Digital Representation

INSTRUCTIONS 1. INSERT text and imgs (respect font style and layout ) *do not move text boxes for those of you who have models, photograph and insert those into your presentations feel free to reformat other img boxes as long as it does not ineterfere with the layout Each of you has to have a minimum of 10 and maximum of 15 pages, as long as they are done in that format, we can always fit, or adjust based on who is after you. If possible, try to have even pages suggested imgs: _ INSPIRATION / PROCESS _ DIAGRAMS _ FINALIZED IMAGES _RENDERINGS

DUE DATES: template _ MAY 23, 2011 Bring a printed version for me to the studio and after all the changes we will do you will have to email it (packaged) to CAMILA and NAZLI, so that they it together and prints it.

UNDER, OVER, ABOVE

Peeraya Suphasidh

GENERAL STATEMENT Exploration provide endless possibilities for learning, thus process and experiments are highly valued.

I attempt to cultivate experiences through series of experiemnts that starts to generate a system for the whole. Implementations of previously discoveries suggests methodology and directions in which the next frame of mind could be explored. The end result yeild no fixed outcome or expection, but rather an open-ended blank space in which traces of the process/experiment can be imprinted onto. The openess of this semester allow me to explore various approach in generating form/ spaces digitally. Fabrication of those form allow me to under stand how the process can be carried onto the physical world and be manifested in a different reality than that of the digital realms. I attempt to explore those two realms freely and interpret them as I go forth with the direction I imagine appropriate.

process, drawings/ sketches of ideas, thinking, analysis, etc.

Assignment #1 Peeraya Suphasidh

1 PROJECT DESCRIPTION Looking from different points of view, one’s perception continously shifts itself around. Those different points are depicted by the image of an on-looker (eyes) on many different perspective planes. The notion of placing oneself amoung a group of a undistinguishable whole verses being in a circumstances which self clearly seperates from the rest also contribute to the the perceptive views.

Projection of Perspective Peeraya Suphasidh

Assignment #2 Peeraya Suphasidh

2 PROJECT DESCRIPTION Plans and secions are deviated from the drawrings froma ssignment one.

DIfferent componets provide elements that compose the whole that compose the room-like space with differnt components in different elevations.

Elements

Peeraya Suphasidh

Assignment #3 Peeraya Suphasidh

3 PROJECT DESCRIPTION Inhabitants of the space (geometric entities) leave mark on the environment (lelongated non-geometric mass) they occupied, changing with individual indentation. The surrounding environment hovers the inhabitants, while at the same time being held together by the inhibitants’ larger counter-part (elongated geometric forms).

Inhabitants

Peeraya Suphasidh

assignment title + your name

4 PROJECT DESCRIPTION Inhabitants of the space (geometric entities) leave mark on the environment (lelongated non-geometric mass) they occupied, changing with individual indentation. The surrounding environment hovers the inhabitants, while at the same time being held together by the inhibitants’ larger counter-part (elongated geometric forms).

Inhabitants

Peeraya Suphasidh

Assignment #5 Peeraya Suphasidh

5 PROJECT DESCRIPTION Inability to depict clearly the smaller space within the structure call for resolution. Rather than changing the physical componet in a way that would allow those spaces to be more obvious to one’s eye, a change in the way one see them is implemented.

By allowing light to flow through the structure, those individual spaces are being drawn with shadow. The light study shows how different sources of light directs the clearity of the shadows.

Tool to See Peeraya Suphasidh

Assignment #6 Peeraya Suphasidh

6 Repeated circular pattern is used to generate surfaces that is then extruded and laid above one another to create space both inside and outside of the model. Interest were taken to the “control points’ of each circle and the poentential they hold.

The system of generating circle from grids is carried on from this throughout the rest of the project.

Relocated Repeats

Peeraya Suphasidh

Assignment #7 Peeraya Suphasidh

7 PROJECT DESCRIPTION Circular pattern (generated and controlled by the grid pattern) is projected onto an ongulating surfaces and then extruded in the Z direction. The resulting form starts to interacts with one another,: the overlapses of those elements forms spaces, both negative and possitive.

Over Intersections

Peeraya Suphasidh

Assignment #7 Peeraya Suphasidh

8 PROJECT DESCRIPTION The overlapsing folds start to enclose on themselves, generating spaces that can be read from both the inside and outside.

Fold Folds

Peeraya Suphasidh

Assignment #8 Peeraya Suphasidh

8 PROJECT DESCRIPTION Previous folding surcaces are divided into points (using divide tool) which polygon pots are place on and are used to inform spatial qualities with their varing location in both plan and section.. The first, second, and third set of projected points are moved in the directions of the surfaces, creating a mass that exist in the same system.

Vast of Mass

Peeraya Suphasidh

Assignment #9 Peeraya Suphasidh

9 PROJECT DESCRIPTION Spatial qualities of the surfaces placed on the points identify earlier are investigate for possibility of occupation. The entities are too seperated and cannot be identified as one coherent whole, thus different solution must be implemented.

Dotted Space

Peeraya Suphasidh

Assignment #10 Peeraya Suphasidh

1 0 PROJECT DESCRIPTION The structure generated prior is intregrated with the surfaced to from an entity that utilizes the qualities of both component to form inabitable space.

Hover Over

Peeraya Suphasidh

Assignment #11 Peeraya Suphasidh

1 1 PROJECT DESCRIPTION By adjusting the curvature and reducing the generative surfaces, less redundant model is generated and starts to suggest possibility of programatic functions - a public park-like space with invite people to perform and at the same time allow passerby to overlook/enjoy thoses performances. Situated in dense urban landscapes, the floating pots connect the structure to individual buildings to provide direct access to the recreation space.

Intersect the City Peeraya Suphasidh

Assignment #12 Peeraya Suphasidh

1 2 PROJECT DESCRIPTION Atmospheric qualities of the space is introduced with montages elements. . Section cuts of allow for futher nvestigations of the inhabitable spaces of the structure, identifying the problems that

Bioluminescence

Peeraya Suphasidh

Assignment #13 Peeraya Suphasidh

1 3 PROJECT DESCRIPTION Readable and cearer spces are generated. Arangement of pots allow for specific programs to occout at different locations.: uses enters to the pods that connects to the ground, overlooking a larger performance space.

Upward as they go, the pots provide for seatings and stepping-upward.

Interurban

Peeraya Suphasidh

Assignment #13 Peeraya Suphasidh

1 3 Interurban

Peeraya Suphasidh

Assignment #13 Peeraya Suphasidh

1 3 Individual moemnts in the structure allow area where users could utilize for personal access.

Interurban

Peeraya Suphasidh

Assignment #13 Peeraya Suphasidh

7 Surfaces generated by the projection of circles are individual unfolded, laser-cut, then physically re-assembled - the physical model illustrates that the quality of the continous curvature of the surface that is created by unifying elements.

Interurban

Peeraya Suphasidh