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everything beauty

THE SECRET’S OUT! How to grow your hair 10x faster!

5Thando drastic before & afters!

& her moving story!

A MUST READ!

must read!

10 DIY Face Masks!

THE DO’S & THE DONT’S OF MAKEUP

TABLE OF CONTENTS

December

07

Letter from the Editor

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Start:

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Start:

12 14 18 26 32

The Art of Food & Drink

Travel is the Best Revenge

Start:

Windows into the Surreal

Product Page

Cover Story:

Thando Hopa

Second feature: Slick Woods

Must List

Director: Celine Apodaca Editor: Jeanel Madera Graphics/Designer: Celine Apodaca Contributors: Sarai Rivas Andrew Johnson Paul Milliken Trustees: Samantha Dixon, Chief Harry Lopez, Secretary Taylor Bennett, Treasurer

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idnight Mag is my take on catering to youthful women worldwide. I intend for this to be an outlet for everything beauty. You can expect makeup of course, but updates on the latest trends, tips and tricks on haircare, you know name it. I wanted this to not only incorporate cosmetics, but everything that comes with upkeeping our appearance on a daily basis.

Crucial things, such as skincare can often be forgotten and I wanted to essentially ‘bring it back to the basics’. Staying in tune with everything beauty, all while embracing our natural features and characteristics. Every issue be prepared for Q & A’s with some of the hottest beauty gurus. Lookout for behind the scene looks into photoshoots with surprise celebs. Most importantly, be prepared for quality content and a guaranteed good read. At Midnight Mag, we’re all beautiful.

Ce l i ne Apodaca

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Skip rope, not breakfast!

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START WHERE ALL THINGS BEGIN Ut labore que cus consequodit labo. Nosantio es sunt, corpossitate lias dolupta poriberumque netus, aperfer ferupta quossit omni dolore et eaqui dolore nam inum et quae nemque ni reiciis que pliqui niendel igentur assus di sequat explitas ut offici aut am, sequi totatintotam exerionsed quatur repta ius es secti ipsunt acescid millati quiam everspiscia vendiam, si re placias nestrum renimi, volo mos dolupta tioratem untota cus doluptatem. Alit, et utemporio voluptam rererum ea si sinveliquam entem voluptae porere idi demo cuscillut ent que poribusda voluptatum

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WHERE ALL THINGS BEGIN

5. The real estate market in Australia is booming; however they have some of the highest house prices in the world, and Australians have very high household debt levels.

6. The main exports of Australia include iron-ore, gold, natural gas and coal.

They export most of their products to Japan, China, South Korea, New Zealand and the United States.

7. Australia is also a large exporter of wine. Wine exports contribute over $5.5 billion per year to Australia’s economy.

8. Most people who live in Australia descend from the British or the Irish because for over 200 years the majority of Australia’s immigrants came from the British Isles.

Australia

1. Living on the beach is what most Australians desire. Approximately 75% of Australians live near the beach.

2. Australia’s total nominal GDP is 1.542 trillion dollars, making it the 12th largest in the world. Its nominal per capita GDP is $65,642 which is the fifth largest in the world.

3. Australia has a very low poverty rate, and a high standard of living. 4.

Melbourne, Sydney, Perth and Adelaide have all appeared on The Economist’s world most livable cities lists in various years.

4. Melbourne, Sydney, Perth and Adelaide have all appeared on The Economist’s world most livable cities lists in various years.

START

START WHERE ALL THINGS BEGIN Photocredit Portrait Irving Penn Windows Photographed by Celine Apodaca

Windows Into the Surreal the surreal work of Elsa Schiaparelli

By Hamish Bowles “Madder and more original than most of her contemporaries, Mme Schiaparelli is the one to whom the word ‘genius’ is applied most often,” Time magazine wrote of its cover subject in 1934. Coco Chanel once dismissed her rival as “that Italian artist who makes clothes.” (To Schiaparelli, Chanel was simply “that milliner.”) Indeed, Schiaparelli— “Schiap” to friends—stood out among her peers as a true nonconformist, using clothing as a medium to express her unique ideas. In the

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thirties, her peak creative period, her salon overflowed with the wild, the whimsical, and even the ridiculous.

Many of her madcap designs could be pulled off only by a woman of great substance and style: Gold ruffles sprouted from the fingers of chameleon-green suede gloves; a pale-blue satin evening gown— modeled by Madame Crespi in Vogue— had a stiff overskirt of Rhodophane (a transparent, glasslike modern material); a smart black suit jacket had red lips for pockets. Handbags, in

the form of music boxes, tinkled tunes like “Rose Marie, I Love You”; others fastened with padlocks.

Monkey fur and zippers (newfangled in the thirties) were everywhere. love of trompe l’oeil can be traced to the faux-bow sweater that kickstarted Schiaparelli’s career and brought her quirky style to the masses. “Dare to be different,” is the advice she offered to women. Pacesetters and rule-breakers waved that flag through the sixties, the seventies, and beyond.

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beauty never sleeps

Mirror, Mirror,

Lawyer-Model Changing Perc Albinism I

Written by Da

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Mirror

Thando Hopa ceptions About In Africa

ana Sanchez

photographed by Justin Dingwall

thando S

outh African model and lawyer Thando Hopa grew up in the shade, her porcelain skin protected by sunscreen and long sleeves, DailyNation reports.

She was born with albinism, an inherited lack of pigmentation of skin from head to toe that’s considered good luck or bad luck among superstitious Africans. In some parts of Africa, albinos face discrimination and even death.

and crying. “My father is a wonderful man, but he doesn’t really know how to deal very well with emotions. So he looked at me, and said, ‘My child, let me be honest with you: when you were born, I was also shocked!’”

From a young age, Hopa was very vocal about albinism and never shied away from the topic, she told un’ruly.

In South Africa, having albinism often means living with superstitions and stigmas that isolate a child. “I was teased, called names, people

according to DailyNation. Although she had been approached to do modelling, she couldn’t see the benefits at first. I thought, “It’s such a shallow profession — why would I want to do that? I am a lawyer,’” she told DailyNation.

Then she met designer Gert-Johan Coetzee in Johannesburg in 2012, and changed her mind.

“Gert came to me and asked me if I would like to do a shoot and I said I would consider it,” Hopa said. “And Now 25, Hopa is successful and then I spoke to my sister. confident, but it wasn’t my sister said to me, always that way.

“Don’t look at modelling as modelling. Look And ‘Don’t look at modelling as at it as an opportunity for you to actually modelling. Look at it as an Her father is Xhosa. Her opportunity for you to actually mother is Sotho. She change the perception of albinism.” change the perception of identifies as black, but albinism. Remember how is mistaken for white. you grew up. Remember how people People ask her if she was adopted, didn’t want to touch me,” Hopa said. really treated you.’” she said in a report in un’ruly.

“And as a child, you don’t quite know how to articulate what is going on One of four children, Hopa has As a self-conscious 12-year-old in your head or how to reason it another sibling also born with becoming aware of boys, she out in a mature way. So you begin albinism. The daughter of a remembers running to her father in resenting the way you look.” Luckily, filmmaker mother and an engineer tears, she told DailyNation. her parents were relentless in their father, she was always told by efforts to instill confidence in her. her parents that she was “the “‘Why am I not like other children?’” most beautiful little girl,” she told she asked her father. “Everybody Hopa is now a lawyer and part-time DailyNation. makes fun of me I have to wear these model in Johannesburg, working stupid hats, and I always have to put near the offices where Nelson on sun cream.’ And I was crying Mandela was an attorney in the 1950s Reports of albinos being murdered

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and their organs trafficked are not uncommon in some parts of Africa, but extremely rare in South Africa, Hopa said. It’s a different story in rural areas of Tanzania, where education about the genetic condition is low.

The albino population is extremely high in Tanzania compared to the global population, and albinos there

can be very hard on her. At times, she can get down on herself and struggle to keep her head up. Not to mention, she also dislikes stilettos, so her first trip down a catwalk was something of a miracle. Yet, she managed to still do it as graceful as any other.

Hopa entered the fashion world without the usual attributes of a

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THINGS YOU DIDN’T KNOW ABOUT BULLYING

1 are increasingly the victims of brutal attacks. In Western countries, the incidence of albinism is one in 20,000 people. In East African countries such as Tanzania, it’s closer to one in 1,400 people, AFKInsider reported.

Attacks against albinos have spiked this year in East Africa, especially in Malawi and Tanzania, the U.N. high commissioner for human rights said in May, WashingtonPost reports.

“As a result, many people with albinism are living in abject fear,” he said in a statement cited by the Associated Press. “Some no longer dare to go outside, and children with albinism have stopped attending school.”

Hopa says she encountered prejudice and misunderstanding from the last people you’d expect.

Some strangers would hug her for good luck, others spat at her to fight her bad luck. Teachers misinterpreted her her poor eyesight — common among albinos — as a sign of her being mentally challenged. Hopa uses a magnifying glass to read, and is not allowed to do any driving. This, of course, drive.

catwalk model. This at times was challenging for her, mentally. It was important to keep a positive mindset.

She looked ghostly without makeup except for vivid fuchsia on her lips when she exploded on the cover of the first Forbes Life Africa back in 2013, DailyNation reports.

“It’s one of the most beautiful pictures I’ve had taken,” said Hopa.

Hopa says it took years for her to feel comfortable going without makeup, her eyebrows so pale they looked almost invisible.

“I was much younger then. I could never go out without make-up… But as time goes on, your confidence just grows,” she told DailyNation.

“The dress was gorgeous — black and green. I can tell you, I have never felt so expensive in my life. But I was actually so scared because in essence that was the first time I really walked in heels.

I was even saying a little prayer when I was walking, ‘God, please don’t let me fall on this catwalk!’ I was absolutely frightened.”

S Bu top ll On yin g T h Sp ot e

Teasing & bullying differ in that, where teasing is in the moment & playful, bullying is unwanted & reoccuring.

2

Bullying rates in Canada are higher in 2/3 of Western countries

3

Bystanders are present in 90% of bullying episodes, & can often stop the bullying within 10 seconds if they intervene.

4

Fighting back often prolongs the bullying & makes it even more severe.

5

Youth who bully are harmed in comparable ways to those that they bully.

PREVNet.ca

See something, say something.

Model, prosecutor, poet: Thando Hopa is fighting stereotypes one campaign at a time

By Top Women News

Model Thando Hopa is multi faceted. She’s a former prosecutor, an aspirant actress, poet and an activitist for people whose inherited condition could make them a target for murder.

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photographed by Justin Dingwall

When you were still working as a prosecutor, how did you balance life between working in law and modelling?

Growing up, you were often subjected to stereotyping and discrimination. Which stereotypes about albinism are people most uneducated about?

“As a result, many people with albinism are living in abject fear,”

TH: Being a prosecutor was my priority and if there was ever a clash, I chose the law. It was usually manageable, however, it was also emotionally exhausting. Trying to juggle two worlds that were completely different felt like I was spreading myself thin at times. But to me the court cases were urgent and important; the modelling was important too, but not always urgent so it was easier to lean more toward prioritising my cases.

TH: It was the contradictory beliefs that people with albinism bring either good or bad luck. Having people hug and hold me for good luck, or conversely spit into the necklines of their tops to ward off bad luck or make a big show of not wanting to touch me for fear of becoming like me or having children who are like me. I felt like a walking commodity, struggling to find words to explain how ordinary I am.

Then the name-calling came and words like inkawu (“monkey”), leswafe (“a bleached thing”) and isishawa (“curse”) was used when people spoke about me. Even worse, some people would use these dehumanising words without batting an eyelid because in our languages these are the only available words for the condition.

Now, fortunately, there is a move towards changing this; a country like Tanzania has already taken the first step by working with media and campaigning to introduce a less derogatory term for albinism, from zeru zeru (“ghostlike creature”) to watu wenye ulemavu wa ngozi (“people with skin disability”).

That’s still not perfect, but there is discourse about adapting it further, and at least the dialogue is educational and a step in the right direction.

TH: I'll dare say that it’s the feeling that you are enough; not perfect, but fully and wholeheartedly enough.

In your opinion, what constitutes beauty?

You’re an activist for albinism awareness. What are some of the misconceptions with albinism in Africa, and what’s the solution?

TH: Be kind to yoruself, all the time.

TH: The supernatural attributes ascribed to people who have albinism are a huge problem. Whether we are considered good or bad luck, cursed, immortal or whatever, all of these are hurdles that dehumanise us. I cringe when people talk about albinism and say we are “human like everybody else automatically suggesting inferiority. Having to convince others you are, in fact, a human being is something no-one should be subjected to.

“Be kind to yourself, all the time.�

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woods

HOW SLICK WOODS WENT FROM HOMELESS TEEN TO FASHION AND BEAUTY INDUSTRY FORCE BY: RYMA CHIKHOUNE

APR 20, 2018

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The indemand model gets candid about her experiences with racism, unrealistic beauty standards,

n our long-running series “How I’m Making It,” we talk to people making a living in the fashion industry about how they broke in and found success.

Slick Woods has lived a life that few will ever understand. It’s the extremity of her experiences that is remarkable; hers is the kind of story you’d imagine being turned into a biopic — and at just 21 years old, it’s only the beginning.

“He kind of took me under his wing and taught me about how life should be basically, and I never went hungry again.”

In Los Angeles, about three years ago, she was a homeless teen — just another face on the streets — when a chance encounter with English model Ash Stymest changed her life. “He found me one day at a bus stop, and we spent the day together,” she said in Palm Springs during the first weekend of Coachella, where Mercedes-Benz chose to launch its #WeWonder campaign. The company snagged Woods as the representation of youth for its manifesto, which brings together different voices — from singer Solange Knowles to designers Carol Lim and Humberto Leon of Opening Ceremony — to discuss ideas for the future as part of the unveiling of its electric SUV, the Mercedes-Benz Concept EQ.

“He found out about how my life was and never let me leave his side again,”she continued of Stymest.

“He kind of took me under his wing and taught me about how life should be basically, and I never went hungry again.”

Born Simone Thompson, Woods was raised by her grandmother after her mother was incarcerated when she was just 4 years old.

She left Minneapolis, where she was born and raised, for LA, and by the time she met Stymest at 19, she was on a destructive path, embroiled in drugs with a stint in jail under her belt.

Fast forward to today, and she’s one of the fashion industry’s most

sought-after models. Woods has worked with a roster of big names, from designers to photographers, but it’s her appearance in Kanye West’s Yeezy Season 2 look book (her first-ever modeling gig) and her rise as the face of Rihanna’s Fenty Puma and Fenty Beauty lines — combined with her bold looks and personality — that have brought her a certain level of success and recognition.

Sure, she’s known for physical features like her gapped teeth, tattoos and shaved head, as well as her audacious attitude, but it doesn’t take long to realize that she’s so much more, something that can be overlooked if you don’t get past her bluntness.

76.5% 68.3% 50.6% HAVE BEEN EXPOSED TO DRUGS AND/OR ALCOHOL ON THE JOB

OF MODELS SUFFER FROM ANXIETY AND/OR DEPRESSION

HAVE BEEN EXPOSED TO COCAINE

64.1% 48.7% 31.2% OF MODELS HAVE BEEN ASKED TO LOS WEIGHT BY THEIR AGENCY

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DO “FASTS”, CLEANSES, OR OTHERWISE RESTRIST THEIR FOOD INTAKE OVER SHORT PERIODS

24.7% HAVE HAD OR THINK THEY HAVE HAD A DRUG/ ALCOHOL PROBLEM

HAVE HAD OR THINK THEY HAVE HAD A DRUG/ ALCOHOL PROBLEM

28.8% LACK HEALTH INSURANCE modelalliance.org

Here, our conversation yo-yos from lightheartedness to real-life issues as the model gets candid about her life, rise in the industry,

What made you say yes to a career in modeling?

her personal growth, not limiting herself and the importance of joining forces to take us into the future:

“How else are we going to move forward when young people don’t know shit about history and old people live in the past?”

I didn’t say yes to modeling. I said yes to Ash. You know? I trusted him and whatever he thought that I could do; he’s the first person who believed in me, so I was like, ‘Whatever you believe, I can believe that shit, too.’ He took care of me like his own child. He was about my age at the time, 24 [years old]. I’m turning 22 this year. I was 19 then. He saw my potential before anyone else did.

Ash begged his agent to fly out to meet me, and then after that I moved into a mansion. I lived with Ali [Kavoussi, Woods’s agent] and his girlfriend, and he tried everything he possibly could to get what he thought my career should be off the ground. He tried music; he tried anything that he thought that I could be branded off of easily, whatever could get the ball rolling first.

He convinced the agency to put me on the board without a contract. He was like, ‘If you guys don’t want to sign her, just trust me, try putting her on the board just for fashion week.’ They did, and after that, proved my case. And here I am.

The modeling industry likes to shape people, but you seem to have stayed true to yourself. When you first get involved, it’s easy to try to please.

Oh, you’ve said that, that you like being the villain.

I love being the bad guy.

I love that shit. I love it. It makes it very easy. I’ll be in the room like, ‘You don’t wanna be it?’ I’ll be the murderer today, fuck it. Being homeless, people don’t understand ... when you’re really on the streets, you might go years without someone talking to you. I went two, three years during middle school, high school where people walked past me on the street when I talked to them. Said nothing, nothing to me. Bitches kissing my ass right now, and it’s so funny because the same people would step over me while I was sleeping on the street sit next to my head at the bus stop, waiting for the bus. That makes it a lot easier to just do whatever the fuck ... ‘cause you know, none of these people are gonna give a fuck about you. They just want what you have. And you don’t even want what you have, so it’s like, ‘I’m cool.

You want it?’

It’s a beautiful thing when you can offer something that someone wants so bad on a platter and watch them be too scared to take it. ‘Yo, you want to be me? Here.’ People are like, ‘Well, I didn’t really think we were going to get this far, oh shit.’ [Laughs] It’s just a funny thing.

What keeps you going in this industry and wanting to make things happen for yourself?

When it comes to modeling, I’m really around so that I can ensure a spot for a girl that actually does dream of this, and she might just be four years old right now. I just remember watching ‘America’s Next Top Model,’ and there was this girl that Tyra [Banks] convinced that her gap was ugly, and she needed to remove it. She didn’t give her braces or Invisalign. She fucking removed every single one of her top row of teeth and put them closer together. Imagine being a kid watching that.

I was like, modeling is the last thing I ever want to do. I was showing my grandma like, ‘Look what they’re doing out here to girls!’

So you were familiar with modeling in that sense?

And only in that sense. That was the one thing. ‘America’s Next Top Model’ was more for drama. None of that shit happens in the fashion industry. I’m gonna walk down a runway and jump into the crowd and crowd-surf, and then I have to look elegant in the poses?

What the fuck! I don’t want the spotlight to be gunning for me to hate myself. I feel like that’s what the fashion industry does to you. It makes you hate yourself. That’s what’s dope about Mercedes-Benz and the #WeWonder program; this had nothing to do with beauty.

We’re talking about sustainability. What’s gonna last?

Have you seen any changes in fashion in terms of inclusivity?

It’s funny, because I’m coming at a level where brands can’t afford me. I was watching a commercial the other day, and sometimes you work so much that you forget that you did something. I was watching this commercial, and there was this girl tangoing. I was like, ‘I didn’t do that. When did I ... I don’t know how to tango.’ And I was like, ‘That’s not me.’ But I thought it was me. I thought it was me! I’ve got girls sending me their emails from their agents’ castings [saying]: ‘Eh, we need a Slick Woods girl. Make sure she has Slick nails and a shaved head, dyed eyebrows.’ That’s the concept. What? I need my 10 percent! [Laughs]

How do you feel about that?

It’s very weird. You go from being the most unattractive thing in the world — damn near people always trying to make up an excuse for why they were attracted to me when I was younger. ‘Oh Slick, you’re so beautiful, what are you mixed with?’ Black? That’s why … you feel me? It’s always like, ‘He likes Slick maybe ‘cause he kinda gay, so he kind of has this thing for boy/girl.’ It’s always trying to rationalize your beauty … It’s always some backhanded compliment. Damn, that’s how you feel about yourself? Just get over it. It’s just so funny ‘cause you go through your life feeling very unwanted, especially growing up.

Is it a positive thing then, if that’s changing?

I think it’s good because it makes being different a ‘look.’ Even if being different is a fad, that’s good. It’s better than being fake being a fad. I’d rather real be a fad, then people pretending to be fake-real than being fake-fake, ‘cause you’re a step closer to real when you’re being fake-real. You just gotta fake it until you make it — some people gotta do that, especially in LA I learned that. People fake it until they make it all day.

In terms of your experiences in the modeling, is there a particular shoot or job that stands out for any particular reason?

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Two big things have been the #WeWonder and the Pirelli calendar.

The Pirelli calendar was dope, because we had a collab. It’s the same type of situation, this collab with people from all different walks of life. You’ve got me, Naomi Campbell, Diddy, Lil Yachty, Sasha Lane, Lupita [Nyong’o], Adwoa [Aboah], King [Owusu] …

Thando Hopa, who’s a dope activist from South Africa.

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MIDNIGHT MAG, where cosmetics meets skin care, collides with trendy hairstyles, and inspires girls worldwide.

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