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SEEk Editor Kimia Hangafarin Editor in Chief Randy Dunbar Creative Director Marie Suter Fashion Director Gloria Baume Managing Editor Leigh Ann Boutwell Editor Emeritus LEWIS H. LAPHAM Washington Editor ANDREW COCKBURN Art Director STACEY D. CLARKSON Web Editor JEREMY KEEHN Associate Editor SAM STARK Assistant to the Editor RYANN LIEBENTHAL Photographer Benson
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Table Of Contents
Hidden Gems in Hawaii
Letter from the Editor 7
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Top Restaurants in Laguna Beach
Tips for Festival Hair
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Cara Delvigne: Style Rebel
Richard Avedon: Portrait of an Artist
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Seek Magazine is a lifestyle magazine that focuses on the action part of life and is for people who want to discover new things, go new places and seek out the best things in life! It concentrates on art, events, music, fashion & nature. Although based in LA, it has a worldly view, to give full enlightenment of our world today. There is a global spotlight in each
issue, which, tackles real world events and trends. It is slightly geared more towards women since there is a large fashion aspect but men’s fashion is also included.dicatat estrum rem ut et ad ut ea volum, volorep eressitibus siminus nitiant voles quibus, id quae laborrunt aut volupture nusapersped quam et illuptatur magnis ut aut ra dunt, vitat fugiae apedio. Faccum aut parum aut maio consenis dia
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Letter From The Editor
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ear readers, Thank you for picking up our first issue of Seek! This magazine is dedicated to showcasing the art and culture of so cal. From fashion to music to art and events, we bring you into the fascinating world of southern California Seek is all about raising the bar and setting new standards and I want to thank every single person who helped us get here. I am so excited to show you all what we have in store for you this season. It is time to embrace spring and all the opportunities it brings. Check out our fashion section for the most stylish looks of the season; and remember don’t be afraid to experiment with new clothes, have fun. Seek offers you a guide to the most interesting festivals of the region, a portrait of the most up and coming artists of California and finally a little lesson in class‌so go on take a look and be adventurous!
Love, Kimia
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Travel ‡~~~ Food Fifth Floor hidden gems of Hilo Hawaii
Moments Fashion Food, and Travel unite creating a new lifestyle concept that we like to call a little bit of heaven. By Lourda Sexton
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The landscape of Hilo, on the Big Island of Hawaii, is diverse. Beaches of black, gray, brown and white sand give way to mountains and dramatic waterfalls. Hilo’s Pana’ewa Rainforest Zoo is the only U.S. zoo in a tropical rainforest. A day trip away are snow-capped Mauna Kea and Mauna Loa, with observatories near 11,000 feet on both mountains, and Kilauea Caldera, an active volcano. Back in town are a farmer’s market, restaurants, shopping and banyan trees planted by celebrities and politicians. South Point Hawaii (also known as Ka Lae) is the somewhat out of the way but remarkable place that is famous for being the southernmost point in the United States. South Point Hawaii is a fantastic place to get away from more crowded areas of the Big Island and experience the vast beauty and power of the ocean. It’s well worth the trip and makes a good detour on the way to the Hawaii Volcanoes National Park or a day trip of its own including a hike to Mahana Bay and its Green Sand Beach. Papakolea Beach located near the Big Island’s southern tip, is known for its unique olive green sand. Olivine is a semi-precious stone. Here in this area these small green volcanic stones originate from the littoral cone that surrounds the small bay. The ocean erodes these stones and crushes them into fine sand. The sand is too fine to be considered gem stones, but beaches like this are rare. So it’s almost like walking on jewels. Pololu Valley Beach Violent, lush, wild; the north end of Hawai’i Island is as varied and exciting as it is unexpected. At the end of Highway 19 are the Pololu Valley Overlook and the trail leading down to Pololu Beach. This is one of the most untamed, beautiful spots in the tropical Pacific and should not be missed. The trail down to the beach drops 400 feet in 20 minutes of hiking—be warned, the hike up is difficult for those not in good physical shape and the hike down should not be attempted if you have doubts about being able to hike back up. The beach is not usually swimmable due to the violent surf and ocean currents, but makes a wonderful place to picnic and contemplate the awesome power and violence of nature. For the adventurous, the hike down to Pololu Valley may not be enough—for them may we suggest further hiking in this lightly-traveled area. Pololu is the starting point for over 40 miles of interconnecting tails, as well as the Kohala Ditch. There are also trails to spectacular waterfalls at the back of Pololu. Valley. Trails in this area are steep, unmaintained, crumbling and frequently quite slick, so caution is advised, particularly on hillslopes and in the rain, when trails may turn into streambeds and hillsides into waterfalls. The valley itself is private land, so stay close to the beach. The best place to cross the stream is usually about 80120 feet inland and during either slack or high tide; spend a few minutes to find the stone ford for an easier crossing.
Travel ‡~~~ Food Fifth Floor Come to The Retreat in Laguna for the view, and stay for the food. Whether you’re looking for a romantic dinner by candlelight, a table with a view, or a creative new cuisine, Laguna Beach restaurants have it all. Here are the best of the best restaurants…
Beach House Salad The Beach House
K'ya Bistro Bar – This tapas style bistro is both romantic and happening with ocean views and some of the best new fare around. The Beach House — Love seafood? This is the place for you in Laguna Beach. From the classic Oysters Rockefeller to Steamed Carlsbad Clams, everything on the menu will blow you away. Alessa – If you love Italian food, then you will die for the fare at Alessa. Enjoy some lovely pasta or just some tiramisu and wine on the patio. French 75 — For classic french cuisine, including to die for Souffle’s, this is the best place in Laguna Beach. The Beachcomber – For a romantic setting with incredible views and great seafood this is a MUST during any trip to Laguna Beach. Plan ahead and make reservations, because this place is popular!
Poke and Mojitos at The Roofttop Bar
Las Brisas – For the best brunch and margaritas in town with beautiful beach views, check out Las Brisas. Watermarc – This classy joint has some of the best American cuisine in town. Although bacon is used liberally, the menu has unique vegetarian dishes as well. Sorrento Grille and Wine Bar – This hot spot is an off main street gem. Great for any romantic or family occasion and the food is exciting. Look out for special menu nights with brew or wine tasting. SideDoor – If you enjoy hip gastropub fare, this is the place for you. Try a beer flight and share your dishes with a friend or loved one. The menu always changes so be sure to revisit the next time you stay at The Retreat Laguna.
Shrimp Skewers & Poke The Beach House
Ti Amo – This community cornerstone is a romantic hot spot in Laguna. Inside this unassuming little villa is a wonderful private dinning Italian experience. Café Zoolu – This is a very intimate high-end seafood joint. The swordfish, prepared in soup, sandwich, steak or omelet, is a must try! House of Big Fish and Ice Cold Beer – This seafood joint is another gem of Laguna. With its relaxed atmosphere, it’s hip and happening so be sure to make reservations. And check out their happy hour for great deals. Mango Bruschetta at Tommy Bahama Grill
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Travel ‡~~~ Food Fifth Floor 5th Floor Window Dressing Themed windows make brilliant vignettes on FIDM’s 5th floor.
By Dagmar Winston Photographs by Kyle Swinehart
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ach semester at fashion school, FIDM, located in downtown Los Angeles, the 5th floor is host to a variety of window displays created by the Visual Communication students. Each semester they are given a theme and told to run with it. The results, quite often, are spectacular. This semester’s theme is nature and instructor Katherine LoPresti instructed students to build their window displays with “as much organic materials as possible.” The students work as teams to build everything from the dresses to creating the typography for the windows. The group effort pays off as the nine windows are often the center of attention for visiting parents and prospective students.
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Tricks & Tips for
Fes tiva l Ha ir
The Flower Crown
The Feather Accessories
We had to start with the most obvious of Coachella hair looks, didn’t we? But Guido Palau’s interpretation of floral headpieces backstage at Dolce & Gabbana’s Spring 2014 show was less contrived hippie and more Sicilian Princess. Start off with second-day hair, pin a simple chignon in the back, and then lightly mess up the front pieces to achieve effortless texture. (If you need a boost, try a bit of Davines Hair Refresher first.) Once that’s done, opt for a crown with traditional blooms like tea roses and carnations for a more classic look. Finish with a statement earring (as shown here) and you’re good to go.
No, it’s not a flower crown. In fact, it’s one better! (Mostly because, once secured, these little pins will be harder to lose and a lot less annoying to wear all day.) Backstage at Honor’s Spring 2014 show, James Pecis was rough drying hair with a volumizing mousse (try Kérastase Mousse Bouffante, then wrapping it into a ponytail. Once secured, her curled pieces of the ponytail to add a feminine element, then decorated the style with a few floral gems that were “meant to look like she’d just rolled around in the hay.” (That’s backstage speak for “haphazardly placed.”)
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reak out your flower crowns, girls, because the festivals are finally upon us! And now that your suitcases are packed with your crop tops, sunnies, and clever graphic tees, it’s time to talk hair. “Concert and festival hairstyles are really inspired by the notion of enjoying the music, the amazing weather, and having a great time,” says Pantene’s celebrity hairstylist Kim Kimble. “Having said that, you want to look cool without fussing over your appearance too much!”
The Wave-and-Braids Combo
The Romantic Braid
Rodarte’s Spring 2014 braid took just about every Pinterest hair board by storm when it made its big runway debut. “This is a complex-looking style, but it can be achieved easily by braiding sections of the hair back and then pinning it into a loose, messy bun at the back of your head. Afterwards, just braid the piece of hair directly underneath to make it look like it’s all one piece,” says Kimble. “Make sure to finish with a hairspray so it doesn’t fall out while you’re dancing!” she adds. Try Pantene’s Flexible Hold Hairspray
Guido Palau took the braid to even more epic proportions backstage at Alberta Ferretti’s Spring show. This time, romance was the key. (If Kate Bosworth is your ultimate style icon, this is the hair for you.) “I love this look because of the texture,” Kimble says. “Spray a dry shampoo, like Pantene’s, into the roots of the hair and massage it in with your fingers. That will activate the product and give it the lift that you want. Then, part hair wherever you like it the most, pull it back, and braid from the nape of the neck.” As for the messy bits in front? “Don’t be afraid of those,” she insists, “that’s what makes it chic.”
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style rebel Cara Delevigne She is no role model. Just don’t tell that to her millions of followers. by Lynn Hirschberg
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t 21, Cara Delevingne may be the biggest thing in modeling—a babyKate Moss with trademark eyebrows and an expressive face that can go from glam to goofy to smoldering to innocent—but her body is in total rebellion against the profession that has made her a star. Delevingne has psoriasis. And when she’s stressed or nervous, angry red patches flare up on her skin. “It only happened during Fashion Week!” Delevingne told me, calling from her agent’s office in London. “Which is, of course, the worst time of the year for me to be covered in scabs. Psoriasis is an autoimmune disease, and I’m sensitive. Kate [Moss] saw me before the Louis Vuitton show at 3 a.m., when I was being painted by people to cover the scabs,” Delevingne recalled. “She said, ‘This is horrible! Why is this happening? I need to help you.’ She got me a doctor that afternoon; Kate gives really good advice.” Like Moss, Delevingne, who is five feet nine, is not the skyscraper physical prototype for a model. In fact, in the past few years, models have been getting taller, skinnier, and, quite frankly, less interesting to anyone outside the fashion world. But when critics lament the passing of the super-
Maybe that’s why I’ve been noticed,” she said. “I treat the camera like a person—I gaze into it. Photos are a flat thing, and you need to put life into
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models of the ’80s and ’90s, what they really miss are the personalities, the faces. Women like Naomi, Cindy—and yes, Kate—had fantastic faces rather than clothes-hanger bodies and an interchangeable blankness that is the current vogue. There are notable exceptions: the lively Karlie Kloss or the stunning Joan Smalls. But when Delevingne arrived in the fashion world four years ago, she was an instant sensation—a face that captivated. “In the beginning, I was thinking, How do I set myself apart from the other girls?” Delevingne said. “So many girls were taller, skinnier, and prettier. And I’m not a girly girl at all—I didn’t get boobs until I was around 18! As a teenager, I kept thinking, I’m so short, and I have no boobs—what do I do?” ¬Delevingne said, laughing. She began to look at modeling as playing different roles. Actually, Delevingne modeled for the first time when she was 10, in a story shot by Bruce Weber for Italian Vogue. She was “discovered” by Sarah Doukas, the owner of a London modeling agency whose daughter went to school with Delevingne and her sisters, Chloe andPoppy. The Delevingne girls are British aristocracy: Their mother, Pandora, was an It girl in the ’80s before she married Charles Delevingne, whose grandfather was a viscount. Pandora, who until recently was the head of personal shopping at Selfridges and counts the Duchess of York among her closest friends, once had a nasty heroin addiction. (It has been rumored that Poppy was named for the drug.) Pandora was in and out of rehab for much of the girls’ childhoods.
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“She’s
a character. She’s the Charlie Chaplin of the fashion world,” said Karl Lagerfeld. “She is kind of genius, like a character out of a silent movie. Girls admire her like they used to Kate Moss. They all want to be as free as her.
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hat anecdote is classic Delevingne—talent plus grand ambition plus an ease and familiarity with the wide world. Whether it’s due to her posh background or her innate confidence—or both—Delevingne has a keen sense of her own potential. She has trademarked her name and has created social media accounts for Cara’s Eyebrows, Cara’s Thigh Gap, and Cara’s Bog Eye, which are, in that order, odes to her striking caterpillarlike eyebrows, the space under her crotch between the top of her thighs, and the funny faces she makes. She is also onInstagram constantly, where she has more than 2 million followers. Many of her posts are playfully provocative: Cara in a midriff-baring sweater, being licked on her stomach by SpongeBob SquarePants; Cara about to kiss her “wifey,” Rita Ora; Cara posing, like a rapper, with fans she calls her ¬Delevingners. There are also shots of her blowing smoke rings backstage at a fashion show and partying with other models. Her bad-girl selfies have fueled gossip that Delevingne is taking after Moss in darker, more troubling ways. At the Cannes Film Festival in May, she was reportedly so drunk at a party on a boat that the hostess, afraid Delevingne wouldn’t make it back to her hotel, had her stay aboard for the night.
But Delevingne shrugs off talk of her reputation. She may know intuitively there’s nothing sexy about the good girl. “Everyone worries about me,” she said. “It’s hard for my family, and I know I have to be careful. People have to realize that I can take care of myself. I’ve done a great job so far.” And yet, despite her rapid success and nonstop schedule—she booked more than 40 shows during the spring collections and appears in campaigns for Fendi, DKNY, Mulberry, Burberry, Saint Laurent, and H&M—she is restless. “I want to make music, I want to act, I want to sing, I want to do something that doesn’t make my skin erupt.” Delevingne paused. “I was just on holiday for three days in Greece with my sister, and I thought that would make me happy and relaxed. But when I stop everything, it’s really bad. I go crazy. In Greece, it was a lot of couples, and I felt alone, which made me sad.” Delevingne has been romantically linked to Harry Styles of One Direction and the English singer-songwriter Jake Bugg, but her closest relationships, at least publicly, are with female pop stars. “I calledRihanna,” she continued. “She said ‘It’s easy to drown yourself in work. That’s a form of escapism. So, if you’re alone and you want to cry, cry.’ And I did. But by then, it was time to leave and get back to my life.”
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Avedon Portrait of an Artist Fahey Klein presents a major retrospective of the photographers work.
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hat do Jean Genet, Jimmy Durante, Brigitte Bardot, Georgia O’Keeffe, Jacques Cousteau, Andy Warhol, and Lena Horne have in common? They were a few of the many personalities caught on film by photographer Richard Avedon. For more than fifty years, Richard Avedon’s portraits have filled the pages of the country’s finest magazines. His stark imagery and brilliant insight into his subjects’ characters has made him one of the premier American portrait photographers. Born in New York in 1923, Richard Avedon dropped out of high school and joined the Merchant Marine’s photographic section. Upon his return in 1944, he found a job as a photographer in a department store. Within two years he had been “found” by an art director at Harper’s Bazaar and was producing work for them as well as Vogue, Look, and a number of other magazines. During the early years, Avedon made his living primarily through work in advertising. His real passion, however, was the portrait and its ability to express the essence of its subject. As Avedon’s notoriety grew, so did the opportunities to meet and photograph celebrities from a broad range of disciplines. Avedon’s ability to present personal views of public figures, who were otherwise distant and inaccessible, was immediately recognized by the public and the celebrities themselves. Many sought out Avedon for their most public images. His artistic style brought a sense of sophistication and authority to the portraits. More than anything, it is Avedon’s ability to set his subjects at ease that helps him create true, intimate, and lasting photographs. Throughout his career Avedon has maintained a unique style all his own. Famous for their minimalism, Avedon portraits are often well lit and in front of white backdrops. When printed, the images regularly contain the dark outline of the film in which the image was framed. Within the minimalism of his empty studio, Avedon’s subjects move freely, and it is this movement which brings a sense of spontaneity to the images. Often containing only a portion of the person being photographed, the images seem intimate in their imperfection. While many photographers are interested in either catching a moment in time or preparing a formal image, Avedon has found a way to do both.
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eyond his work in the magazine industry, Avedon has collaborated on a number of books of portraits. In 1959 he worked with Truman Capote on a book that documented some of the most famous and important people of the century. Observations included images of Buster Keaton, Gloria Vanderbilt, Pablo Picasso, Dr. J. Robert Oppenheimer, Frank Lloyd Wright, and Mae West. Around this same time he began a series of images of patients in mental hospitals. Replacing the controlled environment of the studio with that of the hospital he was able to recreate the genius of his other portraits with noncelebrities. The brutal reality of the lives of the insane was a bold contrast to his other work. Years later he would again drift from his celebrity portraits with a series of studio images of drifters, carnival workers, and working class Americans. Throughout the 1960s Avedon continued to work for Harper’s Bazaar and in 1974 he collaborated with James Baldwin on the book Nothing Personal. Having met in New York in 1943, Baldwin and Avedon were friends and collaborators for more than thirty years. For all of the 1970s and 1980s Avedon continued working for Vogue magazine, where he would take some of the most famous portraits of the decades. In 1992 he became the first staff photographer for The New Yorker, and two years later the Whitney Museum brought together fifty years of his work in the retrospective, “Richard Avedon: Evidence�. He was voted one of the ten greatest photographers in the world by Popular Photography magazine, and in 1989 received an honorary doctorate from the Royal College of Art in London. Today, his pictures continue to bring us a closer, more intimate view of the great and the famous. Avedon died on October 1st, 2004.
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Have a Nice Trip
See you Next fall
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