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Asenseofthetheatrj.cal(seedrr:mmer'seye)heralded determi-ned the arriwa1 of OR l,tAS IID PUSHDD - they were did' too' to enioy themselves - and made sure that others (see pic of fan - nor he x'asiatl: pushed') Especially liked their ' 'Sin8apore' .

every band they rewiew? categorise Irrhy do rewier+ers I sha.l1 try to be more tolermt my Nerr Year resolutj-on towardsthingsthatldonltknowabout.Tothateffect' the t1?e of music describe if I dontt out your11 go and find I was. be surprised..

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GENTI-D and faiJ.ures' every gig there are successes to be u anti - hero and succeeded as tre IHOR atternpted tune up/sor:nd check' m extended the stage after lefi The show rust to persevere. should learn Embarrassing; A,rrd so it did . . . go on.

At

Irrot a Perfommce.

Wot a name. thm BIG F-{T Lesser artists WOMEN WOT CAN'T ADD lJP ttreir whiPPed through wouldtve These guYs set and gone home. sta6et it uas tbeir ttrerer and they rere 5oin6 to entertai: Those who exPected to dmcet those who exPected to listened; An excellen in. listen, ioined

were

and frantic)' (sometimes The GUESTS were very energetic their supreme - they kept banging reigned enthrrsiasm As they were opening the gig they treads on the cel1ing. crowd they of a partisan had the work to do, but in front delivered

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in commr:nication lesson contro.l. audience

and

O.K. O.K. Theyrve been aroud for years - not Hith the saEe line up - but why haven't JAB JAB 6ot 'Ihey 6awe further? othbrs a 1esson in t o grab m aucli enc e md take them whereve So they warted. pol.islied and tiStltt md yet they stil1 conveyed that impromptu 'come on and enjoy yourse1f' feeli:rg, 1 di.d ud I did.

(head of Snark Music) presented a well Cris tsoojun So [ow tl]e work really balarced md preparcd gig. starts, fhe succcss of Snark llusic and Grisrs chosen Few depends on the tape md acts being tsoldr to others. become household Wl1J, any or a.lJ- of th€ Snark artists names? Vi11 'Boojumr later be mistaken for rBee Geesr? to the latter.

Just how it Yes to the former, doubtful

beet becau"te of thz heavy taq^eqcer fhv+hm Ind. ronrTeq4gf hqenottt sinpltttv.

Iffi-L + tracHs here; 'Ps\l\s)nthetiguz' ,'C,eiqer q"rntqc* : ' Hoabo you tihle,-fhig Atqte' and 'gevered Wharvee. w:"rhi* ltnt tri&'E a ilnth instrunerltd,l trLet'; tihe af olloi-up-b the Doct"r Who thrrae." e Qtff-rLpn-rif{ cpngfnalftbn that', a.qtin urlurhiltEt, b** be{/er than the prevrout ftpe." ''2-1elp6&.-. U, "'fh's'd be a q&d th?m2 tuni hy ttle telev&tnq 4 the f i.+1[n|*Attvn'tPae btvad.ers' Plauers (oitest ! ' arcl axl,' 0h Lrtcfts..'. fi,"C*nenll\t,eh?,h he drop* the rltqthm in ltvatr of ra"dom ele,tiii t))ori il z.'ywrt .like fle'v pta4in4 a, Nme ,.: .tu": 'i,. futn', b*t m)re lihe ple,atna ufth ?outd.elt'ut9 fhl'n arnai^q6 irerlg d yt,*erc,t' A:"t'dhav? lilrerl fuM Lh-tv'e u+a 2 co>tbiiTttan ol rhq+hni{ e"d nnil.om ,ound ,mult'dne4ltq.

Thi, is the ttdfer) rhe !\i tap?.e : r44t gtv"df ,"tutial4, bwt ryr+t ''t leclet tn /hr//, it score2 a9 lr( for Al'9 l,eoke;' N'"1'tt ptetl t'niy ds'muqi to bp..E wt( t[Ne wu;.[el'm pu,tftngW.c.k. toozther 'rt,e* arc a enterpritti,4 and c.deeefer; artt"{ollod (rom Tapt and "xf+l Fr $radFvA4on fiqrttteng - u,rlh a gfudto'as'th, ttl the prafit+ qo touttri. 'a 6o{/ectrve

€veniuAl liryet" 9feve'z fir.91 ltm ic to P*J a y'azt ca?rcltt {-optea fspt dnrl wtfuh oqt fur fwr*ner 7rocl4jt.

9;o

+uiToif

lro"^d,.,\p(q,^{t'ititi'r"ier"'nqiiex{*.9ri,e€i,L;iIia|tJibii.,iil

|.Hull't'Clol'fo,No(-tentaQltredaiemotepe.H?auyplt-aenqonq*t(ir+h,qh.ttrdel l4urtzr+dlu(su,t\.u<olher'b>ndEwoxlduzztnth.'2ahs{ufwnr^tiph,14thebe",t I'0.{ +X,q eir\or]avk q.u,tAef .lhewzV the chprds-sltde Mk oyte'Onofher-ts t'njlar toknc

lclapter'? ;-tt?Ie,(9^4)'Anonyrt,fi'. Altn Bailey ! o"o^ band Lovtqg tr/9qtv de*o he., qo^A. '(ree (ide" p'fttt;y ow" tortpEtl/,on /hz pleqj. niiffiiil]versct<p,n I rwrt'on€ niUy' etctl{e* uyrh on qtiler anl l"6rr*' t-titql{ l,a* yta). tt e f t+nk- lazz with ,ome'plTnyjoull.hzu(lthe"li{d}terc lbltE.Cnigadeo'mwgtcvneelqTanYurltgvotdl,".

I con< aft evet\ wAx lunhrl - " 9hould,'ve bega rtur< tik blad. sa.Ll (lnn h)iite r"oul". lvone l-the-levc, iy', unprieilw? p/ete of pohihvt murlr. THe Rttut<r't-oFronAwtt iuoaNs ar? ttt? 9Flrt,n beMlkrtner'/v Lttleil iluc6lil, 6LtGftr /rnAle tarl vesi. (,.0.R {,ote pop wtfrt qlood, nelod.) Ines 'and v?.1 q@d qv rdn bvt'Meritu ll^itr;^al dmn n,a 'tl,at',, lod rt1ratnef,. AcowftZ 4w{ar'Anj,.lynln a.dd verief/.'EaTyto.en\oV &pkdi@ K€Se ome yp wt+\a l+-tnctr tape thdtlll be t.heir,{i,t,etbia (ou{{hiytttonth), I^ey nqh+ty kel +lrqltf ly tLrdppolnftd 1,sith if. the hlend,'predwtron ,)s7r;17 * t Vie;e o+ thii. o^'shde p;wer. iild t e ?nqs Ctme ovtrag fua gntldr. "katnfed H'ou,*".

"Caro\inr , thtt.61in'" Boalhill 9aqie" in/ b,e hnal twk."ForkaUttlv Anoel" arr ininn tht qa.od oner. lt shoddeaill,/rell b rochabillv'|a^E kat/ €tvrE{ais\,'bq* thev'il r need' be tfer Anl frtther ntft*Ol tp retch tlrh 'p.p >iarhet. lbu trfgfn't deio {r"n KdrAg+vdio.e.isHpvnctlq keVSorr4nehJ u/tye 9tr0(tivflarrel bvtle{loththvocjle. there'e a at,u ,tArilrr'fui f o th.etr yw,rc anj! tn| ptaqrnl,g'tahl'and cottvrhijn.

f+iay 4.lenp-"d ("ll thoot+tfh<-Vye),+tey're oneto'Lo:atlh, ' Fow 9tr,4te9 d,dt l ht vr%'Yhe stn4t* rf vry1s'ctlwnh -,. 3 aN {mm-fhe'hnbevq 'rrh" ari 1 nrq\ crwtrkrcro\ *F beilft(rQz {+nt-prqe(eal6re) The ty"rf ttr*it didit +of thevtlr'.{,k- tttal" wowVc7rfurirlq liaoe c\lrfeA 4 it hr'd'ltxen proyesl'1 Dnfiofed.

Th,e th,vd. 0N- , ft.te>ced, At tN. ?in d- (sef wta\+hl-(erhL"c-r "gontt GL" 4fit" Li,tig Lequ\dt' *eve d.oe>n't t*e il Le hiqt|lu v thc first'lvo, bul tr'n toU im it x .

inFnodvstiirt::i,';:,i'"",P#,^fr:;f #;:':"',:;oTft!::/y:tri:;r';

gTEethlooe,zf+

Kppltv

LnfE, f\l t - Sri Twill -' Atom gom b' c/u, t.o,e,o,i o, n, y.' it S5i . Aviltblt by ntil (entlo* e*n lg fo, p.t ) "r f r"m Hn.l1 gl 'Eradford. arb.l e ytcK Tocz€tt.

THoF-Ntot!, bRAVF|RD. (tcl. oz7+ -8?7oS q) AcA96effes REvtEWee HEE1

^LAN

<Oi't qet lhe turnt ottl af w4 heg I i r{ t hex'r bru.r lu?fice , c,,lu-zlt- t\ere rqn L . eotrsbauld,-be fe4,tltrs iegdar/y b11 the qooit wl"o hot"Radio o^e at;,rtpac( . X atso'qLt

Thq A}KRTAV 'NuRv,"'c"nsuriq ?o+*dm" c/u 'ftrqial Relattoh>htbi', u J hrfect it. Ba[, 7wn) w th tnt],ua mu,, t antl ;vt'- rou4l\ voAl>. Nwrdq the +w/e,Ly lts-.

Horfib'r themir certarhly \9. Ptce VgU ) clrrrri or.r],i,firrrrtrrl e*[r'7b elbun"fhi f4odern !in(e" hnr lutt been lrc-n)evd bv Rcqh Trade. 'iiri'bw,l'g'*ettre puirlo tul ghqir o*iqrl\,a\ ,tte rl oal. pcr<*rin/eltr:l:ytnitnor"i/bxl gatad e{krfq *z c*olcd,tJiii

t%.t a ,ttqleby -

r

Z;fiit't:,t:;;,w?,ffi #[;I,,; iWY:,4:rm,,:ft fta#,:We,ig:f he!* ta,rt\,t(qlfi,n qnp an piuxt rocL 1.Wr9 a t ttu, >lhu.,,t tflT refent tTq rrlveleLl( -{r<ghje?t: tARKy KARewu)'s ZlVun'eq^vlhetT^ ihf" /ovtl Rez*J) t, a bwh oI e'rfret d, ctiktt pop "7sr'4e. He'r fsm<r gweeze basqicF * tnr't i.''li"fw! ltl'z |'ve lsfiA t 4y,,i, E4o-r1r'tetl otrw zaot\Q h* 6Cd'rt'Jit'o"'*J'l^,o

t{rpyf .rd' af,pilu{ votce v^^i t!;w{4h rke rerl wrn'rc4tll,uq\,',t tlt" Sr"4 qwlit/

i'llt!"f "di't!,*VlHitilr%f,;i#-Hf i:*',,#fri:*'"tx'lo i;##W,l',liXa'yffi#r"d,,*r/"* W);i'itr;y'ih?m":'1i!,#'!.f tha\ mnlte rha\ qivec the Putlf?r purter e. ch\nceto T]le Wh,le lun4'. The worF. qtveg minrte I0n4. whole UorR chancef" Awde Xhe the a4-bAt ak-Lat e

indulqe4cly tndulqe4cty

vf,att,| al ol the ol * fr1+,t

leay'lqlpoptglor

crtahie afuat* 4lhy'ayf til{ deade. ^wde fl){ deads.

4lhy'ayf

?tl:,k[r/,ult/;t'h?i\{!r!,,W;,1'Srt;-{i,i:mtti#W"|Y":[A#

'wlr[rffi F::#"#ffiv{{:lr!;lif ,##:,il:##?#:ffiffi "!r'

13H"!!+ffi tffii[ifrfrKtii,'oYi;,i#0.?li:l/g]ti$^t?Kt*i!##l/n;fi

[e'f

urtr:ff

,wyk;nfr +x"dr#ifr 'ffi ,ryr'ft '#:ff */rrvet\ild , I4e aiv-hrtoug arnnqwgnlr, fhet drar^r o:r.transE.tlantrl i*{luencec lerl qhe'1 p^e*tldltv htearatrorla] a v'peal.'fhe onLv rllf crftict, m t s th a f' tiei i'Pj' wtthzl.*us?el trt,{ltron * lafel(*te Jird roqh. Ihrf >utl/there'c trr'{\y rodltrt q huCL plBrhst. \rr Lt 3M1 o,t thic qhdwina , the baru,l ig tet latr to tai i|. r

PRINIED

3r

IU{PEST

&

COCKCROflI

W.

416g5

A

A1647e

ii4,,w,N,!,::H*

The llarehouse j.n Leeds looks 1ar6e wlth only a fe$ dozen punters linsd up against the walls like firing soue,d fod.der. ?1nk PeA Slax - a young ]reeds 5ots rock/ rockabil-ly 5-plece, put in a. rathe! llfeless support spot that fails to iripress.

A new nd, theyrYe a dood 3uthentic early ilvis sound. wlth a vocallst viho looks the pert but they lack drive/e::citerrent,/prese:tce. l.:ore experience and thej'. could have sonrethinE better to offer.

This is the Hatinee show (no drlnks, wder elthteens ve1-cone) ancl rnarks the northern debut of {a1co1rr rpaedophiler }tclarenrs Dofl lYos/ \1oj - iris first naw venture since The Pistol-s vrent off (ir1 his face). lihat I'd exrected was 3 901-hyped/1O/.taLented bunch rrhord prob:b1y be eubarras:ingly posey. Tote-lly vrongl Visually tbeyIre hot. .^.nabe11 in yello11 dress (dress, nasl(, scarf, j3cket) toDped ofa vlth a pirate I s hat. ;.latthelv ,',.h;:an fllcks a. hea,lful of tlCht,;ihite-dread beaded plaits and sports a white hollovrbodied and f-hoiled Gresch. Iie and bassist l,eigh Coman Flunder the Sh:dovrs,/Tornados sixties catalogue for a stack of grip;ing riffs.

Theyrre gcod nusiciars anC the Shads rip-off is ha.rd to spot bi:hirC Dave llarLarcssars stunnitla tcrnton-rnlbass relentfess Crun br"rra;e. They hanrrer throuch a 40 i:inute set built out ol the 8-tracl. ta;e rrrrl their tyo sln:les. the skips, sjlins and bourlcEs round the 6t:rgea ounile oi enetgy aind infectious laugl:ter; her odd cquraky voice brilliantly offset b;r the t'andts dense and bu5b11ng rhythu c/w nor-J:ou-he-r-it nonyou-iionrt nelodj 1ines. Greai banCf Ereai

ffi

Df R

( t(

RAlf S

at

Leel e ilnwerrQ. -l stTj'lrinl :;:, ;i:..;i:..i' vinyL brek::-;.i, ziih ill;. ;,,,, : ::f . r"9 :.. 1

';ii''e 'ir"ii''".ru*"0 I il3;Hl:''rf ';;.'i";lllil.T:li':_. 'uil'. his The; descriL,. i,-,..',lri..

I ii;t3-:: l'..

l4ark Knopfler's in good form for this homeconrins to his aima with jokes and an easv f.iendriness to between-songs chat.

1,, j.ca:1.-^-'ia:::!e rfre l,,ioo11 land:;,i:rL

a

:c1:;

. | ;her, but rr: iar:t: iisq -r, 1:' 1-r: +.--i:-i: ways once you've heard ,sultana of swinq'l,,li"'ir:,'",1..""-:-t-::,t, r; :l"ir:er'. you've heard most of what Dire Straits have to - | -h-and-inoffer.....lylanesque vocals iaT[Ji'q I -*_., .

In

some

l::f ,'l:? get Don't

*:':.:l:"1;:ly:^'!:)::9.::llllilg:, me wFong, they're dn ouiitinding bina-

",.*

'i;;.,;;"=:"'""t"'-,.';;1" --' 'L^ '^-''

i'ii:'s'. i :rrcr:ircer' l| "''-";''i:J "=:

jusr tiat ilre oveiiii iouno and the admitiediy appealing merody;;;u;h-r;;;.;iiu".onq too oiten grori ,ur"y". rr]ii-i.io,-iJit--' -uri" ' about this-sis *u, nlu"-pe,i";i.-'

i:,-jti:_::: l;:;il;r;"i:.::;,1:;:ti: seriiiies cf:'t:"'e::-::r:s, lsro(rrctr':n IIters ?' slde-kick or i'ancur.i -:.

sound mix, stage craft, pacing, musicianship, atmosphere - ait nlqh i.b."ri]'Ii;.;;nii."' it's easy tO view t-hem as i qultar-OinO -

I

--

L,hi.h thiy rh6\,.dF+.jn1,,._^ .;-_,r.: U.-Aoinq which certainly are - tiitil ":.-^ them an j;justlce ti tfre srOiiv ,nlnt.rrli" and nrulti_iaceted l.erboard act'ion

lili;T:.;l:rllt;;;:i.J?i.;i". involved a-s co-:.e:.ber of

i.;i;.0"",,

i5e .:.r1 Girls rnl also vor!:e'i o:: 1abe1 - F3:id ie:crd5. ?l:: b:,nC are diviLsl are diviLe,l o!'3r r::ch ovsr rL:ch st.l: i: sll:1:

lrnvisible llFinnettrr lngnbers Insnbers !rore 1ike1y |

to si;ir1: s.;:e 3:'-i''r :heir

nr.imb-.r. l'lore Amoriaan lha,l a planelodd of Iranian ranjan exports. exports, thei theirr music sti stillll has haS ileage i,. ir. an.J the OarO'lI be arOund FOr qood whi

le vet.

ick Toczek.

Thlrd of t)re tvrenty bands on stage on tho secad day of iuturma II , the seconcl annuol Leeds Sci-Fi l'e.tiva1, viac iirtery vrho did. well to stir:ulete an enthusiastic response fron tlrc auC.ience so earfii in the stoe'd out one nui.ber in pariicular day. fron the r3st; rTjre Slider on \1hich the vhole band e,lra.nd.ned re1u1.:r instrur,rct:ts arLC hit thinjs inste3d. ihis alr-per cussl on-atd-vocr.l s :on.' j.s a Tivetinc liye nulber, You can see the band in tbe irutura;ra. filir trhich should go on ;eneral relea.se in a fev/ nonths.

Llarkr rarkr "L ur soun.l r 9 iredoninaintlj' liI "Cur I ri,ythric - 1ouil b3ss anC percussic.. Y;ith i I ke-vboards b.th Flryi:-:..citliCultar I I rhJrthr:r'r.

I slilion: "The Suitar and organ both go

useful sounC elfe ts - theyrrc f.,r r.: sounl like v,e do. :ri:.3ri1J., t: ar :j.i Cives the or-an a scrt oi _rit.-r :cr:rd't, l:ark; I'liei1 d.oesn't use a basg iu:r: for ;is i:e aiils at 6ultar (a lenCer lrecisi.n). a very dlstorte.l b.!ss:rnd fin,ls blLss ar,ips too bla1d. ile t9;s tle souu(i ):e \i"uts bJ'!,uttlnl it tLrcljh i:.n Crin;e fverdrive 5uitar a:i:p!',

A s1lghtly rruted versior of il-.e Slide is on the Alrdvarl.,qecords sa:,2ler r3ouquet of :teelt 3nd a re:j.xed versiin coupled vlth rUnhalr.:cedr is soon t.r be Teleased as a dou51e,\-s1de si-n:]e on the sane label.

EB--"DH@AE

ffiirt*L,Sh] E

2 2''d FEENUANY

trfiffifi3 MERRIONCENTRE

LEEDS

SUIiDAY ISth

Yi:Jr.

e:rn.;hil: theJ r.i.i: i:.:::i?::1:: 1cr .":: rer:t hirssles (tl:e :Jressi;:J ilan: _ct:j : the Unlike manv Srlnerstar-status rock conbos, they I va11 etc',) to cler'r ut ':' so let :he 5ir:cle esc:iDe. still w0rk haro, enjoy tnem5elvJS 0,r stage ' | and take riikS. Tn: l0 nin'tLe lierri.-nr Sallv I :-::i B3wles Kraut-cabaret aonst.uctad reund '1,16s' I Live the band ars unilete4::;us ?oy,' 1.nO more thd^ a nint of hit-rr-.nis; aOrut I unr:i:my,3ltoct buslnesc-lil:e i:: :i-e ::;' th;lt set abcut t]oduc::- '.i.e s:rt c: if. -ney ct:riJd ir ofi we'l ;r th^ en,l.

I L.usi cthet tl.atrs e^rnir; the; , :., re as :li: tinct j velj' origl:ral con --f - ttl.: , lt

Michael (Guitar, lercussion, su and vocafs), Sinon (or1'n, Dercussion anc vocals) ;,.aay (drr: s -.n: backinJ vccals) tlark (voca1s, nercussicn and so;ne ofistage guitar) :,nd i;eil (bass and percussi-on) he./e been vorkin; tojetl:er

Cortect:

c/o .\:rCvrrk on Sheffield (o7 42) 6'.921e,

-" ililffi0 $'f*ulf'['Y5Ki,F=9Jy.!K. ;il.,,,::";;,;:,;,;*,";;; lHif,{flr;Nffi[fl:lt#,#ll'Hilffiffi# ci,"i"i"o" Puddlng (",ui"n "1" it"i-"u"tt l<irle*ryortheuade''c'lut'cst'((e*fr, ths Bunnynen have Just vialked off-stage at vrlerip",tel 6'+1na\lirn*ely nelodt|l{rt*am ;il;fl^;l;;"iatv*i+ therr secret reak Disrrlct els. Between to go cord), Elvis co"t"ui""X,ll";"-'" ilr. l""ln! rirr. n"-il. schedur.ed berore rri= his schedur-ed niles, ei"r",rli"t""" 54 r,usiclans iJro"u rle 6s2 og"Jr.t"i!, these rwo events rle "r.,ttis "rot H iil; iil:' u" tr'il ;;; of lost rt y.,as just ana countless hours or oranses and iust as we11, as abour 40 oranges about

I g-tid'ehar tgkcht(r lalbac*+stz4 lsai.*| ;;i::'A:;r#H;:;{;r'r;'i;l'Ir;tti"i"v I yoob. Kaw & vr'trttrrrtll' 0Y1e )4{in'l

also vas shorte sholte rt It was also his albun, vas hi! new new:altun, Eve. stafford stafford before chrlstmas chTlstnas i!ve. the day before so the So 3lnarsy ria11. rt,s ralning. rhe tcnnembers extrmery good., preclse

| [tclirl<garq:"9e9oat]'

rli r^rliil/q"rerwrrto *arl"d

sleep :.""-'-'...".""^'. iilille:li,:1rl;i:r,;l:,ilqil";i:i-"''-lHH"$[qiEi?;;.W$:tgffii{'i#;,,W,

ii',:!;yt\:;t;r!,fr, lf",lh f:g*^'gi1iti"Z:il:lif yl'""fd',I'uffr^itep;tt torFva'v

nflsr.y ou-\/rrv

*i"*lii lill"t"u lt^:'i,;il;:dlo(.\ir>.iqqirI[iii,,nir+,'Wd'4/.,fttr,rl l;#i,i*:t,16*!:el:Ayfl:;?i#;,,Jn'#i;#ry:l'rf;l1^-r, ;:*'l;;,11i"i3"."""ill::: :::;3ill-'3ll; lliili""il',I;i':i,.!li"i* ii"ti:'"*lii, ,*rit I fll;$ H'g.#ii[ irc,f^lil;*lXii{ffiilif1 ?i"i5 ;;:H;l"ois"ji"",l:l:"::;"*":""1t"'' :'ln:":ffi i:;l":':ff: ::l"li:: ll'H::. I :*g^* g,iJ:,g)-aiikL#m.) ,v:w;;1trh!'lfruW expected, but Just a

tittle out of its

rrepth. Uts{o, "tvid

sumers.

di iahe,-uaican

accent

nan"

b#.f;J5tui.+,"tr:ilii,t,;F,fJi,,\!,ffi,t *iii;.:iln"";";;;;;;;;;,:,tii:"i; iI rlu;,_*jil tstworc o{+-beefcn|ltrc '' rvcUtifl^lhrt ub'g,.,io',rr's1y-.Lvd qtn:rcndy Lyd-po thal

rrKes cr sa'rrrsls ilro rri!s"li'fi",1."s" the,! fron the iio, even rnore separatec. the! e/ce.Lrent. i;o, The the police were e/celtent. +hah +h2+ rh.v sne,r t)rroufh ,,rorrsh a seouence an. the Selecter. sequence and They sped rhm that.

Eith thclr trf their recent sturr, startini biggest success to date; I'Donrt stand so crean cut anrl shrrp rlose to me,,, wlth,,Man i. a cuitcase,, and rend j tioninGs or

,,De Do Do Do De Da rr'r;:";5"iuili';:rii:.rli:i*r":!::"","

,,Farlout,, rorlowins.

Andr sumers Junp hish n,".t ! t ?) Great strrff !

for

r :'''"eJa.rnwi.''il.qiirkii"liilii46ir7,f1rg2,acutfrcr4uilsr&Vic.

such an

old

asain orr asaj.n and asain r.ater Ir rras off 82 hours l-ater Mi.iranls. rhis ilnte ror the Midlands.

Ir was boun'l for

llnre

selecter.

ver.\r gc rn all arr it rras a very xood (ir v€ry All 1n r-ate) ni:ht wlth plenty or'ci.ilio,""-""r'."" qu.ite anv any shrist:ras cLriut,.,o"''ili";il:."'"'butu not quite

""":*"":'

nekyil' ;iu;"ja'qty Aya-:i^4:1'4y.-iy:{^!:l!ry:P,xr:!IY2:fiff'") iI ;ifr;;,i6.i,iy'L;;*gi;[;i"1r(ty jAlyuortChtne', l;,""t";;':+" HE-iEils{A'N;t:iLarhronab{elun[rtl'4w (viliiiDriir,VtL0S):77?tTtef r-d,cr. {rcnthe bdM t4ho ll21 Produrc I tliatstl{*iA'loled' 1tt^riiJt*"'il,n&p-r..r''itit nin4-tig'iirhadiut "'4r^tiri'"lJ"il;ettetediulbaflrP4 lrl[,'*ii.zii'dq"v*li"

\Xir"\^\y:t:il,Il%?Wtr#,Y,htlJi't1ffii;fftl'^t))ll;i,l;rl

lli:,h"lliji*lTl}illii"lii'il;,"" lnrffi-qf.ili,i.frfHft;r#*U,trY :WW{^ ".a uere

tn"t, iust about sus ther up. rhev

good.

tlr'€'7Lo^,rcyrthfiv-. |tii'ililfi'rt,i"iiii'd"qi(rtft?"AEhort. *.r .llJ""'i '.1'1, ,tiltri,,.iije k <,anUercitl g1'y rocb band.'9*Uthtl * r

*iii;t'-"unrov

ry'tq-'tl'94'i+

+8i"4."1i?:ilr-qle beret lfiritld'lf'vr,i" and beret lij)^itd"7:,1.i Jtilr'jvrt^ir, l?o\JJdrr.LOSZ tB? {qt-dtly blend.totlt-l before the iuttrua t*ough through 'rlrood.::ambo" 'uooa::o'uiitr3il":"i::. liYli'-'ilj',tqY,?.jfi;a"?iitttO'/f,'lrarl toq i't" lo.dtt *,1\)^<l "uttrua f '^"i");i\;e" i+'i vlt,re U(fe l;:-:":?':i1i"*ii,3f"ifi"li'L"l",lilill' the rest of fhe Rats. Thelr new naterlal II [tl1dtffilft, lzc a f,ton-ftarteY, V-,de-'r ^r#to ^tl celdor,, Bob Geldof

in a black jacket iacket

'

llti:';{lL',{b'hi-[Y-tfi;7i'frt1:i;W:&?iffiffirt at the l{ational llihi.bition Centre larty i:,!i",i";r:';l;,:Hl"l];i;,:Hi=:::;," , ryImYi'ff^:,r?,t;ltil.t{5#ifff.lift 1ntsiruin6hm;;!''::*;'::':;"";:::;l.::i:I.'i;.n""o'olfi-tffi\''*H.];Ylil,twV#+iaffiW,' Jwii* tltvn, Gl:iui-'9tt :i".::Ti"rl;;,:::.:;::t:"1'THil;i'ir" :i".::Ti"rl;;,:::.:;::t:"1'Tffiil and around ;itir" or six bands At rhls satherins Il-*'fl,lfAW-i'Yikqrii;ft:;'!+,7rrffiffi:ffi,:;Il-*'fl,lFAfi-i1fikqrii, r-rotr not t,,dL cane to to two not hu.bers lror'i thousand People, worthwhile.hu,.be]'s eleven eleven lhcusand onl-y wo"thwhile PeoFle' I cade the onlJ beins the beinS U2ual *oloAou,drunaet and ju"ru"rne. r inousbt they were rit"dn""e , tilo"tt"a t$o-tone, is basicall:' li.er:."nt and very entertainlns despite the sounds/rr'rr'r' iii"i;,i'i"!?"1 ::i;l:"";";:;":::"i,:l"ii" '"" ,,rhe is "" producei by sucb bands as the seiecter

reviews'

iour ;i::i; li"lifiiii'ill" ;i::l; ::"::fl:::ri;:' r,:ysrery ?our ,iiaricar r;iystery 17/1/e117/1/s1- ',rhe i,iaiiical the/ triel very har.d cocin3 to rake yoi Away'r --r',, i".i""ir ':;* '' "-' ::::";";,1:""]::":1"1,::.'n:"H":"5"1;" 'i;JJii:i/, 'i'lJi"i"* ii3i":i"!:!i"':'"" :i"T#: 'i;;;ii;ii, :i"Ts: l!*"t tr.i' side or """. ''i"nl-".i-ii"

il:#;lr*l":": il:*?:lr*1":"3

elueeze were firsr,and-

1,,-,{;!;i.r.lttoowllil,Vlhyvq'tothe \""{tJi irhrpWl tl,ythvn.u'to

''Xifl-:":2f;,Xtr;'iirlr"uk'i;qitntzyput

l7{ili;ii7i|Ai/hfiTi{#-;+'

-e>pccally?;>llet9'tJ441tt 'V!fu1*ia,A?r*st)fpf

lfii.li *liqit?'i',i#'1i[*9*',l^^Yffir.s)1kffiffi/h lnr:fti5*JlJ:fr::#lft'i\r"WW&yri{{trt!:f, i::frY#il't';irL:trW{}:ri,i\?;:;{;'4:lpd l.f#,i)i"*l^f fW+iiJ;i,tfltiil';trt';y

i;;Eiml;;lrr;ehW,reffi;,

ii,J,tw;t" t tot ll:.l':tru#i, tw,|,1:ffj{s,Tfi:^:y.rmla\lf3y,:":, lll$ttn:#i} i:+;;'(";iii;{;i',\'AW.bnkir^+i/)

;:*il:*::=;:r*:lr,1:"*;:i;,,i*1", :::H:":t;":ii:.:ii:;.:;*,*"1;il""'" ligt;#ffif::t'i!H[iNWi,ffi,Y.irffifrt^AY i:irl"til*i:n:il*,'I:l:"iu:lFh,*:t#::";;ll'hl!;1:i'::i;i*1",."-, 1$*ilfi})-fii#'ffirai'WOf o'."N -WW jusi like PauI Brylov!? (Please excuse the lvirvt/I tlMn9-'(-zrni-tl 9wq' ,/il Pwvtllnl L, uawg,o pass-holders. It vias a hell of a fuss b, joke' prlvate joke. but ivorth it all the sme. They walked irlvate lilifriU--tVftr;'",leifi) !))16 necer,+,l,urercE9de 4omdorflL Py i:i"t;j'"1:.::'":::':fr;'",I:;l';"li:: lWwl*,.-/t{xl'fr:"#tfr!f,fi2}i:frvi7 ,x1p,Rockpire wer€ torally nedlo*e. Dave fi:1,-Hr:l?::'r*ill":ll illi:t':i:il" lf,',:{*'ii!trblin\Pft,e1/ifffi!;gfiiffi'f,,,:'tri;f:+ 4OO

at took tums tums at Edmr)nds and Itick ltick Lowe took Edmwds

bashln* out nmbers froe their equalry i{-,6n^iFrih, a1bu. arh,,n- The rhe hiqhrJ.rht highltJht uD up to d.isap:-ointing norv had been the surprise suest appear&nce of John cooper clarke who, as he hlnself pointed out, was to act as conpere. and the odd

J.c.c.

oo"*.

q C r S n ,ri ,r

around n were wprc hu?tlin.: eadly around hurtlinj Eadlv D

"naBuxtcn pavillion, ::cculloch the tir\y DrlnE,nah zipped ,i-6ad rhrnr),r. through ^-r +La tl"-rrn,ytren "ia 'crocodilr:' rhelrand a fev r.t" u"li[|". ii." set was a superb "u"or"t"uliili-"t ralbm wtth several extendBd effects,

tlFdg;'E'thrhh IL ,Fra^ amitirrn ou{ try I i^ :'^qte-ti* +l* Uantlf,fi banl i lnil/rn diifr>...'€, dAer> '!2-2JEe9:'E-thlnR li" 1.;i;''i;ptleii'Vwvt?{,'r1\Al@a'^1nlltil| "rilp l+n,"a%J,i*t r,inlhed,rocll thatwtvrotl gef t^vtqddrdor(, lriio *,ill*fredateirucho{ 6i+l^t","A^+nt^uri^otthe rockthrtwtrrotr?ef.,t^vflddrdoret thelynlhed lfClq l+r-,6;1,ilJ1;;"( l'i;;,, V,tri;,r/q"01. l ernrrl,lllnr,f -!^ert frg\t:ljffi;i;r\ki'ur}rl ,l'n"nrio"' f'{ r'.r]t thrt fiqlri W n'-tl.l?txd TLIAE' l'M,n1

/aur lw^guq}tetr'clil'.aruttn"r.9)*iii@il1z*Sirrrlg,rrozliAffnakt

""'^'

Next, I:adness, Il-,e tlutty Boi-s,.enlulfed the

fhelr contrtbution to th.e evenings *i,,;"*-,',:"=*i.t,*,"*.i:.-;:=:i::i"::" stagB. proceedinjs was, as ever, a nixture or

Lrii"r, r'r sure

was meant

to

be a 1ot

Lore

[lr:::ir:*=,:i:'niiiji:it:.,.*""" fun. lbut never-the-1esc was jood so as r eadly rry to set thjs viritten

:;:::i:;;':.;1i;"il,"ii6',;*;l;;:;n;: i: ff"j,"ff:1,";i"l:':::.H;""";;;;;" oiss-thon iu, yuut - 'c-os, I seened to or the the ihe rest of linbs, The rrallrns linbs, ftalllng coodni'ht. "- --.- :'_;;th!!! coodnight. both! an so,to an sin.lles, anrl so,to th€ sin.lles, th€

nlnute lyrlcs rnd,a generat nelee of loved audlenci loved audlencl extent di-d I' b,tt every son: v/as so

ii,*"::iij';'$i],:Illi*i.,::i.q,i,'

Steven+ -pndy steven., -,4ndv

l"?iir-irt

unlorurlyong'patgi6,

ltib,tl*unh,'ar<'4,1 {:fil:_WP Efet,}adiuelt'ettetry9y.'* \UA;W*ffiW{lfilli*#y1ffif'ffi, li,Hi#Tt"FrV,l;i'i1,i:F;;y,:,rS't;y-;1y!111,X' yllfi-##F lyj1n1'"

;r{1cl6wt onelLi€+une ,04 the

l'ifi!'f*:rAiiiiilr,,&'n;r,,*,,ff#^::!/:r#'i:fo{'ll:;rlJur^," lFteninq, eLt) H5"*qf all thox-w yah.lyntv. \ettl.+'up LII trLe\ ?w.' IC.Y|I'.|LI ltre lili'1i;'t.ty"i7)-t:'!l:f"r,j.lnffi!ul,#tr*{,,i,itrr7r/8ir'rffi3 liri/ur|i;l-o''rt{r:;yvr"iz,g.19l!a.l,padvu*rlvxzl9dtte[Jtaet lyi,/n*ti.,t:7'4r,try!:,:ifll:,|^Ir^r|H!,'(Il1

' ,;;hrffar?fiigTfrn;;:""il;;":;; -*IacKf,lEfFtNtNS_ i;;;..'i,',;1,,.i;i;;_,i;l; Clock DVA'has ten 1egs. It

is lost behind a stotm of strobes. From where Irm sl-ttlng at the ttr' clubr ln Laeds, backeal up agra.ins; the arnp. stack, f get fragneatecl repeiitlvs impresslons of 6reen luninous digit;l"s set into the high technoroggr backdrop; a nangrove-bearded saxlst shreddlng bits of coltrane lnto spacio-tenporal" dlslocations; a Euitarlst wlth white poj.nted toe boot6 (wt:lch I envy), and two brok€n strlnge; and a vocallst wlth a Tomr,y Steel,e qulff and bag6ed unifonn parits rasplng what remalns of a torrnented cow across a vlolin. Novr in sllhouette' now 1n stark white leprous 11ght.

Clock DYA is doing "Drigads", a nuclear 16ve song, which wae thelr contributlon to a cornpllation E.P. of sheffield bands, tr1980 - The r,ilst lifteen l;llnutes". rtrs an lndustrlal romance.

jacket. ljach balletica1ly induced tear capturecl b;r the voyeuristic swoop of a vldeo cannsra freezing the event for futur€i scrutlny.

I suggest that the ltgldity of a drum machine works countel to lnprovlsati-on, stralghtJnckets spontaneity.

post-Ifotlernlst RJck banalr whj-ch neans they

donrt use guitars and have no drunmer. is sharp intelligeni songs fused. ttrrough punk-fueled adrenalin-rush and. processeti by a claunting annoury of .electronic noi-se. rhej nave ui E.1., rllusic Fourr , on thelr own lieutron iabel vrhlch lncludes the soundtrack sequence ca11ed rRiot Squadr / A c6ititiy-'CulUe'. lYhat they do have

tactile-threai

rYes it does in a wayr. but itrs good because the lmprovtsp.tion cones out voca11y. \,je don't stlck rellgiously to it because then your just statlc. we ale developiDt toruila a flnil of trUnl( l'lsLon."

cannibaliolng spoken lnserts

which fada lnto focus beforJ being sutneiged ln multi-layered j,ncandescent olectronj-cs.

Vice Versa spout the regu}atlon I,Iew Aueterity

spe11, thelr- tproductt, thelr 'advertisers irerceptlon of iruthr. yet behind 6uch cutesy relentless nrodernlty they have the intellect_

ual lntenslty to glve 1t contsnt, make it more than Jusi a irrrs_learrr_rnodel starlc". -rli" l" with the appiiance of sclence. They nake a1f the cc,nect cultural connections and wrlte 1lhen the nukes start to fa11 / and the eveni- a mean ll.anlfesto that arch-Futurist lJarinettl ng(of civltlsatlon) ls nlgh, we rr:ra wourcr snlle on. lvhen you buy lleutr€n you ^r4o"' -e will celebrate like this. a conceptuar package dear. you buy ,nu ,uifl rt's

a strange night.

?. orrlqse

1rn

Earller

cgporate

Genosis

nrirtarv ratlsues) supervlses

setting up i\lonte ca'zazza equipBent' synching ths tapes' gound check reverb careenlng actoss packed heads and poklng holes in the snoke. Thls 1s a two-place fifteen ul-nutes of eoncrete white noise. A girl who ls probably_Cosl Fannlr Tutti, ln leather sits

engrossed ln evoklng dlscord fi.on a ;ultar, and a guy sLth a syntheslr;er howLs

ln"o,,piei,ensiure

ryrics throush

voice

tllstortion.

Itrs eut-ups of sound like Boulez and Stockhausen used to construct in ?aris Arts tabs in the late Flfties, the klnil of thir\g al[led at elj-tlst LioCerrr classical audlences and reviewed in tntra-serloue arts nraia::lnes.

A little nore agresslve now perhaps, ar1d here ln leeds kids are bouncing up an.l down like ltrs Blondle or soEethllig.

Spontaneous reactions striking intultivel! at unprepared braln centres.

ler:

arounir.rhe stase event.horlzon

Rock

image' the whole shrlnk

wrapped' date

::il::l"llitii3til;.,lil T;t:"'; llir"r", the weapon-strike dellvery syste!, through whl-ch the prod.uct 1s targetted, comjLunlc&ted.

channelred,

and

,,llod6r", as in I\iary euant,, 1s &n as yet unrecordad song, thelr paen to consr.1gerlsm. ,,ilary nakes the nost of your trash aesthetic /

,ji"{"':":i:"'Jiil]"lr'Ll:;r:;::nr;:"liill"_;r, 1ethal get it

hooklines.

I hear it out of my head.

once and. I cairrt

In the corner of a pub before th,. gig, l.lark ,,?hlte talks in fast hwerous epithets.

IIe is around twentyone, intends stayin; ther€, has freshly shorn d.ark ha1! he keep6 obsesslvely with the flngers of irrigatlng IIe dlsclairrs ny tentative totf,I n.rri". snaloEles wlth other syntheslser bands.

i:unan or tho Human Loague.

lon results 1n columns of suoke d]niftlng haz11y accoss the snal(1ng vrlres and. cintrol boxes. ?eople stand around, watchlng like

orchestral

itrs'Speclal F-xt, Queenrs Dry-rce or son,ethins. rrn waichlng, 1a3er 1n hand,

we

1-ot -oJ thln.:s

,,

lllanoeuv?ss?

vork against that to produce

a

but il:::l:l.rr1:.t"*:;i:i:!ili*:*;:t;":l; to

pence a plnt ftm not offering at ftfty extingulsh the lnununent confla6ra.tlon. gound qrrtes on. rron the bacli of the sta6e Genesis r"t"r,"s-prr*es or snoxe g.ther end

l;,"

ne3atlve' but lt produces a posltive thing'rr Diartin Fry speaks more carefully' calcu)ating effect' 0n.staGe^he rc1ll later lead a

dlssolve, sestrcuratrna like a rerusee rrom ::lt-*li" i:ff:l-llltffi""ff;"::il: sla"' to the rront hurtllns smoulderlns ::tril::'|[: ?irll"_li*;";:t"j:1":":::;T;: Leather Jackets (button-badges of Throbblng crj.stre rori."'/ rov,,r.) ei oda tra.iact--T:":n:";::j,:tll*:rl:""i:: I:::"' orles l-nto the crow'l' A strange s15ht. conslderablc. rr res alvraye l-nterested in syntheslBe!3. rt var such a styllstlc T,etrs take a cRUrsE to obLivion / thls v'r'o tloo lrue levcletl'on. Te;qre lnto that kind of werll REALty get htgh. feellng. But re feel we have exhausted that Shlft of locatlon. llow cLock DvA is plqylng. fo:rn of sythrsl'rr' Martha Grahants l{odorn Dance, and Roadles

i

ill*;rrlli

dates 1n Rottordan, 'Jezz Violencer wlth

i:..: """' Hl::'H:"Hl,il.ili,'I'l:::;H*-1:11:'"" verted shlpplng refrne:cy where previously '*'"'i.;;:::-:*:li::|-..^...::::;-:tl ii'ilii"iriJ'liiii$'rfi.i"ii!'iiir"l,ilJili""

Joy Divlslon playod and ','J1lllarr Burroughs

t{ffi-in

geneologies.

The band coal-escing around '7?, drawlng inspiratlon from punkr but resistlng ths c11ch6 of falJ-ing into the three - chord thrash, channeling it rather, into nrore unorthodox forns.

I 11st other posslble '!nflue::ees for reaction.

J rftual auto_dcstruction of hie

on

offered

a 1ot of blueprlntsr'.

Pistols? "There rvouldn't be a nassive unrlertround now if it wasn't for the ?istols, the climate vrouf dnr:t have e::i,sted where a vihole undergr:ound cculd spr{ng up," A calcul:}ted pa.use. "Alr{-ght, ltrs gone a bit sour but a

discarded.leather Jackets. Jnternal combust$ So what about chart b:mds l1ks Cure or

'rllo'

tr'rom then I place to.;ethor

Bowie? "llets

dr1ll ;t::,:":"":i!llirii!.ln"ilulJl;r"ll'i"l]l

Upwards. As 1t gets hofter the alr get6 1nf t06re congested the li6hts get burled benJath

Speed - reattLng their biographlcal - date prlnt out ,/ tlanifesto.

"Our nethods involve seduction by cheap sexual fantasy, lies, appealing to the consuncrs greed and the iniplications of r'onantlc blr,ckness and modernity.

The effect is of shrlnk-wrap beef burgers".

Vice Versa come frorn Shefflel-d and thelr rnotlvss are rsituationlst or subversive, noral and Dadarr. Stephen Singleton, inslstant proposandlst and sonetimo sax player is being interviewed by Radlo Hallam.

Stage front lran and vocalj-st Vhlte sits on the ed8e of his chalr, l"eanitrg forvard to establish conversational territory. lercussionlst and synth player tr'ry slouches back 1n the well worn leather uphol-stery, a slurr of blonde halr infiltreting his forehead, voice sometlmes dropping beneath the level of background pub inanlties.

f l

have cone up whlch wouldn'.t have

EpeeneE=TFAFfse, vfrIcr". mI wo-utd-not havesupport€d, vhlch CBS would have let (tle."

Dada? n1be

thlng about Dada ls thet, whether they call l't Dada or not, ltrs a perroenent forc€, a perp€tual r€volutlon. lt,. " substit!-te rord for punk I suppose. The orl€1na1 gabaret yoltai!€ connection.

Hugo 3a11. Tristan tzara.n Cfric, i;oroeder? 'Disco is an etcelient vehicLe,,l Acl-d ?unk? i?he Standel.ls. Thl-rteenth ploor .dlevators. tI had too nuch to dreill Laat

!iq,ht'. I bought Lenq)r Kqyers .rliuggetls', cos I xas desperatg to get Uofa of flrst statenents-i Al-bumr

Earfy experiments dispensed with the bulkv ofrlythn 6enerato; and they took inprovisation into ihe realn of fornless aural nosaic.

Thls dlrectlon was curtalled as an inc€stuous self lnilulgence.

Llasturbetion llnited in appeal to both listener arld Eusielan. t,re furlher dlsposal of luitars ln favour synthesisers and a variety of prepared tape segrients was seen as a ftfuriaturlsatlon policy in preparatlon for beconin6 the flrst attach6 case ccuputer bani1. human drumner in favour

l,iartln I'ry orlglnall;r came round to interview thc band for h1s ';oCerr d.rugsrr fanzinc and he never 1eft, So therers riierre

st111 a cltance for Ee?

slzi-ng ;ou up."

Fry redir€cts ocnvetsation to l{eutrons cu}rent preoccurations.' 'fhat interests us is the

speed of operaticn. She1f - 1lfe for gve:.a-thin; is merked , Sell by. r everi.ihln€.

Records shoul,d ba'.'e a sticker on, 'lhis wil_l be out of f:sLlcn i-n three and a half ninutesr hlte

concurs.

'Cn ihe ray things thenselves

are

yrll".? up. 'ne tlid a. song, rlrtists at Yarn, exrcsln6 the cycl1ia1 'a shl ons.

Mocls coring baEEl you dLdn t tlilnk it had

gone away, but itrs back. Gradually speeded you canrt even se6 up. A gnorb3l-1 effect. then theyrre joing so fast.

I,Iow you 6et one-hit Dlsco wo.ders whlch is a true \{at hol flfteen ninutes.

Fry adnits to rFalklns in a dead. mantg shovsr throu€tr his ffu.st nonths with Vice \rersa.

They toureC rdth Cowboys fnternat1onal, treadlng the line betrveen ene?gy ana experinenta:1.n, neetlnd and subdueln6/ deflectlnE sklnheed opposltion at the Middlesborou3h Fock Cardens. ll:ey recorded "Cenetic ',larfa!e'r for the "1980 - The Flrst Irliteen L-inutesn corpllation.

Organisation of the records i:as along denrocratlc 1ines, each of four loca1 bands allotted four urinutes viqyl tlne and thirty-slx square inches of art area in the slx sldgd fol_d-out sleeve. lletron pressed it up J,n successive batches of 1r0OO. ft rias voted rBest Peckate of tlre lleekr by 'tlueloily Llakertj alral scored heavily on varlous alterratlve charts Vlce Versa supportod the best at ghoffl.eldrs Top Rank; played a Eerlss of hal.f hour sets ln the locaL Vlr;gln ahop intelspersod wlth

custo66i-rel:rtlons Futurarna F€stiva1.

chat;

and played tte-ieeils

But now 1t is 1980 - the next flfteen 'rThe next tbirty

ninutes'r

asserts

ninutes.

lry.

The materlal that has become nanlfest sb,ee Fry joined Jtrovides evidence of a renatrk:. able evoluticn.

Two numbers in particular stana out, 'tl;ary Quant" I aad, ttJazz Druds, Jazz Violencerr, the Latt6x available in cassette fo:n on thelr Neutron C60 t'i!i;ht Aspects of Ai)r11 iBOrr. '0n the eallj.er recorded rnaterlal the lyrics were nineir offers Mark lYhlte. 'rsince then thoyrve been a coDbinatlon of the band.

I'ie dLd "llody Scuplturett , ttJazz Drugs", and it was quit6 dlfferent.

The sound ls nruc4 ','/e I ve denser. l;ore dark, less elratlc. pooled to3ether nore on these song'r.

17111 this proouct be plaeed on vinyl-?

"At the nouent werre a bit dlsillusioned wltb the independsnt narket.

Itrs just saturated wlth rubblsh. \Ye apprecis.te the punk ethlc, do lvhat you v;ant, anybody can do it. tsut ltrs tot no coroaitncnt.

Itrs na-nj.festlng itself ln Rough Tradets attltude. they are becomlng Dole and mole selectlve. i',/lth the lndependants you r re reachlng a certain market.

A certain ldeol.ogJ. iYo don't want that, Ire want popu1lsh.

Yourve probably heard this line beforo from baD'ds. Itrs a dangerous Ilne between popullsm and crass cornaercj-alism You tend to sacrlflce one ior the other".

Shift of location.

Aft€r the Contl-nental tour they play home turf. r\t Sheffleld Clty Ha11 Vlce Versa ride that dan6erous 1ino, and acqult theDselves nagni-flcently.

And Clock DYA ls a nlhillstic C€rptain Beefheart wlth a bJ-aclr, black light show of repetitive and pure monochrome vertlcals ;Brid.1et R11ey gllds.

A fulI frontal pandamonium shadol sho\t wlth the deranged. vocallst and the man3rove-bearded saxist as conponents in a tlghtly controlled vlsua1 / audtal spectacle.

A fu1l relief cerebral massage. They flgure in all ihe rlght rrythologies.

Vocallst and tap€coaxe! Adl Newton wae involved with two

in an enterprlse cal1ed the Future.

Thelr contrlbutton to the North_Easterr rrHlc.ks frorn the Stlckerr l.p.

I'Yodre wlthout SoundF, conpllation was ploduced by Cabaret Voltalre at their Shefflelct TJesterll \yorks studlos.

AdJ. corcpounds th"- bands nystique, contendlng that "your alis]lke is ou! ranted reacti.ontt. !y1th fevents too perverse to perform openly, too decadent for Sheffield by far'r.

r'From the very beglnnint Clock DvA-tions? our ain lvas to provoke, to galn adverse response, to create the perfect. nornogranhic, electronlc v1olen6e.

A wall sound that svreeps". {t 1s a devsstatlng nrultipurpose concept th{1t they are cspable of translattng lnto an all-enconlasslng sensory event, encapsulating on viny1, or placing on fl1m.

Thelr movie, 'rcenltal-s and Cenoslan, featutes tpornograFhic surrealisnr.

It splLces filn of the Llyra Hinally and fan Sredy trlal wlth domestlc scenes of Genesis l. 0rr1d.5e at hone. fn perfomance the volce is treated. as Just another lnstrument, a devlce for producing sound and atsosphgre rAther than a conveyance for lyrlcs. ft is melded well down lnto tha aural vrash anrl is dlstorted into incomprehensiblllty. ijven the tvro roens read. at the City IIal1, with thelr cold-war alfuslons, are treated as B aounil (rather than a litoral) exercise. An tarrral wallptperr using unconventlal nrusic on convention3.l instruments, fofm and forraLessi'.

It is the dana.rcation line between the trvo band.s. f'or ylce Versa there i-s no such dellberate obscurantism.

Thelr lyllcs are well-structured, rlnd thelr importance to the brrnd is not to be underestl!0at!.1.

To misquote Chucli Xerry, f looked at Clock DVA, it was three-qullrte?s-vray past 19g0,

and lHfS i-s the uext fifteen uinutes! llext year when Vice Versa are sco?in6 sharp perceptive Top lhlrty hits (I1ke,,Jazz Drugen andrrljodern gs in lltarJ Quant,'), and Clock tVA are maklng pondarous hypnotlcally intense

t albu:rs (like their DVA-tions' ssette), I nlll rernenber"C1ock thls fistful night

s.

FURTIIER INFORTi{ATION AIID AXT \1ORK ABOUT rlrfItTROIJ RIJCCmST, VICX VURSA, and CL0CK DVA CrUI l.] O!?.iIN.uD I'ROiri : -

Stephen Singleton; Bowood Roail,

44,

Sheffield.

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VICE

51 1 8YG Telephone Sheffleld (A742) 665605

VERSA

CLOCK DVA

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The 3-piece on-stagd it St. Geo:^ge's are Blurt.

Drums and guitar set up regular discoid rhythms (detractors would call them blandly repetitive) over which Ted Milton crazes -with his sometines orthodox/most times freeforrn/ sometimes ana$ho-anti-musical sax playing;

this

interspersed with hoarsely screamed poetry that he chants into the shape of vocals.

it's a blend of innovation and masochism-for-the-masses. As theatre, it's fun, As unleashed eccentricity, it's delicious, Auna11y,

and ask who (audience or performer) was patronising whom. Me, i couldn't care less.

Drury is an extraordinary performer who blends the traditions of rock'n'roll and rnusic hall to'produce an unparal 1e1ed species of

entertajnment. Coupled with one of the best rock bands in the country, he's his own hero.

Nick Toczek.

5 are 3 black quvs and one white drunrner.

KritXeedtof Tigzag rockmag manages, so I expected more than silly outfits and punkish reggae/ reggaeish punk. The only'more' that I got was more Basement

and more

laddt/. tlrt lt4krdlrd(v pl.artd bthinl thr bay- fhe olw ''lst?l6l qdL q:dz i1a/ lo e E66d pltv ta ned uin iq enrl {t\'rLv rq lhtl ol +we +We qn ltltl ifil'+ f" ttltv neu x.htt ttiLV wllt t'ftrrltl<d (re4Frel , .rheqin, ?rb hn/e Veen) ve,t)1 + Lhey th{ Utn"{v pubttlity'f pivr^4 ull wilt- i eut'elle"vl t the att 'VU$j'^1 (yrc.zv, yo:ltr2, teefkFy) fat^ /eat,ue.d, b e nfu.. tX "i lrin*v,r',(ir, yul thr'(AN' n. ) io buiuq taantluX (egtu. fhr*

bored. A big disappoinlnentr

Dury & Blockheads - were a pre-Xmas treat.

About half of "New Boots" plus a whole bunch the new album. The band are as tight and exciting as they are ugly and 0LD. Drury's clever and often X-cert lyrics plus his shownan persona turn him into an F-'l hybrid o+ l'lax l4iller and Gene vincent. The unforoettable subt'ietv of the ooenino line

off

of 'Piajstow Patriciai (.Ari.lples, baitards, fucking cunts and pricks..."); the despair of

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DAVID BOWIE . BRUCE SPRINCSTEEN O ULTRAVOX O U.B.4O O THE HUMAN LEAGUE ADAM AND THE ANTS O FUNK JOY DIVISION O SPANDAU BALLET O STEELY DAN ORCHESTRAL MANOET-IVRES T B '52's O ELVIS COSTELLO O PETER CABRIEL e VISAGE JOHN FOXX . THE PRETENDERS I REGGAE r DEVO r AND fllfERilfrTil - MUSrC

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YOU DO, LOOK NO FURTHER MUSIC EVERY NIGHT PLUS :

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haw playott amarl-canlseal hard rock wl-th ,raclse four put harmonLes anal a nater lght, note petfect- eountl. Supported by they r Elx of rare tlepth anal clarlty' -@edlate1y struck as a very professlonal extreneLy flve conprlslng rad lndeed, lcconpllsheit md vereatll-e muslcians. ironteA by vocalist liartln cure' s'ho' lespite suffering from a dod&r throat :onattion, stil1 sang wlth great power and Fe€llng, brin;ing Rogers' Coverdale and Springsteen to nind, Chevy opened 1n llne style elth thel-r nane'sake 8aining fron audLence resp€ct ed participation the start. iyery song had a aanorable hook line ' though not €xactly lacking thelr guota of stand.ard rock clicbes as the titles nRoek On', and "Shj-ne Cn" 'Bock City"r a Chevy tend to stlck'to ogest.

cramlng as mar\y id.eas ano ]-nrrlcacre s u" po""I!L" intl each.nwbaffwhich, in oplnlon, thelr onfy real ptoblen 1les. Desl,ite thatr outstalding hlgh Euslcal standardat Chavy soEetines lack the essential grlpplng excltelent as their ilellvery becsnes cold and Thelr tlghtness is alnost clinlcal.

1l-ke a balrler naking thel0 dista.nt' deliberatlve antt sLlgtltly tedious.

Hosever, over the last half of the set thts problen was corxpletely overcone mil tho fin&le of "JohnnJr 3 coode'l could not haie contrasted nore. EYen the audlence vre::e invlted on stage.

i*."l."ii"ur"r1y

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for better things'

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