MEDIA KIT 2024 A World-Class Coffee Magazine
BEST EXPOSURE TO DECISION MAKERS
Our print readers are a senior audience of buyers, while our digital audience also contains a large number of purchaseinfluencers.
THE BEST EXTERNAL MARKETING DEPARTMENT YOU’LL EVER HAVE
Work with us throughout the year to gain direct access to our team of trusted advisors.
BEST EVENTS THAT SHOWCASE YOU
We host the best events that support and grow our industry and the industries and organisations within it, such as the Melbourne International Coffee Expo.
WHY PARTNER WITH AUSTRALIAN MINING?
WHY PARTNER WITH BEANSCENE?
BEST ARTICLES THAT SHOWCASE YOU
We are known for producing the highest quality content in-print and digital format.
OUR BRAND PROMISES
OUR BRAND PROMISES
BEANSCENE YOUR SOURCE OF INDUSTRY KNOWLEDGE
WHY PARTNER WITH BEANSCENE? OUR BRAND PROMISES
“BeanScene magazine has become a voice for Australian coffee around the world. BeanScene is the only Australian coffee magazine with a strong representation overseas, as the official media partner for some of the world’s greatest coffee events.
Read by tens of thousands of coffee lovers, BeanScene benefits from an active subscriptions promotions campaign that ensures more and more readers are engaged with our print and digital resources.
BeanScene's social media channels have proven powerful mediums for communicating with our dedicated followers.
The team at BeanScene highly values the work being done by our commercial partners in the industry. We provide a wide variety of contribution and coverage opportunities, to maximise the value of our partners’ involvement with the publication.
The team uses professional photographers and experienced designers to deliver a visually appealing product that draws our audience in.
BeanScene is committed to the fundamentals of journalism, with an experienced editorial team producing original content, coupled with a list of contributors who are leaders in the industry.
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WHY PARTNER WITH AUSTRALIAN MINING?
OUR BRAND PROMISES
BEST EXPOSURE TO DECISION FROM OUR READERS
PRINT MAGAZINE SUBSCRIBER DEMOGRAPHIC
Café Owners 21%
Baristas 21%
Coffee Roasters 36%
Coffee Enthusiasts 17%
Grean Bean Traders 5%
MAGAZINE PRINT DISTRIBUTION IN AUSTRALIA
VIC 30.5%
NSW 31%
QLD 13%
WA 6%
SA 6.5%
Other (TAS/NT/ACT) 4%
Overseas 9%
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WE CONNECT WITH DECISION MAKER ASSOCIATION PARTNERSHIPS
We partner with industry associations to support sector growth, and ensure engagement with key Decision Makers. We use advanced CRM and information systems to ensure we have the right buyers and influencers reading our content, tracking their reading habits and engagement through our platforms. This means we are able to produce content that resonates with our audience and our 12-month partners get the benefit of this engagement.
WHY PARTNER WITH AUSTRALIAN MINING? OUR BRAND PROMISES
MAGAZINE CIRCULATION 6 issues/year 5,953+
NEWSLETTER CIRCULATION Weekly newsletter 35,810+
AVERAGE MONTHLY PAGE VIEWS 27,008+ views per month
MULTI-PLATFORM EXPOSURE
LINKEDIN 2,094+ Followers
MONTHLY OPPORTUNITIES FOR EXPOSURE FOR 12-MONTH PARTNERS
300,612
Numbers accurate as of September 2023. Circulation in total print numbers and digital reads of print magazine
FACEBOOK 11,000+ Followers
TWITTER 9,6011+ Followers
INSTAGRAM 17,400+ Followers @beanscenemag
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12-MONTH PARTNERS GET PRIORITY ON THE BEST BRANDING OPPORTUNITIES. “
EXCLUSIVE ACCESS TO DIRECT MAILOUTS TO OUR DATABASE.
AMPLIFICATION OF PRINT CONTENT ACROSS WEB SITES, NEWSLETTERS AND SOCIAL MEDIA CHANNELS.
FIRST RIGHTS TO PREMIUM POSITIONS ACROSS PRINT AND DIGITAL PLATFORMS.
YOUR CONTENT LINKING BACK TO YOUR WEBSITE FOR ONGOING SEO BENEFIT.
PREFERENTIAL PRICING OPPORTUNITIES TO SECURE POSITIONS.
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BEST EXPOSURE AS A 12-MONTH PARTNER
At Prime Creative Media we employ industry-leading Journalists and Editors, who craft our content in house through interviews and in consultation with our clients. 12-month Partners get unlimited access to our team, to create stories and content proven to gain traction with our audience of Decision Makers, including:
Technology profiles
Explore product releases with insights into the functionality and usability of the latest coffee equipment and technology to hit the market.
Directories
Our staff regularly survey the industry on the latest trends, and compile industry directories that can’t be found elsewhere in the market. This includes our annual Roasters Directory.
Promo features
Each edition, BeanScene focuses on a specific topic of interest to invite companies to share their product, service or key brand message. Such topics for 2023 include green beans, origin, dairy and dairy alternatives, sustainability, training, and education.
Showcase edition
BeanScene’s Roasters Directory is one of the most sought-after industry sources that celebrates roasters throughout Australia and New Zealand. The 10th edition of the directory will feature in the October 2023 December edition and invites companies to share their business, services and products within the high-volume directory.
BEST ARTICLES THAT SHOWCASE YOU
A SURVEY OF BEANSCENE READERS FOUND THAT INFORMATION FROM TRADE MAGAZINES WERE AMONG THE MOST INFLUENTIAL AND TRUSTED SOURCES OF INFORMATION THAT INFLUENCED BUYING DECISIONS.”
BEANSCENE YOUR SOURCE OF INDUSTRY KNOWLEDGE
“ alk past the shop front Machine Technologies (CMT) in Carlton, Melbourne, and most pedestrians can’t help but pause and admire the display historic coffee machines that resembles miniature museum. Among them, the Elektra Belle Epoque stands out with copper and brass-plated exterior, adorned with an elegant eagle-topped dome. “The Belle Epoque appreciated really beautiful antique machine,” says CMT Founder John Colangeli. “Every aspect, from the tooling the dome and other components, meticulously handcrafted. The machine assembled in the Elektra headquarters in Treviso, Italy using timber moulds to hold the panels together, allowing for hand polishing.” Over the past year, CMT has successfully sold seven Belle Epoque machines, for the discerning at-home market. “Since COVID-19 people are spending more time home, and customers want their own machines. People love the Italian craftsmanship and want statement piece like this machine their house,” John says. The Belle Epoque boasts large 12.5-litre boiler, three professional group heads, and five programmable volumetric soft-touch controls, enabling baristas any skill level to create quality coffee. "Each commercial Elektra coffee machine built with high-quality, reliable parts. With powerful boilers that generate consistent steam and professional group heads ensuring temperature stability, you can always trust your commercial Elektra coffee machine deliver the finest coffee," says John. The modern version the Belle Epoque has been further enhanced with proportional integral derivative temperature controls, well an updated programmable night mode for reduced energy consumption. “This already beautiful machine also comes with timber hot water and steam taps, well lovely timber portafilters,” John says. BUILDING AN ITALIAN EMPIRE Elektra just one the many brands CMT distributes the Australian coffee market. Becoming Australian brand ambassador was never part the original plan for this Melbourne-based business. CMT began as service provider 2004 and gradually established itself one of the most renowned independent service establishments Australia. supplied and serviced various coffee roasters, chain stores, independent cafés, and corporate organisations throughout the country. "It wasn't until 2008 that we started selling equipment from other importers in Australia. Then, 2009, our partnership with Marzocco proved to be tremendous success, and that's when things really took off for us," recalls John. He was intent on forging stronger supplier relationships. In 2011, CMT engaged Milan-based Brugnetti one of its first Italian manufacturers. “We met the Brugnetti team Host Milano 2010 and engaged them as one CMT’s first Italian suppliers. Thirteen years later, we’re still their exclusive Australian distributor,” John says. CMT continued to expand its partnerships, joining forces with Astoria 2012. One the earliest espresso machines they introduced the Australian market was the Astoria Calypso. "For years, we imported and sold the Calypso to big customers. To this day, we have sold quite significant amount them here in Australia," says John. In 2013, collaboration with Orchestrale paved the way for range of domestic espresso machines, and the Etnica TT model the commercial range. "They are an exceptional brand, and their products continue high demand," says John. In 2014, CMT established first partnership with grinder manufacturer, "When we met the owner of Fiorenzato, we recognised the quality of their grinders but also suggested areas for improvement. They valued our feedback and made substantial enhancements, from electrical functions to design. We saw massive developments and now, nine years later, Fiorenzato has now become global leader in grinding equipment," says John. "To this day, they send us their products for assessment before market release because they value our feedback and honesty." In return, CMT's National Sales Manager, Carmelo Corallo, acknowledges the trust Fiorenzato places their team. "We were the first company introduce three-year commercial warranty and the revolutionary red speed blades to the market," says Carmelo. high-grade hardened metals, intended for high-volume accounts and offer extended grinding life. "When we decided include grinders in our product collection, we were determined CMT’s showroom Carlton houses many historic coffee machines. 32 beanscenemag.com.au COVER STORY SOCIAL MEDIA EMAILED NEWSLETTERS PRINTED TRADE MAGAZINE MEDIA WEBSITES 0 200 400 600 800 1000 PLEASE RATE YOUR LEVEL OF TRUST IN THE FOLLOWING TYPES OF INDUSTRY MEDIA Survey conducted in June 2020 as part of the Prime Creative Media Industry Sentiment Survey. A total of 302 responses were collected from readers over an eight-day period. feature," says John. To achieve this, Fiorenzato introduced John Italian blade manufacturer, Keber who entrusted CMT as its Australian distributor that same year. “We were the first distributor they reached out to, supply their equipment. They were impressed with our expertise and competence,” John says. As CMT solidified its reputation technical expert, specialist equipment distributor, and even manufacturer its own products, added Elektra espresso machines expanding list suppliers “I met the Fregnan family at Host Milano 2015, and after speaking with Federico Fregnan, the company founder, we became the exclusive distributor Elektra machines Australia,” John says. “We’ve seen Elektra evolve great deal over the years. fell love with the machine design, and the simplicity yet wellengineered nature their products.” John says Elektra has long history innovation. He says the company was among the first produce espresso machines with automatic hydraulic unit in 1950, seal-free water level regulator in the following decade, and fully automatic machine in 1984. “The professionalism and passion for high-quality equipment oozes out [the company]. You can tell after every interaction with them that they love what they do,” says. In 2019, CMT expanded its domestic machine range, initiating partnership with La Pavoni espresso machines. From left: CMT Founder John Colangeli, CMT Sales Executive Domenic Gugliandolo, CMT National Sales Manager Carmelo Corallo, and CMT Assistant General Manager Gianluca Colangeli. Remaining faithful to its Italian heritage, CMT continues seek out European brands to supply the market through its showroom the Italian quarter Melbourne on Lygon Street. "Our showroom has retail focus, featuring an array commercial and market. Following the pandemic, people have grown accustomed to making coffee home," says John. The latest addition CMT's collection partnership with BFC since 2022, machine manufacturer based Treviso, targeting the domestic market. "As we inaugurated our new showroom, we sought expand our offerings. We were fortunate enough to establish partnership with another esteemed Italian manufacturer," says John. "Today, we import the largest range of JOINT SUCCESS Although CMT's coffee equipment partners are direct competitors, John and his team have fostered unity among these companies, building friendships along the way. "Through genuine conversations at exhibitions, both overseas and Australia, we have cultivated relationships among our suppliers that otherwise may never have formed. By sharing common interest and passion for specialty coffee, we have managed unite competitors, which really rewarding for us," says John. return, CMT's international suppliers allow the brand to offer diverse range of equipment the Australian market. "Previously, some suppliers criticised us, labelling us 'supermarket' for offering multiple brands. However, always countered with the question, 'Do you buy everything from single branded store supermarket which offers wider variety?'" asks Carmelo. “That’s why we offer range of all kinds machines for different types people buy. There’s no one perfect machine. There are lot of perfect machines for the right people.” Carmelo says the biggest strength of Elektra and the other companies their openness to talk CMT and listen “The Australian market great testing ground for them,” says Carmelo. “New technology always comes big cost to company because there's an implementation period. usually takes least three years for brand start penetrate the market. Within those three years, you receive lot negative feedback product failure that could cost the company its reputation and revenue”. John takes pride in the reputation CMT has earned as trusted sounding board for international brands that value their opinion. “We’re very selective of who we work with. We are constantly evaluating companies to find reputable brands, and products for the Australian market,” he says. “We don’t promise [our suppliers] the world. We promise them good customer service and the ability their brand justice.” For more information, visit www.coffeemachinetechnologies.com.au beanscenemag.com.au 33
BeanScene is a proud media partner of the Melbourne International Coffee Expo
“
EVENTS TO CONNECT YOU WITH DECISION MAKERS
BEANSCENE ENGAGES WITH DECISION MAKERS THROUGH BOTH OUR PRINT AND DIGITAL MEDIA AND WITH LIVE AND DIGITAL EVENTS, BOTH PRIME CREATIVE MEDIA OWNED AND BESPOKE EVENTS THAT SUPPORT OUR CLIENTS.”
BeanScene is a member of the Australian Coffee Traders Association and regularly supports its presentations and events
BeanScene is a regular supporter of client partner events including the MONIN Cup, Alternative Dairy Barista Smackdown, Campos Coffee Melbourne flagship opening, CafeSmart launch, Milklab Barista Battle, and Venezino’s AeroPress and Barista Brawl events
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PRIME CREATIVE MEDIA EVENTS
THE BEST EXTERNAL MARKETING DEPARTMENT YOU’VE EVER HAD
AS A 12-MONTH PARTNER, OUR TEAM OF MARKETING PROFESSIONALS WILL WORK WITH YOUR TEAM TO SUPPORT YOUR MESSAGES AND ENSURE OUTCOMES WITH YOUR TARGET MARKET. WE PROVIDE REGULAR CONSULTANCY, MARKET INSIGHTS, AND CAMPAIGN REVIEWS TO ENSURE OUR 12-MONTH SCHEDULE PARTNERS’ CAMPAIGNS ARE SUCCEEDING.
OUR TEAM OF TALENTED EDITORS AND WRITERS WILL ENSURE THAT CONTENT ACHIEVES YOUR MARKETING GOALS, BY COMMUNICATING YOUR KEY MESSAGES IN RELEVANT FEATURES THAT ARE ENGAGING WITH WHAT’S HAPPENING IN THE INDUSTRY.
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COURTNEY WALKER Sales Manager
ADELE HAYWOOD Business Development Manager
SARAH BAKER Group Managing Editor
BEN GRIFFITHS Client Success
JANINE CLEMENTS Client Success Manager
CHRISTINE CLANCY Publisher
JOHN MURPHY Chief Executive Officer
KATHRYN LEWIS Editor
DESIGN SERVICES SPECIALISING IN B2B AND INDUSTRIALS
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OUR TEAM OF DESIGNERS AND ART DIRECTORS CAN HELP SUPPORT YOUR BRANDING, FROM ADVERTISING PRODUCTION THROUGH TO INTERNAL MARKETING COLLATERAL, WITH AN EXPERTISE ON WHAT ARTWORK WORKS BEST IN CHOSEN INDUSTRIES.”
TOM ANDERSON Graphic Designer
BEA BARTHELSON Art Director
TOM BUCHANAN Videographer
DAZ WOOLLEY Art Director
KERRY PERT Graphic Designer
MICHELLE WESTON Art Director
BLAKE STOREY Head of Design
PAUL BREEN Imaging Specialist
CATERINA ZAPPIA Graphic Designer
SPECIFICATIONS
PRINT
ADVERTISING SPECS
BLEED
x 297mm(h)
x 307mm(h)
SAFE TYPE AREA: 400mm(w) x 277mm(h) DPS TRIM
x 137.5mm(h)
BLEED
430mm(w) x 140.5mm(h)
SAFE TYPE AREA: 400mm(w) x 127.5mm(h)
1/2 HORIZONTAL TRIM:
210mm(w) x 145mm(h)
BLEED:
220mm(w) x 155mm(h)
SAFE TYPE AREA: 190mm(w) x 125mm(h)
1/2 VERTICAL TRIM:
MECHANICAL SPECIFICATIONS
Printing: Sheetfed offset / 175 lpi
Prime Creative Media will only accept material that adheres to the following information. Material that does not adhere to this criteria will be rejected.
Supplied material
1. Media is to be supplied to the correct publication page size. Taking special care to include bleed, trim and registration marks. (Minimum bleed size is 5mm. Trim and registration marks must lay 3mm outside of the trim)
2. Material must be supplied as a press ready pdf. All other formats will be rejected.
3. Avoid running type across the gutter of a double page spread.
4. All fonts need to be embedded into the PDF file
5. Files must be saved in CMYK format. Any non-process colors included in the file will be converted to CMYK. Conversion process may compromise the integrity of the file and waives our color guarantee.
6. Images need to be of a minimum 300dpi at print size.
7. Solid black panels or backgrounds should carry 40% Cyan to reinforce the black print
8. Total ink limit should not exceed 300%
Advertising material for in-house design:
• Images to be supplied as jpegs*
• Text to be supplied as a text file or Word document
• Logos to be supplied as vector eps files
*Imagesandlogosusedonwebsitesarenotacceptableforprintingpurposes
TERMS & CONDITIONS
All advertisements for Bean Scene are accepted and published by Prime Creative on the assumption that the advertiser and/or advertising agency are authorised to publish the entire contents and subject matter thereof. Prime Creative reserves the right to reject, exclude or cancel any advertising at any time.
In consideration of publication of an advertisement, the advertiser and/or agency, jointly and severally, will indemnify and hold harmless Prime Creative, its officers, agents and employees against expenses and losses resulting from the publication of the advertisement including, but not all limited to, any claims or suits for libel, violation of right of privacy, copyright or trademark infringement, plagiarism or false and misleading advertising. Neither the advertiser nor its agency may cancel after the closing date. All digital advertising will be published three months in advance. All cancellations must be in writing, and is not considered effective until confirmed in writing by the Publisher. The Publisher accepts no responsibility to remove or alter live matter without written consent from the advertiser or agency five days prior to closing. Finally, the Publisher shall not be liable for any failure to print, publish or circulate all or any portion of any issue in which an advertisement accepted by the Publisher is contained if such failure is due to acts of God, strikes, accidents or other circumstances beyond the Publisher’s control.
ADVERTISING DEADLINES
100mm(w) x 297mm(h)
BLEED: 110mm(w) x 307mm(h)
SAFE TYPE AREA: 80mm(w) x 277mm(h) TRIM
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Issue Booking Deadline On Sale FEBRUARY (91) 7-Dec-23 8-Feb-24 APRIL (92) 21-Feb-24 28-Mar-24 JUNE (93) 24-Apr-24 30-May-24 AUGUST (94) 26-Jun-24 1-Aug-24 OCTOBER (95) 28-Aug-24 3-Oct-24 DECEMBER (96) 22-Oct-24 28-Nov-24 MICE 12-14 May Full Page FP TRIM: 210mm(w) x 297mm(h) BLEED: 220mm(w) x 307mm(h)
TYPE AREA: 190mm(w) x 277mm(h)
SAFE
BLEED TYPE
1/2H 1/2V
420mm(w)
DPS TRIM
430mm(w)
420mm(w)
Page Spread Half Double Page
Double
Roasters Directory
Non
2 X HIGH-DENSITY STANDARD SIZE
2000px(w) x 1250px(h) / 4000px(w) x 2500px(h)
TRIM 250px(h) From the top
SAFE AREA
150px(w) x 600px(h)
WHITE SPACE
1040px(w) / 2080px(w)
LEFT WEBSKIN
Not to scale
No Ad content to go here white space #FFFFFF
RIGHT WEBSKIN
WEBSKIN
STANDARD SIZE
SIZE: 2000px(w) x 1250px(h)
TOP TRIM: 250px(h)
SAFE AREA: 150px(w)x600px(h)
WHITE SPACE: 1040px(w)
2 X HIGH-DENSITY
SIZE: 4000px(w) x 2500px(h
TOP TRIM: 500px(h)
SAFE AREA: 300px(w)x1200px(h)
WHITE SPACE: 2080px(w)
Webskins can be supplied at standard size or high-density size. It’s important to supply the correct white space for the size being supplied.
EDM BANNER 570x100px
WEB LEADERBOARD 728x90px
Via HTML 900kb max 72ppi HTML
*Standard web sizes are requried, however additional high density files can be supplied as well
DIGITAL SPECIFICATIONS
MECHANICAL SPECIFICATIONS
SUPPLYING YOUR ARTWORK?
File types supported, HTML5, JPG, PNG, GIF
Creatives supplied at 72dpi
Creative with white backgrounds must include a 1px solid border
MINI, MREC & LDR banners can be supplied at x1, x1.5 and x2 density if static or responsive if animated
Prime Creative reserves the right to reject or request revision to any creative which is deemed unsuitable, does not meet our specifications, or adversely affects site performance, other ad placements or user experience
Prime Creative may at its absolute discretion refuse to publish any advertising or content without reason
We are unable to serve third party sky gutters, wallpapers and Solus/eDMs
HTML (ANIMATED BANNERS)
Use the size meta tag to indicate the size of your creative – e.g. <meta name=”ad.size” content=”width=300,height=250″>
Your creative must use the click tag variable as the click-through URL: <a href=”javascript:window.open(window.clickTag)”></a>
Creatives to include a valid clickthrough that opens in a new tab or window
Can contain animation & loop twice (play through 3 times)
SVG and WebFonts are not accepted
No strobing effects on All HTML or rapid animation permitted. A backup image is required for unsupported environments.
HTML5 creative must be SSL compatible to serve on Prime Creative sites
HALF/MREC video - Auto play, 30sec max duration, audio and auto play off, includes controls. The video can sit anywhere on the HALF/MREC
The following guidelines should work for any browser that supports HTML5. However, some creative functionality may not work as desired in all environments and should be thoroughly tested
Do not exceed 15 seconds or more than 4 frames on mobile Mini Banners
TERMS & CONDITIONS
All advertisements for Australian Resources & Investment are accepted and published by Prime Creative on the assumption that the advertiser and/or advertising agency are authorised to publish the entire contents and subject matter thereof. Prime Creative reserves the right to reject, exclude or cancel any advertising at any time. In consideration of publication of an advertisement, the advertiser and/or agency, jointly and severally, will indemnify and hold harmless Prime Creative, its officers, agents and employees against expenses and losses resulting from the publication of the advertisement including, but not all limited to, any claims or suits for libel, violation of right of privacy, copyright or trademark infringement, plagiarism or false and misleading advertising. Neither the advertiser nor its agency may cancel after the closing date. All digital advertising will be published three months in advance. All cancellations must be in writing, and is not considered effective until confirmed in writing by the Publisher. The Publisher accepts no responsibility to remove or alter live matter without written consent from the advertiser or agency five days prior to closing. Finally, the Publisher shall not be liable for any failure to print, publish or circulate all or any portion of any issue in which an advertisement accepted by the Publisher is contained if such failure is due to acts of God, strikes, accidents or other circumstances beyond the Publisher’s control.
BEANSCENE YOUR SOURCE OF INDUSTRY KNOWLEDGE
WEB AND EDM MREC 300x250px
MOBILE 320x50px Type/Template Size wxh x2 High-density File Size Resolution File type WEB MREC 300x250px* 600x500px 200kb max 72ppi gif, jpeg, png, HTML5 WEB LEADERBOARD 728x90px* 1456x180px 200kb max 72ppi gif, jpeg, png, HTML5 WEB MOBILE 320x50px* 640x100px 150kb max 72ppi gif, jpeg, png, HTML5 WEBSKIN 2000x1250px 4000x2500px 800kb 72ppi jpeg, png eDM BANNER 570x100px 1140x200px 200kb max 72ppi gif, jpeg, png eDM MREC 300x250px* 600x500px 200kb max 72ppi gif, jpeg, png eDM SOLUS 600x1000px
WEB
colour
gradients,
essential elements such as
blocks,
graphics
colour blocks,
Non essential elements such as
gradients, graphics
ABOUT PRIME CREATIVE MEDIA
MANUFACTURING
HEALTH CARE
Prime Creative Media is Australia’s leading B2B Media and Events Company.
We are 100% Australian-owned. All of our digital assets are created and maintained in-house, and all our magazines are designed and printed in Victoria.
For the past two decades, we have worked to grow Individuals, Organisations and Industries.
We have grown from a single magazine to now publishing 39+ mastheads across multiple platforms in 15 industries with 140+ team members around Australia.
OUR PURPOSE:
GROWING INDIVIDUALS, ORGANISATIONS AND INDUSTRIES”
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“
HUMILITY OUR VALUES: ACCOUNTABILITY GROWTH GENEROSITY
FOOD & LIFESTYLE EDUCATION
& RESOURCES TRANSPORT & LOGISTICS
INFRASTRUCTURE
BEANSCENE YOUR SOURCE OF INDUSTRY KNOWLEDGE FOR ADVERTISING ENQUIRIES CONTACT: ADELE HAYWOOD BUSINESS DEVELOPMENT MANAGER - BEAN SCENE T: +61 403 500 544 E: ADELE.HAYWOOD@PRIMECREATIVE.COM.AU
