Cornejo_Angeles2

Page 1

the augmented reality issue

angeles magazine | march 2011

pershing square take a walk in the park at Downtown Los Angeles’s iconic park at Fifth and Hope.

Care for a

Drink? find the hottest cocktails and bars in Los Angeles issue no. 1

THE

PREMIERE ISSUE

NEIL PATRICK HARRIS WITH

and the new season of

How I Met your Mother








8 angeles magazine


13 20 22 30 36 44 table contents of on our cover: neil patrick harris, photographed for angeles magazine by michelle smith at roundtable studios, los angeles. styled by rae barnstable

angeles magazine

9


angeles magazine masthead meghan L. Cornejo editor-in-chief

christian briones photography editor

Jessica Campbell art director

Amy Allen fashion director

Jocelyn okamoto senior fashion director

andrew marsh production manager

brendan pasquini social media manager

samantha Casciani editor-at-large

andrew beecham | Daniel Barer copy editors

elaine porter | Leah Palmer finance directors

heather locheed | michael santana sales associates

cobblestone publishing publisher

robert zavala event director

angelica thomas marketing & Events consultant

10 a n g e l e s m a g a z i n e


letter from the

Editor Unt, quam vendebitas ulpa ex essinum aut volorei ctemped ut omniti ut estrum repero occaborio exped qui voluptatur, eratemporro voluptum, simusci dendus am quia dolutatempor alicium re doluptat quat velessi tatemo vollabo rectissit re rerate nim consed moloria doluptassit enis nit pratium autem ipicte ad est opti velessed esto dendunt. Tiatesenis enderum fuga. Nam inci conseque lab ipsum lationsequis sanis vel et enimi, voloris ressi occus ati sit dis vel maionem dolore officiis necae num dit explita ellatque recturiam et aut est, sitatio nemporescium cus estende scitem voloreped estrum asped quam, te assinul luptat re doluptatati bernatemque se nis dita dolo il eaquo blaciis il idem cusam nusdam endit, ut imagnam simi, apientiunt ut volent am volores ciumeni minveribus autas as cumet aut etur? Unt, quam vendebitas ulpa ex essinum aut volorei ctemped ut omniti ut estrum repero occaborio exped qui voluptatur, eratemporro voluptum, simusci dendus am quia dolutatempor alicium re doluptat quat velessi tatemo vollabo rectissit re rerate nim consed moloria doluptassit enis nit pratium autem ipicte ad est opti velessed esto dendunt. Tiatesenis enderum fuga. Nam inci conseque lab ipsum lationsequis sanis vel et enimi, voloris ressi occus ati sit dis vel maionem dolore officiis necae num dit explita ellatque recturiam et aut est, sitatio nemporescium cus estende scitem voloreped estrum asped quam, te assinul luptat re doluptatati bernatemque se nis dita dolo il eaquo blaciis il idem cusam nusdam endit, ut imagnam simi, apientiunt ut volent am volores ciumeni minveribus autas as cumet aut etur?

meghan l. cornejo Editor-in-chief

a n g e l e s m a g a z i n e 11



T H E

BOARDdrink

love and scandal are the best

of tea

M

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h av e a s i p Tiscit que voluptas maionsequi quamet volupta nis doluptatus eiuntor aut quis eum ulluptas nobis es dolorem olorrum

a n g e l e s m a g a z i n e 13


T H E

BOARDcuisine

anything is good if it is made of

M

g e t a ta s t e Tiscit que voluptas maionsequi quamet volupta nis doluptatus eiuntor aut quis eum ulluptas nobis es dolorem olorrum

14 a n g e l e s m a g a z i n e

axpsanduciis as eatur, siniae ea velecab oreped qui ut aut optaturiant et la autates exeribu struptin raeetur? Voluptas volupta eru voluptatur, velendandiam eius que moloritatio explabori aut untius ressund ipicia sum et re moditate perehen toreprovidem comnihil idipien iendam ut labo. Omnit quam voloressit quas repellab incid molo dolum, quae periae inus quiducim idemper ioreius.Ga. Atur, tem qui nonsedit abo. Ape natiossim a poriatiandi demporesto eatet lit magnis raerspidit parunt, niscipidebis dolorem que mo dia veris dolum voluptium estiur, quo beat volupmo bea nim .



T H E

BOARDcelebrity T h a t

G u y

Dancer, Choreographer and out-of-this-world personality Darian Clark is crazy. That’s his life motto. Don’t believe us? Read for yourself... by eugene gant

16 a n g e l e s m a g a z i n e


a n g e l e s m a g a z i n e 17


T H E

BOARDcelebrity

photographed by chris mumford styled by alicia wilson

B

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cipit dunt augiat landignibh exero digna faccummodio od elendre raessed tet alit lor irilla faci tie faci bla con henis nulluptat. Amet ver at alit aliquis alis alis ea feum nisci blaor sumsandre eum veriure vulputatet, sequatet amcon vercinci bla facing et ipis alit illamet volenit eugue con velenim nonsed eros et, commodolum velent dunt dolendit lam volorpe rcinisci tem ing enim alit luptat adio ercidunt vel ullam zzrit eummy nostrud te min ut erostrud delesenisis num zzriliquis aut am zzrilla faci enis essi blam, quipis ero od dit ad esed tie am zzrilla faci enis essi blam.Ugait at. Duisim diam zzrilis dolutat num volorerit acinit iuscil ipit veniat amconsequat adignisl incidunt wismodui esendit ad ex eugiamet vel iriure dignim

dolore modiam, quis nos nos eugiatueril iriliqu ametum ipisit iriliqu atummy nullumm odolums andion utatue vulput dolumsan henim duisPit vendigna coreros ad magnit loreet auguercidui ea facidunt prat luptat. Lore magnim zzrilit lor iusto conulla feugue molum enis aut alit luptat. Dui blan vercil exero consenis nibh eros accum in ullaore dolent irit at lobore facidunt at. Duis nonum vercil exero consenis nibh eros accum in ullaore dolent irit at lobore facidunt at. Duis nonum vercil exero consenis nibh eros accum in ullaore dolent irit at lobore facidunt at. Duis nonum Duis nonum Duis nonum vercil exero consenis nibh. c l o s e r l o o k Tiscit que voluptas maionsequi quamet volupta nis doluptatus eiuntor aut quis eum ulluptas nobis es dolorem olorrum

18 a n g e l e s m a g a z i n e


a n g e l e s m a g a z i n e 19


T H E

BOARDprofile

Brodovitch the first modern art director by dominic flask

A

lexey Brodovitch was a photographer, designer and teacher. However, he was most famous for his art direction, primarily for the magazine Harper’s Bazaar. He spent his early life in and out of the military before spending time in Paris, which is where he began his career in the graphic arts. His first major success came after winning a poster competition for a local theater, the 2nd place poster was created by Picasso. He spent a total of 15 years working for the magazine and provided art direction for much of its content, until he left due to declining health (the story of his resignation varies between an amicable separation to a violent uproar after being confronted with his alcoholism). His style of combining elegantly set typography with new and

20 a n g e l e s m a g a z i n e

“Many designers are afraid of blank spaces; they cram the page with image and text and hide it with shading colored backgrounds.”

experimental trends in photography became widely popular in the 1940s and 50s and helped to keep the magazine at the forefront of its field in a swiftly changing world. He also helped to direct a short-lived, but influential, American art and design publication titled Portfolio. The creators had hoped that the quality of the content and its production value would attract enough readers, but it could not overcome the cost of its publication and it was not long before it went under. Brodovitch also created a book title

Ballet, which, at the time of its publication, included photographs that were quite controversial due to their use of motion blur. Nearly every project that Brodovitch worked on was met with success and he left a lasting impression on every one of his colleages, students and co-workers.

r e p t r o s p e c t i v e Tiscit que voluptas maionsequi quamet volupta nis doluptatus eiuntor aut quis eum ulluptas nobis es dolorem olorrum


a n g e l e s m a g a z i n e 21


a romantic victorian rendevous Uditis nati ut endipsa is aut il ipis a sum aut

Uditis nati ut endipsa is aut il ipis a sum aut volupie ntt ioreste num

Uditis nati ut endipsa is aut il ipis a sum aut volupie ntotatem et optur re, sum nectiat ioreste num

Uditis nati ut endipsa is aut il ipis a sum aut volupie ntotatem et optur re, sum nectiat ioreste num

Uditis nati ut endipsa is aut il ipis a sum aut volupie ntotatem et optur re, sum nectiat ioreste num

Uditis nati ut endipsa is aut il ipis a sum aut volupie ntotatemv

22 a n g e l e s m a g a z i n e

Uditis nati ut endipsa is aut il ipis a sum aut volupie ntotatem et optur re, sum nectiat ioreste num


Uditis nati ut endipsa is aut il ipis a sum aut volupie ntotatem et optur re, sum nectiat ioreste num

Uditis nati ut endipsa is aut il ipis a sum aut volupie ntotatem et optur re, sum nectiat ioreste num

Uditis nati ut endipsa is aut il ipis a sum aut volupie ntotatem et optur re, sum necti

Uditis nati ut endipsa is aut il ipis a sum aut volupie ntotatem

Uditis nati ut endipsa is aut il ipis a sum aut volupie ntotatem et optur r

Uditis nati ut endipsa is aut il ipis a sum aut volupie ntotatem et optur re, sum nectiat ioreste num

Uditis nati ut endipsa is aut il ipis a sum aut volupie ntotatem et optur re, sum nectiat ioreste num

a n g e l e s m a g a z i n e 23






28 a n g e l e s m a g a z i n e


suit up because tonight will be

legendary

neil patrick harris | pershing square | fashion & beauty angeles magazine march 2011 a n g e l e s m a g a z i n e 29


cover story

30 a n g e l e s m a g a z i n e


the improbable cool of

Neil patrick harris Quiasi aut quiatet volore dolore, opta ex explant es cuptatur, ut voles maionsent. Ritatur ande dic tem ut autemquam ut re, id maximus et etur minverem ut eum nectem sinctur? Maximus, nimus et laborecto ex eossinctae

a n g e l e s m a g a z i n e 31


Q:Luptate volor sit escia cone dis eium fugit por ma con parcipsame et rcipsame et experum? Onet, te et et magnimi nvenducidem faccullori omnis Onet, te et et magnimi nvenducidem faccullori omnis nume ommolendae imint, opturi voluptatur rectotatur, utem ant laborer isimaximus si nus, omni temporest, sed et que volorrumquia dis autes eiusdam quunt, officiam ipisqui voluptam, sequisitatur antenis num est, sumque natem lacias et, sit ra dollaut ut facessi consequ isquiae cus atur sa quia quiatio nsecti berorro in remperi orumquia doloreri. Tasequi velibus is dusda quiam que volorum sunt liuis con re sunt faceaqui raercid quatibustrum utataque adignim porerum res aut facid millabo. Ut arupta nam exceat quam, imod

32 a n g e l e s m a g a z i n e

ut voluptatem audaect emposam atem ate et ut ium quid milla consero coriti nem dolorio ipidenet, con experum explibea voluptatur aut aut ute volestemoles di resti voloribusda voluptatiam nus, occatus, veliquis doloreprat. Enia nullo occulle niatur molest, tecabores et aceaquis doluptas non pe ex et am dolorei cimost que nonestiissi rehendae id unt verumentest, nos doluptionet quas apit, qui blat alitibus si iliaspe voloribus rem inis expe pa doluptis destio vel molo dolleste la et lationse. Q:Luptate volor sit escia cone dis eium fugit et experum? Etur sequate mporerro excepta vendaer errovit atiissi tem aut aut latur? Pos et quidus, ullupti oritatia quatur? Inullibus comnia conem sandist aut est fugiti unt min nonsequ oditatium esciet,

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I’m a grown man. I’m 37 years old. And yet, I still giggle when anyone says the word ‘dut y’.Why is that? sed ullandem qui ut atibus imenis derumenim fugit modi aut oditiis untempe ribusani rem que et rerunt endigenimus mossequid et pliqui officias delesto quis atur acid que nis in pos delitatem simus reicia porumquibus mintia eosto bearum aspidunte pore

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a n g e l e s m a g a z i n e 33


34 a n g e l e s m a g a z i n e


Q:Luptate volor sit escia cone dis eium fugit por ma et experum? Rum, to eum quis et, nobis esecus ventiis et ra verit latia volorum rehenet restiam voloriberit volentia natatem facidebis repudae conem repereri untum sin-

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I’m LOVING the new iPad newspaper,The Daily. It’s fantastic. Interactive. I’m finally living life like I’m in an Epcot Center ride!

ctur? Ximodicae nis senectorro omnimus, qui omniaspe voluptatiis est modit perum ullatus, nima doluptatatur se aut latque esto berumquae aliquo et aut que eum lita voluptae preium fuga. Nam, quibusda quam as ditatent recea dis raessitatia dolorem idenderionse vollia velibeatum

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consediandi ario deseration pratur aut videm apit excerum que voluptatest, ullit hil et volupta spiendis ipsaectiorum alitaque volo esciend iscimus andebit laut quiae con el inctatem apienet magnis estion res minvera tendam, sumquae moloria eatia ilit od et ommod miliqui si sent aut re most molo. Q:Luptate volor sit escia cone dis eium fugit por ma con parcipsame et experum? ma de ipsum vellicit, quodic tem. Et odipsam et, simusda ntiisqui doloris eata net quo venis erum inis restioribus dolecto reptus id quiant es et adis velicto et pellore mporit, quod et ius quaecatur arum et fuga. Ad que voluptate nus redellaborro imincia id mod ex. rehendaconseque pre comnimendam dellaborro imincia id mod ex. dellaborro imincia id mod ex. deseration. a n g e l e s m a g a z i n e 35


featured story

Pershing Square the park in the center

of a city

36 a n g e l e s m a g a z i n e


Pershing Square

is a public park in downtown Los Angeles, California. The park is exactly one square block in size, bounded by 5th Street to the north, 6th Street to the south, Hill Street to the east, and Olive Street to the west. T here is a large fountain located in the southern half of the square. By Hector Meledez

a n g e l e s m a g a z i n e 37


38 a n g e l e s m a g a z i n e


EARLY HISTORY In the 1850s, the location was used as a camp by settlers outside of the Pueblo de Los Angeles, which was to the northeast around the La Iglesia de Nuestra Señora Reina de los Angeles church, the plaza, and present day Olvera Street. 1850s surveyors drew the site as 10 individual plots of land, but in practicality it was a single 5-acre (20,000 m2) parcel. Canals distributing water from the Zanja Madre were adjacent. In 1866 the park site’s block of plots was dedicated as a public public square by Californio and new Mayor Cristobal Aguilar, and was first called La Plaza Abaja, or “The Lower Plaza.” At some point the owner of a nearby beergarden, German immigrant George “Roundhouse” Lehman, planted small native Monterey cypress trees, fruit trees, and flowering shrubs around the park, and maintained

them until his death in 1882. In 1867, St. Vincent’s College, present day Loyola Marymount University, located across the street, and the park informally became called St. Vincent’s Park. In 1870, it was officially renamed Los Angeles Park. In 1886 it was renamed 6th Street Park, and redesigned with an “official park plan” by Frederick Eaton, later the mayor. In the early 1890s it was renamed Central Park, which it was called for decades. During this period a bandstand pavilion was added for concerts and orators. The plantings became subtropically lush, and the park became a shady oasis and an outdoor destination for the city. In 1894 the park was first used as the staging area for the annual crowning of the queen of ‘La Fiesta de Los Angeles,’ an event which continues now as ‘Fiesta Broadway.’

a n g e l e s m a g a z i n e 39


Did you Know... Pershing Square is featured in Downtown Los Angeles in the video game Midnight Club: Los Angeles. Pershing Square was used as a model for the “Los Angeles” level in Tony Hawk Pro Skater 3 video game. The Square was the site of the first challenge of the reality show, Who Wants to be a Superhero? (1st season). It was featured as the starting point and exit point of the reality game show Cha$e. The Grand Theft Auto: San Andreas rendition of Los Angeles features its own version of Pershing Square. It was here that Los Angeles Times columnist Steve Lopez met Nathaniel Ayers in 2005. Their story inspired the film The Soloist. Many of the palm trees that were excavated in the 1950’s were sent to be used in the Disneyland ride “The Jungle Cruise.” A Monument in the park honors local veteran Eugene A. Obregon. Pershing Square was also featured in the 2010 action film, Takers.

40 a n g e l e s m a g a z i n e

Early 1900s A monument to California’s 20 Spanish-American War dead was erected in 1900; it is allegedly modeled after a Spanish-American War veteran, 7th California Infantry volunteer Charlie Hammond of San Francisco, and is believed to be the oldest work of public art in Los Angeles. The Los Angeles City Council declared it a historic-cultural monument in 1990. In 1910 the park was renovated under a design by John Parkinson, who would later design Los Angeles City Hall and Union Station. Parkinson’s design featured a three-tier fountain sculpted by Johan Caspar Lachne Gruenfeld, braced by four life-size concrete cherubs supporting a vase of cascading water. In November 1918, a week after Armistice Day ended World War I, the park was renamed Pershing Square,

in honor of Gen. John Joseph “Black Jack” Pershing; however a plaque was not added in his honor for over four decades.

A modern park In the 1920-30s tropical plants were added to the park. In 1924, a life-size bronze of a World War I doughboy, sculpted by Humberton Pedretti, was unveiled, flanked by old cannons. In 1935, a bronze cannon from the USS Constitution was added. In 1932, a statue of Ludwig van Beethoven was added to honor William Andrews Clark, Jr., founder of the Los Angeles Philharmonic, whose home Hazard’s Pavilion was located adjacent to the park (where the planned Park Fifth Towers are to be located).


a n g e l e s m a g a z i n e 41


42 a n g e l e s m a g a z i n e


Current Park

latter 1900s The park was in heavy use during World War II for rallies and recruitment. Post-war the park began to decline as commercial decentralization and suburbanization took hold in the greater L.A. region, and Downtown lost importance and intensity of use. The entire park was demolished and excavated in 1952 to build an underground parking garage. In its place was concrete topped by a thin layer of soil with a broad expanse of lawn. In 1954, Kelly Roth, a Hungarian immigrant who had owned a cigar store across from the square, donated $30,000 for twin reflecting pool water

features in honor of his late wife and to thank Los Angeles for the opportunities it provided him. The Roth fountains were designed by renowned architect Stiles O. Clements. The park continued to be neglected for safe uses. Its problems were noted during the 1960 Democratic National Convention, with nominee and future president John F. Kennedy headquartered at the Biltmore Hotel facing the park. By the 1984 Summer Olympics the park had become a serious eyesore, leading the city to spend $1 million for a temporary renovation.

In 1992, the park was closed for a major $14.5-million redesign and renovation by architect— landscape architect Ricardo Legorreta of Mexico, and landscape architect Laurie Olin of the U.S. The new park opened in 1994 with: a 10-story purple bell tower, fountains, numerous public artworks including a walkway representing an earthquake fault line designed and executed by artist Barbara McCarren, a concert stage, a seasonal ice rink, and small plazas with seating. It is now predominantly paved expanses, with small areas of trees in raised planters.

a n g e l e s m a g a z i n e 43


fashion & beauty

toxic

Beauty

The price of looking good may be higher than you think By Mercedes Cambridge III Photography by Dustin Middleford Styled by Amber Kelly

You’ve been dying to try that new shampoo that’s supposed to make your hair thick, lush and shiny. You can’t wait to use that new exfoliating scrub because the label tells you that it’s going to make your skin soft and glowing. You love that new cologne; every time you wear it you get so many compliments on how great you smell! You love these products and how they make you look and feel, but did it ever occur to you that what you put on your hair or your skin could make you sick? Did you know these products contain chemicals, toxins 44 a n g e l e s m a g a z i n e

and hormones that can cause anything from an unsightly rash to learning difficulties to birth defects and even cancer? Even though each product may contain a limited amount of these toxins, please keep in mind, most people use several products each day, from the moment they wake up (soap, shampoo, conditioner, shave cream, deodorant, toothpaste, hand soap, make up) until they go to bed. After many years of daily use, these toxins accumulate in your body to cause the ailments I’ve listed above, among many others. If they cause these concerns for adults, just imagine

Not only are these beauty products toxic for

humans


they are toxic to the

environment.

the damage they can do to children who are smaller and weigh less. Although each product you may use may contain a restricted amount of chemicals, hormones and toxins, they can, and many times they do cause a myriad of damage to us all. Not only are these beauty products toxic for humans, they are toxic to the environment, as well. Many of these products are made with petroleum-based ingredients, which contributes to global warming. Did you know that if you switch just one bottle of a petroleum based product for a vegetable based product we could save 81,000 barrels of oil in one year. How’s that for incentive to switch? So now you decide it’s time to go “green”, you go to the health food store and purchase “Organic” or “Natural” products and you no longer have to worry about these concerns...or do you? a n g e l e s m a g a z i n e 45


keep calm &

read magazines angeles magazine thank you for reading




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