Portland Monthly Magazine April 1993

Page 1


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FEATURES_

Portland Loves A Mad Horse. 11

They’rehavingaspectacularseason,theirbestever.Andthisstorytakesyou intotheprivatelivesofPortland’somnipresentresidenttheaterensemble.Story byElizabethPeavey,photographsbyKevinLeDuc.

Young Henry.20

We'vereadofHenryWadsworthLongfellowtheNewEnglandworthy,butwhat ofyoungHenry,theyoungsophisticatewhoinflamedNewEnglanderswithhis European-cutsuitsandlavendergloves?Somerealsurprises. StorybyMary Laurence.

A Ruth Moore Renaissance.22

ShehadanincredibleearforthewoodsofMaine,forthesoundsofsmalltowns andvillagesalongthecoastandneartheweirs.Butjustwhendidshebecome anindustry?AndwhywillthisyearbetheyearofRuthMoore?StorybySanjord Phippen.

Out Of Cold Storage.29

HowwouldthePortlandwaterfrontbetransformedifBigelowLaboratories actuallydidcomeinandoccupytheCumberlandColdStorageBuilding?And whatkindofoceanstudiesdotheydo?With$2.5millioninfederalfunding annually,doesthismeanthatNASAmoneywillbecomingtoPortland?Storyby ColinSargent,photobyFrancisDiFalco.

BUSINESS WATCH

. .30

SouthernMaine’sguidetoBusiness,featuringFaces&Places,RealMoves,New Businesses,Briefcase,andOverheard. WrittenandcompiledbyBusinessEditorRon Zuba.

Rare and Used Books

■LETTER FROM THE EDITOR"

theprecisereasonswhyImoved backtoPortland10yearsago?

Backthentheworldwassnow¬ shoeinguphere.Woodstovesmoke wasnotconsideredtoxic;ithadn't evenhurtBoulderyet.Youcouldget thegreatesthaddockchowderinthe worldatplaceslikeSeamen’sClub, TheBag,andGaryLawlessofGulfof MaineBookswasstillholdinghis annualnightbonfirepoetryreadings inSouthHarpswell.

Exciting Old Port

Iwassurprisedbysomethingthe otherday.Iwasonthetelephone, talkingtoawomanfromConnecti¬ cut,andshesaidanimatedly,“Oh, you’refromPortland?That’sranked themostliveablecityintheNorth¬ eastbysomemagazine,isn’tit?”

Yes,Ithoughttomyselfonthe otherendoftheline. NewEngland Monthlywassomemagazine.Buthad shebeenherelately?Hasanybody beenanywherelately?

“Andthat’swherethebeautiful OldPortDistrictis,isn’tit?You’reso lucky!”

“Yes!”Shemadeitsoundlike somecoolenclave,likeonegiant familiarluncheonspotin“Northern Exposure,”anintimatesociety whereeveryoneknowseachother andyou’reallstayingtherefor culturalreasonstogether.

WasthisUnfrozenCaveWoman Tourist,orhadshestumbledupon

MICHAEL WATERMAN

Peoplewerefixinguptheold VictorianbuildingsoftheOldPort onshoestringbudgets.Everyone wastalentedandundercapitalized. Therewasalotoffunandnosuch thingasabusinessplan.

Andthiswomanstillthinksthat’s what’sgoingoninPortland! Itis.

Ithinkwe’reheadedforasummer ofrediscoveryhereintheOldPort. Thebigmoneyisgone,andtheideas andcolorandoriginalityarecreep¬ ingbackin.

GrittyMcDuff’s;the$2Nickel¬ odeonTheatre(whichisdoingsuch agreatjob);FreshMarketPasta (nowabletoaffordafrontdooron ExchangeStreet),GrannyKillam’s... IftheOldPortkeepsupthegood work,we’llhavetotallyrecaptured thespiritofourcity!

Butaren’tthepeopleherecrazy?

Yeah,”laughsourneweditorial intern,PeterDavenport.“They’re reallygreat,though.” t 0

"Waterman's paintings are notforthefaint-heartedand shallow-minded sometimes disturbing,alwayschallenging. with continuously new interpretations even after years of daily exposure Like all important pictures,theyaremorethesumoftheirpartsandrewardtheperceptiveviewerwithinsightsinto what it means to be human "

Representedby:

■ LETTERS"

Close Encounter

Concerningyourarticle“Stand-In ForTheManWithoutAFace,”by BrianFinch(December1992),I mustsayweweredisappointedand quiteannoyedbyMr.Finch’sarro¬ gantandknow-it-allattitudeabout the(film)industryandthelackof compassionandtoleranceforMaine people.Especiallyconsideringthat heisonehimself.

AstwoMainewomenwhoworkin theindustryandspecializeinloca¬ tions,werealizethesensitivitythat mustbeusedwithboththeproduc¬ tioncompanyandthelocals.Onone handyouwanttomakethingsas smoothaspossibleforthefilm companysotheywilluseyourstate andbringmoneyintohelpthe economy—butontheotherhand, wemustneverforgetthelocalswho allowtheuseoftheirproperties, allowtheirroadstobeclosed,and “allow”themselvestobedetoured. Itisalsothelocalswhoofferthem¬ selvesasextras.

Withallthetoleranceandunder¬ standingthelocalsshow,Mr.Finch hassomenervegettingannoyedand practicallyslammingthepeoplefor simplywantingtogetalookatthe ‘star’whoisfilmingamoviein THEIRtown.Ithasbeenourexper¬ iencethat99percentofthe‘auto¬ graphseekers’and‘picturetakers’ aretheretoseeabitoftheaction; nottodisruptthefilming!

Mr.Finchsays,“Afteronedayin Hollywooditseemstheyknowhow thesystemworks.”Fromlookingat hiscredits,wewouldsayheaccur¬ atelyfitshisowndescription!With¬ outthose‘know-it-all’extrasor ‘obnoxiousTVreporters’and‘an¬ noyingpeopleandjournalists’who supposedlyshowednorespectto thecrewandheldupproduction, therewouldbenolocationtoshoot. Nofilmtosee.Therewouldbeno MelGibson.IfheknewANYTHING abouttheindustry,hewouldnever havewrittentheharsh-ignorant thingshedid.Thelocalsandthe publicaretheoneswhopaythe

crew’ssalaryandmakeithappenfor everyoneintheindustry.Without themtheindustrywouldn’texist.I guessMr.Finchistoofarintohim¬ selftokeepthatinmind.He’sgotso muchtolearn!

Fortherecord,thecomment“It seemsthatdrinkingisallthatis donehere,"referringtoLincolnville, isnotatallaccurate.Weworkedon afilmintheareainSeptember1992 withanequallywellknownand impressiveactress—GlennClose. Thepeoplethere,asinanycom¬ munity,werecuriousandexcited. However,theywerenothingbutcon¬ siderate—cooperativeandhelpful!

IfMr.Finchwantstobelievehe's Mr.Hollywood,perhapsthatis whereheshouldbe.Wesuggestthat thenexttimehechoosestodoa majorkiss-uppiecehemakehimself lookgoodbytalkingabouthisown accomplishmentsinsteadofname¬ droppingandcriticizingMaine people—those who help us make ourliving.

SandraGallant,LaurieDeeWhitman Portland

Guest Lecture

YourfriendJonathanTrottthanks youforcomingintoMrs.Moses’s EnglishClass.ThatWednesday’s Englishclasswasthebestclassin weeks!Butyouforgottochargeus forthosecopiesofyourlatest magazineyouleftforustoread,so I’mgivingyouthe$2.95,thepriceof themagazine,plussixpercentState ofMainesalestax.Thankyou!

JonathanJamesTrott Portland

St. Petersburg

IlovePortlandMonthlyMagazine'.I’d liketosubscribesoIwon’tmissout onallthehappeningsgoingonin thecitywhileI’mnotthere.

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Maine's City Magazineb

Established 1985 Volume Vlll. Number II, April

Colin Sargent Editor & Publisher

Nancy D. Sargent Art Director

Kirk Reynolds Managing Editor

Johanna H anaburgh Copy Editor

Elizabeth Hancock Advertising

Ron Z uba Advertising

John Bjork Controller, (207) 797-9267

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ContributingEditor:ElizabethPeavey;Staff

PHOTOGRAPHER: FRANCIS DiFaLCO; GRAPHICS

ProductionAssistant:Colin S Sargent.

Founders: Colin And Nancy Sargent

This magazine is printed on Maine-made paper produced by Champion International, Bucks¬ port, Maine.

Laser Cover Separations and image assembly by Champlain Color Service, (802) 658-6088.

PORTLAND Monthly Magazine is published by Colin and Nancy Sargent. 578 Congress Street, Portland, ME 04101. All correspondence should be addressed to 578 Congress Street. Portland. ME 04101.

Advertising Office: 578 Congress Street, Port¬ land. ME 04101 (207) 775-4339.

Subscriptions: Inside U.S.: $20 for 1 year, $32 for 2 years. $40 for 3 years. Outside U.S.: add $6.

Billing Questions: If you have questions re¬ garding advertising invoicing and payments, call John Bjork, Controller, at 797-9267.

Newsstand cover date: April 1993, publ. March 1993, Vol. 8, No. 2. copyright 1993. PORTLAND Monthly Magazine is mailed at third-class mail rates in Portland, ME 04101. (ISSN: 08875340). Opinions expressed in articles are those of authors and do not represent editorial positions of PORTLAND Monthly Magazine. Responsible only for that portion of any adver¬ tisement which is printed incorrectly, and as compensation we will run a correction in the following issue. Nothing in this issue may be reprinted in whole or in part without written permission from the publishers. Submissions welcome, but we take no responsibility for unsolicited materials.

PORTLAND Monthly Magazine is published 10 times annually by Colin and Nancy Sargent, 578 Congress Street. Portland, with newsstand cover dates of Winterguide, Feb./March, April. May, Summerguide, July/Aug., September. October, November, and December.

PortlandIRIRegencyHotel

somefriendswhonoticedmypathe¬ ticfootwear."TakethemtoBean’s,” theysaid.

"They’llrepairthemforfree."

Allthemembersofthisgroupthen offeredillustrioustalesofitemstaken backinvaryingdegreesofwearand use,eachtaleendingwithsatisfac¬ tion.“They’lltakeanythingback. That’stheirguarantee."

Spring Fever

IW saw you. Out there in

shorts

becausethethermometerbroke 40degrees.Withyourwindows rolleddownandtheradioblar¬ ing,crawlingaroundthecliffsat TwoLightswithyourjackettied aroundyourwaist,eatingicecream likeitwasthemiddleofsummeror something.Well,you’renuts. It’s45degreesout.It’sstillcold. AndsinceI’moneofyou,IguessI’m nuts,too.Canweforgivewinterso easily,soquickly?Haveweforgotten thesnowplows,theparkingbans,the windchillfactor?Youbetcha.Spring feverisnotanailmentaroundthese parts,it’sacure.Evenmyfriendswho ski,theoneswho’dclaptheircreepy mitten-clad hands and say “Oh goody,moresnow”admittedthey weresickofwinterbyitsend...the maze-liketunnelscalledstreets(if therehadbeenaninstantaneous thermalmelt-downandallthesnow vanished,wewouldhaveseenthat wewereparkedinthemiddleofthe street);ourplowed-in,ice-encrusted cars; the back to back-to-back storms;tryingtomaneuveronpoorly cleared sidewalks—there was a stretchalongForeStreetwheremer¬ chantsclearedonlythepartofthe sidewalkdirectlyinfrontoftheir doorways,soonemomentyou’dbe onsafe,pavedgroundandthenext, thumponyourbuttontheice;and parkingbans—haveIalreadymen¬ tionedparkingbans?Liketheone

theycalledbut(heehee,justkid¬ ding)didn’tmean,theonesinwhich Idutifullyparkedmycarinthe Sonesta garage, trudged home throughanassortmentofassaulting storms,andthenextmorningwould havetometermysleep:75centsfor everyhourafter7a.m.

Okay,soitwasn’tallbad.People rallyinadversetimes,shuttling peopletoandfromborroweddrive¬ waysandparkingspaces,pushing outstuckcars,helpingtoshovelout buriedcars.Andplus,wegotthat swanknewflashingparkingbansign inCongressSquare(whichwasnot flashingonthenightofFebruary21, eventhoughtherewas,indeed,a ban.)

Butstill,wesurvived.Inthedeadof February we were convinced we wouldn’t,butwedid.Lookatus, throwingopenourwindows,throw¬ ingoffourlayers.Soifwegetalittle loonythistimeofyear,whocan blameus?We’veearnedit.Besides, we’reallalittlenutstolivehereinthe wintertobeginwith.

Diamonds On The Soles Of Her Boots

Speaking of winter—I spent mine(asidefrominadeep stateofdenial)inrippedBean boots.Rippedacrossthebacks, theywere,wheretherubber meetstheleather.1justgotusedto wetfeet,forgottothinkaboutit.And thenoneeveningIwassittingwith

Iwasn’tsure.Ineverreturnany¬ thing.Andthesebootswereold;they didn’towemeanything.1thought1 rememberedthatitwasoncetrue, thisresolinglore,butwasquitesure thattheyhadstoppedthatpractice yearsago.Still,theenticementofdry feetforfreeseducedme,inducedme toclimbinmycarandheadnorth.By thetimeIhittheFreeportexit,Ihad visionsofnotresoled,butbrandnew, diamond-studded Bean boots dancinginmyhead.Why,LeonGor¬ manmightdeliverthemtomehim¬ self.Thenew,gussied-upBean’s makes me nervous. Much happier wasIwiththeramshacklebuildingwithcreakystairsandthestockroom fullofmetalshelving.Andcontainers filledwithcollapsiblecupsthaten¬ tertainedmeendlessly.Thisnewone istoofancy,likeapine-paneled Nordstrom’s.Plus,1alwaysgetlost.1 wasdirectedtotakearightunderthe mooseheadtocustomerservice.

Stillconvincedthatthiswasmy luckyday,1stroderightuptherelike nobody’sbusiness,pulledtheboots frommybag,andbeganmywellrehearsedspeech.Before1could finish,therepresentativeassuredme “Thishappensallthetime.”Soit’s true!Ihaveatlastassertedmycon¬ sumerrights,andhere’sthepayoff. “Nowyoucanreplacethemwiththe samesoles(yougotanythingbetter? Ihadpicturedsomethingwithina preciousgem)for$39,”shecon¬ tinued,takingoutapricechart.“Or differentsolesfor$35.”Bubbleburst. Wetfeet.And,itwouldtake4-6 weeks.Iaskedagain.Itcamedownto yes,wewillgiveyouanewpaitifyou reallyfeelwehavefailedyou.I lookeddownatmy15-year-oldboots.' We both smiled. B

AtKeyTrustCompanyofMaine,we haveapersonalstyleyou’llfeelrightat homewith.

Fromtheverybeginningofourrela¬ tionship,weworkatgettingtoknowyon, yourneedsandyourgoals.Andwenever stopworkingtokeepyourinvestments performingthewaytheyshouldforyou.

Ourseivicesincludeeverythingfrom portfolio,retirementandestateplanning tomanagingyourpersonalorbusiness finances.Evenpayingyourbills.

Andwhetherit’sourfirstmeeting orourhundredfifty-first,we’llbeglad tocometoyourhomeoroffice. Ifarelationshiplikethissounds comfortabletoyou,callustoday. Key Trust Company of Maine 1-800-876-8401 AKeyCorpCompany 9

AMadHorse

GettingtoknowPortland’sresidenttroupe.

ou’realwaysbumpingintothem, familiarascousins,surprising youateveryturn.

You’llseeafaceatasaladbar, inthelibrary,andsuddenly you’llgetthatAnastasia-likerecollec¬ tionthathitsyouslowlyatfirst,warm asamnesia,andthenyou’resureof it—click—you'vebeenshoppingwith aMadHorseTheateractor!

We’regettingtoknowthemper¬ sonally.

MichaelRafkin’smasterplanis working.

Yousee,Rafkinhadadream—to establisharesidentensemblecom¬

pany in a community in which he wantedtolive.

(That’sright,dimthelights,okay,these threeseatsareopen,yes,sitrightdownhere, they'rejuststarting,yes,thankyou!)

At45,heislivingthatdreamas artisticdirectorofMadHorseTheater CompanyhereinPortland.Andsoare thesevenothermembersofthissevenyear-old ensemble company. Each describesMadHorse’s1993assome¬ thingofamiracle,aseasoninwhich, byallaccounts,thecompany’sstock hasrisenveryquickly.

“Thedifferenceis,yougettoknow thesepeople,”saysafriend.“Eachof

theseartistsisyourneighborasop¬ posedto,say,anactoratPortland Stage,whomayhavenopeerbutfor themostpartisvisitingPortlandwhen heorsheperforms,”

It’sanenjoyabledifference. Portlandbenefitsfromthediffer¬ ence.

TheMadHorsetroupedoesindeed gogroceryshoppingwithyoufor terriblewinterlettuce;getsstuckin trafficwithyoubetweenMarketand Middle;hasenjoyedtherecessionhere inPortlandrightherebesideyou, thankyouverymuch!

AndnowthatMadHorseisinthe midstofoneitsstrongest,tightest seasonsinrecenthistory,having openedwithapowerfulproductionof “Who’sAfraidofVirginiaWoolf?,” followedbythedaringandprovocative “TheRedAddress,”continuingwith thewildlyfunny,rock-the-housepro¬ ductionof“BetterDays,”andthen acceleratingintoHaroldPinter'smas¬ terwork,“Betrayal,"thismonth,it’s timetogettoknowtheplayersalittle better—personally.

MichaelRafkin,artisticdirector, speaks:

“AfterreceivingmyMFAin directingfromCarnegie-Mellon in1972,IcametoMaine.A groupofusatschoolhaddecidedwe didn’twanttodothatNewYorkthing, andaftersomedeliberationwechose Rockland.” A farm was bought in Warren,andRafkincameupaloneto getthingsestablished.Hebeganre¬ ceiving“DearMichael”lettersfrom membersofthegroup—“Gottagoto NewYorkorl’llneverknow...”—andby theendoftheyeartherewasonlyone personleft.Rafkinsimplywrote“Don’t come.”

He spent the next three years workinginasawmillandrecovering from“thehorrendous”experienceof gradschool.Hethenestablisheda semi-professionaltheatercompany, The Rockport Theater Ensemble (wherehemetupwithDebHall),and producedtwo—whatheterms"quite wonderful"—shows.

“Aftertwoyearsofthat,1realizedthat inordertodothelevelofworkIwanted todoIneededmoretrainedactors,soI movedtoPortland.”Andinoneof thosefreak/flukebrusheswithfate,he arrivedandopenedthepapertoseean

ad:“Actorswanted.”Thiswasthe beginningofProfileTheater(laterto becomethePortlandStageCompany). Rafkinjoinedthecompanyandbe¬ cametheArtisticDirectorinhis secondyear,duringwhichtherewas aninternalrebellion.Heresignedand movedtoNewYorkforfiveyears.

“Ididn’tmakemuchofadentinthe NewYorkscene,butIgottohang aroundtheActorsStudiowiththelikes ofLeeStrasberg,AlPacino,andEllen Burstyn."

Rafkindescribesthistimeashaving ahugeimpactonhisprofessional life—notbecauseoftherenownofthe peoplehewasstudyingandrubbing elbowswith—butbecauseitwasatime

H_Alocalpsychic,MaryAlice Hayden,hasstarted callingMaine‘The HospitalState.’/hateto thinkit’stakenme20 yearstogetbetter.

wwhenhewasabletomakethecon¬ nectionbetweenhisheartandhis head,hisheartandsoulintermsof directing.“Mytechniquehadbeen establishedatCarnegie,butthishad beentheelementthatwasmissing.”

Onceagain,Rafkinreturnedto Mainetorecover.Heborrowsaterm fromthelocalpsychicMaryAlice Hayden,callingMaine“TheHospital State,”andadds,“Ihatetothinkit’s takenme20yearstogetbetter.”

Therest,astheysay,washistory. MadHorsewasformed,andtheonce etherealdreambecameareality.What havebeenthechallengesoverthelast sevenyearsofrealizingadream?“The samechallengefacinganynot-forprofitartsorganization—money. We’vealwaysbeenunder-staffedand under-funded.Everybodyisstretched thinhere.There’salwaysthedangerof burn-out,and,yes,moneywillsaveyou fromthat.Moneywillsolveevery probleminanartsorganization,ex¬ ceptforitsowncreativityandgifted¬ ness.”Rafkinmusesamoment.“The interestingthingaboutthenot-for-

profitartsisthattherehasconsistently beentheperceptionofpeoplewith theirhandsout,going,'We’reartists. Supportus.’Andthatdoesn’twork anymore.That’soverforeverinAmer¬ ica.”

Andyet,Rafkinispleasedwithall he’saccomplished.“Ithinkwe’re doingworkherethatisasgoodas anywhereinthestate,andinalotof respects,aswellas90percentofthe professionaltheatersinNewEngland. Andthemiracleisthatwe’redoingit on27hoursofrehearsalperweekat theass-endoftheday,afterwe’veall worked6or8hoursatanotherjob.And westillhavetheenergytocreategood art.Ialwayswonder,MyGod,whatifI hadtheseactors40hoursaweek?”

Rafkincitesfurtherfrustrationsand challenges.Thedefinitionofa“pro¬ fessionalactor”rileshim.“Veryoften it’sthoughttobesomeonewhomakes alivingsolelybyacting.Tome,a professionalactorisonewhois trained,whoiscapableofdoingwork ataparticularlevel.No,we’renotfull timehere,weallhavetosupplement.

SowhatdoesthatmakeMadHorse?A hobby?"

Theargumentcomesbacktomon¬ ey.“Theotherthingabouttheartsis thatthere’snoequity.I’vebeeninthis business25years,and7inbuilding MadHorse.Ifweclosedtomorrow,I’d walkawaywithmylastpaycheckand that’sit."This,tosome,maysoundlike awholelottabellyachin’.ButRafkinis asdispassionateaboutthesepitfallsas ascientistexplainingDNAmolecules. Thesearejustthefactsofhislife—the lifehechose.“Sureit’sspooky,butit’s O.K.Ihaveabsolutelyzeropatience withactorswhokvetch.Itel1them,“You knowwhatyouweregettinginto.How dareyoucomplainaboutwhat’shap¬ penedtoyourlife?Ifyoucan’ttakeit, getout.”Theaterisacalling.One percentgetrichandfamous.Sure, there’samillionthingsIdon’thave— likedentalinsurance—butthere’s aboutonetenthofonepercentof peopleinthiscountrywhoaredoing whattheywanttodo.AndI’moneof them.I’mverygratefulformylifeand1 wouldn’ttradeitforanything—fame,

fortune,security,dentalinsurance... well,maybedental.”

DonaldJellerson,27,hasbeen withMadHorsealmostsince thebeginning.Nextfallhewill beheadingtoSeattletotestthe culturalwatersthere.‘‘Better Days"washisfinalperformancewith thecompany.

“IgrewupatMadHorseasanactor.I wasstillincollegewhenIjoinedthe company.1havemixedfeelingsabout leaving.Iwouldn’tbeanactor, wouldn’thavetheskillswithoutMad Horse.”Hedoesconfess,however, thatfromthebeginninghewasinitfor thelearningprocess,thatheknew there’dalwaysbeanextsteptohis learning.

“Andthatnextstepisgoingoutintothe big,wideworldandseeifIcanmakea livingasanactor.If1stayed,I’dnever know.”(Rafkinonlosingcompany members:“Sure,it’sgoodforthem,but it'snotgoodforus.Ithappenswith technicalpeopleallthetime.It’sdebil¬ itating.Isthatmydestiny?Tofind young,giftedpeople,spendtimewith them,andthenlosethem?”)

Jellersondescribesleavingasa “complexequation.”Whilehemust supplementhisactor’sincomeby puttingin30-40hoursperweekasMad Horse’smarketingdirectorandby waitingtablesatTheCanneryinYar¬ mouth,heknowswhathehashereis unique.“Ihavewhatactorsdreamof here,mostwouldkilltohavemyplace, tobeapartofthisprocess,tobe continuallychallenged,tobeguaran¬ teedthreepeachrolesayear.”He shrugsandsmiles.“Idon’texpectto findanythingbetter‘outthere.’HereI havecontrolovermyartisticdestiny. You’regiventheopportunitytoinflu¬

encewhatrolesyou’llplayandwhere youwanttostretchandgrowasan actor.Plusthechancetoworkwiththe caliberofactorsanddirectorofthis levelisadream.”

Still,thetugofotherpossibilities pullsatJellerson.Hewantstoexamine the“whatelse?”—wantstoseeifhe canmakealivingsolelyathiscraft.He knowsthatitisnotpossibleherein Portland.“Ifthere’sanythingdriving meaway,it’sthestateofthearts, havingtodotheseotherjobs.It’s limiting.Butit’scertainlynotthecom¬ pany.1knowifIstayed,1would continuetogrowandbechallengedas anactor.Thisdecisionwasmadewith agreatdealofinternalstruggleandhas takentwoyearstomake.AsIsaid,I maybeback.But,fornow,it’stimeto go"

JoanSand,37,isoneofthefaces youdon’tsee.SheisMadHorse’s productionmanagerandthedir¬ ectorofthecompany’sChildren’s Theater.Shehasbeenwiththe companyfortwoseasons.

Sand’sworkentailstheorganiza¬ tionalaspectsofrunningatheater: overseeingthetechnical,set,and designstaff,aswellaskeepingthe productionsonschedule.Inaddition toherworkwiththeChildren’sThea¬ ter,shealsodirectedthecompany’s productionlastseasonof“Insignifi¬ cance.”

Isdirectingalong-timesecretambi¬ tionforSand?“No,it’smoreofalogical progression.Stagemanagersusually moveintoadministrationorintodir¬ ecting.Ihavehadnoformaltraining, perse,intheater.1wasgoingtoschool forspeechpathologywithaminorin music.ButIhaveworkedveryclosely withdirectors.WhenIwasatthe PortlandStageCompany,RichardHam¬ burgerwouldoftendiscusstheory. Andhere,MichaelandIalwaysdiscuss process.It’saneducationyoucan’t necessarilygetinaclassroom.

“MadHorseisanunusualplace.1 don’tthinkIcouldgoanywhereelse andhavetheopportunities1havehere. That’sveryhealthyformeintermsof careergrowth.Andtheworkisalways excitingandinteresting,it’ssocyc¬ lical.Eachtimeyou’reendingone process,you’realreadybeginninga newone.Sometimesitcanbeover¬ whelming,butwe’reneverbored.”

TerryWeyl,43,propsmistress,is anothernon-actormemberof theensemble.Shehasbeenwith MadHorseforfouryears.

“Thefirstshow1didwasona volunteerbasis.Donaldgavemealist, andIfilleditin24hours.Therewasa greatsenseofreliefwhenIshowedup. Uptillthen,theywereontheirown. They were stunned that someone actuallylikedfindingprops.Ihave greatitemkarma.1wakeupinthe morningandthinkI’mgoingtofindan item,andIusuallydo.

junkshoppingarerecreationforher.“I lovethechallengeoffindingthings— likeatransfusionmachinefor“Dra¬ cula” or exact period books and magazinesfor“VirginiaWoolf"oreven findingrealfliestosticktoflypaperfor “TentMeeting.”Thisjobcombines resourcefulness,imagination,andper¬ sistence.Youhavetoenjoytalkingto peopleandhaveagreatvisualmem¬ ory.”Herjobhastakenherallover Portland,insidemyriadbusinesses andintothebasementsofeveryjunk storeintown(“whichisnotalwaysa pleasantexperience”).

Weylenjoysherinteractionwiththe community.“That’sabigpartofbeing amemberofthiscompany.We’repart ofthiscommunity,andmyjobgives peopleanopportunitytoparticipate andcontributetosomethingwonder¬ ful,tobecomeinvolvedintheprocess. Manypeoplearesurprisedthatthey havesomethingwewantonstage. Most people are delighted, some simplyrisetotheoccasion.Fewsay no.”

ThisisWeyl’sfirstbrushwiththea¬ ter,andbeingapartofthebehind-thescenesstuffhasinnowaydiminished themagicforher.“I’mstillseduced whenthelightsgodown.Istillam dazzled.”Andhasthisexposuregiven hertheitchtoact?“1wouldlovetobe

anactor,butI’mnot.Butmyjob— whichisincrediblycreative—isas closeasIcanget.Imaynotbeableto portrayMartha(in“Who’sAfraidOf VirginiaWoolf”),butIcanpickoutall theashtraysforherlivingroom.WhatI doisgivetheactorpeaceofmind(as muchasanactorcanhave)—butthey knowtheirpropswillberight.People canseeeverythinginthistheater. Everythinghastoberight.Youcan’t fakeanything.Theeyecan’trelaxif something’samiss.Itismyjobtofend offthosedistractions.”

Weylcreditsalotofwhatworkswith MadHorseTheatretothecooper¬ ativeeffort.“Wehaveagreatdealof respectforeachother’swork.Mywork isverydifferent,andmyjobissortofa lonelyone,butIneverfeeltakenfor granted.Besides,1workinaplace wherethere’spassionandintegrity, there’sanauraofsurrealismanytime oftheday—plus,there’sfreeparking.It doesn’tgetmuchbetterthanthat.”

TonyOwen,44,actor,haslived “off-and-on”inMainefor20 years.Madlyslimandlooking wonderfullylikeacatonhis seventhoreighthlife,hegrewup inthemidwestamida“seaofcorn," livedandstudiedforthreeyearsin London,madesomeauditionrounds uponhisreturn,andsettledbackhere. Hesupplementsbyteachinggiftedand talentedhighschoolstudentsbydoing artist-in-residences,andbyhouse painting.“Paintingistotallymindless work"—“Sothere’snoswitchwhenhe comesintorehearsal,"callsWalt Dunlapfromacrosstheroom—“andI maybeexhaustedorhaveaheadache bythetimeIgethere(helivesin Brunswick),butitallgoesawayonceI stepintorehearsal.Ithasto.” Hediscussesthespecialchallenges ofthecompany.

“What’sunusualaboutMadHorseis 14• PortlandMonthlyMagazine‘April

thatouraudienceknowsus.Theywill recognizefamiliartechniques,sowe havetoworkmuchhardertobring somethingnewtoeachperformance. It’smuchmoredemandingthanbeing ananonymousactor.”

Owenstartedouthiscreativecareer asavisualartist,apainter(hiswife, Pat,isalsoapainter,notofthehouse variety).“When1teach,Iexplainthat actingreliesonexperience.Someone saidthatittakes20yearstobecomean actor.Ithinkwhattheymeantwasin termsofthelivingyoucandrawfrom. So1tellmystudentstogoreadbooks, listentomusic,lookatpaintingsasa sourceofexperience.”Heconfesses hedoesn’tpaint“averyrosypicture” aboutacting.Hetriestocautionthata careerinactingisnotonlythat moment on the stage. “The unem¬ ploymentrateforactorsissohigh,and that’swhywe’resoluckyhereatMad Horse.Notonlyareweworkinginour field,butwehaveinputintoour creativedestinies.”

Owenadmitshe’dbehappierifhe didn’thavetopainthouse—“Particu¬ larlyatmyage,enteringwhatBlake called‘thatdarkwood.’It’sscarybe¬ causeIhavetothinkwhatitwillbelike 10yearsdowntheroad.PatandIhave beeninvestigatingmoney-makingven¬ tures,buttheideal,ofcourse,wouldbe tojustdothis.ButIdon’tseethat happening.”

Andartisticfears?“EverytimeIdoa show,Isayit’sthehardestoneI’veever done.Youcanusefeartocreategood art,solongasitdoesn’ttakeoverand destroyit.”

And perhaps the most pressing questionofall—hisdiet.DebHall reportsOwenhasanenormousappe¬ tite,andheagrees.RafkinsaysOwenis theonlyactorhe’severknownto“bulk up"beforeashow.Owenhimselfsays thathegets“light-headed”ifhe doesn’tgethisthreesquaresaday (“pastaandalotofkielbasa—he’shalf Polish,”reportsRafkin).Tonypounds hislankyframe.“Allmuscle.”

CynthiaBarnett,44,andWalt Dunlap,46,areNewYorkCity transplants,foundingmembers ofthecompany,andmarriedto eachother.Howdotheysep¬ aratetheirtheaterlifefromtheirhome life?“Wejustdon’ttalkaboutit.” TheymovedherefromNYCin1984.

AsDunlaprecalls:“Thewaypeople thinkaboutNewYorkisthedegreeof successtheyhavethere.Iwasn’tsuc¬ cessfulandIhatedit;Cynthiawas successfulandshelovedit.There’sno mysterythere.Iwasreadytoleave”— Barnettinterrupts.“Yeah,butyou likednatureand1likedthecity,thedirt andratsandjunk."Dunlapcastsa glanceather.“Youdidnotlikedirtand rats.”Shelaughs.

Bothhadappearedinproductionsat thePortlandStageCompany,castout ofNewYork,sotheyknewMaine.Plus, DunlaphasstudiedforestryatUMO (heisalsoaprofessionalsurveyor),so hereallyknewwhattheyweregetting into.“1luredCynthiaherewithprom¬ isesofgreatwealth,fame,success,a house of her own”—“All of which cametrue,”addsBarnett—“Andshe tookmywordforit,withtheever¬ presentoptionofreturningifthings didn’tworkout.”

“Thiswasn’tacareermove,”says Barnett.“Thiswasalifemove.Iwas resignedthatImightnotactagain,and thatwasfine.ButthenMadHorse happened,whichhasbeenahuge,an incrediblebonus.”

BarnettmetRafkinin1986while workingonanindustrialfilm.They decidedtoreadascripttogether. Barnettrecallsherreservations:“I didn’tknowwhothesepeoplewere. AndIwasasnottyNewYorker.Iwasn’t interestedindoingcommunitytheater. Butwegottogetheronceaweektodo scene work with people who were interestedinformingacompany.And that’showitstarted,anditjustgrew fromthere.”

Besideshis40-hour-per-weeksur¬ veyingjob,Dunlapisalsoresponsible forallthecomputerworkforthe company;Barnettworksthreedaysper weekatAbacusGallery,44Exchange StreetintheOldPort(“WhereIget

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paidtostandaroundandtalkabout MadHorse”)andalsodoesadmin¬ istrativeworkatthetheater:bookings, rentals,attendingstaffmeetings.Dun¬ lapsaysthesecurityofa“regular”job makestheirliveseasier(“Icango anywhereintheworldandfindworkin twodays—asasurveyor”),andthat he’smoreconcernedwiththefutureof theartsthanwiththeirpersonalfuture. “AndinPortlandinparticular,”he stresses.“Isthistowngoingtobeable tosupportalltheartsorganizations whohavetheirhandout?Peopleare forcedtoprioritize.Iftheymust choose,they’remorelikelytodonate tosomeoneliketheUnitedWay.My feelingisthatgovernmentfunding, despiteallitsentanglements,isthe onlywaytosmoothoutthecurveof funding.Thecityneedstodomoreto helpthearts—andthey’vebegunto. They’retrying.”Barnettelaborates: “Thecitymustrealizethatthearts equalmoney.WhentheypromotePort¬ landtobusinesseswhoareconsider¬ inglocatinghere,beingacultural centerisagreatasset.Wearean enginethatdrivestheeconomy.”

Again,it’smoney.“We’reallfighting forthesamedollar,”saysDunlap. “Personally,weknowwe’llneverbeon salary.That’sjustsomethingweac¬ cept.It’sthefutureoftheaterwe’re concernedwith.Wehavetostaffthe place.Peoplearetheimportantre¬ sourceandtheexpensiveresource. That’sverychallengingforus,sincewe intheensembleareallco-producers.” “And,”addsBarnett,“that’sahuge weight.Butnooneisforcingustodo this.Sure,weallbitchandmoan occasionally—OK,morethanocca¬ sionally—butnoone’shandsaretied. Thisisachoice.Youeitherwanttodo thisoryoudon’t.Ifnot,split,cutyour losses,andleave.”Andjustasthetopic ofmoneycomesround,sodoesthatof

thesharedartisticvision.Barnettcon¬ cludes,“Wedoplayslike“TheRed Address”becausewehavetodothem. Whenwedoapiecelikethat,itbrings usrightbacktowhywe’rehereand whatwe’redoing.Itallbecomes crystalclear.That’swhatallthisagita isabout.Andthenit’sworthit.”

£^4^

DeborahHall,40,isafounding member of Mad Horse. Two yearsago,IprofiledDebHallin thismagazine—notasDebHall theactress,butasakidney transplantpatient.Thecourageand humorwithwhichsheandhersister Patti(theorgandonor)facedthe wonderful/terribleeventintheirlives wasinspiring,andcontinuestoin¬ spire.Unknowntome,thedayIcalled tobooktheseinterviewswasthe secondanniversaryofthetransplant,a milestonenottakenlightlybyHallnor bymembersofherfamily.

“Iwasbornthatday.Ithasmore significancethanmy“real”birthday.I finallyfoundmyplaceonearth.Some¬ thingchanged.Abridgetotheworld wascreatedonthatday,onethatI haven’tletgoof.”

DebHall,inaword,isgreat.She looksgreat,shefeelsgreat.Shenow swimssixtimesperweek.Andhowdid shecelebrateheranni-birthday?“1 swam.IswamasfastandaslongasI could—becauseIcould.Itfinallyfeels goodtobelivinginmybody.‘Better Days’(inwhichsheappearsonstage inanumberofskimpyoutfits)is representativeofthat.Thisisthefirst roleinmylifethatI’mnotconcerned withhowIlook.I’vebeentakingcareof mybodybecauseIcan.Thereareno longerphysicalobstaclesinmyway. Itsaremarkablefeeling.”

Besides the swimming, other

changeshaveoccurred.DebHall, actor,isnowalsoDebHall,college student.She’sstudyingphilosophy andliteratureandisdiscoveringthat she’s“actuallybright.”Andthere’sthe volunteerworkonthekidneywardat MaineMedicalCenter,talkingwiththe patientsthere.“You’dneverthinkyou couldwalkintoaroomofsomeone whoissickandhelpthem,unlessyou wereanurseoradoctor,butIdo.My workwiththeatersupportsthat.I’mnot aterriblyextrovertedperson,butI knowhowtobeonebecauseofacting. 1’11stormintothewardandsay,‘You thinkyou'vehadahardday—well, listentothis!’Iknowit’sonlyadis¬ traction,butithelpsthemgettheir mindsoffanupcomingoperationor theirdialysis.Itgivesthemachanceto getawayfromthemselves.”

DebHallsaysthatsinceheroper¬ ationshehashad“realfocus"brought toherlife.“1amabletodoandgive more—tomyacting,toschool,to volunteering—becauseIhavetheen¬

ergy.Thereareallthesethings1cando withmyartandmypersonalityandmy healththat1nevercouldbefore.Itfeels limitless.”

Turning40hasopenedanewand wonderfulphaseinHall’slife.“1finally haveapieceoflifethatwasnever availabletomeinmy20sand30s.I spendagreatdealoftimeoutdoors now,gardeningorjustwalkinginthe woods.Igettremendousenergyfrom that.Somethingisalwaysrevealed throughnature,andit’salwaysso simple.Itpresentsitselflike:‘Hey. What’syourproblem?”’

Hallalsoputsin30-40hoursper weekattheMadHorseoffice,along witheverythingelse.Doesn’titget confusing?“Notreally.Everything1do isaproductofmylife.TheonlytimeI leavemyselfbehindiswhen1walkon stage.Ibringnothingtothestagebut thecharacter.1owethattothemem¬ bersofthisensembleandtothe audience.”Therest,itseems,isa wonderfulconfluenceforthiscoura¬

geouswomanwhohasaliteralnew leaseonlife,oneshehasafirmholdof.

TheEnsembleAssembled

Wegatheraroundatableinthe chillyreceptionroom.Thingsareslow tostart,soIthrowsomethingouttosee ifIcanprovokearesponse:Michael hassaidthatworkinginanensemble islikebeingpartofafamily—atit’s worst,adysfunctionalfamily,atit’s best,anurturingone.Thereisapause, theninunisontheyyell,“He’ssucha liar!”Intheend,theygenerallyagree thatitisafittinganalogy—“notwithout itsincestuousside(Rafkin),”or“the lossofchecksandbalances(Owen),” butalsonotwithoutitsadvantages, “Becauseyouareworkingwiththe samepeopleagainandagain,youtake careofthingsastheycomeup(Hall).”

“Andsometimesit’san...epiphany (Barnett).“Thestakesarehigherhere. Theyareridiculouslyhigh(Rafkin).” “Butit’sallfoundedoncooperation. Thisisthemostcooperativecompany

I'veeverworkedwith.Andthat’sbe¬ causewe’reallhereforbasicallythe samereasons(Sand).”

Andthatisquiteclearlywhatkeeps thisgroupticking.Asanestablished residentensemble,theydon’thave manyoftheconcernsmostactors have—“Constantlylookingforwork, callingtheiragentseveryfiveminutes. Whatanincrediblewasteofanartist’s life.Andthat’swhatisbringingthe Americantheatertoitsknees.Andthat doesn’thappenhere(Rafkin).”Con¬ troloftheirartisticdestiniesiscentral tothemembershere...andfillingseats. “We’reallproducers.Everynightofa performanceweallwalkinandask, 'How’s the house?’ That adds an emotionalresponsibilitytowhatwe’re doing(Barnett).”“Andthespinoffis thatyouhopeyougetagoodreview (Rafkin).”

“Talkaboutreviewers.”Yelps, screams,laughter.

"Oh-oh.”

“Why?!”

“Whatdofirehydrantsthinkabout dogs?”

“I’mforacompletenewsblackout.” Theydo,however,havesomevery concretecriticismsofareacritics.Raf¬ kin:“Ithinktheyhaveadispropor¬ tionateamountofpower.I’vealways saidthatI’lltakemylicks,butIwantit tobebalanced.It’shardtofindcritics whoseeaplay,seewhattheproblems, questions,issuesareintheplayand whattheartisticresponseswere—did theysucceedandwasitworthit.There seemstobearealdearthofthat.IfIdo alousyshowandgetcalledonitforthe rightreasons,Ineverbitch.Theprob¬ lemisfindingcriticswhoseewhat you’redoing.1don’twanttosayI’ve givenup,but...”

Barnett:“Andtofindsomeonewho hasbeentrained,whoknowstheater andtheaterhistorysotheycanrecog¬ nizedirectorialchoicesandgivean informedreview.1don’tthinkthere’sa lotofpeoplearoundlikethat.And unfortunately,thesereviewersoften

keeppeoplefromthetheater—and1 thinkthat’sunfair."

Sand:“Itwouldbenicetoreada reviewandgetsomeinformedcom¬ mentaryonyourworkandlearnsome¬ thing.Andbadreviewscanhurtus, thoughImustsaymostinthisareatry tobefair.”

H_Dothemembersofthe ensemblesocialize together?Aresounding ‘No!’Theygorunningout ofthetheater.Theyall haveoutsideinterests, waysthey)‘turnoffthe button’thatrangefrom archeryandseakayaking (Rafkin)tobee-keeping (Dunlap)toknitting (Barnett)toboardgames (Sand)toguitar-playing (Owen).

55

Dunlap:“Ourexpectationsaresadly solow.Thesereviewsareallsofor¬ mulaic—aplotsynopsisandthena lineabouteachperformer,generally ignoringthetechnicalsideandthe directorentirely.Allwewanttoknow nowisdidithaveagoodheadlineand didithurttheshow.

Enoughofthat.Dothemembersof theensemblesocializetogether?A resounding“No!”Theworktheydo togetherissoall-consumingthat,as Rafkindescribes,they“gorunningout ofthetheater.”Theyallhaveoutside interests,waysthey"turnoffthe button"thatrangefromarcheryand seakayaking(Rafkin)tobee-keeping (Dunlap)toknitting(Barnett)to boardgames(Sand)toguitar-playing (Owen).

Howeverdifferenttheseindividuals mightbe,onethingisclear:theyare drivenbyasharedandpowerfulpas¬ sion,toconstantlychallengethem¬ selvesandeachotherandtokeep closereinsonthedreamthatisMad Horse. ■

YoungHenry

Europeanclothes,lavendergloves—thisisnotthe NewEnglandworthywegrewupmemorizing!

Portlandmayboastofnurturing oneofthemostfamouspoetsof alltime,buthowmanyPortland¬ erscanrecallanymorethana few titles of Longfellow’s mostfamouspoems?Laying“Evan¬ geline,”“WreckoftheHesperus,”and “Hiawatha”aside,whatinfactis knownofAmerica’sgreatestpoet laureate?Andwhatmisconceptions arespreadingunderthatchestnuttree?

Henry'WadsworthLongfellowwas bornonFebruary27,1807,thesecond soninafamilyofeightchildren.His mother,ZilpahWadsworth,wasthe daughterofafamousgeneralfromthe Revolutionary War. His father, Stephen,wasaPortlandlawyerserving inboththeMassachusettsstatelegis¬ latureandtheUnitedStatesCongress.

Henryhadahappychildhood,and whenheenrolledatBowdoinCollege tofurtherhisstudies,hisfatherhoped thathewouldpursuelaw.“Itseemsto beyourfixeddesirethatIshould choosetheprofessionoflawforthe businessofmylife,”wroteyoung Longfellow.“1canbealawyer,”he ventured,“forsomelawyersaremere simpletons.”

Henry’smotherhadlovedpoetry, andwithoutadoubthehadinherited herloveforliterature.Hedetermined tobecomeamanofletters.Whilenot completelyunsympathetic,Stephen Longfellowwarnedhissonthatit wouldnotbesafeforhimtoentrusthis livelihoodtotheproductsofhispen. BowdoinCollegewasafledgling institution,andHenrywouldhave

preferredHarvard,butheandhis brotherStephenagreedtoattendBow¬ doin,wherehisfatherwasatrustee. Longfellowexcelledinhisacademics, andupongraduationwasoffereda professorshiptocreateadepartment ofModernLanguages.Aspartofthe position,hewasrequiredtofurtherhis studiesbygoingabroad.

Forthenextfouryears,the18-yearoldscholartravelledthroughoutSpain, France,Germany,andItaly.Longfellow foundParis“gloomyandsmelly.”The warmerclimateofSpain,aswellasthe nativewomen,suitedhimbetter.“The graceoftheSpanishwomenandthe beautyoftheirlanguagemakescon¬ versationquitefascinating.”

Longfellowadmittedlyhadtowork veryhard,buthepossessedanatural abilitytolearnforeignlanguages,and inhislifetimehelearnedhowtospeak orread12languagesanddialects.

Longfellowspentsixyearsteaching atBowdoinCollege.Duringthistime, hepublishedseveraltextbooksand OutreMer,hisfirstindependentworkof prose.In1831,hemarriedMaryStorer Potter,thedaughterofaPortland judge,andshejoinedhiminBruns¬ wick.

In1834,Harvardofferedhimaposi¬ tionasheadoftheRomanceLanguage department.AgainhetravelledtoEur¬ opeforpreparativestudies.Marycame withhimandmiscarriedachildwhile inAmsterdam.Sheneverfullyregained herstrength.Thenextmonth,shetook illanddiedinRotterdam.Afriendof Mary’swhohadbeentravellingwith themattendedthebodybacktothe States,andLongfellow,grief-stricken, continuedonwithhisstudies.

WhileinSwitzerlandhemetthe AppletonsofBoston.NathanAppleton wasabanker,politician,andmanu¬ facturerwhohadmadehisfortunein textiles.Hisyoungdaughter,Fanny, intriguedLongfellow,butapparentlyit wasnotreciprocal.

LongfellowreturnedtoCambridgeand convincedthewidowElizabethCraigie totakehimasaboarderatherhome on the Charles River. The widow CraigiehadbeenputoffbyhisEuro¬ peanstyleofdressand,inparticular, his“lavendergloves.”Whenshefound outthathewastheauthorofher cherishedOutre-Mer,shethoughtbetter ofhimandagreedtolethimlodgeat herhouse.

Thisperiodmarkedthebeginningof Longfellow’sliterarycareer.“Voicesin theNight”and“Hyperion”werepub¬ lished to wide acclaim. He also courtedFannyAppleton.“Hyperion” causedquiteastirwithitsthemeof unrequitedlove,andFanny’ssensitiv¬ itieswereoffendedbythepublic’s noticeofthesimilaritiesbetweenthe bookandtheircourtship.Fannydis¬ tancedherselfevenfurtherfromLong¬ fellow.

Butby1843,Fannyhadhadachange ofheartandagreedtomarryLong¬ fellow.Herfatherpurchasedthe Craigiehouseandsurroundingacre¬ ageasaweddingpresentforthe couple.

Forthenext18yearstheylived togetherinnearperfectunion.Fanny becameLongfellow’sinspirationand advisor.Togethertheyalsohadsix children—twoboysandfourgirls,one ofwhomdiedbeforeherfirstbirthday.

TheLongfellowshadtheirshareof parentingwoesthoughmostdispar¬ agingreferencestothetrialsofraising theirchildrenwerecarefullyeditedout ofLongfellow’sjournalsbyhisyounger brotherpriortotheirpublicationafter hisdeath.

Theireldestson,Charles,seemsto havehadawildstreak.Hemanagedto shootoffhisthumbwithapistolhis passivistfathergrudginglyboughthim. Later,againsthisfather’swishes, CharlesranofftojointheUnionarmy. Morethanonce,Longfellowhadto traveltoWashingtontoretrieveand nursehiswoundedorfever-stricken son.

Hewasphysicallynimble,andlong afterhishairhadturnedwhite,hisskin retainedthequalityofyouthandhis eyeswerejustaslively.Hedidsuffer fromboutsofneuralgiaandlongper¬ iodsofinsomnia.Later,hestruggled withpooreyesightandemployedan amanuensistoaidhiminhiswork.

Longfellow kept company with someofthemostinfluentialpeopleof thetime.NathanielHawthorne,a formerclassmateatBowdoin,sought thefriendshipandliterarycriticismof Longfellowafterhehadpublished Twice-ToldTales.Longfellowoncesaid ofhim,“Hesitsaloneforhours,penin hand,waitingforinspirationtomakeit move.”

GeneralCharlesSumner,aU.S. SenatorfromMassachusetts,washis

closestfriendfornearly40years,and whilehisliferevolvedaroundpolitics, Longfellow’sdidnot.Infact,itwassaid thatSumnerlikedvisitingLongfellow becausetheydidn’tdiscussmuchpol¬ itics.Longfellowwroteseveralpoems againstslaveryandmadejournal entriesabouthisfearsofcivilwar,but heremainedathoughtfulspectatorof thepoliticalworld.

Of Henry David Thoreau he had nothingtosayofconsequenceabout Waldenortheman.ButThoreauwas invitedtoattendmeetingsof“The SaturdayClub,”agroupofliteraryelite organized by Longfellow who met monthly.Thoreauflatlyrefusedthe invitations,claiminghehadlessdif¬ ficultyseeingthroughthecigarsmoke attheParkerHouse,where“menwere depositedaboutinchairsoverthe marblefloor,asthickaslegsofbacon inasmoke-house."

Ralph Waldo Emerson occa¬ sionallyvisitedCraigieHouse butcommented,“IfSocrates werehere,wecouldgoandtalk withhim;butLongfellowwe cannotgoandtalkwith;thereisa palace,andservants,andarowof bottlesofdifferentcoloredwines,and wineglasses,andfinecoats.”

Indeed,Longfellowhadatastefor thefinesttrappingshiswealthcould afford.Longfellow’scontemporary, CharlesDickens,remarkedthatthe hosier,boot-maker,trouser-maker, andcoat-cutterwereall“atthepointof death”fromexhaustion“forhavingto waitonyouatsuchunholyhours.” Meanwhile, Longfellow collected vintagewinesandentertainedhordes ofgueststofinedinners.Hispersonal librarycountedover10,000volumesof Greek,Latin,andotherforeignliter¬ ature.

In1861,personaltragedystruckthe blissfulexistenceoftheLongfelow household.Itwasahotsummerday, andFannywasintheparlorwithher youngdaughters.Shehadbeensaving locksoftheirhair,sealingthemin envelopeswithwax,whenamatchlit her muslin gown on fire. Within secondsshewasengulfedinflames. SherantoHenrywhohadbeennap¬ pinginhisstudy.Hethrewarug aroundherinanattempttosmother theflames,buttherugwastoosmallto havebeeneffective,andshesuffered seriousburnsalloverherbody.

Shewascarriedtoherbedroom,where shelapsedinandoutofconscious¬ ness.Henrywasalsoputtobedwith manysevereburnscoveringhisface andhands.Littlecouldbedonetosave Fanny,andshediedthenextday. IttookseveralyearsforLongfellow torecoverfromthelossofhiswife,and hecarriedthetragedywithhimtohis grave.Itwasmorethantwoyears

Hewasoften embarrassedwalkingthe familyterrierand commented,‘Trapis growingbaldatthe wrongend.Helookslike ababoon.Itisgetting quitedisreputabletowalk withhim.’

beforehewouldengageinanysocial affairs.Helaidhispoetrywritingaside, seekingsolaceintranslatingDante’s DivineComedy. Heformedaclubof literaryfriendstomeetathishouseto dineanddiscusshisongoingtrans¬ lations.HisworkonDantesawhim throughthebleakestyearsofhislife.

Hehadaquietsenseofhumoranda healthyregardfortheabsurd.He wouldcutoutpersonaladsinthelocal paperandsendtheclipstohisfriends. Hewasoftenembarrassedwalkingthe familyterrierandcommented,“Trapis growingbaldatthewrongend.He lookslikeababoon.Itisgettingquite disreputabletowalkwithhim.”

Both Americans and Europeans lovedhispoetry,anditwassaidthathe was the poet of the common man. Neverhadapoetenjoyedsuchrespect andpopularityinhislifetime.Ayear afterhisdeath,abustwaserectedin thePoet’sCornerinWestminster Abbey,LongfellowtheonlyAmerican bestowedthehonor.

LongfellowdiedatCraigieHousein 1882ofperitonitis.Hewas75years old.PerhapsLongfellow’swordslive onintherecessesoftheheartsofthose who have read them. An old and addledEmerson,afterattendinghis oldfriend’sfuneral,said,“Thereliesa beautifulsoul,but1forgethisname.”

The Ruth RenaissanceMoore

CapturingthespeechofMainecoastfishermenwith greateraccuracythananyotherwriterweknow.

Inherfirstnovel,TheWeir(1943), RuthMoorewrote,“Maineisthe placeyou’rehomesickforeven whenyou’rehere.”AndRuthknew wellabouthomesickness.Bornon Gott'sIslandonJuly21,1903,shegrew upasanislandgirl,theeldestdaughter ofweirfishermanPhilipMooreandhis wifeLovina.Herfamilyhadlivedand workedontheislandforfivegenera¬ tions;butin1916,whensheleftthe islandtogotoEllsworthHighSchool andboardonthemainland,sheac-

tuallyleftyear-roundlivingonWeir Islandforgood.

Yet,inherheartandsoul,shenever left,foritisthelifeonGott’sIslandand thenativeandsummerfolkwhoonce livedtherethatshewritesabout,over andoveragain,throughoutherfour¬ teennovelsandthreebooksofpoetry inasuccessfulwritingcareerthat spannednearlyfiftyyears.

Afterhighschool,Ruthattendedthe NewYorkStateCollegeforTeachersat Albany,graduatingin1925.Afteraone-

yearhighschoolteachingstint(she taughtEnglishandLatin)atCentral IsliponLongIsland,Ruthmovedto Greenwich Village and worked in Manhattanasasecretary;andforthe nexttwenty-oneyears,shelivedand workedoutsideMaine,mostlyasa secretary.Shedidreturnhomefora fewmonthsin1931andenrolledatthe UniversityofMaineinamaster’spro¬ graminEnglish,butshedroppedout afterthefallsemester.Ruth’swriting careerbeganinearnestin1929with thepublicationofalongpoem,Voyage, inTheSaturdayReviewofLiterature. Itwasin1946,whenshewaswork¬ ingfor TheReader'sDigest,thather secondnovel, Spoonhandle, waspub¬ lishedwithgreat,best-sellingsuccess. Withthesaleofthenovelto20th CenturyFoxtobemadeintothemovie “DeepWaters,”Ruthwasabletoquit herjobandreturnhometoMaineto writefull-time.Withherfriendand fellownovelist,EleanorMayo,also fromMaine,Ruthbought23acresof shore-frontinBassHarboronMount DesertIslandacrossthebayfrom Gott’sIsland.Togethertheybuiltthe

BUCKSPORT, U.S.A

AhandymaninHoustonchoosesatoolfromhisSears’catalog...amother inKansasCitycooksdinnerfromarecipeinGoodHousekeeping...anoil riggerinAlaskafindsoutaboutthelatestmiddleeastconflictinthepages ofNewsweek...andanavidfaninNewJerseyanalyzestheprospectsof ourOlympicrowingteamwithhelpfromthepagesofSportsIllustrated.

Whatallthesepeoplearoundthecountryhaveincommonisalittlepiece ofBucksport,Maine—heldrightintheirhands.

BecauseatChampion’sBucksportmill,weproducepublicationpapers usedinmagazinesandcatalogsallacrosstheU.S.A.

Our1,200employeesandfourpapermachinesproducealmost450,000 tonsofpaperayear,continuingtheinnovationsthathavemadeusleaders inlightweight,coatedpaperproduction.

BucksportandChampion.We’reallover,andwe’regoingstrong.

housetheysharedtogetherfor40 years.

Throughoutthe1950sand1960s, RuthandEleanorenjoyedgreatpop¬ ularsuccesswiththeirnovelsand Ruth,too,withherbooksofpoetryand ballads.Alwaysaveryprivateperson, however,Ruthneverenjoyedthelime¬ lightandwasherownworstenemy whenitcametopromotingherwork. Shegrantedveryfewinterviewsinher lifetime;andevenwhentheUniversity ofMaineandUnityCollegegrantedher honorarydoctorates,sheneverap¬ pearedattheceremonies.

Sheearnedaloyalfollowingof readers,though,andmanyfine reviewsforheraccurate,loving, salty,andhumorousdepictions oflifealongtheMainecoast. AsprofessorDonaldMortlandof UnityCollegesaidattheconferralof Ruth’shonorarydoctoratedegree:

“MissMooreisanauthorwhohasused herMaineheritagetocreatenovelsof enduringworth;whohasrecordedand usedinherworkthespeechofthe

J Hill *4 belt"cSS6-7a's (&< )

Mainecoastfishermanwithgreater accuracythananyotherwriterthatwe know;whohascreatedcharactersby thevillage-fullasmemorableasthose ofDickens;whohasseeninherown peopleboththemeannessandthe grandeurofwhichmaniscapable; whohasusedherMainecoastpeople tobothextolmagnanimityandtocon¬ demnnarrowness.”

Ruth’slastnovel,Sarai)WalkedOver theMountain,waspublishedin1979;

fromthenon,hercareerwaskeptalive mostlyduetotheeffortofthefolk¬ singers Gordon Bok and Jackson Gillman, who both made tapes of Ruth’spopularballads.Bokalsokept Ruth’sbook,ColdasaDogandtheWind Northeast,inprint.Inthemid-1980s, GaryLawlessthroughhisBlackberry PressstartedreprintingRuth’snovels inpaperback.

RuthdiedinSeptember1989,andit wasathermemorialserviceinMay 1990thatGaryapproachedmeabout myeditingherletters.Afternearlythree yearswiththeaccumulationofnearly 300letters,theworkisfinishedand willbepublishedthisAprilas High CloudsSoaring,StormsDrivingLorn:The LettersofRuthMoore.Thetitleisfrom Ruth’sSpoonhandle,inwhichshewrote:

“Winterinanorthernseacoastlandis interlude.Dayafterdayinthechanging weather,highcloudssoaring,storms drivinglow,thelandhuddlesintoitself. Saltwatercurdlesintoslushagainstthe shore,then,slowly,intograinypale¬ greenice,fissuredbytidesandflungin crumpled blocks up and down the beaches.Thesprucescrackandsnap onawindlesseveningandletgotheir loadsofsnow,sothatawoodlotinthe coldseemstobetalkingtoitselfina languageofsmallstirrings,whispers andsighs.Thereisnothingpeoplecan dowiththelandlikethat,bittenfourfeet deepwithfrost,secretanduncommun¬ icativeundersnow.”

RuthMooreknewhowtodescribe Maine’sfloraandfaunaandland¬ scape,bothseaandland,betterthan mostMainewriters,bothnativeand foreign.Shewasanavidnaturalist,an amateurgeologistwhocollectedrocks andartifacts,abirdandanimal watcherwith“theeyes-that-watchfrom-the-underbrush,”asshedes¬ cribedherself.

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Herlettersareasfunandmoving toreadasherbooks,andthe publicationofthemisonlythe beginning of what might be called”The Ruth Moore Ren¬ aissance”hereinMaine.Attheendof April,WestbrookCollegeinPortlandis planning a symposium on Ruth’s works; and the Abbe Museum in AcadiaNationalParkisalsoplanninga seriesofprogramsfor1994revolving aroundRuth’sstronginterestin archaeology.There’sevenadigon Gott’sIslandnamedforRuthMoore. GaryLawlessisplanningtopublish anotherbookofRuth’suncollected poems(herthirdbookofpoetry, The TiredAppleTree, appeared post-

H_It’sbecomingastale industry:AttheendofApril, WestbrookCollegein Portlandisplanninga symposium on Ruth’s works; and the Abbe Museum in AcadiaNationalParkisalso planningaseriesof programs for 1994 revolving aroundRuth’sstronginterest inarchaeology.There’seven a dig on Gott’s Island named for Ruth Moore.

Vhumouslyin1990),aswellasmore reprintsofherothernovels.Discover¬ ingandre-discoveringthewondersof Ruth Moore’s works has become a stateindustry.

erlettersbegininthe1930s, whenshewaslivinginNew York,California,andWashing¬ ton,D.C.,andbeforeshefound fameasawriter.Theyarefullof homesicknessforMaine.

HInthelaterletterswrittenfromBass Harbor,shewritesaboutherirritation with“millionsoftourists”whobother herandhergardens,aboutherhatred oflanddevelopers,aboutherworkand familyfriends.Throughoutthere’sthe underlyingsadnessforthelossofthe cherishedlifesheonceknewasagirl growing up on Gott’s Island. M

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Celliliar One gives new meaning to tbe word local.

Loral coverage area includes Bath to Boston and heyond-with no surprises in between.

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Out Of Cold Storage

uestion:Howdoyoustartto filla100,000-footwater¬ frontbuildingwithmari¬ time-relatedprestigeindus¬ try?

Answer:OnlyBigelowLab¬ oratoryforOceanStudies ofWestBoothbayhastheanswer, whichwillbedisclosedaspartof a much-anticipated announce¬ mentmadeinthenextfewweeks.

ExcitementishighamongCity ofPortlandofficialsthatBigelow, whichranksamongthenation’s top15institutionsinoceansci¬ encefunding,willelecttooccupy roughly40,000squarefeetofthe derelict Cumberland Cold Stor¬ ageBuildingpicturedaboveand refurbishitasitsnationalhead¬ quarters.

Rightnow,Bigelowofficials

give the move a good “50-50 chance,”accordingtoFranScan¬ nell of Bigelow, depending on costandengineeringstudies.If PortlanddoeswinBigelow,we’ll seeabout$2.5millionperannum comingintotheLaboratoryfrom federalorganizationslikeNASA, theNationalScienceFoundation, andtheOfficeofNavalResearch.

We’llsee14credentialedsci¬ entistsand31researchassistants eating lunch every day on the Portlandwaterfront,talkingabout ongoingstudiesquiterelevantto localconcerns,“suchasnoxious phytoplanktonblooms;recruit¬ mentofherring,codandlobster; redtideecologyandtoxicology; acidrain;benthicpollutionand otherenvironmentaltopics.”

Notonlythat,Bigelowcouldbe

theshoehornthathelpsfittheGulf ofMaineAquariumintotheim¬ mediatewaterfrontpicture.

“Inthefinaldecadeofthiscen¬ tury, society awakened in the GlobalVillagetofindthatthe newsisnotgood,”wroteDennisL. Taylor,formerdirectorofthe Bigelow Laboratory for Ocean Studies.Infact,peoplehaveonly recentlybeguntounderstandthat globalecologyislinkedtothe healthoftheoceans,andunder¬ standingthefactorsaffectingtheir healthistheprimeobjectiveofthe scientistsandstaffatBigelow Laboratory.

Global ecology? We welcome the chance to make the global ecologyandPortland’sregional economyagooddealmoreinter¬ dependent. I

Faces&Places

MichaelD.Williams, aformer productionexecutivewiththe LosAngelesTimes,hasbeen namedvicepresidentofopera¬ tionsforthe Portland News¬ papers. Williamshas24years experienceinnewspaperproduc¬ tion,whichincludeshiswork withthePittsburghPressandthe UPIandScrippsHowardnews services.

Roland Mercier recentlyjoined theaccountingfirmof KPMG Peat Marwick asahealthcare consultant.Mercierhasover10 yearsexperienceinhealthcare reimbursement,includingem¬ ploymentwithEasternMaine MedicalCenterasreimburse¬ ment manager and with Blue CrossandBlueShieldassenior auditor.HeholdsaB.S.degreein accountingfromtheUniversity ofSouthernMaine.

Michael Williams Roland Mercier
Amanda Jones Russell Oakes
Amanda Jones hasjoinedthe Russell French Studio asa

■BUSINESS"

studiomanager.Jonesisarecent graduateofIthacaCollegewitha B.S.degreeincinematography andphotography.Shepreviously workedinColoradoasanature andfreelancephotographer.

Russell E. Oakes hasrecently establishedthe Maritime Man¬ agement Corp. Oakes,formerly avicepresidentwithBoulos PropertyManagementandcon¬ trolleroftheDartmouthCom¬ pany,willfocusoncommercial, residentialandcondominium association management and servicethesouthern,LewistonAuburn and Bangor regions. Hisassociates,TimMcNamara andElizabethGaudet,willhan¬ dletheoperationalmanagement andmarketingofthefirm’sprop¬ ertymanagementportfolio.

Richard Hauser hasjoined The Boulos Company asaspecial projectsassociate.Priortojoin¬ ingTBC,hewasemployedby Portlandinsuranceprovider, UNUM, and by Booz, Allen & Hamilton,aWashington,D.C.baseddefensecontractor.Hauser holdsaB.S.indecisionscience fromGeorgeMasonUniversity, Fairfax,VA.HeresidesinYar¬ mouthwithhiswife,Jeannie.

Meg Hickey ofYarmouthhas beenpromotedtovicepresident of MaineBank&Trust. Shehas beenwiththebanksinceits inceptionandisresponsiblefor allresidentialmortgagelending. Hickeyservesasamembership

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chairoftheregionalboardofthe ChamberofCommerce.Shehas beenactiveinthemortgagearea inGreaterPortlandforapprox¬ imately10years.

JohnT.Leonardhasbeennamed presidentandchiefexecutive officerof Maine Employers’ Mutual Insurance Company. Leonardhasmorethan28years experienceintheinsurancein¬ dustry.Hispreviousemployment withTheTravelersCompaniesin Hartford,CT,involvedkeyposi¬ tionsinthepropertyclaimde¬ partmentandlateraleadership roleincommerciallinesmar¬ ketingandunderwriting.Anative ofAlbany,NY,Leonardisa graduateofSienaCollegewith graduateworkattheStateUni¬ versityofNewYork.Heandhis wife,Candy,havethreechildren.

Eric A. Andrews ofWellshas becomeacommercialloanof¬ ficerat Maine Bank&Trust. He hadpreviouslybeenwithMaine NationalBankandFleetBankof Maine.AndrewsservesasaJun¬ iorAchievementadvisorandhas beenactiveincommunityaffairs.

Donald Giancola, vicepresi¬ dentof Country Business, Inc., hasbeenelectedtothe boardofdirectorsoftheNew EnglandBusinessBrokersAssoci¬ ation,aregionalchapterofthe InternationalBusinessBrokers Association.Giancola’sduties willincludemarketingandeduca¬ tionalactivitiesaswellaswork-

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Days A Week

•Elegant cocktail party receptions

• Weddings & special event themes

•Open house receptions

LEDGEWOOD PORCELAIN STUDIO

Hand-paintedPorcelainPortraitsarealovely tributetoabeautifulwoman.Thisistheultimate giftthatwillbecomeatreasuredfamilyheirloom. PorcelainPortraitshavealovelytranslucency andaphotographiclikeness.This300yearold Europeantraditionwillbetreasuredlikenoother gift

ingwiththeSmallBusiness CommitteeoftheU.S.Houseof Representativesonlegislativeaf¬ fairsaffectingthebusiness brokerageindustry.

Real Moves

FleetBankofMaineisbuildinga new,$1.5million,state-of-the-art branchintheMillCreekShop¬ pingCentertoopenattheendof April.The10,600square-foot structurewillconsolidateFleet’s twootherbranchesintheim¬ mediatevicinityintowhat’s beingcalledaFleetFinancial ResourceCenter.

DonatelloBuildershasrelocated tothePortlandNorthBusiness ParkonRt.100inFalmouth. LarryDonatello,ownerandpres¬ ident,hasleased2,500square feetwhichwillbeutilizedas officeandshop/servicespace.

NortheastLeasinghasrelocated itsofficesfromFourCanalPlaza to23EvergreenDriveinPortland. The move enables Northeast Leasingtocombineitsware¬ houseandofficefunctionsatthe newlocation.

New Business

SecondImpressions,aconsign¬ ment boutique, was recently openedat49OakSt.byowner Sharon Widger. The boutique specializesinnearlynewor slightlywornqualityclothing and accessories for women. Storehoursare10amto6pm MondaytoSaturdayanduntil7 p.m.onThursday.Consignments willbeaccepteddailybefore3 pm.Theirnumberis761-0099.

AnnTenpennyhasbroughtthe tasteofAustin,TexastoPortland throughhernewcompany,Tex’s Tortillas.Tenpennywillofferher flourtortillastocustomersboth atthewholesaleandretaillevels. Forordersormoreinformation, Continuedonpage48

Cybele’s Bistro

Cybele’s Bistro, 39 Wharf Street,Portland,isacomfort¬ ableandcongenialnewres¬ taurantonWharfStreetserv¬ ingprimarilyseafoodwitha Mediterraneanfocus.Thesmall menufeaturesacoupleofappe¬ tizersandfewerthan10entrees eithersauteedinoliveoil,cooked inmarinarasauce,orbroiledwith lemon.

Westartedwiththetwoavail¬ able appetizers, Lobster Stew ($7.50)andCalamariinGarlic andHerbs($5).Thestewwasa richsoupofgoodsimpleflavors andagenerousportionoflobster thathadnotbeencookedtillvul¬ canized.Itwasapositivealter¬ nativetoversionsheavywithdried herbsorsherry.Thecalamariwas quicklysauteedinoliveoil,garlic, andplentyofparsley,leavingit tender and translucent. While flavorfulandenormous,thedish neededanadditionaltasteortex¬

turetotransformitfromahuge pileofsauteedsquidtosomething morebeguiling.

Fromamongtheentreeselec¬ tions that also included Oven RoastedNewYorkSirloin($15), ChickenPiccata($13),Broiled Scallops($13),andLobsterin Marinara ($16), we chose Tuna Steak($14),andtheevening’s special,FruitdeMarinMarinara ($16).Thetunasteakwassauteed inoliveoilandservedinacreamy tomatobasilsauce.Whilemixing oliveoilandcreamissomewhat unconventional,theflavorsof freshbasilandtomatocombine wellandprovidedanexcellent sauceforthefish.TheFruitdeMar wasamelangeoffishinspicy tomatosauceoverlinguine.The chefwastooindiscriminatingin hischoiceoffish,sothatacouple of smoked mussels undermined thefreshnessofflavorsthatone wouldliketoencounter,asdidthe

fattinessofthetuna.Thisisacase wherelesswoulddefinitelybe more.Withacoupleofwiseomis¬ sionsthedishwouldhavebeen improveddramatically.

Two things that add to the overallqualityoftherestaurant areservinganexcellentsaladwith the meal — not a limpy after¬ thought— and having a good housewine.

Onenicetouchthatactually turnsouttobeawashisserving olive oil with the bread, but leavingthebreadcold,stale,and cutfromaloaf.

Averygoodapplecrispwith walnutsandservedinapieshell wasabouttheonlydecentoffering thenightwedined.

Thoughtherewereafewhits andmisses,there’sabuoyant, helpfulatmospherecreatedbythe staff,andthedinnersarehugefor themoney.It’seasytoseeCyb¬ ele’scatchingoninabigway.M

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BOOK REVIEW

Shadows & Goatbones

SCOPPublications,Inc., CollegePark,MD,$9-95

emakepoetry,saidW.B. Yeats,notfromourselves butfromouropposites.I wonderifwereadpoetry, too,tolearnaboutourop¬ posites, perhaps reading the poetryofothersnotbecausethey arelikeusbutbecausetheyare otherandcanteachusaboutthe oppositeinourselves.

1can’tthinkoftwobetterop¬ positesthanthisradiant,barren Mainewinterdayandthisbook, ShadowsandGoatbones. Outsidemy window the ice floes nudge and shiftontheBayandthefieldson thefarshorereflectthewhite silence of New England winter, whiletheworldwithinthebookis warm,garlicky,guilt-spicedethnic soup.AndIcan’tthinkofapoet moreoppositetothisreaderthan Barbara Lefcowitz. She is the woman who appears as the Other inmydreams.Sheisanarchaeol¬ ogistoftheghettoandtheshtetl andtheconcentrationcamp.Sheis thewomanwholooksatasidewalk crackandsees,reflected,theplace betweenherlegs,“redandloose¬

lippedasadrunk.”Sheisaroot¬ boundtravelerinEasternEurope, boththeincendiarypresentand theromanticgypsypast.

I stand on my porch, book in hand,freezing,andIcan’tsee anotherhumanbeingfortenmiles around.Yetthisismybookaswell ashers.Thepoethasexchanged liveswithme.SheisfromMaine, forthetimebeing,incoldstorage.1 am from Prague, from Warsaw, fromAuschwitz,fromVilna,from Parsippany.NewJersey.Mycityis densewithhumanity,1can’tget awayfromthem.Igototheincin¬ erator in the basement of my Brooklynapartmentandthereare hornyoldwomentherewitherect nipples and blue-roped thighs, smellingofburntgrapefruit.They areafterme.It’suselesstomoveto the country. They know where I live.

Therearenoopenspacesinthis book.nodistanceseitherintimeor place. The atmosphere flutters withtheshadowsofthedead.The girlwhodiedinAuschwitzatthe ageofnine;shewouldbemyage

hadshelived.Sheisthedeathtwin Icarrywithme,justas,inthedead ofwinter,Ileafthroughthisbook whichissofulloflife.Myowntwin isapoetwiththedeath-obsession oftheHolocaustsurvivor:when shegetsanewmicrowavesheputs everythingsheownsinitincluding herbook,herbrain,herownlife. Ourpoemsarehungrylittleincin¬ eratorswithmirroredceilingsin whichthereader—inpoet’scloth¬ ing—watcheshimselfburn.

We pause most longingly on thingswhichareveryold,which areplacedbeyondhistorybyhav¬ ingbeendestroyedbytime:an¬ cientteethoragoatboneexhumed atanarchaeologicalsitebysome¬ one who must always be digging becauseherpoetryhasaDraculan needforfossilfuel.Ms.Lefcowitz isadriventraveler.Shevisitsceme¬ teries when she comes to town. Sheistheguidetothepeatbogthat holds the 8000-year-old woman; sheisthepsychoanatomistthat placesherownfragile,peat-worn corpseonFreud’splumpcouch.

LikeFreud,BarbaraLefcowitz seeksoutthespotsonearthwhere the unconscious leaks through withitsweirdotherness:ahot¬ springsspa,afakewaterfall,an EdwardHopperpainting,acrack inthesidewalk,anEmilyDickin¬ sonpoem,anobscurejuncturein theneurologyofthebrain.Inher book,though,they’reeverywhere, an earthquake sidewalk full of cracks,deadmice,deadJews,on¬ iongrass, test-tube babies and gypsyaunts.

Thedaydarkens,ofcourse,be¬ foreIcanfinishthebook.I’mno longer in the sparkling polar coastalMaine,butinanightwhich couldbeanywhereonearth.Iturn onanoverheadbulb—“god’sglass eye”—and begin to separate my¬ selffrom ShadowsandGoatbones in ordertoreviewit.Poetandreader disentanglethemselvesfromtheir temporary dance and begin to write. How sad. H

The Portland Concert Association presents the ReBirth Brass Band on April22at7:30p.m.,CityHall Auditorium,Portland.Tickets$18 reservedseating,$14general admission. For more information, all772-8630.

THEATER

TheMadHorseTheatreCompany,955-FForest Ave.,Portland,willperformBetrayal,Harold Pinter'splayaboutlove,passion,andbetrayal, April1—April18, 8p.m.,Sundaysat7p.m. May 20—June 20, MadHorseTheatrewill beginperformingJohnGuare'scomedy.House ofBlueLeaves,thestoryofawould-besong writer,hisgirlfriendwhowantsbothmoney and11tePope,hissisterwhoeatsbananasfrom thedog’sdishandmanyotherswhorevealthe challenge.ofmeetingourdesiresandour basic.Ticketsare$16/$14seniorsandstu¬ dents.groupdiscountsavailable.Formore information,call797-3338.

CityTheaterAssociates,BiddefordCity Theater,MaineStreet,Biddeford,willperform themusicalGypsy,thestoryofastagemother andhertwooff-spring,GypsyRoseLee.and actressJuneHavoc,withmusicbyJuleStyne andlyricsbyStephenSondheim,beginning weekends April23-May9, FridayandSatur¬ dayat8p.m.,Sundayat2p.m.Ticketsare $12/$10seniorsover60andchildrenunder 12.Formoreinformation,call282-0849.

CafeNo,20DanforthStreet,Portland,willhost VintageRepertoryCompany'sproductionof TomStoppard'sTheFifteenMinuteHamlet andChristopherDurang’sTheActor'sNight¬ mare, Wednesdayeveningsat8p.m.from April 14—May 12.Ticketsare$6,reservations recommended.772-8114.

ThePortlandStageCompany,PortlandPer¬ formingArtsCenter,ForestAvenue,performs MichaelHenryBrown'sBordersofLoyalty,a playexploringissuesofraceandanger,where anup-and-comingblackactormustchoose loyalties between his manager, a black woman,andapowerfulJewishagent, March 30—April 18, Tuesday, Wednesday, and Thursdayat7:30,Saturdayat8p.m.,andSun-

dayat2p.m.Ticketsare$19.50-$28.Formore information,call774-0465.

ThePortlandPlayers,420CottageRoad,South Portland,willperformFrederickDuerrenmatt’s TheVisit,aboutawomanwhoreturnstoher hometowninAustriawithuntoldwealth,to paythetownforwhatithasdonetoher, April 23-25,April27-May2, 7:30p.m.,Sundays5 p.m.Ticketsare$7/$6seniors/$4students. BeginningMay28 thePortlandPlayerswill perform FunnyGirl, basedonthebookby IsobelLennart,withmusicbyJuleStyneand lyricsbyBobMerrill,directedbyJimColby.For moreinformation,call799-7337.

TheatreUMF,UniversityofMaineatFarming¬ ton,presentsitsSpringFestivalofstudentdirectedone-actplaysattheUMFAlumni Theatreon April9—11. Ticketsare$3.50 adults,$2seniorsandchildrenunder12,$2.50 students,UMFstudentsfree.Forinformation andreservations,call778-7465.Aspartofits Holocaust Remebrance Day program, UMF presents What Mother Never Told Me— ReminiscencesofaChildofaHolocaustSur¬ vivor,writtenandperformedbystorytellerLisa Lipkin,on April13 at7p.m.,NordicaAudito¬ rium,MerrillHall.Free.Formoreinformation, callEmilyEcker,778-7035.

Tom RushperformsattheChocolateChurch inBath, April2and3 at7:30p.m.Ticketsare $15/$12seniorsandstudents.OnApril16-17 at7:30p.m.ShakespeareandCompanyper¬ formsShakespeare's TwelfthNight.Tickets are$10/$8seniorsandstudents.Formore information,calltheChocolateChurch, 442-8455.

TheChildren'sTheatreofMainewillbehold¬ ingitssecondannual YoungPlaywrights’ Contest, performingplaysbyplaywrights under19,actedbybothchildrenandadults,

May8-9,15-16,22-23, Saturdays10:30am. and1p.m.,Sundays1and3p.m.,KingMiddle School,92DeeringAvenue,Portland.Formore information,call874-0371.

BatesCollege,Lewiston,willpresentWendy Wasserstein'saward-winningplay,TheHeidi Chronicles,directedbyPaulKuritz, May1416 and May21-23, at8p.m.Fridaysand Saturdays,and2p.m.Sundays.Thestoryof HeidiHolland,asuccessfularthistorianand productofthe60s,comingofageinthelate 80s.GannettTheatre.PettigrewHall,Lewiston. Ticketsare$4/$2seniorsandstudents.For moreinformation,call786-6161.

ColbyCollege,Lewiston,willpresentTheItal¬ ianStrawHat,anewadaptationofaFrench comedywrittenanddirectedbyRichardSewell. April1-3 at8p.m.April15-17,alsoatat8, Colbywillpresentitsstudentwrittenand directed One-ActPlays. Formoreinforma¬ tion,call872-3358.

MUSIC

On Tuesday, April27at7:30p.m.,pianist Alexander Toradze willjointhePortland SymphonyOrchestraforaperformanceof Rachmaninoff's Piano Concerto No. 3 at PortlandCityHallAuditorium.Theorchestra willalsoperformBrahms'SymphonyNo.3. Ticketscost$10-30,discountsavailable.Afree previewwillprecedetheconcertat6:30p.m. 773-8191or1-800-639-2309.Thethreeyouth ensemblesofthePorlandSymphonyOrches¬ trawillpresenttheirspringconcertonWed¬ nesday,April14at7:30p.m.773-8191or1-800639-2309.“SongsofCelebration,”ayouth concertseriesforstudentsingrades3-6,will beperformedbythePortlandSymphonyOr¬ chestraandtheWindhamChamberSingersat PortlandCityHallAuditoriumat9:30and11 a.m.Monday,April5,andTuesday,April6. Ticketsare$2.773-8191or1-800-639-2309.

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OnSunday,April25at3p.m,The LARK SocietyforChamberMusic willpre¬ sentthePortlandStringQuartetina concertfeaturingworksbyBeethoven, Strvainsky,andSchubertatWoodfords Congregational Church, 202 WoodfordsStreet,Portland.Ticketsare $14/8seniorsover60andchildrenunder 12andmaybepurchasedinPortlandat GalleryMusic,StarbirdMusicShoppe, AmadeusMusic,andinBrunswickat MacBean’sMusic,orbycallingthe1ARK Societyat761-1522.

On Tuesday, April13at6p.m.,the studentsandfacultyofBowdoinCollege willperform ElevatorMusic, composed byElliottS.Schwartz,composerand professorofmusicatBowdoin,inthe ColesTowerelevator.At7:30p.m.the studentsandfacultywillgiveaconcertof contemporary‘‘classical"musicin KresgeAuditorium,VisualArtsCenter. Flutist DeirdreManning, accompanied by John Johnstone onpiano,willper¬ form works by Doppler, Chaminade, Ibert,BozzaandElliottS.Schwartzina recitalonSunday,April18,3p.m.,inthe BowdoinCollegechapel,Brunswick. AnthonyAntolini willdirectaper¬ formance by the Bowdoin Chorus of RachmaninoffsTheLiturgyofSt.Chrys¬ ostomonSaturdayApril24,7:30p.m.,at theBaptistChurch,Thomaston,andon SundayApril25,4p.m,atSt.John’s Church,Brunswick.OnSunday,April25, 7:30p.m.,the BowdoinConcertBand, directedbyJohnMorneau,willperform inPickardTheater,MemorialHall,Bow¬ doinCollege,Brunswick.RobertGreen¬ leeconductsthe Bowdoin Symphony Orchestra inworksbySaint-Saens, Mozart,andElliottSchwartz,onSunday, May2at3p.m,intheBowdoinchapel. On Sunday, May 9 at 3 p.m, Robert Greenleeleadsthe Bowdoin Chamber Choir inaprogramof20thcentury FrenchandEnglishmusic.Allconcerts listedarefree.725-3000.

OnSunday,May 2,7:30p.m,the UMF Community Chorus, directedbyJoel Hayden,willperformitsannualspring concertwithorchestraandsoloists,atthe UniversityofMaine,Farmington,Nordica Auditorium,MerrillHall.Tickets$4/$3 seniors, high school students and younger.Formoreinformation,callJoel Hayden,778-7288,orBeverlyCollins, 778-7072.PhilipCarlsenwillconductthe UMFCommunityOrchestraat7:30p.m.in NordicaAuditorium,MerrillHall,on Sunday,May9.Ticketsare$3/$2seniors andchildrenunder12.Formoreinfor¬ mation,callPhilipCarlsen,778-7290.

The Bates College Jazz Band will

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performonSunday,April4.8p.m.,under thedirectionofMarkManducaofBates' appliedmusicfaculty.BatesCollege, OlinArtsCenterConcertHall,Lewiston. Free.OnSaturday, May 8,8p.m.,the MaineChamberEnsemble, conducted byPeterFrewen,willpresentaBeethoven trio,includinghisSymphonyNo.2."The CreaturesofPrometheus,"andPiano ConcertoNo. 4, featuring FrankGlazer assoloist,OlinArtsCenterConcertHall. Admission$10/55students.Forreserva¬ tionscalltheMaineMusicSociety,7834006.Friday.April30, 8p.m.Renowned pianistFrankGlazer,artist-in-residence atBatesCollege,willperformworksby Chopin,OlinArtsCenterMusicHall.

Folksinger Jean Redpath willperform onSaturday,April17,8p.m.,inCorthell ConcertHall,UniversityofSouthern Maine.OnFriday,April30at8p.m.,a facultychamberensemblewillperform worksbyRavel,Debussy,andBrahms, thefinalofferingofthe1992-93Faculty ConcertSeries.SponsoredbyClassic BMWofWestbrook.Tickets,$8/$4.

TheMusicatColbyConcertSeriespre¬ sents CollegiumMusicumConcert on Saturday, April24at8p.m.,Lorimer Chapel,ColbyCollege,Waterville.On April25,the Colby Band and Jazz Band playintheGouldMusicShellat3 p.m.TheColbySymphonyOrchestra, ColbyCollegeChoraleandColby-Kenne¬ becChoralSocietywillperformonMay1 &2inLorimerChapelat8p.m.asthefinal presentationbytheMusicatColbyCon¬ certSeries.Formoreinformation,call 872-3193.

GALLERIES

TheDyerLibraryandYorkInstitute Museumaresponsoringanexhibitonthe historyofloggingontheSacoRiver, beginninginMay.Themuseumwillalso host Let’sFaceIt, thebiennialThornton Academy art show, which began on March 23andwillnmthroughApril15.

The PortlandMuseumofArt iscur¬ rentlyexhibitingmorethan100paintings bysuchMaineCoastartistsas Andrew Wyeth,RichardEstes,RobertIndi¬ ana, Rockwell Kent and Beverly Hallam, whichwillbeopenthroughApril 18.Ongoingexhibitsinclude"TheIm¬ pressionistsandOtherMasters:Artists YouLove,"featuringworksby Monet. Renoir.Picasso,Matisse, andothers, "Vincent'sJourney."asculptureby Paul Rodrigue ofPortlanddedicatedto peoplewholivewithAIDs,andTheScott M.BlackCollection,whichdisplays19th and20thcenturypaintingsandsculpture byartistslikeChagallandToulouse-

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Lautrec.Themuseumisalsoofferinglec¬ turesbyfourartistsfeaturedinacurrent exhibition,“OnTheEdge,”twoofwhich wereheldinMarchwiththelasttwo scheduledforAprilIand15at7p.m. Twelveotherartistswilldiscussthe creativeprocessingallerytalkswhich beganinMarchandcontinueonApril2 withAndersonGilesandLarryHayden, andApril9withAliceSpencerandMar¬ gueriteRobichaux,bothat12:30p.m.On April8at7p.m.,abstractartistJohnnie Rossspeaksonhisconcernforearth resourcesandtheenvironmentin"A ViewofLandscapeasSensation:Abstrac¬ tion,”thefinaltalkfromthelectureseries, “AWorldtoDiscover:Landscapeinto Art."Admissionforalleventsis$3.50, $2.50seniorsandstudents,$1youths618,andfreeSaturday10a.m.tonoon.For moreinformation,call773-ARTS.

The Jones Museum of Glass and Ceramics willopenagainonMay 75,exhibiting“TheDecorativeCuttingof Glass:SelectionsDrawnfromFourCen¬ turies,"theRobertLWomercollectionof lustredearthenware,”andselections fromtheEllaSeedpressedgobletcollec¬ tion.Sebago,Maine.Formoreinforma¬ tion,call787-3370.

The MaineCollegeofArt, formerly PortlandSchoolofArt,522Congress Street,presents“Six:SculpturalVisions,” an exhibition by contemporary New Englandsculptorsexploringtheconcept ofsculptureas3-dimensionalformand thepresentcurrentsinsculpting,through April25intheBaxterGallery.ThePhoto GallerywillhostanexhibitionofGlenn Renell’sworkintheAmericanSouthwest, throughApril9.OnSaturday,April10at 8:30p.m.,theMaineCollegeofArtholds its 18thAnnualArtAuction, witha previewbeginningat7p.m.,auctioning workdonatedbystudents,faculty,and alumni,tobenefitthecollege’sscholar¬ shipfund.Therewillalsobeapublic previewoftheseworksApril5-9at11 a.m.-2p.m.,and4-6p.m.Formorein¬ formation,call775-5089.May16-June4 thecollegewilldisplayworksbygradu¬ atingseniorsintheBaxterGallery, openingreceptiononMay15from5-8 p.m.,summergalleryhoursareMondayFriday,9-4p.m.775-5089.

The UniversityofMaineMuseumof Art willsponsoranexhibitthisspring titled"CrossingLines:HistoriesofJews andGentilesinBangor,Mt.DesertIsland, andCalais,Maine,"examiningthechal¬ lengesJewishemigreshavefacedsince arrivingintheseregionsattheturnofthe century.UniversityofMaine,Orono. —CompiledbyPeterDavenport

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LLWWTYhere’d ya find that?”

■■ / my grandfather asked, ■■/noticingtheoldfelthat WW pulled down over my Jjears.1wasstandingon a chair in his camp at Caucomgomoc Lake when he returned fromtakingabucketofwoodash tothebackhouse.Myfatherhad come up-country for the salmon fishing,andsinceitwasaraw,wet springday,heleftmeinthecareof myagedguardian.Iwasstanding onthechairinordertoreacha tantalizingassortmentofgearcluttering the bare cedar rafters. Grandfather’s swaybacked old cabinwasayoungboy’sdelight;a wideassortmentofguns,traps, snowshoes, wood tools, chains and other paraphernalia from a longlifespentoutdoorslitteredthe place—1hardlyregrettedbeingleft there.

Grandfatherputthebucketbe¬ hindthestoveasIsteppeddown fromthechair.

“Founditupovertherafterswith thatotherstuff,”Isaid.

Grandfathertookthehatoffmy headandhelditinhishands.It wasprettyratty—itlookedreally oldtobeginwith,andthemoths haddonequiteanumberonit.He turnedthehatoverinhishands andstaredoutthewindowwitha farawaylookinhiseyes.

“Whoseisit,anyway?Ifit’s yours,yououghttogetanewone.”

MyvoicestartledGrandfather, andheturnedandputthehaton thetable.

“Thatthere,”hesaid,“isWill Ames’hat.YounevermetWill,but I’llneverforgethim.”

“Why’sthat?”Iasked,antici¬ patingastory.

Grandfather shoved a bolt of

woodintothehissingQueenBee andtoldmetositdown.

Sittingonthescarred,pinedea¬ conseat,IwatchedGrandfather adjustthestovedamper;thenhe sat down and told me about the days when he was a young man workinginthesurroundingwoods. Inthatera,beforetheadventof tractors, trucks, or even good roads, if a man wanted to move logsaboutinthewoods,herelied onthemostdependablemeansof transportation available—the horse.Grandfatherlovedhorses andlearnedhowtoworkthemasa boy. When he came of age, he became a teamster for a local loggingoutfit.

Grandfaterstartedoutasatote teamster—one who ferried men andsuppliesfromacentraldepot totheoutlyingcamps.Manyofthe guyswhostartedthiswaylater beganhaulinglogsfromthewoods to the landings on lakes and streams,butaftertryingthisfora while,Grandfatherdecidedtore¬ mainatoteteamster.Heenjoyed thelongertripsandconcludedthat hecoulddowithouttheexcite¬ ment of careening down steep slopesaheadofseveraltonsof logs.Grandfatherworkedoutof PittstonFarm,abigsupplyfarm north of Moosehead Lake that served as a depot for men and equipmentboundforpointsnorth. Inhistravelsbetweenthefarmand outlying camps, he met a good many people—about whom he frequentlytoldstories:JackKings¬ ley,thesawfiler,SamLoganthe chainsalesman,andHermanLight¬ foot,thelonelyoldIndian.Grand¬ fatherknewthemall,buthesaidas farashorseswereconcerned,he nevermettheequalofWillAmes. GrandfatherfirstmetWillona remotesectionofwoodsroadsev¬ eralmilesnorthofthefarm;itwas teno’clockonaJanuarynightand bittercold.Astormwasboiling andthesnowwascomingdownin bigheavyflakes,pilingupfast. Grandfatherwaslatecomingback

from Tom Campbell’s camp up on ThirdSaintJohnPond.Thebossat PittstonhadtoldGrandfathertotake aloadofblankets,foodandchainup toCampbell’soutfit,aroutinejobhe performedoften.Hesawthelow, slate-coloredcloudsformlateinthe afternoonandwasanxioustoget backbeforetheweatherhit.He probablywouldhave,too,ifithadn’t beenforCampbell’sinsistencethat Grandfathertakebacktwomenhe wasabouttofire.Apparentlythese newrecruitsfromBangorweren’t workingout;thismeanttheyeither couldn’tdotheworkorcouldn’t standtheboss’sabusivebehavior.No onelikedCampbellmuch;hissole concernwasprofit,andhedrovehis crewsmercilessly.

“Hell,iftheyain’tgonnawork,they cangofillupsomeoneelse’sbunk¬ house—I ain’t runnin’ a damned Sundayschool!”

Grandfatherwasforcedtowait untilduskwhenthemenreturned fromcuttingandCampbelltoldthe recruitstohitthetrail.Soitwasdark andblowinghardwhenGrandfather pulledintoColdBrookCrossing, abouttwo-thirdsthewayhome.He madeitacrosstheslicksurfaceofthe brook,buthecouldn’tgethisteamup overtheicyembankmentonthefar side.Therecentthawhadcausedthe icetobuildupthere,andnoonehad thoughttoputanyhaydownfor traction.

Grandfathercursed,wondering howhewasgoingtogetuptheother side,whenhenoticedamanstand¬ ingatoptheembankment.Hecare¬ fullymadehiswaydowntoGrand¬ fatherandstoopedcloseinthedark¬ ness.Thefellow,dressedinaheavy woolcoat,greenwooltrousersanda felthatcoveredwithacarpetofsnow sportedtwoextraordinaryicicles which hung from his handlebar moustache.

“Lookslikeyou’reneedin’some assistance,friend—goodthing1was late,too.Let’sseeifIcanyankya outtathere.”

Inaflashthemanvaultedthebank andbackedhisteamnearthebrook;

FICTION

Grandfatherhookedupthechainhe tossed and the man pulled the strugglinghorsesandthesledupto roadlevel.WhatamazedGrandfather mostwasnottheman’sfinematched Percherons,butthewayinwhichhe handledthem.Otherthanadjusting thechainsandharness,thisteamster neverlaidahandoneitherhorse,but directedthemsolelybyvoice.The massiveanimalsrespondedperfectly toeachcommand;anyworktheydid seemedeffortless.Hesoonlearned theman’snamewasWillAmeswho hadjustcomedownfromHurricane Brookheadedforthefarm.

TheypulledintothebarnatPitts¬ tonaboutmidnight,exhaustedand frozentothebone.Thetwomen hurriedofftotheinvitingwarmthof the farmhouse, while Will and Grandfather bedded down their teamsinthecavernousinteriorofthe barn.GrandfatherwatchedasWill finishedrubbingeachanimaldown andthentookanappleoutofhis pocket,splititandgavehalftoeach horse,theirjawsworkingcontented¬ ly.Astheyheadedforthelightsofthe main house through the hissing snow,Grandfatherknewhehadmeta manofunusualskill,andhopedto seemoreofthisWillAmes.

inceWillwasalsoatoteteam¬ ster,heandGrandfatherbecame goodfriends,sharingloreabout sleds,horses,andloads.Will wasseveralyearshisseniorand hepassedonmanyusefultipsfroma seeminglyinexhaustiblestoreof equineknowledge.Willcouldmakea teamdance,andbeforelong,Grand¬ fathercoulddirecthisownhorsesby voice,thoughheneverhadtheskill Willpossessed.

Mostteamstersdirectedtheirhorses withvoicecommandstoonedegreeor another,butWilldidsoexclusively; thereignsforhimwereapurely superfluouspieceofharness.Thisability allowedhimtostandtothesideofthe loadinroughplacesandwatchfor stumpsthatmightsnagtheworks—it wasamazingtowatch:whetherWill satontheloadorstoodnearby, wheneverhesaid“Hup!"histeam

woulddigin,andwheneverhesaid “Ho!” they would cease and standstockstill.Mostteamstershad troublewithunrulyanimals,butthe onlytimeWill’shorsesactedupwas whenhecameclosetoadjusttheir harnesses.Eachwouldsniffaround Will’sjacketlookingfortheoddapple orlumpofsugarsnatchedfromthe cookshack.

“Nothin’likehossdroolontheback ofyourneck,”Willlaughedonce,ashe stoodupfromcheckingalooseshoe.

ThoughheandWillsaweachother frequentlyintheirworkandtheyen¬ joyedswappingstories,Grandfather neverreallygottoknowWillverywell. Asolitarymanpronetotaciturnity abouthisbackground,nooneknew muchaboutWillAmes’origins.The mostGrandfathereverfoundoutwas thatWillcamefromapoorfarmback¬ ground,andhisfatherwasveryhardon him.OnoneofthefewoccasionsWill discussedhisfamily,Grandfather learnedthathisfatherhadbeencrip¬ pledatVicksburgduringtheCivilWar, andbackonhisfarminMaine,hetook outhisfrustrationsonhistwoboys, whomheworkedhardintheirfarm work.Grandfatherfrequentlyex¬ pressedhisadmirationforWill’sabil¬ itywithhorses,andWillrepliedthatin hisupbringingonlytheanimalsex¬ pressedanykindness:

“Peoplearepronetocruelty,butif youtreatanimalskindlyanddon’tget impatientwith’em,you’llneverbe disappointed.Bestfriend1everhadon thefarm,'sidesmybrother,wasanold hossnamedEzekiel—weren’tnoone elsetotellmytroublestointhem days."

Grandfathercouldn’tshakethe imageofayoungaffection-starvedboy talkingfondlytoasway-backedold farmnag.Alonelyboywithnooneelse toturntomusthavepouredhisemo¬ tionintoanimalsinawaymostpeople nevertried.Will’ssubduedtempera¬ mentandthepersonalstaminafrom hisspartanyouthhadtransformed itselfintoanalmostmagicalability withteamsthateventhemostunob¬ servantwoodsbosshadtoadmire. Thatis,allwoodsbossesexceptTom

Campbell. Becausehehadsuchatemperand adisregardforthewelfareofhis crews, most teamsters disliked workingforCampbell,andWillwas noexception.Campbellhadanex¬ traordinaryvocabularyofhighoctanelanguagegarneredfromhis yearsofexperienceasanoxteamster and he was quick to use choice phrasesonanyonewhodispleased him.Frustratedbytheslownessof onesupplyrunfromthefarm,Camp¬ belllitintoGrandfatheroneafter¬ noon;Grandfatherstormedintothe horsehovel,barelyabletokeepfrom poundingontheman.Willtookthe samedrubbingwithacalmindiffer¬ encethatenragedCampbelleven more;Will’spatienceseemedtopen¬ etrateintohisdealingswithpeople aswellasanimals.Grandfatherwas alwayspuzzledbyWill’sreserve,but ironically,hiseasygoingmanner eventuallyledtooneofthemost hauntingincidentsofGrandfather’s lifeinthewoods.

Lateonewinter,Campbellwas anxioustomovesomesuppliesto anothercampinpreparationfora newoperation.Becauseitwaslatein thedayandhewantedtogetsquared awayforthenextday’swork,hetold Willtotakehisloadofsupplies straightacrossthelowerendofThird SaintJohnPond.Earlierintheseason severalfeetoficeensuredsafe passageacrossthepond,butwarmer weathermadeforrottenice,treach¬ erousforallwhoventuredoutonit. Willdidn’tliketheideaofriskinghis neck,butheeventuallyrelentedun¬ dertheboss’ssteadypressureand agreedtohustletheloadacross. Grandfatheralwaysregrettednot havingbeenthereatthetimebe¬ causehefelthecouldhaveper¬ suadedWilltostanduptoCampbell andrefusetogo.Inoneofthe season’squirkyweatherchanges,the temperaturehaddroppedthatafter¬ noon,andasWillsteppedfromthe suffocatingwarmthofthecamp,the rainhadturnedtodrivingsleet.He spoke softly to his team as he climbedaboardtheheavilyladen

FICTION

sled and the husky Percherons snappedintomotion,headingout overtheexpanseofthepond. Grandfatherpulledintocampat nightfallwithanotherloadofsup¬ plies,andasheturnedhisteam aroundatthebaseofthelakehewas

_Hespokesoftlytohis teamasheclimbed aboardtheheavilyladen sledandthehusky Percheronssnappedinto motion, headingout overtheexpanseofthe

WstartledtoseeWillstrideoutofthe darknesswithastiffgaitanda strangeexpressiononhisface.Be¬ foreGrandfathercouldsayanything, Willwalkedstraightintothecamp office.Bythetimehemadeittothe door,WillpushedpasthimandGrand¬ fathersawCampbellsprawledouton thefloor.

Apparently,Willhadbeencorrect infearingthesoftice,forhalfway acrossthepond,theicegaveoutwith aheavygroan,andWill,hissledand histeamplungedintothewater. Unabletohelphisfounderinghorses, Willhadmanagedtoclawhisway backontotheiceandwatchedhis belovedPercheronsdrownintheicy watersofThirdSaintJohnPond. ThecampclerksaidthatwhenWill flungopentheofficedoor,hishair andmoustachewildwithice,neither henorCampbellsaidaword.Aftera longandpainfulsilence,theirritated bossfinallyexclaimed,“Wellwhatin hellareyoudo—”buthewascutoff byacrashingblowthatsenthim spinningacrosstheroom.Hisface blackwithrageandacoldhorrorin hiseyes,Willshovedtheclerkaside andthetoeofhisbootcaughtCamp¬ bellunderthechinwithaloud pond.

“clop.”Campbellcursedbitterlyand triedtobackoutoftheway;seeing thebloodlightinWill’s6yes,the clerkgrabbedanaxefrombehindthe doorandjumpedbetweenthemen. Will’seyesburnedrightthroughthe terrifiedclerk,andforanagonizingly longminutetheonlysoundwasthe hissofthestoveandthedripofwater fromWill’scoat.Finally,withouta word,Willturnedandstalkedoutthe doorintothenight.Theclerklater toldGrandfatherthathefiguredWill wouldhavekilledCampbellright thenifhehadn’tstoppedhim. Willhungaroundcampforafew daysafterthat,andnoone,noteven Grandfather,couldgetawordfrom him.EvenCampbellsteeredclearof himafterthatincidentintheoffice. Onemorningashecameouttothe hoveltoreadyhisteam,Grandfather sawWillstandingsilentlynexttohis emptystall,alonetearrunningdown hiscreasedcheek.Attheendofthe week,Grandfatherpreparedtotakea loadofmenbacktothefarmandhe sawWilldownbythelakeshore. Respectinghisrighttobealone, Grandfatherputhissledintomotion andheadeddownthetoteroad.He neversawWillagain.

Aftericeout,Campbell,anxiousas evertocuthislosses,sentacrewout inabateautotrytosalvagethesled andharnesses.Asthatpartofthelake wasrelativelyshallow,themensoon locatedthebigteam,pinnedsecurely tothesandybottombytheweightof theloadedsled.Muchtotheirhorror, theysawsomethingelse:atthehead oftheteam,hisarmaroundtheneck ofoneofhishorses,wassuspended thelifelessbodyofWillAmes,his hairstirringlazilyinthewater.The shakenmensolemnlypulledupthe corpseandburieditnearthecamp; nobody said much—they didn’t knowwhattosayaboutthisstartling actofgrief.Grandfatherlaternaileda bigcaulkedhorseshoetoanearby cedartomarkthespot.

ThemenwhoknewWillhadas¬ sumedthatheleftthewoodswithout sayinggoodbye;itseemedinkeeping withhissecretivenature.Grandfather

■ FICTION"

wasthelasttoseehimthatday, downbythelake.Apparently Willwashurtmoredeeplybythe lossofhisteamthananyone knew.Willwasasilentfigure, likedbyhisfewfriends,butno oneeversuspectedthedepthof griefhauntinghismindthatday. Later that spring, before takingthelastmembersof thecrewoutofthewoods, Grandfatherwalkeddown totheshoretopayhislast respectstoWill.Helookedout overthewaterandspiedsome¬ thingoutofthecornerofhiseye.

Itwasdepositedthere byatrickofcurrent.

Overinthetangleofdrikipiled uponshorehefoundWill’s chewed up old stetson, de¬ positedtherebysometrickofthe current.Hepickeditup,shaking offthewaterandtwigs;he chuckledwhenheremembered howWilltreasuredthishatand refusedtogetridofitevenwhen Grandfathersaidhewouldbuy himabrand-newoneinBangor. He’dkeptthehatupoverthe raftersalltheseyearsasamem¬ ento.

Grandfatherslowlystoodup andthrewanotherchunk ofrockmapleintothe stove.

“Ineverdidfigureout whyhedidit.”Hestaredoutthe windowlikehealwaysdidwhen hewasthinking.

"Sometimes people don’t makeanysense,son.”

Isatthereinsilence,staringat thehat.

“C’mon,let’sgodowntothe landin’andseehowyourDad did.Ibethimfivedollarshe couldn’tbeatthatsalmonIgot lastyear.”

Grandfathertossedthehat backupovertherafters,andwe putonourslickersandheaded outintothecoldspringrain.■

Continuedfrompage32 call878-5824.

Anewcafe,GitcheGurnee,has openeditsdoorsforbusinessat 486CongressSt.inMonument SquarebyLily,Inc.Thedown¬ towneateryhasasmallseating areaandwillcatertothetake-out diner.780-8809.

Briefcase

JosephH.Hosmer,presidentof Mountain,Ltd.,announcedthat his Yarmouth-based company hasbeenawardedaone-year, renewable,mastertelecommuni¬ cationsengineeringcontract fromtheCityofFairbanks,Al¬ aska.Thecontractdutieswill includethedesignandeventual constructioninspectionofrou¬ tineandmajortelephonefacility projects.Themunicipally-owned Fairbanks telephone system servesmorethan20,000homes andbusinessesincentralAlaska withtelephoneprojectstypically exceeding$3millionperyear.

GulfofMaineBooksiscele¬ bratingitsI4thanniversary. Aboveisaphotographofhow theylookedstartingoutin1979. Congratulationstoco-owners GaryLawlessandBethLeonard.

Overheard

ThenewTokyoL.L.Beanhas reporteditstoptensellingitems tous,thoughit’salittleearlyto determinebuyinghabits:They are:

Iwoelegantdining/functionrooms.

FeaturingregionalItaliancuisinewith freshMaineseafoodatreasonableprices.

Freshingredients,herbs,importedoils, andcheesestocreatedelicioussalads. Homemadebreadsanddesserts.

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