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F O L I O



Site

Technicals

Materials

Atmosphere

Addition


FOLIO


SITE


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PARRISH ART MUSEUM Stands in Watermill, NY; emerging between the villages in a farmhouse vernacular reminiscent of other buildings found in the area but at an incongruous scale.


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Herzog de Meuron envisioned a museum formed by clusters of pitched structures which would apply itself to the archetype of barns, small residential buildings and sheds which artists had previously converted to make use as their studios


FOLIO


TECHNICALS


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a passageway the length of the building acts as a continuous connection between each of the gallery rooms

periodically, the central passage opens up into a large gallery space.

The gallery spaces of the design are clustered in a grid form towards the centre of the building the administrative space, cafE, terrace, and AUDITORIUM are placed at the ends of the linear structure.

ENTRANCE STORAGE AUDITORIUM GALLERY SPACES TERRACE

CAFE

ADMIN ARCHIVE

ART LOADING

PLAN 1:250


The wooden beam structure used continues as a structural and aesthetic feature in the design, contributing to the tectonics of the building

” ED ay M w IR NF ng lo CO a er n… in al io e th it dul en g to pet o e m er E M OS h r ne an H it o c C w t As hey rk pea t o re “w o t


TECTONIC ASSEMBL Y OF ROOF TECTONIC ASSEMBLY OF ROOF

SECTIONAL PERSPECTIVE


FOLIO


MATERIALS



The materiality and construction methods used on the site are a direct expression of the local methods of building and available resources


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Herzog and de Meuron’s precision and detail presented in the design is characteristic of Swiss Architecture

Parrish Art Museum explores materiality and herzog de meuron's view of ornament aversion

CONCRETE STEEL GLASS ALUMINIUM WAXED CONCRETE PLASTER TIMBER


FOLIO


ATMOSPHERE


'To enter a project is to enter an atmosphere' Wigley, 1998



AUDITORIUM

TERRACE

ENTRANCE

GALLERY SPACES

CAFE

GALLERY SPACES

ADMIN

STORAGE

ADMIN ARCHIVE

ART LOADING

Herzog and de Meuron take advantage of northern light to create art gallery spaces with uniform diffuse light conditions

the natural light is allowed to provide the ambience for the building's interior throughout the design

The natural energy that fills the museum as a result of the light adds a layer of serenity to the environment


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FOLIO


ADDITION


THE ADDITION INVOLVES THE USE OF PARAMETRICS TO CREATE FORMS WHICH RESULT IN PATHWAYS INTO THE MUSEUM

TIMBER

GLASS


UM

attractors allow for the heights to vary throughout the parametric convention


MODEL PROCESS





FOLIO p r e e t i

s h u k l a


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