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2013 Sum m e r I s s u e

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OMG!

must have products for this year

Meet the genius person who designed the Disney hall

FASHION FASHION the the guide guide to to everything everything fashion fashion for for this this summer summer

BUZ BUZZ Z

have have you you heard heard whats whats the the latest latest gossip gossip in in L.A L.A

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Heidi Klum

ways ways of of staying staying in in touch touch with with trends trends

The life of an host

Table of Contents

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Buzz - Learn all the new things that are going around in Los Angeles. We’ll cover things from school, music, etc.

Signals Snowboards -

Fashion show at FIDM Debut; learn all that went down at the show.

Product - We have all the latest 15+ products that you must have and carry with you at all times.

Host of the Angels - Heidi

Klum is the host and executive producer of the seven-time Emmy-nominated series “Project Runway.”

“I've been heartbroken, but I've broken hearts. That's part of life, and its part of figuring out who you are so you can find the right partner.”

- Heidi Klum

Building with a twist Frank Gehry’s newest building, the Walt Dsney Concert Hall 2013 June Glance

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Out with the old and in with the new

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Christine is living among the elites’ Learn how to live with the celebrities

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by: Erika Kelly

here are lots of ways to measure the health of the housing market: the number of sales, number of listings, days on the market and of course, sale prices. But we have what we think is a surefire thermometer - and a far more fun way - to conclude that Los Angele's home prices are again bolting upward: the number of celebritites who bought, sold or listed in May.

Christine looking amazing in her new Elite outfit

Here is a recap of some of our favorite celebrity properties from May and why we liked them. Click through the slideshows below to see which media mogul bought a vineyard, which new couple is enjoying a horizontal shower room and which actresses are busy building compounds in Los Angeles.

About a month ago, rumors percolated that bubble gum pop sovereign and California "girl" Katy Perry picked up neighboring properties in L.A.'s Hollywood HIlls. It's now official: Perry paid $ 11.2M for oil heiress Med main house Perry bought for $8.2M and modern-looking spread snatched up for an additional $3M. 2013 June Glance

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photographer: Erika Kelly

Christine is living next to Katy Perry?

A fancy chocolate cake

The Buzz on food

Let’s Make Chocolate Cake!

There’s a new type of chocolate cake in stores now! by: Erika Kelly

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hocolate cake is made with chocolate; it can be made with other ingredients, as well.

These ingredients include fudge, vanilla creme, and other sweeteners. The history of chocolate cake goes back to 1764, when Dr. James Baker discovered how to make chocolate when he tried making it by grinding cocoa beans between two massive circurlar millstones.

In 1828, Conard Van Houten of the Netherlands developed a mechanical extraction method for extracting the fat from cacao liquor resulting in cacao butter and the partly defatted cacao, a compacted mass of solids that could be sold as it was “rock cacao” or ground into powder. The processes transformed chocolate

from an exclusive luxury to an inexpensive daily snack.

A process for making silkier and smoother chocolate called conching was developed in 1979

by Swiss Rodolphe and made it easier to bake with chocolate as it amalgamates smoothly and completely with cake batters.

Until 1890 to 1900, chocolate recipes were mostly for drinks.

The Duff Company of Pittsburgh, a molasses manufacturer, introduced Devil’s food chocolate cake mixes in the mid 1930s, but introduction was put on hold during World War II. Duncan Hines introduced a “Three Star Special” (so called because a white, yellow or chocolate cake could be made from the same mix) was introduced three years after cake

“Chocolate cake is the cake that people die for!”

photographer: Erika Kelly

Ingredients for chocolate cake 6

Glance June 2013

mixes from General MIlls and Duncan Hines, and took over 48 percent of the market.

In the U.S., “chocolate decadence” cakes were popular in the 1980’s in the 1990s, single-serving molten chocolate cakes with liquid chocolate centers and infused chocolates with exotic flavors such as tea, curry, red pepper, passion fruit, and champagne were popular.

The buzz on Students

Tim is following his dream in Fashion

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by: Erika Kelly

long the way Product/Wash Developer and FIDM Grad Tim You highlighted the essentials for brining design’s vision to reality including timing, avaliablility, and price, as well as they key aspects that make denim development unique such as processing and fit. In the end, we found ourselves in Tim’s inhouse photo studio, which generates images for various uses and departments throughout the company.

Tim used the setting to explain the importance developing different skill sets through internships and other experience, citing her own her own streamlined team’s cross-functional abilities as the key to being supper efficient and productive. With the inspiring advice, and a gift of a chic Tim’s camo-canvas shopping bag, we concluded the tour.

Many thanks to Eva Gilbert and Estelle Hahn and the rest of FIDM’s Merchandise Product Department for putting this tour together as well as all of the companies who took the time to host us. At eacho stop, we were greeted by professionals who were so generous in sharing their time and knowledge. We parted ways inspired by this one-in-a-lifetime experience that we’re likely to carry with us throughout our own careers.

TIm modleing his own creation 8

Glance June 2013

photographer: Erika Kelly

“I love designing design in general”

A beautiful Sunset

The buzz on Traveling

Hunington Beach is the place you want to be at!

The beach is a fine place to relax in the hot weather. by: Erika Kelly

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nown as “Surf City�, Huntington Beach has nearly 9 miles of uninterrupted beaches where you can surf, play volleyball, build sandcastles, or just lay in the sun all day. If southern California beach experience, Huntington Beach personifies the hip and casual West Coast beach lifestyle.

A fantastic place to play beach volleyball, the best place to find nets are the 20 courts framing the north and between the pier. Also you and friends can go find the lovely Hyatt Regency Huntington Beach Resort.

Bicycle enthusiasts can ride the length of the beach (almost nine miles) on a paved path. Once the board is put away for the day, surfing enthusiasts should visit Huntington Beach International Surfing Museumthat is located on Olive Avenue.

Family fun abounds, too, at Disneyland and Knotts Berry Farm theeme parks, which are only thiry-minute drive from the Huntington Beach area.

Golfers can tee up at nearby popular courses such as Meadowlark Golf Club, Costa Mesa Country Club, and MIle Square Golf Course.

Discover the Orange County city that defines Southern California. A place where the quintessential mild and mellow California beach culture that made the state famous still perseveres; where pretentiousnesstakes a back seat to casual and cool; where the true trendsetters of West Coast fashion, food and lifestyle reside. Huntington Beach dominates the California beach scene with 10 miles of uninterrupted beaches. The city features the most consistent waves on the West Coast, an attribute that helped the city reciee the nickname, Surf City USA.

The fun that never ends!

Silhouette of Hunington Beach Pier with the beautiful sunset

photographer: Erika Kelly

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The Buzz on Music

Black Eye Peas breaking up?

“You never know what’s going to happen, so you want to make the best of every day,” says will.i.am. by: Erika Kelly

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n an era of an ever-changing music industry that's defined by diminishing expectation, where a "successful" career means having one, maybe two hit records; The Black Eyed Peas are a glorious exception. They have become one of the best selling, most popular and most innovative groups for over a decade.

They have transformed themselves from a beloved backpack rap troop from the West Coast Underground into fully-fledged, massive global superstars whose music can be heard in any country around the world.

They've done this the right way: creating albums that are more innovative than the last; which has translated into each new album being more popular than the last. And in following this pattern, The Black Eyed Peas – will.i.am, Fergie, Taboo and apl. de.ap – are releasing their sixth fulllength album, The Beginning.

The Beginning follows on the heels of 2009's The E.N.D., BEP's most popular and most creative album to date – and the album that reaffirmed their singular status as a totally new global music icons.

It yielded 5 Top 10 singles (the first album to do so in 20 years), spent an entire year in the Billboard Top 200 Chart, and earned the group 3 new Grammy Awards, for a total of six Grammy Awards they've won. In all, they've sold 29 million records worldwide (plus over 30-million digital tracks). They've sold over 3-million tickets and headlined over 300 different tour dates in 29 different countries.

Simply put, there doesn't exist another contemporary artist or group who can come close to their sustained success.

It's how The Black Eyed Peas have achieved that success that is the most rewarding part of their story: through constant innovation. The Peas never follow contemporary trends in music, but rather create their own – soundtracking everyday emotions with new musical styles. The Beginning does not signal a new start for the group, will not provoke talk of a rebirth.

In fact, musically.

The Beginning taps very much into the dance-club energy perfected on The E.N.D., albeit with a more sophisticated pop and electronic music palette. The Beginning, rather, is a reference to the world at large,

Will they release a new Album?

Copyright © 2005, The Black Eyed Peas.

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The Black Eye Peas together at Music Awards

right here at this very moment in time – new methods of communicating, new methods of broadcasting are connecting the world in ways never before imaginable. The Black Eyed Peas have always been considered innovators ever since emerging out of the West Coast underground rap scene in the 1990s. In 2002, they welcomed Fergie into the group (for their third album, Elephunk), and it transformed them from beloved backpack rap stalwarts into one of the most popular groups in the world.

It was on The E.N.D., though, that the Peas truly made their musical mark, tapping into the infinite energy and communal experience of worldwide club music. The sound they created on that album is now the blueprint for contemporary pop and R&B music; a fact that any quick scan of the radio dial can confirm.

Fashionable Snowboards Los Angeles FIDM graphic design students collaborate to make fashion and art intersect

By Mani O’ Brien

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IDM Graphic Design Students Angelica Villegas (left) and Patrick Lee holding the snowboards they designed, custom built by Signal Snowboards for FIDM DEBUT 2013.Boasting 15,786 YouTube subscribers and more than 2 million views over the past two and a half years, Signal is cetlebrating its 10th year of business and has gained notoriety through ETTthrough which the company shows off its manufacturing process and transforms unusual materials (xylophone keys, Italian glass and Legos, for example) into one-off custom snowboards.

Through ETT, which is in its third season, Signal has developed a bulletproof board, a board equipped with solar panels to charge electronic devices, and even a boardbicycle hybrid that allowed paralyzed former pro snowboarder Tim Ostler to get back on the slopes Made possible by Signal’s unique domestic manufacturing facility– a rare if not nonexistent practice in the industry– the show has served as a marketing tool that demonstrates the company’s commitment to innovation, which reflects the rebellious nature of the action sports industry they serve.

Do you look as hot as this model from the Debut runway show?

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The 11 Graphic Design Students at the fashion show

Models donning winter action sports attire designed by FIDM Advanced Fashion Design Student, Kelly Knagg, will carry the 11 boards at FIDM DEBUT, along with a special concept board that will be featured in the April episode of Signal’s ETT series. The DEBUT models will include Signal’s own team manager, Joey Yorba and pro boarder Pat Garvin.

Last week, five of the 11 graphic design students ventured to Signal Snowboards’ headquarters, located in the heart of the surf/ skate/action sports apparel industry (down the street from Quiksilver/Roxy, Vans, and DC for example) to get a first-hand look at how Signal builds their boards from start to finish.

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FIDM Debut Runway

Fashion will be the focus of an upcoming episode of ETT, details of which will be revealed in April. In the meantime, 11 excited FIDM Graphic Design Students are thrilled to have been involved in a special industry collaboration with Signal who manufactured custom boards that will be unveiled to 10,000 people over three days at FIDM’s DEBUT Runway Show next week.

“Collaborating with FIDM has been a lot of fun. We’re breaking new ground by colliding two worlds together in such a unique way,” says Signal’s CEO Dave Lee. “Through ETT, we are going from concept to design and onto the runway! A fun project for all involved.”

The Eyeshadow Mineral is silky, creamy-smooth, oil-free formula that glides on like a cream and blends to a natural matte powder finish. Covers flawlessly, hides imperfections and evens out skin tones. Mirror, sponge and applicator is also included.

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The Pro Finsih is silky, creamy-smooth, oil-free formula that glides on like a cream and blends to a natural matte powder finish. Covers flawlessly, hides imperfections and evens out skin tones.

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The Delux Brush Kit has creamy smooth, oil-free formula that glides on like a cream and blends to a natural matte powder finish. Covers flawlessly, hides imperfections and evens out skin tones. Mirror, sponge and applicator is also included.

The Foundation Mineral is silky, creamy-smooth, oil-free formula that glides on like a cream and blends to a natural matte powder finish. Covers flawlessly, hides imperfections and evens out skin tones. Mirror, sponge and applicator is also included.

The Forever Eyeliner is silky, creamy-smooth, oil-free formula that glides on like a cream and blends to a natural matte powder finish. Covers flawlessly, hides imperfections and evens out skin tones. Mirror, sponge and applicator is also included.

The Oil Free Foundation is silky, creamy-smooth, oilfree formula that glides on like a cream and blends to a natural matte powder finish. Covers flawlessly, hides imperfections and evens out skin tones.

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Vinyl Max

The Vinyl Max lipgloss is silky, creamy smooth, oil-free formula that glides on like a cream and blends to a natural matte powder finish. Covers flawlessly, hides imperfections and evens out skin tones. Mirror, sponge and applicator is also included.

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“I thought this Barbie would be something that Leni would really like, and it was a really great moment for me,�

-Heidi Klum

Sexy Victoria Secrets Angel, Heidi Klum, is now a host!

lum is the host and executive producer of the seven-time Emmy-nominated series “Project Runway.” After finishing its sixth season, “Project Runway” was also hosts “Germany’s Next Top Model,” which has been a runaway hit in that country for 7 years. She has written a lifestyle book, “Brody of Knowledge: 8 Rules of Model Behavior” and released a book, “Rankin’s Heidilicious” featuring some of her favorite photos taken by talented photographer Rankin.

Klum is the host and executive producer of the seven-time Emmy-nominated series “Project Runway.” After finishing its sixth season, “Project Runway” was also hosts “Germany’s Next Top Model,” which has been a runaway hit in that country for 7 years. She has written a lifestyle book, “Brody of Knowledge: 8 Rules of Model Behavior” and released a book, “Rankin’s Heidilicious” featuring some of her favorite photos taken by talented photographer Rankin.

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photographer Rankin

Can you feel Heidi looking into your soul?

Heidi Klum in all of her glory

photographer Rankin

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Building with a Twist

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The Frank Gehry designed Disney Hall is a mass of reflections and curious angles

ith its exuberant, swooping facade, Frank Gehry’s newest building, the Walt Disney Concert Hall in downtown Los Angeles, looks anything but old-fashioned. And yet in at least one way, it’s an architectural throwback. In an era when office parks, suburban developments, and even skyscrapers seem to zoom to completion in a matter of months, the $274 million hall, which opens Oct. 23 with three nights of inaugural performances by the L.A. Philharmonic, recalls the days when significant public buildings sometimes took decades to finish.

Don’t you wish you were here?

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t wasn’t planned that way, of course. The project had its start back in 1987, with a $50 million gift from Walt Disney’s widow, Lillian. Working with a Japanese acoustician named Yasuhisa Toyota, Gehry quickly produced some very promising preliminary designs. The building seemed destined to be not just Gehry’s most important in Southern California, where he’s lived for nearly 60 of his 74 years, but among the most important of his career.

Then, in the mid-1990s, a ballooning budget, fund-raising troubles, and other problems stalled the project. It wasn’t revived until 1997, when it received a new infusion of cash from the Disney family and others. And indeed the two buildings have a lot in common: Both are composed of a jumble of organic forms sheathed in gleaming, windowless metal panels. (In Spain the material is titanium. In Los Angeles the facade was originally going to be limestone, but budget cutbacks or seismic worries, depending on which story you believe, forced Gehry to go with panels of brushed stainless steel.)

Is the long-delayed Disney Hall, then, just a consolation prize for Los Angeles? Does one of the biggest cities in the world find itself in the odd position of playing second fiddle to a Basque regional capital with a population under 400,000? Not exactly. The building is a fantastic piece of architecture— assured and vibrant and worth waiting for. It has its own personality, instead of being anything close to a Bilbao rehash.

Frank Gehry The legand revealed

That year saw the opening of Gehry’s Guggenheim Museum in Bilbao, Spain, which turned Gehry into a world-famous “starchitect,” doing exactly for his reputation what Disney Hall was supposed to.

And surprisingly enough, it turns out that all of those postponements and budget battles have been a boon for the hall’s design. What the finished product makes most clear is that like plenty of artists, Frank Gehry tends to work better with restrictions, whether they’re physical, financial, or spatial. Without them, his work tends to sprawl not just figuratively but literally.

Even though it cost more than a quarter of a billion dollars and covers 293,000 square feet, Disney Hall is a tighter, more focused effort than many of those Gehry has produced after Bilbao, when the commissions came rolling in, his budgets suddenly became freer, and he found himself with clients perhaps less likely to challenge his authority. The hall manages to be at once lean and wildly expressionistic. It looks like a building in which every design decision has gone through two layers of scrutiny: one financial, the other aesthetic. Gehry had many years to tweak the project, and he’s managed to polish it without sacrificing any of its vitality. The hall manages to be at once lean and wildly expressionistic. It looks like a building in which every design decision has gone through two layers of scrutiny: one financial, the other aesthetic. Gehry had many years to tweak the project, and he’s managed to polish it without sacrificing any of its vitality.

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A new look on disney hall

Like a lot of Gehry’s work, the new building relates remarkably well to the city, though the visual fireworks of its facade and its plush interior spaces may well distract a lot of people from this fact. It occupies a full city block at the top of Bunker Hill, across the street from Dorothy Chandler Pavilion, a gilded late-modernist mistake that used to house both the Philharmonic and the Academy Awards and today hosts neither. (The Oscars are now handed out at the new David Rockwell-designed Kodak Theater, a few miles away.) The facade soars, bends, and dives in a number of directions, in typical Gehry fashion, but that movement is always checked by the limits of the city grid. Seen from above, the building looks like a bunch of flowers contained, barely, within a perfectly rectangular flower box.

That tension continues inside. There is a small performance and lecture space, for example, that Gehry created simply by stretching out one rounded corner of the huge lobby until it was big enough to operate as a quasi-separate room. It’s a setting for chamber music and pre-concert lectures that didn’t require any new walls or floors or even a stage. It makes something remarkable out of nothing.Click on image to expand Skylights in the otherworldly lobby Other details in the lobby, from the walls lined in Douglas fir to the remarkable treelike columns (whose stocky, branching form Gehry says he stole from the Czech architect Joze Plecnik), promote a dreamlike and otherworldly feel, a detachment from the hustle-bustle and the grime of the city. But the lobby is also open to everybody: You don’t need a ticket to walk through it, as is the case in many concert halls. This is an old-school public space in the tradition of Grand Central Terminal or Bertram Goodhue’s low-slung central branch of the Los Angeles Public Library, which is only a few blocks away from the new hall. Click on image to expand The auditorium’s convex curves

Indeed, that tension—between free-flowing imagination and the limits imposed by physics and budgets—is what defines the building as a whole.

Disney Hall

The legand begins

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There is still more productive tension inside the auditorium itself, which holds about 2,200 people and during daytime performances will be naturally lit by mostly hidden skylights and one tall window.

The free-flowing, organic forms that Gehry loves to use are offset by the rigorous acoustic demands that any architect of a concert hall has to contend with. (In an auditorium of this kind, every exposed surface, from balcony railings to seat upholstery, can affect how the orchestra sounds.)

As it turns out, Frank Gehry and concert halls are wellmatched. Acousticians have realized over the last few decades that convex—or outwardly bulging—curves can be very effective, bouncing and dispersing sound waves produced by an orchestra.

(Concave curves, on the other hand, can trap sound.) And in buildings from Paris to Seattle, Gehry has produced what easily qualifies as architecture’s most varied and complete collection of convex curves.

There’s no definitive word yet on whether Disney Hall’s acoustics are indeed good; the orchestra’s first performance is still a few days away. But the early word from the musicians, who began rehearsing in the new auditorium over the summer, has been positive.

All of these dualities are fitting for a concert hall. Symphony orchestras these days are looking for ways to attract younger, hipper audiences as their core supporters grow older, while at the same time preserving the sense of refuge that will always be classical music’s main drawing card.

Gehry’s design cleverly explores both sides of that divide: It is a building where the members of a democracy can go to feel refined, to be lifted from the everyday.

Gehry, along with a few of his more admiring critics, likes to define himself as a combination of artist and architect. That job description suggests that he envies the kind of pure creation that painters and sculptors can indulge in, distant from the demands of zoning boards, engineers, and French horn players.

But in fact the Disney Concert Hall seems to make the opposite case about his talents. It’s full of evidence that Gehry is an architect in the most public-minded and collaborative senses of the word—that he’s a master at figuring out ways to allow inspiration to serve practicality, and vice versa a large garden.

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An attraction of going to the symphony is trading in your regular self for a better-dressed, more cultured one.

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An amazing view from the Disney Concert Hall

The last Page

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