Three Cups of a Flawed Hero: The Limits of Greg Mortenson’s Model of Change by Paul Loeb It’s tempting to expect perfection from those we admire, but we romanticize lone heroes at our peril. A few years before one-time supporter Jon Krakauer challenged the truthfulness of Greg Mortenson’s Three Cups of Tea, a professor asked me my thoughts on using the book as a reading for first-year students, to encourage them to become more engaged with global issues. I hesitated. Mortenson was doing valuable work, I said. The book was a great read. I admired his creativity and courage, and the leap of faith he took to begin building his schools without the slightest guarantee of success. I admired how he persisted through seemingly endless obstacles to sow seeds of hope. His approach seemed a powerful rebuke to Bush administration assumptions that if the US just bombed enough of the bad guys, the region’s problems would disappear. Mortenson also appeared to respect local Pakistani and Afghan culture in a way that seemed to offer key lessons for America’s broader relationship with the world. But even before the Krakauer revelations, I was wary of heralding Three Cups as a prime model for engagement. The same story of unimaginable individual heroism and sacrifice that drew people in could also leave them feeling insignificant in comparison. “Three Cups is an inspirational story,” readers would tell me. “But I can't climb Himalayan mountains. I can't go into an Afghan village and build a school from scratch. I can't raise millions of dollars for projects halfway around the world. It would be great if I could be Greg Mortenson, but I'm not and can't be, so the best I can do is support his good work.” Three Cups still presents an infinitely more hopeful message than that of detached cynicism. But the story, as Mortenson presents it, can easily buttress the myth that those who make change have to be almost superhuman, or saints. It can feed what I call the perfect standard trap, where people convince themselves that unless they're some kind of unimaginably perfect hero, supremely eloquent, confident, and capable and of immaculate moral character, they're not going to be able to make change. Stories of courage in seemingly impossible situations can inspire us to act in more modest ways, but the more their protagonists choices seem drawn in larger than life strokes, the harder it is to make this link. So while it’s not Mortenson’s fault that he’s lived his life in
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