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vlEws. IDE . CARTOONS. LIV RECORD *TAPE REVIEW', FIRsT YE RR's RccouNTs *.more.
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NOVEMBER
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So now that your eyes a-te absolutely riwited to this bit here we will take this opportunity to te1l you all about our shop" Itfs a, record shop with lots of golden o1d-ies , rock rn I ro11 , punk, Ilew wave , heavy Ta.re records, imports, caSsettes, metal , progressive , .We
rre always willing to do part singles and. albums " exchange or buy yo'ur collection from you if yourre broke if you rve no wheels we | 11 co1lec t . ' T-t doesn I t gJ-we us a. ring mat t er what sort of records they are 669 at home 07 or on Leed.s 4f2765 5?BU r or call. in to And hAVC A" LEEDS SUPtrRSTORE, MERRION GEROL ' S RECORDS, that el'usive well have could We aroundo chat and- look - t wanted. See yo'Ll soorr ve al-ways yo'u sing]Le or album that ROB
&
GERALD
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4#dffiy GEROUS RECORDS MERRION SUPtrRSTORE LEEDS
( Tel: See above"
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Kev Hopgood,
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Keiti E. Rice t also wrrteE' Steve Brown : algo writes as well '
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also
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BA(K teru€e: 3l| are nl'itl availalaie af *9y tach /r},ic.y.6^u). fhpudh f'rra ai"erd# rllnnnq lo,^r orrr i+'tut' y91. fi1 sef c Nrj 1-1o a+ on o{-[er tF t?-oo 1/o>t fre<) {+ a +yeuol "qrve a ytlrol l,il.C,K.for fvnar," olkr. I've alr6qoF copre: d Ulfer,or- fvtoltiiv' srnqle 'Artother:t ver' i1u 'yi1t"11a thoul' ruitir a frte enrwret bedqt (11-oo thc.v.lo-v). chedue, uN,iLTocz*-
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Arwagecl/'n!
TFMS 0q SALE: lop eaoh direct to the public or 50p eaoh by
nail order from the address given be1ow. Bulk orders of IJ or more copies can be hail at the discount price of 2Op each (so u\r not sel1 the ma€azine yourseLf at gigs, school, etc.?) RATES ! S+andard Jf' x 3#' box is f,2O for first time of aclvortising; then {,IO for subsequent placiags. Colour, tiifferent eize, speoia!. lry-outl etc. by amangement, Ring or I,rite for ao.vertieing rates card & any other cletails.
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fdiborlq ,str919e!h{ Tft n€nZr Tard of 0rig bAnd I+ L nou)J I{ be$ore before nou),1 X diAn't eiill+rnflln hnour Frrour Keith Risefo Rise,to bea rnflt of |frgh intrq'ity (atareill of tfi e il eayr - h'vinti v'or^fl qs l'erc
td ho uJ o trtd uer t'fnert'/.*r> 9 t I tz?duett'lnetd,:Ir> - on tloth e:i'dee'rr adds Samdlao { rniqtrg 'trts?erY thrl some orlgbad r t'han deceFlrbn golng fart'hcr $\s a+@t here wast"iii*,-inlt oi lrt-itiavi'vl-,i o ii, aii'a Ai li I'i. f ehorte') t.rheFler Vou be\:evL in hoddtt ";ili then e&e ttt.';i;";; *o"tt tir"klre-under^hcr $ stnce ltot Iong toio"t 'sounde". dlscovcrs H'u'G'? !r lei ie;-;;'i;* ii.,?'f i,l:' flht*i f{, ! - Kc'rt!' E. Riae Kio?-^pap€r.
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Mason (rm &-1d line-upz Taz (voc), Graham ;ilj. fravn" i'tdrrsniif (rn & 1d gtr), And-new Sto:foicn 1u ) , colin seward (dms ) . 1i11 9 months ago, Andy & Graham were in a Keiehley band to[eiher. When it then tp]it Coljn upr-the! decided-to f,orm a new band.Dazz cbrire in- on drums & brought vocallst co$ :hr€ with him. Steve Binns (call-ed El-vis *as--into r'n'r/tocl<abilly) was their 2nd first nuitarist, though he left after their at the Vaults Bar Eie (supporting-The Quick fn""tune'br tnis .vear). That gig went wellfew did.a &, carrying on aL a 4-piece, they building up l*o"" eibs fn & around Keighley, nore gigs following. . I'heyrve to "-"ood-Eolid iifi"O-up (see gig guide)-t qT" hoping studio in Mareh of Eo--i"to-ci"go freEoiainetracks' year to record 3 iext the i-n"ii nusic. Origlnalily Andrew wrote a- e""i."* cine up- with tr'rnes that lt;i;; Andy: band' were then arranged Uy tne 'whole cantt 'ii"i-ty--iv"i"" wEren'i too hot - & 'rTheir lyries on over took ' "p"ril "-bazz new wavish: rtYou canrt really mugic'rs cal1s ius ! rl aeii"" it - piss rockers , D?z? ilthe Quick lave us a lot of helP' us how to especially a{ the start, showlng nliv. lenhine us gear &-so on' 'Now we both 6i-ffi hetp e6ch other out with €"31"; ,.,, lnitial1y, Andy & Graham played HM ("we but the arrival of w""" "-u"a'sauultn") Colin really changed that' they now liiz A offer ,new wave r.lith touches of reggae & pop materi'aI' - all of it original Wayiu-'l'f"rshal1l whors only been with t'he making a lanh of a few weexs, is alrea'dy big difference - fiiling out the sound & woiking on the arrangements' Havi-n[ been helped by The Quick' they in turn aie keen to-help other tterghley bands' One in partieular thatt they mentioned was fBovver & The Wombats - 8. new Keighley band who're skinheails' mcst of them 6thformers: t'They do songs like 'Yobs with big boots whorre i:eally rather niee. Theytre ok
Page4
just a laugh to them" - the whole thing's they share our gear & Theftve -hope no money so sone gigs with then.rl to be dbing we Ybu can contact SPeed bY ringing Crosshills 52OOI (l'ndy)' Crosshill? 35164 (Graham) or Keienrev 606279 (wavpg): , ^ -
FFrue
,
\nLerviewe{ by Nioh Gczeh'
Fr€ e&e
Originally called 'Vortexr, the band began iife in '76 when they played own numbers & cov€r versj-ons of wej-l-known punk songs on the minirnum of equipnent but with a lot of energy. 3y '77, the 5 lead guitars had been honed down to one & thererd been a change dmmmer & a change of nane. Tliey were tThe ,l'reeze t " .trn early r7B, wlth the drurnmer having proved unsuitable., they drafted lin Graeme Radin &'[he n'reeze as it is today rea]J-y came into being. The only other change was in sunmer ''80 when the four-piece became 5 with the addition of Tony Wallis on sax & guitar. One of the best-known Scottish ,new wave bands whofre not signed to a major label. & a double A-sj-ded Their E? ('In Colour') tcrossoverr single ('celebrationt/ ) were both released on the Scottish indie, 4.1. Records (see reviews :in }lCR 9). In Scotland, theyrre a popular head-line band, drawing capacity crowds at 500-seater venues. they've also supported sueh bands rThe Damnedr, rShamr, 'SlFt, rRevillosr t as I Skids t,, etc. line-up: Gordon Sharp (voc), Davjid C1ancy (Td-lETTsynth,/bkg voc), Tony Wallis (gt.r/ sax/synth,/tt<g voc), 'Keith Grant (b etr/bkg voc) & Graeme Ead,in (dme'). Also, 'rToker who fls lighting engineer & Willian Allison as sound eng,ineer. Contact: Alastair Allison (manager) on 05ffi8-4:4144. taken from nress release Clasiif ied Advert ,(Lop per uord - phone in on g'f'd At86 ?rofessional ArLr^rork f-or ?o?'f9Rt, L!. cov€Ag, etc. Airy 9iryron bii[torA1lo943 for details lur]rher rnto '
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LEEDS
BRADFORD
UP TO 20 ALTERNATIVE CHART SINGLES at 99P
lncludes:
JOY DIVISION. DEAD KENN EDYS. FAT GADGET, THE EXPLOITED. ADAM & TH E ANTS
Page 6
BflND A
GUTDE T'OR
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he can think of . Come '[iie rright of the gjâ&#x201A;Ź, he should have found ycu tnat van that never arrives on tine & double-checked never arrivea on time & double-checked wlth the venue that you are still playing & not double booked. Then you are at the venue. IIle might have to take the door money & ,he's the one who lLas to -f,ace the landlord after the gig, snile nicely & grovel for another CiC - & youtve pro,bably gone down like a
A manager is an lmportant addition to a band & a good o,:re is hard to come by. f 'm sorry to say 1t, but they can't be found j-n Wo,'rlwortlrs. ftrs -mucr':;ible to wrlte a job descr.iption for a manager - he does just about ton of bricks. everything that needs doing to keep a band The next night therers the w,hole show to repeat over a4ain... & again.., together & working. He's l1ke another a aga:-n. member of the band & should be treated as Wel-l,__1 hgne thatrs been of some such. frve been nanaging local bands for to you all, Ttm now going to do sonehelp around f,,ive years now, so f feel I know f1y posting, so remember what f 'm tal-king about. - BilJ Stickers Knows No T'ear. tsefore I go any further, if you're Yours lovingly, Stuart Rhodes, thinking of becorning the manager of a band Mana ger of t4e lovable City T,imlts. for the money, then forget it because at the outset at least 1t'' s golng to cost you 'money. Quite a few banoc have come up to me over RtqAT RocKy, lv/,E'f<E qoNNA DO the years looking for management & advice. One of the first l,hings to remember 'is that A L'TTLE PUBLICIT,Y STONT TO a verbal agreenent is legally binding & qRlNq Yos M7RE tNro THE PUBLTC that sure so up in make will stand court, EYE.TAKE THI; 'ERE BAq O'THAT the person you employ can be trusted. Don't f,orget he'rs going to handle all your l44Frf,uANA ;T()FF, c,o uP To iue affalrs includ,ing your eash. Not only drres NEARESr- PoucEnAN AN, ories.' ;rn he help make the money, but he helps spend A it as welf - on thj.ngs llke posters, badges IJ-:-' & other little items. Another question frm asked by groups is how much to pay the rnanager. Well , the answer j-s thatJou pay whatever you agree to. fhe averagei,fee 'ts I5/" of gross takings, or .you can work .i"t so that you pay LOy'" of gross takings plus expenses. However you eould strj-ke lucky & find a friend to do the,job for just expenses. The trouble RocKy here is that you must ask yourself -if he can do the job properly. A manager has to AKROYD be a man of nany tal-ents. He has to be able \ 50ee4s7s4 7 to selll your band to agents & promotors & sweet-talk f,and*Lords & their wives. To the manager ,you are a product & ltis job is to \, -.E:sell you - not only over the phone, but \{l , door-to-door:. When he has sold your band DIN'T LooK LIKE for a ,night, 'he then has to organise the / publicJ-ty & stir up some :interest in the It THAT, Ttl, ff NADE Fl'C'( band. So, after he has informed the local ;TAGCER FAT'IOUS press music u radlo statlons & the national )Z DIDN'T IT ?! (spendJ-ng more rnoney), he starts on the fly postine & any other means of publiclty that
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European gigs too & shruld finish 1n time 'rWhen we were last 1n England two years ago to b6 ilaci fn Austraiia for Xnas.rr with the freaky eicihes & harrstyles that New Zealand, except for the i,loel drearoea that weird. ir.j!-s"t-""ut_I-"'"u from rhytnrn sectron whorre Pomrnies. But werve played at the"i,ixo"nse of 6e adopted Austra]-1a as tne band's second home ""Ji"1"w"";;;" bn bnrysaris ttreir. .,.t;;;";--iir"."i*[t u""j-" werve had rea1ly bic success there.rl frr thlt label but, naybe, at tnJ-wr";;" tlne. laek of a hlt si-ngle drew a zero for rrYes, there are some good new banCs comlng us.'r up over there. ones t[at ] ]1ke-include fBack 1n England this time round, it's Yig+i$ltt 9+1 - a sort of pschedellic HM band all nuch noie open - espeeially is far as nlghtwrlo nlgnt be over here soon. The Reels cL,ime over too - they're lookIftEF the nedia's conLerneil. A,'d there;" goo{ malSgement at the monent. Therets a ""-""":, good por: about now... it," g"""I i""-""^i" tan{ gar}ed.rhg r'lgwers & Phil-Judd who 6e on'the sane i;;;i- (;&u) ;;-;;"e;-rit"-" p.,lice, a band or hls own -rw squeeze & Joe Jaekson.,, :;ii"X"rl3 .T-- ffirfill"3a; quote where T said that we were ahead 'rThat .,"For me' the essence of good rockrnrroll is of our-tine two years ago i-s taten-through eventualS-y. conpletely out of context. I was-Talrins Ih?t's what wins H. enoti-ons to the about the fact that we *""" ="rif"ii"""i" l' If you bring.pgople's & unite them....if you can do that l-'surface our image in that we were totaliy--a;;;;;i then it's good. you can't just do 1t co1d.r' the sorf of band trrat ii-*";;;i; i;-i;; your girlfriend to-see (laughs). That was rrOur music doesn''t r.eally have any politica a nistake. Sex sells rock musie - youtve sot e- - ..^ 'rOur music comes first & lyries are to have a snidgen of it.r then put to i_t. Thepe isn't_thenuch in the way 8o9d to sweat. It's good to work hard. or political content. Thaf,'s probably llt:q fhatrs what nakes for a great band. You because we come from aussie where life's either thrive pressure cr go down pre+"ty gccd, so there's not the sane under the ,.'^ -.r^el' +L: ,.,-,. il" La+t^j_rrseniive * ue - 'ru /rui',ii
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After turning up at Princeville on the offchance that Linelight were playing - they rere - 1 nlpped .backstage for just a quick chat & ended up staying 2 hours. rMetal Currently promoting their single Manr & awalting the release of their debut album, with which they are really pleased' Limelj-ght are finall-y getting through to the people that natter i.n the music business. With the support spot on the Saxon tour & an annbitious independent reeord company behind them' 'things are looklng a 1ot rosier than they dld during their brief spell- with Decca Records.. Mike: "The last recording we did was about 7 yeare ago when we eovered a song called 'Baby Donrt Get Hooked On Me' bY the American slnger/songwriter Mack Davidson. " trl{ow did you react tbo being ca11ed rDecca failures' by Sounds?rl Mike: trl wouldntt say we were failures; we eertalnJ.y had no publicity behind us anJrway. In fact, Davidson put his own version out ae a singl6 shortly afterwards & that reache'd no.1 in America, so laturally our vers'ion was forgotten. We were nothing then anlrway. rt rrWhat amount of freedon do you have with Future Earth Records? .I know you wanted to reeord tMan 0f Colours'r as t'he -fr1rst single.rr Pat: rtEveryone wanted us to record "Man 0f Colours' , 6o we expeeted 1t to really se1l. Howeverr we now reaiise the inportance of we are intent on getting , airplay if rMan Of Oolourst is about B mlns. anywheie. lone & therefore not really suitable for the-radio, wihereas 'Metal Man-' has been p,ioked up by rnany Local independent stations-although the najor statj-ons have avolded it, probably because of the poor Really, we could on:Iy,put out productj-on' -tMan 0f Coloursr if we were already established Like for example Que,en did with
for example fi.ush. Donrt get me wrongt like f rm 'not putting ourselves alongs,ide them musically, but they have cornpletely overcome a sinil-ar problem & have bridged 2 to achie markets which is reallyrl difficult but has to be our alm. rrDc you thi-nk the presence of Gover version in the set is helping or'hlndering your caus
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Pat: 'tPeople do tend to remernber the standards- rather than our own songs, for example we had a review ,in Record Mirror a coupie of nonths back & the reporter picked up -on the only 2 c'-'vers we did that ni-ght & all he wrote about. Personally, I think if you play cover versions weit, then your own songs have got to stand up alongside them. I donrt think 1 or 2 coveri in the set will harm us. There are plenty of bands who have made it by doing the same. Eventually we wi-Il phase al of t[.em out, but not just Yet. Cover versions have helped us get into a lot of places though, & once in your own material gets established as well.'r Obviously linelight wiIl be bracketed, analysed, elassiflLed & categorised. they I Bohemian Rhaps odY' . rl show- there iis no substitute for talent &' rSo you're nnt particularly happy wlth the in dolng so, they sharne other bands who deal only in the dnergy factor. I an single ?'r to stake a lot on limelj-gh! &. I willing ttNot reallY. We recorded it at Pat: that a gamble. Linelight consider don't a 16Septenber Sound-Studios in Doncaster, successful. be commerciallY will to ust trick studio totally unfamj-liar both - Steve Brown. where we just had one day to record sides ol ihe s,lngle. Ultiimately we would like to re-record it.rl ItBefore you actually signed to Future Earth a great ileal of interest was shown in you by several major comPanies. .It Pat: 'rSi-gning fo ?lE was a chance we didnr t want to niss. The other comPanies Album Out Now interested ,in us kept asking for more any..LIMELIGHT" rnaterial which nevei seemed to get us FER OO8 record furtner. We wanted something out on Distributed by PINNACLE because so many of the people who cpne to On Tour with see us kept asking us to get. something SAXON recorded,. tfrey were our fir$t responsibilit & will always remain so. CBS were LRI'fTSI] particularly interested in us but we got th ,IOT]R fee!-ing that our say ,i-n natters of inportanee would be very J.imlted. Wjith X'rlfr we have all the freedon we want.rr 2O - ST.AU-C'I'LLL LIDO 2I ttln that caser do you feel comfortahle 22 - Sl^IINIION LEISUF'L 23 . pushed as a HM band?rl 4 _ IIET4LL IlUMI'S1'i]AD IIA\TILIOI! 25 - wQLwRilAMPl'oLi CIVIC 26 _ CA.RDIFP SOFIA Glenn: I'We fintl lit realily diffri-cult to put 27 _ SIlLF['IELD CI']'Y I]ALL ourselves in any particular bracket. there 8 - SIIETFIELD C1.IY IIT'I,L tiALL PRli.,ICE 29 lies the problen.-If peopLe canrt find a IIALI KING ]C _ pigeonholi tney tend lo leave you alone." Dlc ll qrirrh sf,p nilt't^ ter DAl'LS
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'IPYERTS, - 4r'u ervLe' gfeWAAa ' cHeA? r.ATEs'wEEKLv oA To GlllfiKTulTloN oN B'F'9 b3+891.
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tr:f$;?"" Jumbo Recods 102 \Aernon Centre Leeds LS2 8PJ
0539455570
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fnini"3fi3$"::j;f"l***iu'-' "01-1!"["'iti"l; lontact: ?ete ott llx 79??23, Gus on [Ix deai1fls6 tt lt ro"c-ot tiie--s"i.lni"ro on Hx foltow. ae>ef-;" ;nii; To trmT.steve sutton-(manager) at 6 rtlzabeth gouse,;onn 1s largely an experimeurtal tour so curaberrand c!-ose. ovenden, Erarirax, wiyorrrs ^Thlu
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La:rcs band THE AllAzrtrG wurpps naitsd n a self-info package in which they d,escribe themeelves as a high energy, innorative
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iflarvey Wallbanger of modern @usii DAL. HAKGREAVET, AII 4 are j-n their early t<i mid 2O's, eaeh TLe "^-vri-th severar vears or rousicar u*l::::r:t ;;;"ii;'*i:lps"H
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;;ii; 'Iii ;:H"$"j!?:;u'?l'.jB:5::l $l%'a;:":i;?l-'" :ilt,,t, ryo4the a&o shortly oFlheir-firsT*si-ngre waves) & chartie"cii"v"?"i""2t""i,) #"3-i^ii1, after-thErEf-eas^e (ou o?]d.9:9d Ru9,old"). leed.s bancis Jobe st lly, arwooarli ;;;"';"" Bombers. rhe other two-membexs arboDonna *uru;::"ll,otf;"ottMaria Darlow (tlas) a lnil- sands (dms)' "illo*'?"ilu#"il9;:.';#: ;;iio'" iter/frontman'now Cont?Otj Dave Sm-ith on 0282-8L295L or by pen to Voxette Music Management, tt North
"rnuer/songwr re-emergee with hfs ELAMIWCOS,---- -' Performing Jrew maieriar plus a fow old
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gtr) was in WB?s in the early aaye dynamlc singer. fhe other menbers are
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Dolan (Uass/Utg y9c), Steve Fever (perc/ voc) & Jin Bates (ams). The bandrs
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compilation aP 'Souncing in the Red" & just had.a single released on Blg tsear
hâ&#x201A;Ź.ve
Records ( see reviews ) .wh.ieh is attraetlng some ai-rplay on Radio One. Theytre aftet gigs up north..
Contact: Jonah Wi-deboy on O2L-449-1248 or 122 Churcn nh, uoeerey,-rjrningnan EEfE-o 17 ^"'
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encore, Astro introduced an lnstrumeltal which i'.is the theme tune for a show goit-rg out on the BBC early next year. " No title given though - erlignatic _eh gang? ilMadaTeMedusa" i-s extended & enj.rys a healthy dub
Outside leeds f;ni-Grsity, a large truck is parked - reg. no. ggg ZgeVt An indi-cation
ii tfru reggie to come our way. inside, I-late start means the band stroll on at about 10.45 to a tape of 'Reefer with Astro jumplng around ftl;d""""';-(tfr*i" own Egyptian reggae). Ha-f in t:he middle, in Cannabisrr balloons like the telegal_ise r,uay ttr"o,.gh, J-t stops-&-the band launc,h rFood For Though!' & fMy Way the audiencel back d_nto it - note perfect.to the tape ,"u;a J"ut leara. Wor&s of praise go to the Of Thinkingr were aired again & finally left ihe stage at 12.20:.the lights go sound crew - a great sound-from a great mix they up -& everyone troops hone satisfied & ;li;;; uven wortin T{assans pere' could be fuffitfea (sounds like a night in a ireara clearly! brothel! ) SurprisinSlir, s"rne of the big hits came (with weak iox) r_'F9od A mention :in despatehes f or support oui-iirst:-ri<ing' Ealnp"r i[nusnt', 'T tiint It's Going'To AI'RIKAN STAn. I 9-piece,'progressive roots' reggie!) a tracks band from Birningharn^with.tl"1l 911,Y+k9y rni";; ifi""ai Newnan goes Dread-type toaster' flautist (honest! ) & from th; Ip & 12"er. -itr" out front. They pl?Ieg. n"" s,ingle was showcased; called 'The dreadto'cted dancer Vibration' with its a 50 min. set;- rCosmie Earth Dies Screaning', it feaiured stunning rMlnority Struggl"". style; figtrti"g - smoi<e-pnilr6O across the stage & rub-a-dub ichaos' & 'livir:rg in the. Systen' (thelr [ifi" Jfr!"t fiehi1ig bathed everything, out & began the evening single) p"na"ci"S an Eff"ci not unlike I horior stYret in good "]f-stood frovie. -An-onstage I ient to- this gig hopi-ng to iind faults fade with Brian Tranrers'' sax but the way they.present their with feaas intStBurden of Shamer, the lyricsend - show UB4O & the excellence of their sound liii"e-inrough sharp & clear. - nfre flst by a braee of vitalr I think, to the importance of their section *r"" """o*p"ii"a ,g.stro-'s fancy stepping. 1yric6 - makes this virtually. lmpossible. to strowcaie strobes ;iiiti" & 'Madame.Medusa'r were by ritti;' ri tney come near again' be there or 'be else! uoifi :-ntrbd'uced as ilRock Against Thatcheril Jo*"rhlre ,rrrtb""" - bet that pleased the true blue pav (did :in?!) thev auc-ienc6 tne ;6;-il u.l.Raln Todayrrbegan just as the recorded T learnt this weekend that while UB40 were voi.ees.. Canpbell's volces.. uanpberrs version; AIi & Robin versi-on; cnstage, drugs squad rtecs raided their echoed iogether - rrTin Can at t{ x'!u]],-: roc,i. The band arrived at the hote dressing wandering through the song. The band,T"I:_- il f.ro;n, & 4 of them were nicked along good use-of the echo especially 9" tr.tg l"x' witft .Lfritian Star with all of Afrikan Star & the entire road a tfreir use of onstage dub :is refresnlng' moral (?!) of 'signing off' was t[e excuse to introduce ,;;;* - 25 people in all. The this story is... Donrt let your support gANDg band smoke those strong Woodb'ines on stage! ))) TldO 9INCLES gY VRAVFORD FOOTSTEPS
1
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frDAY
WITHUa-
fheir btl;ets ,their hopeg, their rrtusic , , U2 - the same tire world over; one letter' one nurnber, no difference in Francet Austrslia, Russia or Ameriea - U2 - unique. That is U2, they are unique. Ihey thrive cn individuality. Their beliefs are tneit own, set fi-rm in the direetj-on of attaining artention & recogni-tion, So, forget any comparisons with The Cure or anyone else whllst reading this - no one i-s like U2. 11"7C (trct Tock?) & Bono stands on the monitors 1n front of the stage r hi,s head
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Pau] Edwards: voe (star find!
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inqulsrtive punters. Futurama foitowed 1n Seftember wiin tne'eyes of 6* thcusand people from alL over Brj-tain on then - & her-e tonight., back down to earth, as only 1OO or so line tire wa1ls of the aame Fan Club. tr'or me , U2t s sheer brllliance deserves the attention of 5* thousand EVERY time they play. Tireir muslc on stage reflects th'eir atii-+,udes & beliefs of f stage. Taiklng to them earlier on in the day, Bonots arms were ftr-aying about characteristicallyr ashe described i,n no uncertain terms what U2 are aboui. He cannot talk in an unfeeling way such is his conrnitment to the band': They cone from Ireland & two years ago tn-ey sai-d to the people there: 'tf,ook, we are -U2r. we are fron youi countryr Vou must decide.'l And decide they dld - U2 will become one of is the firm the best bands in Brltain. That ilWe do not belief of their leader Bono - :have made it we tnink in terrns of failure, & will go further.tl They alm to make theslsefves known the world over through the media - TY & radio. The greatest medium however is tnat of personal contact, in this U2 excel. Tney ptay for, and indeed along with' the auclj"ence, In fact, tirey beeome a part of the aud$"ence, yet with such individual feeling tirat by the end .you know everyboiy in tire band - from Bono's trancelike eccentr"iclty to Ad.am$s ice-cold emotioRs &, at times, almost sfiyness. ,t a broken guitar A noody'openin! ""iir*" start of their: set' but strlng ireratOecl tiie Bono yelled out it a.11 fell into place as"[JZ plunged lnto 't1I o'clock Tick toekr' & the:-r set were ihej-r first single. Amongst rrElectric Cornpany4r 'tstori-es For Boyst' & for on thelr new album songs to listen both rrBoyr. "f oueh" & r''Things Tq Make & Do" the B-sides of their only two British singles were -.highlights of t superb forty mini.tes whieli was a feast of a mixture of ali that is U2. The personality, the moods, the exuberance, Bonors fine voise & exquislte crescendos of breathtaking U2 muslc. 1J2., 'rUnique?'t 'tBrilliant?'r trSoon to become the best band in Britain?" U2 know' but you too ..ran fjnd out. Me? - wellr 'I'm convinced. U2
are:-
tsono. . . . Lead Vocals. Eqge. . . .Lead Guitar/Backing $Ioes.
Adan....3ass Guitar. Larry.. .Drums . -Andy SLe,tens alrcllo. (tttinh
t. l;lted ihe band | - ed).
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Niek Dovrnesi bass (ex-Proposltion )l/Stress
Jeff Taylor: ld gtr' (ex-Snoots/tuigi & )B) ) Paul Graharn : dns ( ei-Re t ors,/S tres s ) Road crew: Cl-iff, Carl, Pete (paiC in baked Russ Mlddl-eton: te ,gt: (ex-S.tress
.
beans ).
in typieaily restraj-ned & moCest sty1e, lav Hall- (nanager) wriies :I'fhey're a highty accomplished grclup tlf musibians fr,oirt;ed by a charismatic & energetic leaci stnger (faint traces of Freddie Mercury?) who Provldes the essential ing::neoients of exei.ternent & aggression through his unpredictab:-lity on s tage. Russ l,li.ddleton & Jeff Taylor must be ihe best 2 guitarist; i;-i"uO3. (see'oiratrnean'll-Nr) Tirey deliverthe music fast & loudr seeming almost to duel with each other on stage. Paui Graham & liliek lownes provide a neaty baeking for the J frontnen who attack the autli-ence w1th snarling gultars & screami.ng vocals, leaving tnera in no dor.ibt that they have seen one of ilie best i{M banris around. Songs : Iyrics by Pa.u} , musie bf il.uss. The band have done J-4 gigs to daten attracting a l-arge follow,ing in Leeds' especially anongst the blking.fraternity. l. Contact: Jave HaIl on Leeds (AiT) 74IO72).
'l
a Graduate Records press release:in Jamaica 2l years ago" .O,t tne age of 9 she cane v*ith her fImily to England & settled 1n Handsworth' Birmihghan" From school plays, she joi-ned tne cldy's Crescent Theatre Cornpany. Her oebut was a wal-k-on part in 'rStreetear Na.me,C Desire" j-n which she sung a street song. More musical acting roles frllowed & in 171 she appeared in a rock operetta at The Edj-nburgn- Festival (written by GaIeth Owen - t useO to drink with him when f l-lved 1n B'ham & was performing rnyself at the same festival - N.I.). Gareth was so lmpressed with her that he became her manager. they formed a band with Geoff Pearde as le-ader & were laying down a demo at B;rb Lramb's studio when Graduate Reeords iook an interest. They are nrw marketing-& promoting the single (se_9 revlews on p.I)J ieteasea-on her own Sunflower T.,abel-. A half hour show 'This Is RubY Turner' was broadcast nationally on BBC TV a few months ago. rl Contact: Dave Inghan at Graduate Records on (ols+) 59048 & zrtL5g.
tr'rom
lrRuby Turner was born
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YORKSHIRE'S IARGEST GROqP SFIOP x08B Main street, Bingley. Tel: 0274-56gg43
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FOR THE BIGGEST SELECTIOI\ OF GROUP GEAR AT THE LOWEST POSSIBLE PRICES In the Guitar and Arnp shop choose from: Gibson, Fender, Washburn, Cuild, Ovation, Rickerbacker, wAL, Uncoln, Peavey,_full HH Concert Rigs, HH Performer, HH Vs;.Marsirall, MM, Custom Sound, Carlsboro, Laney, Vox, Roland, Hill and RSD. 1,00c watt Rigs go. Mics by: AKG, Shure and Beyer. -reary to Accessories by: Electroharmonix, Boss, Dod, vox, etc. In the Keyboard Department: wurlitzer, Moog, Roland,.Rhodes, Korg, Hohner, Crumar, etc. ALL THIS PLUS HIRE SERVICE, REPAIRS, HUGE SELECTION OF USED CEAR AND WE BUY FOR CASH
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This magazine was printed by Tempest and cockcroft , g Marrinerr s Drive, Bradford 9 TeL : Bfd. 43695. Happy Birthday W.C.R.
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