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A-list decorator Donald Nxumalo at home

africa now

the power of black design from joburg to marrakesh â&#x20AC;&#x201C; and beyond

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CON TEN TS november

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FROM THE EDITOR Equity,

representation and opportunity are the future of design ART Lulama Wolf is writing her own creative legacy COMMUNITY The organisations making real change in the struggle for creative representation ARCHITECTURE Africa’s new academic boom PROFILE Meet the Black creatives championing their personal design identities HOUSE & GARDEN NOVEMBER 2020

DES I G N 37 43

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WATCH THE THRONE The

Joburg home of Donald Nxumalo is a true reflection of his character: a global thinker with a deep connection to his local heritage MAKING IT IN AMERICA

Brigette Romanek brings new life and style to a historic 1930s Hollywood home MEET ME IN MARRAKESH

Ahead of her new book, Inside Marrakesh, style icon Meryanne Loum-Martin takes us into the world of character and craftsmanship that is Moroccan design

NEW YORK STATE OF MIND In

a Brooklyn home, interior decorator Kesha Franklin strikes the perfect balance between classic and cool

22 4

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GOURMET From traditional tea

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from the editor

ike birthdays, anniversaries and any other calendar-marked milestones by which we measure ourselves, the year’s denouement brings with it an all-too-familiar sense of introspection and evaluation. ‘Unprecedented’ has certainly been this year’s most popular epithet, justifiably and, often, not meant so kindly. the world has been turned upside down by a pandemic, protests and political tensions dominate the news, and the climate change doomsday clock ticks ever closer to midnight. Closer to home, the design industry has also had to face some hard truths: how, still today, are representation, meaningful inclusion and equity not innate parts of its fibre? Why is opportunity only afforded to the privileged? And when will these lamentations become actions towards real and permanent change? that’s why, this month, the team at House & Garden set out to create an unprecedented issue: one that dedicated itself entirely to representing the tenacity, talent and power of Black designers, not just in South Africa but throughout the continent and beyond. Africa is not monolithic, and neither are the design identities of its creatives – from Johannesburg to Marrakech, dakar to nairobi, the wealth and individuality of design is immeasurable; certainly too great to capture in a single issue of a magazine. that’s why we will commit to our continued support of designers from around the continent – in editorial representation, as well as in working with organisations that promote opportunity and empower new talent; as is our responsibility. it’s my hope, as you read the incredible stories of the architects, designers, artists, changemakers and creatives in this issue, that you’re left with optimism for the future of the industry. Let’s make the unprecedented the norm so that this becomes a time that we can one day look back on with pride.

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Paradise Found

Temples, spas and unrivalled luxury: Thailand offers iT all To The discerning explorer

From gilded shrines to towering glass skyscrapers, sprawling mangrove forests to mega metropolises, Thailandâ&#x20AC;&#x2122;s beguiling contradictions have captured the imaginations of intrepid explorers for centuries. A crucible of culture and commerce, to experience the country is to step back into history while at the same time living on the cutting edge of tomorrow. There is an adventure waiting for every type of discerning traveller â&#x20AC;&#x201C; from an electric culinary and nightlife scene for the urban globetrotter, awe-inspiring temples and monuments to appease the culturalist, unspoiled forests

and coastlines beckon the adventurous spirit, and quiet sanctuaries where mindfulness and meditation offer an escape from the world. At a time where the return to travel has become the ultimate luxury, Thailand offers an experience as unique as it is unforgettable: a journey to paradise. amazing Thailand south africa 8 facebook.com/ amazingthailandinsouthafrica for further information, please contact the Tourism authority of Thailand representative office % 011 463 8195 8 info@lscpr.co.za

PROMOTION

From bustling Bangkok to the historic capital, Ayutthaya, and, of course, the famous islands of the Gulf of Thailand, these high-design hotels offer luxury, comfort and style across Asia’s most exciting country. 137 pillars suites & residences, Bangkok You would be hard-pressed to find a more Instagram-ready hotel; from the impossible views over the skyline, seen from the rooftop infinity pool, to the cocooning glamour of Nimitr, its blue-and-gold clad Michelin-star restaurant. Every detail of 137 Pillars Suites & Residences has been designed with luxury in mind, offering guests a sophisticated, urban experience in the heart of the capital. 8 137pillarsbangkok.com

Thann Wellness destination, ayutthaya When the time comes to leave the city behind, Thann Wellness Destination offers a reprieve from the frenetic. Enjoy the riverside spa’s many restorative activities, which include healing massage and skincare treatments, yoga and cooking classes. 8 thannwellness.com paradee resort, Koh samet No trip to Thailand is complete without a stay at one of the legendary islands, and Paradee Resort certainly lives up to its name: a paradise without equal. Booking a beachside villa is essential, as are days spent island hopping and evenings sipping cocktails at the hotel bar and restaurant. 8 samedresorts.com

CLOCKWISE, FROM TOP LEFT ONE OF THAILAND’S MANY TEMPLES; NIMITR RESTAURANT AT 137 PILLARS SUITES & RESIDENCES; INDOOR POOLS AT THANN WELLNESS DESTINATION; A VILLA AT PARADEE RESORT; THAILAND’S FAMOUS CRYSTAL WATERS AND LIMESTONE FORMATIONS

Art

a rt wo r k : lu l a m a wo l f

BITE NOT ONE ANOTHER (BIN KA BI ) By lulAmA wOlf, 2020, AcRylIc ON cANvAs

insider the scoop on shopping, style, design & culture November 2020 houseandgarden.co.za

Art

The Wolf of Her Own Street

lulama Wolf talks to senior copy editor Buntu ngcuka about doing everything with intention, especially her art photograph andrew berry

‘l

ifestyle blogging was a hobby I got into while I was studying, a way to live virtually and still maintain my creativity,’ says Lulama Wolf, real name Lulama Mlambo, about her fashion blogging and social media influencer beginnings. ‘Fortunately, it turned out to be a good business opportunity down the line.’ and good it was – she was featured in campaigns for brands such as Woolworths and h&M. she stood out from the wave of colourful print-on-print-on-print, more-ismore vibe that many influencers and bloggers gravitated towards thanks to her minimalist aesthetic and functional style which she describes as a reincarnation of her mother’s timeless style. It helped her get over 100 000 Instagram followers. When I first started following her on Tumblr around 2013, I was drawn to her well-curated reblogs and her own chic photos. It was like something from solange’s My damn Blog, but somewhere between a colourful Melina Matsoukas music video and a classic calvin Klein campaign. rare gems were featuring Fela Kuti and snaps of township life in black and white. her artwork, though, is a lot more expansive. ‘It is completely different from the lifestyle I portray on social media’, says the artist. ‘It is an in-depth expression of my culture, questions and desires. although the two sub-aesthetics link to me as an individual.’ To have complete ownership over her work and the freedom to delve deeper into her artistry, she founded camagu studio with fellow visual storyteller azania Forest (camagu is a Xhosa word used when thanking one’s ancestors). ‘It is a concept that focuses on cultural research and artistic expression. We learn from our own cultures and, in turn, exalt how our heritage has given us the wisdom to pursue our modern identities as africans. We are students of art and life and, as a result, each product or service we produce will come from a place that is inspired by knowledge and appreciation,’ says Lulama. she describes herself and azania as researchers, students and storytellers. ‘The heart of our business comes from the ideation process. everything we make comes from a story that we conceptualise and manifest.There’s an intention behind what we offer.’ But even with such a distinct vision and a dedicated following, entering the art world did not come without its challenges – the

Art entry itself being the hardest to overcome. ‘The art world is different to most industries, and I had to learn the tools of the trade. Fortunately, I’m a fast learner.’ she attributes her breakthrough to keeping it real and doing things her way: ‘I believe one’s authenticity is paramount when building a sustainable foundation in the path carved [for oneself]. not many will understand your objectives or receive your work well, which was a lesson I learnt very early on, but that did not deter me at all. Instead, I had the opportunity to identify how and where I wanted my work to make an impact and exist. I continue to seek knowledge and pave my lane.’ Lulama is drawn to traditional mediums – mostly paint, clay and ceramics – and has practised the latter for a year and a half. she also designed the artwork for local musician Muzi’s 2019 eP Stimela SeGolide. It was a project between herself, Muzi and dead., the Joburg-based streetwear and lifestyle brand. ‘I created artwork that spoke to elements of the music,’ says Lulama. ‘It combined the life beyond the jobs created in Joburg and the hardships endured by the women who remained at home once their husbands had left for work.’

Interpretations such as these and representation of Blackness – her Xhosa heritage, in particular – is a vital part of Lulama’s work. ‘Proof of existence is rare in the Black community. People share information, but they do not sustain it in ways that are preservable to us right now,’ she says. ‘I express my yearning for answers and clarity in ways that make my blackness clear even when the work is abstract.’ For Lulama, art all boils down to spirituality, intuition and maintaining her authenticity. ‘My work carries my spirit before it carries a message,’ she says. her intuition plays a crucial role in the direction she takes, then she compartmentalises the message based on what she wants to prioritise and say. In terms of future projects, she gives a sneak-peak of an upcoming project: a body of work about formless femininity. ‘It is dedicated to the delicacy and the balance of the feminine energy. It speaks about the unexplainable nuances that have to do with the challenges faced by those who identify as women, simply by being and how they navigate around it.’ and Lulama is always looking inward – as a woman, a human being and as an artist. Lulama Wolf lulamawolf 8 icamagustudio.tumblr.com n

ab ove um se be n z i, 202 0, ac ry li c o n ca n vas rig h t ‘ Th is fo rm i s j usT a cosT u m e fo r a w hi l e, buT Th e o ne w h o is beh i n d i T, i s eTer n al , ’ says lu l a m a a b o u T T h e a rT wo r k November 2020 houseandgarden.co.za

from the states to the UK, meet the women â&#x20AC;&#x201C; and their organisations â&#x20AC;&#x201C; who are championing equity and representation in the design industry interviews piet smedy

forCes for Change

hoUse & garden november 2020

CommUnity

Black Artists + Designers Guild Malene Barnett, USA What was it that made you think, ‘This is it, this is the time’ when it came to establishing the Black Artists + Designers Guild? There were a series of events that led to establishing Badg. The idea had been brewing in my mind for some time and the concept became clearer during a sabbatical from my rug business. since I was no longer hustling to gain new clients, launching collections or attending industry events, I was able to analyse the industry from a different perspective. It was the absence of Black creatives at What’s new What’s next, a major industry event held in new York, that drove me to call out the industry’s inequities in an Instagram post. soon after, the Black artists + designers guild was born.

p h oto g r a p h : a l a r i c ca m p b e l l

Personally, because as a Black artist there is a deeply rooted sense of the personal here, what was your journey to activism? My journey to activism started in my senior year of high school after reading the autobiography of Malcolm X. ever since then, I’ve been learning and spreading the word about the legacy of Black people. What steps have, are, and will BADG be taking to advance the community of Black artists, designers, and creatives? Badg has three initiatives: our mission, creative incubator and education fund. Through our initiatives we provide visibility, creative collaborations, and education opportunities for our members and for the Black community. our inaugural project, through the creative incubator, is obsidian, a virtual concept house. We are reimagining the future of dwellings for Black families through a virtual immersion

experience. This is a collaborative project amongst Badg members and positions us as creative thinkers, while creating space to support the multiplicity of Black families. You speak of taking ownership of Black narratives, particularly at the intersection of culture, design and commerce. How can Black creatives instate authority after such a long history of appropriation? Black creatives can start by committing ourselves to begin the journey of reclaiming our legacy. start by researching the practices of our ancestors, visit places where Black culture is prominent. This knowledge can be applied to our creative practices and it will encourage us to rethink how we create everything, from objects to spaces.

‘Black creatives can start by committing ourselves to begin the journey of reclaiming our legacy’ Malene Barnett

Since you founded BADG, is there a dialogue in your mind, informed by your conversations and experiences, that has changed the way you work when crafting pieces in your private capacity as an artist? The dialogue remains the same. I create art, objects and experiences for the liberation of Black people. My work continues to act as a bridge to inspire community and open doors to more in-depth conversations around Black culture. You are an agent for change, but who are the agents that have informed and changed you as a Black artist and activist? I continue to channel the paths of renowned artists such as Lois Mailou Jones,

elizabeth catlett, Barkley L. hendricks, and others who came before me. Their dedication to both craft and purpose, while keeping cultural traditions alive and creating legacies, encourages me to continue to enhance my artistic heritage with meaning. While in the US and other countries there are organisations, like BADG, actively working towards representation and equity, how do you think Black creatives from parts of the world where this is not the case should be addressing these issues in a way that can create real and permanent change? It is time for white ‘gatekeepers’ to address the systemic problems they have created, and for other communities to be proactive and not wait for another Black person to be murdered before joining the battle for racial equality. This struggle shouldn’t depend on the labour or knowledge of Black creatives or people. give Black creatives and people space – we’ve been fighting injustices far too long and our creativity, mental health and physical wellbeing need to be protected. real and permanent change will occur when every person is fighting for equality for all, systemic problems are erased and new foundations are set. This fight is a lifelong commitment and it’s going to take many years of equity building to arrive at permanent change. From where you are standing, is there hope for change? Yes, there is hope, but will permanent change occur in my lifetime? I doubt it. The devastations from racism and white supremacy are embedded in everything we do, and many are numb to the dysfunction. Firstly, people have to acknowledge it, be conscious of it, then take action to go against it every day. We’re still in the planting phase toward change, it’s not the first time we’ve been here, but I’m hopeful that these seeds will grow to benefit future generations. Black Artists + Designers Guild 8 badguild.info november 2020 houseandgarden.co.za

hoUse & garden november 2020

p h oto g r a p h : s u p p l i e d

CommUnity

United in Design Sophie Ashby (of Studio Ashby) & Alex Dauley (of Dauley Design), UK Lack of representation and diversity in the interior design, and really, the broader design industry is not a new problem. What was the catalyst that for you both crystallised the need to take action now? Sophie: on 4th June 2020, I issued a statement on the studio ashby Instagram in response to the murder of george Floyd and the global anti-racism movement. I acknowledged some uncomfortable home truths about the elitist and exclusionary nature of the design world and the studio’s own shortcomings in running a diverse company. united in design is a product of the outpouring of energy and the drive for change I received in response to this post, having spoken to so many people and listened to their stories of struggle, sidelining and missed opportunities. Alex: My passion for united in design was ultimately fuelled by first-hand experience of this reality – which is why having trained and tutored at KLc school of design I began outreach to leading industry figures to specifically promote the benefits of addressing the inequality. It is unquestionably clear that institutionalised racism is prevalent in, it seems, all industries. Where do you think the issues of race in the design industry stem from? Sophie: It’s a profession most often afforded by privilege – opportunities to live in beautiful houses, to travel, to visit hotels, private education, access to funding for highly expensive design courses, a foot in the door, all important introductions. It is an uncomfortable but real truth as an industry with the badge of elitism stamped all over it.

‘We just can’t find any Black creatives’ is perhaps one of the more common excuses used by employers to save face when pressed for answers on lack of diversity. How do you respond to this? Alex: search harder! Please don’t resign to defeat or complacency. We’d like to invite anyone working in this sector struggling to find black creatives to actively participate in united in design – whether you’re an interior designer, maker, supplier, magazine, stylist, photographer, interior architect or anything in between. Please visit unitedindesign.com to register your interest. as a charitable organisation, we’re asking all members to contribute a nominal annual subscription fee, which will then be used to resource the programme and support young people through many outreach initiatives and events.

‘I acknowledged some uncomfortable home truths about the elitist and exclusionary nature of the design world’ Sophie Ashby How do you see United in Design implementing the changes and systems needed to address the issues of representation and diversity in interior design? Alex: It addresses the issues with tangible results. In order to take the pledge and become a member of the united in design movement, businesses (or individuals) must commit to three actions from the seven-point actional pledge, which aims to encourage partners to unlock doors and inspire others within the industry to share their wealth of expertise and time with those who need it most. our end goal is to become an ongoing sponsored initiative that is able to nurture, coach and develop high potential candidates from Black, minority ethnic and low socioeconomic groups – eventually funding

scholarships, apprenticeships and bursaries for programme participants via annual subscription fees and events. Sophie: We’re very much at the start of our journey with this and so far, it has been a case of laying the foundations for action. over the next year we hope to get our apprenticeship concept off the ground and start helping students leaving university or design school get a foot in the door. Alex: By pooling groups of four design studios, makers and suppliers together we are able to provide a 12-month apprenticeship placement, with the apprentice spending three months in each organisation. The apprentice would be paid a junior designer salary, split across the four studios – giving each the scope to gather a broader set of skills, knowledge and contacts in order to progress through the industry. How do you, through United in Design and organisations that are similar, see change being long-lasting, not so much reactionary but a permanent industry paradigm shift? Sophie: I think, and hope, that this year has instilled a new kind of energy and vigour for change in many of us - that will continue to propel us forward toward a more permanent shift. As of October, United in Design will officially registered as a non-profit. What will your next steps be? Alex: We are excited to announce that our first pool of companies has been put together to offer four united in design apprenticeship placement. Four very lucky applicants will spend three months in companies such as Laura hammett Interiors, Fromental, Turner Pocock and Brady Williams studio amongst many other leading firms. We’re so excited to be able to offer guidance, time and expertise to the next generation. We have also just launched applications for mentoring to help candidates at all levels on their journey. United in Design 8 unitedindesign.com n

november 2020 houseandgarden.co.za

The Technology School of guelmim in guelmim, SouThern morocco

house & garden november 2020

architecture

Higher Thought Architecture and academia come together to create a brighter, more sustainable future across the African continent text piet smedy & edwain steenkamp

november 2020 houseandgarden.co.za

house & garden november 2020

architecture

T h e Te c h n o l o g y S c h o o l o f Guelmim Where: Morocco Who: Saad El Kabbaj, Driss Kettani and Mohamed Amine Siana

p h oto g r a p h s : F e r n a n d o g u e r r a

striking a profound balance between rectilinear restraint and theatrical light play, the Technology school of guelmim by architects saad el Kabbaj, driss Kettani and Mohamed amine siana is an inspired facility in the country’s south. While the school’s geometry serves as a modern interpretation of the Moroccan architectural vernacular, it also functions in a very practical fashion: cantilever overhangs and voluminous forms serve to create cooling planes of shade and ventilation to counter the region’s extreme heat. There is an undeniable academic gravitas to the monolithic structures, from familiar clay-toned facades to the all-white interiors of the classrooms, amphitheatre, workshops, TP rooms, administration buildings, library, lecturer’s offices and staff accommodation.

november 2020 houseandgarden.co.za

The Botswana Innovation Hub Where: Botswana Who: SHoP Architects

p h oto g r a p h : s u p p l i e d

When shoP architects revealed The Botswana Innovation hub, it seemed like the makings of science fiction. The three-fingered interconnected block is a feat of engineering and design unparalleled by any

project in the region. The facility is located on a 140acre site near the airport in the capital city gaborone, and unlike other technology parks in the country (or around the world), it is built to embrace the city and the people living in it. once fully completed and in operation, the building will serve as a space for research laboratories, tech companies, small start-ups, and a business school. But it is not all just business with the facility. With a large auditorium, bar, and lounges throughout the facility, the team ensured that the space also allows for spontaneous encounters and socialising.

house & garden november 2020

architecture

p h o t o g r a p h : s o F i a V e r z b o l oV s k i s

Fass School and Te a c h e r s R e s i d e n c e Where: Senegal W h o : To s h i k o M o r i A r c h i t e c t The Fass school and Teachers’ residence in eastern senegal by new York-based Toshiko Mori architect is the first school in a region of over 110 villages to provide secular education alongside traditional Quranic teaching to students aged 5 to 10. The project is the

result of a collaboration between TMa and the Josef and anni albers Foundation and nonprofit Le Korsa, who alongside TMa conducted years of discussions with local village leaders. The building’s oval shape and inner courtyard were inspired by traditional architecture from the region, utilising locally-sourced bamboo and thatch as well as mud bricks formed on-site. The thatch roof is pitched to direct rainwater into a canal that encircles the building and empties into a nearby reservoir. spacedbrick walls ventilate the four classrooms and two flexible spaces, creating a comfortable school environment despite the region’s extreme climate. n

november 2020 houseandgarden.co.za

SWiTch To DigiTAl With a digital subscription, you will never miss an issue of GQ, Glamour or House & Garden. Here’s how to get the latest issues – without leaving home – in just a few clicks

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This classic Johannesburg garden was laid out in 1945 by legendary landscape architect, Joane Pym and features magniﬁcent trees including rare Copper Beeches, Magnolias, Camelias and a colossal 100 year old Water Oak believed to be the largest tree in Johannesburg. Christopher and Susan Greig acquired the 3.5 acre garden some 20 years ago and have worked extensively on redesigning and landscaping this botanical sanctuary. The homestead was designed by Steffen Ahrends for the late Rudy Frankel of Tiger Oats in a romantic Flemish country style with a cedar shingle roof. The Garden features a Pin Oak forest, a water garden comprising six ponds and a bog, a colonnade, a formal rose garden and a spectacular sunken vegetable garden brimful with heritage vegetables and herbs. Beechwood is wheelchair friendly with a smooth pathway that visits all these features.

ON SHOW TO THE PUBLIC Thursday 19 November to Sunday 22 November 2020 • 9am – 6pm R50.00 entry. • Shari Dickinson will be hosting her Christmas Market featuring summer fashion, jewellery, homeware, gifts and gourmet delights. • Refreshments and light meals will be served in the Tea Garden beneath the oaks. • Susan Greig will be hosting her ever-popular Alfresco Lunch on Saturday and Sunday. Booking for this lunch is essential with nina@beechwoodgardens.co.za • 25 Christopherson Road, Hyde Park, Johannesburg Enquiries email events@beechwoodgardens.co.za It is recommended you make use of Uber.

CHRISTMAS MARKET Proceeds to Johannesburg Child Welfare and BirdLife South Africa www.beechwoodgardens.co.za

Profile

Taking Up Space Meet some of the outstanding Black creatives owning and exploring their identities through design work

p h oto g r a p h s : s u p p l I e D

TexT thobeka phanyeko & shannon manuel

november 2020 houseandgarden.co.za

Profile

MpendUlo dlaMini architect, South africa 32

house & garden november 2020

Before his career in architecture that now spans a decade, it was the residential niche that captured Mpendulo’s attention as a final-year university student. a phone call from a gauteng-based medical doctor to design his new home at eboste estate changed his life’s trajectory. and upon the completion of the project, the good doctor’s friends, stokvel members and relatives were all lining up to make use of his services. ‘I had about 20 projects lined up at the time, which was enough to launch my small studio in rosebank.’ With each new project, he dedicates more time to the client in order to understand them better, learning about their values and the significance of his contribution to their lives. ‘We brainstorm ideas around their lifestyles, family dynamics and sociability so that my interpretation of their vision is translated onto paper. This process requires empathy and time.’ The young creative approaches architecture as a time capsule, and over the past 10 years, has learnt that each home he builds is a statement that represents a moment in time. ‘Through each structure, future generations can be able to hear us, feel us and see us.’ his favourite project? Mpendulo says it is hard to say, as all of his work opens up new challenges to him. one career-defining project was the first mega-township community he designed for 4 000 residents, which he presented to all stakeholders, including mayors.’ a ‘ nother project I’m proud of is a dolphin coast home. The building is designed around the client’s personality of being private to the public but open to the loved ones.’ he is currently working on what a calls a dream project of a friendship spanning 15 years: a ‘ friend saw my concepts and said, “one day you’ll build my house.” Fast forward to 2020, he kept his word. his brief was simple: “Please shock me.”’ They are breaking ground to 2 000 squaremetre luxury home in steyn city. @mpex.za

â&#x20AC;&#x2DC;Through each structure, future generations can be able to hear us, feel us and see usâ&#x20AC;&#x2122; Mpendulo Dlamini november 2020 houseandgarden.co.za

Profile

ClaYTon RHUle Mutlidisciplinary designer, Trinidad & Tobago clayton, who was born in Jamaica, majored in sculpture-making at the edna Manley college of Visual and Performing arts in Kingston. he later went on to do his postgraduate studies in graphic design at the Florence design academy in Italy. ‘I design objects that take on a sculptural sensibility, which makes each piece stand out in any space,’ he says about his approach. ‘These objects tell the story of their journey into being. There’s beauty in the crafting, in the imperfections, and how they’re used.’ his work materialises in the form of furniture, lighting and sculpture. ‘sometimes the lines are blurred. I believe that the three-dimensional object plays an important role in how we see ourselves within our surroundings. It gives us a tangible thing to relate to, and that creates drama between human beings and the object.’ For this innovative designer, his craft is the ultimate exercise in play. 34

house & garden november 2020

‘To follow your intuition and then refine to create a beautiful outcome that has a purpose far beyond its function. That’s the ultimate reward every time I create an object.’ he explains his creative process is anchored in sharing, and his intention is to surprise. ‘For them to be curious and want to know more, to be pushed to see more.’ he uses wood and metal consistently in his work as both have very specific attributes that he has grown to love, particularly the warmth of wood and variety of species, and the strength and structure of metal. he says surfaces are important to each piece: ‘I tend to keep ﬂaws or aggravate surfaces to change the perception of the material. I also don’t finish my pieces heavily because I still want to smell the natural scent from the wood.’  claytonrhule.com

lani adeoYe

p h oto g r a p h s : Y I N a N X I a , s u p p l I e D

Furniture designer, nigeria Lani adeoye is driven by conceptual curiosity, cultural expression, empathy and a thirst for innovation. ‘I use design as a mediation tool, to connect seemingly opposing worlds. To merge art, craft and design, to seek synergy between tradition and innovation, and to express heritage through contemporary lenses.’ her versatility as a designer is a testament to her eclectic roots and diverse life experiences, having lived in Lagos, Montreal, Toronto, and new York. a ‘ s an artistic designer, my work oftentimes expresses my sense of identity. The core of my identity was formed being raised in nigeria, but growing up in nigeria as a young girl, I didn’t have to be as conscious of what being nigerian meant. But moving to canada and often being the token Black person, I was conditioned to have a heightened sense of identity and I also became quite aware of many misconceptions about my culture,’ she says. a ‘ cknowledging I was different within that context, I began to get more acquainted with the various layers of my Identity. Being viewed as “Black” when I was with my caucasian friends or “african” around my caribbean friends or viewed as “nigerian” amongst my friends from other african countries.’

The main inﬂuencers of her work are her roots, her identity as an afropolitan, along with her overall curious and optimistic approach to living in a complicated world. ‘People often view creativity coming from africa in a monolithic way. africa is such a vast continent with very diverse countries. Through my designs, I hope to share a different perspective; as I tend to focus more on form and rhythm. I’ve always appreciated our sculptural sensibility; from the way we sculpt our head ties, to our explorative hairstyles; to the actual traditional woodcarvings. This sculptural sensibility is something I’m quite connected to and explore in various collections.’  studio-lani.com

niFeMi MaRCUSBello industrial designer, nigeria nifemi Marcus-Bello has worked as a designer around the continent across various sectors such as telecommunication, social impact and furniture design. he currently runs his eponymous design studio based in Lagos, nmbello studio, designing furniture, installation and locally fabricated medical devices. his ethos is rooted in empathy. ‘We create products for people to use, make other products, start a business or keep just for emotional connectivity to something. so it’s our job to make sure that everyone in the process of creating a product is taken care of, this is why I stress in the studio that empathy doesn’t just start with the user. You have to consider the whole food chain.’ a ‘ s a design studio based in africa, we’ve also learnt that a lot of humility is required to fully benefit from what the continent has to offer. It’s deeply spiritual, in the sense that culturally, africa is rooted in respect for people and places. There is a strong sense of what is sacred, and we have learnt the same applies for design on the continent.  nmbello.com 

november 2020 houseandgarden.co.za

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Design solutions

Colour therapy

t e x t: e d wa i n s t e e n k a m p ; p h o t o g r a p h y: s u p p l i e d

In open-plan spaces, it is easy to create the illusion of a designated dining area. Lay down a large and colourful area rug with a bold pattern beneath the dining furniture. That will not only create the feeling that you are sitting within a contained space but will also bring warmth underfoot while adding life to the surroundings. 8 therugcompany.com

The main course

tuck into the latest in decor and accessories for dining rooms

november 2020 houseandgarden.co.za

1. ‘ZCAFÉ’ ROPE DINING CHAIR IN BLACK AND BURGUNDY, R6 680, EGG DESIGNS; 2. ‘HOMBRE’ DINING CHAIR IN BLACK, R3 950, DESIGN STORE; 3. ‘CALEDON’ DINING CHAIR, R4 999, @HOME

1 4

3 4. ‘ADINTON’ EXTENDABLE DINING TABLE, R6 610, ASHLEY FURNITURE STORE; 5. ‘FULANI’ CHAIR, POR, THE URBANATIVE

6. DINING CHAIR, POR, PINDA FURNITURE DESIGN; 7. ‘SKIVA’ SQUARE DINING TABLE, R8 900, CÉCILE AND BOYD

the essentials When investing in dining furniture, the most important thing to consider is the space. also, ask how often they will be used, and by whom? That will help you determine which pieces are best suited for your lifestyle. For instance, a simple foot or pedestal design is best for tables that will be used by the whole family daily, with chairs and benches that can withstand constant use. 8 enzahome.com

6 38

House & gARDen november 2020

p h oto g r a p h s : s u p p l i e d

Design solutions TIGHT ON SPACE? ROUND PEDESTAL DINING TABLES ALLOW EVEN THE SMALLEST CORNERS TO BECOME COMFORTABLE DINING SPACES

Space age With more people working from home than ever before, make sure to invest in multifunctional furniture that will see you through any time of day. round pedestal tables and servers can work as well at dinner time as they can for work. servers can double up as storage units so that you can pack away ďŹ les, papers and your computer at the end of the day, without disrupting mealtimes. 8 cremadesign.co.za

november 2020 houseandgarden.co.za

Design solutions

In view

LAYERING NATURAL FIBRES IN CONTEMPORARY APARTMENTS HELPS SOFTEN HARD LINES, WHILE BRINGING MUCH NEEDED WARMTH INTO THE SPACE

house

garden november 2020

p h oto g r a p h : s u p p l i e d

Whether you have a large dining room or an openplan space, make sure that the area has a strong focal point. This will ensure that the furniture does not appear to be so bulky that it swallows up the space. a large, low-hanging pendant light is ideal for minimal obstruction, and table decorations, artwork and area rugs are also useful for injecting instant comfort and character. 8 hm.com

Design solutions

1. ‘LIZ’ PENDANT LIGHT, POR, MASH.T DESIGN STUDIO; 2. COPPER PENDANT, POR, RADIANT LIGHTING; 3. ‘STROMBOLI’ VASES, POR, NATUZZI

3 5

4 4. ‘MANGALISO’ RUG, R5 500, THE NINEVITES; 5. ‘DISC’ OCCASIONAL TABLE, R16 995, LA GRANGE INTERIORS

6. ‘JEFF’ RATTAN TRAY, R2 495, LA GRANGE INTERIORS; 7. ‘PULUSI’ BENCH, R4 499, SEVENS

supporting cast

If you are an entertainer at heart, make sure your space reﬂects just that, with accessories that not only look good but help you during dinner parties: task lighting, communal benches and dual-purpose accessories make hosting a feast for the eyes. 8 mavromacandthegatehouse.co.za

november 2020 houseandgarden.co.za

SHOPPING CERAMIC CANDLE HOLDER IN LIGHT BEIGE, R249, H&M W COLLECTION THIN CERAMIC VASE IN TEAL, R450, WOOLWORTHS

‘EMBER’ CUSHION COVER IN RUST, R249, SUPERBALIST

‘TUBEY’ FLOOR LAMP IN BLACK, R12 999, LA GRANGE INTERIORS

The new Kids Update your wishlist with these fresh arrivals

p r o d u C t i o N : e d Wa i N s t e e N K a M p ; p h o t o g r a p h s : s u p p l i e d

MARBLE PRINT FOLDABLE TRAY, POR, GUCCI

MARBLE PRINT TRAY, POR, GUCCI

WOODEN BENCH, R4 799, ZARA HOME

HAND-COILED VASES, POR, KHAKOON

SHOPPING VANESSA MITRANI ‘ALOA’ SCULPTURE, POR, ROCHE BOBOIS STANISLAW TRZEBINSKI ‘CONTEMPLATION MAQUETTE’ IN BRONZE, POR, EBONY CURATED

MEDIUM ‘ETSA’ TOTEM, R1 913, EGG DESIGNS

Hidden Figures

‘OKAE’ IN JACARANDA, POR, ATANG TSHIKARE ‘WOODEN PHILOSOPHERS’, POR, VILLA AFRICA

‘SLEEPING LADY’ R449, CORICRAFT

HOUSE & GARDEN november 2020

NORMAN CATHERINE, ‘COGITATOR’ IN BRONZE, POR, EVERARD READ GALLERY

p r o d u C t i o N : e d Wa i N s t e e N K a M p ; p h o t o g r a p h s : N i e l Vo s l o o , s u p p l i e d

Modern idols to covet

TUBER by Haldane Martin

B H AC A by Andile Dyalvane

SOMA by Laurie Wiid van Heerden

TERRA by Laurie Wiid van Heerden

HOME IS SANCTUARY Home has returned to the centre of our lives. We believe beauty and nature nourish the soul.

indigenus.co.za

Showroom 1. CHENILLE THROW IN BORDEAUX, R1 990, SHF; 2. ‘MCUSHION 3’, R1 350, MAXHOSA; 3. ENVY & CO ‘THE MANKIND’ FABRIC IN RAVINE, FROM R1 450, HERTEX; 4. ‘KENTI’ CUSHION IN BLACK, WHITE AND BROWN, R840, CÉCILE & BOYD; 5. ‘OUT OF AFRICA’ FABRIC IN CLAY, POR, MAVROMAC & GATEHOUSE

W o r d s : E d Wa i n s t E E n k a m p, p h o t o g r a p h s : s u p p l i E d

FABRIC FROM THE ‘ARAPAHOS’ COLLECTION BY PIERRE FREY, AVAILABLE IN SOUTH AFRICA THROUGH MAVROMAC & GATEHOUSE

MATERIAL WoRlD Bring all your plush fabric fantasies to life, no matter the texture, colour or pattern

houSe & garden november 2020

Showroom When it comes to applications with frequent use and exposure to direct sunlight, opt for a tough textile option such as the sunbrella range of fabrics. They are durable and resilient without sacrificing on style and comfort. 8 adfsa.com

november 2020 houseandgarden.co.za

All the feels

Linen is perhaps one of the most enduring and beloved types of fabrics for the home. Lizzoâ&#x20AC;&#x2122;s selection of stone-washed varieties is ideal for upholstery and drapery. 8 hertex.co.za

Balance striking prints with neutral fabrics in the same tonal range, such as in this setting created with James Maloneâ&#x20AC;&#x2122;s range. That allows for a controlled yet expressive setting. 8 hertex.co.za

Micro-prints are a subtle and charming way of bringing in moments of interest and texture, without investing in a complete interior design overhaul. 8 zarahome.com/za

a mix of textiles such as these silk-blend jacquards, velvets and chenille from romoâ&#x20AC;&#x2122;s Japura collection work well together, creating rich texture and dimension. 8 romosouthafrica.com

houSe & garden november 2020

Showroom hand-embroidered geometric patterns allow the Fadini Borghi â&#x20AC;&#x2DC;cosmaâ&#x20AC;&#x2122; by Pierre Frey fabric to come to life in a dynamic way. although the pattern is bold, the neutral colours that inform the design allow it to adapt to a variety of settings. 8 mavromacandthegatehouse.co.za

november 2020 houseandgarden.co.za

know-how In terms of planting to achieve this look, iconic gems with origins on

the African continent include species such as Acacia trees, especially the flatcrown types with peeling bark such as the Monkey Thorn (Senegalia galpinii) and uMngamanzi (Vachellia robusta). Other favourites are African coral trees such as the Coastal coral tree (Erythrina caffra) and lucky bean tree (Erythrina lysistemon). Their flaming red flowers begin their vivid show during winter and bloom through spring. If one has space, few trees are more majestic than our large African figs – think the Mutuba or Natal fig (Ficus natalensis) and the Lagos rubbertree (Ficus lutea) – both trees being a treat for birds that feast on their fruit. African Combretum trees (Combretum erythrophyllum) for their unmistakable seed pods; indigenous olive trees for their characterful shapes; and our Stinkwood tree (Celtis africana) for its archetypal grandeur are all species I love to include.

To evoke a quintessential African landscape, I use aloes of all

Out of Africa

Landscape designer Franchesca Watson on embracing our natural heritage and creating a local garden aesthetic

varieties – particularly the large, bold ones like the Candelabra aloe (Aloe arborescens) and tree aloe or boomaalwyn (Aloidendron barberae). Grasses such as thatching grass (Hyparrhenia hirta) add wonderful movement to the garden and is so evocative of the grassy vegetation found in the north-eastern parts of South Africa and neighbouring countries. Reeds, too, not only look great but support nesting local birdlife. Franchesca Watson % 082 808 1287 8 franchescawatson.com

e South Africans have an enviable lifestyle – good weather coupled with an informal, outdoor approach to living, entertaining and relaxing. We enjoy being outside and have a generous, welcoming approach to life, and with those with whom we share it. We have a relatively young society with space, less restrictive conventions and, I believe, an expansive, brave and flexible way of viewing the world that is reinforced by our consciousness of nature on our doorsteps.

African gardens embrace nature. We are allowed opportunities

for terraces that lead from our living 50

house & garden november 2020

spaces directly out and into the garden; communal outdoor spaces for cooking, eating and playing; as well as outdoor sanctuary-like zones for bathing, sleeping and working. Plus, there is almost always a fireplace. African gardens incorporate local materials into the backbone of the garden such as African hardwoods; naturally occurring granite rock and Table Mountain sandstone; a plethora of beautifully-coloured sands and ample clay for sustainable laterite surfaces. Our gardens are at their best when the interaction between the built and planted elements is intimately connected and the boundaries between inside and out, people and plants, are blurred.

p h o t o g r a p h s : e l s a yo u n g

CloCkwise, from opposite page a collection of succulents and pelargoniums set against a backdrop of sculptural tree aloes; simple swathes of restios mulched with regional gravel; the unmistakable indigenous king protea (Protea cynaroides)

Otelie Collection

Johannesburg - Kramerville 011 262 4167

Cape Town - Durbanville 021 974 9050

Cape Town - Wynberg 021 761 4447

Durban - Morningside 031 303 2739

www.romosouthafrica.com

Port Elizabeth - Richmond Hill 041 373 1266

The ediT

p h o t o g r a p h : e l s a yo u n g

Superb homeS and StyliSh gardenS

interior designer donald nxumaloâ&#x20AC;&#x2122;s joburg home is a colourful haven of curated maximalism

Full story overleaf

november 2020 houseandgarden.co.za

the kitchen features custom shelves where donald stores things he needs daily

the steel and glass shelves house plants, which bring tranquil energy into the space

Watch

the throne An international thinker who loves local, interior designer Donald Nxumaloâ&#x20AC;&#x2122;s Joburg home is the perfect showcase of his feel-good style text piet smedy photographs elsa young

november 2020 houseandgarden.co.za

Donald

set for myself, testing my decision-making ability and trusting nxumalo has energy. south africa’s most exciting young my gut-feel,’ he says. ‘I have this saying at the studio, “you decorator is also its most excited, so much so that it is date a trend, you marry a classic”.’ Those timeless elements hard not to get caught up in his magnetic field, even over include the white bouclé sofa, prized for its quiet comfort, a medium as lacklustre as zoom. sporting a classic white and the mustard wallpaper, an addition that surprised even T-shirt and a megawatt smile, his welcome is disarmingly the designer, much like the all-black kitchen which now generous, like coming over to an old friend rather than the (sometimes stiff ) exchange that can be the interview process. serves as a gallery-like space for his art. ‘I have really come to accept and trust in my decisiveness as a decorator, even as ‘design is more than just about how it looks, it is about how I was decorating for myself,’ he says. ‘Though many of the you experience it,’ he says, wasting no time. ‘If someone elements were decided upon at different times, at the end comes into your home and feels something, that is a space they all came together cohesively.’ with soul. You want to feel good and feel recharged.’ a self-described international and the interiors are nothing if thinker with a local connection, not charged. Pattern and colour donald’s home – and his style – are make the first impression, applied informed by both his travels as with controlled abandon, a brand of well as a keen reverence for his calculated insouciance that resonates heritage. Take, for example, the with this designer. ‘There was no bronze sculpture in the living mood board, I just allowed the process room that reminds the designer to guide me and it unfolded in front of his grandmother, who grew of me,’ says donald. ‘The important up on a farm and would go out question for me was not “does it every morning to pick mielies and match?” but rather, “do I love that? spinach. similarly, the profusion does it feel good?” It is about not being of greenery throughout the intentional but being intuitive.’ interiors speak to growing up in of course, before this could happen, his mother’s plant-filled home and, donald had to find the apartment that in his study, is a Millers antique met his specific needs: somewhere close chair that has been reupholstered to the city but with a feeling of being donald nxumalo in an embroidered fabric, perfectly in nature. ‘I needed to come home to capturing donald’s need for something softer,’ he says, pointing out every element to have with it an a large willow tree that dominates the emotional connection. ‘My grandmother was ndebele so view through his windows. ‘In the year that I have lived here, if something stands still for long enough, we paint and bead I have watched its leaves turn brown, fall off and, now, it is it,’ he laughs. budding. I need that connection to the outside.’ ‘If we had to describe rooms as a “wave”, a “handshake” or Inside, donald’s approach was to focus on key pieces a “hug”, this layering definitely makes these rooms that hug,’ that would enhance the space, making it feel both light and he says. What has become clear is that donald’s approach is livable. ‘I believe that if you can decorate a small space – and that of a storyteller, weaving together interiors with narrative, do it well – you can decorate any space. There is no cheating spaces that let you see the personal side of the person living it, everything needs to work,’ he says. a ‘ key component there in a way that’s charged with energy and life. ‘I mean, on in my space was that it had to feel luxurious, I wanted to the one side my grandmother is ndebele but on the other be fully enveloped in this sense of my own style.’ so, to side my grandmother is shangaan, and on top of that there’s achieve this, he embarked on a 10-month mission of layering zulu in my family, too,’ he smiles. ‘so all of that, coming pattern, texture and tone, guided by his innate sense of what through in one person, there is going to be some action. would work in much the same way an art buyer builds their collection. ‘The entire process felt like this challenge I had Donald Nxumalo 8 donaldnxumalo.com

‘If someone comes into your home and feels something, that is a space with soul. You want to feel good and feel recharged’

house & gArDeN november 2020

â&#x20AC;&#x2DC;in the kitchen, i have used the top space to curate some of my favourite things such as glass and ceramic vases, carved wooden birds and booksâ&#x20AC;&#x2122;

november 2020 houseandgarden.co.za

house & gArDeN november 2020

the living room features art by various local artists such as nick walsh and sam legodi, with photographs by trevor stuurman, the planter is from indigenus planters and the â&#x20AC;&#x2DC;lanaâ&#x20AC;&#x2122; standing lamp is by pablo

november 2020 houseandgarden.co.za

‘the hats on the wall represent rest to me. i literally come home, take off my hat and i am at rest. the bed is from

miller’s antiques. the pedestal is the first one i ever got – it has always been missing a handle’

house & gArDeN november 2020

DESIGN NOTES ‘GERONIMO’ FABRIC IN TOBACCO, POR, Zinc teXtiles

UNTITLED 4 BY JUSTIN DINGWALL, 2020, PHOTOGRAPH, POR, artsY

p r o D u C t I o n : e D Wa I n s t e e n K a M p ; p h o t o g r a p h s : e l s a yo u n g , s u p p l I e D

HIDE CARPET IN ACID WASH SILVER, R13 239, kare design

‘DOLCE’ CHAIR, R6 690, shf

‘FLOW’ ROUND VASE, R4 099, kare design

‘CHEYENNE’ WALLPAPER IN BANANA, POR, casamance ‘LATVIA’ PLANTER IN BLACK, R849, superbalist

ARTEMIDE ‘TIZIO’ LED LAMP, FROM R9 763, cube gallerY

november 2020 houseandgarden.co.za

in brigette romanekâ&#x20AC;&#x2122;s living room, chairs by b&b italia and silk rugs by michael anastassiades

making it

in america

text edwain steenkamp photographs douglas friedman

interior designer Brigette romanekâ&#x20AC;&#x2122;s intuitive and playful approach made for an eclectic and timeless home november 2020 houseandgarden.co.za

the living room also features a blackman cruz stool and a painting by kehinde Wiley

house & garden november 2020

brigette refurbished the kitchen With stainless steel appliances for a modern look

november 2020 houseandgarden.co.za

the library features b&b italia suede chairs

here is no lack of showstoppers in hollywood. houses on these famed hills are among the most celebrated in interior design. so creating a home that is not only striking but unique as well, requires a considered and personal touch, with a distinct design perspective. That’s mean feat in Los angeles. But that is what Brigette romanek does best. The interior designer, who hails from chicago, uses equal parts inspiration and intuition in her design approach. ‘I listen to what the homeowner wants,’ Brigette says. ‘What they need, and also what makes them feel best, and I mix all of that, and try to make an incredible dish. I feel like that’s the best way to give longevity to a project.’ In this case, that project would be a spanish-style house on Queen’s road in hollywood, built in the 1930s. The existing structure had soul, without a doubt, but the challenge was to create a space that was not only comfortable and liveable, but would also reflect the dynamic taste of the homeowners, and serve as a space to entertain their friends as well as showcase their impressive collection of art. To achieve that, Brigette considered every aspect of the interior to ensure it was highly functional on a day-to-day basis, and also sparked a sense of happiness from the four bedrooms and bathrooms, through to the living and dining areas.

‘every element, from the round pink rug to the vintage coffee table and the bright yellow chairs, is a standout piece,’ she says. ‘My design style is about making every piece its own statement with its own message, and then marrying it all together.’ That is the case outdoors too, where the house boasts an open, but intimate courtyard, with lush foliage and an impressive swimming pool from the original grounds. This combination of so many elements is thanks to playful and intuitive use of colour throughout the house. Brigette says this could happen because of the art. The impressive collection is, in part, comprised of pieces the homeowners already had, while Brigette helped bring in the rest. ‘The homeowners like daring and challenging pieces which weren’t always safe, but they were so open to the whole process, and it made it a particularly fun environment to work in.’ From there, it was a process of extracting specific colours from the paintings, and echoing them in the furniture, which consisted entirely of new pieces, save for the dining table, which the homeowners already had. ‘It’s all about getting to know your clients and what they like. I wanted them to have a happy home, a place that’s fun and bright. dotting in these colourful pieces is the way I chose to express who they are.’ This intuitive expression of the homeowners’ personality is a skill that Brigette has honed in over many years in the interior design industry, drawing from love and an understanding of living spaces, which she kindled in her childhood. ‘My grandmother would bring home magazines for me to look at, and I would place myself in those spaces and scenarios. I didn’t know it back then that this would be my career, but my love for it was so intense, I knew it would always be a part of me.’ This project in hollywood, like every project Brigette and her team take on, shows this intense love in spades. ‘every project is a highlight for me,’ she says, ‘When someone wants to work with me, I feel so grateful and excited, and I feel sad when the project is over. It’s like saying goodbye to your child.’ Romanek Design Studio 8 romanekdesignstudio.com n

house & garden november 2020

in the backyard, custom chairs by restoration hardWare. the fireplace Was built With the house and is almost a century old

‘My design style is about making every piece its own statement with its own message, and then marrying it all together’ brigette romanek

DESIGN NOTES ‘COLLISION’ VASE IN AMBER, R1 100, LA GRANGE INTERIORS

PIERRE PAULIN ‘TOGO’ CHAIR, POR, LIGNE ROSET

SHAGGY RUG IN PINK, R700, MR PRICE HOME

‘RUSH’ COFFEE TABLE IN SILVER, R23 119, KARE DESIGN

p r o D u C t I o n : e D Wa I n s t e e n K a M p ; p h o t o g r a p h s : D o u g l a s F r I e D M a n , s u p p l I e D

‘GUBI’ BARSTOOL, POR, CRÉMA DESIGN

FORNASETTI FACE PRINTED CLOCK, FROM R2 710, FARFETCH

REEF AT NIGHT BY JESSICA BOSWORTH SMITH, GOUACHE ON PAPER, POR, SALON91

‘LANCASTER’ SOFA, R13 990, SHF

november 2020 houseandgarden.co.za

in brief X factor: Designer family garDen with restoreD enDemic renostervelD planting Size: the whole property is 6 000 square metres anD the garDen is

arounD 3 600 square metres aSpect: east-facing, sunny with prevailing summer winDs Soil type: heavy clay nourisheD with compost anD bio-organic fertiliser

house & garden november 2020

f l oral c o mpa ss

gardens editor Heidi Bertish discovers an indigenous garden and thriving ecosystem planted as an ode to our local plant heritage

photographS elsa young

november 2020 houseandgarden.co.za

ocated on the south-western tip of south africa, the cape Floristic region is one of the most special places in the world for plants. While it represents only the tiniest sliver of the african continent – less than 0.5 per cent, to be exact – it has been declared a unesco World heritage site and recognised as one of the greatest centres of terrestrial biodiversity in the world. Thriving in an area equivalent to a single scale on a crocodile’s tail, the region is home to an astounding 20 per cent of the floral species on the entire continent. With a vision deeply embedded in south african plant heritage, this family garden, in the heart of the cape Floristic region, grew from an intimate connection to the endemic plant life of the area. ‘We had been looking for property in stellenbosch for a few years. While my husband examined the house, I saw the huge rock at the end of the garden and was sold instantly. That large granite boulder holds ancient energy,’ says the owner. dds Projects was appointed to interpret the family’s dream of an endemic, indigenous garden. They wanted one that required very little watering and was able to establish its own ecosystem. Budget constraints necessitated imaginative thinking. hardscaping, irrigation and trees were identified as priorities which then left funds for only very young plants. The family required a lawn, but not a traditional central lawn. dds Projects envisaged graphic, lawned conduits 72

house & garden november 2020

through a mix of low renosterveld plantings. ‘I love the geometric pattern of green paths, which lead to the woodchip path around the rock – meditative meandering often happens here. The paths are cleverly raised above the planted areas to direct rainwater coming off the rock to percolate into the soil.’ The new planting remained true to the swartland shale renosterveld vegetation that historically covered the area. Much of the fertile, clay-rich soils of old had been denuded to make way for new agriculture in the area and the planting of orchards, vineyards and cereal crops, forcing the renosterveld into isolated pockets, ultimately creating what is now a highly endangered vegetation type. In an attempt to revitalise soil health, generous quantities of compost and bioorganic fertilisers were applied. ‘By using endemic plants adapted to this soil type and climate, we have created a garden that requires almost no supplementary watering, with a functioning ecosystem where pests are contained by local predators and the seasonal effects of the flora on the mountains and surrounding countryside are mirrored,’ says the homeowner. apart from the usual suspects, the garden attracts drongos, Flycatchers, hoopoes, cape robin-chats, Fiscal shrikes, cape sparrows, cape spurfowl and sunbirds, which all breed in the garden. It also receives regular visits from Pied Kingfishers, Jackal Buzzards, cape Widowbirds and more. as more gardens are planted with local plants, a widespread, self-sustaining ecosystem is created which uses less water and reduces reliance on pesticide and fertilisers. In the face of future water scarcity and ongoing habitat loss, it is a small but important contributor to the biodiversity and ecological health of our plant heritage. DDS Projects 8 ddsprojects.co.za n

gardener’s wisdom Using endemic plants honour the area in which a garden is situated. The plants are adapted to survive the local weather conditions and soil type, and the local fauna is adapted to feed and hunt amongst these plants – plus, the plants just look and feel right. My best investment was a garden shredder, as we shred just about all clippings and put them straight back onto the surface around the plants and leave the earthworms and other creatures to work it back into the soil. We avoid turning or disturbing the soil ,and I am amazed at how the population of earthworms has exploded. Plants such as Helichrysum are clipped back after flowering to keep them from becoming too leggy. The grasses also need seasonal pruning to mimic grazing or burning so that they look vigorous. We do make compost for the vegetable garden which is mostly straw mixed with chicken and pig manure thanks to Magnus the resident pot-bellied pig and the clutch of chickens, fondly known as ‘The Girls’.

the warm, naturally occurring, granite rock is a favourite place to sit anD take in the elevateD views over the garDen anD the helshoogte mountains. in spring, a multituDe of

local bulbs that have escapeD the foraging guinea fowl fill the cracks anD crevices after the rainy season oppoSite page compost comes from the resiDent hens anD magnus, the pig

dig in The owner and hands-on gardener shares her top tips and considerations for embarking on a garden project: Read extensively about your area – know the climate, plants, and history. Use plants that thrive in your area and don’t be afraid to include the odd musthave exotic variation. Mulch with clippings – do not remove good nutrients from your garden. Mistakes about plant position and eventual size will be made. Nothing is irrevocable. Most important of all: have fun.

threateneD renostervelD plants were originally planteD in the central garDen beDs with a mix of inDigenous species towarDs the

bounDaries. to the Delight of the owner, the renostervelD plants have selfseeDeD anD are now growing amongst the inDigenous palette too

house & garden november 2020

Euryops tEnuissima

sElago canEscEns

MarMaduke, the pot-bellied pig

heliophila sp.

november 2020 houseandgarden.co.za

aloE ciliaris

lachEnalia rubida

chasmanthE floribunda

mElinis rEpEns

house & garden november 2020

a linear framework of pathways intersects to create a strong framework containing the softer inDigenous plant palette. sourcing specialiseD anD renostervelD plants has been

challenging as these plants are generally not commercially available. The new Field Guide To RenosTeRveld oF The oveRbeRG has been an invaluable source of information for the owner

meet me in

In her new book, Inside Marrakesh: Enchanting Homes and Gardens, Meryanne Loum-Martin makes a moving case for the fabled city and its allure

Marrakesh text Marnus nieuwoudt photographs Jean Cazals

A cedAr door studded with copper nAilheAds leAds to A quiet courtyArd OppOsite page the formAl terrAcottA exterior And gArdens by luciAno giubbilei

november 2020 houseandgarden.co.za

A fire wArms A spAcious hAllwAy with A geometric tile floor

house & garden november 2020

november 2020 houseandgarden.co.za

the mAin courtyArd of mArrAkeshâ&#x20AC;&#x2122;s premier house of trAditionAl cuisine, dAr yAcout OppOsite page: meryAnne loum-mArtin

house & garden november 2020

w hen former Parisian lawyer-turnedtastemaker Meryanne Loum-Martin first arrived in Morocco in 1985, she immediately knew she had met one of the two loves of her life: Marrakesh (her husband being the other). Meryanne elaborated on how, as an african city, Marrakesh shaped her aesthetic, as well as her life. What was your motivation for writing this book? I wanted it to be a tribute to the essence of Marrakesh. I also wanted it to be an expression of gratitude from us – the foreigners who live here and love it – for being an infinite source of inspiration. The city’s vibrance is rooted in a pervasive cosmopolitanism that forges ancient

tradition with perpetual curiosity. at the same time, the Marrakesh sensibility also encourages individuality and cultivates the space for that individuality to flourish. given the city’s ancient roots, Marrakesh also permeates a refined grace. and it is in this manner that the city openly embraces anyone with cosmopolitan sophistication. That is also what I wanted to express in the book. out of all the people whose properties and gardens I profile in the book, I happen to be the most culturally diverse one in terms of my origins. regardless of their ethnicity, all the foreigners living here share a single attribute: they have each created their own space that reflects their own, personal connection to the Marrakesh style.

How would you describe your connection to that style? I immediately felt a sense of belonging when I first came to Marrakesh because the city allowed me to be my multiple selves. as a multi-ethnic woman who has lived in various places around the world, I am essentially a cosmopolitan bohemian. I have always had an unconventional outlook on life and my innate, cultural diversity continues to enrich me. The Marrakesh style is so broad, rich and refined that it allows an individual design identity the range to carve out a unique space for itself, while still maintaining a distinct sense of the location. I do not know of any other places where there is such diversity of styles all originating from that one place itself – and then harmoniously culminate in such an eclectic individualism. In terms of global design, where do you think Africa is positioning itself ? I think africa is rapidly establishing – if not already established – itself as a leader in creativity. The reason for this is because of the continent’s long history of having to adapt to extreme poverty and socio-political volatility. although this is a big challenge on a continental scale, the people who live this reality daily have had to become more innovative to ensure their survival. When people are in need, they are more creative, and I am always struck by the level of work this need-based creativity produces in all fields – whether it be painting, textiles, design, fashion, or architecture. Inside Marrakesh: Enchanting Homes and Gardens (rizzoli) R1 364, loot.co.za n

november 2020 houseandgarden.co.za

throughout this former pAlAce, extrAordinAry ArchitecturAl detAils And europeAn Antiques mix with whimsicAl contemporAry furnishings

In Brooklyn, designer Kesha Franklin intuitively taps into the desires of a young family to create a home that is both classic and characterful text piet smedy photographs david a. land

New York State o f M i N d

house & garden november 2020

the kitchen features custom cabinets with marble bookmatch wall tiles. the stools are designed by craig bassam opposite page a record Player by music hall audio and custom record console by halden interiors. the art is by the clientâ&#x20AC;&#x2122;s mother

november 2020 houseandgarden.co.za

here’s a scene in The First Wives Club (yes, the 1996 divorcée-revenge comedy) where dame Maggie smith’s character, new York society doyenne gunilla garson goldberg, is advising sarah Jessica Parker’s ingénue, shelly stewart, on the value of finding the perfect decorator. ‘see, your house is your calling card. It has to be perfected.’ and while in the film, this might be more for the purposes of deception than decor, the sentiment still holds true, both in the Big apple and everywhere else. This particular project, however, is very much in new York – Boerum hill, Brooklyn, to be exact. ‘It’s a real melting pot, as new York city is, but Brooklyn in particular marches to the beat of its own drum, and there is a rich culture to it,’ says designer and halden Interiors founder Kesha Franklin, who oversaw the installation of this both timeless yet modern interior for a young family. ‘over the last decade or more, though, Brooklyn has had an urban feel to it, and we wanted to bring that in here, with an added level of sophistication. It needed to strike a chord between being comfortable and livable butat the same time, was something that offered a more grown-up experience.’ as with all of her work, Kesha’s first step is getting an understanding of her clients – their needs, their lifestyle, what really makes them tick – after all, as she puts it, ‘I see the design process as a partnership,’ with the objective being interiors that represent the client. For Kesha, who makes no secret of her love for streamlined, modern homes, the key is to incorporate rich, earthy textures and colours. ‘The organic elements such as stone, timber and brass bring the outside in and establish a natural sense of balance. They have this warm, livable element that I feel completes the story,’ she says.‘To me, what tells you who a person really is – much more than the clothes they wear or the car they drive – is their home. It’s a picture into who they are, it’s the character-revealing moment that strips away the external by showing the internal.’ and gunilla garson goldberg would almost certainly agree. Halden Interiors 8 haldeninteriors.com n

house & garden november 2020

in the living room, a custom chaise sofa and vintage danish armchair. the coffee table is from west elm and the leather hide rug is from edelman

november 2020 houseandgarden.co.za

the kitchen features golden oak floors and artwork by form design studio opposite page, clockwise from top left a Pianca sPazio wall unit with west elm Porcelain seafoam vases; the Primary bedroom with artwork by kelly o’neal and antique ‘karrington’ brass chandelier from arteriors; kesha franklin; a chenille bench by joybird and artwork by benjamin critton

‘Stone, timber and brass bring the outside in and establish a natural sense of balance’ kesha franklin

house & garden november 2020

november 2020 houseandgarden.co.za

in the dining room, â&#x20AC;&#x2DC;stixâ&#x20AC;&#x2122; Pendant led light by sonneman lighting and Pianca gamma chairs around a custom walnut dining table

house & garden november 2020

ARTERIORS ‘KARRINGTON’ PENDANT LIGHT, POR newport lighting

‘GIOIA WHITE’ MARBLE SLAB, POR, womag

p r o D u C t I o n : e D Wa I n s t e e n K a M p ; p h o t o g r a p h s : DaV I D a . l a n D , s u p p l I e D

MAPPING LIV BY PENELOPE STUTTERHEIME, OIL ON CANVAS, POR, everard read gallerY

‘COUNTERPOINT’ CORNER COMPOSITION SOFA, POR, roche bobois

STUDIO.W DIPPED WOODEN BOWL, R399, woolworths

STEEL FRAMED ROUND MIRROR, R3 650, knus

BEDBOX TUFTED OTTOMAN, R5 990, shf

november 2020 houseandgarden.co.za

gourmet

t e x t: j e s s e s pa r k s ; p h o t o g r a p h s : b r a d o g b o n n a

inspiring cuisine, tasteful travel

Banana Break Stroll the shores at Plage de la Pointe des Almadies and you are sure to run into groups of fruit sellers offering whatever they have in stock. Grab a banana and spend a lazy day on the water.

november 2020 houseandgarden.co.za

made to be shared Equal parts sleepy beach town, cosmopolitan metropolis, and creative enclave, Senegal’s coastal food capital of Dakar is as dynamic as it is delicious. Let born-and-bred chef Pierre Thiam be your guide

here is a term that describes the culture of hospitality you will find in Dakar: teranga. This sense of warmth and welcoming is engrained into the city. It is why you can feast on heaping platters of thieboudienne, a West African staple of ruby-red tomato rice topped with hunks of fresh-caught fish, and still be offered more. You can find deeply satisfying meals in even the most unassuming places, such as an art gallery by the airport. You can meet restaurant owners so friendly and inviting that they join your table to pour tastes from their private reserves of grog, a pungent riff on Portuguese moonshine. You can sip crisp beers on rocky beaches while devouring platters of steamed clams and salted fish 96

house & garden november 2020

at sunset, then dance to jazz music until daybreak. Dakar’s emphasis on hospitality weathered centuries of British and French colonisation. In the years following, the city became a hub for Vietnamese and Lebanese communities who had been displaced by European rule, giving it a distinctly multicultural edge. Dakar, my hometown, is where I learned to cherish afternoon tea ceremonies and spent countless nights at restaurants that turned into dance parties, grabbing hot lamb skewers from street vendors on the way home. I now run my own restaurant in New York, capturing the spirit of Senegalese cooking and named – what else? – Teranga. I try to return every April, before the torrential downpours. There is no better time to come home.

Clockwise, from top left The tea ceremony known as attaya; whole fish on the grill; at Le Thiof restaurant, order the thiof braisé — smoky grilled grouper with plantains and rice (pictured below) — or the millet risotto capped with smoked fish; a stall located in the centre of Sandaga, one of the city’s most

vibrant neighbourhoods, Bante Yi is always a hub of activity with tourists, clubbers, and people working late. They are all filing into the same line for the stall’s speciality: dibi, or grilled meats such as offal and lamb rubbed in a fiery peanutty spice mixture called suya; Dakar is called Surfer’s Paradise for a reason.

november 2020 houseandgarden.co.za

Family Meal Nothing captures the warmth of Dakar like sharing a platter of thieboudienne, tomato-ey rice flecked with carrots, cassava, and pieces of fish. It is frequently served in homes, as pictured here, but it is also widely accessible at restaurants and hotels.

Clockwise from top left

Ride the Wave I may not be a big surfer, but Dakar’s surfing culture is undeniable. And with the hype comes popular beachside shops like Surfer Paradise and hangouts like Secret Spot. While lots of people once considered surfing a sport for white people, I’m excited about how it’s becoming more and more democratised.

Shellfish by the Beach Along the rock-lined shore of Dakar’s western coast sits a collection of shacks and food stalls known as La Pointe, slinging big portions of seafood just plucked from the water. Order from multiple stands: steamed clams, buttery uni, grilled grouper bundled in newspapers, plus big spoonfuls of cassava and couscous. Head to the communal tables, or take your food to the beach’s large rocks for an even better view.

Keep it Fresh When the food on a whirlwind tour of restaurants starts to feel a little too rich, you will want to order a cup of fresh and floral hibiscus juice (pictured) or tart baobab juice. While you can find both throughout the city, I am keen on La Calebasse’s not-toosweet approach to the baobab.

Wine and Dine When I come back to Dakar, La Cave is where I relax. It is a French wine bar with an extensive array of bottles plus charcuterie, cured fish and sardines. Its deep European wine reserves are a nod to Dakar’s colonial past, but its diverse clientele and unpretentious, laid-back vibes plant it firmly in the present. n

november 2020 houseandgarden.co.za

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