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The Protestant Christian Church in Bali finds purpose and mission in its island identity
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BY KAREN MODEROW
presence. The cross in the middle shows that Jesus is the way to God. I notice the cross is bent at the bottom, as if marching. “We call it the crooked cross,” says the pastor. “The Mango Tree Church believes that the cross, as the symbol of the work of Christ, is never still. It is always moving, just as we should be.” I would later learn this was not just a pleasant-sounding phrase, but the dynamic that drives this church. Walking around the sanctuary, I had the sense of being both on holy ground and in an art museum celebrating the best of Bali culture. It’s not an accidental pairing. Reaching the people of Bali for Christ by communicating the gospel through Balinese symbols, images, and art has been a lifetime passion of Bishop I. Wayan Mastra. I recently had the privilege of interviewing the bishop in Bali. He is a quiet man with kind eyes and a gentle spirit.We met in a cabana-style lobby, surrounded by intricate wood carvings, flowers, and exotic birds. The ocean is just a walk away. These surroundings evoke a sense of opulence—not necessarily material, but of natural abundance and beauty unique to Bali. The influence of this setting in the design of
o one in Bali calls the Protestant Christian Church by its given name. This collection of churches strategically planted around the island is known simply as The Mango Tree Church. And their commitment to live out the gospel while being true to the culture where God has placed them is evident even in their physical church structures.While churches in most Third World countries tend to look like their Western counterparts, the Mango Tree Church builds open-air sanctuaries resembling mountains. I am told the Balinese associate God, the source of life, with the majesty of the mountain. A temple gate in front of the church tells all who walk by that this is a place of worship. And inside, their sanctuaries preach sermons in wood and stone, using Balinese art forms revered by islanders for hundreds of years. The church I visited features an ornate, floor-to-ceiling stone carving behind the Communion table. In its center, a vivid red medallion picturing an island boat floating on an ocean of mango leaves makes a powerful statement—this is a church sure of their identity as Balinese and as Christians. The pastor explains that this exquisite art piece, styled as a traditional temple gate, symbolizes coming into God’s
PRISM 2007
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