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BRIGHT OUTLOOK
A TOUCH OF CHRISTMAS
HOUSES FULL OF LIGHT & COLOUR
SIMPLY BEAUTIFUL DECORATING IDEAS
GREAT RENOVATIONS – SEE HOW THE EXPERTS DO IT
FESTIVE FINDS FROM INDEPENDENT BRANDS
GARDEN DESIGN TRENDS FOR 2021 TRAVEL WISH LIST – WHERE TO GO & WHY
CHEF SKYE GYNGELL SERVES AN INDULGENT WINTER FEAST
L O O K I N G F O RWA R D
JANUARY 202 1
LOVE IS ENOUGH
S A N D E R S O N D E S I G NG RO U P. C O M / M O R R I S & C O
JA N UA RY 2021
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NEWS & SHOPPING 11
OBJECTS OF DESIRE New design
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must-haves, from lighting to furniture NEWS Create your own modern table
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design and discover a new collaboration offering cheery dinnerware PASSION FOR PATTERN Beautiful botanical fabrics BIG CATS Bring out your wild side with animal print homeware A FEAST FOR THE EYES Decorative platters pretty enough to display or serve TABLE MANNERS Fancy napkin rings OPEN BAR A glamorous drinks trolley is your perfect party partner RAISE A GLASS Colourful and striking wine and champagne glasses
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INSPIRATION A PIECE OF HISTORY Michael Bruno, founder of 1stDibs, has set up home in a beautiful old mansion in New York’s famed Tuxedo Park, built in 1901 SEASONAL STYLE SECRETS Ten fabulous Christmas decorating tricks CURVE APPEAL Elegantly rounded forms bring softness and sophistication to this London property ALL THINGS BRIGHT Interior designer Kate Guinness’ family home layers vibrant patterns and historical colours DOWN TO EARTH A shared lifetime of belongings have been beautifully curated in this Connecticut farmhouse ENLIGHTENED THINKING An outdated Victorian townhouse has been injected with a touch of bright LA style GRACEFUL & REFLECTIVE Take in the beauty of Chippenham Park’s elegant frosted landscape WINTER’S ROSES We hone in on winter-flowering hellebores
COVER PHOTOGRAPH MARY WADSWORTH
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DESIGN
129 COLOUR OF THE MONTH Farrow & Ball’s Incarnadine is unashamedly classic and glamorous
130 FESTIVE FLOURISHES Fun and 137
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elegant decorating ideas to make your Christmas at home feel extra special GREAT RENOVATIONS Nine dream room projects, from an atmospheric dining space and bespoke garden room to a luxurious guest retreat GARDEN TREND REPORT 2021 Experts reveal what will be popular for our green spaces DOS & DON’TS WITH JUSTIN VAN BREDA The interior designer on his decorating ground rules
LIFESTYLE
20 22
ONE TO WATCH Sculptor Zeinab Harding A WINTER’S FEAST A celebratory menu from chef Skye Gyngell
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OUT & ABOUT This month’s pick of places to visit DREAM DESTINATIONS The places those in the know will be travelling to THE SUSTAINABLE HOME Sebastian Cox on his eco-friendly renovation project MY GARDEN LIFE Isabelle Palmer OFF THE SHELF A book showcasing the homes of some of the most talented hosts MOVERS & SHAKERS Three small retailers and their Christmas offerings MY LIFE IN TEN Furniture designer Russell Pinch shares some of the things he loves
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Right now 2021 feels like a year of promise. The promise of an end to the pandemic and a new US President. The promise of family get-togethers, open shops and buzzy restaurants. The promise of life going on. Whatever the new year holds, I find it uplifting to look forwards with hope. So this month’s houses are full of light and colour, we’ve spotlighted new garden design trends and our Great Renovations feature brings together brilliant projects by top designers. I have been spending time planning a personal renovation project, as we are due shortly to start on-site with the redesign of our Georgian F OL L OW US ON
terrace. With this front of mind, I am eagerly reading
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a Victorian home in Margate. It inspires me to think more carefully about what I am buying and how I am building. As this issue hits shops in December, we have also included a sprinkle of seasonal sparkle. We worked with chef Skye Gyngell to produce a mouth-watering winter menu, suitable for gatherings large or small. We assembled beautiful decorating ideas to create a charmingly festive
PHOTOGRAPH JAKE CURTIS
home. And we interviewed three of our favourite small retailers who specialise in joyful designs for gifting. For a last-minute gift fix, think of an H&G subscription. The deal of six issues for £6 makes it a savvy yet style-first solution. SARAH SPITERI, EDITORIAL DIRECTOR
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PHOTOGRAPHS (BANANA BAUCIS, 8 HOLLAND STREET) OLLIE TOMLINSON
SH OP PING
OBJECTS OF DESIRE Shoppi ng e d it or Jo Ba i le y pick s her ke y pie c e s for t h i s mont h (Clockwise, from top left) Array fabric in Dark Indigo, £165m, Makoto Kagoshima x Chariots on Fire for Christopher Farr Cloth Large Holden wall light, £492, Porta Romana Conchita woven place mat, £28, The Colombia Collective Hurlingham rattan bookcase in Rhubarb, £6,600, Soane Britain Wycombe armchair, £480, Neptune Banana Baucis pot (2020), £550, Freya Bramble Carter x Studio Krokalia at 8 Holland Street Swivel stool, £89.99, Zara Home →
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S HOPPING
(Clockwise, from top left) Exton mirror, £1,008, Vaughan Mini Frank table lamp, £890, Paolo Moschino for Nicholas Haslam Apadana armless chair in Midnight Green, £795, Oka Kuba cloth wallcovering in 1664 Sepia on White Island raffia, £81m, Phillip Jeffries Twine bench, £599, Studio Gud for Heal’s Onda teacup and saucer, £85, Beatrice Rossetti for Society Limonta Reactive glaze bowl, £85, The Conran Shop
12 H O M E S A N D G A R D E N S . C O M
A different perspective Some furniture is made for the here and now. Some is built to stand the test of time. At Neptune, we believe that the best can do both. Because good design never grows old.
Book an appointment to chat to one of our friendly designers – on us. neptune.com/a-different-perspective
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LIGHT SOURCE Interiors trove Design Centre, Chelsea Harbour has welcomed US brand Circa Lighting. This brand-to-know is committed to beautiful designs from hand-picked manufacturers and the new showroom does not disappoint. Keil swing arm wall light, £455, Aerin at Circa Lighting.
NEW BEGINNINGS In its 150th anniversary year, British textile firm Warner has been reimagined as Warner House. The relaunch aims to bring its extensive archive collection, consisting of woven and printed fabrics, wallpapers, paints, furniture and accessories, to a contemporary audience. Curtains and blind in Balmoral/Olive, £65m; cushions in Ambrogio/Pebble, £75m, all Warner House.
FEATURE JO BAILEY
SOUL SISTER Recognised for her decorative style and artinspired approach, interior designer Sophie Ashby has launched Sister, a unique collection of in-house designed furniture as well as refurbished antique treasures and artwork. Designed to
BON ANNIVERSAIRE
be Studio Ashby’s ‘younger sister’, Sister consists of pieces selected by Sophie and aims to combine affordability with fun. Antique finds include the Ashanti figures, from £100; Little Idol and Woman Idol, £120 each (studioashby.com/sister).
To mark 25 years, Caravane has launched a collection that pays tribute to the countries and craftspeople that it has been inspired by over the years. From Moroccan terracotta to Indian hand embroidery, the collection is a true celebration of travel. Pajaro and Suzi cushion covers, £95 each, both Caravane.
HOMESANDGARDENS.COM
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NEWS
DOUBLE HELPINGS Lifestyle brand La DoubleJ, renowned for its bold use of colour and maximalist style, has teamed up with Italian porcelain masters Ancap to create rainbowtrimmed soup bowls and dinner plates, perfect for a vibrant table setting during the festive season. To be used as single colours, mixed together or combined with existing tableware, these colour-popping designs really are a feast for the eyes. Soup and dinner plate set in Rainbow Verde, £80, Ancap x La DoubleJ.
IN GOOD COMPANY We’re delighted by Cole & Son’s latest collection with Historic Royal Palaces. Called The Great Masters, it pays homage to the artisans, craftsmen and monarchs who shaped the six royal residences (from Hampton Court to the Tower of London). It comprises 17 new designs, including the Verdure
MIX & MATCH The Wanderlust collection of tables from Davidson London offers a unique experience to design and build a table – with a choice of 12 colours, three sizes and six shapes. It’s a bold new direction for Davidson, known for its classic approach, yet we think this will be loved by customers and designers alike. Crayon table shown in ‘breakfast’ size in Azores and Bordeaux, £5,544, Davidson London.
16 H O M E S A N D G A R D E N S . C O M
Instag ram inspiration Founded in 1720, @la_maison_du_pastel specialises in quality, handcrafted soft pastels in over 1,600 colours. How would you describe your Instagram account? A celebration of colour and the beauty of our craft, which we hope will bring joy to people and open their eyes to the radical potential of the pastel medium. What is your USP? Although we have a charming shop in Paris, our page provides a unique look into the meaningful work that goes on behind closed doors. Who would you recommend we follow and why? @grismineralpaints developed under the discerning eye of make-up artist Liz Michael and @katierodgers the captivating artist formally known as Paperfashion.
FEATURE JO BAILEY PHOTOGRAPHS (INSTAGRAM INSPIRATION) MARGARET ZAYER/LA MAISON DU PASTEL
tapestry (118/17038), £500 a tapestry or £68.03sq m, Historic Royal Palaces and Cole & Son.
PA S S IO N F OR PA T T E R N
FEATURE JO BAILEY
E v e r y t h i n g ’s b l o o m i n g b e a u t i f u l l y o n t h e f a b r i c f r o n t (Top row) Bamboo Palm in Red, £98m, Jane Churchill; Knot Garden in Green, £75m, James Hare; Rushworth, £115m, Osborne & Little (Middle row) Japonica Embroidery in Cypress, £139m, Romo; Celia Vine in Citron, £114m, Anna French at Thibaut; Bellis in Silver Fern, £89m, Sanderson x National Trust, Sanderson at Style Library (Bottom row) Tereshchenko in Blue Topaz/Mutlicolour, £148.70m, Casamance; Luxford Embroidery in Indigo, £195m, Lee Jofa at GP&J Baker; Las Pozas, £316.20lin m, Élitis at Abbott + Boyd
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SH OP PING
BIG CATS
FEATURE JO BAILEY
A nima l-inspired desig ns are look ing w i ld for the sea son (Clockwise, from top left) Cheetah Kings fabric in Coral, £227m, Colony Luxury handmade golden leopard cracker, £50 for a set of six, Cox & Cox Menagerie border fabric in Lapis, £64m, Samuel & Sons Lion candlestick, £125, Montes & Clark Green abstract tiger rug, £139, Ian Snow George club chair, £2,995, Oka Leopard print bauble, £16, Harrods
HOMESANDGARDENS.COM
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This table with glass top cast from one of Zeinab’s wood-carving designs was shown at Collect 2020
O N E T O WA T C H From ex hibit ing at Collect 2020 to mak ing bespoke creat ions for pr ivate clients, scu lptor Zeinab Hard ing is cer tainly someone on our radar
20 H O M E S A N D G A R D E N S . C O M
L IF ES TY L E
Q
Tell us a little about your background. Sustainability is a constant thread that ties my experiences and education together. My background is varied: from facilitating art workshops in the Amazon where I was exposed to traditional skills to living and working in east London and being immersed in the arts culture there. My experiences have shown me the need for long-lasting sustainable design. Initially, I studied art at university, which was concerned with concept rather than craft. I later studied historical woodcarving and gilding at City & Guilds of London Art School, an intense, practical course with a wonderful community of craftspeople.
Q
Where do you look to for inspiration?
FEATURE JO BAILEY PHOTOGRAPHS (ZEINAB CARVING) NICOLE GOMES
I look both back to antiquity and forward to the contemporary. The study and meaning of floral ornament is a major theme. My work displaces historic ornament and places it in contemporary interiors, giving it many layers of meaning. I am inspired by so many different sorts of artists, from Bernini to El Anatsui.
Q
Tell us about your technique and the equipment you use. Firstly, the design phase involves studying ornament and designing a response to it. I then create a rough clay model, which helps me understand and refine the form of my design. After this, I draw my design onto a piece of planed, seasoned wood and carve it, looking to my drawings and clay model as a reference. For my carving, I use chisels and stay away from rotary tools or sandpaper; when
“MY WORK DISPLACES HISTORIC ORNAMENT AND PLACES IT IN CONTEMPORARY INTERIORS, GIVING IT LAYERS OF MEANING”
your chisels are sharpened well it leaves a crisp, beautiful mark that does not need sanding.
Q
What is your studio like?
It is an inspiring space, built in the 1930s. It was originally a shirt factory and since then has been inhabited by craftspeople – from florists to furniture makers. As it is wood-clad on the outside and has chipboard internal walls, I think of it as my urban tree house. It is full of sketchbooks, rolls of old chisels, workbenches and lots of wood.
Q
What’s been your favourite project so far? A collaboration with High Desert Observatory, which was facilitated by Bullseye Projects for Collect 2020. I carved a swag design in lime wood in response to the architecture of Somerset House, where it was to be exhibited. I designed and carved the swags in my London studio, took a silicone mould, which was then cast into a glass tabletop in California. The hand-carved nature of the wood can be seen in the glass in the facets made by the chisel marks, which are revealed by the refracted light.
Q
What’s in the pipeline? Before lockdown, without knowing what was about to unfold, I drew up some designs using
floral ornament that symbolised restoration and renewal coupled with architectural shapes. This work takes on more meaning in the current climate as renewal is something we seek more than ever. This year, I will be finishing this collection of work and I hope to be exhibiting it soon.
Q
How would you advise anyone wanting to pursue a career as a sculptor? Invest time in getting to know the material you want to work with and consider how you can use traditional skills in an innovative way. Always be bold and don’t be afraid to go against the grain.
Q
What is your average day like? I am an early bird and enjoy my morning cycle to the studio. My day can vary depending on what projects I am working on. I spend a lot of time in the design phase, which involves drawing in museums, looking at architecture and considering how my work would interact with interiors.
Q
If you weren’t a sculptor, what was plan B? I would have gone down the more academic route and been a doctor; I believe creativity and science go hand in hand. ■ zeinabharding.com
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A winter’s feast
Chef Sk ye Gy ngel l a nd her t e a m at He a r t h, Heck f ield Pla ce, have dev i sed a me a l per fec t for enjoy ing over cand lelig ht a s the nig ht d raws in RECIPES AND FOOD STYLING SKYE GYNGELL PROP STYLING ALI BROWN PHOTOGRAPHY EMMA LEE
22 H O M E S A N D G A R D E N S . C O M
WITH THANKS TO HECKFIELD PLACE AND HEARTH RESTAURANT
LI F ES TY L E
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A large, well-loved wooden kitchen table sets the scene. Gather around it a mix of classic Welsh chairs and rush-seated stools, strewn with snug throws that will keep everyone cosy long into the evening. Dried flowers and candles are natural partners to this warm, festive setting
24 H O M E S A N D G A R D E N S . C O M
IVA POLACHOVA JOYOUS CANDLESTICKS, FROM £140 EACH, THE NEW CRAFTSMEN (ALSO AVAILABLE VIA FLOW GALLERY). ESTER & ERIK TAPER CANDLES IN BROWN CHOCOLATE LONG NO79, £3 EACH; NATURE CANDLES NO73, £2.50 EACH, BLOMSTER DESIGNS. EVERYTHING ELSE, IN SITU AT HECKFIELD PLACE
L IF ES TY L E
HOMESANDGARDENS.COM
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Writing your own menu cards is a lovely personal addition to the occasion. Put any perceived lack of calligraphy skills aside and just enjoy putting pen to paper. This Caroube de Chypre ink is a dark bronze tone with a delightful metallic sheen that catches the light as you read
26 H O M E S A N D G A R D E N S . C O M
CAROUBE DE CHYPRE INK, £21; SPEEDBALL STRAIGHT PEN HOLDER, £2.80; NIKKO G NIB, £2, QUILL LONDON
L IFE STYLE
‘This is a menu I would serve in the days following Christmas – when everyone is still gathered together – perhaps straddling lunch and dinner when the light is beginning to fade. It’s simple, honest and comforting food – but still slightly celebratory in feel.’ Skye Gyngell
OYSTERS WITH PICKLED ELDERBERRIES AND HORSERADISH The pepperiness of the horseradish and the sharpness of the elderberries are a nice contrast to the briny, cool freshness of the oysters. Shuck the oysters and arrange on crushed ice, add a small spoonful of horseradish cream and top with the pickled elderberries, and serve at once. SERVES 6 12 oysters (allow 2 per person) Crushed ice FOR THE PICKLE 100g elderberries (fresh or frozen) 40g caster sugar 40ml red wine vinegar 40ml water FOR THE HORSERADISH CREAM 2 x inches of fresh horseradish 150ml crème fraiche A few drops of red wine vinegar A small pinch of salt ■
Place the sugar, vinegar and water into a small
saucepan and bring to the boil. As soon as the sugar has dissolved remove from the heat and pour over the elderberries. Leave to cool and refrigerate until ready to use (can be made in advance). ■ Place the crème fraiche in a bowl. Peel and grate the horseradish, stir into the crème fraiche and add the red wine vinegar and salt to bring the flavours together.
FOCACCIA DI RECCE WITH POTATO AND PORCINI This lovely dough is lighter and more buttery in feel than pizza dough – you can top it with almost anything. I love it with mozzarella, chilli and honey, as well as slow-cooked greens and anchovies. MAKES 6 SMALL FOCACCIA 250g plain flour A pinch of salt 125g water 25ml extra virgin olive oil 250g mascarpone →
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L IFEST YLE
POTATOES WITH ROSEMARY
SLOW-COOKED CHARD (See page 30 for recipe)
28 H O M E S A N D G A R D E N S . C O M
ROASTED SQUASH WITH BROWN BUTTER, HONEYCOMB AND SAGE
LAMB A LA FICELLE
FOR THE TOPPING 3 small potatoes such as Roseval, finely sliced skin on 2 porcini, finely sliced A little extra virgin olive oil, for brushing Salt and freshly ground black pepper 1 tsp chopped rosemary Freshly grated Parmesan
■
Sift the flour into a bowl. Make a well in the centre,
add the salt, water and oil, and roughly knead. Add the mascarpone and knead for 5 minutes until you have a smooth dough. Cover and rest for 30 minutes. ■ Slice the potatoes into the finest possible rounds. Slice the porcini finely as well. ■ Divide the dough into 6 rounds. Flour a dry surface and using a rolling pin, roll out to 1 8 inch thick. Arrange the potatoes first so that they are just slightly overlapping, followed by the porcini. Brush with olive oil and season with a little salt and pepper, then scatter lightly with the chopped rosemary. ■ Bake for 5 minutes at 200°C/Gas 6 or until the edges are golden brown and the potatoes are cooked through. Grate over a little Parmesan and serve immediately.
LAMB A LA FICELLE WITH POTATOES AND ROSEMARY The most difficult thing about this recipe is setting up your grill. At home it is easiest to attempt outside on a clear patch of ground where it is safe to build a tall fire. You then need to find a creative way to hang your lamb – an A-frame is probably the easiest but in theory you could even hang it from a tree as long as the branch is high enough not to catch fire. If you’d like to keep it simple and roast the lamb in an oven, I’d suggest you cook it on top of your rack with the potatoes beneath so the lamb drips directly on to the potatoes, flavouring them with its beautiful juices. SERVES 6 1 leg of lamb on the bone 24 medium floury potatoes Salt and black pepper 4 cloves of garlic, crushed Olive oil 1 bunch of rosemary, chopped
Start by washing the potatoes and leave the skin on. Place in a pan and cover with cold water; salt well. Bring to the boil then turn off the heat immediately and drain. While the potatoes are
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cooking, place the crushed garlic in a bowl, pour in enough olive oil to moisten and add half the rosemary – stir well to combine. Toss the potatoes in half of the seasoned olive oil then place in a heavy-based baking tray (preferably ceramic). Set aside while you prepare the lamb. ■ Season the lamb generously with salt and pepper and rub with rest of the marinade. If cooking over a fire, tie the leg by making a loop of string around the thinnest part of the leg and securing well with a strong knot leaving enough length to secure the lamb six inches above a fire. Alternatively, roast in an oven with the potatoes for 1½ hours at 220°C/Gas 7. Remove and let rest for 10 minutes in a warm place before carving.
ROASTED SQUASH WITH BROWN BUTTER, HONEYCOMB AND SAGE I grew up in Australia where pumpkin is a vegetable often eaten especially with roasted meats. It’s a good companion to roasted lamb – sweet and earthy! SERVES 6 2 onion squash Olive oil ½ tsp dried red chilli Salt and pepper 12 sage leaves 1½ tbsp honeycomb 3 tbsp brown butter FOR THE BROWN BUTTER 100g unsalted butter cut into cubes (room temperature) ■
Preheat the oven to 220°C/Gas 7. To make the brown
butter, place a pan over medium heat and add the butter, stirring with a wooden spoon as it melts. Once melted it will foam and sizzle – allow it to turn golden brown – it should smell intensely buttery, nutty and rich. Remove from heat and set aside to cool. ■ Slice the squash in half and scoop out the seeds but leave the skin on. Place in a bowl and pour over the olive oil, add the dried chilli, salt and half the sage leaves and toss together well. Place in a roasting tin and roast on the middle shelf of the oven for 40 minutes or until it is tender and slightly caramelised. While it is cooking fry the remaining sage leaves in oil until crispy – drain on paper towels and set aside until you are ready to serve. Remove the squash from the oven and place in a warm bowl. Spoon over the brown butter and honeycomb, scatter over the crispy sage leaves and serve. →
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SLOW-COOKED CHARD The variety of chard known as Swiss chard is one of my very favourite vegetables and very underrated – cooked in this way is has a creamy, deep flavour that is very moreish.
FOR THE PRUNES AND ARMAGNAC CARAMEL 24 good quality prunes, pitted 5 tbsp Armagnac 125g caster sugar 200ml water
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SERVES 6 2 bunches Swiss chard Sea salt and freshly ground pepper 3 tbsp extra virgin olive oil 3 cloves of garlic, finely chopped ½ tbsp butter
Bring a large pot of well-salted water to boil. Wash the chard well under cold running water and shake off excess water. Strip the leaves from the stalks and cut the stalks into short lengths. Once the water is boiling plunge in the stalks and cook for two minutes. Remove using a slotted spoon and drain in a colander. Now add the leaves and cook for one
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minute, then drain thoroughly. ■ Place a saucepan on a low heat and add the olive oil, garlic and butter. Once the pan is warm add the chard leaves and stems. Add a good pinch of salt. Place a lid on the pan and cook gently over a low heat, stirring from time to time for 30 minutes or so. It should be very soft, almost creamy. Taste for seasoning and serve at once.
BITTER CHOCOLATE CAKE WITH PRUNES AND ARMAGNAC CARAMEL This is an intensely rich and bitter chocolate cake that has a mousse texture. SERVES 12 500g dark chocolate 500g unsalted butter 500g caster sugar 8 organic eggs 1 shot of espresso 100g cocoa powder 1 tsp salt
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Preheat the oven to 160¡C/Gas 3. Prepare a 30cm
cake tin by greasing and lining with parchment paper and sealing the outside with foil. ■ Place the chocolate and butter in a bowl and place over a bain-marie, stir from time to time gently until melted and combined. Take off the heat. ■ Whisk together the sugar and the eggs on a medium speed until pale and pillowy. Gently fold a third of the melted chocolate and butter into the eggs and sugar, followed by the rest, one third at a time. Sift in the espresso, cocoa powder and salt and fold gently. Pour the mixture into the prepared tin. Fill a baking tray a third full of water and place the prepared cake in. Place on the middle shelf of the oven and bake for 35 minutes. Remove immediately and place on a wire rack. Allow the cake to cool completely before slicing. (This cake will keep well for a couple of days.) ■ Place the prunes in a bowl, douse in the Armagnac and leave to macerate for a couple of hours. Place the sugar and 75ml of water into a small heavy-based pan and place over a low heat. Stir once and then continue to warm without stirring until the sugar has completely dissolved. Now turn up the heat to high and cook until a deep caramel has formed. As soon as the colour is a rich caramel colour pour over the remaining 125ml of water. Cook stirring continuously until the caramel has thinned and is smooth. Pour into a bowl and allow to cool. Pour over the prunes and set aside until you are ready to serve the cake. ■ To serve, slice the cake and arrange on a plate. Arrange a couple of prunes on top and around the cake. This is particularly delicious when served with the addition of a spoonful of thickened cream. →
L IF ES TY L E
LINEN HIMLA NAPKINS IN SUNSHINE, £48 FOR 4, LARUSI. TRADITIONAL 3IN KILT PINS IN ANTIQUE FINISH, £29.90 FOR 10, THE SCOTLAND KILT COMPANY. ALPHABET STAMPS SET WITH INK PAD, £3, FLYING TIGER
For a personal place setting, pin a stamped name tag to a napkin with a dark kilt pin
BITTER CHOCOLATE CAKE WITH PRUNES AND ARMAGNAC CARAMEL
WHITE CHOCOLATE AND ROSEMARY NOUGAT (See page 32 for recipe)
WINTER SPICED EGGNOG (See page 32 for recipe)
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L IF ES TYLE WHITE CHOCOLATE AND ROSEMARY NOUGAT I love to end any meal with something small and very sweet but not cloying! MAKES 24 SQUARES 150g shelled pistachios 200g good quality white chocolate 125g unsalted butter 150g candied citrus peel 4 large, tender rosemary sprigs 1 vanilla pod, split lengthwise 440g caster sugar 125g honey 250g liquid glucose 60ml water 2 organic egg whites Good pinch of salt (You’ll also need 4 sheets of rice paper)
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Preheat oven to 110¡C/Gas ∑. Place pistachios on a
baking tray and roast for 20 minutes. ■ Cut the chocolate into 1cm pieces and place in the freezer to chill. Cut the butter into 1cm pieces and place in the fridge to chill. ■ Chop the candied peel. Strip the leaves from the rosemary and chop finely. Remove the seeds from the vanilla pod. Set everything aside. ■ Line a shallow 20cm x 30cm baking tin with two sheets of rice paper, folding it up to cover the sides. ■ Place the caster sugar, honey and glucose into a heavy-based pan and add the water. Place the pan over a medium heat to dissolve the sugar and bring to a boil. Once it begins to boil continue to cook until the syrup reaches 135 degrees. ■ While the syrup is cooking whisk the egg whites with a pinch of salt until the eggs break down. Then increase the speed and whisk until soft peaks form. Once the sugar syrup reaches the correct temperature remove from the heat and leave to rest for 5 minutes. Then with the mixer on a slow speed, slowly pour the liquid over the egg whites. Once added increase the mixer speed, which will help the mixture cool slightly. ■ When just warm whisk in the butter, followed by the rosemary and vanilla. Turn off the machine and fold in the pistachios, candied peel and chocolate. Pour the mixture into the prepared tin and press remaining rice paper on top ensuring any air bubbles are removed. Cover with parchment or oil lightly and chill in the fridge for at least 4 hours before cutting and serving. Serve with fresh verbena tea or mint tea.
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WINTER SPICED EGGNOG The glorious syrup for this recipe can be pre-made using spices that most people will have in their cupboards. It can be also be stirred into whisky for a twist on the traditional cocktail recipe. SERVES 4 2 medium free-range eggs, separated 50g Spiced Ginger Syrup (alternatively, you can use 50g caster sugar mixed with 5g ground allspice) 1 tbsp caster sugar 150ml whole milk 130ml double cream 120ml gold or dark rum Freshly grated nutmeg, to taste TO MAKE THE SPICED GINGER SYRUP 500ml simple syrup (make using I part water to 1 part caster sugar; mix and bring to boil, them simmer until the sugar is completely dissolved) 2g star anise 80g ginger 30g black peppercorns 2g cloves 5g ground cinnamon 12g coriander seeds
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To make the Spiced Ginger Syrup, toast all spices
barring the ginger in a hot pan for about 5 minutes – keep them moving. Crush the ginger. ■ Crush all dry ingredients once toasted. Add everything including the simple syrup to the pan and bring to the boil and simmer for 10 minutes. Allow to cool and leave to macerate for 24 hours or to taste. ■ Whisk the egg yolk with the Spiced Ginger Syrup (or the caster sugar and allspice mix, if using, but reserve one tablespoon) until fully incorporated. Stir in the milk, the double cream and the rum. (This mixture can be made ahead of time and kept in the fridge for up to 3 days.) ■ When ready to serve, whisk the egg white to stiff peaks with a tablespoon of caster sugar or the reserved tablespoon of caster sugar and allspice mix if not using Spiced Ginger Syrup. ■ Fold the stiffened egg white into the cream mixture. This will take time but persist until all the egg white is fully incorporated. ■ Serve in whatever glass takes your fancy. Grate a small amount of nutmeg over the top and float a star anise on top for effect. &
GALLERY Glossy ebonised floors reflect the light from the decorative windows. The bold dark tones show off Michael’s sculptures to their best advantage. Walls in Dragon’s Breath, Benjamin Moore. Limestone coffee table and wood and rush chairs, all from a Paris flea market. Camel head sourced on 1stDibs
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A PIECE OF HISTORY Michael Bruno, the founder of 1stDibs, knew this historic house would be the perfect home for his collection of antique and vintage finds WORDS JULIET BENNING PHOTOGRAPHS ERIC PIASECKI/OTTO
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EVENING SITTING ROOM Chic grey walls are warmed by the wood, suede sofas and rich gold chandelier. Wallpaper, Ralph Lauren Home. 1970 sofas by Milo Baughman; find at 1stDibs. Tristan chandelier, Lucca Studio. 1950s armchairs by TH Robsjohn-Gibbings in upholstery from Windsor Smith Home
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IN SP IR AT ION
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n the foothills of the Ramapo Mountains lies Michael Bruno’s Tuxedo Park home. The road to it winds around a frozen lake with the snow-covered pine trees reminiscent of an Alpine landscape. Only a half-hour drive from the edge of New York City, the extraordinary community of Tuxedo Park is where the entrepreneur and founder of 1stDibs has finally settled. ‘I typically like to move every eight years so that I can redecorate and I’ve looked around but I can’t find another house that makes me as happy as this one does.’ Michael’s original motive in finding a new home was to move closer to his office in the city. ‘I lived 40 blocks away and it could take forever to get there,’ he says. Tipped off about the historic houses in Tuxedo Park, Michael viewed five in one day, returning to buy one a week later. ‘Tuxedo has so many beautiful old homes it’s almost like living in a historic house museum park,’ he says, laughing. He now shares the house with Alexander, his partner of 20 years, and two handsome retrievers, Boris and Natasha. Built by the notable American architect John Russell Pope, the red-brick mansion is credited as one of his first domestic works. ‘It’s like owning a great piece of history and architecture at the same time,’ says Michael. ‘The house has a very modern floor plan for one built in 1901. There’s a lot of circulation and connecting doors as well as doors to the outside.’ Much of the house’s appeal was that it retained its original state with only the kitchen and two bathrooms altered. Famous for his aesthetic sensibility, Michael determined that the kitchen had to be gutted immediately. ‘I couldn’t even live with it temporarily, but I didn’t get to finish the new kitchen for two years, as I was busy with other things. I created a temporary kitchen that was rustic and more my style. It gave me the feeling that I was camping,
which I always like when I move into a new house.’ Underneath the modern cosmetic alterations, Michael was delighted to discover original windows, floors and doors. ‘I peeled back this layer of bad make-up and the house sprung back to life,’ he enthuses. ‘For the floor, I went for an extremely dark ebony finish as it disguised the nail heads where it had been sanded over the years.’ The house was initially such a riot of colour and pattern that Michael painted everything white introducing colour gradually, asking his friend the interior designer Windsor Smith to contribute ideas. One of Windsor’s epic challenges was working out where to place each of Michael’s beloved pieces of furniture from his collection. ‘I’m a compulsive buyer but I buy without considering where things might go. When I was developing the market place for 1stDibs, I would meet dealers all over the world. If I saw something I really liked, I couldn’t help myself. I thought, if I’m asking them to be one of my customers, I should be one of their customers, too.’ Consequently, pieces of Michael’s haul are shifted and moved, some going into storage. ‘We move things around constantly because I get bored and like to switch things out,’ he explains. For conjuring a festive mood, when surrounded by snow, the house is difficult to beat. ‘It’s an amazing place to be for the holidays. We typically get snow in December and over half our Christmases have been white. We light many of the fires.’ With the two retrievers basking in front of the roaring flames, a meal on the table and the house decked out in its finery, this sumptuous home summons the mood of Christmas in breathtaking splendour. & 1stDibs, 1stdibs.com; Windsor Smith Home, windsorsmithhome.com
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KITCHEN There’s a luxurious sense of space in here, which is exaggerated by the use of pale colours. 20th-century table, sourced in Antwerp. Pair of vintage bronze wall lights, Laurin Copen Antiques. The worktops are Italian marble; source similar at Amarestone. Blinds, The Shade Store
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INSIDER INSIGHT Michael Bruno shares his style inspiration and loves
GO-TO COLOUR Dragon’s Breath
GREATEST SUCCESS Getting the house
by Benjamin Moore
in the first place. I made a very low offer and I was
DESIGN HERO Jean-Michel Frank. I
surprised they accepted it. That was hard to beat.
bought his pieces when I lived in Paris. He truly was the first to create original design in furniture. His aesthetic still looks fresh 100 years on.
SECRET ADDRESS Red Chair on Warren in Hudson (redchair-antiques.com). It’s an amazing place to shop for vintage chopping boards, hotel silver and beautiful vases.
BIGGEST INDULGENCE I bought an
LAST PODCAST DOWNLOADED How I Built This with Guy Raz. WORDS TO LIVE BY My friends often
extra 80 acres adjoining the property. It’s forest with a brook and a waterfall and wonderful to walk in and look at but unnecessary in any other way.
make fun out of me for regularly saying ‘You’ll see…’. It’s when I see something crystal clear that others can’t and try to explain it to them.
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INSP I R AT IO N KITCHEN Slimline panelling, Italian marble and beautiful objets enliven the neutral scheme. Italian early-20th-century Murano glass tortoiseshell chandelier purchased from a dealer in Paris. Hexagonal mirror sourced in a Paris flea market. Find hexagonal floor tiles at Tiles Direct
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ENTRANCE HALL With so much light coming in, Michael was undaunted to use a dark colour. The original red tiles are the perfect partners for the rich charcoal walls. Walls and woodwork in Wrought Iron by Benjamin Moore. The naturally shed horns came from the Black Forest. Antique bell jar candleholders; similar antique umbrella stand, all 1stDibs
ENTRANCE FOYER White walls and woodwork offer a sharp contrast to the ebonised wood floorboards. The bronze chandelier is original to the house. Antique table from Paul De Grande Antiques, Bruges
KITCHEN The antique display shelving and storage box are characterful additions. The wood panelling came from trees milled on-site. The serving platter rack was sourced in an antiques store in Southampton, New York
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BEDROOM Purple-pink walls give the antiques a lively backdrop. Walls in Pale Iris by Benjamin Moore. The 19th-century bird prints were found at an antiques fair in Brussels. British colonial bed from Tod Donobedian Antiques, available through 1stDibs
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MASTER BATHROOM Mirrored panels deliver subtle glamour to a refined period-style scheme that features a free-standing bath and antique furniture. Walls in Hunter Green, Benjamin Moore. Bath and fittings from Kallista. Find a similar 18th-century ladder-back chair at 1stDibs
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COME TOGETHER WITH PRE-PLANNING AND THE HELP OF PRECISION APPLIANCES, THE HOLIDAYS CAN RUN SMOOTHLY
Showcase a collection of fine wines in the LG SIGNATURE wine cellar, £5,999
H&G P R OMOTION
You can do two loads of washing at once with the LG SIGNATURE TWINWash washing machine, £2,599
WE all want the holidays to be relaxed. Taking a simpler approach helps. Think coming together in the kitchen as preparations get underway, with delicious foodie scents from the oven floating over relaxed chatter and laughter, and the cook as chilled as everyone else. There’s no need for nerve-jangling fancy courses. As food writer, chef and restaurateur Ravinder Bhogal enthuses, ‘sharing platters can simplify things’. Having the right appliances will also help the family festivities go off without a hitch.
FEATURE CAROLINE RODRIGUES
Smooth operations ‘Drinks should be free-flowing and never run dry,’ says Ravinder. Two knocks on the LG SIGNATURE wine cellar’s glass touch display illuminates the inside, so everyone can see what’s on offer. Red, white and sparkling wines are each stored at their optimal temperatures and the cabinet monitors humidity and minimises vibration to protect the flavours.
Serve with ease Preparing food in advance will take the pressure off, so create enticing platters that can be passed around the table. To be certain that ingredients are kept at peak freshness, the LG SIGNATURE InstaView
The LG SIGNATURE InstaView Door-in-Door refrigerator, £5,999, uses the latest tech to keep food fresh
Door-in-Door refrigerator includes an intelligent air filter that removes up to 99.9% of bacteria. Everything stays cool when you check on the fridge contents via the two-way mirrored glass without opening the door. You can even use your smartphone to monitor and control the refrigerator with ease.
Stylish technology The LG SIGNATURE range of home appliances are all designed to bring style to your home. And when the holidays are over, they make those everyday tasks – such as doing the washing – a breeze. The TwinWash washing machine is a game changer for families, washing two loads simultaneously and quietly. The larger top drum takes a family-sized main load, while the mini washer is perfect for delicates and baby items. With premium appliances from the LG SIGNATURE range, everything’s taken care of.
FIND OUT MORE Visit lgsignature.com to find out more about the range
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A FEAST FOR THE EYES
FEATURE JO BAILEY
Painterly plat ters to add an ar t ist ic touch 1. Olney, £25, Neptune 2. Lobster large, £115, Emma Bridgewater 3. Herbarium oval, £215, Gucci Home 4. Multi splatter oval, £120, The Conran Shop 5. Octagonal raven, £220, Astier de Villatte at Liberty London 6. Kyma, £128, Themis Z at Matchesfashion 7. Oiseau Bleu, £47.34, Svenskt Tenn 8. Painted ware 1, £450, Martyn Thompson for 1882 Ltd 9. Brush stroke, from £16, Graham and Green
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TABLE MANNERS 1. Mixed fruit napkin ring, £84 for a set of four, Mercedes Salazar at Moda Operandi 2. Perlee napkin ring, £5, Caravane 3. Leaf brass napkin ring, £29.95 for a set of four (different leaf shapes), Nkuku 4. Cane napkin ring, £3.50, Graham and Green 5. Loop napkin ring, £21 for a set of four, Lind DNA at Royal Design 6. Indigo glass napkin ring, £6, William Yeoward at The Wedding Present Company 7. Natura napkin ring, £7, Nina Campbell 8. Rainbow cord napkin ring, £32 for a set of eight, Sophie Conran 9. Sandra woven napkin ring, £24 for a set of four, The Colombia Collective
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FEATURE JO BAILEY
No set t i ng wou ld be complet e w it hout t h i s f i na l f lou r i sh
uniquely yours...
for our latest brochure
nevillejohnson.co.uk | 0161 873 8333 STUDIES
BEDROOMS
LOUNGES
LIBRARIES
making everyday more comfortable
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OPEN BAR
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Dr ink s trolleys for hav ing Mar t inis at the ready 1. Edwin, £2,400, Balineum 2. Coniston, £890, Neptune 3. Hansel, £379, Swoon 4. Omar, £1,150, Paolo Moschino for Nicholas Haslam 5. Rosa, £2,067, Julian Chichester 6. Valet, £1,535, David Rockwell for Stellar Works at Do Shop 7. Julius, £1,039, Klong at Skandium 8. Lenox, £1,075, Oka 9. Bonnie, £330, Maisons du Monde
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RAISE A GLASS 1. Swirl wine glass, £9, HKliving at Smallable 2. Aurora wine glass, £12.95, Ichendorf Milano at SCP 3. Flume Smoked Blue wine glass, £15, Pentreath & Hall 4. Havana goblet in Amber, £48 for four, Soho Home 5. Tank wine glass, £85 for two, Tom Dixon 6. Elne champagne flute, £50 for four, Oka 7. Handcrafted Italian coloured glass goblet, £13.50, Tallulah Fox 8. Fali wine glass in Teal, £36.95 for four, Nkuku 9. Cosimo wine glass, £200 for two, Campbell-Rey x Laguna B at Matchesfashion
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FEATURE JO BAILEY
G e m s t o t o a s t t h e N e w Ye a r
&
OUT
ABOUT
The latest London hotel, new makers at a Somerset galler y ex hibit ion and a mag ical Chr istma s lig ht d isplay
VISIT: MAKE HAUSER & WIRTH, SOMERSET
The historical former Bow Street
You’re likely familiar with Make
Magistrates’ Court building is now a far more glamorous destination thanks to New York-based design firm Roman and Williams. The bedrooms look particularly welcoming, with oversized, floor-standing artwork and, for certain rooms, a copper roll-top bath. The all-day restaurant sits beneath an impressive glass-roofed atrium and serves plates inspired by executive chef Ian Coogan’s Mexican heritage. There’s also a library, serving coffee and wine, and a lounge called Common Decency where you will find an
Hauser & Wirth Somerset, a space dedicated to contemporary art and design. Since its launch in 2018, the gallery has exhibited work by more than 50 artists and makers. This winter, it will be showcasing pieces by Jane Ponsford, Mark Reddy, Romilly Saumarez Smith and Katie Spragg. Jane’s work uses repetitive processes to form textural pieces made up of paper fragments, Mark delves into the humble form of the spoon, Romilly creates jewellery from foraged treasures, while Katie makes sculptures based on our relationship with nature. The exhibition runs until 13 February 2021. hauserwirth.com
east London-style cocktail bar. thenomadhotel.com
DISCOVER: CHRISTMAS AT BELTON HOUSE, LINCOLNSHIRE Belton House is often cited as the perfect country house. It’s modestly sized, as far as stately homes go, but beautifully formed. However, it’s the Christmas light displays in the garden which, for the second year running, are set to serve up a visual treat this winter. The grounds will be transformed during December so that visitors can wander beneath tree canopies decorated with snowflakes, sparkling lights, stars and baubles. There’s giant luminescent candles and trees wrapped with colourchanging ribbons – and remember to look out for Santa. nationaltrust. org.uk/belton-house
DON’T MISS: Twirl into a world of costume, design and film from the last century at a special exhibition celebrating the history of the Royal Academy of Dance at the V&A, vam.ac.uk. 56 H O M E S A N D G A R D E N S . C O M
FEATURE RORY ROBERTSON. PLEASE NOTE, ALL INFORMATION CORRECT AT TIME OF GOING TO PRESS AND SUBJECT TO CHANGE
STAY: NOMAD, COVENT GARDEN
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DREAM DESTINATIONS The places those in the k now w ill be book ing for
FEATURE EMMA O’KELLY PHOTOGRAPH REALIMAGE/ALAMY STOCK PHOTO
2 0 2 1 (d u s t o f f t h o s e p a s s p o r t s n o w)
THE SKI RESORT: ST ANTON AM ARLBERG, AUSTRIA How will we do socially distanced skiing? How long will queues be at the resorts? There are lots of question marks over this winter’s ski season. Perhaps 2021 is the year to appreciate the mountains rather than haring down them on crowded slopes. Enter the village of St Anton am Arlberg in Austria, where speedy chairlifts provide access to over 200 miles of runs and plenty of off-piste routes. It’s a resort rich in Alpine beauty, full of local life and off-piste options, such as horse sleigh riding and curling. In the resort itself, Ullrhaus is a new family-run hotel opened by St Anton locals Franziska Alber and Michael Gfall (theaficionados.com/hotels/austria/tirol/st-anton/ullrhaus). It has all the usual Alpine trappings – glowing fires, a spa with three wood-scented saunas, a hearty menu and fine gluhwein – set in muted contemporary interiors injected with Tyrolean tradition. →
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Got the urge to holiday on a private island? Then head to Sweden’s western archipelago for some serious isolation. Sweden stands out for its successful stance on COVID-19, so the country feels like a safe bet, and with more than 8,000 islands to explore along the 280-kilometre archipelago, you’re unlikely to run into crowds. Base yourself on Hamneskär at Pater Noster (paternosterlighthouse. com) when it opens early 2021. This 150-year-old lighthouse now hosts a nine-bedroom guest house with its own restaurant, bar and outdoor cafe serving home-baked treats, fresh seafood and locallysourced seaweed. From here you can travel the archipelago’s many islands – Marstrand and Lysekil are not to be missed – by helicopter (Hamneskär has a helipad) or by private boat or ferry (vastsverige.com/en/bohuslan/island-hopping).
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PHOTOGRAPHS ERIK NISSEN JOHANSEN
ISLAND RETREAT: BOHUSLÄN ARCHIPELAGO, SWEDEN
PHOTOGRAPH PANTHER MEDIA GMBH/ALAMY STOCK PHOTO
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THE SAFARI: BOTSWANA Botswana’s Okavango Delta offers a tick-all-the-boxes safari experience. Xigera, a 24-guest safari lodge (xigera.com) on the western edge of the Moremi Game Reserve that opens in January, is unique in showcasing the talents of 30 of Africa’s top artists in a magnificent setting spread across two islands. Artists such as Adam Birch, Madoda Fani and Otto du Plessis have kitted out all 12 suites with bespoke handmade furniture, ceramics and textiles – their efforts the result of a collaboration between South African hotelier Beatrice Tollman and Cape Town’s Southern Guild Gallery. Guests arrive on a private light aircraft and all itineraries are tailor-made, from big game drives at any time of day to tours along the waterways in traditional canoes, glass-bottom mokoros and motorboats and sleep-outs in a three-storey steel baobab tree house a kilometre from the lodge. →
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THE CARIBBEAN ISLAND: ST BARTH After hurricanes Irma and Maria wreaked havoc in 2017 it’s good to see vibrant life returning to the region. Of all the islands, this is the one we want to go to now. When Hong Kong retailers, hoteliers and art collectors Adrian and Sonia Cheng launched the Rosewood hotel concept in 2011, they were clear that their offering would carve out a reputation for providing cool spaces that stay true to their surroundings. Le Guanahani St. Barth is no exception (rosewoodhotels.com). All 66 rooms, suites and villas (many of which have private pools) have been renovated by David Schwarz Architects and Luis Pons Design Lab to provide an understated luxury that doesn’t complete with the setting - which is one of the island’s best. Set across 18 lush acres on a private peninsula, Le Guanahani overlooks the golden beaches of Marigot Bay and Grand Cul-de-Sac and a vibrant reef.
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THE RURAL ESCAPE: TRANSYLVANIA
PHOTOGRAPH PHILIP VILE
Head to the heart of Transylvania, away from tourist spots of Dracula’s trail, to discover the quiet side of central Romania. Led by mother and son Gladys and Nikolaus Bethlen, but originally envisioned by the late Count Miklós Bethlen some 800 years after his family first founded the village of Cris, Bethlen Estates has been buying Saxon cottages, abandoned school buildings, castles and manor houses to preserve them by offering guest accommodation. The Caretaker’s House opened as a four-bedroom private rental last year and this spring, three more properties will welcome 20 guests. The two-bedroom Depner House can be hired exclusively, while the four-bedroom Corner Barn can be rented by the room. Cris is an excellent base from which to explore the area’s national parks and sites, including the 180-acre Breite Ancient Oak Tree Reserve and the medieval citadel of Sighisoara (bethlenestates.com). →
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THE LONG HAUL: JAPAN For sport lovers, Japan in 2021 is where it’s at with Tokyo hopefully hosting the Olympic and Paralympic Games next summer. In preparation for what they anticipate being a huge number of visitors, cities, resorts and rural retreats are rolling out the red carpet. In the pipeline are bijou bolthole, the Tower Hotel in Nagoya (thetowerhotel.jp), which mixes high design with small spaces; Japan’s first W Hotel in Osaka (w-hotels.marriott.com); and the transformation of Tokyo’s oldest jail, the Nara prison, into an upscale hotel run by Hoshino Resorts (hoshinoresorts.com). Beyond the cities, there’s the chance to kick back on the coast at luxury beach resort Hoshino in Okinawa (risonare.com/kohamajima), which opened last spring, or go glamping Danish-style in the Hygge Circles Ugakei campground, shown above, in Mie prefecture’s unspoilt Uga Valley (nordisk.co.uk).
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PHOTOGRAPH TOMASZ KISIELEWSKI/ALAMY STOCK PHOTO
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THE CITY BREAK: OSLO For those craving museums without the masses, Oslo provides a perfectly sized city break. This spring, two new museums opening on its waterfront boost its cultural cachet. The Munch museum (munchmuseet.no) dedicated to Norway’s most famous artist Edvard Munch will become the world’s largest museum dedicated to a solo artist. Around 28,000 works, texts, letters, photographs and personal possessions will be on show. Nearby, the Oslo’s new National Museum (nasjonalmuseet.no) will claim its own accolade: it’s the largest art museum in the Nordic region, with more than 100,000 artworks in its possession. Check into the Thief (thethief.com), or for the full Munch experience, the Clarion Hotel at Bjørvika (nordicchoicehotels.com) has joined forces with the museum and has a work from the collection on permanent rotation. →
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LIFES TYLE
THE GRAND GETAWAY: TUSCANY Strict safety measures have become par for the course in Italy. And, as a result, our old favourite Tuscany is still going strong. Torre Palazzone, a medieval castle set among 40 acres of rolling Tuscan countryside, sleeps 22, making it perfect for Covid-era weddings and large family gatherings. British couple Charles and Richenda Walsh spent 12 years reworking it from faded pensione into modern retreat. Like many a Tuscan pile, Torre Palazzone has had many incarnations over the centuries, but was originally built as a defensive outpost for Siena, which is 15 minutes away. Curated tours of Siena, taking in its fabled duomo and the ancient hospital Santa Maria della Scala, can be organised through rental agency Tuscany Now & More, along with a private chef and a fleet of staff (tuscanynowandmore.com/villas/torre-palazzone).
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THE COLLECTION
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L IF ES TY L E
THE SUSTAINABLE HOME Desig ner Seba st ian Cox char t s the renovat ion of his home, one inspir ing and innovat ively eco -f r iend ly idea at a t ime
I
n the excitement of buying our first house in Margate, we dreamed up plans for making our mark on it. But what we overlooked was the seemingly latent stuff which needed removing and disposing of. It seems most interior-design projects start with a skip. Sometimes they necessarily fill with the rotten and decayed, but all too often they are loaded because a house ‘needs updating’. We wondered if we could tackle the conversion of our house without a skip. A skip-less renovation would be an achievement, wouldn’t it? We began by focussing our grand creative plans through the lens of asking ‘to what extent can we work with what’s here?’. Inevitably, even as a skip-less project there would be some trips to the tip, but we could minimise them, repurposing materials or leaving things be rather than stripping back.
Sebastian and his family have high hopes for an eco-friendly renovation
Astonishingly, the bulk of the unworthy material was made in this century. Victorian features stand strong, while the cracked plastic bath, collapsing kitchen carcasses and bafflingly permeable plastic front door all are destined for landfill or recycling; not because they look tired and cheap, but because they are functionally failing. Ripping out a plastic bath pains me – if only the previous owners had bought better I wouldn’t be adding to the waste system. I promise myself that future owners won’t have to do the same. So how do we make sure the things we add to our house last? The answer to this tricky question has to look beyond physical longevity. The vinyl grey wood-effect floor in the kitchen probably had another couple of decades left in it; parts of that roll of plastic will sadly still exist in centuries time. But what it lacked from the moment it was printed was aesthetic longevity, or the ability to develop any kind of what
restoring its original features. Everything we’re adding will be designed with the same emotional durability that the house possesses, but it will also be entirely re-purposable. The kitchen, for example, will have solid-wood doors that can be repaired or reused or should retain enough value to be sold if necessary. The one existing modern feature made from solid material was a marble fire surround added to a 1970s electric fireplace in the living room. We carefully removed it and reused it in our bathroom, learning to cut and work stone to do so in a way I hope future owners may re-work our solid fixtures and fittings. Nothing will be extravagant in expense, but purposeful in effort. We’re making as much as possible ourselves from inexpensive materials. This gives us the go-ahead to make bold statements
the academic Jonathan Chapman calls ‘emotional durability’ with its owners. Knowing there are original Victorian pine boards underneath, we couldn’t keep it. We’ve settled on a plan shaped around integrity, repairability and truth to materials. We are upholding the integrity of the original house by preserving and
with colour on surfaces, such as walls or solid furniture, that can be reversed, and to also be considered when adding to the fabric of the building. We only include that which serves the needs of future owners and our environment. With another baby due this spring, this tight brief will help us focus. &
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Isabelle’s book Modern Container Gardening (£16, Hardie Grant) showcases her expertise in turning modest spaces into glorious green patches
MY GARDEN LIFE Specialising in small-space gardening and the ever-ex pand ing trend of container plant ing, Isabelle Palmer of The Balcony Gardener is def tly positioned to transform bijou out do or a r e a s i nt o ‘ t he f i f t h r o om’ 70 H O M E S A N D G A R D E N S . C O M
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Q
What first sparked your interest in gardening? My family have been avid gardeners for generations, so the seed was sown at a young age and I vividly remember my first taste of planting was a strawberry plant. In keeping with the family tradition, I also got my two-year-old her first strawberry plant this summer and she was still talking about it weeks after it had stopped fruiting.
FEATURE TERESA CONWAY PHOTOGRAPHS NASSIMA ROTHACKER, JACQUIE MELVILLE AND ALI ALLEN
Q
How did The Balcony Gardener come about?
“THIS YEAR GARDENING HAS BEEN PUSHED TO THE FOREFRONT. PEOPLE WANT THEIR GARDENS TO BE SAFE, TRANQUIL SPACES THAT ATTRACT WILDLIFE AND ARE BEAUTIFUL TO LOOK AT”
could take years to achieve the look you want. More care is required with containers, whereas big gardens can be left to their own devices a bit more.
Q
What is your approach to designing balconies? I approach them as I would do any
When I first moved to London I had a flat with two very small balconies – it was a contrast to the large garden I was used to growing up and I wanted to recreate a piece of that in my new home. When it came to populating the space with plants and
other room in the house. Clients will tell me about the sort of gardens they like and we try and create a condensed version of that. I pick up on the style of the room that leads to the balcony. There might be a beautiful painting on the wall that
furniture, I felt that there wasn’t the range of outdoor products available in the UK that suited my taste. It was also difficult to find anything that wasn’t made of plastic, so I began sourcing beautiful pots crafted from natural materials from countries like Sweden and creating and selling ready-made containers online. From there I started designing bespoke spaces for clients. My mentality throughout my career has always been to say yes to opportunities and find a way to make them work.
will inform the colour choices of the plants. I think of the garden as the fifth room and make the design fit the aesthetic. The finished space should elongate the home, so interior design is as important as garden design when it comes to small gardens and balconies.
Q
Containers or landscaping? At home I have a balcony and
a larger garden so I feel connected to both worlds. Both are enjoyable but if I had to pick it would be containers, the main benefit being the instant gratification. We can create amazing in a day, whereas in a large garden it
Q
Which garden designers influence you most? I take a lot of influence from interiors because to me they go hand in hand with garden design. But for garden designers, I like Isabel and Julian Bannerman who did the garden at Highgrove. They have a way of mixing nature with surrounding structures that is very original. Their style is undulating and looks like a beautiful picture. There’s structure, but there’s a wild harmony to it that fits with my design ethos. You need
order to hold it together but I like a painterly element, too. I went to art college and there are a lot of similarities between gardening and art as both are about creating a picture. I’ve always loved painting and colour is so important to me. How I express it now is in the garden.
Q
Have you seen any big shifts in garden design this year? Before this year nearly every brief had ‘pretty and low-maintenance’ at the top, whereas now it’s about more than that. Mindfulness and tranquillity play a huge part and people want to feel connected to nature – it’s about creating a welcoming space for wildlife as well as family and friends. The therapeutic element means that people are happy to spend a bit more time growing and maintaining. Next year it will be even more about multitasking. We expect our gardens to work a lot harder for us and become so much more than just a place to sit and have lunch. They are an entertaining space, a work place, a vegetable garden and a healing retreat.
Q
What’s next for you? I want to look into developing my own range of outdoor products – pieces that speak to my personal design ethos and aesthetic.
thebalconygardener.com& HOMESANDGARDENS.COM
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OFF THE SHELF Discover a world of g lamour and host ing w ith a new tome that inv ites you into the homes of ta stemakers
AS the owner and creative director of Parisian design firm Casa Lopez, Pierre Sauvage is a man in the know when it comes to stylish interiors fit for entertaining. In his beautiful new book, Be My Guest: At Home with the Tastemakers, he shares his love for art de vivre by taking us into the exquisite homes of 20 leading names from the fashion, interior design, beauty and art worlds. It’s a starry list, including Martina Mondadori, Aerin Lauder and Carolina Irving, to name just a few. Discover how each host entertains in their city apartments, country chateaux and seaside villas, some lavish in style and others rather rustic but each with a unique aesthetic and distinctive approach. As well as magnificent photographs that capture extravagant floral displays, art-filled living rooms and perfectly presented table settings, the pages are also filled with family-favourite recipes from each host. We were particularly taken by the tarte Tatin with salted butter from Catherine and Manuel Canovas and Christian Louboutin’s lemon mousse.
Marie Victoire Poliakoff serves Easter lamb cake, piroshki and borscht when entertaining, with recipes shared in the book
Be My Guest: At Home with the Tastemakers by Pierre Sauvage (£55, Flammarion)
■
Bedroom of Jean-Baptiste Martin and Vincent Farelly, founders of À Paris chez Antoinette Poisson
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FEATURE JO BAILEY PHOTOGRAPHS AMBROISE TÉZENAS
Marie Victoire Poliakoff’s home is filled with family memorabilia and paintings by her grandfather artist Serge Poliakoff
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MOVERS
&
SHAKERS
We v i s i t t h r e e m u c h - l o v e d s m a l l r e t a i l e r s t o celebrate the joy f u l desig ns they create and gather for the festive sea son WORDS FIONA McCARTHY
Lucy Uren and her partner Graeme Purdy decided to join forces to launch Rowen & Wren
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Beautiful and delicate hand-blown glass decorations, from £4 each
ROWEN & WREN Lucy Uren and Graeme Purdy founded Rowen & Wren in 2011 after they couldn’t find the ‘updated classics’ they were looking for. Working from their then cramped one-bedroom flat, which acted as HQ, warehouse and shoot location, the partners in both business and life created an online catalogue of ‘timeless’ pieces inspired by textile designer Lucy’s ‘natural gravitation towards collections of old stuff, from sherry glasses to mantle vases,’ she says. ‘At the time there wasn’t much representation of beautiful old products being updated in new finishes that could be loved for years as future heirlooms.’ Today, that same founding design ethos remains at the heart of all Rowen & Wren designs, from sofas
PHOTOGRAPHS ROWEN & WREN
An elegant handmade stoneware jug by Rebecca Williams, £48
and wall lights to knobs and knockers, much of which is made in close two-way collaboration with artisans in the UK and around the world ‘who are about quality not quantity,’ says Graeme. For Christmas, the emphasis is on simple pieces which bring a lot of joy. ‘It’s the little things like the Elden Advent candleholder that can flicker away on the mantle over Christmas,’ Lucy says of Rowen & Wren’s elegant brass candlestick, designed in-house and made by a fine craftsmen in India, which sits atop a lidded pot holding 24 numbered discs. Rustic tactility emanates through pieces like ceramicist Rebecca Williams’ hand-thrown bell, each one made on her potter’s wheel in Sussex, willow tree decorations woven by a British mother-daughter duo, beeswax candles sourced from Cumbrian-based Moorlands and ethereal glass icicle ornaments made by a designer in Liverpool (recycled from shards of glass salvaged from around the city’s streets). There are also soft Welsh blankets, thick woolly socks and mittens by a designer in Margate and wrapping paper from Nepal, made largely by women’s collectives using recycled wood pulp found only in their region. ‘I’ve always been a country girl at heart, so nature is always the beginning point of everything we do,’ says Lucy. → ■
rowenandwren.co.uk
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NKUKU ‘We’re all very sentimental, so Christmas is a really big thing for us,’ says Nkuku’s co-founder Alex Cooke, ‘but it’s also largely about supporting low-impact artisan techniques working with natural materials, such as recycled glass and aluminium, rattan and UK-friendly hemp. Christmas can be such a wasteful time, so we try to design pieces that will be kept forever,’ she says. Alex, trained in interior design, co-founded the Devon-based Nkuku (‘Nu-kuh -kuh’) in 2003 – today based out of a series of renovated derelict barns near Totnes – with her husband Ali after a year-long adventure through Africa, Asia and Australia together in their twenties. They started writing their
Alex and Ali Cooke: the couple who set up Nkuku
business plan on the back of a paperback, their aim ‘to really support the artisans we wanted to work with in a very ethical and eco-friendly way.’ ‘Understated opulence’ lies at the heart of Nkuku’s festive table colour and texture palette – with wood as a neutral, there are layers of etched glass, handforged cutlery and thick linen napkins. The rustic antique brass finish of designs such as the long, lean Mbata candlesticks, achieved during the soldering process, ‘reflects even further the warmth of Christmas candlelight,’ she furthers. Working with small makers in India, Vietnam, Indonesia and Morocco to in-house designs, there are traditional decorations such as sustainable mango wood stars and wire wreaths that can be wound with decorations and foliage, alongside more intricate decorations such as the little Ramya wire reindeer, each one handwoven and sculpted, and the hand-dipped metallic bottoms of the Nari recycled glass baubles. For the delicate, intricate Tula wreath, every leaf is hand cut into shape, in different tones of metal, finished with tiny metal berries. ‘There is so much work in each piece,’ says Alex. ‘Essentially each one is unique because of the process behind making them,’ she enthuses. →
Geometric-shaped Talini wreaths, from £29.95, and Derwala candle holder, from £29.95
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nkuku.com
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PHOTOGRAPHS NKUKU
New-season pieces include the Ovah marble cake dome, £69.95; Ovah marble coasters, £24.95 for set of four; Mbata brass candlesticks, from £19.95 each
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The Shop Floor Project is run by mother and daughter duo Samantha and Denise Allan, seen here holding scarves from their Plant Hunter series
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Paper chain garland kits come in 10 different patterns and colours, £14.50 per pack
THE SHOP FLOOR PROJECT Samantha Allan and her mother Denise Allan, both practising fine artists and trained curators, started The Shop Floor Project (TSFP) online almost 15 years ago with the idea of ‘nurturing talent’, says Samantha, inspired by having run a Spitalfields Market stall during her Fine Art degree at London’s Guildhall University. ‘We sold old and new things, things by our friends who were makers. It was very popular – even Gilbert & George used to come by.’ Today, the pair collaborate with artists and designers to create everything from cushions, ceramics and sconces to paintings and textiles – all developed to fit with The Shop Floor Project’s romantic, other-worldly aesthetic, often echoing the dark, moody lyricism of Tudor times and 16th-century Dutch paintings. ‘It’s an atmosphere we adore in our own homes and in our own artwork,’ says Samantha. For Christmas, there are tin ornaments handcrafted in Mexico to TSFP’s sketches of folk-art characters including an angel, lion, crown and a funny Jumping Jack man; pretty patterned socks by Minju Kim
PHOTOGRAPHS EMMA LEE
(whom Samantha spied on Netflix’s Next in Fashion); and paper crowns painted by Raphael Balme – ‘in lieu of the horrible paper hats that come with crackers,’ enthuses Samantha. There are patterned paper chains you can mix and match, and antique trays Denise has hand-painted with local estuary wading or woodland birds seen not far from TSFP’s base in a mid-19th century gunpowder warehouse in south Cumbria. TSFP’s fabric kits are a constant sell-out – this season, there are famous female figures to sew as ornaments (Jane Austen, Elizabeth I, Dido Belle), designed by collage artist Amanda White, and an embroidery starter kit – inspired by Natalie Chanin’s book The Geometry of Hand-Sewing (Abrams) – to teach different stitches, which can then be applied to the hand puppets designed by Samantha. Everything sold comes with a little story card, detailing the design process behind it. ‘We want people to cherish and keep our things, and then pass them – and their stories – on.’ ■
theshopfloorproject.com
Denise Allan’s hand-painted trays, from £225
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SEASONAL STYLE SECRETS COLOUR CLASHES, CANDLES AND SUBTLE NATURAL TOUCHES: SOME FAVOURITE TASTEMAKERS REVEAL THEIR CHRISTMAS DECORATING TRADITIONS
MIX IT UP I grew up in Germany and have a collection of tree decorations found at Christmas markets over the years. I love the mouth-blown glass baubles that are made for you while you wait. On the table, I use a white base cloth and a runner made from our yellow Ojo fabric with fresh eucalyptus draped across it. It’s festive but with an African touch. At the centre is my typically German Advent wreath, paired with candleholders. Willow Crossley’s garland is a heady mix of foliage and flowers
WE NEED MORE COLOUR IN OUR LIVES AT THE MOMENT. I LOVE PINK AND RED SO I’LL
EVA SONAIKE, designer
Aswathi tablecloth set, £195, Oka
USE LOTS OF BERRIES AND DRIED PINK STRAW FLOWERS. TRY A MANTLEPIECE GARLAND WITH EUCALYPTUS, RUSCUS AND DRIED HYDRANGEA, PLUS SCENTED PAPERWHITES AND HYACINTHS. WILLOW CROSSLEY, floral stylist
STRONG SHADES I’ll use a mix of cobalt and emerald – a surprising combination of textures and colours feels dynamic and interesting. My tree veers on the minimal; lights are a must and I decorate it with garlands of fresh flowerheads and silk ribbons. I wrap gifts in coloured tissue and brown paper and use foliage to make each one feel really special. TRICIA GUILD, founder, Designers Guild
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I’LL BE DRESSING THE TREE THIS YEAR WITH PHOTOS OF MY FAMILY
SCENT WITH CITRUS
IN SMALL FRAMES. IT’S
We choose a tall tree for our open-plan living room and decorate it in one or two colours and LED lights with a remote-control switch (no wires, it’s life-changing!) I throw dried oranges on the fire rather than
CERTAINLY A STRANGE TIME AND WE MUST CELEBRATE AND REMEMBER EVERY POSITIVE EVENT. Shalini Misra, interior designer
kindling for an amazing scent. Sue Jones, co-founder and creative director, Oka
INS PIR AT ION
SUGAR AND SPICE
IT’S A WRAP
We’ll be making glögg, a traditional Swedish tipple. It’s similar to mulled wine but with ginger, cardamom and bourbon, and it has an amazing aroma. Branches of pine also bring a beautiful fragrance, while tangerines dotted
I prefer paper that can double for other gifts so avoid anything Christmassy. I’ll use marbleised paper with grosgrain-ribbon bows. We each have our own stockings made from scraps
with cloves make a pretty display.
of fabric – mine has an ikat silk front and leopard print back.
Angus Buchanan, creative director, Buchanan Studio
Tiffany Duggan, founder and director, Trove and Studio Duggan
I GATHER HOLLY, IVY AND BERRIES TO MAKE WREATHS, LAY FIR BRANCHES ON SHELVES AND ARRANGE PINE CONES IN A BOWL ON TABLES. FOR A COSY ATMOSPHERE, I PAIR TEA LIGHTS WITH SOFT FAIRY LIGHTS DOTTED AROUND. EMMA SIMS-HILDITCH, creative director, Sims Hilditch Simple fir boughs add a subtle festive mood
Vintage festive decorations are key to this look
A SENSE OF TRADITION I feel drawn to painted-wood decorations and calm, organic colours, with fresh wreaths above the front door and the windows in the living room. There are cashmere throws across the sofa, and candles in assorted glass jars on the fireplace, windowsills and outside on the terrace – it’s a traditional British look for me. ISABELLE DUBERN-MALLEVAYS, co-founder, The Invisible Collection
HAVING SPENT TIME FEATURE JACKY PARKER PHOTOGRAPH (A SENSE OF TRADITION) TI-MEDIACONTENT.COM
IN FLORENCE, I’M PARTICULARLY PARTIAL TO THE SCENTS OF THE FARMACIA OF SANTA MARIA NOVELLA. I FILL GLASS BOWLS WITH THE FABULOUS POTPOURRI AND ALSO USE ITS WINTER ROOM SPRAYS TO CREATE A FRAGRANCE-FILLED HOME REMINISCENT OF MY TIME IN ITALY. SUSI BELLAMY, artist and designer
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“WITH STUNNING HOUSES AND GARDENS, EXPERT INSIGHT FROM INTERIOR DESIGNERS AND FASCINATING STORIES FROM INNOVATIVE MAKERS, A SUBSCRIPTION TO HOMES & GARDENS IS THE ULTIMATE INSPIRATION RESOURCE” Sarah Spiteri, Editorial Director
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CURVE APPEAL Designer Irene Gunter is behind this Chelsea home that uses rounded forms to stunning effect WORDS RACHEL LEEDHAM STYLING HANNAH FRANKLIN PHOTOGRAPHY MARY WADSWORTH
HALLWAY Wall sconces mounted on a bespoke antiqued mirror set the mood of subtle glamour that runs throughout the house. Bow console table with Arabescato marble top, Loom Furniture. Archetype Lake runner by Kelly Wearstler,The Rug Company. Castle Peak small sconces, Visual Comfort. Bespoke antiqued mirror, KS Sypien
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SITTING ROOM The choice of textiles, which includes a striking embroidered artwork, brings touches of colour to the elegant space; the rounded pieces soften the linear architecture. Teardrop chandelier, Rim Casa. Artwork, LRNCE at Cadogan Contemporary. Mouna sofa (left),The Sofa & Chair Company. Pebble sofa (right), Fred Rigby Studio
KITCHEN A smart trim lends definition to the blind and ties in with the fabric used for the back of the bar stools. Candy bar stools, Style Matters. Bar stool backs in Toi in Husk V3303/08, Villa Nova. Bar stool seats and blind trim in Silkwood 0028; blind in Trama 0003, both Sahco. Floor in Calacatta, Kinorigo
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KITCHEN ‘This space is situated on the lower ground floor and it was never going to be flooded with light, so I suggested that we embrace this with warm timbers that complement the stone splashback,’ says Irene of the oak cabinetry in a rich chocolate hue. Kitchen design, Gunter & Co. Splashback in Patagonia stone, KS Sypien. Worktops in Calacatta Lusso CQM426, Classic Quartz Stone
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STUDY AREA The decorative screen serves as a piece of art and helps separate the formal sitting room from this study area housed in the conservatory. Papillon screen, Tom Faulkner. Bespoke desk, Empyrean. Camilla swivel desk chair, Anthropologie. Conrad lamp in Plaster White, Porta Romana
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hat is striking upon entering this stuccofronted house in the heart of Chelsea is that there are very few right-angled piece of furniture in sight: the hallway console has a gently rounded marble top; the formal sitting room’s voluptuous sofas are teamed with equally shapely coffee tables and much of the
where marbles are key; they always feature on the floors and in the kitchens,’ explains Snowy. The couple particularly loved an unusual, patchwork-like Patagonia granite that Irene suggested, and this exotic stone plays a starring role as the splashback in the kitchen on the lower ground floor. Eyecatching stones continue to weave a thread through the house, from matt white Palissandro marble for
bespoke cabinetry displays subtle curves. Even the shower in the master bathroom has a beautiful bowed glass screen, designed to echo the lines
the sinuous base of the dining table to translucent alabaster for the table lamp in the master bedroom. Snowy’s go-to interiors palette is predominantly
of the vanity unit on the opposite wall. Irene Gunter of interior architecture firm Gunter & Co, the designer behind this extensive renovation, is a great advocate of curves. ‘They relate to the concept of biophilia; human beings respond much better to soft shapes rather than harsh lines and corners, so introducing rounded forms contributes
pale but Irene encouraged her to embrace subtle touches of colour: gentle blues, greens, golds and pinks, complemented with accents of warm antiqued bronze. The hues give energy to the rooms, enhancing the classic architecture that includes ornate cornicing and panelling – details Irene reinstated to give another layer of character to the spaces.
to a feeling of comfort and belonging,’ she observes. The homeowner, Snowy Li, who shares the house with her husband, Barry Wen, is equally enthusiastic. ‘The curves soften the rooms and give the schemes an almost art-deco feel,’ she notes. Snowy and Barry are a young, dynamic Chinese couple who work as a fashion designer and entrepreneur respectively, and they travel extensively both for business and leisure. Their global outlook informed the brief for this house. ‘We have stayed in a lot of wonderful hotels and these have really helped us to define what we want from a home,’ recounts Snowy. She continues, ‘We know, for example, how important lighting is to us. We love soft, warm light and rooms that exude a sense of luxury.’ When Irene pressed the pair to define their notion of luxury, beautiful stones immediately came into the
The entire first floor forms an indulgent master suite and here Snowy’s favourite room is the master bathroom. ‘I can simply stand and look at it for a few minutes every day, it is so dreamy,’ she says. The scheme sees panels lined with cloud-patterned wallpaper by Fornasetti, complemented with oversized scallop-shaped sconces and a free-standing bath – perfectly curved, of course – that is centred on the window to enjoy views of the garden. Snowy jokes that prior to the pandemic, their home was one of the most sociable houses in Chelsea. ‘Barry and I never used to cook much but with this wonderful kitchen we’ve experimented with every type of cuisine: Chinese, Brazilian, African, Italian and English,’ she enthuses, adding, ‘when you have such a beautiful space, you want to get your friends over to spend time in it.’ &
conversation. ‘Barry and I both grew up in Beijing
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INSIDER INSIGHT Designer Irene Gunter shares her style vision and loves
GREATEST SUCCESS We loved designing Snowy’s study. The space is beautiful and bright, so we wanted to source pieces and design joinery that complemented this while ensuring we had sufficient storage for all of her files – plus her shoes!
WHAT’S ON YOUR COFFEE TABLE Educated by Tara Westover, an incredible book that I’m finding impossible to put down.
LAST THING YOU BOUGHT FOR YOUR HOME Abigail Edwards’ Seascape in Winter wallpaper for our garden studio.
YOUR MOST PRIZED POSSESSION My engagement ring – I was lucky enough to design it myself.
SECRET ADDRESS Cadogan Contemporary in South Kensington for the most amazing art collections.
NEXT GAME-CHANGER IN DESIGN Well-designed wireless table and floor lamps for maximum flexibility.
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MASTER BATHROOM Curved edges enabled Irene to make the vanity as large as possible. The cloud wallpaper adds to the scheme’s dream-like quality. Nuvolette wallpaper by Fornasetti, Cole & Son. Scallop shell wall light; small Orb pendant lights, all Porta Romana. Barcelona bath, Victoria + Albert. Ambra tumbler, Waterworks
BATHROOM The lines of the abstract paper work beautifully with the veined Port Saint Laurent marble. Graffito wallpaper in Linen/Onyx by Kelly Wearstler, Lee Jofa. Plaza mirror, Loom Furniture. Conroy wall lights in antique bronze from the Hanbury Collection, Jamb
MASTER BEDROOM ‘I added the border to avoid seaming the main carpet, but I actually think that it adds another level of luxury,’ notes Irene of the flooring. Selina side table, Porta Romana. Bennet sculpture, Arteriors. Pacha lounge chair by Gubi, Chaplins. Carpet in Takori in Crème/White, Stark. Carpet border in Eden, Warp & Weft
SITTING ROOM Pattern on a multitude of surfaces, including lighting, makes for a vibrant and unique look. Lamps, Kate’s online shop. Shades, Howe London. Sofa by Kate Guinness; upholstered in fabric she designed with Gainsborough. Ottoman (in front of sofa),
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Covelli Tennant. Cushions, Guy Goodfellow Collection, Fermoie and an antique Fez (centre). Walls in Old Oyster AB11 by Adam Bray at Papers and Paints. Christmas tree, lights and plain baubles, John Lewis & Partners. Wrapping paper, Rowen & Wren
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ALL THINGS BRIGHT Gorgeous colours, pretty patterns and an eclectic sourcebook of makers contribute to the charm of interior designer Kate Guinness’ family home WORDS JULIET BENNING STYLING JENNIFER HASLAM AND MILLY BRUCE PHOTOGRAPHY JAMES MERRELL
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HALLWAY The dark blue of the skirting board picks up on the blue in the original Edwardian tiles and anchors the pale plaster-coloured walls. Console table, Vaughan. Lamp, Katharine Paravicini. Walls in SC240; skirting in Slate Blue SC761, both Papers and Paints
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KITCHEN A custom-made outdoor rug lined in a punchy pink protects the pine floorboards. The island table offers flexibility, while three rows of glassware and ceramics add character. Custom-made kitchen cabinets, T. Toomey Building; painted in Apsley House Railings SC329 by Papers and Paints. Carrara marble worktop, Rectory Stone. Tap, Aston Matthews. Table (as island), Lorfords. Flowers, Serena Smith at Smith & Payne Gardens
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alking to the interior designer Kate Guinness, it’s immediately obvious that her home has had two very different identities – the one before marriage and children and the one after. Living with ‘a rotation of flatmates’ for four years, Kate fleetingly hints at the wild parties of bright young
for hues that have historical significance. The custom-made kitchen units, for example, are a green that has now become part of Kate’s logo and a signature in her work. ‘I went to my friend Adam Bray and he suggested we use the colour matched to the railings at Apsley House by Patrick Baty of Papers and Paints. The company does a lot of
things. ‘I started searching for my own property in 2012. I was actually looking for a flat rather than a family home. But when I was shown this house
historical paint matching,’ Kate elaborates. With a background in set design for opera, Kate’s interiors are always touched with dramatic flair, whether it’s
I completely fell in love,’ she says of the now fivebedroom Edwardian house in west London. But in 2016, the household of young professionals changed when Kate’s now husband, Julian, moved in. ‘I’d already done work to the bathrooms, but we began renovating more of it. In the same year, we got married and I started my business. It was a complete
from the artwork, fabrics or light fittings she selects – the dining room chandelier, composed of teacups and wine glasses, is a perfect example. When the building work had been completed, Kate and Julian began to source the extra furniture they needed. ‘We didn’t have a huge budget, so it was a gradual process but I much prefer interiors to look
whirlwind.’ The project kicked off with the basement, which Kate recalls as rather grim. ‘It was disgusting and damp, down a dangerous set of stairs. Now it’s a lovely, clean laundry room,’ she says triumphantly. The couple chose to expand with a loft extension and side return, but developed their own cunning twist on the ever-popular solution. ‘We decided rather than have the kitchen at the back of the house, instead to move it to the middle room, which often doesn’t seem to get used at all. From there you have a full view of the dining room and sitting room either side.’ The floor plan is especially beneficial for watching young children, which was something Kate and Julian knew might be a future consideration. Sure enough, Louis, now two-and-a-half, arrived in 2018, and his sister, Orla, in 2019.
like they have slowly evolved over time. We started buying pieces when we knew Louis was on the way so they had to be bombproof,’ she says. This informed Kate’s decision to choose resilient fabrics that would disguise mishaps. ‘I love mixing colour, pattern and print but with a slightly pared-back, non-cluttered feeling,’ she says. At Christmastime, straddling the dining and sitting rooms, the kitchen becomes the hard-working engine of the household. ‘My brother is a chef so he would normally take over the cooking and we usually have goose for lunch,’ says Kate. The nativity scene brought on a trip to Colombia comes out of the attic and a large tree is erected in the sitting room. ‘The house feels so calm to return to, even at Christmas,’ says Kate. It has become our sanctuary.’ &
One of the defining features of Kate’s home is the paint colours she has chosen, often opting
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DINING ROOM Every space in the house has one piece that sets a whimsical tone. Here it is the teacup chandelier. Table, Bazaar Bespoke Tables. Chairs, Roberts & Astley. Chandelier made by Madeleine Boulesteix using pieces Kate bought at a French market
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ORLA’S BEDROOM Kate didn’t want a scheme ‘too sweet or babyish’ for her daughter – this will be enjoyed for years to come. The texture of elaborate embroidery adds interest. Rug, Francois Gilles. Lamp, Pooky. Chair, Soane Britain. Cushions, Claremont and Vanderhurd. Walls in Green Verditer SC226, Papers and Paints
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INSIDER INSIGHT Kate Guinness shares her style vision
MOST SUCCESSFUL PART OF THE PROJECT The kitchen. I’m so happy we put it in the middle room so often underused in Edwardian houses.
SECRET ADDRESS Nushka in Portobello Road.
GO-TO COLOUR SC240 from Papers and Paints. I used it here for the walls of our hallway and stairs.
WHERE DO YOU FIND INSPIRATION Travel (except in 2020!), nature, magazines, books.
FAVOURITE INSTAGRAM ACCOUNT Adam Bray for beautiful design inspiration with a side of excellent humour.
MASTER BEDROOM Calm green-grey walls allow the profusion of fabrics to draw the eye. Bedside table and shade, Soane Britain. Lamp, B&T Antiques. Headboard in Kaleidoscope weave in Berry by Soane Britain. Cushion, Vanderhurd. Bedspread, antique Ewe Kente cloth
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LOUIS’ BEDROOM Blue walls pair beautifully with the collective burgundy tones from the blind, chairs and rug. Blind, Simon Playle. Cushions. Vanderhurd and Nushka. Wall light shade, Rosi de Ruig. Stool, Tribalspace. Walls in Blue Verditer SC295, Papers and Paints
MASTER BEDROOM A striking curtain edging fits in with the geometrics in the scheme. Kate often uses a lath and fascia curtain rail system as an elegant blackout solution. Chair, Soane Britain Curtain border, Jennifer Shorto. Kantha velvet bedspread in Steel Blue (under top spread), Heal’s. Rug from Morocco. GUEST BATHROOM ‘As soon as I saw these floor tiles, I fell in love with them,’ says Kate. Unlacquered brass details add patina. Towel rail, vanity and tap, Aston Matthews. Wall light, Fritz Fryer. Wall tiles, Original Style. Floor tiles, Bert & May
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DOWN TO EARTH This riverside farmhouse in Connecticut is the epitome of rural elegance and was too beautiful for one high-flying couple to resist WORDS JULIET BENNING PHOTOGRAPHS TIM LENZ
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MUDROOM The shiplap cladding strikes a traditional and rustic mood. Nero Riven slate floor tiles, Mandarin Stone, are similar. Source a bobbin leg bench at 1stdibs. Similar William Morrisstyle cushions, Etsy
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SNUG A farmhouse door reveals a bar. All the windows in the house have minimal decoration to ensure the views of the river beyond can be seen. Antique Biedermeier occasional table and mid-century Jens Risom bench, sourced at Hendricks Churchill Reservoir; find similar at 1stdibs
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DINING ROOM This pared-back scheme places emphasis on the organic shape of the chandelier and the natural beauty of wood and woven materials. Table, custom-made by Get Back Inc. CH23 dining chairs by Hans J Wegner, source from Pamono
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always used to pride myself on living all over the world. You cannot tie me down, I’d say,’ Katherine McConnaughey explains from her Connecticut home. A few years since retiring from a 33-year career as a flight attendant, both she and her husband David, the CEO of a media firm, have finally put down more permanent roots. ‘I’ve
Heide Hendricks of interior design firm Hendricks Churchill was a decision that sparked an extraordinary synchronicity. ‘It was astonishing how many of Katherine’s images were on my own personal inspiration boards. We were aligned in our vision of what we were attracted to,’ Heide explains. ‘I’d never hired a decorator before, but this was our forever home, so we wanted to get it
planted my great-grandma’s irises and a lilac that was given to me when my dad passed away. These are plants that have always moved with me and
right. I knew that Heide would give the interior a unique story,’ Katherine adds. The house had been renovated a few years prior,
now we’re here, we’re never leaving.’ The couple, who have ‘lived in Manhattan since forever’ and raised their daughter Caroline there, discovered the appeal of the region on visits to friends. ‘We wanted to simplify. It’s incredible how people live out here. They’re so into the outdoors and growing organically,’ Katherine enthuses. ‘This is an
but the couple decided to create a new entryway and, with the river curving around the house, make more of a feature of the old screened-off porch as well as creating plenty of book storage. One of Heide’s triumphs was the overhaul of the basement. ‘The lower level was non-existent. David’s office down there had a dirt floor. We thought we would
area really devoted to conservation and preservation.’ Their original property was a mid-century era home that, no matter how they tried, they just couldn’t get to suit their lifestyle. ‘After three years we put it on the market and it sold in three days,’ Katherine says. While David was eager to build from scratch, Katherine was less convinced and had she not been in a certain place at a certain time things may have turned out very differently. ‘I was driving down this road and I literally saw the agent put the ‘for sale’ sign out for a 1920s-era riverside farmhouse. A few days later we viewed it.’ While Katherine was enchanted, David was more impressed with the home’s natural surroundings, the wildlife and the opportunity to fish. ‘When he found out a pair of American bald eagles raised their eaglets here yearly, the home became impossible to resist,’ Katherine laughs.
never use it but now, with a bar and snug where we watch TV, it’s a new portion of the house that’s perfect for entertaining.’ Heide’s instinct for pale and nuanced paint colours contributed to the period tone, with the high-gloss ceiling of the basement reflecting the light and bringing movement from the water. Heide was given strict instructions not to obstruct the windows. ‘I was very aware that the interior must not upstage the view,’ she explains. ‘Katherine and David are big nature lovers, so bringing in jute, cowhide and raw linen was right up their alley. But I also loved placing all their belongings, collected over the years,’ she adds. ‘Heide has joined both of our identities so beautifully,’ Katherine concludes. ‘There’s so much of our shared family history here. I’ve never felt happier or more at home.’ &
Soon after, the couple moved in and began configuring the house for their lifestyle. Hiring
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BREAKFAST AREA A French-style bistro table and button-back sofa make a relaxed nook to enjoy morning coffee. Lupin Slim bar table in marble, Sklum. 1940s leather bridge chairs, source from 1stdibs. Indian split-bamboo Chik blinds, Joss Graham
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ENTRANCE The Persian rug brings a colourful vibrancy. Sideboard, source similar on 1stdibs. Octagonal mirror, RT Facts. Source a Persian rug at Rugs of London. Wall lights, Circa Lighting
MUDROOM Built-in cabinetry conceals coats and outdoor equipment. Ceiling light, Circa Lighting. Walls in Purbeck Stone, Farrow & Ball OFFICE This space was once a basement with a dirt floor, now it has areas for work and contemplation. Armchair, Hammertown. Find similar solid wood side table on Etsy. Source a similar rug at Rugs of London. Walls in Ammonite, Farrow & Ball
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INSIDER INSIGHT Designer Heide Hendricks shares her loves as well as details on the project
SECRET ADDRESS I like working with vintage and antique pieces, but it feels important to bring in some contemporary pieces, too. I often look at West Elm for these.
GREATEST INDULGENCE Here, definitely the custom-made dining table.
GO-TO COLOUR Farrow & Ball’s Ammonite, a very moody white that softens and works beautifully in most places whether historic or contemporary.
SMALL CHANGE, BIG IMPACT Painting the basement ceiling in a gloss paint really bounces the light around.
FAVOURITE BUILDING The Broad art museum in Los Angeles. It immediately transports you, channelling your views of the city while also directing you to the artwork (thebroad.org).
DESIGN HERO The British artist Faye Toogood, who works across a diverse range of disciplines – from sculpture to fashion (fayetoogood.com).
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TWIN ROOM In this low-ceilinged space, Heide opted for a dark, atmospheric paint colour that would turn the room into a ‘cosy cave’. Beds, Restoration Hardware. Source a similar blind at Wayfair. Find similar cushions at Cox & Cox. Source an antique Kazak rug from Rugs of London. Walls in Oval Room Blue, Farrow & Ball
BEDROOM Inherited duck-print curtains were requisitioned and made into this striking headboard. The grey and orange cushions echo the colours in the print. Bedding, Rough Linen. Velvet cushion, John Lewis & Partners has similar. Source a chunky knit rug at The Rug Seller. 1950s side table, Baker Furniture; source similar on 1stdibs
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KITCHEN Tropical wallpaper and a rattan pendant in the dining area are a playful contrast to the classic styling in the cook space. Beverly Hills Banana Leaf wallpaper, Designer Wallcoverings. Cabinetry, Blakes London; painted in Kigali, Paint & Paper Library. Michelangelo white marble worktops and splashback, Marble City
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ENLIGHTENED THINKING Seeing the potential in a tired Victorian property, one family embarked on a renovation that resulted in fabulously vibrant schemes WORDS RACHEL LEEDHAM STYLING JENNIFER HASLAM, CELIA CAMPBELL PHOTOGRAPHS PAUL RAESIDE
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INSIDER INSIGHT Viviane Heininger shares her loves and inspiration
MOST SUCCESSFUL PART OF THIS PROJECT Restoring symmetrical beauty to the exterior of the house, and moving the kitchen and dining areas to the first floor to create a bright, open space with double doors opening onto the terrace.
GREATEST INDULGENCE The outdoor pool and sauna.
YOUR STYLE IN THREE WORDS Cosy, bohemian, happy.
SECRET ADDRESS Petersham Nurseries, for culinary delights and for pieces for the home.
FAVOURITE INSTAGRAM ACCOUNT @eyeswoon WORDS TO LIVE BY ‘To live a creative life, we must lose our fear of being wrong’ – Joseph Chilton Pearce.
STUDY A sofa in orange velvet pops out against the deep blue walls. Joinery and skirting boards were painted the same hue for added impact. The Fleure sofa, Stuart Scott; covered in Aura 08, Lizzo. Walls in Hague Blue, Farrow & Ball
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SITTING ROOM The architects reinstated panelling and sourced elaborate cornicing to celebrate the grandeur of this space. Christmas tree and garland on mantelpiece, The White Company. Blue Tassel garland, Meri Meri. Baubles and gift wrap, Cox & Cox. Paper fans, RE
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he phrases ‘lateral living’ and ‘Victorian townhouse’ aren’t ones that often appear in the same sentence, which probably explains why Viviane and Malte Heininger snapped up this 1850s house in Wimbledon within a week of viewing it. The pair, who are both German, had spent 12 years living in Chelsea and Kensington, but with two young boys and a third son on the way, they saw this move as an important lifestyle change. ‘We simply couldn’t get these proportions and a large garden in central London,’ says Viviane. ‘We recognised the potential in this house to create a really fun family home.’ Viviane and Malte love frequenting London’s smart
to it so we thought it would be worth employing a firm that we really admired,’ explains Viviane. The architects remodelled every inch of the four-storey building, moving all the sociable spaces to the grand first floor where an incongruous 1920s flat-roofed extension was replaced with a gracious sunroom that leads to a raised terrace overlooking the new swimming pool. The ground floor, which has lower ceilings, now has a huge L-shaped playroom as well as two guest rooms and utility spaces. The second floor houses the couple’s master suite and study while the attic was developed to create sleeping quarters for the boys. ‘Effectively, the children got two levels and we got two – so that’s fair,’ says Viviane, laughing.
eateries, citing Cecconi’s and restaurants within the Soho House portfolio as favourites, and it was work for the latter by architectural firm Michaelis Boyd that first attracted the couple to the practice. ‘We knew the house needed absolutely everything doing
Before she had children, Viviane worked in fashion and she has a keen eye for design. ‘With this house, I was ready to be braver with colour,’ she says. ‘Our years spent in the UK inspired us to give the schemes a very British feel, but we also wanted to introduce →
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MASTER BEDROOM ‘We wanted a Hamptons vibe,’ says Viviane of this space. Manette bed; Dawbarn chandelier, both Soho Home. Headboard in Saranac Cord, Lee Jofa. Cushions in Flower Stencil in Midnight/ Champignon, Vanderhurd. Princeton sconces, Schoolhouse
elements from southern climates – so that you might just think you were on holiday all year round.’ So, juxtaposed with features that evoke the feel of a club house – think panelled walls in rich hues, smart nailed or buttoned seating and dark oak herringbone floors – are elements that wouldn’t be out of place in the Hamptons or LA: bold cement tiles, a large-scale tropical print wallpaper and upbeat art. ‘We were very much inspired by our travels,’ says Viviane, offering as an example the master bathroom floor, which takes its cue from Soho Beach House in Miami. ‘It’s great to start the day in a fun, cheerful space.’ As the project progressed, Viviane enlisted the help
her.’ Anna helped to fine-tune the palette with hues that enhance the sense of flow, such as a blackened denim colour for the kitchen cabinetry and a French blue-grey for the walls of the formal sitting room. ‘There is a lot of blue in the house but we were careful to balance it with more soft, delicate tones such as turquoise or dusty pink,’ Viviane observes. The process of creating this home proved so enjoyable that it has heralded a career change for Viviane. ‘This project was a real eye-opener and I found it such fun that it inspired me to enrol on an interior design course,’ she reveals. ‘It’s always lovely to come across something new that really excites
of interior designer Anna Hewitson. ‘The scale of the rooms called for a lot of bespoke designs and Anna was fantastic at helping me source these pieces,’ Viviane explains, adding, ‘It was an amazing opportunity as I was able to bounce lots of ideas off
you. I feel ready to start a new chapter.’ &
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Architecture by Michaelis Boyd, michaelisboyd.com. Interior design by Anna Hewitson Design, annahewitsondesign.com
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BEDROOM This streamlined space has a fresh Scandi aesthetic and features fun touches such as the built-in bunk bed tucked under the eaves. Thor leather handles, Dowsing & Reynolds. Hester chair, Habitat. Frosted Peaks wool carpet, Crucial Trading
BEDROOM The largest of the children’s rooms has three beds built into niches so that the boys can sleep in the same room if they wish to. Blind in Forest in Spring, Virginia White. Cloud pendant light, Nedgis. Payson striped cushion, Wicklewood
MASTER BATHROOM Heritage-style brass taps and wall lights are contrasted with punchy monochrome cement tiles to give this space a happy, uplifting feel. Bespoke cabinet in Railings, Farrow & Ball. Black Alalpardo tiles, Bert & May
BATHROOM Teal tiles were laid in a herringbone pattern to add a dynamic flourish. Carnival Laredo tiles, Fired Earth. Salvador basin, Aquaplus Solutions. Pillar wall lights in polished brass, Original BTC
The Millennium Fountain, enclosed in a circle of yew, Taxus baccata, was created by Anne Crawley in 2000. The new zinc water feature, commissioned from A Place In The Garden, replaces Anne’s diminutive frog sculptures
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GRACEFUL & REFLECTIVE Majestic and colourful stems and mirror-glass water features add to the magic of Chippenham Park’s frosted winter landscape WORDS JACKY HOBBS PHOTOGRAPHS CLIVE NICHOLS
Evergreen, pyramidal holly, Ilex aquifolium, and fiery dogwood stems, Cornus sanguinea ‘Midwinter Fire’, are reflected in the lake
“THE PLANT I LOVE RIGHT NOW? IT’S HARD TO CHOOSE BETWEEN THE NEWER WINTER IRISES ‘PIXIE’, ‘ALIDA’ AND ‘BLUE NOTE’, BUT BLUE-RINSE ‘KATHARINE HODGKIN’ IS A PERENNIAL FAVOURITE” HUGO NICOLLE
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hippenham Park is graced with, but not gripped by, history. Its winterfrosted landscape outlines classic and contemporary design equally, the Midas-touch sunrise gilds both ancient and modern. The neo-Queen Anne house sits on a crest overlooking the gardens and parkland, which blend seamlessly with outlying rural Cambridgeshire.
bring grace, colour and fragrance to lacklustre winter months. Beneath the canopy of trees are bruisecoloured hybrid Harvington hellebores and vibrant violet and blue winter irises ingeniously threaded through ground-cover grass, Stipa tenuissima. Pollarded golden willow, Salix alba var. vitellina, and dogwood, Cornus sanguinea ‘Midwinter Fire’, bring explosions of colour and daphnes, viburnum
Formality brushes closest to the house with topiaried terraces, parasol willow oaks, the yew-encased Millennium Fountain and mown lawns. Avenues
and honeysuckle perfume the air. The mirror-glass lake ingeniously reflects trees, doubling their impact; copper-barked red or river birch, Betula nigra,
of ancient trees and ribbons of fragmented former canals are all that remain of Chippenham Park’s 17th-century Anglo-Dutch design. Subsequent centuries overlaid more naturalistic, Capability Brown-style landscaping, which remains evident. Descending westwards, lawns and topiary slip into bulb-spangled meadow, shrubs and solitary ancient
white-stockinged Himalayan birch, Betula utilis var. jacquemontii ‘Grayswood Ghost’, and goldenclustered, flowering Cornelian cherry, Cornus mas. Across the lake is a walled garden of unexpected design, created by Anne in 2000. Sequestered behind a colonnade of Leyland cypress, x Cuprocyparis leylandii, inspired by Mount Stewart’s Italianate
trees, halting abruptly at the vast serpentine lake, a former 17th-century canal. Beyond lie tamed wilderness and woodland and a secreted walled garden, Hare Hall, harnessed by Anne Crawley who, as a young woman, in 1985, inherited the family estate. Today her daughter Becca and Becca’s husband, garden designer Hugo Nicolle, continue her legacy. ‘My mother had no former interest or experience in gardening, Chippenham sparked in her a passion which lasted a lifetime,’ says Becca. ‘For 25 years she clawed back and incorporated lost areas of the garden, designing new schemes and planting thousands of plants. She introduced contemporary designs, which sit harmoniously in the classical setting.’ Much of the garden Anne ‘reclaimed’ lies beyond the lake, rejuvenated woodland and deliberate ‘wilderness’ where she planted rare and unusual trees and shrubs. Pathways woven through the glades
gardens in Northern Ireland, lie four hornbeamrimmed, Carpinus betulus, parterres containing; an orchard of quince, Cydonia oblonga, with viewing mount, a ‘theatre of yew’ behind lines of pleached ornamental pear, Pyrus calleryana ‘Chanticleer’, a ‘Spanish Garden’ with towering desiccated grasses and an Italian rock and cypress quadrant. A bronze hare pinpoints the walled garden’s centre. Becca’s parents ‘loved to buy sculpture on impulse, before finding a suitable home in the garden,’ Hugo recalls. ‘Ornamental frogs, once decorating the Millennium Fountain, have been recently replaced with a more proportionate and striking zinc sculpture,’ says Hugo, who has designed the contemporary terrace area directly in front of the house. Here they enjoy wide-reaching views of the estate, spectacular even in the depths of winter. &
now link to the lakeside strolls she also introduced. The vast, naturalised snowdrop glades are designed to
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The gardens are open on selected dates in February and throughout the year, chippenhamparkgardens.info
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INSPI RAT IO N
GARDEN GUIDE ORIENTATION The park, gardens and estate lie south of the house and the winter gardens, walks and walled garden lie either side of the extensive lake, which runs north to south. SOIL TYPE Alkaline, chalky and free-draining. SPECIAL FEATURES Three hundred acres, which include the Millennium Fountain, a lake flanked by winter gardens and walks, and Hare Hall, a walled garden with contemporary parterres and bronze sculptures throughout. GARDEN DESIGN The 17th-century gardens were ‘naturalised’, Capability Brown-style in the 18th and 19th centuries and extended by Anne Crawley between 1985-2010. Her daughter Becca and son-in-law Hugo Nicolle (hndesign.co. uk), have implemented more recent changes.
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The rising sun silhouettes trees in the outlying estate and gilds the lawns, yew hedges, Taxus baccata, and stone urn decorating the upper, more formal area of the garden
Hare Hall, with hornbeam-hedged, Carpinus betulus, parterres, was designed by Anne in 2000. The bronze hare sculpture is by Stanley Dove
The magnificent and imposing twenty-arch Leyland cypress, x Cuprocyparis leylandii, colonnade in the walled garden
Areas of woodland take in great swathes of snowdrops, singleflowered Galanthus nivalis and double G. ‘Flore Pleno’, which smother the wilderness and winter walk
The garden at the front of the neo-Queen Anne house, which was refashioned in the 1880s, features yew hedging, Taxus baccata, and woven metal ball sculptures
The light pink flowers of Helleborus ‘Penny’s Pink’, which darken as they mature, bloom above marbled foliage from February to May
WINTER’S ROSES FEW FLOWERS DARE SHOW THEIR FACES IN THE COLDER MONTHS BUT HELLEBORES DEFY THE ODDS, PUSHING THROUGH FROZEN GROUND TO LIGHT UP THE GLOOM WITH LUMINOUS BLOOMS
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FEATURE ZIA ALLAWAY PHOTOGRAPHS (THIS PAGE) JULIETTE WADE/GETTY IMAGES; (OPPOSITE) ZIA ALLAWAY
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If you’re starting a hellebore – this one is Helleborus niger – in a pot ensure it’s quite deep and that you use good compost. Make sure it’s well drained and don’t allow the soil to dry out
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AS the days shorten and Arctic winds blow in from the north, the garden falls into its annual slumber and the long wait for spring begins. But just as memories of summer have faded, fresh green shoots appear on hellebores, followed by exquisite flowers in jewel-like colours ranging from glittering whites and yellows to deep purples and reds. Hellebores are used to create a continuous flower display from December to May. Owner of Ashwood Nurseries John Massey recommends the sparkling white Helleborus niger Ashwood Strain and one of the many H. x hybridus Ashwood Garden Hybrids for flowers before Christmas, with ‘Penny’s Pink’, sporting marbled, pink-flushed foliage, following on
The dainty yellow flowers of ‘Harvington Single Yellow Speckled’ look stunning in a border jostling with early spring bulbs
in February. Award-winning designer Rosemary Coldstream (rosemarycoldstream.com) advises planting Lenten roses (H. x hybridus) in a raised bed so that you can see their nodding flowers more clearly, and for pots, she suggests H. x ericsmithii ‘Ruby Glow’ with its pink upward-facing flowers. ‘In borders, I prefer the more naturalistic form of H. x sternii, its pretty veined leaves contrasting with pinky-green flowers,’ she adds. Penny Dawson of Twelve Nunns nursery suggests her favourite
WHERE TO BUY HELLEBORES ASHWOOD NURSERIES The upward-facing flowers of Helleborus x ericsmithii ÔRuby Glow’ are perfect for containers and borders
(Home of the Ashwood cultivars and John Massey’s garden, which is open to the public on selected days throughout the year) 01384 401996, ashwoodnurseries.com
TWELVE NUNNS (Harvington Hellebore specialist nursery) 01778 590455, twelvenunns.co.uk
HAZLES CROSS FARM NURSERY (Holders of the The National Collection of hellebores) 01538 752669, hazlescrossfarmnursery.co.uk
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PHOTOGRAPH (LEFT) ANNAICK GUITTENY/TI-MEDIACONTENT.COM
‘Harvington Single Smokey’ for borders. ‘Its subtle purple-blue colour is striking when teamed with white, lime or yellow flowers,’ she says. Hellebores are ideal for semi-shade or plant the spiny-leaved Corsican hellebore (H. argutifolius) in sunnier sites. John Massey recommends a moist, well-drained soil with added leafy compost, especially for H. niger, while Penny Dawson says that feeding plants with seaweed fertiliser in autumn, February and April, when they are developing new leaves, will deliver the best results. &
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PHOTOGRAPHS (TOP LEFT) TIM GAINEY/ALAMY STOCK PHOTO; (LEFT) CLIVE NICHOLS; (TOP RIGHT AND FAR RIGHT) ANNAICK GUITTENY/TI-MEDIACONTENT.COM
The white flowers of this form of Helleborus x hybridus Ballard’s Group are delicately traced in pink and may appear before Christmas in sheltered gardens
Nursery grower Penny Dawson recommends the smouldering dark flowers of Helleborus ‘Harvington Single Smokey’ for a shady border
Hellebores’ long-lasting rose-like flowers and dark foliage will deliver months of colour from winter to late spring in a mixed border
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COLOUR OF THE MONTH ASSOCIATE EDITOR BUSOLA EVANS EXTOLS THE CLASSIC GLAMOUR OF FARROW & BALL’S INCARNADINE
Red can be a tricky colour to pin down, but choose a shade with more traditional leanings like Farrow & Ball’s Incarnadine and it will breathe life into any space. Country homes in particular lend themselves to this warming hue because it brings out the charm in elements like rustic wood, gilded frames and aged leather, and as red is known to stimulate appetite, Incarnadine is ideal for dining rooms. Harmonise with soft creams and greys or make it festive with metallic finishes. Wall in Incarnadine modern emulsion, £49.95 for £2.5ltr, Farrow & Ball
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FESTIVE FLOURISHES
WELCOME GUESTS Set a console table near the door so family and friends can help themselves as they enter the room. A sprig of fresh, fragrant herbs, such as rosemary, hanging from ribbon above the table adds the perfect aromatic accompaniment to port and cheese. Decant port or sherry into a contemporary glass decanter, choose simple glasses and offer a bowl of nibbles. Put lighted candles in tall candlesticks at one end, so guests don’t burn themselves when they’re reaching for the food. ‘Keep lighting romantic – low glows that brighten as the day extends into night,’ suggests designer Matthew Williamson. ‘It is surprising how wonderful illuminating candles can be.’
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FEATURE ALISON DAVIDSON PHOTOGRAPH SIMON BROWN/TI-MEDIACONTENT.COM
THE PERFECT LAST-MINUTE CREATIVE FINISHING TOUCHES
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PHOTOGRAPH KITTEN GRAYSON
SPARKLING CENTREPIECE Christmas is the perfect time to have a floral focal point, whether it’s designed by a florist (such as the Everlasting Advent by Kitten Grayson, above) or you make it yourself. It sets the scene and makes the occasion feel extra special. Depending on how large your table is, it could stay there throughout the meal or if you want to remove it to put dishes in the middle of the table, create one that can be removed easily. ‘Collect a mix of flowers and foliage which dry well, such as thistles, wild grasses and oak, and make them into an arrangement,’ suggests Kitten Grayson, founder of Kitten Grayson Flowers. ‘Then for a festive feel, spray the leaves gold and pair with gold taper candles.’ →
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Chair decorations are a lovely touch and, with one like this, can be used year after year. To create a metal oak leaf garland you will need thin metal sheets of foil plate or embossing foil, available from Amazon or Jackson’s. Cut out the leaf shape – a good size is 5cm long x 2.5cm wide and 7cm for the stem. You will need tin snips or good scissors for this. Then use an embossing or engraving tool to mark out the veins. Attach the wire stem with contact adhesive or a polyurethane-based glue such as Gorilla Glue. To get the aged look, water down white all-surface primer or a wash of white chalk paint wax and wipe over. Bend them into shape, bind the leaves to a length of wire and drape around the chair back.
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PHOTOGRAPH SIMON BEVAN/TI-MEDIACONTENT.COM
TAKE A SEAT
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“I LOVE MAKING CHRISTMAS DECORATIONS FROM ORGANIC MATERIALS; THINGS I’ VE FORAGED FOR IN MY GARDEN OR IN MY LARDER. IT’S TRADITIONAL AND IT’S SO MUCH BETTER FOR THE PLANET. ALL YOU NEED IS A FEW BASIC ITEMS AND YOUR IMAGINATION” ANNIE SLOAN, colour and paint expert, anniesloan.com
DRIED WREATH
MINI TREE
ADVENT BAGS
Slice an orange thinly then put the pieces in the oven at a low heat to dry out – it makes the house smell wonderful. Then either make a wreath from foliage gathered from the garden or buy a base and attach orange slices with florist’s wire.
Take an offcut from the main Christmas tree, put it in a vase and place in the hallway or on a side table. Put water in the bottom of the vase so that the tree lasts longer. Dress it with little decorations, like these sculptural paper designs from Broste.
Children and adults alike will love these mini Advent bags. Simply use brown paper bags, then place a sweet or small gift in each one, tie with ribbon and a sprig of pine. Add a numbered coin, available from Bungalow, and open one each day. →
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“I’LL BE WRAPPING PRESENTS IN MY HAND-MARBLED PAPER, SO EACH FAMILY MEMBER AND FRIEND WILL HAVE THEIR OWN UNIQUE GIFT. WE ALWAYS HAVE ONE PRESENT AT THE TABLE FOR LUNCH FOR EVERYONE, SO THE MARBLED PACKAGES WILL MAKE FOR A MAXIMALISM AT ITS BEST” SUSI BELLAMY, artist and designer, susi-bellamy.com
CANDLE POTS
MARBLED WRAPPING
FRINGES AND GRASSES
Group candles together for impact, always using the rule of three or five. Take vintage terracotta pots, fill with sand, then place a simple white dinner candle in each pot and put silvery moss on top. Add white porcelain leaves, from Nordic House, for a pretty finishing touch.
Wrap your gifts in marbled paper for something a little different this year.You could make your own using a marbling kit from Etsy or buy from Maiden Marbling or Ratchford. Choose different patterns, then finish off with pretty ribbons from V V Rouleaux in contrasting colours.
Go all out and make your mantelpiece a showstopper. Choose pampas grass in bright colours then add natural lichen to give a touch of silver to the display.‘Dyed pampas and silk grasses are a favourite look. They are so fun and dramatic,’ says Mairead Curtin, founder of Rebel Rebel.
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PHOTOGRAPH (MARBLED WRAPPING) ADRIAN BRISCOE/TI-MEDIACONTENT.COM; (FRINGES AND GRASSES) JAMES MERRELL/TI-MEDIACONTENT.COM
PRETTY CHRISTMAS TABLE.
PHOTOGRAPH POLLY WREFORD/TI-MEDIACONTENT.COM
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DON’T FORGET THE GUEST BEDROOM ‘We make our own Christmas wreath and it’s a project that can be done as a family. It’s meaningful if everybody finds something special to add to the wreath,’ says Katie Smyth of Worm London. Wreaths don’t have to be the usual holly and fir rings though, or for the front door. Try something new with dried tropical leaves sprayed in subtle colours with a metallic hint (like Worm’s dried wreath, above). It will add drama all year round wherever you hang it. ‘We are always drawn to handmade and natural festive decorations. There is nothing more satisfying than bringing in foraged rose hips, pine and bare branches from the garden. Simply place them in vases around the house,’ adds Katie. &
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Range Shown: Town & Country. Door Design: Canterbury. Door Colour: Azure Blue.
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G R E A T R E N O VA T I O N S Magnificent projects from top designers with plenty
FEATURE ARABELLA YOUENS
of inspiration and ideas for your schemes
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Fr a m i n g h e r d o o r i n b o l d b l a c k b r o u g h t d e f i n i t i o n t o t h e e n t r a n c e o f A t h e n a C a l d e r o n e ’s B r o o k l y n t o w n h o u s e
1 . THIS is the entrance to our house in Brooklyn’s Cobble Hill. It’s the eighth house that my husband [music DJ Victor Calderone] and I have bought and renovated. When we bought it in 2015, the house had been divided into several apartments and was in need of some love.
Walls in Wevet, £47.95 for 2.5ltr; woodwork in Off-Black, £71 for 2.5ltr, both Farrow & Ball. Artwork, Sam Messenger. Flooring, reSAWN Timber Co. Rug, vintage, Soufiane Zarib. Burlwood table, vintage, Holler & Squall
The project took three years to complete and we now think of it as our forever home.
2 . Working with the architect Elizabeth Roberts, we removed the wall between the staircase and the living room to maximise the feeling of space. This is the parlour floor, which has an open-plan living room with a dining room and kitchen.
woods with blush pinks against a polarising monochrome backdrop. The contrast of white walls with a black-painted arched doorway engages the eye.
Athena Calderone is a New York-based interior designer. She
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recently published her second book, Live Beautiful (£30, Abrams). athenacalderone.com
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PHOTOGRAPH MATTHEW WILLIAMS
3 . I’VE BALANCED warm
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In this project, interior designer Rebekah Caudwell embraced the vast ceiling height while adding decorative touches
1 . THIS KITCHEN sits in an 1830s townhouse in New York’s Greenwich Village. The space was formerly a carriage house and had previously been converted into a studio apartment but by the time we bought it, it was in a state of terrible disrepair. Our plan
Arabesque marble island and lavastone worktops, bespoke, Rebekah Caudwell Design. Nuvolette wallpaper, £300 a roll, Cole & Son at John Lewis & Partners
involved correcting the structural issues, adding a basement level, incorporating the carriage house and turning the property once more into a family home.
2 . People can be scared with a double-height space, but I advise anyone to revel in it. Here, 12-foot tall skylights look up into mature trees and the sky. For that reason, I chose the wallpaper to iterate the clouds seen through the skylights.
PHOTOGRAPH SIMON UPTON
3 . ENSURE THAT you plan for task lighting that lights up your workspaces. For the island, we did this by hanging pendant lights. Elsewhere we had under-counter lighting and cabinetry lighting put in. Rebekah Caudwell is a British interior designer with an eye for bold, colour-led design. rebekahcaudwelldesign.com →
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Historical archives inspired Melissa Bolivar of design firm House of Sui Sui when creating this cosseting space
1 . THE OWNERS’ Persian heritage influenced the rich colour combinations in this Hertfordshire house. Built in the 1980s, it was in need of some improvements when my clients bought it two years ago. I made some small alterations to the layout, which included moving the entrance to this snug so that it leads off the kitchen.
2 . The room was designed to be an immersive experience with the walls, cabinetry, sofa and rug all in tones of teal and aquamarine; the result is incredibly impactful. 3 . WHEN WORKING
for the woven raffia wallpaper, which contrasts perfectly with the shimmering soft velvet on the sofa. Cushions in a bouclé fabric add further textural interest. Interior designer Melissa Bolivar is the founder of House
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of Sui Sui, a design and furniture studio based in London. houseofsuisui.com
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Sofa in Balthazar velvet, £110.40m, Pierre Frey. Cullen industrial dish wall lights, £190.08 each, Mullan Lighting. Rug, bespoke, Coral & Hive x House of Sui Sui. Joinery in Tea with Florence intelligent eggshell, £66 for 2.5ltr, Little Greene
PHOTOGRAPH PAUL RAESIDE
with one tone, it’s important to introduce layers of other textures to create movement and avoid the space from looking too solid. Here, I fell
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Us i n g l u x e m a t e r i a l s a n d a n a t m o s p h e r i c p a l e t t e , Pe t e r M i k i c has delivered a dramatic dining room complete with dance f loor
1 . THIS SPACE is in the basement of a house in Notting Hill. It has no windows so the decorative approach from the start was to work on the atmosphere, making the room wonderfully dark and moody. Fundamental to its success was getting the lighting scheme spot on. Here, a big source of light is from the bar that glows at night – it makes everyone in the room look wonderful.
2 . The bar was my own design and has a slight 1970s twist. The bottom half is made of fumed eucalyptus and the top has glass shelves with brass trims backed by antique mirror.
PHOTOGRAPH KATE MARTIN/TI-MEDIACONTENT.COM
3 . WE WANTED the room to be dual-purpose. The owners can sit 14 people down to dinner and, after that’s finished, the table can be split into three and lowered to cocktail level using a hydraulic system, leaving room for dancing. Peter Mikic is an Australianborn interior designer. He began a fashion career in
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London before making the move to interiors in 2006. petermikic.com →
Bespoke chairs, table and bar, all Peter Mikic Interiors. Pendants, around £460 each, Rothschild & Bickers. Wall in Entrelacs in Ecru, Herm•s
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This bespoke garden room by Eamonn Agha from Huntsmore pairs relaxed greens and greys
1 . THE ORIGINAL conservatory of this Grade II-listed Georgian townhouse in Kensington was prone to leaks, damp and suffered from a collapsing floor. Once we had been given the relevant planning permissions and listed building consent, it was removed and replaced with an elegant garden room.
2 . Now that modern building techniques and technology ensure that garden rooms maintain a constant temperature, they can be used comfortably throughout the seasons. This was designed as a multipurpose space, acting as both a home office but also as a for the family. 3 . TO MAKE the most of the abundance of light and set off the garden views, a colour palette of light tones of green and grey was paired with warm wood floors and furniture. Eamonn Agha founded the design and build firm Huntsmore in 2014. huntsmore.com
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Conservatory, bespoke, Vale Garden Houses. Sandringham Cool Mellow engineered oak floor, from £100sq m, Charles Lowe & Sons. Walls and woodwork in Skimming Stone, from £47.50 for 2.5ltr, Farrow & Ball. Green sanctuary wallpaper, £175 a roll, Mind the Gap
PHOTOGRAPH CHRIS SNOOK
general relaxing area
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Striking partition doors mark out zones in this renovation by interior designer Irene Gunter
1 . THE BRIEF FOR this project was to create an elegant and intelligently laid out mews house from what was essentially a very dilapidated three-bedroom granny flat in Belgravia. To achieve this, we had to rip out all the floors, partitions and even the roof and start from scratch.
2 . The industrial-style door partition lets the light flow through the house and maintains a generous sense of space but also allows for privacy. The doors can also be closed to prevent noise from disturbing children sleeping upstairs. 3 . UNLIKE MANY terraced
PHOTOGRAPH MARY WADSWORTH
houses, the entrance has plenty of natural light, so we didn’t have to be clever with lighting. It was an opportunity to use these wall lights from Porta Romana; here they create a sculptural as well as functional feature. When halls are dark, I recommend not fighting the reality but to go with atmospheric lighting. Irene Gunter founded Gunter & Co, an interior design studio, in 2014. gunterandco.com →
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Metal-framed doors, bespoke, Gunter & Co. Flos Aim pendant, £565, John Lewis & Partners. Ottomans, George Smith
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Wa l l s a n d f l o o r s i n l a r g e - f o r m a t m a r b l e s e t a c a l m i n g t o n e for this elegant bathroom by Katie Harbison of Banda
1 . AS A STUDIO, we tend to put an emphasis on materiality and craftsmanship in our projects. By keeping the base palette neutral, it highlights the finishes and the quality of the materials. In the case of this bathroom in central London, the focus was on the Calacatta Statuario marble that was hand-selected by us in Verona.
2 . We laid each piece of marble on the ground to ensure there was continuity in the veining. A bathroom ultimately needs to be a place to start and end the day in a restful way and marble can quickly look too busy if not carefully considered. 3 . ONE OF THE dangers of
cold and stark. To counter this, we’ve introduced accents of warming burnished brass on the taps and shower fittings. The finish is unlacquered, which means that as it wears it will develop a lived-in feel. Katie Harbison is head of design at Banda Design Studio. bandaproperty.co.uk
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HNHS01 Henry hand shower in brass, £948; HN60LS Henry wall-mounted tap, £1,289,bothWaterworks. Bespoke marble tiles and vanity unit, all Banda Design Studio
PHOTOGRAPH TARAN WILKHU
working with any stone in a bathroom is that it can feel
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Kelling Designs used pretty wallpaper and a free-standing bath to transform this attic into a luxurious bedroom
1 . THIS FORMS part of a terrace of cottages in the Scottish Highlands that were in such a derelict state that they were on a buildings ‘at risk’ register. The property hadn’t been lived in for about 50 years and there were no stairs to access this top floor. The project, which involved a complete re-fit of the entire building, took four years to complete.
2 . Our brief was to design a luxurious and romantic bedroom with adjoining freestanding bath. Our client wanted a feeling of extra comfort and luxury – hence the addition of the bath, which looks out through a pretty dormer window. 3 . WHEN planning for a bath in
PHOTOGRAPH PAUL MASSEY
a bedroom, I like to put it on a platform as it gives the space a feeling of some separation – and has the added advantage that you can hide ugly but necessary pipework underneath. Emma Deterding is the founder of interior design
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practice Kelling Designs. kellingdesigns.com →
Brambles wallpaper in Pink, £157.20 a roll, Knowles & Christou. Headboard by Kelling Designs; upholstered in Osborne & Little’s Mikado velvet, £70m, Jane Clayton. Curtain, made to measure, Pret a Vivre
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Fo r m a n d f u n c t i o n c o m b i n e p e r f e c t l y i n t h i s smart boot room by Emma Sims-Hilditch
1 . ORIGINALLY THIS was a rather crowded and dark boot room that had a deep step in the centre leading into the kitchen. The first thing we did was redesign the space to introduce two smaller steps, improving the circulation. It now links easily into the kitchen with a cloakroom and utility to the right-hand side.
2 . A boot room should be designed with practicality in mind but still be beautiful. Here, the botanical embroidery blind brings the outside in and natural materials such as terracotta tiles and the oak bench seat ensure durability. 3 . LIGHTING IS such an
shades contrast with the clean lines of the cabinetry and allow for the room to be softly lit in the evenings without having to have harsh spotlights. Emma Sims-Hilditch began a career in film production before
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switching to interior design. She established her studio in 2009. simshilditch.com &
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Joinery, bespoke, by Sims Hilditch. Tamworth floor tiles, £42sq m, Neptune. Preston swing arm wall lights, £414 each; Pembroke shades, £168 each, Vaughan
PHOTOGRAPH BRENT DARBY
important consideration in our projects. The delicate linen
FIND INSPIRATION AND INFORMATION ON OUR RELAUNCHED WEBSITE: HOMESANDGARDENS.COM
PHOTOGRAPHS TI-MEDIACONTENT.COM
F O L L OW U S O N
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ENHANCING NATURE Our gardens have long been our havens, but without a doubt 2020 placed greater emphasis than ever before on the restorative effect of nature and outdoor space. Looking forward to 2021, high on designers’ wish lists are plants that create a haven for birds and bees. This plays to the trend called ‘rewilding’, in which land is returned in varying scales to natural habitats that can provide water, food and shelter to all creatures great and small. Debbie Roberts of Acres Wild suspects that green structure rather than hard landscaping is becoming more important, together with a softer, more natural look. This is demonstrated here in the garden at Blue Doors Lodge in West Sussex, which she created with her partner Ian Smith, its relaxed style blending beautifully with the surrounding landscape.
GARDEN TREND REPORT 2021 W i l d f l o w e r s , n e u t r a l c o l o u r s , mu l t i l e v e l s , t h e b i r d s a n d t h e b e e s … w e s p o k e t o s o m e o f o u r go - t o e x p e r t s t o f i n d o u t h o w t h e y s e e g a r d e n s s h a p i n g u p i n 2 0 21
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This pared-back garden design by Henrietta MurrayWicks creates a tranquil mood
A sloping plot is dealt with successfully with terracing by Langlea Design
A backdrop of natural tones enhances the plants in this design by Eve Hacking
SPLIT LEVELS Having a garden set over more than one level can give so much more than a single plane. ‘Urban gardens almost inevitably have a change in level,’ says London-based garden designer Butter Wakefield and there’s hardly a garden she designs which doesn’t include a set of steps. Different levels help to zone areas and present a wonderful opportunity to play around with materials. Steps leading to terraces create focal points and a sense of journey and discovery, according to Butter.
FEATURE TERESA CONWAY PHOTOGRAPHS (SPLIT LEVEL) SIMON CALLAGHAN
BLANK CANVAS Bold brights and statement shades are out. The outdoor materials palette for 2021 is, in essence, neutral. These tones soothe the senses and are the ideal canvas on which to build your planting, allowing your chosen flowers and foliage to sing out. Garden designer Eve Hacking of Belderbos Landscapes says that neutral tones for hard landscaping are useful in an urban setting where gardens are often shaded by other buildings, as they help to lighten the space. Neutrals are also a preference for garden designer Charlotte Rowe. She is not keen on any colour apart from that of the plants themselves, so tends to use a limited palette of greys, taupes and creams for hard landscaping.
Planting also lends itself to split levels. Having built-in beds at different heights ensures that planting can be designed to fill every line of vision. Meanwhile, Francesca Langlea of Langlea Design explains that terracing is the optimum way to deal with a change in level. ‘With terracing, we can make usable, level spaces as opposed to impractical sloping ground. The key is to create the most spacious terraces possible while maintaining a balance between the cut and fill of the existing land.’ →
“I LIKE TO ALIGN STEPS WITH A DOOR, WITH RAISED BEDS EITHER SIDE, TO GIVE A MORE OPEN AND WELCOMING FEEL” BUTTER WAKEFIELD, garden designer
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MULTI-FUNCTION Just as today’s homes now have to have multi functions, so are our gardens being pushed to the limit. ‘With people relying on their homes as an office, then an outdoor space for connecting with nature and entertaining friends and family safely is essential,’ says Isabelle Palmer of The Balcony Gardener. Homeowners now want to invest time and money into cultivating their outdoor spaces – large or small – into a functional and beautiful enhancement of their homes. For those that have the space, swimming pools are high on the agenda for next summer, as are fully equipped garden buildings.
This garden, designed by Stimson, has an elegant swimming pool complete with pavilion
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DE SIGN
“SALVIAS ARE GOING TO CONTINUE THEIR UPWARD RISE, WHILE THE ROMANCE AND SCENT OF ROSES AND SWEET PEAS ARE LOVELY TO TURN TO IN DIFFICULT TIMES” SARAH RAVEN, plantswoman and writer
PHOTOGRAPHS (FLOWERS FOR POLLINATORS) RM FLORAL/ALAMY STOCK PHOTO
FLOWERS FOR POLLINATORS Creating a garden for the senses is important for plantswoman Sarah Raven, and she’s tipped salvias to continue in their popularity. ‘They need minimal TLC, they flower for a long time and are an absolute haven for pollinators, protecting declining bee species.’ Garden designer Butter Wakefield always considers nature when selecting plants. ‘It’s all about the pollinators. I concentrate on what the bees will benefit from: early-flowering, nectar-rich bulbs and perennials, such as crocus, Geranium phaeum and Helleborus niger; there’s often a shortage of food for pollinators early in the year,’ she says. ‘I carry this through to late-flowering Aster novae-angliae ‘Helen Picton’ and Dahlia ‘Blue Bayou’, which bloom to the end of November or the first hard frost.’ →
The violet stems of salvia bloom for months, providing nectar for bees
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BRICKS AND MORTAR Designer Henrietta Murray-Wicks is a fan of brick in the garden, in particular a herringbone pattern. ‘I tend to use bricks with a stone border so it gives the effect of a rug on a floor, anchoring the space and any furniture placed on it. The bricks can also help accent certain features and give a real sense of movement within a garden while still using the same material palette overall.’ Butter Wakefield finds it dull to have rows upon rows of paving and prefers to introduce smaller units. She loves Vande Moortel Belgian bricks, which are particularly slender and create beautiful designs. ‘They have a charming way about them and lend themselves to lots of different patterns,’ says Butter. ‘Recently, we completed a project in north London where we ran these bricks from the garden into the house. Not having some form of pattern at ground level is a missed opportunity to create
This small, low-maintenance urban garden, designed by Belsize Gardens, uses brick instead of paving
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PHOTOGRAPHS (BRICKS AND MORTAR) COLIN POOLE; (GROW YOUR OWN/BOTTOM) CHRISTIAN PHILLIPS; (GROW YOUR OWN/TOP) ANNAICK GUITTENY/TI-MEDIACONTENT.COM
interest, particularly in a small space.’
DE SI GN
Producing our own food taps into our basic human needs
GROW YOUR OWN No longer the preserve of larger gardens, vegetable plots are now appearing in nearly every style of outdoor space. Whether this is a cottage walled kitchen garden or simple herbs growing in pots on an urban balcony, the grow-your-own trend is on a strong upward trajectory. With people wanting to find more reasons to spend time outdoors and in their garden, it’s not only about easy
Raised beds and tomato frames at Cove House; garden design by Stimson
fixes – which is why growing plants from seed has taken an upsurge this year and is set to continue into 2021, too. The pandemic has clearly changed our way of thinking, our approach and priorities. For Tom Barry of Hartley Botanic, which sells a range of greenhouses and gardening accessories, it has been decades since he has seen such an interest in people becoming more self-sufficient. Being able to produce food taps into the most basic of human needs and ultimately, for many of us, ‘growing our own’ is the right choice for our health and well-being. &
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DOs DON’Ts W I T H J U S T I N VA N B R E D A ESTABLISHED INTERIOR DESIGNER AND FOUNDER OF HIS OWN LINE OF FURNITURE AND FABRICS, JUSTIN IMPARTS HIS DECORATING KNOW-HOW
DESIGNING THE KITCHEN
Justin’s own kitchen has a simple ‘below-stairs’ feel with shelves for display and a La Cornue range
DO... ■
Invest in two dishwashers, if you can. It’s wonderful to have one to
stack the detritus before a dinner party and one for glassware only. ■ Avoid cabinets on the walls if you’re going for a country feel. An old dresser is far more welcoming. ■ Buy the best cooker you can afford; I am an Aga man, but I also do love La Cornue. ■ Find confidence with colour; there are some wonderful shades out there for cabinetry. ■ Avoid shiny unit doors with no handles – you’ll be fighting a constant battle against smears and greasy fingermarks.
DON’ T... ■
“ENSURE LIGHTING CAN BE ADJUSTED FEATURE LIZZIE HUDSON
TO SET A MOOD – YOU WANT TO BE ABLE TO TRANSFORM YOUR KITCHEN INTO A SOFTER SPACE, TOO”
Forget the practicalities of choosing good lighting – there’s nothing worse than not being able to see your cooker, because the light is behind you. ■ Have open shelves if you’re a neat freak because they will get cluttered; they can also get a bit dusty and greasy. ■ Favour counter space over sink size – you still want to be able to properly wash up a roasting pan! Feel too precious about finishes; wood and marble will not always look like they did on day one, but that’s their character. →
■
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DE S IG N
The pale backdrop of this Cape Town villa is a base for layering patterns and textures in shades of blue
MIXING FINISHES DO... ■
Layer styles, eras and colours in a variety of combinations to add a patina of interest. ■ Notice subtle details; the gentle curve of a leg or a tone in the wood are the features you’ll love forever. ■
Woods can have a blue, yellow or red tinge so pick types that tone; oak sits well with mahogany but not so well with macassar ebony. ■ Focus on scale – larger pieces give the space a handsome feel but little pieces that are too small in a room can feel rather old-fashioned.
DON’ T... ■
Buy everything from the same place. Designers have a signature that can sing when in isolation but en masse will look too ‘show home’. ■ Worry about placing less
expensive items with higher-priced ones; it adds character. ■ Throw out things just because they’re out of fashion; reinvent them with a makeover. ■ Don’t be afraid of mixing metals;
SELECTING FABRICS DO...
■
■
Combine weights and textures for an established feel; layer weaves, velvets, linens, bouclés and silks.
Use natural fibres – they hang better, have a finer sheen and the colours will play fewer tricks with artificial light.
DON’ T...
■
■
Purchase from makers that support sustainability and communities, such as John Robshaw does in India. Ensure your cloth backgrounds tone together; some are yellowy, some are grey and don’t mix well,
Splurge on fabric and scrimp on the make up – it will look terrible, while a less-expensive fabric can look beautiful when sewn well. ■ Be obsessive about fabric colours matching exactly. You’re creating ambience and atmosphere, not a
even if the patterns complement.
clinical colour project.
■
the studwork on a chair doesn’t have to match the light switch! Discover this year’s furniture collection and fabric lines at justinvanbreda.com
“CLEVER DESIGN CAN SUCCESSFULLY BREAK THE RULES BUT REMEMBER TO CONSIDER PROPORTION – IT’S THE REASON GEORGIAN STYLE IS SO PLEASING”
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Glossy woods in similar tones complement each other in this dining room
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STRIKE A POSE
GG STOKES grew up in the Cotswolds and moved to the capital to study at the London College of Fashion. She pursued a successful career in fashion styling, photography and creative direction, working on fashion shoots for various glossy magazines. Now a talented artist, her connection to this elegant imagery continues to influence her beautiful oil paintings. How did your style develop? I’ve been creative for as long as I can remember. I did fine art at school and was taught how to paint but I’ve always been obsessed with images of all kinds, particularly photography. I’m interested in the past and the visual documentation of it, whether that’s images of David Bowie and Elizabeth Taylor from the 70s or war photography by Lee Miller. My love of fashion photography was always about the concept and creation, so I’m happy to be painting again, it feels much more ‘hands on’. How do you choose which images to work with? The images I seek to paint are always about a feeling I need to assimilate.
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What’s the process? I spend a day shooting options and lighting them, before I edit and manipulate the image. I cover the canvas with gesso; it’s a rougher finish than others would choose. I spent many years as a sign writer, on the side, often in St Ives, Cornwall, painting onto walls and pieces of wood, so I like texture and prefer it to a smooth canvas. I do the underpainting, usually in black, then start on the figurative work. There are layers to the paintings as there is typography that I’ll hand-paint on top and then wash over. There may even be another level over that, where I put plastic in the image or a light bounce or shine off the pages. What’s your career highlight? Selling my first painting within 24 hours of joining Runway Gallery. BUY ART ONLINE AT RUNWAY GALLERY Featuring fashion-focused works from celebrated artists, runway-gallery.com enables you to invest in original paintings and prints for your home.
FEATURE JACKY PARKER ARTWORK (CLOCKWISE, FROM TOP LEFT) SUPER GIRLS THE FACE 1995, £3,995; JIL SANDER SS06, £1,195; BLACK MAGIC HARPERS BAZAAR US 1993, £2,295, ALL GG STOKES AT RUNWAY GALLERY BEDROOM PHOTOGRAPH DAMIAN RUSSELL/TI-MEDIACONTENT.COM
Fa s h i o n p h o t o g r a p h y i s t h e i n s p i r a t i o n b e h i n d R u n w a y Galler y ar t ist GG Stokes’ st unning, tex t ural oil paint ings
LIGHTING
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Photography and styling by Laura & Nora from ‘Our Food Stories’
FURNITURE
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Russell Pinch
MY LIFE IN TEN... THE CELEBRATED FURNITURE DESIGNER SHARES SOME OF THE THINGS HE LOVES 1.
My design heroine is Mother Nature. We can’t beat the extraordinary complexity of colour, form and material observed in the natural world.
2.
The design rule I promote is to understand the way simplicity involves complexity. It takes time and refinement to create perfect simplicity, be it in furniture or an interior.
3.
My small luxury is Bose headphones. Music while I work is essential.
4.
Jasper Morrison’s shop in London is one I love visiting for the selection of well-designed objects – homeware, tableware, furniture
5.
A piece of furniture I’m very attached to is a red aluminium chair by Charles and Ray Eames. My father bought it when I was 12, I ‘stole’ it for my bedroom, then my student room and it’s been with me ever since.
6.
Niwaki.com is a website I often visit for its Japanese garden tools, beautifully designed and utterly functional.
7.
A building I’ll never forget is Sarabhai House in India, designed by Le Corbusier. I stayed in this house in my early 20s and was overwhelmed by its quiet, elegant and outrageous personality.
8.
The garden at Endsleigh House in Devon designed by Humphry Repton in 1814 captivates me for the enormity of his vision.
9.
I bought a copy of Collections Typologie’s The Wine Bottle. Each of these iterations delves into the history of an everyday object of beauty, from the cork to the wooden crate.
1 0 . My most memorable restaurant meal was in the River Cafe 17 years ago. The food was wonderful and it’s where I asked Oona to marry me. &
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(From top) Russell Pinch; Sarabhai House, India; Russell’s favourite red Eames chair; The Wine Bottle, Collections Typologie; the garden at Endsleigh House; Niwaki garden snips and secateurs
FEATURE CELIA RUFEY PHOTOGRAPHS (SARABHAI HOUSE) EDMUND SUMNERVIEW/ALAMY STOCK PHOTO; (ENDSLEIGH HOUSE) THE POLIZZI COLLECTION
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