ARCHITECTURE PORTFOLIO SELECTED WORKS
2016-2020
PRADUMAN BAJAJ CONTACT 11 | 04 | 1998
PROFILE A driven, diligent and ambitious architecture student, currently in 5th year, seeking a position as an Architectural intern in an engaging, supportivie
+91-9810467327
and challenging environment. The following is the collection of projects that reflect my passion and appreciation for architecture.
The Icon, Dlf Phase - 5 Gurgaon, India.
pradumn1000@gmail.com
@praduman_bajaj
facebook.com/pradumanbajaj.11
EDUCATION
PROFESSIONAL EXPERIENCE
BACHELOR OF ARCHITECTURE
INTERN AT THE ARCHITECTURAL STUDIO, SAKET
SUSHANT SCHOOL OF ART AND ARCHITECTURE,
DURATION : 6 WEEKS
GURGAON.
RESIDENCE 76,NAVJEEVAN VIHAR, NEW DELHI.
5TH YEAR (9th SEMESTER)
RESIDENCE D-74,SECTOR 56, GURGAON.
SENIOR SECONDARY SCHOOL
NACHNA HAVELI, JAISALMER.
DELHI PUBLIC SCHOOL, GUWAHATI
LANDSCAPING OF SECTOR-17, CHANDIGARH.
CBSE BOARD 90.2% SECONDARY SCHOOL DELHI PUBLIC SCHOOL, GUWAHATI CBSE BOARD 9 CGPA
SOFTWARE PROFICIENCY
CO-CURRICULAR COMPETITIONS PARTICIPATED IN ANNUAL NASA, JAIPUR (2017). PARTICIPATED IN ZONAL NASA, GWALIOR (2017). ARCHONENTION TOP-5 SHORLISTING COLLEGE
MS OFFICE
SOCIAL MEDIA HEAD, SSAA
AUTOCAD
SSAA INTAGRAM HANDLE (2018-2020).
REVIT SKETCHUP RHINO VRAY LUMION GRASSHOPPER
DESIGNED A TERRACE WITH LANDSCAPING AND FURNITURE (2019). WORKSHOPS PARTICIPATED IN CSEB PRODUCTION WORKSHOP AT AUROVILLE (2019)
ARCHITECTURAL COMPETENCE LAYOUT
TYPOGRAPHY
PHOTOSHOP
GRAPHIC DESIGN
MODEL MAKING
ILLUSTRATOR
PRESENTATION
3D MODELING
IN DESIGN
RESEARCH WORK DISSERTATION: CULTURAL AND TOPOGRAPHICAL IMPLICATIONS ON TRIBAL ARCHITECTURE OF ARUNACHAL PRADESH
REFERENCES GAURAV SANAN
RAHUL SUBBERWAL HIMANSHU SANGHANI
UA WORKS, DELHI TAS, DELHI
ASSOCIATE DEAN, SSAA
+91 981133044
+91 8447272105
+91 9899879770
CONTENT
STEP BY STEP GROUP HOUSING
SEMESTER 7
NEXT STAGE CO- LIVING SPACE
SEMESTER 2
ELECTIVE WORK PRODUCT DESIGNING AND TRANSIT DEVELOPMENT
SEMESTER 7 AND SEMESTER 8
DENCITY MIXED USE
SEMESTER 6
MOVEMENT URBAN DESIGN
SEMESTER 8
DISSERTATION REPORT
SEMESTER 7
MANGALAGIRI CENTRE CULTURAL CENTRE
SEMESTER 4
INSTITUTION WORKING DRAWINGS
SEMESTER 5
ARCHONENTION NASA COMPETITION
SEMESTER 7
“One of the great beauties of architecture is that each time, it is like life starting all over again.� - Renzo Piano
BANDRA WEST, MUMBAI 10TH JAN 2020
01
LOCATION : BEVERLY PARK, GURGAON SEMESTER: VII
STEP BY STEP INCREMENTAL GROUP HOUSING PROJECT Step By Step is an incremental housing complex which has been dissected into its built, open and community aspects. The aim of the studio was to understand the complexities in services related to housing in future. The idea is to reinvent the vertical high-rise typology of housing by creating a liveableplace through innovative forms, technologies and creating an environment that can face the challenges of the future changes with respect to change in family size, social change and job stability. It has been designed keeping in mind the ever changing needs of the citizens and how it can adapt and expand with the coming years.
YEAR: 2019
CENTRAL MALL
AD M.G.RO
METRO
N STATIO
AD
M.G.RO
AD
M.G.RO
A BLOCK MAIN ROAD
TIME TOWER
ESSEL APARTMENT
N SITE PLAN
Half House for increment
Rotating the block maintain the privacy
to
CHAI
Balconies for increment
Increment on two different levels.
Activating Frontage and creating natural boundary
The site is near M.G. Road Metro Station which is one of the busiest transit hub in Gurgaon, It is surrounded by varied kind of retail and social interests.
SECTION
Incremental is done in such a that the residence will get multiple ways to increment their houses.
FLOOR PLANS
1BHK SIMPLEX
2BHK SIMPLEX
1BHK DUPLEX (LOWER FLOOR)
3BHK (LOWER FLOOR)
3BHK (UPPER FLOOR)
2BHK DUPLEX (LOWER FLOOR)
1BHK (UPPER FLOOR)
1BHK (LOWER FLOOR)
1BHK (LOWER FLOOR)
2BHK (UPPER FLOOR)
2BHK (UPPER FLOOR)
2BHK (UPPER FLOOR)
INCREMENT FLOOR PLANS
EXPLODED AXONOMETRIC OF SITE
02 LOCATION : WTC, GURGAON
SEMESTER: VI
DENCITY MIXED USE PROJECT The intent of the unit was to develop an iterative process that could be modulated and evaluated for a given set of criterions. The aim of the studio was to extends system logics from TOD and integrates computational techniques to analyze various complex data-sets through a series of hierarchical scales. The idea was to create associative rules that would generate the scale of the building, block, and futher be used to produce unique structural, spatial, and programmatic patterns.
YEAR: 2019
KINGDOM OF DREAMS
IFFCO TOWER
N
SITE PLAN The project consist of Business hotel, Retail, Offices spaces, Residential and X-factor. The site is influnced by TOD active zone and hence it allows flexibilty in numbers. A contrasting form is created for X-factor to attract footfall. Intermidetary space of a different fuction is created to conncet two blocks of the same functions.
X- FACTOR
CONNECTING SPACES
BLOCK A
C [MIRROR]
X
IFFCO TOWER
SHAPE GENE GRAMMAR PrimitiveIFFCO cell TOWER
GENE X GENE GENEPrimitive cell A [SCALE] [SCALE]
Primitive cell X GENE XX X REC X A [SCALE] PrimitiveIFFCO cell CHOWK
WTC
GDOMWTC OF EAMS WTC
WTC
BLOCK A
GENOTYPE METRO STATION IFFCO CHOWK
G1 [ACD]
IFFCO CHOWK
GENOTYPE METRO STATION GENOTYPE G1GENOTYPE XIFFCO CHOWK X X[ACD]X G1 G1 [ACD] [ACD]
METRO STATION
GENOTYPE X X X
X
X X
G2 [CAC] XG2 [CAC] G2 [CAC]
X
KINGDOM OF REC NGDOM OF PHENOTYPE EAMS DREAMS REC
X P1 [ACDACD]
METRO STATION
G1X [ACD]X
X
X X
F2: GROUND COVERAGE - 30% - 40% CRITERIA F2: GROUND COVERAGE - 30% - 40% F3: FINESS VISUAL PERMIABILITY REC REC P2 -[DADDADAD] F1: VISUAL BUILT v/s OPEN TO MAXIMIZE OPEN SPACES F3: PERMIABILITY
P1PHENOTYPE [ACDACD]
GDOM OF EAMS
F3: VISUAL PERMIABILITY
d from all the 4PHENOTYPE sides of the site and visual cone is created P1 [ACDACD] to the site. P2 [DADDADAD] ves us visual permiability KINGDOM OF NGDOM OF GROUND COVERAGE - 40% REC
EAMS DREAMS
REC REC
more number of green spaces are created near lesiure valley
TO CREATE GREEN SPACES IN FRONT OF BLOCKS (F1)
d from all the 4 sides of the site and visual cone is created TO CREATE to GREEN ves us visual permiability the SPACES site. IN FRONT OF BLOCKS (F1)
GROUND FLOOR BLOCK
TO CREATE GREEN SPACES IN FRONT OF BLOCKS (F1)
SECOND FLOOROD BLOCK TO MAINTAIN THE GROUND COVERAGE THE SITE(F2) TO MAINTAIN THE GROUND COVERAGE OD THE SITE(F2)
TO CREATE GREEN SPACES IN FRONT OF BLOCKS (F1)
TO MAINTAIN THE GROUND COVERAGE OD THE SITE(F2)
UP: 64,500 m sq
P2 [DADDADAD]
TO CREATE GREEN SPACES IN FRONT OF BLOCKS (F1)
CREATING LAND BUMPS
CREATING COURTYARDS IN FRONT OF SITE
SITE IMPLEMENTATION
SHAPE GRAMMAR IN TRANSIT 0.3 | PRADUMN BAJAJ |
MASSING OF BLOCKS IS DONE IN SUCH A WAY THAT IT MATCHES WITH EXISTING SCALE OF THE CONTEXT
MASSING OF BLOCKS IS DONE IN SUCH A WAY THAT IT MATCHES WITH EXISTING SCALE OF THE CONTEXT
SHAPE GRAMMAR IN TRANSIT 0.3 SHAPE GRAMMAR | PRADUMN BAJAJ | IN TRANSIT 0.3
Blocks of hig are placed to Blocks of higher heights are placed towards connect it visually ITERATION 1 to
the metro sation and to relate it with context.
| PRADUMN BAJAJ |
X- Factor : 4200 sq m
| PRADUMN BAJAJ |
Commercial : 4580 sq m Hotel : 21740 sq m
One block is placed in front of the main block Residential to attract the footfall.
connect it vis the metro sat relate it with
One block is : 22240 sq mfront of the m to attract the Retail : 11790 sq m
visually connected from distance. TOTAL BUILT UP: 64,500 m sq
Retail blocks are placed near the KOD side to increase the footfall of the site.
TO MAINTAIN THE GROUND COVERAGE OD THE SITE(F2)
CREATING COURTYARDS IN FRONT OF SITE
`
| PRADUMN BAJAJ |
FINAL MASSING
CREATING LAND BUMPS
P2 [DADDADDAD]
P1 [ACDACD]
SHAPE GRAMMAR IN TRANSIT 0.3
UP: 64,500 m sq
X
F3: VISUAL PERMIABILITY
PHENOTYPE
Lower height blocks are ` placed on the KOD side to match with the scale Lower height blocks ` are ofside the context around placed on the KOD ` to match with thethat scale area. SHAPE GRAMMAR of the context around ITERATION 1 ` IN TRANSIT 0.3
Blocks of higher Blocks of higher heights are placed are placed towards back sideheights of the site, so that site is towards back side of visually connected from the site, so that site is distance.
X
X
SECOND FLOOR BLOCK
FIRST FLOOR BLOCK TO MAINTAIN THE GROUND COVERAGE OD THE SITE(F2)
that area.
X
F2: GROUND COVERAGE - 30% - 40%
FIRST FLOOR BLOCK
P2 [DADDADAD] P2 [DADDADAD]
PROGRAMMING P1 [ACDACD]
F1: BUILT v/s OPEN - TO MAXIMIZE OPEN SPACES
GROUND FLOOR BLOCK
PHENOTYPE F2: GROUND COVERAGE - 30% - 40% more number of green spaces are created near lesiure valley
X
FINESS CRITERIA
X
P1 [ACDACD]
X
X X
PHENOTYPE
GROUND COVERAGE - 40% X
X
X
X
G2 [CAC]
XG2 [CAC] X X X X X X ITERVENTION X BLOCKX A X X X X X X X X X B [ARRAY] B [ARRAY] X X X X X BLOCK A X X X X XBLOCKXA X X X X X A [SCALE] X X IFFCO TOWERX X X X X[DAD]BLOCK A X G3 [BD] G4 B [ARRAY] X X X IFFCO X X X X X X X[ARRAY] X TOWER X X XX X B IFFCO TOWER X BLOCK A X X G3IFFCO [BD] G4 [DAD] TOWER X X CHOWK X[DAD] X C [MIRROR] X[ARRAY] X X X IFFCO B G4 METRO STATION G3 [BD] X XIFFCO TOWER X X X IFFCO CHOWK X X XX X X WTC X METRO STATION X X CC [COPY] [MIRROR] G4 [DAD] [DAD] X [BD] G4 IFFCOG3 CHOWK X REC XG3 X X METRO STATION X C [MIRROR] X X X X X X X X X REC X X X XREC X XX XX D [COPY] X X X X X C [MIRROR] BLOCK A X X X X X X X X X X X X D [COPY] X BLOCK A X IFFCO XTOWER X FINESS CRITERIA BLOCK X A D [COPY] X X D [MIRROR] X X F1: BUILT v/s OPEN - TO MAXIMIZE OPEN SPACESX X X XIFFCO TOWER IFFCO TOWER FINESS REC F2: GROUND COVERAGE - 30% - 40% CRITERIA D [COPY] X X X F1: FINESS BUILT v/s OPEN - TO MAXIMIZE OPEN SPACES CRITERIA F3: VISUAL PERMIABILITY X X F1: BUILT v/s OPEN - TO MAXIMIZE OPEN SPACES A [SCALE]
WTC
D [COPY]
X
X
X
Basement : 17000 sq m
TOTAL BUILT UP: 64,500 m sq hotel is placed near the commercial area to
FLOOR PLANS
RETAIL AND COMMERCIAL PLAN TYPICAL HOTEL PLAN
SECTION
CENTAL SECRETARIAT, DELHI 27TH AUG 2017
“A great building must begin with the immeasurable, must go through measurable means when it is being designed, and in the end must be unmeasured.� - Louis Kahn
03 LOCATION : Vadlapudi Centre, Mangalari SEMESTER: IV
MANGALAGIRI CENTRE CULTURAL CENTRE PROJECT The premise of the studio was to analyse the cultural and socioeconomic patterns to re-create the craft, to express identity or tansplanted to manifest belongings. The idea is to create an identity through culture, speed and visual conceptions, due to loss of tangible identity of Mangalagiri in Andhra Pradesh. There is no sense of pride or cultural consicussioness due to the upcoming Amravati, capital of the state.
YEAR: 2018
AD RO RU AKU ATM
SITE PLAN
TENALI RO
AD
N
What : Mangalagiri ‘lost’ its identity so, by building something in the centre of the town that not only becomes a symbol for the town that’s near Amravathi but also revives the culture. There was a need to strengthen the core of the town also at the same time have a connection with the craftsmen so they can revive back. Where : Mangalagiri’s essential components are its weaving community and temples. It has lost its presence division between the western and eastern side of Mangalagiri has further led to the problem. Considering the situation where Amravathi is coming up like force that needs to be reckoned with, Mangalgiri has to stand with its identity so neither does it grow under the shadow of the Amravathi nor does it become a town which people cross just to get to Amravati. How : Through the lens of reveal conceal, From the Vadalapuri centre side, the architecture is revealing so that it creates a visual axis (due to the big built mass on the upper level) and attracts people towards it. Whereas , Inside the complex the architecture is concealed but slowly reveals itself and keeps the user intrigued. Buildings should be stately, with a mixture of small and big openings that help in inviting people inside.
EXPLODED AXONOMETRIC OF SITE
SECTION
PLAN
N
SECTION
04 LOCATION : GURGAON
SEMESTER: II
YEAR: 2017
NEXT STAGE CO-LIVING SPACE
Next Stage is created for elderly to spend their life after retirement. the house is designed by keeping in mind design principles, focus, harmony, hierarchy and symmetry.
N
SITE PLAN
Next age can help old people to unleash their creative power, reintegrating them back into the communities, it consist of recreational area, library and play school to engage people throughout the day.
NEW DELHI RAILWAY STATION PLAN
BEFORE (TOOTI CHOWK)
AFTER (TOOTI CHOWK)
BEFORE (RAJ GURU MARG)
SECTION D.B. GUPTA ROAD
AFTER (RAJ GURU MARG)
CONNECTING TERRACES SCAN TO SEE
D.B. GUPTA ROAD ; SKYWALK INTERVENTION
INTERNAL STREET INTERVENTION (GREEN REALMS)
WALKTHROUGH PAHARGANJ
05
6
5
LOCATION : PAHARGANJ
SEMESTER: VIII
3
YEAR: 2020
4
1
MOVEMENT IN PAHARGANJ URBAN DESIGN PROJECT
1 : New Delhi Railway Station 2: Tooti Chowk
2
3: Raj guru 4 : D.B. Gupta road 5: Internal Street intervention 6: Terrace intervention
SITE PLAN N
SCAN TO SEE
FROM 74,850 m2 TO 151,860 m2
ORGANIZED TRAFFIC MOVEMENT
FROM 6116 m2 TO 43998 m2
DESIGN IDEATION
The studio aims to study the transformations that follow westernization of Indian cities, explore how these transformations impact the urbacn fabric, and suggest mechanisms for a better-grounded and senstive architectural response. Paharganj which is one of the most congested places in India, we through our interventions have tried to improve the movement of vehicles and pedestrians.
06
LOCATION : NATIONAL HANDICRAFT AND HANDLOOM MUSEUM, DELHI SEMESTER: V
INSTITUTION WORKING DRAWINGS The project includes working drawings for the Vth semester institution design. Detailed floor plans, elevations, sections, toilet detail, staircase detail and other other details were included.
YEAR: 2018
AH
AG
AF 5600
4090
W1 AXX
OPEN TO SKY
750 750
A6 EQ
6733
VENTILATOR
PANNEL LIGHTS
2080
1670
UP
EQ
W8 AXX
A16
900 900
1200
1380
2370
1200
1380
550 550
1210
53
25
W8 AXX
W6 AXX
Reflected ceiling plan Ground floor plan
RCC SLAB 150 MM THK
TILE 300 X 300 MM 1450
3410
1700
4590
470
SKIRTING 100 MM HIGH
Section A A’
Section D
Section F
640
640
640
170
900
1040 860 170
470
800
2250
3600
1040 470
170
470
170
170
1050
1040
1040
2250 400
800
1230
680
900
1830 550 550
2370
-3
C
L
C
L
380 UP
550
L
D4 AXX
-13-12-11-10 -9 -8 -7 -6 -5 -4 -3 -2 -1
6910
0 -1 -2
550
4071
L
1200
550
550
2370
1210 DN
-14-15-16-17-18 8 7 6 5 4 3 2 1
C
34
32
SF2
1760
C SF3
ST1 WIDTH 2180 TREAD 300 RISER 150
1200
1210
D3 AXX
380
LIFT SHAFT (2000 x 2500)
VINYL OIL PAINT
WORKSHOP-3 ACRYLIC PAINT
550
1110
1810
VINYL OIL PAINT
1886
L
550
4561 ADMIN-2 ACRYLIC PAINT
1653
D1 AXX
EQ
1810
W1 AXX
SPRINKLER
550
RECEPTION-2 MARBLE OIL ACRYLIC PAINT PAINT
EQ C
SF1
2131
VINYL OIL PAINT
2128 EXHIBITION-2 MARBLE ACRYLIC OIL PAINT PAINT
EQ
W1 AXX
SMOKE DECTORS
550
1390 2350
UP
ADMIN-1 ACRYLIC PAINT
D1 AXX
8 7 6 5 4 3 2 1
550
PLINTH LVL + 900
2328
12 11 10 9
2740 2410
183
D3 AXX
VINYL WORKSHOP-2 ACRYLIC OIL PAINT PAINT
1617
DN
D1 AXX
3496
4840
16 17 18 19 20 21 15 14 13
1040
A15
UP
L
183
D1 AXX
ST4 WIDTH 2180 TREAD 300 RISER 150
3310
A14
0
OIL PAINT
1612
A12 A13
-3 -2 -1
MARBLE
EQ
3200
EXHIBITION ACRYLIC PAINT
L
A11
900
GROUND LVL + 450
7153
A10
900
750 900
Toilet layout plan
46
EQ C
1070
A9
W1 AXX
1510
85
26
L
C
A8
2360
6070
C 19
L
EQ
3360
C
920
A7
W1 AXX
3320
UP
0 -1 -2 -3
1510
W2 AXX
GROUND LVL + 450
VINYL OIL PAINT
F B'
EQ
WORKSHOP-1 ACRYLIC PAINT
750 900
D2 AXX
L
L
900
900 900 900
900
B
1839
E 1700
EQ
900 EQ
EQ
C
L
750 900
A' D
C
1700
C
EQ
EQ
5550
C
750 900
680
3320
W1 AXX
750 900
1450
A
RECEPTION-1 GRANITE OIL ACRYLIC PAINT PAINT
1090
3460
600
PLINTH LVL + 900
W1 AXX
D1 AXX
3244
600
900
2212
A5
600
1450
218
KITCHEN GRANITE ACRYLIC OIL PAINT PAINT
2500
600
750
2009
A4
PRODUCED BY AN AUTODESK STUDENT VERSION
600
900
5694
A3
990
680
900
2310
D1 AXX
EQ
L
7203
SF3
TILE OIL PAINT
4121
A2
2193
EQ
750
2552 TOILET-1 TILE
AK
1050
C
EQ
L
1800
3690
3313
EQ
SF2
SF1
2740
W1 AXX
C
A1
AJ
AI 2230
SF1
2520
750
2120
900
2480
1741
AE
AD
AC 5500
370
AB 7060
900
AA
D4 AX1
AB
AD
D4 AX1
AB
A16
A16
AB
AD
WIDTH 2180 TREAD 300 RISER 150
WIDTH 2180 TREAD 300 RISER 150
MUMTY LEVEL +17480
UP
DN
-13-12 -11-10 -9 -8 -7 -6 -5 -4 -3 -2 -1
-13-12-11-10 -9 -8 -7 -6 -5 -4 -3 -2 -1
A
A'
W8 AX1
W8 AX1
UP
-14 -15-16-17-18 8 7 6 5 4 3 2 1
-14 -15-16-17-18-19 -20-21-22 -23-24-25-26 -27
A
PARAPET LEVEL 14030
A' W8 AX1
W8 AX1
A18
TERRACE LEVEL +13130
A18
Basement
Ground Floor
AB
AB
AD
D4 AX1
A16
ST1 WIDTH 2180 TREAD 300 RISER 150
UP
DN
AD SECOND FLOOR LEVEL +8910 ST1 WIDTH 2180 TREAD 300 RISER 150
66 65 64 63 62 61 60 59 58 57 56 55 54
14 15 16 17 18 19 20 21 22 23 24 25 26
FIRST FLOOR LEVEL +4910
67 68 69 70 71 72 73 74 75 76 77 78 79 80 81
A
A
A' W8 AX1
W8 AX1
D4 AX1
DN
13 12 11 10 9 35 34 33 32 31 30 29 28
A' W8 AX1
W8 AX1
A18
A18 12 MM TILE FOR SKIRTING
First Floor
GROUND FLOOR LEVEL +900
10 MM THICK PLASTER
SITE LEVEL +450
Terrace
BRICK WALL (115 MM)
G.L. +-00
A
STONE (30 MM)
TRIMIX (100 MM) PCC (100 MM) SAND
BRICK WALL(230 MM)
BRICK WALL (230 MM)
(400MM)
B
VINYL (5 MM) IBS (50 MM)
BASEMENT LEVEL -3100
RCC SLAB(150 MM)
RCC RCC BEAM(450 MM) RCC
MARBLE (25 MM) MORTAR (20 MM)
WATER PROOFING (5 MM)
INSULATION (150 MM) SCREED (20MM) WATER PROOFING (5 MM) RCC
SCREED (20MM) PCC (150 MM)
Detail C
Detail A A1
Staircase Section
Detail B A2
A3
A5
A4
A6
A8
A10
A11
A13
A14
A16 MUMTY LEVEL +17480
PARAPET LEVEL 14030
B
TERRACE LEVEL +13130
C
SECOND FLOOR LEVEL +8910
FIRST FLOOR LEVEL +4910
GROUND FLOOR LEVEL +900 SITE LEVEL +450 G.L. +-00
A
Section
BASEMENT LEVEL -3100
PRODUCED BY AN AUTODESK STUDENT VERSION
A16
AD
ST1
ST1
WHITE TOWN, PUDUCHERRY 8TH JULY 2018
“We shape our building; Thereafter they shape us.” -Winston churchill
07
ELECTIVE WORK
DIRECT CREATE (PRODUCT DESIGNING)
SCAN TO SEE MORE
CEILING PANNEL
CREATING IMPACT THROUGH PRODUCT
WALL PANNEL
TRANSIT DEVELOPMENT (LIGHT RAIL TRANSIT DESIGN) SCAN TO SEE MORE
A’ A
PROPOSAL PLAN
SECTION A A’
VIEW
BOYING VILLAGE, PASIGHAT
SERU VILLAGE, TAWANG
08 LOCATION : ARUNACHAL PRADESH
SEMESTER: VII
HARI VILLAGE, ZIRO
YEAR: 2019
MAP OF ARUNCAHL PRADESH
India is one of the richest countries in the world in terms of cultural diversity, and the largest concentration lies in North-Eastern part of India. The rich heritage therein is exemplified throughout from the ethnicity, tradition, livelihood, and also by the architectural typologies. Several distinct architectural features are seen in tribes of Arunachal Pradesh, which differ by climate, geological condition, and deep-rooted traditions. They evolved in course of time and were majorly built by the inhabitants themselves, without any formal training in construction. These houses, built with locally available materials, were sensitive to the existing environment and took into consideration the constraints imposed by the climate. There are 26 tribes out of those, Monpa, Adi, and Apatani are renowned for their peculiar lifestyle which has resulted in a sustainable built envelope and spatial organization. The paper will analyze and study the architectural pattern in these tribes through their case studies. The study is an effort undertaken to understand the relationship between the geographical and architectural pattern of these tribes through various factors.
CULTURAL AND TOPOGRAPHICAL IMPLICATIONS ON TRIBAL ARCHITECTURE OF ARUNACHAL PRADESH DISSERTATION
SCAN TO SEE MORE
09 ARCHONTENTION COMPETION
The essence of a place emerges from the people, culture and ideology which are direct resultants of the natural surroundings. Heritage can be extremely personal. Objects work as symbols; they act as cues and evidence for stories about what individuals have experienced in their lifetime. So, heritage is as much about the meaning and the stories they represent – the intangible aspect of the tangible. The Hussainabad Museum intends to be a ‘live participant’ in the dynamics that exist between history, the perception of that history and the realities of the present. There is an attempt to change the perception of the public spaces by making them more conscious rather than them emerging as a resultant of the built.
SOCIAL MEDIA DIGITAL WORK
iPAC
01
12-16th February
02
WRITING ARCHITECTURE 10:00
Talk: Roger Connah
RESEARCH BY HISTORY 11:00
Talk: Peter Scriver
03
ARCHITECTURE JOURNALISM 12:00
Writing Architecture
Talk: Shiny Varghese
04
QUESTIONS OF WRITING 14:00
Round Table: Peter Scriver, Roger Connah, Anuradha Chatterjee, S.Badrinarayan, Shiny Varghese, Gregory Burgess
05
VERANDA:
JOURNAL OF SUSHANT SCHOOL OF ART AND ARCHITECTURE 15:30
Launch and Presentation: Vibhuti Sachdev, Ila Gupta
06
COUNTERQUESTIONS 16:15
15|02
Peter Scriver, Roger Connah, Vibhuti Sachdev, Ila Gupta, Anuradha Chatterjee, S.Badrinarayan, Shiny Varghese, Gregory Burgess Moderators: Amrita Madan, Sylvie Dominique
07
[meta]SSAA 17:00
Student Event: Drama Society Sushant School of Art and Architecture Ansal University
COLLEGE FEST
PAINTED WALL
CONSTRUCTED AMPHI
DESIGNED WALL AND FURNITURE OF TERRACE
COLLEGE FEST
MILD STEEL BOX SECTION WOODEN ROLLER ALLUMINIUM CIRCULAR SECTION CANVAS
DISPLAY PANNEL
STRUCTURE DIGITAL MODELS
SPACE FRAME
SHELLS
TWISTED TOWER
“Architecture should speak of its time and place, but yearn for timelessness.� -Frank Gehry
QUTUB MINAR, DELHI 21ST JAN 2018
PRADUMAN BAJAJ pradumn1000@gmail.com | +91 9810467327
