Pradumn Bajaj : Architecture Portfolio (2016-2020)

ARCHITECTURE PORTFOLIO SELECTED WORKS

2016-2020

PRADUMAN BAJAJ CONTACT 11 | 04 | 1998

PROFILE A driven, diligent and ambitious architecture student, currently in 5th year, seeking a position as an Architectural intern in an engaging, supportivie

+91-9810467327

and challenging environment. The following is the collection of projects that reflect my passion and appreciation for architecture.

The Icon, Dlf Phase - 5 Gurgaon, India.

pradumn1000@gmail.com

@praduman_bajaj

facebook.com/pradumanbajaj.11

EDUCATION

PROFESSIONAL EXPERIENCE

BACHELOR OF ARCHITECTURE

INTERN AT THE ARCHITECTURAL STUDIO, SAKET

SUSHANT SCHOOL OF ART AND ARCHITECTURE,

DURATION : 6 WEEKS

GURGAON.

RESIDENCE 76,NAVJEEVAN VIHAR, NEW DELHI.

5TH YEAR (9th SEMESTER)

RESIDENCE D-74,SECTOR 56, GURGAON.

SENIOR SECONDARY SCHOOL

NACHNA HAVELI, JAISALMER.

DELHI PUBLIC SCHOOL, GUWAHATI

LANDSCAPING OF SECTOR-17, CHANDIGARH.

CBSE BOARD 90.2% SECONDARY SCHOOL DELHI PUBLIC SCHOOL, GUWAHATI CBSE BOARD 9 CGPA

SOFTWARE PROFICIENCY

CO-CURRICULAR COMPETITIONS PARTICIPATED IN ANNUAL NASA, JAIPUR (2017).

PARTICIPATED IN ZONAL NASA, GWALIOR (2017).

ARCHONENTION TOP-5 SHORLISTING COLLEGE

MS OFFICE

SOCIAL MEDIA HEAD, SSAA

AUTOCAD

SSAA INTAGRAM HANDLE (2018-2020).

REVIT SKETCHUP RHINO VRAY LUMION GRASSHOPPER

DESIGNED A TERRACE WITH LANDSCAPING AND FURNITURE (2019).

WORKSHOPS PARTICIPATED IN CSEB PRODUCTION WORKSHOP AT AUROVILLE (2019)

ARCHITECTURAL COMPETENCE LAYOUT

TYPOGRAPHY

PHOTOSHOP

GRAPHIC DESIGN

MODEL MAKING

ILLUSTRATOR

PRESENTATION

3D MODELING

IN DESIGN

RESEARCH WORK DISSERTATION: CULTURAL AND TOPOGRAPHICAL IMPLICATIONS ON TRIBAL ARCHITECTURE OF ARUNACHAL PRADESH

REFERENCES GAURAV SANAN

RAHUL SUBBERWAL HIMANSHU SANGHANI

UA WORKS, DELHI TAS, DELHI

ASSOCIATE DEAN, SSAA

+91 981133044

+91 8447272105

+91 9899879770

CONTENT

STEP BY STEP GROUP HOUSING

SEMESTER 7

NEXT STAGE CO- LIVING SPACE

SEMESTER 2

ELECTIVE WORK PRODUCT DESIGNING AND TRANSIT DEVELOPMENT

SEMESTER 7 AND SEMESTER 8

DENCITY MIXED USE

SEMESTER 6

MOVEMENT URBAN DESIGN

SEMESTER 8

DISSERTATION REPORT

SEMESTER 7

MANGALAGIRI CENTRE CULTURAL CENTRE

SEMESTER 4

INSTITUTION WORKING DRAWINGS

SEMESTER 5

ARCHONENTION NASA COMPETITION

SEMESTER 7

“One of the great beauties of architecture is that each time, it is like life starting all over again.�

- Renzo Piano

BANDRA WEST, MUMBAI 10TH JAN 2020

01

LOCATION : BEVERLY PARK, GURGAON SEMESTER: VII

STEP BY STEP INCREMENTAL GROUP HOUSING PROJECT Step By Step is an incremental housing complex which has been dissected into its built, open and community aspects. The aim of the studio was to understand the complexities in services related to housing in future.

The idea is to reinvent the vertical high-rise typology of housing by creating a liveableplace through innovative forms, technologies and creating an environment that can face the challenges of the future changes with respect to change in family size, social change and job stability. It has been designed keeping in mind the ever changing needs of the citizens and how it can adapt and expand with the coming years.

YEAR: 2019

CENTRAL MALL

AD M.G.RO

METRO

N STATIO

AD

M.G.RO

AD

M.G.RO

A BLOCK MAIN ROAD

TIME TOWER

ESSEL APARTMENT

N SITE PLAN

Half House for increment

Rotating the block maintain the privacy

to

CHAI

Balconies for increment

Increment on two different levels.

Activating Frontage and creating natural boundary

The site is near M.G. Road Metro Station which is one of the busiest transit hub in Gurgaon, It is surrounded by varied kind of retail and social interests.

SECTION

Incremental is done in such a that the residence will get multiple ways to increment their houses.

FLOOR PLANS

1BHK SIMPLEX

2BHK SIMPLEX

1BHK DUPLEX (LOWER FLOOR)

3BHK (LOWER FLOOR)

3BHK (UPPER FLOOR)

2BHK DUPLEX (LOWER FLOOR)

1BHK (UPPER FLOOR)

1BHK (LOWER FLOOR)

1BHK (LOWER FLOOR)

2BHK (UPPER FLOOR)

2BHK (UPPER FLOOR)

2BHK (UPPER FLOOR)

INCREMENT FLOOR PLANS

EXPLODED AXONOMETRIC OF SITE

02 LOCATION : WTC, GURGAON

SEMESTER: VI

DENCITY MIXED USE PROJECT The intent of the unit was to develop an iterative process that could be modulated and evaluated for a given set of criterions.

The aim of the studio was to extends system logics from TOD and integrates computational techniques to analyze various complex data-sets through a series of hierarchical scales.

The idea was to create associative rules that would generate the scale of the building, block, and futher be used to produce unique structural, spatial, and programmatic patterns.

YEAR: 2019

KINGDOM OF DREAMS

IFFCO TOWER

N

SITE PLAN The project consist of Business hotel, Retail, Offices spaces, Residential and X-factor. The site is influnced by TOD active zone and hence it allows flexibilty in numbers.

A contrasting form is created for X-factor to attract footfall.

Intermidetary space of a different fuction is created to conncet two blocks of the same functions.

X- FACTOR

CONNECTING SPACES

BLOCK A

C [MIRROR]

X

IFFCO TOWER

SHAPE GENE GRAMMAR PrimitiveIFFCO cell TOWER

GENE X GENE GENEPrimitive cell A [SCALE] [SCALE]

Primitive cell X GENE XX X REC X A [SCALE] PrimitiveIFFCO cell CHOWK

WTC

GDOMWTC OF EAMS WTC

WTC

BLOCK A

GENOTYPE METRO STATION IFFCO CHOWK

G1 [ACD]

IFFCO CHOWK

GENOTYPE METRO STATION GENOTYPE G1GENOTYPE XIFFCO CHOWK X X[ACD]X G1 G1 [ACD] [ACD]

METRO STATION

GENOTYPE X X X

X

X X

G2 [CAC] XG2 [CAC] G2 [CAC]

X

KINGDOM OF REC NGDOM OF PHENOTYPE EAMS DREAMS REC

X P1 [ACDACD]

METRO STATION

G1X [ACD]X

X

X X

F2: GROUND COVERAGE - 30% - 40% CRITERIA F2: GROUND COVERAGE - 30% - 40% F3: FINESS VISUAL PERMIABILITY REC REC P2 -[DADDADAD] F1: VISUAL BUILT v/s OPEN TO MAXIMIZE OPEN SPACES F3: PERMIABILITY

P1PHENOTYPE [ACDACD]

GDOM OF EAMS

F3: VISUAL PERMIABILITY

d from all the 4PHENOTYPE sides of the site and visual cone is created P1 [ACDACD] to the site.

P2 [DADDADAD] ves us visual permiability KINGDOM OF NGDOM OF GROUND COVERAGE - 40% REC

EAMS DREAMS

REC REC

more number of green spaces are created near lesiure valley

TO CREATE GREEN SPACES IN FRONT OF BLOCKS (F1)

d from all the 4 sides of the site and visual cone is created TO CREATE to GREEN ves us visual permiability the SPACES site. IN FRONT OF BLOCKS (F1)

GROUND FLOOR BLOCK

TO CREATE GREEN SPACES IN FRONT OF BLOCKS (F1)

SECOND FLOOROD BLOCK TO MAINTAIN THE GROUND COVERAGE THE SITE(F2) TO MAINTAIN THE GROUND COVERAGE OD THE SITE(F2)

TO CREATE GREEN SPACES IN FRONT OF BLOCKS (F1)

TO MAINTAIN THE GROUND COVERAGE OD THE SITE(F2)

UP: 64,500 m sq

P2 [DADDADAD]

TO CREATE GREEN SPACES IN FRONT OF BLOCKS (F1)

CREATING LAND BUMPS

CREATING COURTYARDS IN FRONT OF SITE

SITE IMPLEMENTATION

SHAPE GRAMMAR IN TRANSIT 0.3 | PRADUMN BAJAJ |

MASSING OF BLOCKS IS DONE IN SUCH A WAY THAT IT MATCHES WITH EXISTING SCALE OF THE CONTEXT

MASSING OF BLOCKS IS DONE IN SUCH A WAY THAT IT MATCHES WITH EXISTING SCALE OF THE CONTEXT

SHAPE GRAMMAR IN TRANSIT 0.3 SHAPE GRAMMAR | PRADUMN BAJAJ | IN TRANSIT 0.3

Blocks of hig are placed to Blocks of higher heights are placed towards connect it visually ITERATION 1 to

the metro sation and to relate it with context.

| PRADUMN BAJAJ |

X- Factor : 4200 sq m

| PRADUMN BAJAJ |

Commercial : 4580 sq m Hotel : 21740 sq m

One block is placed in front of the main block Residential to attract the footfall.

connect it vis the metro sat relate it with

One block is : 22240 sq mfront of the m to attract the Retail : 11790 sq m

visually connected from distance.

TOTAL BUILT UP: 64,500 m sq

Retail blocks are placed near the KOD side to increase the footfall of the site.

TO MAINTAIN THE GROUND COVERAGE OD THE SITE(F2)

CREATING COURTYARDS IN FRONT OF SITE

`

| PRADUMN BAJAJ |

FINAL MASSING

CREATING LAND BUMPS

P2 [DADDADDAD]

P1 [ACDACD]

SHAPE GRAMMAR IN TRANSIT 0.3

UP: 64,500 m sq

X

F3: VISUAL PERMIABILITY

PHENOTYPE

Lower height blocks are ` placed on the KOD side to match with the scale Lower height blocks ` are ofside the context around placed on the KOD ` to match with thethat scale area.

SHAPE GRAMMAR of the context around ITERATION 1 ` IN TRANSIT 0.3

Blocks of higher Blocks of higher heights are placed are placed towards back sideheights of the site, so that site is towards back side of visually connected from the site, so that site is distance.

X

X

SECOND FLOOR BLOCK

FIRST FLOOR BLOCK TO MAINTAIN THE GROUND COVERAGE OD THE SITE(F2)

that area.

X

F2: GROUND COVERAGE - 30% - 40%

FIRST FLOOR BLOCK

P2 [DADDADAD] P2 [DADDADAD]

PROGRAMMING P1 [ACDACD]

F1: BUILT v/s OPEN - TO MAXIMIZE OPEN SPACES

GROUND FLOOR BLOCK

PHENOTYPE F2: GROUND COVERAGE - 30% - 40% more number of green spaces are created near lesiure valley

X

FINESS CRITERIA

X

P1 [ACDACD]

X

X X

PHENOTYPE

GROUND COVERAGE - 40% X

X

X

X

G2 [CAC]

XG2 [CAC] X X X X X X ITERVENTION X BLOCKX A X X X X X X X X X B [ARRAY] B [ARRAY] X X X X X BLOCK A X X X X XBLOCKXA X X X X X A [SCALE] X X IFFCO TOWERX X X X X[DAD]BLOCK A X G3 [BD] G4 B [ARRAY] X X X IFFCO X X X X X X X[ARRAY] X TOWER X X XX X B IFFCO TOWER X BLOCK A X X G3IFFCO [BD] G4 [DAD] TOWER X X CHOWK X[DAD] X C [MIRROR] X[ARRAY] X X X IFFCO B G4 METRO STATION G3 [BD] X XIFFCO TOWER X X X IFFCO CHOWK X X XX X X WTC X METRO STATION X X CC [COPY] [MIRROR] G4 [DAD] [DAD] X [BD] G4 IFFCOG3 CHOWK X REC XG3 X X METRO STATION X C [MIRROR] X X X X X X X X X REC X X X XREC X XX XX D [COPY] X X X X X C [MIRROR] BLOCK A X X X X X X X X X X X X D [COPY] X BLOCK A X IFFCO XTOWER X FINESS CRITERIA BLOCK X A D [COPY] X X D [MIRROR] X X F1: BUILT v/s OPEN - TO MAXIMIZE OPEN SPACESX X X XIFFCO TOWER IFFCO TOWER FINESS REC F2: GROUND COVERAGE - 30% - 40% CRITERIA D [COPY] X X X F1: FINESS BUILT v/s OPEN - TO MAXIMIZE OPEN SPACES CRITERIA F3: VISUAL PERMIABILITY X X F1: BUILT v/s OPEN - TO MAXIMIZE OPEN SPACES A [SCALE]

WTC

D [COPY]

X

X

X

Basement : 17000 sq m

TOTAL BUILT UP: 64,500 m sq hotel is placed near the commercial area to

FLOOR PLANS

RETAIL AND COMMERCIAL PLAN TYPICAL HOTEL PLAN

SECTION

CENTAL SECRETARIAT, DELHI 27TH AUG 2017

“A great building must begin with the immeasurable, must go through measurable means when it is being designed, and in the end must be unmeasured.�

- Louis Kahn

03 LOCATION : Vadlapudi Centre, Mangalari SEMESTER: IV

MANGALAGIRI CENTRE CULTURAL CENTRE PROJECT The premise of the studio was to analyse the cultural and socioeconomic patterns to re-create the craft, to express identity or tansplanted to manifest belongings.

The idea is to create an identity through culture, speed and visual conceptions, due to loss of tangible identity of Mangalagiri in Andhra Pradesh. There is no sense of pride or cultural consicussioness due to the upcoming Amravati, capital of the state.

YEAR: 2018

AD RO RU AKU ATM

SITE PLAN

TENALI RO

AD

N

What : Mangalagiri ‘lost’ its identity so, by building something in the centre of the town that not only becomes a symbol for the town that’s near Amravathi but also revives the culture. There was a need to strengthen the core of the town also at the same time have a connection with the craftsmen so they can revive back.

Where : Mangalagiri’s essential components are its weaving community and temples. It has lost its presence division between the western and eastern side of Mangalagiri has further led to the problem. Considering the situation where Amravathi is coming up like force that needs to be reckoned with, Mangalgiri has to stand with its identity so neither does it grow under the shadow of the Amravathi nor does it become a town which people cross just to get to Amravati.

How : Through the lens of reveal conceal, From the Vadalapuri centre side, the architecture is revealing so that it creates a visual axis (due to the big built mass on the upper level) and attracts people towards it. Whereas , Inside the complex the architecture is concealed but slowly reveals itself and keeps the user intrigued. Buildings should be stately, with a mixture of small and big openings that help in inviting people inside.

EXPLODED AXONOMETRIC OF SITE

SECTION

PLAN

N

SECTION

04 LOCATION : GURGAON

SEMESTER: II

YEAR: 2017

NEXT STAGE CO-LIVING SPACE

Next Stage is created for elderly to spend their life after retirement. the house is designed by keeping in mind design principles, focus, harmony, hierarchy and symmetry.

N

SITE PLAN

Next age can help old people to unleash their creative power, reintegrating them back into the communities, it consist of recreational area, library and play school to engage people throughout the day.

NEW DELHI RAILWAY STATION PLAN

BEFORE (TOOTI CHOWK)

AFTER (TOOTI CHOWK)

BEFORE (RAJ GURU MARG)

SECTION D.B. GUPTA ROAD

AFTER (RAJ GURU MARG)

CONNECTING TERRACES SCAN TO SEE

D.B. GUPTA ROAD ; SKYWALK INTERVENTION

INTERNAL STREET INTERVENTION (GREEN REALMS)

WALKTHROUGH PAHARGANJ

05

6

5

LOCATION : PAHARGANJ

SEMESTER: VIII

3

YEAR: 2020

4

1

MOVEMENT IN PAHARGANJ URBAN DESIGN PROJECT

1 : New Delhi Railway Station 2: Tooti Chowk

2

3: Raj guru 4 : D.B. Gupta road 5: Internal Street intervention 6: Terrace intervention

SITE PLAN N

SCAN TO SEE

FROM 74,850 m2 TO 151,860 m2

ORGANIZED TRAFFIC MOVEMENT

FROM 6116 m2 TO 43998 m2

DESIGN IDEATION

The studio aims to study the transformations that follow westernization of Indian cities, explore how these transformations impact the urbacn fabric, and suggest mechanisms for a better-grounded and senstive architectural response.

Paharganj which is one of the most congested places in India, we through our interventions have tried to improve the movement of vehicles and pedestrians.

06

LOCATION : NATIONAL HANDICRAFT AND HANDLOOM MUSEUM, DELHI SEMESTER: V

INSTITUTION WORKING DRAWINGS The project includes working drawings for the Vth semester institution design. Detailed floor plans, elevations, sections, toilet detail, staircase detail and other other details were included.

YEAR: 2018

AH

AG

AF 5600

4090

W1 AXX

OPEN TO SKY

750 750

A6 EQ

6733

VENTILATOR

PANNEL LIGHTS

2080

1670

UP

EQ

W8 AXX

A16

900 900

1200

1380

2370

1200

1380

550 550

1210

53

25

W8 AXX

W6 AXX

Reflected ceiling plan Ground floor plan

RCC SLAB 150 MM THK

TILE 300 X 300 MM 1450

3410

1700

4590

470

SKIRTING 100 MM HIGH

Section A A’

Section D

Section F

640

640

640

170

900

1040 860 170

470

800

2250

3600

1040 470

170

470

170

170

1050

1040

1040

2250 400

800

1230

680

900

1830 550 550

2370

-3

C

L

C

L

380 UP

550

L

D4 AXX

-13-12-11-10 -9 -8 -7 -6 -5 -4 -3 -2 -1

6910

0 -1 -2

550

4071

L

1200

550

550

2370

1210 DN

-14-15-16-17-18 8 7 6 5 4 3 2 1

C

34

32

SF2

1760

C SF3

ST1 WIDTH 2180 TREAD 300 RISER 150

1200

1210

D3 AXX

380

LIFT SHAFT (2000 x 2500)

VINYL OIL PAINT

WORKSHOP-3 ACRYLIC PAINT

550

1110

1810

VINYL OIL PAINT

1886

L

550

4561 ADMIN-2 ACRYLIC PAINT

1653

D1 AXX

EQ

1810

W1 AXX

SPRINKLER

550

RECEPTION-2 MARBLE OIL ACRYLIC PAINT PAINT

EQ C

SF1

2131

VINYL OIL PAINT

2128 EXHIBITION-2 MARBLE ACRYLIC OIL PAINT PAINT

EQ

W1 AXX

SMOKE DECTORS

550

1390 2350

UP

ADMIN-1 ACRYLIC PAINT

D1 AXX

8 7 6 5 4 3 2 1

550

PLINTH LVL + 900

2328

12 11 10 9

2740 2410

183

D3 AXX

VINYL WORKSHOP-2 ACRYLIC OIL PAINT PAINT

1617

DN

D1 AXX

3496

4840

16 17 18 19 20 21 15 14 13

1040

A15

UP

L

183

D1 AXX

ST4 WIDTH 2180 TREAD 300 RISER 150

3310

A14

0

OIL PAINT

1612

A12 A13

-3 -2 -1

MARBLE

EQ

3200

EXHIBITION ACRYLIC PAINT

L

A11

900

GROUND LVL + 450

7153

A10

900

750 900

Toilet layout plan

46

EQ C

1070

A9

W1 AXX

1510

85

26

L

C

A8

2360

6070

C 19

L

EQ

3360

C

920

A7

W1 AXX

3320

UP

0 -1 -2 -3

1510

W2 AXX

GROUND LVL + 450

VINYL OIL PAINT

F B'

EQ

WORKSHOP-1 ACRYLIC PAINT

750 900

D2 AXX

L

L

900

900 900 900

900

B

1839

E 1700

EQ

900 EQ

EQ

C

L

750 900

A' D

C

1700

C

EQ

EQ

5550

C

750 900

680

3320

W1 AXX

750 900

1450

A

RECEPTION-1 GRANITE OIL ACRYLIC PAINT PAINT

1090

3460

600

PLINTH LVL + 900

W1 AXX

D1 AXX

3244

600

900

2212

A5

600

1450

218

KITCHEN GRANITE ACRYLIC OIL PAINT PAINT

2500

600

750

2009

A4

PRODUCED BY AN AUTODESK STUDENT VERSION

600

900

5694

A3

990

680

900

2310

D1 AXX

EQ

L

7203

SF3

TILE OIL PAINT

4121

A2

2193

EQ

750

2552 TOILET-1 TILE

AK

1050

C

EQ

L

1800

3690

3313

EQ

SF2

SF1

2740

W1 AXX

C

A1

AJ

AI 2230

SF1

2520

750

2120

900

2480

1741

AE

AD

AC 5500

370

AB 7060

900

AA

D4 AX1

AB

AD

D4 AX1

AB

A16

A16

AB

AD

WIDTH 2180 TREAD 300 RISER 150

WIDTH 2180 TREAD 300 RISER 150

MUMTY LEVEL +17480

UP

DN

-13-12 -11-10 -9 -8 -7 -6 -5 -4 -3 -2 -1

-13-12-11-10 -9 -8 -7 -6 -5 -4 -3 -2 -1

A

A'

W8 AX1

W8 AX1

UP

-14 -15-16-17-18 8 7 6 5 4 3 2 1

-14 -15-16-17-18-19 -20-21-22 -23-24-25-26 -27

A

PARAPET LEVEL 14030

A' W8 AX1

W8 AX1

A18

TERRACE LEVEL +13130

A18

Basement

Ground Floor

AB

AB

AD

D4 AX1

A16

ST1 WIDTH 2180 TREAD 300 RISER 150

UP

DN

AD SECOND FLOOR LEVEL +8910 ST1 WIDTH 2180 TREAD 300 RISER 150

66 65 64 63 62 61 60 59 58 57 56 55 54

14 15 16 17 18 19 20 21 22 23 24 25 26

FIRST FLOOR LEVEL +4910

67 68 69 70 71 72 73 74 75 76 77 78 79 80 81

A

A

A' W8 AX1

W8 AX1

D4 AX1

DN

13 12 11 10 9 35 34 33 32 31 30 29 28

A' W8 AX1

W8 AX1

A18

A18 12 MM TILE FOR SKIRTING

First Floor

GROUND FLOOR LEVEL +900

10 MM THICK PLASTER

SITE LEVEL +450

Terrace

BRICK WALL (115 MM)

G.L. +-00

A

STONE (30 MM)

TRIMIX (100 MM) PCC (100 MM) SAND

BRICK WALL(230 MM)

BRICK WALL (230 MM)

(400MM)

B

VINYL (5 MM) IBS (50 MM)

BASEMENT LEVEL -3100

RCC SLAB(150 MM)

RCC RCC BEAM(450 MM) RCC

MARBLE (25 MM) MORTAR (20 MM)

WATER PROOFING (5 MM)

INSULATION (150 MM) SCREED (20MM) WATER PROOFING (5 MM) RCC

SCREED (20MM) PCC (150 MM)

Detail C

Detail A A1

Staircase Section

Detail B A2

A3

A5

A4

A6

A8

A10

A11

A13

A14

A16 MUMTY LEVEL +17480

PARAPET LEVEL 14030

B

TERRACE LEVEL +13130

C

SECOND FLOOR LEVEL +8910

FIRST FLOOR LEVEL +4910

GROUND FLOOR LEVEL +900 SITE LEVEL +450 G.L. +-00

A

Section

BASEMENT LEVEL -3100

PRODUCED BY AN AUTODESK STUDENT VERSION

A16

AD

ST1

ST1

WHITE TOWN, PUDUCHERRY 8TH JULY 2018

“We shape our building; Thereafter they shape us.”

-Winston churchill

07

ELECTIVE WORK

DIRECT CREATE (PRODUCT DESIGNING)

SCAN TO SEE MORE

CEILING PANNEL

CREATING IMPACT THROUGH PRODUCT

WALL PANNEL

TRANSIT DEVELOPMENT (LIGHT RAIL TRANSIT DESIGN) SCAN TO SEE MORE

A’ A

PROPOSAL PLAN

SECTION A A’

VIEW

BOYING VILLAGE, PASIGHAT

SERU VILLAGE, TAWANG

08 LOCATION : ARUNACHAL PRADESH

SEMESTER: VII

HARI VILLAGE, ZIRO

YEAR: 2019

MAP OF ARUNCAHL PRADESH

India is one of the richest countries in the world in terms of cultural diversity, and the largest concentration lies in North-Eastern part of India.

The rich heritage therein is exemplified throughout from the ethnicity, tradition, livelihood, and also by the architectural typologies. Several distinct architectural features are seen in tribes of Arunachal Pradesh, which differ by climate, geological condition, and deep-rooted traditions.

They evolved in course of time and were majorly built by the inhabitants themselves, without any formal training in construction. These houses, built with locally available materials, were sensitive to the existing environment and took into consideration the constraints imposed by the climate.

There are 26 tribes out of those, Monpa, Adi, and Apatani are renowned for their peculiar lifestyle which has resulted in a sustainable built envelope and spatial organization. The paper will analyze and study the architectural pattern in these tribes through their case studies. The study is an effort undertaken to understand the relationship between the geographical and architectural pattern of these tribes through various factors.

CULTURAL AND TOPOGRAPHICAL IMPLICATIONS ON TRIBAL ARCHITECTURE OF ARUNACHAL PRADESH DISSERTATION

SCAN TO SEE MORE

09 ARCHONTENTION COMPETION

The essence of a place emerges from the people, culture and ideology which are direct resultants of the natural surroundings.

Heritage can be extremely personal. Objects work as symbols; they act as cues and evidence for stories about what individuals have experienced in their lifetime.

So, heritage is as much about the meaning and the stories they represent – the intangible aspect of the tangible.

The Hussainabad Museum intends to be a ‘live participant’ in the dynamics that exist between history, the perception of that history and the realities of the present.

There is an attempt to change the perception of the public spaces by making them more conscious rather than them emerging as a resultant of the built.

SOCIAL MEDIA DIGITAL WORK

iPAC

01

12-16th February

02

WRITING ARCHITECTURE 10:00

Talk: Roger Connah

RESEARCH BY HISTORY 11:00

Talk: Peter Scriver

03

ARCHITECTURE JOURNALISM 12:00

Writing Architecture

Talk: Shiny Varghese

04

QUESTIONS OF WRITING 14:00

Round Table: Peter Scriver, Roger Connah, Anuradha Chatterjee, S.Badrinarayan, Shiny Varghese, Gregory Burgess

05

VERANDA:

JOURNAL OF SUSHANT SCHOOL OF ART AND ARCHITECTURE 15:30

Launch and Presentation: Vibhuti Sachdev, Ila Gupta

06

COUNTERQUESTIONS 16:15

15|02

Peter Scriver, Roger Connah, Vibhuti Sachdev, Ila Gupta, Anuradha Chatterjee, S.Badrinarayan, Shiny Varghese, Gregory Burgess Moderators: Amrita Madan, Sylvie Dominique

07

[meta]SSAA 17:00

Student Event: Drama Society Sushant School of Art and Architecture Ansal University

COLLEGE FEST

PAINTED WALL

CONSTRUCTED AMPHI

DESIGNED WALL AND FURNITURE OF TERRACE

COLLEGE FEST

MILD STEEL BOX SECTION WOODEN ROLLER ALLUMINIUM CIRCULAR SECTION CANVAS

DISPLAY PANNEL

STRUCTURE DIGITAL MODELS

SPACE FRAME

SHELLS

TWISTED TOWER

“Architecture should speak of its time and place, but yearn for timelessness.�

-Frank Gehry

QUTUB MINAR, DELHI 21ST JAN 2018

PRADUMAN BAJAJ pradumn1000@gmail.com | +91 9810467327