SYSTEM THROUGH POINT CLOUD GENERATION PROCESSES

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PROJECT TYPE Tourist Hub - Individual U OF T, MARCH. THESIS Professor Laura Miller DATE 1st Semester of 2018 – 4 Months LOCATION Toronto, Canada This thesis leverages three extant infrastructures within downtown Toronto, to create a new Tourist Hub: the city’s underground pedestrian system, the PATH (itself an attraction to tourists); a long and short-haul bus terminal connecting with local and regional destinations; and downtown Toronto and Ontario-based tourist attractions, events, and itineraries (such as the CN Tower, Nuit Blanche, Niagara wine-tasting). Central to each infrastructure is a presumption of access; the Tourist Hub as a hybrid building type brings inter-connectivity and access between them. A new collection of uses – hotel, offices, performance spaces – creates a site of activity, exchange, services, shelter, and entertainment.

OPPOSITE PAGE

Plug-in City, Activating the existing nodes of PATH using multifunctional additions



THIS PAGE

Point cloud generation to interior space formation / Existing PATH spaces were abstracted and combined to form an elevated interior plaza with familiar proportion to the PATH users OPPOSITE PAGE - TOP

Design process stereo panoramic collages create and test the space from inside out OPPOSITE PAGE- BOTTOM

QR Codes Stereo panoramic VR views to be scanned by Iphone camera app


ACCESS INTERCONNECTIVITY

Guggenheim Vatican

Charles du Gaulle Brookfield

Elevatred PATH

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ACCESS INTERCONNECTIVITY

BOTH PAGES

PATH and Elevated PATH

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+ LUXURY HOTEL + HOTEL + OFFICE + RESIDENTIAL + RETAIL + TRANSPORTATION + CULTURAL

THIS PAGE

Hour diagram comparision Toronto Tourist Hub vs Brookfield OPPOSITE PAGE - TOP

Constituency diagram OPPOSITE PAGE - BOTTOM

Program diagram


ACCESS INTERCONNECTIVITY

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OPPOSITE PAGE

PATH and Elevated PATH

THIS PAGE

Urban Context


ACCESS INTERCONNECTIVITY

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OPPOSITE PAGE - TOP

Interior Perspective Bus Arrival OPPOSITE PAGE - BOTTOM

Interior Perspective Lobby THIS PAGE

Eleveted PATH: Structure, Shell, Pods, Continuity


ACCESS INTERCONNECTIVITY

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OPPOSITE PAGE -TOP

Facade, Bay St.

OPPOSITE PAGE - MIDDLE

Facade, Edward St.

THIS PAGE

Exploded Axon


ACCESS INTERCONNECTIVITY

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confluence point CULTURE + COMMUNITY IN LIVE WORK DISTRICT

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PROJECT TYPE Urban Design - Group work COMPETITION Urban Land Institute DATE January 2018 – 20 Days LOCATION Toronto, Canada Confluence Point is located at the nexus of three planned high-order transit projects (SmartTrack, Downtown Relief Line - DTRL, and Broadview LRT) with views to the lake and city skyline. Confluence Point is inspired by its location and extends by linking adjacent neighborhoods, connecting to Corktown Common through a new pedestrian bridge, and creating a new road connection by extending East Don Roadway south to the site. Apart from connecting developments to existing communities, Confluence Point aims to improve the quality of life for both local residents and commuters. Offering higher proportion of two- and threebedroom units than typical in the market, Confluence Point targets professionals and younger families who are looking to set down roots with potential to “move-up” into larger units. These residences will be set within a network of pedestrian-ized mews connections, courtyards and plazas, activated by at-grade retail and cultural/entertainment offerings. The marquee building will be the signature -60 storey Grand Assembly Tower, located above the planned Broadview subway stop on the DTRL, and connected to the SmartTrack via a weather-protected retail concourse (“PATH” system). The commercial component of the tower will target Toronto’s burgeoning tech sector with flexible coworking/shared office facilities and thus differentiate it from the East Harbour development. Like the city in its backdrop, Confluence Point is built to be dynamic and welcoming; a vibrant hub, and an intimate home. + TEAM: LYDON WHITTLE, CARLOS PORTILLO, NICK CALLIES

BOTH PAGES

Render of Central Plaza


CONFLUENCE POINT - LIVE WORK

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THIS PAGE - TOP

Project siteplan OPPOSITE PAGE - MIDDLE & BOTTOM

Construction phase 1,2 and 3 and their program mixtures OPPOSITE PAGE

Phase 3 open public space Perspectives


CONFLUENCE POINT - LIVE WORK

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cluster landscape INTEGRATION OF CLUSTER RESIDENTIAL DESIGN CONCEPT AND LANDSCAPE

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PROJECT TYPE Residential Complex - Individual IAUCTB, MARCH. THESIS Professor Ali Saremi DATE 1st and 2nd Semester of 2011-2012 – 7 Months LOCATION Tehran, Iran This thesis is an effort to revitalize the neighborhood concept through a new residential complex. With an abundance of high rise buildings, more and more people are deprived of private and public open spaces and landscapes. This project investigates the possibility of creating a middle density residential project through the use of the landscape. Thresholds on various scales, and usable open spaces with private, semi-private and public functions are defined by relating the concept of landscape with cluster designing. Many of these spaces have been supported with a variety of services and facilities including shopping, resting areas and restaurants. This type of designing is introduced as Cluster Landscape. The project is located in one of the green corridors of Tehran, adding high environmental value for the residents. Separation of vehicles and pedestrians provide a tranquil and safe central space defined as a «No Car Zone». Complex arrangement is devised with respect to the existing adjacent urban fabric, natural light and ventilation. The unique mixture of suites in each building is based on anthropological studies of the area. In addition, main windows and openings are shaped to enhance the place attachment emotion to the space; light, view and privacy are controlled by fixed and movable levers in the project.


CLUSTER LANDSCAPE

THIS PAGE

Aerial Perspective

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CLUSTER LANDSCAPE

+ FLOWER-BOX

+ CROSS VENTILATION

+ TOP CANOPY

+ SIDE LOUVER

+ INCREASE OF PRIVACY LEVEL IN PUBLIC OPEN SPACES

+ WINDOW BLIND

+ PRIVACY SHUTTER

+ PRIVATE OPEN SPACES


CLUSTER LANDSCAPE

THIS PAGE - TOP

Project components diagram

OPPOSITE PAGE - TOP

Design concept diagrams

BOTTOM

Sections

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CLUSTER LANDSCAPE SUITE

LEVEL

+ MAIN FLOOR

SUITE

SUITE SUITE LEVEL

+ FIRST FLOOR

SUITE

SUITE SUITE LEVEL

+ SECOND FLOOR


CLUSTER LANDSCAPE SUITE

SUITE LEVEL

+ THIRD FLOOR + FOURTH FLOOR

OPPOSITE PAGE

THIS PAGE - TOP

THIS PAGE - BOTTOM

Unit layout typologies

Unit layout typologies

North facade render

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BOTH PAGES

Physical Model


CLUSTER LANDSCAPE

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lakme opera stage CELLULAR AUTOMATAIZED ABSTRACTED TREES

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PROJECT TYPE Scenography - Group work U OF T, ADVANCE COMPUTER Professor Ultan Byrne DATE November 2016 - 45 Days LOCATION Toronto, Canada

This project is stage design for the opera of Lakmé by Léo Delibes, in which the first act takes place in a temple, deep in the forest. In the jungle, Lakmé and her servant pick up flowers and enjoy the nature. The design process consists of three different steps. First, overlaying the abstracted black and white photos of jungle to create a dense landscape. These images were then taken into the cellular automata algorithm. This code is used to extrude forms from given images by identifying color of a pixel and its neighbors (either black or white) and extrudes the white cell. The final step was to create an object of the final form. Using the code of marching cubes and the outputs form each cellular automata, the combination of voxelized layers offer a variety of perspectives to the spectators and play with the shadows of the extruded forms as well as the shadows of the scene, bringing more depth to the stage. + TEAM: CASSANDRE FIRMIN, AIDAN LOWETH

BOTH PAGES

Stage design render


LAKME OPERA STAGE - CELLULAR AUTOMATA

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LAKME OPERA STAGE - CELLULAR AUTOMATA

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THIS PAGE

Backstage perspective

OPPOSITE PAGE - TOP

Stage layout

OPPOSITE PAGE - BOTTOM

Design Process diagram


Urban catalyst DEMOCRATIZATION OF ART AND CULTURE THROUGH OUTDOOR EXHIBITION SPACE

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PROJECT TYPE Museum - Group work U OF T, COMPREHENSIVE STUDIO Professor Vivian Lee DATE 2nd Semester of 2017 – 2 Months LOCATION Toronto, Canada Through sharing its contents with the public realm, we believe that Museums will repeal the historically classism ideals in favor of a new paradigm that converges with the public while still maintaining an undefined position. Our museum design strategy was to first preserve the existing heritage facade north of the site. This preservation was important since the facades embodied the rich historic qualities of Wellington street. Recognizing that this could not be recreated, we sought to savor and express these qualities by contrasting its rich history to that of both the present context and the proposed intervention. Setbacks from the existing façade were created to establish vantage point for viewing the celebrated facades. Recognizing that the proposed rail deck would attract activity from the north, a public pedestrian corridor was created, linking Wellington street to Front Street. Our design philosophy towards museums was implemented by establishing an outdoor exhibition space sandwiched between the old building and the new building’s footprint. this space as a central node a public pedestrian bridge passes through the building from the Rail Deck and injects pedestrians directly into the Outdoor exhibition space through a series of ramps. Along this internal public channel, theatre, restaurant, and museum gallery spaces are positioned to evoke interest and ultimately a desire to deviate from the path by entering the programed spaces. + TEAM: LYDON WHITTLE


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URBAN CATALYST - OES

TOP

Perspectival section


THIS PAGE - LEFT

Facade, Structure and overall

OPPOSITE PAGE - TOP

Gallery perspective + QR codes for stereo panoramic views OPPOSITE PAGE - BOTTOM

OES view + QR codes for stereo panoramic views


URBAN CATALYST - OES

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URBAN CATALYST - OES

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TOP

Plans

THIS PAGE - BOTTOM

Pedestrain path under the soffit

OPPOSITE PAGE - BOTTOM RIGHT

Interaction with landcape

OPPOSITE PAGE - BOTTOM LEFT

Building as a bridge



URBAN CATALYST - OES

THIS PAGE -TOP

Roof gutter assembly

THIS PAGE - MIDDLE

Angled wall to gutter assembly

THIS PAGE - BOTTOM

Section of 3D details

OPPOSITE PAGE - BOTTOM

Wall assembly details

OPPOSITE PAGE - TOP LEFT

Wall section detail

OPPOSITE PAGE - TOP RIGHT

South elevation detail

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algoma university SCHOOL OF BUSINESS AND ECONOMICS NEW EXTENSION

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PROJECT TYPE Institutional - Group work LEBEL & BOULIANE ARCH. Algoma University DATE July 2018 – 10 Days LOCATION Sault Ste Marie, Canada

The objective was to design a scheme for Algoma University’s newly launched School of Business. The bridge between the Residential School building which was acquired by Algoma University and the 1960s expansion of the university. This extension will act as an entrance and lobby space for the School and shines light to the dark history of Residential Schooling system. + TEAM: LUC BOULIANE, CLAIRE KURTIN


ALGOMA UNIVERSITY - BUSINESS SCHOOL

OPPOSITE PAGE

Lobby Perspective

OPPOSITE PAG

View of the new Facade

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skyprint TREKKING SHELTER WITH DIGITALLY PRODUCED ELEVATED FLOORS

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PROJECT TYPE Shelter - Group work COMPETITION Iceland Trekking Cabin DATE August 2016 – 14 Days LOCATION Iceland

SKYPRINT is designed to uphold the expression “leave nothing but footprints, take nothing but pictures, kill nothing but time”. This is achieved through programming vertically to reduce overall footprint, locating windows to frame images of the landscape and by raising the building to create the perception of seamless floatation. The design of this cabin stands proud and will serve as both a beacon and a shelter for hikers. SKYPRINT pays respect to its surrounding landscape through the use of natural materiality and invisible connection with the ground via digitally produced floor . This vertical shelter develops an identity of its own by challenging the traditional horizontal shelters. SKYPRINT stands as a proud checkpoint destination for hikers. + TEAM: HUSSAIN PATWARY, JASON MARSHALL

THIS PAGE TOP

Exterior View OPPOSITE PAGE TOP

Cabin in the Context OPPOSITE PAGE BOTTOM

Formation Diagram


SKYPRINT

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SKYPRINT

THIS PAGE TOP

Exploded Axonometric Construction Componants OPPOSITE PAGE TOP

Common Space Interior Perspective Digital Replica of Topography OPPOSITE PAGE BOTTOM

Bedrooms Interior Perspective

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machine learing institute RETHINKING OF OFFICE TOWER BY EVOLUTIONARY-BASED ALGORITHMIC SOLVER

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PROJECT TYPE Research Facility - Individual U OF T, SELF-DRIVING STUDIO Prof. Brady Peters, Ultan Byrne DATE 1st Semester of 2017 – 4 Months LOCATION Toronto, Canada The project documents are produced by non-linear parametric process to create a “Design Space” with multiple options. Then, one of the options was picked based on various factors and developed further to produce the secondary and tertiary level “Design Space”. This process covers the area of design from general massing, connections, form, programing, structure, solar control, view and underground connection through the use of various algorithm in the parametric design process. Three major parts of this design process is presented in the following pages. The first stage is mostly gear towards the general massing and the location, number and position of the bridges between the office and research lab towers. The Second Stage is programing and articulation of the exterior shell. The last stage leave the façade more simple and expose and tries to optimize the area of all balconies by genetic solver.

THIS PAGE

Three stages of Design Development


MACHINE LEARING INSTITUTE

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MACHINE LEARING INSTITUTE

OPPOSITE PAGE

First Stage Animated Form Design THIS PAGE LFT COLUMN

Initial Shell, Program Bubble, Floors,Stacked Mass, New Shell THIS PAGE MIDDLE COLUMN

Interior Space, Elevator Column, Exo Eskeleton, Facade Openings THIS PAGE RIGHT COLUMN

Exterior Facade, Second Stage of Design , Underground Connection

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MACHINE LEARING INSTITUTE

OPPOSITE PAGE

First Stage Animated Form Design THIS PAGE LFT COLUMN

Initial Shell, Program Bubble, Floors,Stacked Mass, New Shell THIS PAGE MIDDLE COLUMN

Interior Space, Elevator Column, Exo Eskeleton, Facade Openings THIS PAGE RIGHT COLUMN

Exterior Facade, Second Stage of Design , Underground Connection

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OPPOSITE PAGE TOP

Cross Section OPPOSITE PAGE BOTTOM

Packing Algorithm effect on the floor plan of the building THIS PAGE

Final Stages of Design



honeybee reaserch center HONEY EXTRACTION FACILITY, LABS, DISCOVERY CENTRE EXTENSION OF NATURE

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PROJECT TYPE Institutional - Group Work MORIYAMA TESHIMA ARCHITECT Guelph University DATE August 2019 – 4 Months LOCATION Guelph, Canada The HBRC will enhance connections to both the neighbouring University of Guelph campus, the surrounding natural landscape, and its existing integrated trail system. The new Centre is envisioned as both a productive and social landscape that accommodates diverse programming, research, and events. Balancing the ecological functions of the site with educational programming, the grounds highlight the productivity of the land formally through cultivated agricultural plots and working hives. The mass timber structure includes a sweeping occupiable roof structure that forms the focal expression of the public space. Roof and landscape are integrated through a trail that rises and leads to the Centre’s landmark Interpretive Tower, which doubles as a solar chimney and pollinator friendly habitat, underscoring the HBRC’s dedication to the preservation of Pollinator Pathways, honeybees and other pollinator insects. + TEAM: LUIS QUISADA, DIARMUID NASH, VERONICA MADONNA, MELISSA POON

BOTH PAGES

Aerial shot


HONEYBEE RESEARCH CENTER

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GUHBRC PROCESS : LOOP CIRCUATION / LOADING AXIS GUHBRC PROCESS : LOOP CIRCUATION / LOADING AXIS

GUHBRC PROCESS : LINEAR CIRCUATION / STORAGE ARTUCULATION GUHBRC PROCESS : LINEAR CIRCUATION / STORAGE ARTUCULATION

HONEY BEES IN HIVE

APIARY HONEY BEES IN HIVE

APIARY

OVER WINTERING

BEEHIVE - FULL

OVER WINTERING

BEEHIVE - FULL

LOADING LOADING BEEHIVE - FULL BEEHIVE - FULL

BOTH PAGES TOP

WO

WOOD WORKS

Discovery Center Perspective

GRAFTING R.

GRAFTING APIARY R.

APIARY KITCHEN

LAB

KITCHEN

SHOP

LAB

WORKSHOP

WORKSHOP

SHOP

LOADING

LOADING

BEEHIVE - FULL (warm)

EMPTY BARREL

RAW HONEY IN BARREL

STORAGE

PACKAGING

OVER WINTERING

STORAGE

PACKAGING

BEEWAX HONEY

PROCESSING

Waffle Wall Concept

EXTRACTION

RAW HONEY IN BARREL

COLD ROOM

OVER WINTERING

COLD ROOM

BEEWAX RAW HONEY PROPOLIS

COLD ROOM BEEWAX RAW HONEY PROPOLIS

BEEWAX HONEY

OPPOSITE PAGE RIGHT

EMPTY BARREL

EXTRACTION

OPPOSITE PAGE LEFT

Hive Module

CLEAN BEEHIVEFRAME BEEHIVE BOX

CLEAN BEEHIVEFRAME BEEHIVE BOX BEEHIVE - FULL (warm)

BEEWAX RAW HONEY PROPOLIS

PROCESSING CLEAN BEEHIVEFRAME BEEHIVE BOX

PROCESSING

EMPTY BARREL

RAW HONEY IN BARREL

PROCESSING RAW HONEY IN BARREL

BEEWAX HONEY

BEEWAX RAW HONEY EXTRACTIONPROPOLIS

WORKSHOP

COLD ROOM

EMPTY BARREL

CLEAN BEEHIVEFRAME BEEHIVE BOX

WOOD WORKSHOP

STORAGE

WAX WORKSHOP BEEWAX HONEY

WORKSHOP

WOOD WORKSHOP

WAX WORKSHOP

STORAGE

PACKAGING

EXTRACTION

THIS PAGE LEFT

Honey Production - Loop

PACKAGING

BEEHIVE - FULL (warm)

PACKED HONEY

BEEHIVE - FULL (warm)

PACKED HONEY

SHOP

THIS PAGE RIGHT

KITCHEN

LAB

GRAFTING R.

SHOP

KITCHEN

LAB

Honey Production - Linear GRAFTING R.



HONEYBEE RESEARCH CENTER

DISCOVERY ZONE CROSS SECTION

ADMINISTRATION PRODUCTION DISCOVERY + ADMINISTRATION

+ PRODUCTION

CROSS SECTION

+ DISCOVERY

VERSITY OF GUELPH - HONEYBEE RESEARCH FACILITY

OPPOSITE PAGE - TOP

OPPOSITE PAGE - BOTTOM

THIS PAGE - TOP

Path to the Greenroof

West Elevation

Perspectival Section

THIS PAGE - BOTTOM

Plan and Circulation

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Creative AI tectonics RETHINKING OF INTERIOR SPACE CREATING ARCHITECTURAL TECTONICS USING NEURAL NETWORKS

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PROJECT TYPE Architecture Tectonics - Group Work FAU - DIGITAL FUTURES, CREATIVE AI Prof. Daniel Bolojan DATE July2020 – 1 week LOCATION Florida, USA

The project is an investigation to understand the capabilities and limitations of supervised PixtoPix GAN and unsupervised Cycle GAN for training a network to associate various textures of coral topologies with color and utilize that trained network to map textures into a 3D color coated space by generating series of walkthrough animation. + TEAM: BEHNAZ FARAHI, HEBA EIZ, KAI HONG

THIS PAGE

Three stages of Design Development


CREATIVE AI TECTONICS

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THIS PAGE

Three stages of Design Development


CREATIVE AI TECTONICS

THIS PAGE RIGHT COLUMN

Exterior Facade, Second Stage of Design , Underground Connection

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express toll route patrol 407 MAINTENANCE FACILITY FOR HWY 407 BUILDING INFORMATION MODELING

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PROJECT TYPE Road Maintenance Facility - Group Work STRASMAN ARCHITECTS 407 Highway DATE July 2016 – 4 Months LOCATION Toronto, Canada

Located adjacent to the 407 ETR Head Office on Steeles Avenue, this phased project accommodates a new 2,600 sm Patrol Building with administrative spaces, a wash bay, four maintenance bays for the plow trucks. The geometry of the roof was set to characterize movement in the Highway while transitioning between the required height of the office And the service bays. + TEAM: SHAWN STRASMAN, JASON MARSHALL, HUSSAIN PATWARY

THIS PAGE

OPPOSITE PAGE

Roof Folding Planes Photo by Pooya Aledavood

Detail Design Construction Document Set


407 EXPRESS TOLL ROUTE PATROL YARD

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BOTH PAGES

Exterior Facaded Photo by Pooya Aledavood


lester b. pearson theatre COMMUNITY CENTER PERFORMANCE THEATRE PROGRAM TRANSFORMATION

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PROJECT TYPE Institutional - Group work LEBEL & BOULIANE ARCH. Lester B. Pearson Theatre DATE 1st Semester of 2017 – 4 Months LOCATION Brampton, Canada

This project is about revitalization and rethinking of the Lester B. Pearson Theatre designed by Allward and Gouinlock in 1972. The new entrance/light lock is designed to serve as a seating, small performance tier, community gatherings and info booth. In addition to the entrance, the interior finishes and side acoustic panels are redeveloped to enhance the acoustic performce of the theatre as a multifunctional community theatre. + TEAM: LUC BOULIANE, MIEKE STETHEM, THILANI RAJARATHNA, DAVE HOLBORN

THIS PAGE

OPPOSITE PAGE - BOTTOM

OPPOSITE PAGE - TOP

Idea Development Original Drawings

Anamorphic Spatial Graphics Photo by Pooya Aledavood

Anamorphic Spatial Graphics Photo by Pooya Aledavood


LESTER B. PEARSON THEATRE

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OPPOSITE PAGE - TOP

Theatre Interior Perspective Photo by Doublespace OPPOSITE PAGE - BOTTOM

Sculpted Acoustic Surfaces Photo by Doublespace THIS PAGE

Sculpted Acoustic Surfaces Photo by Pooya Aledavood



OPPOSITE PAGE - TOP

Light Lock Stage Photo by Pooya Aledavood OPPOSITE PAGE - BOTTOM

Light Lock Stage Photo by Pooya Aledavood THIS PAGE

Light Lock Stage Photo by Pooya Aledavood


talca municipal center MULTI FUNCTIONAL CIVIC COMPLEX SOCIAL MANIFESTO

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PROJECT TYPE Institutional - Group Work Competition Municipality of Talca DATE October 2020 – 2 Months LOCATION Talca, Chile

This proposal established on the only government-owned property in the city. It maximises the urban activity in the street level while democratizing the urban views formerly belong to the private properties. The raised public plaza separates the social activities from the street level and elevates the status of public gatherings above the vehicular level while providing comforting shadows and acoustic shelter for the public. Tis elevated platform merges the major street intersection by active stair solutions. Residential component at the top above the canopy, office and retail is at the elevated plaza level and multi-functional exhibition hall in sunken under the ground to create a diverse range of programmatic interaction thought-out the day. The porous nature of the complex allows for light, vegetation and people to interact with multiple layers within the building. This disentanglement of geometry is combined in a uniform structure to create and iconic vision for Talca social justice. + TEAM: LUIS QUISADA, NICOLAS MAYAUX, LAURA ULLOA, BRANDON BERGEM, JEFFREY GARCIA, SEBASTIE BERGARD, NIKO DELLIC

BOTH PAGES

View from the Main Boulevard



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CLUSTER LANDSCAPE


TALCA MUNICIPAL CENTER

110

THIS PAGE

Exploded Axon of the Programs Residential, Plaza and Exhibition OPPOSITE PAGE - TOP

Back Elevation

OPPOSITE PAGE - MIDDLE

Front Elevation

OPPOSITE PAGE - BOTTOM

Cross Section


-7500

11%

11%

5%

5% 11% 11%

5%

THIS PAGE

OPPOSITE PAGE - BOTTOM

OPPOSITE PAGE - TOP

Plans of Different Layers and Residential Types

Perforated brick patterning and Functions

View the North side Intersection


TALCA MUNICIPAL CENTER

112


ttc mcnicole bus garage MAINTENANCE FACILITY FOR ARTICULATED BUS BUILDING INFORMATION MODELING

22

PROJECT TYPE Bus Maintenance Facility - Group Work STRASMAN ARCHITECTS Toronto Transit Commission DATE August 2016 – 4 Months LOCATION Toronto, Canada

With the Toronto Transit Commission’s (TTC’s) commitment to improving transit service and a growing ridership demand, it was determined that a new bus garage facility was needed in north Scarborough. The new McNicoll Bus Garage is expected to not only alleviate capacity issues and provide relief for overloaded existing bus garages but also lead to operational efficiencies and by extension, improved customer experience. The McNicoll Bus Garage maintains and stores 250 vehicles (forty-foot equivalents) and will be equipped to support the new articulated buses. The McNicoll Bus Garage has been designed to incorporate the AODA requirements for accessibility, exceed the Toronto Green Standards and support current and future levels of bus service for the TTC. The green roof pattern is a super imposition of the articulated buses’ service path in the facility.

+ ORIGINAL DESIGN TEAM: SHAWN STRASMAN, LIZ STRASMAN, OLIVER PHELAN

OPPOSITE PAGE

Bus Circulation Pattern on the roof Photo by BioRoof


TTC MCNICOLL BUS GARAGE

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TTC MCNICOLL BUS GARAGE

THIS PAGE

Solar Wall Components and Assembly OPPOSITE PAGE - TOP

Staff Entrance Photo by Pooya Aledavood OPPOSITE PAGE - BOTTOM

Entrance Articulation

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THIS PAGE

Acoustic Wall Detail OPPOSITE PAGE - TOP

Overall Elevation Photo by Strasman Architect OPPOSITE PAGE - BOTTOM

Elevation Details Photo by Strasman Architect


TTC MCNICOLL BUS GARAGE

126


art gallery york u ARTISTIC SECTIONAL OBJECT CRITIQUE OF THE EXISTING IDEAS

17

PROJECT TYPE Institutional - Group Work MORIYAMA TESHIMA ARCHITECT YORK University DATE September 2020 – 1 Months LOCATION Toronto, Canada The HBRC will enhance connections to both the neighbouring University of Guelph campus, the surrounding natural landscape, and its existing integrated trail system. The new Centre is envisioned as both a productive and social landscape that accommodates diverse programming, research, and events. Balancing the ecological functions of the site with educational programming, the grounds highlight the productivity of the land formally through cultivated agricultural plots and working hives. The mass timber structure includes a sweeping occupiable roof structure that forms the focal expression of the public space. Roof and landscape are integrated through a trail that rises and leads to the Centre’s landmark Interpretive Tower, which doubles as a solar chimney and pollinator friendly habitat, underscoring the HBRC’s dedication to the preservation of Pollinator Pathways, honeybees and other pollinator insects. + TEAM: BRIAN RUDY, MELISSA POON, NICOLAS MAYAUX, NIKO DELLIC

BOTH PAGES

Main facade


ART GALLERY YORK UNIVERSITY

128



HONEYBEE RESEARCH CENTER

OPPOSITE PAGE

Sequential Sections

THIS PAGE

Main Floor plan

90


THIS PAGE

Parti Diagram OPPOSITE PAGE - BOTTOM

View from the Ramp OPPOSITE PAGE - TOP

Artist Corridor


ART GALLERY YORK UNIVERSITY

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lift & co OFFICE SPACE VIBRANT INTERIOR SPACE

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PROJECT TYPE Institutional - Group work LEBEL & BOULIANE ARCH. Lift & Co. DATE June 2018 – 1 Month LOCATION Toronto, Canada

This project articulates an existing heavy timber construction building in downtown Toronto to an office space with diverse characters from compartmentalized and isolated meeting rooms to open space gathering and working area. + TEAM: NATASHA LEBEL, MIEKE STETHEM, THILANI RAJARATHNA, CLAIRE KURTIN


LIFT & CO

OPPOSITE PAGE

Interactive office Area Photo by Doublespace THIS PAGE

Furniture Detail Photo by Doublespace

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LIFT & CO

OPPOSITE PAGE

Reception Photo by Doublespace THIS PAGE

Stair Detail Photo by Doublespace

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