Portland Monthly Magazine September 1990

Page 1


Because the owners of these fine pieces of jewelry knew that Nelson Rarities is a major internationaljewellerpayingthehighestworld-widepricesfortherareandvaluable.Theyknew •.thatNelsonRaritieshastheresourcestoselltotheworld'sbestbuyers.Thesecollectors'items areexactlythetypeofrarityforwhichNelsonRaritieshasbecomeknown,bothhereandabroad.

WiththeabilitytosellgemsandjewelryfromZurichtoHongKong,NelsonRaritiesisalwaysin search of the finest jewels made between 1880 and 1940; items such as Oriental pearls, ruby jewelry*,canaryandpinkdiamonds,;PatekPhillippewotches.andespeciallydiamondplatinum braceletsandnecklaces,particularlyofsize.-.Naturally,alltransactionsareconfidentialandfor immediatecoshpurchase.Contactourexpertappraiserat:

Self(+1(-portrait:ToddWebbandGeorgia O'Keeffe,NewMexico,1981.

Dr.ArthurH.andMargeryGroten (8"x10').Seestoryonpage10.

PORTLAND

Established 1985 VolumeV.Number VI

COLIN8ARGENT Editor&Publisher

W. Kirk Reynolds Managing Editor

NANCYD.8ARGENT ArtDirector

Chris Oberholtzer ProductionI)irector

Cathy Whore Adrertising

Adrertising

Johanna Han a burgh Calendar Editor

ContributingEditors:KendallMerriam. HenryPaper.DanDomfnch.John N Cole StaffPhotographer:FrancisDiFalco InternsKimberlyEckhart Founders:ColinAndNancySargent

LasercoverseparationsandimageassemblybyVisionGraphics. 1-8OO-228-6299

Outputservicebureau:IkSiVTypography,’6!-28!5. PORTLAND MagazineispublishedbyColinandNancySargent. 5’8CongressStreet.Portland.MF.01101.Allcorrespondence shouldlx*addressedto5’8CongressStreet.Portland.ME04101

AdvertisingOffice5’8CongressStreet.Portland,ME04101 <20'1 775/559

Subscriptions:inthePSandCanada.$20for1year.$32lor2 years,$»0for3years.

Newsstandcoverdate:September.Vol.5.No.6.©1990 PORT¬ LAND Magazineismailedatthird-classmailratesinPortland.ME 04101.(ISSN:08S’-$340).Theopinionsexpressedinarticlesare thoseofauthorsanddonotrepresenteditorialpositionsofPORT¬ LAND MagazineNothinginthisissuemaylx*reprintedinwholeor mpanwithoutwrittenpermissionofthepublishersSubmissions welcome,butnoresponsibilityistakenforunsolicitedmaterials PORTLAND Magazineispublished10timesannuallybyQilinand NancySargent.5’8CongressStreet.Portland.Maine04101,with newsstanddatesofFeb.March.April.May.SummerGuide,July-' Aug,September.October,November,December,andWinterGuide

AVNER THE ECCENTRIC

Saturday, September22 at8p.m.

ANNE-MARIE McDermott,pianist

Sunday,September30 at3p.m.

CZECH PHILHARMONIC 1990 Gala

Benefit Performance

Saturday,October13at8p.m.

SponsoredbyFleetBank, andbvDownEastEnterprises,publishersof DtnvnEastMagazine.

THE SHANGHAI ACROBATS

AGREAT ADVENTURE AWAITS YOU every time you come to a live performance at the Maine Center for the Arts! Whether you seek a simpleflightoffancyora thrillingjourneyfarbeyond thefamiliar,you'llfind your personal adventure in the Hutchins Concert Hall during our 1990-91 season.

THE CHIEFTAINS

Friday,November30at8p.m.

O VERTIGO DANSE

Saturday,December1at8p.m. AND IMPERIAL WARRIORS OF THE PEKING OPERA

Thursday,October18at7p.m

CECIL TAYLOR

Saturday,October20at8p.m.

FELD BALLETS NY

Wednesday,October24 at7p.m.

SponsoredbyBangorSavingsBank.

WOODY GUTHRIE’S

AMERICAN SONG

MissouriRepertoryTheatre

Saturday,October27at8p.m.Homecoming Weekend

WYNTON MARSALIS

Friday,November9at8p.m.

SupportedbytheUniversityofMaine AlumniAssociation.

KLEZMER CONSERVATORY BAND

Saturday, November10at 8p.m.

SponsoredbyBeth z\braham Synagogue

SARAFINA! Friday,November16 at8p.m.

SupportedbvtheUniversityof MaineAlumniAssociation.

LAST SUPPER AT UNCLE TOM’S CABIN

BillT.Jones/ArnieZane& CompanyandtheJulius HemphillSextet

Saturday,January19at8p.m.

THE GLEN CAMPBELL GOODTIME HOUR REVISITED withJimStafford,John HartfordandNicoletteLarson

Thursday,January31 at7p.m.

AN EVENING WITH MICHAEL HEDGES

Saturday,February2 at8p.m.

THE MARRIAGE OF FIGARO

NewYorkCity OperaNational Company

Monday,February4 at8p.m.

Co-sponsoredbytheOpera LeagueofMaine. Supportedbvthe UniversityofMaine AlumniAssociation.

EMANUEL AX, PIANIST

Saturday,February16 at8p.m.

KODO

Wednesday,February20 at7p.m.

A GATHERING

OF FRIENDS

GeorgeShearing,JoeWilliams andJoePass

Wednesday,April10at7p.m.

SponsoredbyBangorHydroElectric Company and Maine Yankee.

INTO THE WOODS

Saturday,April20,at8p.m.

Sunday,April21at3p.m.

SponsoredbyKeyBankofMaineand KevTrustCompanyotMaine.

MUMMENSCHANZ

Friday,April26at8p.m.

Sponsored by Shaw’s Supermarkets

DESROSIERS

DANCE THEATRE

Saturday,February23at8p.m.

FRANCISCAN STRING QUARTET

withPeterOrth Sunday,February24,at3p.m.

SponsoredbyDigitalEquipment Corporation

TOKYO STRING QUARTET

Saturday,April6 at8p.m.

SupportedbytheUniversityofMaine AlumniAssociation.

Callorwriteforyour freecopyofour season brochure with complete program descriptionsandan orderform.

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Charge by Phone using Visa or MasterCard 9:00 a.m.-4:00p.m. weekdays. Call (207) 581-1755. TDD/TTYserviceisavailableforthe hearing-impairedthroughthissame phone number. Box Office window open 9:00-4:00 weekdays and 1-1/2 hoursbeforeeveryevent.Subscriber andGroupDiscountsavailable.

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PORTLAND

Announcing The1990-91

Loot byJoeOrtonOct.30-Nov.18

AMan’sAMan byBertoltBrecht Nov.27-Dec.16

MissJulie byAugustStrindberg Jan.1—Jan.20

LadyDay

AtEmerson’s Bar&Grill byLanieRobertson Jan.29-Feb.17

Mirandolina byCarloGoldoni Mar.5-Mar.24

WolfAtTheDoor byErikEhn Apr.9-Apr.28

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RecyclingaStreet

Antique&collectibleshops! They’reabsolutely,unequivocally theanswerforCongressStreet.The architectureandlayoutofthestreetis nowattractingbusinessesandpatrons whodesiresentimentality,humor,and thedreamofarealbargain.Durable goods.

Harding'sBookShopon538Congress StreetandArtifacts,thenewArtDeco antiqueshopon602CongressSquare, justtotheleftofSaigonThinhThanh, Portland’sveryfinenewrestaurant,are twoprimeexamples.Businessisboom¬ ing at Doug Harding’s (“I’m very pleased,"reportsDoug),andDavidKeef andJohannaMooreofArtifactsare excitedaboutthequickresponsetheir newshopisbringing.Filledwithblue¬ glassartdecotables,adeepselectionof colorfulBakeliteflatware,original French engravings, and fun 1950s

decals,thistin-ceilingedshopisget¬ tingwhatCongressStreet’sbeenmiss¬ ingforyears:anenthusiasticrecep¬ tion.

“Welookedforaboutayear.We lookedwithaguyfromEnterprise Recordswhoknowsalotofpeople around here-Bob Wertz. He recom¬ mendedweputtheshoprighthere, rightnow,”saysJohannaMoore,25.

CascoBayTraders,newanddown thestreet,sensedthesametiming. LookforPorteoustoturnintoan antiquemalloramajorantiqueauc¬ tionhouseonthelevelofF.O.Bailey.

“It'llbeanotherExchangeStreet,” Moore,formerlyofChroma,predicts. Foryears,estatejewelryofferedby CongressStreetjewelershasheralded what could be a new era for the region.

“AlotofpeoplewholiveintheWest End walk by here on their way to workeveryday.It’soneofthese‘trav¬ elledpaths’thatpeoplelookfor. They’recominginheresaying,‘Oh,I walkbyhereeveryday!”’saysMoore.

A pale green ceramic bird on a smooth-curved,stylizedbasesitsfor saleintheshop.“Itdatestoabout 1915,”saysDavidKeef,26.Onthe base,inFrench,isthestoryofthe bird,howitsurvivedtwowarsand evenfelloffashelfwhenabomb explodednearby.Howthere’sasmall holewhereabulletpassedthrough duringthewar.Hownothingcould keepthepalegreenbirdfromstaying alive.Nothing.LikeCongressStreet.

rewvacationcommunities couldeverbesospecial.

First,ashort,CascoBayLincscruise toGreatDiamondIsland. Andthen,anunforgettablevacationat McKinlcvEstates.

Aprivate,193-acrevacationcommunity.

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Asecludedisland,arecreational paradise.

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Theferryruns8-10 timesdailvfromvour

private dock,soPortland’s manyattractionsareonly 20minutesaway.Oryoucanexploretneotner islandsinthebay.

Call1-800-292-1933*forpurchaseor summerrentalinformation.

Townhomesstartat$180,000,andalimitednumber arcavailableforsummerrental.Wealsohaveanumber ofselect,1acre+oceanfronthomesites.

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Mail Aqciqusg

ToTheEditor:

Asasubscriberto PortlandMagazine, Iapplaudyourcontinuingefforts.Cen¬ tralizedthoughyoumaybe,yourmaga¬ zineisanexcellentwindowonMaine.

Wrong.-

ToTheEditor:

Itisn'tveryimportant,butyourpicture oftheRomaRestaurant"circa1950” (Aprilissue.Vol.V.No.IDshowsa'56 anda'58Plymouthparkedonthestreet, so.Iwouldguess,thephotodalesfrom thewinterof'5“or'58...attheearliest.

./Fishing

ToTheEditor:

Thisisinresponsetoanarticleabout swordfishinginyourlastissue.Weare membersofacrewworkingwithlonglines,andafter39daysatsea.wewish tobringsomethingstoyourattention. Weworkonavesselmeasuring~9feet inlength,asmallvesselbyswordfishing standards,andyourdescriptionofour3 milelines,thoughlikenedtothoseema¬ natingfromrestaurantsgotthecrewin anuproar.Everynightwewouldspend •t-5hoursbaiting600hookstoputon ■i5milesofmainline.This,afterhaving spentfrom5:30inthemorningto3ort intheafternoonhaulingallthatlinein fromthenightbefore.Thenthereare thefishyoucaught,eachweighingany¬ wherefrom25-150poundsafterthey havebeendressed(from35-500whole) topulintotheholdandcoverwithice. Bearinmindthatwhileallthisisgoing onthatyouare1500milesoffshore,the boatisrocking,makingstandingupdif¬ ficultenoughwithouthavingtofightthe 25-30mphwindsandgellingthrown aboutbvthe15-20footwavesthathit youintheface.

G.StewartLeach Portland

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THEOULDitbethatMaine’sgoingtobe making national art news again? Six years ago the general public clamoredfordetailsaboutHelga, Andrew Wyeth's model, and now it's enigmatic Hildegarde Hirsch who's causing a groundswell of early interest among collectors— HildegardeHirsch,thelovelymistress(from1916-

1918)ofMonheganIslandpainter-illustratorRock¬ wellKent.She’sthesubjectofasubstantialnewart dislosurethatconsistsofrarelyviewedcoloroil-onglasspaintingswithHildegardeasmodel(we’retold ourcoverpaintingofHildegarde,oneofthenew Kent works that have surfaced, has been seen by "only a handful"

SPIRIT

^^l^^ of people until g ■ now); 180 love let■ ■ Lggg ters from Kent to ■ ■ Hildegarde, some J ■ containingillus■ trations; the beau-

tifullywrought(and,bestofall, Maine-written) holograph manu¬ scriptof TheJewel,ARomanceof Fairyland, itselfaloveletterfrom KenttoHildegarde(right);7blackand-whiteillustrations(left)set withinthetextof TheJewel', a sheafofblackandwhitephotosof

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OnlyatyourOfficialRolexJeweler.

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thecouple;and,finally,ahandpaintedjewelboxthatKentmadefor Hildegarde in December, 1917.

Hildegarde’ssurfaceintopublic lightgivesscholarsarareglimpse intothepainter'sprivatelifethat couldcause"allexistingKentbibliog¬ raphiestoberewritteninthenextfew years,"saysEliotStanleyofPort¬ land'sBaxterSociety.

Asanexample,untilthismoment the anonymous woman shown in the twopaintingsonpage13hasbeen identifiedsimplyas"Angel"(top)and "MaidandBird."

Now,unmistakably,sheis Hildegarde.

Infact,theupcomingpublication thisNovemberofThe JewelbyPort¬ land’sBaxterSocietyhasmadeour citythefocusofinquiriesfrom"a Who’sWhoofKentCollectors,"says Stanley,alocalKententhusiastwho unearthed the manuscript and securedpublicationrightsfortheBax¬ terSociety."StanleyMarcusofDal¬ las, Texas (Neiman-Marcus) has orderedacopyinadvance.And there’sJamesDonnelly,headof LakesidePress(whichpublished Kent'sveryfineMoby Dickeditionin 1930)..."

X 10 LET’S

■ catch a glimpseofHildegarde as she was ' n J une fir 1916, through gk ||lWB)/ Kent's eyes.

withwife Kaih_

-| een a t home onMonheganIsland,Kent,35,wasin NewYorkCity,paintingandsoliciting bookcontractsaswellasproducing illustrationsforVanityFair,Puck,the Chicago Tribune, evenRollsRoyce and Black Jack chewing gum adver¬ tisements:“IfoundmyselfatthetornupcornerofForty-firstStreetand SeventhAvenue...Istoodaside.And as,withdowncasteyestowatchher step,shecrossed,Ilookedather.And whatwithitsbeingthemonthofJune andallthatIhavesaidabouttheday, whatwithherbeingsoprettily dressedinwhiteanditssowell becominghergoldenhair,redlips,

ThisbeautifulEuropeanwoodstove burnswoodornaturalgasfarmore cleanlyandefficientlythana conventionalfireplaceorwoodstove. SurroundedbyhandcraftedSwedish ceramictile,itstwentyfourfeetofflues windthrough3500poundsofceramic masstoaccumulatethefire'sheat.The entirebodythenradiatessoft,comfortable warmthformanyhoursafterthefireis out.Itisnevertoohottotouch. Thesedurablewoodstoveswillmake anelegantadditionto—andavaluable investmentin—yourfinehomeor businessestablishment.Theyareavailable inavarietyofcontemporaryand traditionalstylesandcolors.Call 1-800-373-2042forfreecolorbrochure.

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blueeyes;whatwithmybeingme,it suddenlycameovermethatneverin allmylifehadIseensoentrancingly lovelyacreature.Shecrossed,and wentdemurelyonherway...Afew longstepsandIhadovertakenher.I touchedherarm.‘Youaresobeauti¬ ful,'Iblurtedout,‘I’vegottospeakto you.’Shehadstoppedstill:'Whatdo youwanttosay?'sheasked.'There’s somuchIwanttosay,’Ianswered her,‘thatweshouldgosomeplaceto talk.’Wewentsomeplace.”

RE TWO weeks had passed, underKent’s direction,they weretakinga trainnorthto Peterboro, New Hampshire and climbingthrough"thesweetenviron¬ mentoftheNewHampshireforest"to thebaseofMt.Monadnock.Kent instructedthedriverto"meetusat thatspotoneweeklater,”andthenhe escortedHildegardewithher"light blueeyesandred,invitinglips...a citygirl,adancerintheFollies!"to thesummitridgeforaweekchap¬ eronedonlybytheNorthStar.“’Hold it!'wesaidtoTime.'Inoneweekwe’ll beback.”'Theyascendedintoan ethereal,paintedworldthatwaspart art,partrealityandlatertobestrongly evidentinKent’soil-on-glasspaint¬ ingsofHildegarde.Kentrhapsodizes:

“Aloneatsosereneanaltitude that mankind far below could no longerbedistinguished,hisvil¬ lages appearing as mere specks, their mightiest steeples, emblems ofmorality,quiteimpotenttoprick the lower atmospheric shell of our etherealuniverse,aloofandfar removed from the obligations, duties,custom,lawandallthe fabricofsociety,wehadnosense ofguilt;and,likeEveandAdamfol¬ lowingtheirfall,couldabandon ourselves to the enjoyment of every pleasure that the body and the soul of man might craft. Naked we'd roamthattreelessridge,climbing itsledges,leapingtheirfissures, bathingfromtimetotimeinits

warm rain-water pools. Weburned, and then grew brown as primitives; and when toward evening the shadow of the rocks that sheltered ourcampsitefelluponus,we wouldsitbeforeourfire,cookand eat our evening meal, and watch the shadow of the mountain creep outandenfoldthelandinitsdark mantle. We'd watch the tiny house lightsoftheplaincomeon,and marvelatthestars.Then,tiredby allthedaybrought,we'dsleep."

“Kentoftentookhisgirlfriends north,"laughsStanley,"intowilder¬ nesssituations.Theblockwherethey metisrightbesideTimesSquare, stepsfromwheresheworkedasa Folliesgirl.Shewasaclassically trainedballetdancerwhowasrecruit¬ edinhernativeMunich,Germanyas achorusdancerbyaNewYorktalent agentwhogaveher,alongwithmany other young women, passage to the UnitedStates.“Intheworldof1910 theywerebroughtoverbyimpresar¬ iosaspartofgroupsofhundredsof such women. She wasn't a name talentbutshewasgoodenoughtobe desirablefordance/chorusmaterial forNewYorkCity.Atthattimethere were10-12nonstopfolliesnear42nd Streetand8thAvenue."

HEN they returned to New York,the couple keptup the romance through1917whileRockwell,aided byHildegardeinaGreenwichVillage apartmentonWest12thStreet,turned out"glasspanelsandmirrorsdeco¬ ratedwithships,stars,andfull-blown goddesses"inthebestKenttradition. Beautifullyexecuted,"thereisn'tvery muchdoubtthatHildegardeisthe femalefigureinmost,ifnotall,ofthe glasspaintings."

OncesettledinNewYork,“It doesn’tappearthattheywentveryfar afield,"saysStanleyofthelovers. "Wehaveapictureofthemtogether inAtlanticCitywhereshehaswritten

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Galleries

inherownhand,'AtlanticCity,1917.’ Theywereaverybriefthing.He paintedonglassforjusttwoyears.I believethey’reamongthemostinter¬ estingandexquisiteartworksheever did."

BruceKennett,bookdesignerfor The Jewel, was also swept away whenhefirstviewedtheglassHildegardepaintings"duetotheirincredi¬ bledepthoffield.It'sbecauseofthe color,becauseoftheglass,because ofthewaytheywerecreated.”

ARTISTS

GRAPHICS, PAINTINGS, AND SCULPTURE BY OVER EIGHTY OUTSTANDING

MASTCOVEGALLERIESisKennebunkport'slargestgroupgallery.Theartists representedhereareprofessionals,manyofwhomarenationallyknownandare representedinmuseumsandcollectionsthroughouttheworld. LocatedjustoneblockfromDockSquare,thisGreekRevivalhome,builtin1851, islocatedbesidetheGravesMemorialLibraryonRoute9. POBox2718,Mast’CoveLane&MaineStreet,Kennebunkport,ME04046 JeanBriggsTel207-967-3453

Kentplayedabitwiththe"Hirsch" inhismodel'snameandlinkedit, somewhatpreposterously,withthe German word for "deer." The Jewel’s lovelycolophonillustrationdepictsa wonderfullyconceivedimageofa manwithhisarmsentwinedarounda deer."It'sthem, you see, whenever hedoesthat,”saysStanley.Adeeris paintedonthewoodenjewelboxthat appearsasanillustrationonthelast pageof The Jewel’s November 6, 1917manuscript,underashooting star—aboxheinreallifewouldgive HildegardeasaChristmaspresentin December,1917.Andstillmoredeer proliferateinmanyotherofKent’s illustrationscirca1917-1918(after which they somewhat abruptly disappear).

"Thefunniestthingis,'hirsch' meansastag,notadoe,soittook somepoeticlicenseforKenttomake thatintoHildegarde,"saysStanley.

APPILYforthe BaxterSociety, the Maine con¬ nectionis extremely strong.

“There’s good evidencethat hedidmostifnotallofthebookon Monhegan Island in 1917. We know thatKentspenthalfofSeptemberand allofOctober,1917inMaine,then came back to New York and pres¬ entedHildegardewiththebookon November6.InMaine,thehousehe wouldhavebeenstayinginisthe housethatlaterbecametheJames

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Rockwell Kent

Announcing Fall 1990 publication of a one-timefacsimileeditionof500copiesof theartist's1917book,

TheJewel, a Romance of Fairyland

Neverbeforepublished,thebookcontains sixoriginalpen-and-inkdrawings,andis i the earliest complete book written and illustrated by Rockwell Kent, predating Wilderness bythreeyears.

Preface by Kent's beloved widow, Sally Kent Gorton, Director, Kent Legacies. DescriptiveessaybyKentauthorityEliot Stanley.BookdesignbyBruceKennett.

Prefaceandessayareinseparatebooklet with12colorandb&willustrations,forming aslipcasedsetwith TheJewel. Allpieces are hand-bound. Printing by MeridenStinehour Press, The Shagbark Press, and Penmor Lithographers.

Price: $175. Benefactor copy, signed by Sally Kent Gorton: $250. Benefactors invited to gala party. Check with order, postpaid.Libraries&institutionsbilled.

TheBaxterSociety’PublicationsFund Box 1822, Portland, ME 04104 892-7900

/ /

Fitzgeraldstudio.TheHubertfamily nowlivesinthehouse.Hestayed thereoffandonuntilthe1950s.”

Kentalsobuiltandlivedinthe oceanfront house on Lobster Cove that,since1968,hasbeentheresi¬ denceandstudioofartistJamie Wyeth. He once wrote to Jamie Wyeth thathelovedthehouse,"Butfora yearortwoafterIhadbuiltthehouse, Ihadnightmaresoveritsbeing washed away and of myself swimming aboutinthewreckage."

In 1960 Hildegarde's nephew and soleheirwasThompsonFlint."He'sa mannowinhissixties,runsaliquor storeinNewYorkstate,”saysStan¬ ley.Thoughamiableandcooperative, he'snotanartenthusiast."His motherwasHildegarde'ssister,alsoa dancerbroughtoverhere.Hetoldme HildegardetoldhimshewasKent's model.”

Flintkeptherauntssecretfor19 yearsbeforequietlysellingtheart¬ worksin1981. The Jewel was acquiredthroughSotheby’sin1981 for $1,900 by George and Gladys SpectorofNewYork.Dr.ArthurH. Groten,aNewYorkradiologist,pur¬ chasedthreeoftheglasspaintings fromFlintprivatelythroughadealerin theearly1980s.ItwasStanleywho, whilevisitingNewYorklastyear, bumpedintoKentcollectors,includ¬ ingDr.Groten,and,learningthe names of The Jewel's present owners,prevaileduponthemtoletthe BaxterSocietypublishthe manuscript.

Coincidentally.BarridotfGalleries auctionedoneoftheglasspaintings forDr.GrotenonAugust1,1990,and ahappyEliotStanleysnappeditup forjust$1,300.Ithadbeenofferedto himpreviouslyfor$5,500.It'sablack andgreennightpaintingofHilde¬ gardedrapedbelowaspreadingtree, withthelightsofatinycitywaiting down below.

“It’saneducatedguessthatthere areabout24oftheminexistence,” saysStanley,whohaswrittenacom¬ panionvolumeonKentandHilde¬ gardethatwillcometocollectorsas partofamatched,sea-greensetwith The Jewel. Todate,"over200 advanceordershavecomein(at

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$175perset)fromcollectorsand prestigiousmuseumsandlibraries acrossthecountry,"saysStanley. When the book appears in mid¬ November,all500copiesoftheBax¬ terSociety’slimitedfirstedition,gor¬ geouslyproduced("afinepure cotton,neutralpH,mould-made paper—French Lanaquarelle," to appear inside hand-sewn, hand¬ boundsea-greencoversinslipcases) inrarelypracticedoldbookmaking traditions,willundoubtedlybesold.

ND THEN

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“Hecomesin,Ithink,becausehis familyownssomeKentartwork,”says Stanley."Hetoldmehismotherhad atleastoneoilgrowingup.Ithinkone ofhissistershasitnow.Weappliedto thePaysonFoundation.Fourthou¬ sanddollarsisanoutrightgrant, $4,000isaninterest-freeloan.Thisis goodbecausetheyhadnearly$1mil¬ lioninapplicationsandtheyawarded just$81,100innewcommitments."

Thefairy-taletonein The Jewelis loaded,eachtinywordcarryingaston¬ ishingatomicweight.Behindthe forests,greenfields,blueskies,birds, andcrystalballs,Kentistryingto convinceHildegardetostaywithhim inspiteofallhisbrokenpromises. “It'sabittersweetallegoryofunful¬ filledromanticpossibilities,"says Stanley,withthestorymovingvar¬ iouslyfromendearingentreatiesto condescensiontopureinsult.Hilde¬ gardehasemergedasanintelligent, self-assured woman who, understan¬ dablyenough,wouldn'tconsiderKent anylongerwithouthisdivorcingKath¬ leen.Gentle"sisterofthewilddeer" though she may have been, Hilde¬ gardewasn'timpressedbytheKent's manipulations, however sweet. The bookfell,forallintentsandpurposes, ondeafears.

"Therelationshipdidnotimprove afterthebookwasgiven,”saysStan¬ ley,“sopracticallyspeaking. The

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Jeweldidn'twork.”There'stalkabout a"northernland,"gladescarpetedin moss,andahideaway,"Hildegarten," wheretheycouldsharealife together.Butthecrystalballshatters, andfinally"ThelittlePrincess stamped her foot;—he was so unreasonable.”

Mostinterestingisthistypeof wordplay,inwhichhecombinessub¬ limewordswithbusinesslikeWorld WarIAmericanlingo,hisprincesses stamping and fairy godmothers "sponsoring”things,andsoforth.

“Hernephewsaidhethoughtthey mayhaveoncerunawayforashort periodthroughMainetotheCanadian Maritimes,”saysStanley,"butI've seennoevidenceofthatinthe letters.”

WhenKentaskedHildegardeandthen KathleentogotoAlaskawithhimin 1918, each woman refused. Taking hisyoungson,RockwellJr.,withhim instead,hereturnedtoaswirlofgreat successeswithhisbreakthrough Alaskapaintingsandanewlevelof fame.Hissecondmarriage,to"oneof theVirginiaLees,”lastedfrom19261940.Thisthirdwife,SallyKentGor¬ ton,livesontodayinAsgaard,New York.

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ASocialistsincehewas20,inApril, 1967 Kent angered many Americans bywinningtheLeninPeacePrize, called"theSoviet-bloccounterpartto theNobelPrize,"andthendonating $10,000totheNorthVietnamese army

Unknown to Kent, who apparently hadn'twrittenhersinceMay,1921, HildegardediedwhilevisitingMunich in1960atabout70yearsofage,of naturalcauses.

Kenthimselfnevermentionedher. ortheartworksand The Jewel,tohis bibliographerin1964.InMarch,1971, Kent, who enjoyed shocking people withthephrase"Virtueisasin,” leanedoverfromhischairbythefire and“triedtoplucktheflowerswoven intothecarpet,thenfellbackintohis chair,unconscious."Hediedlater thatnight,age88.

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John Laurent Ogunquit’slastrealpainter

0GUNQUIT IN SEPTEMBER steamswithpeopleinfluores¬ centinformalwear.JohnLau¬ rent'shomeisthetinywater¬ frontstudiohisfather,sculp¬ torRobertLaurent,startedin1917.out beyondBarnacleBilly'sandscandalous Jackie’sToorestaurant,inthattuna-tour-

high-densityinformation.There’sa senseofintentionalspace,sonar repeaterssweepingandbumpinginto salmontraps,whales,submarines. Sneakystuff,withgroundreturnand refraction,colorshidinginthermalgra¬ dients.Dopeoplereadthatintoyour paintings?

There’sasemi-representational4-inch blackfishscreensuspendedingiant fathomsoflightgreenspace.Abouta yardtotheleft,adarkergreenslash, totallyabstract,ispaintedwithgreat assurance.Hepointstoit. "Ijustfeltit neededashotofsomethingoverthere, subtly,akindofbalance,"hesays. namentturnaroundbythewhitewood¬ en Perkins Cove bridge where it's "No.”

Andwhathappenedwhenyourfather impossibletopark.Calledby manythefinestpainterin Maine,Laurentmaybethe lastactiveelementofwhat Ogunquitusedtobe,sur¬ roundedbythesaltwater taffyofwhatOgunquitnow is.

Wherewereyouexactly the moment you first becameanartist?

"Iwaseverywhere,inthe NorthAtlanticandPacific during World War II. On nightconvoysintheNorth Atlantic...Iwasasonartech¬ nicianonthe L'.S.S.Schmidt, adestroyerescort.Mysonar spaces were below the waterline.Duringthosecon¬ voysIsentsomewatercolor andpencildrawingsina packagebackhome.Idon’t know....ForcrissakesI’d beendrawingsinceIwas7. butInevertookitseriously.”

Youwereasonartechnician?/recon¬ siderthepaintingsinhisstudioandit seemstowork-dramaticsectorsof spacesweptforcontacts,blipsoflight, sharpcolors,andthen,overthere!

opened up the package you’dmailedofpaintings doneinthesonarspaces?

‘'He showed them to Walt Kuhn.Kuhnasked.Isthisguy seriousaboutthestuffI'vegot here?’'Yeah,'myfathersaid,'I thinkheis.''Well,sendhim oxerwhenhegetsback.'Inthe NavyIthoughtaboutwhatI'd doifIgotoutalive.Iwas lucky.Kuhntookveryfewstu¬ dents.Verytall.Adifficultguy. Lookedlikeanowl.He'sthe greatestinfluenceonmypaint¬ ing.”

Morethanyourfather?/look upata1946Kuhnoriginalof peach-orangesinabowlon hisdarknorthwall.It’sincred¬ iblyvaluable,painterly,each peach-orangeweighinginat8 visualtons,butIdon’tsee even remote superficial resemblancestoLaurent’s

Doyouthinktheyshould? technique.

“Spaceisterriblyimportanttome.It’s howmuchopenspaceIcangetaway withandseehowitworks. Hegestures towardalargecanvasdoneasa protestagainstsalmonpoaching.

“Myfathernevergavemeacritiqueor anything.He’dsay‘Oh,keepgoing, keepgoing!’Heactuallystartedoutasa framemakerwithsomeoneinRomeor something.” Laurentstepsoutto

PowerPool-Winter,acryliconmasonite,48”x48”

answeratelephonecallandIsnoop around. Red and white Carleton cigarettesonthetable.OldFrench addressesalloverhispaintingtable. Grumbacher #7 pencils. Compact discsofDukeEllington-DigitalDuke.In hisbedroomareanumberofwooden sculpturesdonebyRobertLaurent, smoothlines,animalshapes,museum stuff.Hisnarrow,soundproofstudiois only20feetacross,1,000peopleon onesideandasilent,wall-sizedpicture windowontheother,givingoutonto theopenrocksandsea.Stacksof paintings.Twopeopleclimbingonthe rockswiththesoundtornoff.

What’stheroughestthingKuhnever saidtoyou?

“Kuhnhadaloftstudioon18thStreetin NewYork.AfterIwasdischargedIfirst enrolledatSyracuseandtooktheart educationmajor.Butwhentheystarted makingpapiermachedollswithrag hair,1finallysaid,"Boy,thisisnotfor me.”Finally1tookthestraightpainting major.I'dbringstufftohisstudioand he'dcritiqueit.Hewasaprettytough guy.WhenIfirststartedgoingtohimI hadsomecircular,curlicuestatementsin someofmypaintings.Hesaid,“Getrid ofthat,that’sOKforyourfather,a sculptor."1camehomeandtoldmy fatherandhewasreallypissedoff. Kuhnwasatoughsonofabitch,but underneath1thinkhewasaprettysoft guy. Both my parents were born in France,andallmyotherrelativesare stillthere.Kuhndidn'tlikeFrenchpaint¬ ing.didn’tlikePicasso.Hesaid,“In France,IcomeafterMarieLaurencin," whoofcoursepaintedwithapowder puff.WhenIwenttherehesaid,"Find asmanypostcardsasyoucanofpeople inmilitaryuniform."Then,whenIgot backinthespringof1919,hehaddied, 1guessofanervousbreakdown.He waspaintingwell,sellingstuff(togal¬ leries)ontheinstallmentplanoverthe telephone.Iguesshehadanulcer.1 guesswhilehewasinthesanitariumthe thinghemorrhagedandkilledhim.He’d startedtopaintinthesanitarium.1don't knowiftheyweredrawingsorwhatev¬ er.DoyouknowBrenda,hisdaughter, inCapeNeddick?"

Whatkindofbrushesandpaintdo

FlyBoxandEnvelopes,1985.

youuse?

“Sablebrushes.Theymakeonecalled RussianSable.Igetthematthemall nearPortsmouth.Whentheacrylicsfirst cameout,Ididn’tlikethefeelofthem. I’msuchapainfullyslowpainter.But youcanputoilovertheacrylics.Imake somanychangesit’sunbelievable."

Ilikethefishinglureseriesyoudid, likethisonein A CENTURY OF COLOR,thebookpublishedbythe BarnGallery.It’spartbaitbox,part rearviewmirror,aneatblendingof theabstractandconcrete,brightfish luressuspendedininfinity.That’s whenyouwerewithMidtownGal¬ leriesinNewYork?

“Theyprintedthegoddamthingupside down,youknow.Itshot(adjustsafan). Ican'tstandtheheat....Myshipwas senttothePacificinWorldWarII.to workwithfrogmen,theI'DT.Icouldn’t standtheheatthen.Ican’tstanditany¬ where."

Oh.Howdoyoulikeyourstudio?

“ImovedinhereinNovember.Hadit allwinterized.Thiswasbuiltasmy father’sfirststudio.”

Besidesthisone,what’sthemostirri¬ tatinginterruptionyou’veeverhad whilepainting?

“Divorceafter35yearsofmarriagelast year.Whatdoyouthink?Iusedtolive atthefarmon59acres.NowI’mhere.I sitoutonmydeckatnightandwatch allthetouristsatnight.Whenyoushut thisdooryoucan’thearanything. There'speoplethereandnothinghere. I’msortofalostsoul.Idon’tgotoany meetings.I’veturnedintoahermit,I guess.”

Whenyou’repainting,whendoyou wakeup?

“I’mavery7earlyriser.HereIwakeup at4:30or5a.m.WhenI’mpainting,it’s usuallyintheafternoons.Ilikethe afternoons.Notnight.It’saterribly demandingbusiness.Ifyouworkfrom1 to5p.m.you’recompletelyexhausted.”

Whathaveyoubeendoingrecently?

“Thesearenew,thisseries.I’vealways beenveryinterestedinjazz.Iplayed somejazzincollegeandafterward-guitar.Mytwoboyshadalwaysbeenafter metolistentoCharlieByrdParker.I’d neverreallybeeninterestedinBop. TwoyearsagoIfinallypickedupa

INTERVIEW

tape.HearingitIthought,‘Christ,my God,thisguy,thisguywasagenius, nobodywaslikehim.’Theseriesisded¬ icatedtotheByrd.(It’sstrong,solid stuff,highlymusical,abstract,andcontemporary-Laurenf athismostaggres¬ sive,flashesofbrightstructuralist debrisagainstatanfield.) Inthe1960s Iwentintoabstractexpressionism.It's justaquestionoftimeormood.People don’t understand how I can do an abstractpaintingandalsoarepresenta¬ tional.I'vedonebothforsolong.Iwas alwayssuspectofpeoplewhocoulddo both,butnowIcandothatandit doesn’tbotherme.It’swhateverIwant todo.I’mnotgonnabreakmyasstry¬ ingtosell.Ihavealadywhobringsme myfoodatnight.”

Whatareyourgalleryaffiliations?

“IsellthroughBarridoffGalleriesin PortlandandMastCoveGalleries.1just sold2atMastCove.I’m68yearsold, taxedtilltheycutmyneckoff.Whatis it,$8,000maximumthatI’mallowedto earneachyearwithSocialSecurity?It usedtobethatgalleriestook33-3per¬ centcommission.AroundI960,mydeal¬ er,KraushaarinNewYork,tookthat amount.Nowit's50percent.It'sabsurd. It’sterrible.Galleriessayit'soverhead. Doesn’ttheartisthavesomeoverhead too?”

YouwerewithJohnPaysoninHobe Soundyearsago?

“IstartedwithTomCrotty.IsaidIthink it’stimeforPortlandtohaveayearround gallery,' and that’s how he opened.ThenCrottystartedbringing JohnPaysonaround,becausePayson hadthebucks.ImetPaysonthrough TomCrottyand'wentwithPayson.He hadaguesthouseinFloridaforartists. Therewasaswimmingpool,refrigerator fullofanythingyouwanted.He'dchar¬ terafishingboatfortwoweeksandgo outintotheGulfStream.Igotmyfirst sailfishdownthere.Afterawhilehe wasembarrassedthathecouldn’tsell moreofmypaintingsatHobeSound GalleriesSouth,sohefinallybought somehimself.Yeah.Itwasthelifeof Rileydownthere!”

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A Life Of Pictures

A OUWANTtoknow g ^g howIendedupin Maine?Here’showI gfirstendeduphere!gI’m doing some V commercial shooting forStandardOiloutofNewYork, workingforaguynamedRoy Stryker.It’s1947,thesecond weekofJanuary.Andthenhe callsmewiththecraziest assignment.Snow.TheEsso companyissendingmeupto Portland,Mainetoshootsnow... Continuednextpage

We'vebeenprintingcolorsfor almost120years.Andkeeping ourcustomers'costsintheblack. Toreallyseered,callus.

Itwentlikethis.An Esso tankerwas goingtotrytopumpheatingoilthrough apipelinethathadbeenbuiltduringthe wartocarryaviationfueltoMontreal. Theywantedtoseeifitcouldbeutilized tocarryheavieroil.Strykersuggested thatIgetsomephotographsofthe operationwhileitwassnowing.

IarrivedbytraininUnionStationa month later, in the middle of a

“For that week my activitieswerelimited to making some pho¬ tographs of the wet cobblestone streets around the docks and eatinglobstertwoor threetimesaday. Finally,thefoglifted andIcouldtakethe incrediblydullpic¬ turesofheatingoil being pumped through apipelinetoMontreal. Bythattime,thelast vestiges of snow had disappeared. Also, eat¬ ingallthatlobster,I had gained 15 pounds.”

Februarythawandadensefogthat wouldn'tevenallowthetankertocome intotheharbor.

Aweekpassed.Thefogstayedput, and I amused myself by hanging aroundthedocksandtalkingtothe lobstermen.Theysteeredmetoasmall docksiderestaurantwheretheyserved nothingbutlobster.Forthatweekmy activitieswerelimitedtomakingsome photographsofthewetcobblestone streetsaroundthedocksandeating lobstertwoorthreetimesaday.Finally, thefogliftedandIcouldtakethe incrediblydullpicturesofheatingoil beingpumpedthroughapipelineto Montreal.Bythattime,thelastvestiges

Plumbers James Robinson Stephen Vose

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ofsnowhaddisappeared.Also,eating allthatlobster,Ihadgained15pounds. IgotasleeperonthetrainbacktoNew York.AsthetrainpulledoutofPortland, itbegantosnow;andwhenIarrivedin NewYorkthenextmorninga NewYork Times headlinetoldoftheblizzardthat hadstruckMaineduringthenight.Iwas certainIwouldbefired.”

12to6PM,Mon.-Fri.,25ForestAve.,Portland04101773-2555

85,ToddWebbhasa lotofgreatmomentsto lookbackon.Throughouthislifehehasmoved inagroupoffriendsthatincludesthe greatestphotographersofthiscentury. Nearlyfromthestart,oneofthemwas AnselAdams."Iwastooyoungtobe draftedforWorldWarIandtoooldtobe draftedforWorldWarII.Iwasgoing

“AndI’llsaythatthe

conversations among photo¬ graphers back

then—Steiglitz, Adams, Callahan, Abbott—were not about technique. They were about boxing. They were about what the eye sees.Lifeinthe streets. The most forgotten piece of equipment you could ever bring back from that period is the eye.”

tomisseverything.ItwasAnselAdams whowrotealettertotheNavyrecom¬ mendingmeforapositionasaphoto¬ grapherintheConstructionBattalion. ThebestthingaboutgoingtoNewGui¬ neaandthePhilippineswasthat,asthe

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photographerIhadatentfor8people tomyself.Justmeandmydarkroom.I alsowastheonlypersonwithhisown refrigerator.MaybeIwastheonlyper¬ soninthewarwithanyprivacy!Ikept myfilmcoldintherefrigeratorandalso managedtokeepalittleroomopenfor beer.

“It’sfunny.Youngerphotographers comeuptomeandask‘Whatdidyou usetogetaneffectlikethat?’They're hopingI’mgoingtotellthemabout somethinglikeasecretdeveloping processorsomeforgottenlensthey don’tuseanymore.AndI’llsaythatthe conversationsamongphotographers back them—Steiglitz, Adams, Cal¬ lahan,Abbott—werenotabouttech¬ nique.Theywereaboutboxing.They wereaboutwhattheeyesees.Lifein thestreets.Themostforgottenpieceof equipmentyoucouldeverbringback fromthatperiodistheeye.”

He’slivedinBathsince1978,ina whiteclapboard18thcenturyhouse

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1940.Inthebackyardtherearetrees. They make him laugh because of somethingLucillesaidthefirsttimeshe sawMaine.

Agfa/’,!"

“‘Allthosetrees,'"sheexclaimed. ‘They’rehideous!Thewholestateis hideous!’"They'velivedherenowfor 12years.Theyloveit.They'rearoman¬ ticcouple.TheymetinParis.She’s livedwithhiminParis;Bath,England; NewYork;SantaFe;everywherein¬ between.

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Portland’sEvansGalleryhadthe goodfortunetohaveToddWebbwalk inwithhisportfolioseveralmonthsago. Amajorshowisplannedthereforthis fall,andpriortothat,anumberofhis photos,includingoneoffellowphoto¬ grapherBereniceAbbott,havebeen shippeddowntoSotheby’sandChris¬ tie’sforauction.Hehasgreatpraisefor EvansGallery:“BetsyEvansknows whatshe’sdoing.’’Wecheckedupon Webb’srecordwithChristy's,andhe’s alreadybroughtin$5,000-$7,000for severalphotoshe’splacedtherethis year.

"Iwasatashowwheremyownwork wasbeingexhibited,”laughsWebb, “andsomeoneturnedtomeandsaid, 'That’saToddWebb,youknow.'Isaid, ‘IamToddWebb.'”

It’sacommonexperienceforWebb, who’sanonymoustothepointofbeing famous.He’saverymodestguy.It'shis photosthatgoonformiles.

“People always ask me where my favoriteplacetoliveis,”hesays.“No matterwhereI'vebeeninmylife,any¬ whereintheworld,”ToddWebbsmiles, “I’vealwayshadthesameanswer. “Here."

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Theatre Preview

Portland Stage Company-Humor, greatwriting andanexplorationoftheindividual'srelationship tosocietyarecommonthreadsthatlinkallsix playsinthe1990-91seasonatPortlandStage whichopensOctober30atthePortlandPerform¬ ingArtsCenter,25AForestAvenue.Thesixplays are: Loot,byJoeOrton.October30toNovember 18,awildandwicked,black-humoredfarcefrom Englandwithahilari¬ ouslyconvolutedplot involvingastackof stolenmoneyhiddenin acoffin,twothieves,a funeral,anunscrupu¬ lousdetectiveanda displacedcorpse.Out¬ rageousandaudacious, thisdeliciouslysavage satireexposestheigno¬ ranceandbrutalitythat can lurk behind the falsefacadeofsocial respectability. A Man's .-1 Man.byMr.Bertolt Brecht. November 27 to December 16, tells thestoryofGalyGay. an innocent laborer whosetsoutonemorn¬ ingtobuyafish,meets upwiththreesoldiers andisthentransformed intoa"humanfighting machine."Withsongs, slapstickandimpossi¬ blecomiclogic,this fierceandfunnycome¬ dy about war. mass societyandindividualidentity,challengesour ideasaboutwhatdefinesaman.MissJulie.August Strindberg'snineteenth-centurymasterpiece.Jan¬ uary1toJanuary20, offersapowerfulviewof thesexuallychargedrelationshipbetweenMiss Julie,anaristocraticyoungwoman,andJean,her father'sservant.Theplaytakesplaceonthefamily estateduringMidsummer'sEve,thetimeofthe midnightsun.Amidthenightsdrunkencelebra¬ tion.MissJulieandJeanbeginaseductivedance whichbecomesadeadlystrugglebetweenindivid¬ ualdesiresandsocialtaboos. LadyDayatEmer¬ sonsBarandGrill,byLmieRobertson,January 29toFebruary17. combinesmusicandbiogra¬ phytogiveusarareglimpseintothelifeand

workofthegreatAmericanjazzsinger,BillieHoliday.Theplayisliberallylacedwiththedeeplyfelt,sultry andswingingsongsforwhichLadyDayisfamous.ThestagewillbetransformedintoaSouthPhiladelphia saloonwhere,onlymonthsbeforeherdeathin1959,Holidaysingssuchunforgettablesongsas"Strange Fruit,”“GodBlesstheChild,"and"Ain'tNobody'sBusinessIfIDo." Mirandolina.byCarloGoldoni, March5toMarch24,revolvesaroundtheexploitsofayounginnkeeper,Mirandolina.She'ssmart,snap¬ py,shrewdandirresistible.Everymanwhomeetsherthinkshe'sinlovewithher.Theonlyexceptionisa misogynisticBaron,whoMirandolinatakesonasachallenge.Shestripsawayhisdefensesuntilheloses controlofhimself,revealingasexualenergyandexcitementwhichisfarmorethanshebargainedfor.

Mirandolinarevealstheodd foiblesofthemenwhoorbit aroundher-theirvanity,their paternalisticassumptions aboutwomen,andtheirdrive forsexualpossession.Ina sense,theplayshowsushow farwehavenotyetcomein theareasofhumanrelations andsexualstereotypes. Wolf ultheDoor. by Erik Ehn, April19toApril28, isan extremelytouchingandthe¬ atricallyexcitingpiecethat dealswithafamilystruggling tosurviveinanincreasingly complexworld.Aswithmany families each member is strugglingtobecloseandto helpsustainthefamilyunit whilesimultaneouslypulling awayandtryingtofulfillhis orherownindividualneeds. Evenwhenthey'rephysically separated,theymoveinand outofeachother'sconscious¬ ness.boundtoeachotherby bothloveandguilt.Fortick¬ etscall"1-0465.

Mad Horse Theatre Company-Aes LiaisonsDangereuses.byChristopherHampton.MadHorseturnsits particulartalentsandvisiononthefataldecadenceoftheFrenchupperclassinthelastdaysoftheRevolu¬ tion.September27toOctober21.SpeedthePlow,byDavidMamet,playsNovember 22 to December 16.AninsideviewofHollyw<x)dsstrugglebetweenartandcommercialism.Reckless,byCraigLucas,plays February7toMarch3.Acomic,upside-downlookatlossandhope. TentMeeting,byLarryLtrson.Levi LeeandRebeccaWackier,playsApril4to28.Supernaturaleventsonthereligiousrevivalcircuitcompela familytoexaminetheboundariesbetweenfaithandfanaticism. AViewFromtheBridge,byArthurMiller, plavsMay30toJune23.ItistheclassicAmericanplayofillicitpassionanddestiny.Performanceswillbe ThursdaythroughSaturdayat8p.m.:Sundayat”p.m.TicketsareSitandS10.ForreservationswriteMad HorseatP.O.Box9~15-3-t3,985ForestAvenue.PortlandOtlOl.”9”-3338

Portland Players-Thaxter Theater-The 60thAnniversarySeason!ArtisticDirectorJoeThomasbringsus LnCageAuxFolles. October5toOctober27. Along-runningParisBoulevardcomedy,laterahighly acclaimedfilm,andnowoneofthedecadesbiggestBroadwayhits.StarringPortlandlocalfavoritesLouis PhillippeandKendallLibby. SteelMagnolias. November30toDecember15,isanalternatelyhilarious

A new exhibition ofcontemporaryrealistpaintings in all mediums each month, September-December, March-June. Ajuriedexhibitionopens afterLaborDay.

Preview and reception on Friday, September 7, 6-9 p.m.

Open House Saturday, September 8, 11a.m.-5p.m.

Portland, Maine 04101 772-9605 ExhibitionofWorks

"Tallying the Lobsters—Stonington" 19 x 25, O/C. Signed

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EVENTS

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andtouchingplaywithacastofcolorful,comical andverystrong-willedladies. Nunsense, January 25toFebruary16.Thescorepulseswithmerri¬ mentandanunabasheddesiretomakeyoulaugh. Comicinterludes,pacedatabreak-neckspeed willhaveeveryonerollingintheaisles.Broadway Bound.March22toApril13.FromNeilSimon's acclaimedautobiographicaltrilogy,wefind EugeneMorrisJerome-whomwemetacoupleof seasonsagoinBrigbionBeachMemoirs-M grown upandreadytotackleBroadway. ThePiratesof Penzance,May24toJune15,amelodicoperetta, whirlingacastofpirates,policemen,young lovers,dewy-eyeddaughtersandaneccentric major-generalaroundatunefulmerry-go-roundof moraldilemmas.May24toJune15. Boxoffice -99-733~Curtainisat8p.m.,FridayandSaturday; 2:30p.m.onthefirstSunday;and~p.m.onSundaisthereafter.

LyricTheatre-176 SawyerStreet.SouthPortlandTheMysteryofEdwinDrood, September 28 to October14. Ayettobesolvedmysteryfromthe masterfulpenofCharlesDickensandadaptedfor thestageinsuchamannerthatyoudecide"who doneitandwhy." MyOneandOnly. November 16toDecember2.ToetappingtunesbyGeorge Gershwinandastoryaboutaviators,aqua-cades, amorousanimosity,andriledanarchistswillbring asmiletoyourtwoontheaisle.ManofLaMan¬ cha. February15toMarch3. DonQuixote,as seenthroughtheeyesofamanwholivedthe “ImpossibleDream”-amusiclover'sdelight.April 19toMay5.Eveningsat8pan.;Matineesat2:30. Forticketscall799-1421or799-6509.

Hackmatack Playhouse-Fourth Seasonat CochecoFalls,MainStreet,Dover,N.H. TireOdd Couple-September,TheAmorousFlea-October; AStreetcarNamed Desire-November;AChrist¬ masCarol-December,OhDad,PoorDadMama's HungYouintheCloset,andI'mFeelingSo Srrd-January; TheGinGamo-FebruaryMachethMarch; The Musical Comedy Murdersof1940Aprll; OilCitv-May. Curtaintimeisat8p.m.for evenings,TuesdaythroughSundayCall(603)7493996fordetails.

City Theater-205 MainStreet,Biddeford04005. TheImportanceofBeingErnest.OscarWilde's masterpieceandoneofthemostfamousofcome¬ dies September 21 to October 6. Anything Goes-an amusingstory,danceandspectacle wrapped about the magical score of Cole Porter-oneofthebestinAmericanmusicalthe¬ atre, November 2 to November 18. PeterPanTtyawaywithPeter,Tinkerbellandthechildrento NeverNeverLand-April.Call282-0849.

LISTER 9MEL

Now Serving 5 Locations!

■599ForestAvenue,Portland,Maine775-0718

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FreshlyBakedBagels■Croissants■Full-Line Kosher-StyleDeli■CreamCheeses■GourmetCookies andAssortedSpecialties■PizzaBagels■HotandCold Sandwiches■EatInOrTakeOut■Catering

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Getatasteofrealvaluegarnishedwithgooddesign. CastleKitchenshasalltheingredientsyouneedtocookupyournewor remodelyouroldkitchen.Seesixteenfull-sizekitchensondisplayatMaine's largestkitchenshowroom.Ourprofessionaldesignteamwillhavetheright recipetohelpyouselectyourownspecialmixofspiceracks,lazysusans, utilitycabinets-allthefixinsthatwillmakeyournewkitchenfunctional, beautiful...andinbudget,too.

Castle Kitchens

137PleasantHillRoad,Scarborough883-8901. OpenMonday-Friday8-5,Saturday9-Noon,orbyappointment.

Directions:TurnoffUSRouteOneatthetrafficlightatFrostBoatyard.Then,go 1 mile.

'U 3 - .

TheSacoRiverGrange-SalmonFallsRoad,Bar Mills.FeaturingTheVintageRepertoryCompany. .Vr Friend. September 1 to September 9. Curtainisat7:30FridayandSaturday;Sundayat6 p.m.Ticketsare$9and$6.Dinner-theatrepack¬ ageavailable.CallBatPackardat929-6472.

EmbassyPlayers-SebagoI.ake-TheSchoolhouse ArtsCenteratSebagoLakewillpresentMuch Ado AboutNothing-VimStarProduction-Alighthearted andwittyShakespeareanromp.Plays September 13 to September 16; and September 20 to September23. WriteP.O.Box‘i37,SebagoLake 04075.642-3743or773-1648.

Carousel Music Theatre-Boothbay Harbor-A nightattheCarouselMusicTheatreincludescock¬ tailsandalightdinnerservedbyamemberofthe cast.Duringdinneryou'llbeentertainedbythe cabaretperformanceofyourwaiterandtherestof thecast,singingsomeofAmerica'sclassicpopular music.Call633-5297toreserve$12perperson admission.Doorsopenat6:30p.m.Showbegins at7p.m.Featuringalittlebitofold-time Vaudeville,someold-timeBroadway,andalolof old-timeshowbizturn-of-the-centuryatmosphere. ThroughlateOctober.

TheThomasInn&Playhouse-Route302,South Casco,isalovelydinner-theatresettinganda "NewEnglandtraditionsince1896."DirectorKim¬ berlyFaris'sFallseasonwillcloseinSeptember withALioninWinter,whichwillrun through September 15- Call655-3292toreserveoneof thenewlyrenovatedguestrooms(priceson request)andenjoyadinnertheatrepackagethat includesAmericanfoodwithacontinentalflair andtheshow(ticketscirca$25).Corporatedinner¬ theatrepackagesavailable.Openyear-round.

TheTheatreProject-Brunswick-Thisisasmall year-roundtheatrewhichopensitsFallseason withthemusicalJacquesBrelIsAliveandWell andLivinginParis, September.Thefollowingis theplannedline-uptodate: TheBoysNextDoor Macbeth, The American Dream and Other Dreams, Phantom Toll Booth, The Caucasian ChalkCircle.TheTheatreProjectperformsTues¬ daythroughSundayat8p.m.andSaturdayat2 p.m.Ticketsare$10.Seasonticketsareavailable. Phone29-8584.

Ogunquit-Sevenperformancesfrom September 7 through September 9 havebeensetfor Capriccio'90-Ogunquit'sCelebrationoftheArts. Thethree-dayfestivalofmusic,plusdanceand film,willbepresentedbyTheOgunquitCommu¬ nityCenterForThePerformingArts.Callfor details6t6-5139. -LarryBotelho

761-2150

538 Congress Street

10am to 5:30pm • Mon - Sat

Rare and Used Books

Maps and Prints

Bought & Sold

Highest Prices Paid

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Single items or large collections wanted

BROWSERS ALWAYS WELCOME Member

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Visit our Wells Book Shop Route 1, Wells 646-8785

zVENTS

Galleries

O'Farrell Gallery, 46MaineStreet,Brunswick.Sep¬ tember7-()ctober20:’'EarlyWatercolors’byNeil Welliver.729-8228.

Wellin Gardiner Fine Arts, 41/2MilkStreet,Por¬ tland.ThroughSeptember:aselectionof17th,18th, and19thcenturymarine,botanical,andVictorian decorativeprints.774-1944.

Wiscasset Bay Gallery, WiscassetThroughSep¬ tember29:OneHundredYearsofAmericanLands¬ capePaintings.’Featuresoilsandwatercolorsofboth 19thand20thcenturyartistsaswellasthoseofcon¬ temporaryMaineartists882-7682.

Gallery at 6 Deering. 6DeeringStreet,Portland. September1-22:ajuriedshowof50contemporary realistpaintings.September28-()ctober27:(.hip OfftheOldBlock."byThomasNicholasandCaleb Stone.Exhibitionfeaturestheoilandwatercolor worksofthesetwosonsoffamousartists.772-9605.

Gleason Fine Art, 27McKownStreet,Boothbay Harbor.ExhibitionofworksbyEmilyL.Muir. 65^-6819

771-2972

RegionalItaliancuisine carefullyprepared byLunaD’Oro’snew chef/owners.Featuringanew menutwicemonthlyfull ofdelicious,affordable entreesandawonderful selectionofItalianwines.

Dailyfrom5:30p.m. Reservationsaccepted

Portland Museum of Art, 7CongressSquare,Port¬ land.ThroughOctober28:FrenchImpressionism andBeyond."WorksbyClaudeMonet,PierreBon¬ nard.andothersfromtheScottMBlackCollection. ThroughSeptember50:ViewoiRome"fromthe ThomasAshbyCollection.ThroughSeptember25: "WinslowHomerWatercolorsThroughSeptember 25:"Perspectives:.MarjorieMoore’Dogsandother animalsarcthecentralthemeofthisexhibition, whichincludesworksonpaperandavideoinstalla¬ tiontitled CamsCanis- ThroughOctober28:4he BoatShow:FantasticVessels.FictionalVoyages. 775-61IS.

Farnsworth Museum. Rockland.ThroughNovem¬ ber I: Beyond Black and White—Contemporary Hand-ColoredPhotographs,"whichfeatures21 artists,mostoithemfromMaine.Alsoondisplay: worksbytheWyethfamily.596-6)57.

Mast Cove Gallery. MastGiveLaneandMaineStreet.Kennebunkport.Maine.Oneofthestates deepestcollectionsofcontemporaryartists,with practitionersasvariedasbredLynch,JurisLbans. JohnLaurent,andCarlSchmaltzPaintings,sculp¬ tures.andgraphicsbyover80outstandingartistsin allIn.iGreekRevivalhome,builtin1851besidethe CravesMemorialLibraryonRoute9.967-Si5V

Huston Tuttle Gallery Thomaston.ThroughSep¬ temberIS:Profile,watercolorsandoilsbyHans Flugel.594-544I

stein Glass Gallery 20MilkStreet,Portland ThroughOctober15.StephenNelsonandDaniel Graumer'sshow-oflargevesselsIhesehand-blown

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tVENTS *

glassvesselsarebothimpressionisticandextremely colorfulindesign.MondaythroughSaturday,11a.m. -6p.m.,SundayIIa.m.-2p.m.Beautifulglassexhib¬ its.772-9072.

Bates College Museum of Art. BatesCollege. Lewiston.September18-NovembcrI:Makers’90." ReceptionforartistsisonSeptember50from1p.m. to5p.m.786-6158.

Nancy Margolis Gallery. 567BoreStreet.Por¬ tland.InSeptember,ceramicsbyJeffPerrone.John Rohlfing.BarbaraDiduk.RaymonElozua,James Watral.andfiberby(.ateHewitt.Ongoingworksin ceramics,jewelry,wood,glass,andmetalbyregular galleryartists.775-5822.

Greenhut Galleries. 146MiddleStreet,Portland. September6-50:BorrowedVisions."byConnieHayes.Thisexhibitionconsistsofaseriesofoilsthat HayesdidwhilestayinginhomesthroughoutMaine andVermont.772-2695.

Bowdoin College Museum of Art, Brunswick. ThroughSeptember25."SelectedPrintsBromthe VinalhavenPressCollection"ondisplayinthe20th CenturyGallery.Bachyear,artistsofemergingand well-establishedreputationareinvitedtotheVinal¬ havenPress,locatedontheislandofVinalhaven,to workwithmasterprinters.Thisveartheshow includes77imagesproducedatthepresssince1984. 725-5275.

Elements Gallery. 56MaineStreet.Brunswick. September7-October20:SquidgeDavis,one-person showoiclaysculpture.Newworksbythisfeminine interpreterofmythologicalandspiritualthemes. 729-1108.

Liros Gallery, BlueHill.Beaturingnewacquisitions ofRussianiconsandantiqueprintsandmaps. .574-5570.

Barn Gallery. Bourne’sLane.Ogunquit.September 6-October8:Maingalleryshowisagroupshowof artistsworkinginmixedmediawithstrongvisible lines."SignsoftheTimes"byChrisEnosshowsin theS.JudsonDunawayRoom.Exhibitionfeatures blackandwhitephotographsofwallsinNewYork

Barridoff Galleries. 26BreeStreet,Portland.Sep¬ tember6-29:RobertSolotaireshow.Principallyoils. 772-5011.

Congress Square Gallery, ExchangeStreet.Port¬ land.ThroughSeptember21,agroupshowofgallery artistsworkinginpastels,oils,watercolors,and sculpture.September21-October1.5:All-watercolor show.774-5569-

Danforth Street Gallery. .54DanforthStreet,Port¬ land.September7-28:"InterpretationsinWood." Thissculptureshowmakeswoodsing,featuringdif¬ ferentmethodsandstylesofusingwoodastheprim¬ arymaterial.Over1.5differentartistsfromallover Maine.775-6245.

EVENTS. Music

Portland Performing Arts, 25AForestAvenue,Port¬ land.PortlandMulti-CulturalCelebration:Friday, October5at8p.m.—HearthemusicoftheAndesby GrupoFortaleza;enjoytraditionalViecnamesedance andmusicbyChiPotterandJulietNguyenandgeta tasteoftheEastwithanAfghanifoodwaysdemon¬ stration.Saturday,October6at8p.m.—IvoPapazov’sBulgarianOrchestrawiththehottestrevolution¬ arybandinEasternEurope.Thenit’sMiddleEastern musicperformedbyoudvirtuosoAlGardnerandhis AmericanEnsembleplusachancetosampleCambo¬ diandelicacies.Saturday,October20at8p.m.— RandyWeston.Anunrivaledtalent.Ajazzpiano virtuosowhocombinesthecontemporarywiththe soulofNorthAfrica.TicketsareS13/12.MC/VISA. Availableattheboxofficeorbymail,oratAmadeus music,532ForeStreetorGalleryMusic,21Forest Avenue.774-0465.

Cumberland County Civic Center, Portland. Upcoming events: Thursday, September 6: WWF Wrestling.September29-30—BiannualAll-Breed DogShow.October2-4—MaineMunicipalAssocia¬ tionConvention.Saturday,October6:MaineMarin¬ ersSeasonOpener.October18-20:ThePortland Newspaper’sAutoShow.775-3458,1-800-678-1IXS, orcallthe24-hr.Hotlineforeventupdatesat 775-3825.

Miscell any

Brick Store Museum, 117MainStreet,Kennebunk. The museum has two summer exhibits on view throughNovember:"ThroughtheArtist’sEye—A MaineWomanintheWorld"isthefirst:Exploring EdithC.Barry’s(1884-1969)impactonsouthern Maine’sartcoloniesasaportraitist,sculptor,muralist,anddesigner,theexhibitusesphotographs,films, paintings,sculpture,diaries,letters,anddecorative arts.Theydocumentthecolorfuladventuresand meaningfulcontributionsofthis20thcenturyartist, worldtraveler,andpreservationist.EdithC.Barry journeyedextensivelytoAfrica,Europe,andtheFar East,andherexperiencesplacedherintheforefront ofworldaffairs.Amongothers,shewitnessedthe mobilizationoftheFrenchmilitiaduringWorldWar I,Berlinin1939,andtheShanghaiofthe1930s.The secondexhibitistitled"HomefromtheSeas:Kenne¬ bunkport'sFabledSeaCaptain."After32yearsof sailingtheSevenSeas,CaptainDanielW.Dudley (1841-1930)spenthisretirementyearsdazzlinghis Kennebunkportneighborswithhistalesandcollec¬ tionofpricelessOrientaltreasures.OpenTuesdaySaturdayfrom10a.m.to4:30p.m.Admissionis$2 adults,$1children.985-4802.

Owls Head Transportation Museum, OwlsHead, Maine04854.September16:EmergencyMedical VehicleRally.October7:ChevroletMeet&Airshow. October14:CadillacMeet&Airshow.October28: FallFund-RaisingAuction.594-4418.

TheTraditionofMaine. TheLuxuryoftheShawmut

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MOOSEHEAD CHARMER

New country cape on private, year-round approx. 5-acre country lot in Beaver Cove. Exceptionalqualitymaterials throughout.Viewofandaccess toMooseheadLake.CedarExerior,pineinterior,4bedrooms.%baths. 2-cargaragewithroomoverheadforrecreationarea.(#2224)$185,000

GOODWIN REAL ESTATE

P.O.Box168,MainSt.,Greenville,ME04441 (207)695-3731

GREENVILLE SHOWPLACE

Setyourselfapartinthis16+ room residence located on PleasantStreetinGreenville. With over 10 bedrooms and nearly 5,000 sq ft of living area,thishomeisidealforcon¬ versiontoabedandbreakfast inn. 1-cargarage.Onlyaskipto the lake and downtown wantsoffers

GOODWIN REAL ESTATE

P.O.Box168,MainSt.,Greenville,ME04441 (207)695-3731

$149,900

LocatedinnewlyrevitalizedMillinocket,Maine, the gateway to Baxter State Park and Mt. Katahdin, sits this beautiful New England Emporium All major improvements are completed. Businesses include: a fully equipped bakery, second-story dance studio, first-floor beauty salon, two residential apart¬ ments,andglassed-instorefrontspace. Booksopenedtobonafidebuyers. Owner must sell! $243,800

Callorwritetorequestourcurrentlistingsheet. Available7daysaweek

Thisimpressive14-roomhomeontheshoreinHarpswell's finestneighborhoodwasdesignedandconstructedeightyears agobyaNewYorkcontractorforhisownfamily.Attentionto detailandfinequalitymaterialsareevidentthroughout.The Gettingis2.4acresofbeautifullylandscapedgroundswith approx.500feetofwaterfrontageadjacenttotheprivateassoci¬ ationyachtclubandmooringarea.(Membershipisincluded.) Protectivecovenantspreservetheintegrityofthearea. S938,OOO.Shownonlybyappointment.PleasecallBarbara Caldwell.

MortonRealEstate

288MaineStreet

Brunswick, Maine 04011

Tel:207-729-1863

ONE-STORY COMMERCIAL BUILDING located on busy Route 202 in Man¬ chester,Maine.Contains1,742squarefeet£isidealtoranynumberofre-

Ilienameojintegrity $295,000. tail,serviceorprofessionaluses.S-492.

MARINAinlakesregion,home,docks,repaircenter.Excellentgross£impressive net. Call on this opportunity. S-417..^...~.^.$750,000.

SANO£GRAVELBUSINESS.CentralMaineconstructioncompany:family owned£operatedfor40years.Businessincludesanextensivelistofheavy equipment,gravelpits,officebuilding,£maintenancebuilding.S-495. .$2,800,000.

COASTAL BED £ BREAKFAST. I minute walk from the water. S-49U80.000.

SPORTINGGOODSOPERATIONgrossing2million*withasubstantialnot profitmargin.20yearoldcompanywithanexcellentreputation£continued

MID—COASTMOTELmostimpressivesmallbusinessincludes7-unitmotel with400'ofroadfrontage,residence£fullywinterized,separatecottage. S-49k...$215,000.

GARDEN CENTER £ LANDSCAPING in mid*coast region. Specializes in commercialaccounts£hasmanybookingsfor1990,Saleincludesallequip-

$1,600,000. Stronggrowth.S-490 ment,home£realestate.Route1location,S-460 .$495,000. MOM £ POP GENERAL STORE located in Central Maine with gross revenues inthe$400,000range.Owner'squarters.S-502 .$255,000.

MOM £ POP GENERAL STORE located in one of the few working harbors leftontheMaineCoast.Grossrevenuesinthe$250,000range.S-503. 135.000.

SERVICEBUSINESSwithexcellentnet£ownerfinancing.S-457....3550,000.

RETAIL SPORTING GOODS OPERATION with strong sales £ handsome mar¬ gins.Offeringincludesinventory£twoprimecommercialbuildingsinCoast-

,J2,100,000. MANY OTHER OPPORTUNITIES AVAILABLE

SCHOONER-The Name of Inte^ity

PostOfficeBox77 Wiscasset.MaineMS7» (207) M2-7SM

Thanks, Bookland, for your generous underwriting of Read to Me, the radio reading program for CHILDREN. We APPRECIATE THE SUPPORT OF COMPANIES WHO SUPPORT PUBLIC RADIO.

When is I

NDIA STREET ALWAYS PROJECTS

asenseofisolation,especiallyon latewinterafternoonswhenthe fadingsuncastslongfingershad¬ owsthatlocktogetherandcrowd thesmallbrick-and-woodenbuildings closeralongitsfixeshortblocks.

Severalbusinesseshadsproutedupin thelate'80s,theirproprietorsattracted bythelowrentsandhopesthatthearea wouldbeincludedinPortland'sgreat expansionexplosion.

Theywerestillhoping.

Mike weaved drunkenly down this street,aiminginstinctivelyforTheShel¬ ter.hopinghewouldmakeitbefore theylockedupforthenight.

Mikewasanoutrightbum.Analco¬ holic.Astreetperson-thekindthat givestherestofthemabadname.He hadn’theldajobforthepasteightof histwenty-eightyears.Barrooms,back streets,andjailshadbeenhishomefor aslongashecouldremember.

Heheard,orthoughthehadheard,a womancallingtohimfrombehind.

“How would you like to maketwentydollars?”

He spun around, almost losinghisbalance.“Well?” thevoiceasked.

Mikestruggledtofocushis eyesandsawatallwomanin alongblackcloak.

“Huh?”wasallhecould musterinhisdisbelief.

The woman chuckled and repeatedinafirmvoice, "How would you like to maketwentydollars?...an hour,thatis."

Convincedhewashalluci¬ nating,heshookhishead, attemptingtoclearoutthecobwebs.

Theword"job”disorientedMike. "Listen,ifyoucan'tusethemoney...” shesaidandturnedaroundwithagreat sweepofhercloak.

“Wait!"Mikeshoutedand reachedout,attemptingto grasptheillusion.

Ashisfingersclosedonthe cape,thewomanturnedand facedhimsquarely.

“I know this is kind of unusual,”shesaid,"butIam inthemiddleofaprojectand needamodeldesperately.I livejustaroundthecornerand havemystudiothereaswell. Areyouinterested?"

“HEY! MikeBlurted, “I’mYourMan, Lady! Honest!”

HerlongarmgesturedtowardFore Street.AndMike'svoiceandsenses camebacksimultaneously.

“Hey!"Mikeblurted.“I’myourman, Lady!Honest!"

Theweirdnessofthesituationhad soberedMikeupabitandhissurvival instinctsbegantocomeintoplay.

‘Listen,

"1 ain’t never done no modelin’ before,”Mikeoffered, “butIbetcha’Icansure manageit!”

Ie You Can'tUse theMoney...” SheSaid andTurned withaGreat SweepofHer Cloak.

Whenhiseyesrefocused,thewoman inblackwasstillthereandhewasstill onIndiaStreet.

“Huh?"herepeateddumbly.

The woman flashed a wide smile, revealingstrongwhiteteeth.“Letme explain,"shebegan."I'manartistand needamodel.Youwoulddonicely.Do youwantthejob?"

“Well,that’sgood.”the womansmiled.“You’llbe helpingmeandI’llbe helpingyou,ofcourse.

Iwantyoutowaitfor metowalkdowntothe cornerandthenfollow me.I’llmeetya’around thecorner!”

As Mike watched the womanwalkintothefad¬ inglight,hismindbegan scramblingtoassessthe situationhewasin.

"Idon’tknowwhatthehellherstory is,"Mikemumbledtohimself,“butif she'llpaymetwentybucksanhour.I'll dowhatevershewants!"

Hekeptacloseeyeonthedarkfig¬ ure until she disappeared-then he lungedforwardtocatchit.

He spotted the woman waiting in frontofadarkeneddoorway.

Whenhereachedher,shetookhis

arm,andguidedhimthroughthedoor anddownaverydarkhallway. Theystoppedbeforeanarrow,highly polisheddoorattheendof thehall.Shereachedout andpushedasmallbutton onadimlylitpanelthat wasinsertedontheleftside ofthedoorframe.

Withabarelyaudible swishingthedoorslidback torevealasmall,brightly illuminatedcubicle.

Shenoticedwithamuse¬ ment Mike's dumfounded stare.

"Thisismyelevator,"she explained."I'mtootiredandloorichto climbstairsanymore.”

Sheenteredthecubicleandturned, patientlywaitingforMike.

Hismindwasracing!Anelevator!A damnelevatorinajointonForeStreet! Heguessedtohellhe'dhitpay-dirt. Hescrambledinafterherasshe pushedanotherbutton.

Whentheelevatorbeganitsascent, Mikeblatantlyogledthewoman.

Shewastall,maybearoundfifty.She slippedoffherhoodandmassesof auburnhairspreadacrosshershoulders. Hereyesweredarkandpenetrating.

Thewomansmiledunselfconsciously andpattedhimontheshoulder.

Theelevatorstoppedsmoothlyandits doorslidbacktorevealahugeexpanse ofalivingroom.

Shesteppedout,butMikehesitated, hiseyesnotconnectingwithhisbrain. Shegaveagentletugandpulledhim intotheroom.

"Bytheway,”sheaskedwhileshe observedhimtakeinthespace,“what’s yourname?"

“Mike,”hestammered.

"Well,Mike,whydon'tyouhavea seathere,”shesaid,gesturingtoward oneofseveralplushchairsnearby,“ andI’llgetusadrink.Whatwouldyou liketohave?"

Drinkwastheoperativeword.

"Oh. gimme' a tall vodka with a splashoftonic,"hesaid.“That'dbejust

finebyme.”

Shedisappearedsomewheretoward theendoftheroomasMikefellgrate¬ fullybackagainstthevelvetcushions, baskinginhisgoodluck.

Hiseyesexpertlyscannedtheroom: stereo,TV,VCR.typewriter-theworks. Yeah,hethought,Icanmakesomebig bucksoffthishaul.

Helulledforatime,takinginthelux¬ uryoftheroom,whenhervoiceinter¬ ruptedhim.

“Comfortable,Mike?”sheaskedasshe handedhimatallglass.

“Man!Comfortableain’tthewordfor it,lady!”

Shegrimacedinvoluntarilyasshe watchedMiketakeahugegulpofhis drinkasifitwerepurewater.

Heraisedhisglassinasaluteand gurgled,“Perfect,lady,perfect!”

"NowMike,"shechidedgently,“my nameisSybil,notlady.Ifwe’regoingto beworkingtogetherdon’tyouthink youshouldcallmebymyname?”

“Yes,ma'am.”hebegan,thensput¬ tered,“ImeanSybil!”

“That’sbetter!Let’sfinishourdrinks andI'lltakeyouintothestudioandwe canbeginwork.How’sthatsoundto you,Mike?”

Hepolishedoffhisdrinkwithasec¬ ondhugegulp.

Mikeattemptedtorisefromthechair, butfellbackwhenawaveofdizziness sweptoverhim.

“Wow!”hesaid.“Guess1 ain'tusedtothisquality booze!”

“Don’tworryaboutit,” shesaid,extendingahand tohelphimfromthechair. “I’mafraidI’mnotaverygoodbartender.Iobviously madey-ourdrinkalittletoo strong.”

“1’11beOKinaminute, don’tworry.You’repayin’ foramodel,andthat’swhat you’llget.”

Theroomwashuge.

Scatteredabouttheroomwerehuman figuresinvirtually'everystageofpostur¬ ing: Some were sitting, some were standing:somewerewalking,somerun¬ ning:somelay'peacefully'oncouches, somestoodrigidlyatattention.Theyall boreexpressionswhichranthegamut ofemotions:fear,happiness,love, anger:theywereallconveyedthrough herwork.

Mike’svisionblurredwitheachpass¬ ingmoment.

AterrifyingrealizationhithimasSybil easedhisbodyontoaraisedplatform: “Jesus,shedruggedme!”

Nauseaengulfedhim.

Hisvisionbegantofade.

Recollectionsofanoldhorrorfilmhe hadseenasakid,HouseofWax,cavort¬ edcrazilythroughhisbrain.

Hewatchedherthroughahazeashe struggledtomaintainconsciousness.

Shewasvigorouslyspreadingaclear liquidalloverachairdirectlyacross fromwherehelaysprawled.

Hervoicepenetratedhishazeasif frommany’milesaway.

“Comeherenow,Mike,”shepurred whileliftinghimfromtheplatformand dragginghimtowardthechair.“It'sall readyforyou.”

Shemaneuveredhisbodyintothe requiredposition,andshebeganto explainthesituationtoMikeasiftelling achildabedtimestory.

“I’mAfraid I’mNotaVery GoodBartender... I ObviouslyMade YourDrink aLittleToo Strong.”

Shehelpedhimtohis feetandguidedhimtoward thefarendoftheroom,wheretwo hugedoorsandthepanelspartedswift¬ lyandwithoutnoise.

Mike's eyes were swimming. His kneesbegantobuckle.Sybilheldhim firmlybeneathhisarmsandsteeredhim intothestudio.

“It’sreallysovery extraordinarilysim¬ ple,”sheintoned.

“WhenIfirstsaw thosetelevisioncom¬ mercials for Crazy Glue,theoneswhich showed an elephant beingsuspendedfrom asomethingorother, Ithought,‘What?How absurd!'Icontinuedto thinksountil1finally triedthestuffona trialbasis.

“Itreallyisavery' remarkablesubstance.Itholdsanything inplace.”

AssheproceededtomaneuverMike intothechair,ahorribleburningsensa¬ tioncrawledacrosshisskin.

Heslippedcloserandclosertoward thepointofunconsciousness.

Heattemptedtomovehisarms,but foundthemfrozeninplace. Panicengulfedhim. Everypartofhisbodywascompletely immobilized.

HiseyesshottoSybil,whostood back,admiringherwork.

Shesweptherarmsinagrandges¬ ture,encompassingallthefrozenfigures inthestudio.

“Now,Mike,you'veseenitall!Justas theothershad.Youknowthesecret, andlikeallsecrets,thisonetoomustbe keptforever!

“Therealsecret,”shemurmured,“is togetthebodyintothedesiredposi¬ tion. which the Glue guarantees, THEN..."

Shesweptalargecontainerintoview, dippedapaintbrushintoitandbegan slatheringMikewithathick,clearliq¬ uid."THEN,”shescreamed,“YOUSHELZACTHE WHOLE DAMN THING. "

Pealsofinsanelaughterwerethelast thingMikeeverheard.

TheNewYorkTimes.June2S,1991

SybilHastings,thereclusivesculp¬ tresswholivesandworksinPortland. Maine,hasunquestionablyestablished herselfastheHighPriestessofthisart formthroughhercurrentexhibitionat Soho'sSargentGallery.

Herworkhassolidlyknockedthean worldontoitsjadedhaunches.Her figuresseemnotonlytotalktothe viewer, but to scream and demand attention.

Hastings’workgivesnewlifetothe term“life-like.”

India Street, Portland, Maine, August 1991

“Excuseme,”afemalevoicecalled frombehindJack.“Howwouldyoulike tomaketwentydollars?"

Jackswunghisheadinadrunkenarc towardthevoice.

“Eh?"heslurred.“Dowhat?”Awoman inalongblackcloaksmiledbroadlyat him,revealingstrongwhiteteeth."

BUY SELL TRADE

IAMOND'S EDGE RESTAURANT and bar occupies the old Fort McKinleycommissarybuiltinthe early1900sinDiamondCoveonGreat Diamond Island. The complex was a workingfortduringbothWorldWars. Restorationtotheoutsideofthebuild¬ ingistruetotheoriginal,downtothe barsonthewindowsthatkeptmaraud¬ ingprivatesfrommidnightsnacks. Therestauranthasaninvitingopen bararea,amoreformaldiningroom, andadeckoutback.Thedinnerfareis traditional:lobster,filetmignon,chick¬ en,sirloinandspecials.Thelunchmenu offersavarietyofsandwiches.Westart¬ edoureveningwithcocktailsandappe¬ tizersonthedeck.Thelobsterstewwas excellentandmoresatisfyingthanthe clamchowder,whosetidbitsofpotato werecuttoosmallformyliking.Weate ourmaincourseinsideinthepanelled diningroom.BothmycompanionandI chosethespecialsoftheday.Hiswas ChickenParmesanWithLinguini;very colorfulwitharedtomatosauce.Ihad ScallopsOnTheEdge.Itwasdelicious, thoughmyinquiriesastohowitwas preparedwereskirtedbyourwaitress andtheowner-asecretrecipe.Abaked potatoandgreenbeanscompletedthe meal.Weoptedagainstdessertwhich wasachoiceoficecreams.Dinnerfor twowithdrinks,aroundS50.

Theplaceandgettingthereisreally muchofthetotalexperience.Notbeing oftheBoatSet,mycompanionandI caughtarideviaCascoBayFerryC$4.50 perperson,roundtrip),andwewere droppedoff35minuteslaterinsecluded DiamondCove.Apparentlythislittle shelteredparadisehaslongbeenthe destinationofmanyboaterslookingfor atranquilplacetosiptheirmartinis, hencethenickname"CocktailCove."

OnFriday,SaturdayandSundaynights LeeSouthard,themusicianwhoknows anysongandallthewords,willenter¬ tainyou.Dancingisencouraged.

ForBoatPeople,justcheckinwiththe dockmasterandhe'llshowyouwhere todropanchor.Reservationswouldbe helpfultocoveorganizationandthat canbedonebyhailingonchannel16.

TheDiamond'sEdgeisopenuntilmid¬ October,7daysaweek,servingfrom11 a.in.until10p.m.BrunchonSundays. Appropriatecasualattire.

VC^lcometothewon¬ derfulworldofMikasa. Withaisleafteraisleof eleganttabletoptreasures.

Stemware.Flatware. Dinnerware.Giftware. Weddingfavors.And much,muchmore. Thegoodthingsinlifeforless. Alwaysinstock.Always forless.MasterCardand Visaaccepted. Bringinthisadfor$5.00off vournextpurchase.

How to Buy A Diamond

Thebestwaytomakeadecisionregardingfinejewelryistohavethefacts.ThestaffatCrossJewelershaswritten abookletcalled HowtoBuyADiamond, whichoffersanin-depthexaminationofthemostimportantfactorsinselecting adiamond.

This24-pageillustratedguideexplainsthe4C’sofdiamondqualityandshowswhyCutisthemostimportantfactor influencingdiamondqualityandvalue. HowtoBuyADiamond willshowyouhowtodiscernsuperiorcuttingindiamonds, andhowtoselectthemostbeautifuldiamondattheverybestvalue.

AtCross,we’reproudtooffertheworld’smostbeautifuldiamonds:CrossUltimateIdealCutDiamonds.These diamondspossessextraordinarybrilliance,withfierycolorandscintillationforalifetimeofpleasureandenjoyment.We inviteyoutostopinandseethem,andpickupyourfreecopyof How to Buy A Diamond — it’savaluableaddition toyourpersonallibrary.Callorwrite,wewillbehappytosendacopytoyou.

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